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JAC KSONVIL LE, F L 32 2 58
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AMBERF ULGHAM07 @GMAIL .COM
SHIFT MAKING & MANAGIN G CHANG E
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . The focus of Shift is to foster a new mindset for the . transforming world through an imaginative,
CREATIVE, yet adaptable ECO S YSTE M. This DY NA MIC ecosystem reflects upon empowering wellbeing and increasing self-esteem.
........................................................................ . . team members and clients do not “meet” with one another, Shift Idea Gallery
but rather come together to “CON N ECT,” to exchange information, discuss personal ideas, and plug into the innovative bank within this VIBRA NT ecosystem. A KIN ETIC circulation encourages movement, exploration and enhances the connections among users. The S YMBIO TIC relationship between the occupants and their environment supports creative growth and innovation processes. The impact being made within the working environment establishes a meaningful CON N ECTION between the occupants (living organisms) and the workplace (non-living component).
Work Café
Informal Collaboration Zones
Group Workshop
Spri ng 201 3- 7 weeks G rou p Pr oject (S. G il lespie, S. Kodi, M. To ro) R ev it, AutoC AD, Sketch U p, 3 DS Max, Pho to sho p
JAC KSONVILLE ZOO AND GARDENS DO NOR AREA REC OGN ITION First Place Winner
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . an extension of the . As community, our design implements the Jacksonville Zoo and Gardens vision by providing an, “inspiring DIS COVERY and appreciation of the earth’s wildlife through INN OVATIVE experiences in a caring environment.”
Ariel View of Donor Recognition Area
The Jacksonville Zoo and Gardens Donor Area is a growing and EVO LVING space that creates a sense of pride for those belonging to the zoo, its growth, and its great network of philanthropists. This renovation is designed to not only recognize the current donors, but to others to give as well. Donors are a source of compel GRO W TH, and growth in nature is best expressed through the golden ratio, a ratio that allows growth to expand ORG A NICA LLY . This design uses the golden ratio as a guiding factor to open up the space, and create various programs that provide educational opportunities. This living structure enhances ones experience by embracing its flexibility and practicality.
Visual Expression of Growth Overtime
Information Center
History Display Area
Entrance View
Fa l l 20 14- 5 weeks Team : Amber F ul gh am, Ledia Dur mish aj Mentor s: Trev or Lee an d Ji m Kol b Sketch U p, Pho to sho p
The integration of biomimicry within Modern Edge Cosmetics is not just about introducing bio-inspired cosmetics. It is about being simply sourced, F RES H, honest, N ATU RAL, and yet modern. By
MODERN EDG E RETAIL DESIG N C OMPETITIO N
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inviting nature in, Modern Edge Cosmetics is creating a retail experience that is CAPTIVATIN G, intriguing, INS PIRIN G and harmonious. Modern Edge Cosmetics is S IMP LY S O URCED and S IMP LY Y OU!
Storefront
Entrance Sketch
Entrance View
.......................... .............................................. opens up a whole N EW palette of design inspiration, .Biomimicry .. ideas, and opportunities. Studying nature’s models allows design inspiration to be based on their form, processes, and systems. Throughout Modern Edge Cosmetics, the natural forms found in nature are S TYA LIZ ED and MO DERN IZED , allowing users to be thoroughly engaged in their cosmetic retail experience.
Makeover and Hair Stations
Makeover and Skin Care Stations
Makeover Station Sketch
Spri ng 201 3- 4 weeks In div idua l Pr oject R ev it, Pho to sho p
UNIVERSITY OF FLORIDA SCHOOL OF ART + ART HISTORY
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . The focus for the UF School of Art + Art History’s . ceramics and sculpture department is to create
Sculpture Classroom
INTE RACTIVE spaces with a F LUID translation between learning and creating. ORG A NIC materials combined with IND USTRIAL features enhance the design by visually expressing the idea of continuity.
Ceramics and Sculpture Galley
Fa l l 20 13- 6 weeks G rou p Pr oject (N. Yazd i, E. Del gado) R ev it, AutoC AD, Photo shop
KO DAK EXECUTIVE O FFICE
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . This executive office design dealt with a corporate brand .. in order to create a space that well defines the company. A VERS A TIL E environment was created to S TIMU LATE minds and INS PIRE innovation. Kodak anticipated a LIVELY atmosphere with influences from engineered materials used throughout various Kodak products.
Executive Office
Executive Office
Conference Room
Spri ng 201 3- 4 weeks In div idua l Proj ect R ev it, AutoC AD, 3DS Max