THE AMHERST
THE STUDENT NEWSPAPER OF AMHERST COLLEGE SINCE 1868
STUDENT VOLUME CXLVII, ISSUE 23 l WEDNESDAY, APRIL 11, 2018
Women’s Lax Goes 3-1 Against Quartet of NESCAC Foes See Sports, Page 10 AMHERSTSTUDENT.AMHERST.EDU
Hikaru Kozuma To Replace Suzanne Coffey as Chief Student Affairs Officer Isabel Tessier ’19 Editor-In-Chief
Photo courtesy of Maria Stenzel
William Ford ’83 reveals the new nameplate for Ford Hall, formerly known as Greenway A. The dedication of the building kicked off a weekend celebrating the launch of the college’s fundraising campaign.
Amherst Launches Funding Campaign for $625 Million Emma Swislow ’20 Managing News Editor The college launched “Promise: The Campaign for Amherst’s Third Century” on Friday, April 6 with a weekend of events, including the dedication of Ford Hall. The campaign aims to secure Amherst’s future as it moves into its third century starting in 2021. The campaign plans to raise $625 million over the next five years, according to Suzanne Newby-Estes, the executive director of advancement and campaign operations. The college has already raised around half of the money through “quiet” fundraising leading up to the campaign launch. This includes a $100 million donation by an anonymous alum that will be used to match “gifts at very significant levels that are matching campaign priorities,” Newby-Estes said. Newby-Estes outlined the campaign’s six main goals, which include expanding a variety
of resources on campus and academic departments, especially in STEM fields. “This campaign specifically is looking to expand the faculty by a number of positions and that is to meet the need in the STEM fields,” she said. “We are just expanding the faculty and it’s important to recognize that the needs of the institution change over time so it’s not only just for STEM, it’s just what the institution needs right now. One hundred years from now it could be completely different.” Some of the other goals include hiring more staff in the Center for Writing and Public Speaking, the Center for Teaching and Learning and the Counseling Center. The campaign also hopes to expand the Loeb Center’s “Careers In … ” program, which provides students advising and shadowing opportunities in specific fields like non-profit, government and communications, as well as increase funding available for internships. Part of the campaign will also support the
Annual Fund and aim to contribute $80 million to it over the duration of the campaign. The Annual Fund is the way that most alumni donate, with around 12,000 alumni donating every year, according to Newby-Estes. The money raised through this fund is unrestricted and helps to support the campaign’s priorities. The campaign will also contribute to paying for the construction of the New Science Center as well as the Greenway Dorms, one of which was renamed this weekend. This weekend’s launch began with the renaming of Greenway A as Ford Hall. The building is named after William Ford ’83 P’13, who is the CEO of a growth equity firm called General Atlantic. President Biddy Martin, Board of Trustees Chair Cullen Murphy ’74, Association of Amherst Students President Aditi Krishnamurthy ’18 and Ford all spoke at the event. Following the speeches, Ford pulled a rope
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Hikaru “Karu” Kozuma will join the college as the new Chief Student Affairs Officer (CSAO) starting July 1, according to an email announcement sent out on Monday, April 9 by President Biddy Martin. Kozuma, who previously worked at the University of Pennsylvania as associate vice provost, will replace current CSAO Suzanne Coffey, who announced her retirement on Oct. 17, 2017. “In Karu, the search committee has found a person who is thoughtful, nuanced, experienced and lovely to be with,” Martin wrote in the email. “He is known at Penn and among professional colleagues as an unusually good listener who cares deeply about education, the life of the mind in a liberal arts setting and the students who are its beneficiaries.” Kozuma was recommended by the CSAO search committee, which was cochaired by Dean of the Faculty Catherine Epstein and Chief Diversity and Inclusion Officer Norm Jones, and also included senior staff members, professors and students. According to a press release by Chief Communications Officer Sandy Genelius, Kozuma said “I am elated to join the Amherst College family! I am honored and privileged to be given this opportunity, and I look forward to partnering with students, faculty and staff to enhance the experiences for all who are part of the community.”
Scholar Mark Anthony Neal Discusses the Birth of Stax Records Natalie De Rosa ’21 Assistant News Editor Charles Hamilton Houston Visiting Scholar Mark Anthony Neal gave a talk titled “Love in the Stax: Death, Loss and Resurrection in Post-King Memphis” on Thursday, April 5 in the Center for Humanistic Inquiry. The event was hosted by the black studies department and supported by the Charles Hamilton Houston Lecture Fund. Neal is a professor of African-American studies at Duke University, and has published several books including “Looking for Leroy: Illegible Black Masculinities.” He also writes about black culture on his website “NewBlackMan (in Exile)” and hosts a weekly webcast called “Left of Black.” Neal’s recent research includes examining black culture in digital archives. “In order to find blackness in the [digital] archive you have to know certain kinds of things, you have to have certain kinds of access to cultural DNA,” he said as he began his talk. Through his research, Neal began exploring the archives surrounding Stax, a Memphis-based record label founded in 1957, that focused on releasing the music of black artists throughout the 1960s and 1970s. To frame the story of Stax, Neal began with
the deaths of two prominent black figures in the 1960s: Otis Redding in 1967, and Martin Luther King Jr. in 1968. Neal played Stax artist William Bell’s song “A Tribute to a King” for the audience to establish this connection.“Listen, people, listen, I’m gonna sing you a song, about a man who lived good, but didn’t live too long,” William Bell sings. Neal said that the song’s deceptive title leads many to assume that Bell’s song was about King. In actuality, the song chronicles the life of Redding. Neal wanted to depict what Memphis and Stax thought about Otis Redding, setting the basis for the story of Stax.“Love in the Stax charged a transition moment of one of the defining brands of black cultural production of the late 1960s and 1970s, a transition that occurred in the midst of tragedy, loss, portrayal and what might be described as post-apocalyptic Memphis,” Neal said. The name Stax came from a combination of its founders’ last names, Jim Stewart and Estelle Axton. According to Neal, the label hit its peak between 1962 and 1967, signing classic soul artists like Carla Thomas, Booker T. and the M.G.’s and Otis Redding. Stewart and Axton viewed their label as producing “authentic black music,” with many of their artists “embodying the de-segregationist impulse
being demanded on the streets of Memphis,” and the label “[symbolizing] racial integration,” Neal said. Stax was able to rise to national attention through a distribution deal with Atlantic Records in 1968 and a new co-owner, Al Bell. Alongside this landmark deal, however, Stax needed to confront several other issues. Within a couple of years, Stax dealt with the death of artists like Otis Redding and members of the Bar-Kays. Additionally, when Warner Brothers bought Atlantic Records, Stax was forced to forfeit their entire archive to Atlantic. Shortly after Stax lost its artists and its archive, King was assassinated in Memphis. This combination of tragedy, Neal said, was as an immense loss for the people of Memphis. Nonetheless, Neal then focused his talk on the rebuilding of the Stax archive post-1968. Al Bell introduced a new strategy to rebuild Stax: “buying the archives on unreleased material, aggressively signing new acts … [expanding] the breadth of the brand beyond traditional Southern soul and blues and [implementing] an ambitious plan to introduce a new product, ‘soul explosion,’” Neal said. “Part of [Al] Bell’s efforts to rebuild the archive
was to expand the narrative ranges and sonic ranges of black music in the era,” Neal said, “He curated a sound of black power.” Neal then played the music Stax released after 1968, including songs from several different genres ranging from soul to gospel. Some of these songs were Carla Thomas’ “B-A-B-Y,” Otis Redding’s “These Arms Are Mine” and Rufus Thomas’ “Walking the Dog.” After playing these songs, Neal concluded the talk by saying that the “ultimate story is on one hand the devaluation of black music and the ability to rethink about how to rebuild that value by thinking more actively and broadly about the archive.” The talk then opened up to a Q&A session, in which the audience asked questions concerning gender and Stax’s lack of modern-day fame. Caryce Tirop ’17, who attended the event, enjoyed the use of history and archives to understand black culture. “As a historian, I am always excited by the possibilities of using different sources to write histories and this talk was really important for that conversation,” she said. “These archives allow us to highlight new narratives, make connections between events that seem disconnected, and finally understand contemporary cultural production and happenings.”