ILLINOIS' WESLEYAN UNIVERSITY .
SCHOOL OF MUSIC
SYMPOSIUM OF CONTEMPORARY MUSIC COMPOSITIONS BY 1. W. U.
FACULTY
Westbrook Auditorium Thursday, March'14, 1968, 4: 00 p. m.
A Psalm, a.Prayer and a Whoopee (1967)-R. Bedford Watkins Marilyn Enyeart, soprano Choral group conduct.ed by the compo�er Four Burlesques (1963) - - - - - - -R. Bedford Watkins Donald Hatch, violin R.
Bedford Watkins, piano
Five Sketches'. (1968) -
-
-
-
-
-
-
-R. Bedford Watkins
Mario Mancinelli, violin; Richard Hishman, viola Ruth Krieger,
cello; R.
Via Do1orosa (1967) Impressions. (1962) -
-
-
-
Bedford Watkins, piano
-
-
-
-
-
Robert Bankert
-
-
- Robert Bankert
allegretto - andantino Capriccio (195 7) -
-
-
-
-
- Ro1:;lert Bankert
r-
allegretto - espressivo - giocoso William Hertel, piano Trio for Oboe, Cello and Piano (1967)
-
- Abram M.
Plum
Paul Heyboer, oboe; Ruth.Krieger, cello; Abram M. .Improvisation V (1967) -
-
Plum, piano -
-
-
-
-
- Abram M.
Plum
Magnetic tape. · C0mposed in. the Experimental Music Studio at the University of illinois * * *
The Symposium of Contemporary Music is partially supported by the' Frank R. Bohnhorst Memorial Fund.
ILLINOIS WESLEYAN UNIVE RSITY SCHOOL OF MUSIC SYMPOSIUM OF CONTEMPORARY MUSIC ELECTRONIC AND INSTRUMENTAL MUSIC Westbrook Auditorium Thursday, March 14, 1968, 8:15 p. m. Chef d'oeuvre (1967) Infantasy (1966) -
-
-
-
-
-
-
-
-
-
-
�
-
-
-
- Jon Appleton
-
Jon Appleton
FOR Queen Elizabeth I Dancers: Vaughn, Jenny,
Jack,
Pam, Delores, John,
Nancy Musicians: Jim, Pete, Judy Shouters: Dennis, Joe, Allan, Mike, Jim Electronic Technician: George Choreographer: Mary Beautiful Soop Quintet (1957) I. II. III.
-
-
-
-
-
-
-
-
-
-
-
-
- Composer: Jim - Pauline Oliveros
Harold J. Reisberg
Fast Very Slow and Expressive Very Fast Paul Griscnke, E -flat clarinet; Linda Williams, bass clarinet;
Alice Hessert, trumpet; Norman Hessert, trombone; Robert Bankert, piano; Richard Hishman, c:mductor Metacyc1es (1966)
-
-
-
-
-
-
-
-
-
-
Ramon Zupko
Four Movements for Cello and Ma"gnetic Tape (1967) -
-
- Gordon Chadwick
John Goodwin, cello In the Hours of Darkness I. II. III.
-
-
-
Will Gay Bottje
Heavenly Bodies Creatures of the Night Voodoo David Brown and Charles Moore,
percussion
The Symposium of Contemporary Music is partially supported by the Frank R. Bohnhorst Memorial Fund.
ILLINOIS WESLEYAN UNIVERSITY SCHOOL OF MUSIC SYMPOSIUM OF CONTEMPORARY MUSIC COMPOSITIONS BY 1. W. U.
STUDENTS
Westbrook Auditorium Friday. March, 15 .,1968. 2: 00 p. m. Movements in Sound -
-
-
-
-
-
-
-
-
-
pavid Brown
Pastorale - Mysterious - March Toccata Percussion:
Charles Moore.
Jeffrey Neuhauser.
Terry Mohaupt. David Brown Conductor:
Robert Bankert
Piano Movement I
-
-
-
-
-
Byron Blair. Aberrations of a Theme - - - 1. Joy IV. Whimsy II.
Grief
III.
Pride
V.
-
-
-
-
".
-
- Alan'Harris
Faith
VI. Doubt Abram M. Plum. piano
The Five Sunned Star (Patrick Neve) -
2.
William Eichorn
piano
-
William A. Foss
Early Spring Landscape Kathleen Coughlin. soprano Carmen Shaw. piano
Suite for Piano
-
-
-
-
-
-
-
-
-
-
-
David Thomas
Imitation - Interlude -' Crescendo-Diminl,lendo Abram M.
Plum. piano
Three Movements for Organ - II - - - Sandra Cavitt. organ Fantasy and Passacaglia:for Harpsichord I.
Gerald Lindahl
- G€1r.ald' Lindahl
Fantasy Marianne Archer.
harpsichord
Woodwind Quartet in Three Movements - Ronald Augspu�ger Samuel Stowe. flute; Terrill Hayes. oboe; William Foss.
clarinet; Samuel Grabarski. bassoon
The Symposium of Contemporary Music is partially supported by the Frank R.
Bohnhorst Memorial Fund.
ILLINOIS, WESLEYAN UNIVERSITY
-
.-SCHOOL
OF MUSIC
SYMPOSIUM OF CONTEMPORARY MUSIC ELECTRONIC MUSIC Westbrook Auditorium Friday, March 15 , 1968, 4:00 p. m. Improvisations on· Cetus - (1967) albanymusic3 (1967) Study No.1 (1967) -
-
-
..,
.:.
Olly Wilson
-
,..
,..
.,. Ric hmond Hoxie
-
-
-
Joel Chadabe
Composition for Converted Digital Tape (Part I) Bye -Bye Butterfly MUDGETT:
-
-
-
-
-
-
-
-
-
-
-
- Charles Dodge Pauline Oliveros
monologues by a ma�s murderer '(1965 )' ..,
1. -2.
-
.,.
-
-
-
-
J. K. Randall
Electronic Prelude Toronto
(I leave my recently adopted Ghildren
Alice and Nellie at 16 Saint Vincent Street) Melinda Kess+ er
Vocalist (on tape) : Roddy (1967) -
-
-
-
-
-
-
.,.
George Morey Plays the Flute The Eternal Can Can -
-
-
-
-
-
-
-
-
-Robert Erickson ...
-
-
.,.
Merr.nl Ellis Merrill Ellis
* * *
The 'Symposium of Contemporary Music �s partially, - supported by the Frank R.
Bohnhorst Memorial Fund.
* *. *
March 15 , 8: 15 p. m. : Faculty rec ital.
D�vid Nott.
March 16, 10: 00 a. m. : Electronic mUSiic (repeat program) . M�rch 17, 3:00 p. m. : Panel discussion,
University of
Iowa·Center-for-New Music . March 17, 8: 15 p. m. : Concert, University Qf Iowa-Center for New Music .
ILLINOIS WESLEYAN UNIVERSITY SCHOOL OF MUSIC and the
SYMPOSIUM OF CONTEMPORARY MUSIC present
David
Nott, Bass-Baritone ina
FACULTY RECITAL of CONTEMPORARY VOCAL MUSIC Westbrook Auditorium,
8:15
Friday, March
p.m.
15, 1968
I - Italian - Atonal Lyricism
Cinque Canti
(1956) .. .... . .......... Luigi Dallapiccola ( 1904-
per Baritono e Alcuni Strument�
I - Molto Animato II - Tranquillo; serenamente III - Rapinoso IV - Lentamente V - Mosso; scorrevole
)
II - German - Extended Post Romanticism
Five E arly
Songs (1899-1904) .... ... .. .. .. Anton Webem (1883-1945)
Fromm (Falke) Sommerabend (Weigand) Gefunden (Avenarius) Vorfruehling (Avenarius) Heimgang in der Fruehe (Liliencron)
III - American - Total SerUtlitation
Two Sonnets (Gerard Manley
Voice, Clarinet, Viola and CeUo
H opkins ) ..... Milton Babbitt
(1916-
Spelt from Sybil's Leaves That Nature is a Heraclitean Fire
)
IV - French - Post Impressionism
Le
Camaval (1954) .. . ............... Jacques Leguerney (1906-
I - Le Grotesque II - La Belle Brune III - Le Carnaval
)
V - British - Eclecticism
Songs and Proverbs of Wm. Blake, Op. 0-
0-
74...Benjamin Britten
(1913-
0-
)
Assisted by Abram Plum and Carmen Shaw, Pianists. Instrumentalists: Mary Leathers, Linda Williams, Paul Heyboer, Paul Grischke, Richard Hishman, Ruth Krieger. Conductors: Robert Donalson and Abram Plum.
The Symposium of Contemporary Music is partially supported by the Frank R. Bohnhorst Memorial Fund.
ILLINOIS WESLEYAN UNIVERSITY SCHOOL OF MUSIC SYMPOSIUM OF CONTEMPORARY MUSIC presents
THE UNIVERSITY OF IOWA CENTER FOR NEW MUSIC Richard B. Hervig Director William Hibbard, Musical Director ,
Westbrook Auditorium Sunday, March 17, 1968, 8:15 p.m.
P r
-
o g r
m
a
-
Monad (1967)
Stephen Syverud Magnetic tape Film by James Barnes
Two Grew (1968)
Patrick Purswell Edwin Harkins, trumpet
Parisonatina
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
.
Donal d Marlino
Eric Jensen, 'cello
Janissary Music
.
.
.
.
.
.
.
.. . . .
.
.
.
.
.
.
.
.
.
.
Charles Wuorinen
William Parsons, percussion Donald Nultemeier, percussion INTERMISSION
Pierrot Lunaire, Op. 21 ............... Arnold Schoenberg Janet Steele, soprano Patrick Purswell, flute and piccolo David Randall, clarinet and bass clarinet Doris Allen, violin William Hibbard, viola Eric Jensen, 'cello Joseph Dechario, piano .0
.0
.0
The Symposium of Contemporary Music is partially supported by the Frank R. Bohnhorst Memorial Fund.
COMING Monday, April 29, 8:00 p.m.: JOHN CAGE, GORDON MUMMA and DAVID TUDOR in a performance of REUNION, an ensemble music.