Amira A. Portfolio

Page 1

Amira Ajlouni M.ARCH FIU



Amira Ajlouni 786.427.5618 Aajlo001@fiu.edu



DESIGN STUDIO WORK



LIVE/WORK SKYSCRAPER The purpose of this skyscraper located in Brickell is to propose a mixed use program. The proposed design includes residential and commercial programs such as a hotel amongst other types of program. There is also a community factor, which revolves around a vertical farm, it is located within a portruding volume. The structure is a simple steel frame, trusses for the farming space, and diagnal bracing to suppport the cores.








Street A 1.Public Space

Street B

2.Public and Private Space

Str

Building Parti Diagrams Private Space Public Space People 4. Recess Building on ground Level

Miami Downtown is a

Str

pedestrian friendly city

intention of the design is to embrace that by inviting

person approaching it inside. This is achieved by k th double height entry inside to create a large ca ver by the sidewalk. This is highlighted by then glaz the building at the property line while recessing

entrance to deepen the recessed feeling all the way

of the building. On the inside, all the spaces envelop

main courtyards which provide light for the who

building. The Landscaping is designed also for the g

ering of people. There are two main meeting pla the ampitheatre on the west, and the roof gard on the second floor. In addition there are mini terra

on the south garden with connecting ramps and vary heights. The structure follows a simple combination o

linear and diagonal grids. The cantilever is supported

trusses which becomes an aesthetic part of the glazed facade system.


2.Public and Private Space

Street B

Street A

Street B 3.Open Space and access from Street B

4. Recess Building on ground Level

Street B

Street A

Street A

Diagrams

Street B

5. Cantilever and access from Both street A and Street B (Friendly Pedestrian Building)

Precedents

pedestrian friendly city; The ention of the design is to embrace that by inviting the erson approaching it inside. This is achieved by keeping building at the property line while recessing the ouble height entry inside to create a large cantiler by the sidewalk. This is highlighted by then glazing the

ami Downtown is a

rance to deepen the recessed feeling all the way inside

he building. On the inside, all the spaces envelope two ain courtyards which provide light for the whole lding. The Landscaping is designed also for the gathing of people. There are two main meeting places, ampitheatre on the west, and the roof garden the second floor. In addition there are mini terraces

the south garden with connecting ramps and varying ghts. The structure follows a simple combination of a

ear and diagonal grids. The cantilever is supported by

IBC International Business College, Kolding Schmidt Hammer Lassen Architects

Miami Downtown is a pedestrian friendly city; The intention of the design is to embrace that by inviting the person approaching it inside. This is achieved by keeping the building at the property line while recessing the double height entry inside to create a large cantilever by the sidewalk. This is highlighted by then glazing the entrance to deepen the recessed feeling all the way inside of the building. On the inside, all the spaces envelope two main courtyards which provide light for the whole building. The Landscaping is designed also for the gathering of people. There are two main Building Concept meeting places, the ampitheatre on the west, and the roof garden on the second floor. CARTA DOWNTOWN

Street B

Street A

Street A

CARTA DOWNTOWN

Amira Ajlouni Professor Brett Moss Comprehensive Design Studio Summer 2013|SOA|FIU

Competition Entry ShaGa Studio+ Gary Freedman

usses which becomes an aesthetic part of the azed facade system.

Date Scale

07_30_2013 N/A

G1.2 3 King Ling Road


Stage +1.5’

Ampitheatre +12’

3

2

5

4

7

6

Ramp Up

Ramp Up

1

A

B 17 Grass +0’

UP

Stone Paved Entrance Ramp Up

-

D

Ramp Up

UP

Mini Patio +2.5’

9 Grass +0’

10

Mini Patio +1’ Mini Patio +1’

11

Mini Patio Glass Bridge +1’ Between Patios +1’

Smooth Concrete Walkway +1’

12

Site Plan

Scale 3/32”=1’ SE 1st Street

Legend

Proposed Royal Poinciana Tree

Floor Lighting

13 14

14 15

15 16

1


SE 2nd Avenue

CARTA DOWNTOWN

8

-

17 Amira Ajlouni Professor Brett Moss Comprehensive Design Studio Summer 2013|SOA|FIU

Site Plan Date Scale

07_30_2013 3/32" = 1'-0"

G1.4


5

7

6


5.Lounge Rendering 6. South Garden Rendering 7. Entrance Interior Rendering




Cooling Tower

Air Handling Unit Supply air Return air Exhaust Air Fresh Air Intake

1

HVAC Axonometric


No.

Date

Scale Description Date

HVAC Axonometric

Issue Date

M1.7

CARTA DOWNTOWN Amira Ajlouni.Professor Brett Moss.Comprehensive Design Studio.Summer 2013. FIU


Structural Framing Perspective


CARTA DOWNTOWN Amira Ajlouni Professor Brett Moss Comprehensive Design Studio Summer 2013|SOA|FIU

Framing 3D Date Scale

07_30_2013 1/8�= 1'-0"

S1.7


travel distance =140'

common

path =24'

common

path =24'

DN

Secon Floor Life Safety Plan Scale 1/8�=1’

exit signs common path travel distance dead end


CARTA DOWNTOWN

-

UP

DN

Amira Ajlouni Professor Brett Moss Comprehensive Design Studio Summer 2013|SOA|FIU

Life Safety Plan Date Scale

07_30_2013 1/8�= 1'-0"

LS1.2


01

2

3

4

6

5

7

A

B 17

D UP

28 9

10 27

11 26

12 25

13 24

14 23

DN

15 29


CARTA DOWNTOWN

08

016

Water radius

Amira Ajlouni Professor Brett Moss Comprehensive Design Studio Summer 2013|SOA|FIU

Plumbing Date Scale

Sprinkler Head

07_30_2013 1/2" = 1'-0"

Sprinkler Lines

P1.5


01

2

3

4

5

A

B 17

D

9 10 11 12

Third Floor Reflected Ceiling Plan Scale 1/8”=1’

Legend Air Conditioning Vent Pendant Linear Lamp Flat Circular Ceiling Lamp Fire Sprinkler Exit Sign(arrows indicate Direction) Compond Ceiling Tiles

13


08

7

UP

CARTA DOWNTOWN

6

DN

14 15 016

Amira Ajlouni Professor Brett Moss Comprehensive Design Studio Summer 2013|SOA|FIU

Reflected Ceiling Plan Date Scale

07_30_2013 1/8" = 1'-0"

A1.4


01

2

3

4

5

6

A

2

3

2

2

2

2

3

B 17

2

-

2

D

U

9 10 11

Third Floor Electrical Plan Scale 1/8”=1’

12 13 14

Legend


CARTA DOWNTOWN

2

08

2

2

2

DN

Amira Ajlouni Professor Brett Moss Comprehensive Design Studio Summer 2013|SOA|FIU

TV

UP

7

Electrical Plans Date Scale

15

07_30_2013 1/8" = 1'-0"

E1.3



FIU FABRICATION LABS The design of the workshop building was conceived based on two environmental factors, sun and rain. it was necessary to create a building that would mitigate extreme heat and excessive rain. Since there will be a large outdoor space for students to fabricate things, it is vital to have a comfortable space regardless of the weather. Giant umbrella like structure were created to shade the outdoor space below and take advantage of Florida’s high rate of precipitation. These structures collect rain water and direct towards a small lake outside of the building , which purifies the water and sends it back to the building to be used as a grey water system.


WASTE UMBRELLAS

WATER COLLECTION

SUN

POLLUTED FLOOD RUNOFF

HOT EVAPORATIVE COOLING

ELEVATE BUILDING SHADE

RAMP SYSTEM CONNECTING ALL SHOPS AND LEADING TO

AESTHETICS

OUTDOOR FABRICATION AREA

NOISE OUTDOOR AREAS ON TOP FLOORS MINI EVERGLADES

ALLOW GLAZING FACADE OF SHOPS

GREY WATER SYSTEM

PANORAMIC SUPERVISION FOR THE MAJOR SHOPS AT ALL TIMES

ECOLOGY

GAS EXCHANGE

FOOD LOOPS

WATER FILTERING PLANTS

TEACHING SUSTAINABILITY IN ARCHITECTURE

DIAGRAM OF CONCEPT

HYDROLOGICAL CYCLE

MINERAL ABSORPTION

HOME

PROTECTION FROM WINDS GAS EXCHANGE

POLLINATE FEED

SYMBIOSIS

BALANCED NUTRIENTS= MORE OXYGEN=AQUATC LIFE

NITROGEN/ PHOSPHOROUS FROM WATER RUNOFF

Ecological cycle Amira Ajlouni

CONSUME MOSQUITO LARVAE

CO2

O2

FOOD


GREAY WATER SYSTEM

WORKSHOPS ARE ELEVATED TO PROTECT FLOODING AND PROVIDE EVAPORATIVE COOLING FOR

RAMP

FROM

THE SHOPS ABOVE

TO MINI EVERLADES

EXTRA PIPES BELOW BUILDING WATER

TO COLLECT ALL

RUNOFF

AXIS

MAJOR SPLITTING BUILDING AS WELL

MINI EVERGLADES

PEDESTRIAN PATH

AS A

LOADING

DOCK AND OVERHEAD CRANE SYSTEM

PIPES TO EVERGLADES

UP

panormaic WATER COLLECTORS/SHADE vision to all workshops

COMMON OUTDOOR AREA

30’ HEIGHT

WOODSHOP ACCOMODATES SECOND STORY

UP

STORGAE

NEIGHBORS OFFICE CONNECTS BOTH MAJOR SHOPS

UP

UP UP

STUDENT

1. INSPIRATION ZONE

DROP OFF ZONE

2. FABRICATION ZONE RAMP SYSTEM CONNECTS ALL SHOPS TOGETHER, AND TRANSFERS EQUIPMENT TO

LIBRARY/ LECTURE

MINI EVERGLADES

PARTI DIAGRAM

DROP OFF REGIONS

WORKSHOPS

ELEVATORS/STAIRS


DN

UP

UP

UP

UP UP


UP

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

DN

LIBRARY DETAIL WALL SECTION

UP

UP

UP UP

DN


SAVANNAH HISTORIC DISTRICT

TYPICAL WARD DIAGRAM

17째


ARTIST RESIDENCES

s around the idea of open-

nity. Its main design is com-

nned together through a light ent the artists’ spaces, which his is done for the purpose of y to the public, it becomes a

n the making. Their proed in a gallery that flourishes rden begins with the theatre n outdoor space as well as a ends up to the roof through private garden for the artists.

RESIDENTS PROFILE

TO GALLERY

OUTDOOR THEATRE SEATING/ OUTDOOR EATING

THEATRE/ LIGT SHAFT PERSPECTIVE

GALLERY PERSPECTIVE

The building design revolves around the idea of openness and community. Its main design is composed of boxes that are pinned together through a lightshaft. These boxes represent the artists’ spaces, which are exposed to the street; this is done for the purpose of exposing the interior activity to the public, it becomes a performance of the art in the making. Their produced work is then displayed in a gallery that flourishes into the sidewalk . The garden begins with the theatre seating which serves as an outdoor space as well as a theatre space, it then extends up to the roof through stairs and ends at another private garden for the artists.



DETAIL WALL SECTION SCALE, 1/2” = 1’

DETAIL WALL AXNOMETRIC SCALE, 1/2” = 1’


SECTION B1 SCALE, 1/8”= 1’


SOUTH ELEVATION SCALE, 1/8”= 1’

ROOF PLAN

OUTDOOR SPACE

PAINTING STUDIO

PHOTOGRAPHY LAB

THIRD FLOOR PLAN

DINING AREA

DANCE STUDIO

ARCHITECTURE STUDIO

SECOND FLOOR PLAN

WELCOME

THEATRE/DINING AREA

PUBLIC GALLERY

GROUND FLOOR PLAN

PRVATE GALLERY

KITCHEN



 












DORMITORY DETAIL DIAGRAMS

TO GALLERY

OUTDOOR THEATRE SEATING/ OUTDOOR EATING

THEATRE/ LIGT SHAFT PERSPECTIVE

GALLERY PERSPECTIVE

EAST ELEVATION SCALE, 1/8”= 1’

SECTION A2 SCALE, 1/8”= 1’


N



WOLFSONIANRESIDENCES The concept is of a continous body that begins with Washington street and lures visitors in, and termintaes Into the fifth floor, in an apartment, and serves as a view to downtown. As the body circulates the building, it creates spaces within itself which serve dierent functions. At some floors , there is a play of light and shadows, which create a pleasing , it also pivots at certain point to create circulation to the upper floors.


Living

Observing

Learning

Captivating

Detail Section Scale : 1’= 1/4”


Apartment

Bed Window Ladder Desk Kitchen counter/ Bar

A portion of the exterior wall extends in to create a bunk bed,

continous plane that

which is connected to a folds to create a desk, a chair, and a kitchen bar.

Shelving system

The word

‘THINK’ is

engraved within the wall, it creates a statement which reflects the theme of the wolfsonian museum, which is a place to think and learn. It also serves

shelving

as a system for small items.

made of shifting horizontal pieces.

Seating Seat

conditons are created once the horizontal lines go beyond the wall surface.

Shelf

Study Room

Furninture creates an axis that runs through the study spaces and unites it into one big study room. Some seats are static while some are mobile to allow students to use the space as they desire.

Study of a a system of two pieces that could unite to create different elevation which afford study surfaces as well as seating conditions.

Water

Entry

seperates the tubular space from

A body of water the rest of the architecture.

Light filter The entrance is defined by an overhead plane created through the

Glass Concrete

Fragmented shadows

folding

of the vertical plane. The fold creates a flush entrance which is inviting one to get in.

A carved concrete plane and a glass panel are bonded together, their square shaped carvings Shift from one another to create a fragmented shadow from the light.


The con that be and lure into the and ser As the b creates serve d floors , shadow also piv circulat

Ending

view to downtown

Washington

Beginning

Clear entry from the street




LIFEGUARD CENTER Located in Miami Beach, the Life Guard Center creates in own urban realm, by splitting its volume on the first level and creating a passage that links Ocean Drive to the Beach. This facilitates an experience throught the building’s first floor program while making the transition.


TO CITY

TO CITY

TO BEACH

TO BEACH

SHIFT OF MASS TO ALLOW FOR CIRCULATION

SHIFT OF MASS TO ALLOW FOR CIRCULATION



ED ER

V CO R OO TD OU E AC SP

AN RM

PE

4

CE

RO

5

+

1

CL

R OO TD OU

SR AS OO S M

4 3

+

EA TR TH

AN RM FO

E

R PE

3

2

C

E

+

2

2 TR Y

ES

EN

IC

TO CITY

DIN

IN

G

HA LL

F OF

S

1

1

LO CK ER

RO OM

+

OR DO

OR ST

E AG

T OU

ELEVATOR AND RESTROOMS

CIRCULATION PATH

PERFORMANCE CENTER

EAST AND WEST STAIRS

LIFEGUARD CENTER

ELEVATOR

NORTH AND SOUTH WIND CONNECTION

EXIT AND ENTRANCE

PROGRAM AXONOMETRIC

PROGRAM AXONOMETRIC

BEACH

1

CROWS NEST

2

TO BEACH

THEATRE

5 1

4

3

2

2 TO CITY

1

CIRCULATION PATH EAST AND WEST STAIRS ELEVATOR

EXIT AND ENTRANCE

PROGRAM AXONOMETRIC

1

CROWS NEST

2

TO BEACH

THEATRE

STREET


BEACH

STREET

STREET

BEACH



BRIDGING INSTITUTIONS RESEARCH

BRIDGE

STUDENTS

TWO INSTITUTIONS LINKED It is critical that the reserach facilities attain autonomy, however they are still connected to the student facilities buillding through a bridge which continues looping to create the rest of the public program, such as library, study areas, and offices. This bridge is an area for researchers and students to interconnect and a gallery to discuss new and innovative ideas in the medical field.

The concept is to bridge two institutions into one building as part of the Northwestern University’s medical campus. One building is very private as it is a research building, while the other building is a public building of offices, study rooms, library, and retail. They are both connected by a bridge which serves as a pathway as well as a gallery of medical research. The overall form of the building consists of two towers that connect by a bridge at the top levels. The building acts as a loop which shifts to avoid a wind tunnel in its opening, yet allows for ventilation to enter


STUDY ROOMS

RESIDENTIAL

OFFICES

VENTILATION

LIBRARY

COMMON OUTDOOR GALLERIES

s

study ers new

RETAIL MEDICAL NORTHWESTERN UNIVERSITY MEDICAL

RESEARCH FACILITIES


B1

A1

A2

B1

A1

A2

B1

A1

A2


Zones divide the home, which relate to the activity that occurs within their realm. These zones are dictated by furninture, which draw the perimeter lines for these zones. On the _rst level, the kitchen piece holds all the activity within its form, its axis extend horizontally into the garden to create the outdoor kitchen; its form and axis also extend vertically to create the study area on the second level. The study area on the second level is another zone created by the book shelf , it is then pulled out of the perimeter through the bay window. The writing area is a special area for the writer, it a zone shared by indoor space and outdoor balcony, and seating condition is created by the extending plane from the restroom. These zones are then pinned through the vertical bookshelf/storage area next to the stairs, which also serves as a pivotal point for the vertical circulation.


CARRIAGE HOUSE PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT



ASCENSION The intent of this project is to create an architectural ascension from one level to another which defines a clear spatial configuration. This architectural ascension shall concern itself but is not limited to the following issues: entry and arrival, frontality and rotation, continuity and discontinuity, extension and containment, horizontality and verticality, spatial solids and voids, mass versus frame, display and concealment, the viewer and the viewed, movement and rest.



SKY RETREAT Inspired by Italo calvino, the structure inspires the design. The building is constructed through planes which follow the reflections of the matrix. Entrance starts with a relatively dark narrow space and eventually explodes into sky and light. circulation occurs horizontally as one moves from one space to another, o vertically as one is ascending or descending the staircase. Translucency and transparency are used to incorporate the sky into the real of the building.







PAIOMI CHAIR The story is of the Paimio chair made by Alvar Aalto in the period of 1931-32 inorder to be used at the tuberculosis sanitarium at Paimio, Finland; the purpose is to provide comfort and heal the patients. The seat distinguished itself from other furninture types by its simplicity, sinous curves, simple decoration, and light colors. The seat and back are formed from a single piece of lamintaed plywood bent and rolled at each support. However, the chair decides to defy its purpose. Instead of being inhabited, it begins to inhabit . opposite to comfort, it provides discomfort. it wraps its curves around the body, it limits one from the ability of moving the hands freely. It also changes its own appearance, it becomes dark and evil.



TECHNICAL DRAWINGS






FASTENER METAL CAP BASE SHEET SINGLE LAYER WALL COVERING

MULLION ASSEMBLY DOUBLE GLASS

CAP MEMBRANE BASE FLASHING FIRST MEMBRANE BASE FLASHING DRAINAGE

INSULATION FIRST CAP MEMBRANE

WIDE FLANGE STEEL L BRACKET

5'-0"

BUTT JOINED GLASS

Bracket

FLASHING SUBSTRATE

TRUSS

FILTER LAYER DRAINAGE MAT PROTECTION MAT WATERPROOF MEMBRANE VAPOR BARRIER INSULATION

WIDE FLANGE DRAINAGE

STEEL L BRACKET

15'-0" ACOUSTICAL CEILING PANELS

VERTICAL ACOUSTICAL PANELS

ALUMINUM HOLLOW WALL MOUNTING RAIL Insulation behind Spandrel Glass

HORIZONTAL MOUNTING HOOK

5'-0"

GREEN WALL PANEL

15'-0"

5'-0"

15'-0"

Facade Detail Section Scale 1/2”=1’

Green Wall Detail Section Scale 1/2”=1’


FLASHING

ALUMINUM HOLLOW WALL

WIDE FLANGE

ACOUSTICAL CEILING PANELS

MOUNTING RAIL VERTICAL ACOUSTICAL PANELS

HORIZONTAL MOUNTING HOOK

GREEN WALL PANEL

Green Wall Isometric Detail Scale 3/4”=1’

Amira Ajloun Professor Br Comprehens Summer 201

Isom

Date Scale

A2



HAND DRAWINGS/ PAINTINGS



1111 GARAGE ANALYSIS This sectional drawing is generated by a unique path treaded at the 1111 Garage, Miami Beach. Each section observed by walking is sketched and stitched by the next, creating a series and an interesting overall section speaking of the dynamic sequence of the building







GRAPHICS









RESEARCH/ TEACHING



COLLABORATIVE LEARNING The construction and operation of buildings is among the most energy, pollution, and resource intensive. The pedagogy of Architecture, Engineering and Construction (AEC) students must be improved to support the design and development of high performance, energy efficient, and more sustainable buildings. The key is to tackle the current pedagogical system, and train students to develop critical thinking skills necessary for solving complex real life solutions. This study seeks to examine the efficacy of collaborative learning between AEC students as it relates to the outcome of their buildings’ energy efficiency from a case based study.



STRUCTURAL DESIGN Teaching assitant for structural design course (2012-2014). Responsibilities included teaching a structural design laboratory course, assisting students with learning the course material, and creating and testig new hands-on excercises.



Thank You!


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