Amanesi Ozako - Works 2020

WORKS AMANESI OZAKO

WORKS AMANESI OZAKO

CONTACT amanesiozako@gmail.com +1 240.781.9423 1405 Wickenby Ct. Dunwoody, GA 30338

SKILLS AutoCAD Sketchup Rhino 3D Revit Enscape

Adobe InDesign Adobe Lightroom Adobe Photoshop Adobe Illustrator Microsoft Office Suite

drafting model-building watercoloring ink-washing woodworking photography

WORKS 2020

AMANESI OZAKO AUBURN UNIVERSITY

CONTENTS PUBLIC

PUBLIC CARVING creating public space

STRUCTURAL INFILL markethall

SHIFTING PLANES extending views

PRIVATE

HORSEPLAY urban playgrounds

MRS PATRICK'S HOME design + construction

STUDIES

MODULAR STUDY symbiosis of thick and thin

RECREATING DETAILS destijl fabrication

ANALOG craft

FINDING LIGHT exploring the lens

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PUBLIC PUBLIC CARVING creating public space

STRUCTURAL INFILL markethall

SHIFTING PLANES extending views

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PUBLIC CARVING

creating public spaces TYPE INSTITUTION PROFESSOR AREA

Art Centre Auburn University, Final Year Margaret Fletcher 65000 ft2

This project is an expansion to the Atlanta Contemporary Art Center in Midtown Atlanta. It is proposed to house a substantially expanded exhibition, event venue, studio artist program, and educational facilities. The proposal considers how it amplifies, attenuates, or negotiates the conditions of the site while taking into account the mission of the Contemporary Art Center to engage the public. Hence, operational carving on the building form creates three types of public space within the proposal. The green space on the ground plane accommodates an amphitheater for exterior performances. A monumental staircase located in between the masses directs visitors up into the final elevated public space. This space is made up of a series of paths that allow visitors to experience the artworks from different angles and locations.

The interior follows a similar sectional language in that the floor plates have been pulled back to provide layered views between gallery spaces as visitors ascend through the art center.

PUBLIC CARVING ° 2020

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AUBURN UNIVERSITY ° AMANESI OZAKO

This narrative drawing doesn't show the project design but an idea of a building. The narrative is on the circulation of space and the sequence across the path (in yellow) for an art center's visitor. The architectural spaces are denoted by sectional variety to signify the movement from a Marta station, exterior space, lobby, white box gallery, exterior gallery, cafe, black box gallery, bookshop and back to the lobby.

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ATLANTA’S CULTURAL AND ART SCENE

PUBLIC CARVING ° 2020

IN 2010 THE CITY WAS RANKED AS THE NINTH-BEST CITY FOR ART IN 2014 ATLANTA WAS RANKED #1 AS A HOME FOR ARTISTS IN 2017 ESTIMATED $9.5BN IN ECONOMIC IMPACT FROM MEDIA P

ANNUAL CULTURAL EVENTS

100(IN METRO ATLANTA)

Ponce De Leon Ave NE

3 North Avenue NE

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15(IN METRO ATLANTA)

High Museum of Art • Center of Contemporary Art Center • The Brem of Contemporary Art of Georgia • M • Hammonds House Museum • M • Apex Museum • Oglethorpe Uni Spelman College Museum of Fine A • Jimmy Carter Presidential Libra Wren’s Nest House Museum • Child • Trap Music Museum • Millenniu LOW Museum of Contemporary C Museum • David J. Spencer CDC M Railway Museum • Fernbank Mus Atlanta • SCAD FASH Museum of F C Carlos Museum of Emory Univers

CULTURAL CE OF ATLANTA

Cultural Center of Taipei Economi Westside Cultural Arts Center • Goe Cultural Center Atlanta • Alliance F Goat Farm Arts Center • IY (EYE) A Djeli Cultural Institute • Roswell Chinese Overseas Chinese Affair Cultural Arts and Community Cente Cultural Center • Back 2 My Rootz

HISTORIC LAN

Martin Luther King Jr National H Zero Milepost • Atlanta Daily Wor Luther King Jr, Tomb • Olympia Bu Centennial Olympic Park • Oaklan Mitchell House at Atlanta • History Magnolia Tree • Historic Fire Sta Woodruff Park Fountain

NEIGHBORHOODS

PERFORMANC

Westside Arts District • Castleberry Hill • Buckhead Midtown Atlanta • Bennett Street • Little Five Points • Cadler Park • Virginia-Highland • Kirkwood • Cabbagetown • East Atlanta • Downtown Atlanta • Fairlie Poplar • ADAC • Miami Circle Design Districts • The Old Fourth Ward • Inman Park • Atlanta Station • Morning-Lenox Park • West End • PonceyHighland • Grant Park • Ansley Park • Sweet Auburn • Ormewood Park • Reynoldstown • Underwood Hills

Fox Theatre • Alliance Theatr Company • Shakespeare Taver Theatre • Theatrical Outfit • 7 S Garage • Agatha’s A Taste of M Theater • Regal Tara Cinemas • Rialto Center for the Arts at G • Tabernacle • Terminal west Atlanta Event Center • Under Kopleff Recital Hall • Knock Mu Café • State Farm Arena

34(IN METRO ATLANTA)

95(IN METRO ATLANTA) topic essay showing the sites proximity to Atlanta's cultural and art scene

Bill Lowe Gallery • Alan Avery Art Company•ZuCot Gallery• Matre Gallery • Mason Fine Art • Modern Now Gallery • Lumière • Camayuhs • Lansdell Galleries • Whitespace Gallery • Jackson Fine Art • Zimbabwe Gallery • Pryor Fine Art • KAI LIN ART • Arnika Dawkins Photographic Fine Art Gallery • Callanwolde Fine Art Center • Thomas Deans Fine Art • Vinings Gallery • Reinike Gallery • pb&j gallery • Spalding Nix Fine Art • The Granite Room • Marcia Wood Gallery • Hellium Center

66(IN METRO ATLANTA)

Atlanta History Center • World of Coca-Cola • Georgia Aquarium • Chick–fil–A College Football Hall of Fame • Atlanta Cyclorama at Atlanta History • Bodies the Exhibition • Skywiew Atlanta • Rhodes Hall • Old Mill Park • Stone Mountain Park • Atlanta Bonatical Garden • Centennial Olympic Park • Piedmont Park • Tiny Towne • Skyline Park • Buford Highway • Zoo Atlanta • D.H. Stanton Park • CNN Center • Atlanta International Night Market • Eastside Beltline • XtremeHopp • Ebenezer Baptist Church • Jimmy Carter Library • Clyde Shephard Nature Preserve • Ponce City Market

GALLERIES

242(IN METRO ATLANTA)

The site of the new Contemporary is on the site of the North Avenue Marta Station. The proposal for the Atlanta Contemporary Art Center will occupy a portion of the entire site and will replace the relocated Bus hub. The site has a moderate slope negotiated by a retaining wall and plinth, upon which the current MARTA station is sited. The site serves as one of three principal transit access points for Midtown and GA Tech.

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50(IN METRO ATLANTA)

bobby dodd stadium AT&T midtown center north avenue marta station the varsity bank of america plaza fox theatre interstate 85

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ATTRACTIONS

JU

RECORDING STUDIOS

VIDEO/FILM

Patchwerk Recording Studios • 11th Street Studios • Blue South Recording Studios • Mean Street Studios • 700 Studios • Hdqtrz Mastering Studios • Yung Music Studio • Unlimited Music • Parhelion Recording Studios • Private Sound Studios • COS Mastering • Soul Asylum Studios • Penthouse Studios • Triple Gold Mine Records • Paperboy Studios • Solar Sound Studio • SING Mastering • Atlanta aBs Studios • LVRN Studios • Loud House Studios • Southbyte Inc

Cinema Park Studios • CoCo Stud • Big Peach Studios • Terra Ima Studios • The Studio 3000 Film Pro 108 • Level Up Creator Space • S Productions • Bobcat Films Llc • EC Maro Productions • B’Creative M Nostalgic Media • Prominence Film Lantern • Atlanta Business Video • Trove Studio • AVA • Moveme Productions • Mitch Grooms Produ

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W Peachtree NW

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ART CENTERS / 23(IN METRO ATLANTA)

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Photography festival • Iron pour • Pride Parade • Music Midtown • Peachtree Road Race • Dragon Con • Little 5 Points Halloween Parade • Inman Park Festival • SEC Championship Game • Beltline Lantern Parade • Pink Pig • PGA Tour Championship • Peach Drop • Atlanta Dogwood Festival • Virginia Highland Summerfest • Yellow Daisy Festival • Taste of Atlanta • East Atlanta Srut Festival • Spring Festival On Ppnce • Orange Crush Festival • Buckhead Spring Arts Festival • Brookhaven Cherry Blossom Festival • Brookhaven Arts Festival • Atlanta Bbq Festival • Atlanta Arts Festival • Sweet Auburn Festival • Taste of Chamblee • Jurassic Quest • Atlanta Jazz Festival • Shaky Knees Music Festical • East Atlanta Beer Festival • Kirkwood Spring Fling • Atlanta Science Festival

HEIGHTS MORNINGSIDE AUBURNLENOX UNIVERSITY AMANESI OZAKO °

SHERWOOD FOREST

TS

PRODUCTION

ANSLEY PARK

/MUSEUMS

Puppetry Arts • Atlanta man Museum • Museum Museum of Design Atlanta Michael C. Carlos Museum iversity Museum of Art • Art • Delta Flight Museum ary and Museum • The dren’s Museum of Atlanta um Gate Museum • The Culture • Herndon Home Museum • Southeastern seum–Wildwoods Exhibit Fashion + Film • Michael sity

WESTSIDE

PIEDMONT PARK

VIRGINIA HIGHLANDS

MIDTOWN

ENTERS

ic and Human Rights • ethe – Zentrum/ German Francaise d’Atlanta • The AM enterprises • Afrikan Cultural Arts Center • rs Council • Norhtcross er • Sewell Mill Library &

NDMARKS

Historical Park • Atlanta rld Building • Dr. Martin uilding • Swan House • nd Cemetery • Margaret Center Midtown • Spiller ation 6 • Tech Tower •

GEORGIA TECH OLD FOURTH WARD

VINE CITY

FAIRLIE POPLAR

CE HALLS

re • Horizon Theatre rn Playhouse • Village Stages Theatre • Dad’s Mystery • Center Stage s • Buckhead Theatre Georgia State University • Variety Playhouse • the couch • Florence usic House • Red Light

UST US

CASTLEBERRY HILL

LITTLE FIVE POINTS

INMAN PARK

DOWNTOWN SWEET AUBURN CABBAGE TOWN

STUDIOS

dios • Tyler Perry Studios agining • Metro Wealth oduction • Trick 3D • Lot Studio Wed • Guy Welch CG Productions • Marcus Media • Inertia Films • ms • Crisp Video • Magick • Marlon R. Productions ent Makers • J Michelle uctions

PONCEY HIGHLAND CADLER

REYNOLDSTOWN 15

WEST END

MECHANICS

SUMMER

GRANT

ORMEWOOD

EAST

PUBLIC CARVING ° 2020

These array of massing studies explore different strategies of developing building forms and program organization. This exploratory process opened up possibilities for the project as well as directed the overall design towards a specific direction.

Two massing studies highlight in red were chosen and later combined because of their response to public space and their overall building form.

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AUBURN UNIVERSITY ° AMANESI OZAKO

All programs are arranged flat on the site

All program is stacked vertically with a minimal footprint

All program is doubled and stacked vertically with a minimal footprint

The landscape is more important than the building

The landscape is more important than the building

The buildings volume is bifurcated by the circulation/ The building is one major volume with no more than 5 architectural moves

The building form is generated through dislocation of volume

The building form has multiple subractions

The building form is a textured volume, think veil and vault

The building form has 1/4 to 1/2 of the volume below grade/ The building form is located directly on top of the Marta

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PUBLIC CARVING ° 2020

aerial view looking towards the elevated public space created by slicing the top off the extruded form

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AUBURN UNIVERSITY ° AMANESI OZAKO

extrude

subtract create exterior spaces

activate add monumental staircase & amphitheater

slice create exterior space

extend extend floor plates & incorporate volumes

puncture + veil create voids in plates & semienclose public space

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PUBLIC CARVING ° 2020

view looking up the monumental staircase which incorporates ramps and stairs in order to create a seamless path up the elevated public space

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AUBURN UNIVERSITY ° AMANESI OZAKO

view from lobby showcasing the layered views created by pulling the floor plates

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PUBLIC CARVING ° 2020

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F4

F3

F2

F1

F-1

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storage classrooms administration ext. public gallery

administration cafe black-box gallery ext. public gallery white-box gallery

auditorium ext. event space ext. public gallery white-box gallery

auditorium white-box gallery ext. event space

white-box gallery receiving room bookstore amphitheater lobby marta station

white-box gallery mechanical receiving room

view from the third floor elevated public space where visitors are able to experience the artwork from different levels and light conditions

AUBURN UNIVERSITY ° AMANESI OZAKO

This narrative is on the circulation of space and the sequence across the path for an art center's visitor.

(It shows fluid movement by sectional transitioning between the spaces). view from the fourth floor looking towards the sky cafe which is open on three sides to maintain views of the art and the city

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PUBLIC CARVING ° 2020

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AUBURN UNIVERSITY ° AMANESI OZAKO

exploded section perspective that shows the sectional variety within the art centre's interior and exterior spaces, it also shows the relationship between the monumental staircase and the elevated exterior gallery spaces.

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STRUCTURAL INFILL

vernacular exploration TYPE INSTITUTION PROFESSOR AREA

Market hall + Exterior public space Arkitektskolen Aarhus, Fourth Year Matt Hall 10000 ft2

Following two weeks of traveling Scandinavia, the studio settled in Aarhus, Denmark for an intensive three weeks of design. The proposal for the market hall is situated in the Midtbyen neighborhood at the city square of Margethepladsen.

The site is located on a strip of land between Godsbanen, a redeveloped culture center, and the upper-class Scandinavian Center. Hence, the proposal for the site had to bridge the two while also serving as a vessel to house the public. A market is historically a place of trade. Our notion of this word is primarily based on the purchase of food, but trade can occur in many forms. In this instance, trade is not just of food, but also experiences and culture. This design proposal lies within the middle ground of Scandinavian half-timber construction (waddle and daub) and American steel prefabricated housing (Eames house).

The market hall has a Corten steel structure infilled with brick. There are three configurations of the brick infill depending on the amount of light needed in that space. When the space needs maximum amount of sunlight, every brick is turned at a 90° angle. Every other brick is turned at a 90° angle for less light. For the least amount of light needed in the space, every other brick is turned at a 45° angle. This variety provides a variety of light qualities to the interior while also adding depth to the facade.

STRUCTURAL INFILL ° 2019

The interior of the market hall is chaotic and shows the emphasizes of structure, the roof serves as the anchor for the project taking inspiration from Arne Jacobson town hall. The market stall ceilings and mezzanine are held up by cables connected to beams that run along the roof. The mezzanine that runs along the southern facade serves as an area of refuge and also viewing platform to the public space. The public space was designed as a gathering area. It is further broken down into different parts by the changes in material, creating distinct areas of rest and circulation.

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market stall restrooms mechanical room exterior seating skate-bowl public space mezzanine

plan and section drawing

AUBURN UNIVERSITY ° AMANESI OZAKO

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STRUCTURAL INFILL ° 2019

interior perspective taken from the mezzanine, showing the cables that are used to structure the market stall roofs and also the mezzanine.

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AUBURN UNIVERSITY ° AMANESI OZAKO

exterior perspective shows the relationship the mezzanine creates with the exterior public space

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STRUCTURAL INFILL ° 2019

obstruction no.5 remember, precedent study of Arne Jacobsen and Erik Moller's Aarhus city hall. Studying his use of the ceiling as a vehicle for the structure.

This 1 to 1 scale assembly done on the school grounds to test the different configurations of bricks on the facade. When the space needs maximum amount of sunlight, every brick is turned at a 90° angle.

Every other brick is turned at a 90° angle for less light. For the least amount of light needed in the space, every other brick is turned at a 45° angle.

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AUBURN UNIVERSITY ° AMANESI OZAKO

1 1 stockholm public library (stockolm) - the use of mezzanines to create visual connection between levels 2 mortensnud church (norway) - the use of an interior stone screen wall to filter light into the space 3 chapel of st. peter (sweden) - the exaggerated expression of structure within the interior

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4 harlanda church (sweden) - the use of a wooden screen to filter light into the interior

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4

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STRUCTURAL INFILL ° 2019

drawing showing the wall section, elevation, ceiling plan and floor plan

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AUBURN UNIVERSITY ° AMANESI OZAKO

infill with a 45° turn of every other brick on the row for the least amount of light

infill with a 90° turn of every other brick on the row which allows for less light

infill with a 90° turn of every brick on the row for the most light

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SHIFTING PLANES

extending views TYPE INSTITUTION PROFESSOR AREA

New York Public Library Auburn University, Fourth Year Zhan Chen 58000 ft2

This project located in Brooklyn, New York experiments with the sequence of designing a building. Rather than beginning with the floor plates and adding walls, this project began with the walls and then infilled the floor plates. This technique allows for flexibility and complexity throughout the section of the building. The users are provided with views between floors and sectional variety that responds to the programmatic needs of each space. Because the project is a public library, the walls are a sandwich system with bookshelves on the outer perimeter. They have been programmed with different conditions—door, window, table, nook and displace—which allows for further flexibility while remaining conceptually sound.

SHIFTING PLANES ° 2020

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site

piers

the site is located in downtown Brooklyn and it shares a plot with a high-rise hotel and an 80ft building.

piers have been added to define spaces of program and structure the entire building

AUBURN UNIVERSITY ° AMANESI OZAKO

floors

floors cut

floors are set in between the piers and stacked to form a regular pancake section

floors are cut and set back to create views between spaces and further define the piers as the major element of the building.

concrete pier

wooden bookshelves

bookshelf axonometric 69

SHIFTING PLANES ° 2020

to visually connect spaces

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bookstore

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table condition

nook condition

to create a space to work

to create a space to rest

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LT ON

displace condition to define space between the bookshelves

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first level

7 -2

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ROCKWELL PL

window condition

to physically connect spaces

HUDSON AV

door condition

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AUBURN UNIVERSITY ° AMANESI OZAKO

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kitchen cafe receiving room bookstore restroom periodicals multipurpose space auditorium outdoor space circulation and processing room

third level

fourth level

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computer room classroom meeting room dedicated reading space study-room

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office staffroom storage kids playground kids section closed stacks

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SHIFTING PLANES ° 2020

kids section

bookstore

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closed stacks

AUBURN UNIVERSITY ° AMANESI OZAKO

kids playground

periodicals

outdoor space

section perspective that shows the sectional variety across different spaces

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SHIFTING PLANES ° 2020

exterior view looking towards the library that shows the complex floor and pier configuration

exterior view of the public space that directs visitors into the library

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AUBURN UNIVERSITY ° AMANESI OZAKO

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SHIFTING PLANES ° 2020

restrooms

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dedicated reading space

closed stacks

study room

computer room

AUBURN UNIVERSITY ° AMANESI OZAKO

auditorium

multipurpose space

meeting room

section perspective with vignettes that show a view towards the monumental stair in the lobby and another view from un-top of the monumental stair looking down

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SHIFTING PLANES ° 2020

interior view

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AUBURN UNIVERSITY ° AMANESI OZAKO

interior view shows the layered views that are created by undulating floor plates

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PRIVATE HORSEPLAY urban playgrounds

MRS PATRICK'S HOME design + construction

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HORSEPLAY urban playgrounds TYPE INSTITUTION PROFESSOR AREA

Chattanooga K–5 school Auburn University, Fourth Year Mark Blumberg 65000 ft2

The concept of this project is based on five horseshoe-shaped floor plates that rotate around a central light-well to create voids. These voids are occupied by the entrance along with three playgrounds and form the frame of the building. The playground is positioned at different orientations on the site, allowing for a variety of scheduled playtimes. The central lightwell serves as the anchor for the layout with staircases pivoting along the perimeter to provide the primary circulation and interaction zones throughout the building. The facade consists of voids of varying sizes. The larger voids represent the playgrounds. The playgrounds are glazed with colored glass which creates unique light qualities for the interior and organizes each space into a separate zone. The voids are angled to give depth and emphasize views. Each color represents a different zone. The programmed voids integrate play, exploration, and collaboration into the school pedagogy.

HORSEPLAY ° 2019

fill maintain street edge

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excavate

create programmed voids enrtance and playgrounds

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first floor plan

rotate

distributes voids through the building and creates a variety of spaces for the children and the public.

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extrance classrooms cafeteria kitchen admin

AUBURN UNIVERSITY ° AMANESI OZAKO

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third floor plan

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fourth floor plan

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second floor plan

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art room music room science lab library & media makerspaces gymnasium changing rooms

13 playgrouds 14 restrooms 14

fifth floor plan

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HORSEPLAY ° 2019

5th grade classroom

2nd,3rd & 4th grade playground

kindergarten & 1st grade playground kindergarten classroom

cafeteria kindergarten classroom

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AUBURN UNIVERSITY ° AMANESI OZAKO

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HORSEPLAY ° 2019

5th grade playground gymnasium 2nd grade classroom 1st grade classroom extrance void

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library kindergarten & 1st grade playground cafeteria

AUBURN UNIVERSITY ° AMANESI OZAKO

mechanical gymnasium

music room library kindergarten & 1st grade playground

restrooms

science lab

cafeteria

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HORSEPLAY ° 2019

view of the third floor playground, it is a double-height space that overlooks 8th street

double-height playground

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AUBURN UNIVERSITY ° AMANESI OZAKO

interior view from the fifth floor, that shows the relationship the rooftop playground has to the third floor playground

rooftop playground

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HORSEPLAY ° 2019

sheet metal flashing suspended exposed board form concrete panel 8", poured on site in 15" sections with rebar high density XPS insulation 6" concrete reinforcing reinf. concrete wall 10"

first iteration of the 8th street facade

second iteration of the 8th street facade

2' concrete shell facade

acoustic board insulation 1-1 /2" elastomeric joint sealants, 1" set back rigid-foam insulation 4"

pipe & tube railing tempered glass 1 /4" with gap btw. glass pan metal railings astroturf reinf. concrete roof 16"

double insulated glazing in cedar frame beam, column and slab assembly

third iteration of the 8th street facade

window sill 25 /32"

6" concrete slab

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1

precast concrete trim

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final iteration of the 8th street facade

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AUBURN UNIVERSITY ° AMANESI OZAKO

nels 1/2"

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MRS PATRICK'S HOME design + construction TYPE INSTITUTION PROFESSOR AREA

Single family house Rural Studio, Third Year Emily McGlohn 740 ft2

This project stems from rural studio’s 20k initiative, which is designing a home that could be built for $20,000. However, this goal does not account for the cost of materials or other factors such as labor, utility installation, and application for building permission. Regardless, the project aims to keep the construction costs as low as possible. This year, our studio worked to redesign and construct the design used in Mac’s home, an earlier 20k project.

We aimed to adapt the prototype to meet the Fair Housing Act (FHA) size requirements, which is focused on making rooms navigable to people who use wheelchairs or walkers. This project also looked at how the house could be designed to share exterior space with an existing house on the property which was the client’s former home. The design also integrates a screened-in porch to minimize mosquitoes and encourage passive ventilation.

MRS PATRICK'S HOME ° 2019

The interior of the market hall is chaotic and shows the emphasizes of structure, the roof serves as the anchor for the project taking inspiration from Arne Jacobson town hall. The market stall ceilings and mezzanine are held up by cables connected to beams that run along the roof. The mezzanine that runs along the southern facade serves as an area of refuge and also viewing platform to the public space. The public space was designed as a gathering area. It is further broken down into different parts by the changes in material, creating distinct areas of rest and circulation.

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RURAL STUDIO ° AMANESI OZAKO

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MRS PATRICK'S HOME ° 2019

a wall of trace to illustrate the amount of iterations that were made during the design process Below: a hand drafted, colored pencil study was made to understand her existing home . The home will remain on the site, so the new home placement had to therfore create a dialogue with the existing. This dialogue could be created through its placement orthrough the selection of exterior finish.

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298ft2

443ft2

764ft2

1322ft2

1581ft2

1735ft2

1961

1965

1969

1970

1977

2012

RURAL STUDIO ° AMANESI OZAKO

evolution of Mrs. Patricks existing house. The additive process of her existing house showed the teams that the back door placement must be taken into account.

iterations of 1:1 bathroom layouts are tapped to the floor to compare different standards of assesiblity

iterations of 1:1 wall sections of the porch are mounted on the firehouse facade to evaluate the different conditions

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MRS PATRICK'S HOME ° 2019

living-room "[Home is] a peaceful place that you can enjoy, that's just comfortable, loving memories, expecially when the family comes." This account showed the value she placed on family.

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screened in porch "...it's the first thing I do. When I get up, I go to open the blinds, open the door, and stand outside". This account clarified that a screen in porch was a more useful space for her.

bedroom "I stay in that room because I can hear someone come up, being on the back sid, and I can see and hear the most from there." This account clarified the placement of the bedroom window to face the driveway.

RURAL STUDIO ° AMANESI OZAKO

surveying the topography

dirt work with bobcat

setting up batter boards for footings

stringing batter boards to locate footing positions

delivery of dirt to level the site

moving and tamping dirt with bobcat

drilling holes for footings with bobcat

buying materials for foundation

leveling footing before girders are placed

moving girders to footings

TJI's and LVL's are put into place to allow for the fixing of subfloor

painting the subfloor to increase its durability

assembly of first wall on subfloor before raising

two teams are working on two parts of the building to assemble and raise walls

construction and assembly is moving along on both sides to complete the exterior walls

the shower is moves carried in before last exterior wall is raised courtesy of DK Yoon

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MRS PATRICK'S HOME ° 2019

Studio Team (Fall)

Faculty Instructors

Thomas Reutlinger DK Yoon Boyu Xiao Becca Wiggs Krista Wiess Judith Seaman Amanesi Ozako Lorenzo Lopez Herrera Reed Klimoski Tanner Harden Addie Harchelroad Alex Hamady Jonathan Grace Ashley Dehne Victor Bufano

Emily McGlohn Alexander Therrien

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RURAL STUDIO ° AMANESI OZAKO

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STUDIES MODULAR STUDY symbiosis of thick and thin

RECREATING DETAILS destijl fabrication

ANALOG craft

FINDING LIGHT exploring the lens

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MODULAR STUDY symbiosis of thick and thin TYPE INSTITUTION PROFESSOR COLLABORATOR AREA

Research Pavilion Auburn University, Second Year Danielle Willkens Rebecca Wiggs 2120 ft2

This project experiments with contrasting thick structure with thin screening which is reminiscent of traditional Japanese architecture. Each element in the project is singular in nature, aggregating to create repeating modules.

Vertical and horizontal elements divide private/public, exterior/interior without separating enclosure from light, air, or water. The pavilion rests lightly on the ground plane, sloping and stepping with the site below, creating defined directionality and clear circulation through the site. Modest materiality explores refined connections and responsible building techniques. A new environment is created to amplify the educational ability of the existing conditions, without negating the functionality of forestry’s experiment.

MODULAR STUDY ° 2018

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look-out tower restrooms double-height gathering space undulating single-height gathering spaces ramp

plan drawing showing the alternating wood decking that correspond to the pavilions circulation path

AUBURN UNIVERSITY ° AMANESI OZAKO

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MODULAR STUDY ° 2018

the aerial view shows the relationship between the lookout tower and the trees, a variety of experiences have been created for the user as they are within the trees and untop of the trees.

There is a symbiosis of thick and thin, with relation to heavy timber structure and the delicate screen system. The screens on the facade and roof work with the structure to bring nature in the form of air, water and light. The form signifies the use of modulation to create a hierarchy between interior and exterior, private and public. The structure mimics the vertical spatial experience of a Japanese larch forest as a community space for meeting. The modest materials show an exploration of renewable building techniques and a need to apply translational technology in a new environment.

section model view showing the undulating floor levels

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MODULAR STUDY ° 2018

structure

circulation

public/private space

glulam creates the modular frame. The screens act as bracing for the structure

circulation wraps around and through the pavilion.

public space makes up the larger portion of the pavilion, while the private is the restroom and tower.

elevation

exposure to the sky

assembly

changing elevation creates a western oriented and hierarchal relationship with privacy

major points of the circulation are designed by the moments open to the sky

vertical height divides spaces for varying sizes of gathering

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AUBURN UNIVERSITY ° AMANESI OZAKO

1"x 6" treated pine decking

2"x 2" treated pine @ 18" O.C.

9"x 9" MDF w/ 2" diameter weep holes

2"x 6" treated pine @ 18" O.C. metal joist hangers 1'x 1' glue laminated pine beams 2"x 8" treated pine girders 6"x 6" treated pine post 6"x 6" concrete footing

hardwood dowel connecting vertical & horizontal 4"x 4" 4"x 4"x 4" vertically stacked to form the screen 4"x 4"x 9' horizontally stacked to form the screen

1'x 1' glue laminated pine column

hardwood dowel connecting footer and column 1' x 1' concrete footing

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MODULAR STUDY ° 2018

west to east section showing the stepping floors planes that create a breakdown of gathering spaces within the pavilion

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AUBURN UNIVERSITY ° AMANESI OZAKO

20 years

15 years

10 years

5years

section showing the the tower an educational tool for studying the growth of a tree at different points in their cycle

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RECREATING DETAILS destijl fabrication TYPE INSTITUTION PROFESSOR PARTNERS

Zig-zag chair reproduction Rural Studio, Third Year Stephen Long Lorenzo Lopez & Xiao Boyu

A reproduction of the Zig-zag chair by Gerrit Reitveld was fabricated in the Rural Studio woodshop. The process went through iterations of mock-ups as an opportunity to test different connections of the chair and methods for finishing the wood. Jigs had to be made in order to facilitate efficiency before the final project was made. The final product was made out of walnut wood, contrary to the oak original. The choice was made in order to experiment with the wood’s capability in its finish and structural capacity.

RECREATING DETAILS ° 2019

A radical formulation, Gerrit Thomas Rietveld’s Zig Zag chair pushed the boundaries of furniture design when it debuted in 1934. Rietveld spent years working to create a chair that mimicked the way humans sit, and the Zig Zag isn’t just comfortable and stable, it’s also stackable. In the aim for simplicity of construction that’s how the chair lost its legs and ended up in a Z formation. Originally, Rietveld hoped to make a chair that could be cut from a singular piece of material or “pop out of a machine, just like that.”

He envisioned a bent steel plate, but joining together four pieces of plywood proved most effective and still amounted in the striking diagonal design.

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RECREATING DETAILS ° 2019

BACK

TOOLS

PREPARATION

SEAT

JIGS

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SEAT& BACK ASSEMBLY

AUBURN UNIVERSITY ° AMANESI OZAKO

25/32" x 1' 3/4" x 1' 1-3/16"

25/32" 1' 2-9/16" x 1' 3-15/16"

1/8" screw LEG

BASE

25/32" x 1-7/64" x 1' 2-9/16"

25/32" x 1' 2-9/16" x 2' 7/32"

SEAT & LEG ASSEMBLY

25/32" x 1'3/4" x 1' 3-23/64" 25/32" x 1-7/64" x 1' 3/4"

EXPLODED AXONOMETRIC

SEAT & LEG ASSEMBLY

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RECREATING DETAILS ° 2019

FINAL ASSEMBLY

SIDE ELEVATION

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FRONT ELEVATION

BACK ELEVATION

AUBURN UNIVERSITY ° AMANESI OZAKO

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ANALOG craft TYPE INSTITUTION

ARTS 1110 space, form, and expression ANALYTIQUE watercolor of umbria INK WASH color studies

Mixed media Auburn University

ART 1110 ° 2021

ARTS 1110

space, form, and expression TYPE INSTITUTION PROFESSOR SIZE

Manual representation Auburn University, Fifth Year Andy Holliday & Lijun Chao 10" X 10" Bristol paper

This course showcased the experiences, concepts, and processes that constitute the language of drawing. Through various mediums, the class developed many skills such as broadening perceptual awareness through close observation and depiction of subject matter. Eye-hand coordination through drawing practice, visual organizational skills, and gaining independence in the cognitive skills of observation, assessment, and interpretation of visual art were also developed.

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ART 1110 ° 2021

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AUBURN UNIVERSITY ° AMANESI OZAKO

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ANALYTIQUE ° 2018

ANALYTIQUE watercolor of umbria TYPE INSTITUTION PROFESSOR AREA

Watercolor and graphite Rural Studio, Third Year Dick Hudgens 22" x 30" Arches 140 hotpress

This project is the culmination of a semester of studying southern vernacular architecture. The building burned down many years ago, so black and white photos were used to recreate the building. The paper was soaked, stapled, and stretched on a plywood board. The composition was then drafted with graphite and painted with watercolor.

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RURAL STUDIO ° AMANESI OZAKO

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INK WASH ° 2018

INK WASH

a study in paraline projection is used to illustrate the internal and exterior structure of the module which was originally designed and generated from Adobe Illustrator as the wall iterations were made.

color studies TYPE INSTITUTION PROFESSOR SIZE

Ink wash & graphite Auburn University, First Year Danielle Wilkins 22" x 30" Arches 140 hotpress

This project is a continuation of the summer-op wall project. It comprised of a study of the origami wall in order to reveal the embedded patterns of its construction. It started with a hand drafted elevation of the wall illustrating the geometric underpinnings. Subsequently, with the use of ink layering, depth and patterns of light were rendered on the drawing.

an image of an ink tonal study which highlights the need for mathematical ratio so as to create a subtle, but distinct difference in colors. Left: is a study of paraline projection which is used to illustrate the vertical

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FINDING LIGHT exploring the lens TYPE INSTITUTION PROFESSOR LOCATION

Photography Auburn University, Third Year Matt Hall Scandinavia

Kiasma Museum of Contemporary Art Helsinki, Finland Soderledskyrkan Stockholm, Sweden Axel Towers Copenhagen, Denmark National Opera and Ballet 0slo, Norway New Cremetorium Stockolm, Sweden Saynatsalo Town Hall Synatsalo, Finland Louisiana Art Museum Humlembaek, Denmark

RESUME EDUCATION

ACTIVITIES

Auburn University

American Institute of Architecture Students

Bachelor of Architecture August 2017 – May 2021 / Auburn, AL, USA

2017– present / Chapter Member

Design Studio GPA: 3.93 /4.00 Overall GPA: 3.89 /4.00

Adesoye College Offa August 2010 – May 2016 / Offa, Kwara State, NGR Diploma, 2016

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African Student Association 2019 – present / Chapter Member

ARKITEKTSKOLEN AARHUS February – May 2019 / Scandinavia / Auburn Abroad

AMANESI OZAKO

HONORS

EXPERIENCE

Auburn University Dean’s List

AYP Summer Architecture Camps

Hinson + Dagg Architects

2016 – present / Maintained above a 3.75 GPA

June – July 2018, 2019 / Auburn University / Auburn, AL

June 2020 – August 2020, Nov. 2020 – Jan. 2020 / Auburn, AL

Wood Competition 2017 / Honorable Mention

2nd Year Studio Award 2017 / Professor’s Commendation

4th Year Studio Award 2020 / Professor’s Commendation

CADC Ambassador August 2020 – May 2021 / Ambassador Officer

Teacher’s Assistant for a camp for high school students coordinated with the instructing professor to guide students in model building and hand drafting.

Intern in architecture firm performed 3d modeling assignments, both physical and digital models. Presented to clients iterations of preliminary designs.

PM+CD associates June – July 2018 / Lagos / Nigeria

Intern in architectural firm performed daily assignments utilizing digital software. Shadowed architects through the processes of designing and budgeting during an ongoing project.

Rural Studio August – December 2018 / Auburn University / Newbern, AL

Architecture Student in Auburn’s Design Build program in rural Alabama.

Designed and built a 600sf home with student team for local resident.

Library of Architecture, Design and Construction May 2019 – present / Auburn University / Auburn, AL Circulation Manager

Teaching Assistant January 2020 – present / Auburn University / Auburn, AL

Assisted in class supervised discussions and provided feedback and guidance to students 147

CHRONOLOGY 2017 tone + texture

Auburn, AL

folded blocks

Auburn, AL

site/space/studio

Auburn, AL

10,000 lines

Auburn, AL

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ink wash

Auburn, AL

operative conditions Auburn, AL

studying mies Auburn, AL

skin and bones

urban subtract

Auburn, AL

Birmingham, AL

creating relationships

Auburn, AL

modular study

Auburn, AL

5 x 5 book

Auburn, AL

interior to exterior Auburn, AL

carving views Auburn, AL

AMANESI OZAKO

2019

2018 recreating details

Newbern, AL

mrs patricks house

Newbern, AL

finding light

Scandinavia

analysis of eerie

horseplay

Auburn, AL

Chattanooga, TN

analytique

Newbern, AL

2020 five obstructions

Aarhus, DK

stuctural infill Aarhus, DK

shifting planes

Brooklyn, NY

arts 1110 Auburn, AL

public carving Atlanta, GA

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COLOPHON FranklinGothic URW Type Foundry GmbH is a German company with a long and rich history in type design and engineering.