amir jafari amirhossein.jafarii@hotmail.com
Content Professional Work 1.A Doctor’s Office Scarpidis Design Winter 2019-Present
2.Another Doctor’s Office Scarpidis Design Winter 2019-Present
3.Kilwin’s Chacolate Store Joshua Zinder Architecture + Design Summer 2018-Winter 2018
Academic Work 4.The Tale
8.Capula Hall
5.Theater Hall
7.Music Pavilion
6.Modular Apartment
9.Gamry Office Design
Graduate Thesis Spring 2018
Undergraduate Thesis Spring 2014
Comprehesive Studio Spring 2016
Slum of Utopia Spring 2017
Visiting Critic Studio Fall 2017
Studio III Fall 2015
A Doctor’s Office Scarpidis Design Massapequa, NY
This project located in Massapequa, NY. The client is a doctor and wants to build his own clinical building. The builds services other physiotherapists and plastic surgeons. My role in this project is to lead the project forward in all phases. Help the architect in design, prepare the construction set, go to meetings with other parties, process bids and coordinate the project with the architect of record.
*This render done by a third party. I did the modeling the 3d, lighting and camera.
PROPOSED GROUND FLOOR PLAN
A LONG ISLAND DOCTOR'S
OFFICE
550 BROADWAY MASSAPEQUA, NEW YORK
1
2
3
4
84'-5 3/4"
16'-1 1/2"
16'-2"
5
15'-10 1/4"
6
16'-2 3/4"
7 8
4'-2 1/2"
8 1/4"
7'-2 3/4"
9
10 4'-6 1/4"
3'-6"
85'-8 7/8" 31'-4 5/8"
10'-3 7/8"
6'-0"
6'-7 1/8"
14'-1 5/8"
13'-8"
SCARPIDIS NEW YORK
8'-4 1/4" COOL SCULPTING ROOM 110
X
8'-9 3/4"
1 4 A-307.20 2 3
X X
1
9'-9"
3'-1 5/8"
101
UP
1
3
114
DN
112
8'-0" ACUPUNCTURE, MASSAGE AND REIKI ROOM 109 4 1 4 A-308.20 2 3
+
ENGINEERS
3/4"
1
2
1'-4
4 A-311.20 2 3
101
RECEPTION 102
108
1
3'-8"
2
8'-5 1 4 A-301.20 2 3
4
4
1/8"
1 4 A-302.20 2 3
CONSULTATION/MEETING ROOM 105
104
1
F
8'-2 7/8"
103
1
105
103
4"
X
3
4
109
0
5/8"
4'-9 3/4"
28'-0" 7'-9 1/2"
29'-0 1/2"
2'-1 1/2" 3'-6 3/4"
4
A-303.2
14'-7"
BOLLARD SEE DETAILS
113
ARCHITECTS
538 Broad Hollow Road, 4th Floor East Melville, NY 11747 T 631.756.8000 F 631.694.4122
1
1'-4
4'-6"
11'-4 7/8"
9'-8 3/4"
X X X X X X
HALL 106
4
16'-9 1/4"
1
ENTRANCE 101 ELEVATOR
103
X
5'-6 3/8"
9'-9"
11 1/
X X
4
4 A-309.20 2 3
110
104
102
X
X
GARAGE 111
1
X
107
1
E
X
105
5
X
X
D
-
453 West 17th Street, Studio 4NW New York, NY 10011 T 212.675.5195 F 212.675.5989 www.scarpidis.com
5
1 A-50 3
4'-1 1/4"
11'-7 3/8"
X
C
1 A-310.30 2
2
STAFF STORAGE ROOM 104
9'-5 3/4"
X
X
1
A-310.20
1
2
X
X
106
1 -
1 4 A-304.20 2 3
LASER ROOM 108 1 4 A-305.20 2 3
7'-5 3/4"
X
B
5'-0"
SAUNA ROOM 107 1 4 A-306.20 2 3
2'-0"
X
X
X
X
1 A503.00
RESTROOM 103 4
4 3
18'-1 1/4"
X
X
2
104
12'-0 3/4"
X
5'-2"
UP
SAUNA 1 A502.00
10'-2"
X
X
1
4'-11 1/4"
X
1'-2 7/8"
X
A
9'-0" 1 A600.00
X
X
EXISTING GAS METER
X
X
74'-3 1/8"
EXISTING MANHOLE
X
EXISTING MANHOLE
No.
PROPOSED NORTH
AND WEST
Date
Revision
FACADE
A LONG ISLAN DOCTOR'S
1
OFFI
PROPOSED GROUND FLOOR PLAN 1/4"=1'-0"
LEGEND
Proposed Ground Floor Plan
550 BROADWAY
MASSAPEQUA, NEW YORK
Existing Wall New Wall
N 2018 SCARPIDIS DESIGN CORPORATION. All Rights Reserved
SCARPIDIS NEW YORK
APPLY EXTERIOR WATER PROOFING ON EXISTING EXTERIOR FACADE
TITLE :
453 West 17th Street, Studio 4NW
PROPOSED GROUND FLOOR PLAN New York, NY 10011
T 212.675.5195 F 212.675.5989 www.scarpidis.com
1'-6"
DATE :
JUNE 14TH, 2019 SCALE :
1/4" = 1' DRAWING :
A-201.10
ARCHITECTS
+
ENGINE
2'-10 15/16" 1'-4"
7'-11"
24'-5"
18'-8"
538 Broad Hollow Road, 4th Floor East Melville, NY 11747 T 631.756.8000 F 631.6
31'-3 9/16"
1
WEST FACADE 1/4"=1'-0"
West Elevation
2018 SCARPIDIS DESIGN CORPORATION. All Rights Reserved
5'-5 3/4"
9'-10 1/4"
3'-0 5/16"
10'-4 5/8"
35'-5 13/16" 85'-0 15/16"
2
NORTH FACADE 1/4"=1'-0"
10'-0 1/4"
No.
Date
Revision
24'-5"
22'-11"
22'-10"
1'-6"
APPLY EXTERIOR WATER PROOFING ON EXISTING EXTERIOR FACADE
10'-9 3/4" TITLE :
PROPSOED NORTH AND WEST FACADE DATE :
JUNE 14TH, 2019 SCALE :
1/4" = 1' DRAWING :
A-403.00
PROPOSED SECOND
FLOOR PLAN
A LONG ISLAND DOCTOR'S
OFFICE
550 BROADWAY MASSAPEQUA, NEW YORK
1
2
3
84'-5 3/4"
16'-1 1/2"
16'-2"
4
5
15'-10 1/4"
16'-2 3/4"
6
7 8
4'-2 1/2"
8 1/4"
7'-2 3/4"
9
3'-6"
10 4'-6 1/4"
85'-8 7/8" 22'-6 3/4"
9'-10 7/8"
SCARPIDIS
47'-7 1/4"
NEW YORK
201
4 A-326.26 2 3
4 A-325.25 2 3
1 4 A-323.20 2 3
PROPOSED NORTH
AND WEST
CLOSET 210
FACADE
6'-4 3/8" 4 RESTROOM 3 202
206
5 1 A-50 3
2'-5
207
B
DN
4'-0 5/8" 4
RESTROOM 2 209
7'-1"
4
208
209
210
201
211
2'-8"
1
10'-2"
10'-2"
1
6'-9"
4 TREATMENT ROOM 2 208
TREATMENT ROOM 1 207
2
9'-8 3/4"
8'-1 1/2"
8'-0" 4
BACK OFFICE 206
/2"
208
HATCH TO THE ROOF
EXISTING MECHANICAL DUCTS
8'-0" 4
1 '-9 R3
1
11'-9 1/8" STAFF LUNCH AREA 205
ELEVATOR
4'-9 3/4"
1 4 A-311.20 2 3
HALL 204
5'-0"
9'-0 1/2"
550 BROADWAY
MASSAPEQUA, NEW YORK
4
1/2"
1/2"
1 A-313.2
0 2 3 MANAGER'S OFFICE 203
7/8"
4
32'-2
209
8'-4
RECEPTION 201
4
20'-1
4'-7" 4 TREATMENT ROOM 5 AND PA OFFICE 211
1/4"
1 4 A-312.20 2 3
212
4'-10 3/4" 4 TREATMENT ROOM 4 212
SCARPIDIS
10'-0 1/8"
8'-0"
206
12'-1 7/8"
5'-0"
203
NEW YORK
7'-10"
205
205
205
205
3'-11 1/4"
4'-2" 1'-4 3/4"
205
204
3'-11 5/8"
1'-5 3/8"
453 West 17th Street, Studio 4NW New York, NY 10011 T 212.675.5195 F 212.675.5989 www.scarpidis.com
5'-6 1/2"
2'-0"
3'-1 7/8"
207
6'-6 1/8"
7'-8 1/4"
8'-0"
APPLY EXTERIOR WATER PROOFING ON EXISTING EXTERIOR FACADE
1 4 A-318.20 2 3
1'-6"
8'-9 3/4"
9'-0
208
DOCTOR'S OFFICE 214
213
4'-10 3/4" 4 TREATMENT ROOM 3 213
11'-7 1/4"
17'-2"
214
6'-10 7/8" 4
17'-5"
215
INFUSION ROOM 215
12'-0"
29'-0 1/2"
30'-0 3/4"
538 Broad Hollow Road, 4th Floor East Melville, NY 11747 T 631.756.8000 F 631.694.4122
35'-2 3/8"
3'-6 3/4"
2'-1 1/2"
205
E
F
I N 'E S E R SO F F I D O C+ TE NOG R
ARCHITECTS
202
2
D
A LONG ISLAN
1/4"
2
C
453 West 17th Street, Studio 4NW New York, NY 10011 T 212.675.5195 F 212.675.5989 www.scarpidis.com
202
7'-1"
2'-7 3/8"
A
11'-8" 1'-5 1/4"
2 A600.00
74'-3 1/8"
ARCHITECTS
PROPOSED SECOND FLOOR PLAN
No.
Date
+
ENGINE
538 Broad Hollow Road, 4th Floor East Revision Melville, NY 11747 T 631.756.8000 F 631.6
7'-11"
24'-5"
1/4"=1'-0"
18'-8"
1
2'-10 15/16" 1'-4"
LEGEND
Proposed Second Floor Plan
Existing Wall New Wall
31'-3 9/16"
WEST FACADE 1/4"=1'-0"
TITLE :
PROPOSED SECOND FLOOR PLAN DATE :
JUNE 14TH, 2019
APPLY EXTERIOR WATER PROOFING ON EXISTING EXTERIOR FACADE
SCALE :
2018 SCARPIDIS DESIGN CORPORATION. All Rights Reserved
1'-6"
1/4" = 1'
5'-5 3/4"
9'-10 1/4"
3'-0 5/16"
10'-4 5/8"
35'-5 13/16" 85'-0 15/16"
2
NORTH FACADE 1/4"=1'-0"
North Elevation
10'-0 1/4"
DRAWING :
A-201.20
No.
Date
Revision
24'-5"
22'-11"
22'-10"
2018 SCARPIDIS DESIGN CORPORATION. All Rights Reserved
N
1
10'-9 3/4" TITLE :
PROPSOED NORTH AND WEST FACADE DATE :
JUNE 14TH, 2019 SCALE :
1/4" = 1' DRAWING :
A-403.00
WALL SECTION&BRACKET DETAIL
ALUMINUM ROOF EDGE LAP SEALANT
EPDM ROOFING MEMBRANE RUN ROOFING MEMBRANE OVER AND DOWN EDGE OF FASCIA FLUSH EXTERIOR FINISH EIFS FINISH FOAM AS REQUIRED TO FLUSH THE EXTERIOR EXISTING BRICK
1
TYPICAL WALL SECTION DETAIL
1 1/2" = 1'-0"
WALL FINISH 4 1/2" WALL BASE EXISTING FLOOR TO REMAIN WOOD JOISTS
2
EIFS FINISH FOAM AS REQUIRED TO FLUSH THE EXTERIOR EXISTING BRICK EXISTING VAPOR BARRIER EXISTING CMU Block EXISTING FURRING CHANNEL EXISTING SHEETROCK
TYPICAL WALL SECTION DETAIL
1 1/2" = 1'-0"
WALL FINISH 4 1/2" WALL BASE EXISTING FLOOR TO REMAIN WOOD JOISTS
EIFS FINISH FOAM AS REQUIRED TO FLUSH THE EXTERIOR EXISTING BRICK EXISTING VAPOR BARRIER EXISTING CMU Block EXISTING FURRING CHANNEL EXISTING SHEETROCK
CONCRETE PAVEMENT CONCRETE WALL BASEMENT CONCRETE PAVEMENT
3
TYPICAL WALL SECTION DETAIL
1 1/2" = 1'-0"
Typical Wall Section
8 3/4" 1'-0" 6'-6 3/4"
1'-1" 4" 1'-2" 2X6 WOOD JOIST
EXISTING 2"X12" WOOD JOIST
CONCRETE FOOTING AS REQUIRED
ELEVATOR PIT DETAIL
1
8'-1 1/2" 6'-0 3/4"
CONCRETE C CHANNEL JOIST
ELEVATOR PIT DETAIL
1'-6" 2018 SCARPIDIS DESIGN CORPORATION. All Rights Reserved
6'-8 1/2"
EXISTING TRUSS
6'-8 1/2"
FINISH FLOOR GROUND FLOOR
3/4" PLYWOOD SUB FLOOR
ELEVATOR SYSTEM AND COMPONENTS INSTALLED BY ELEVATOR COMPANY ANGLE
EXISTING FLOOR
Elevator Pit Section
3/4"= 1' 0"
OFF
A LONG ISLA
DOCTOR'S
550 BROADWAY
MASSAPEQUA, NEW YO
NEW YORK
SCARPIDIS
+
ENGIN
453 West 17th Street, Studio 4N New York, NY 10011 T 212.675.5195 F 212.675.598 www.scarpidis.com
ARCHITECTS
Date
Revision
538 Broad Hollow Road, 4th Floor East Melville, NY 11747 T 631.756.8000 F 63
No.
TITLE :
ELEVATOR SECTION
DATE :
SCALE :
JUNE 14TH, 2019
3/4" = 1'
A505.00
DRAWING :
Another Doctor’s Office Scarpidis Design Manhattan, NY
This design is for a returning client wanted to have his second office to be designed by Scarpidis Design. My role was to assist the architect in design, prepare the construction set, draw the enlarged floor plans and coordinate with the architect of record.
*This render done by a third party. I did the modeling the 3d, lighting and camera.
WIRING PLAN
E
A
A
E 200 AMP - 250 V @3'-6"
EX
@3'-6"
A
RESTROOM 105
WP RD
A
RD
REF
@3'-6"
E
AR
OPERATING ROOM 107
$
@5'
AR $
AS
VESTIBULE 106
EX
@5'
A REF
@5'
A
WP
A
OFFICE 111
A
AS
EXAM ROOM 4 109
$$
A
DIRTY ROOM 108
$
KITCHEN 104
E
E
$$
$
E
AS
$
E EF
E
@3'-6"
@3'-6"
AR
A $
200 AMP - 250 V
EX
E
ANTI-ROOM 110
RD
RD
@5'
$
RD
$
RD
RD
RD
GALLERY 1RD 102
RD
RD
$
$
RD E
E
E
CONSULTATION ROOM 112
GALLERY 2RD 103
RD
@5'
E RD E
RD
$$
RECEPTION 101
$$
E
E
RD E
A AS
@5'
A
A
EXAM ROOM 1 116
@5'
E
@3'-6"
WIRING PLAN
E
E
@5'
A
A EXAM ROOM 3 113
E
EX
AR
Wiring Floor Plan 1
A
EXAM ROOM 2 115
AS E
WP
A
@5'
AR
@3'-6"
$
RD
$$
RD
AS
AR
RD
$
$
$
C/S
ADA RESTROOM 114
@3'-6"
E E
LEGEND
RD
Recesed Downlight
New Duplex Outlet
3/8" = 1'-0"
Square Recessed Downlight
A WP
Waterproof Receptacle
E
Existing Duplex Outlet
$$$$
Existing Switches - 1 Way/ 3Way/ Dimmable/ 3 Way Dimmable
Data Port
E Existing Data port
PROPOSED FLOORING PLAN
RESTROOM 105
OFFICE 111
OPERATING ROOM 107
DIRTY ROOM 108
EXAM ROOM 4 109
VESTIBULE 106
ANTI-ROOM 110
REF
REF CONSULTATION ROOM 112 GALLERY 1 102
RECEPTION 101
GALLERY 2 103
EXAM ROOM 2 115
EXAM ROOM 1 116
ADA RESTROOM 105
Flooring Plan 1
EXAM ROOM 3 114
LEGEND
PROPOSED FLOORING PLAN 3/8" = 1'-0"
CARPET FLOOR
WOOD PLANK
TILE FLOOR
VINYL FLOOR
A
ENLARGED DIRTY ROOM PLAN
DOCTOR'S OFFICE AT
800 FIFTH AVENUE 7'-5 5/8"
NEW
YORK, NEW YORK
SCARPIDIS NEW YORK
5" TRIM 2'-8"
DOOR 106
4 1/4" 3'-1 7/8"
7'-9 1/8"
5" TRIM
DOOR 105
5" TRIM 3'-9 1/4"
7'-8 7/8"
3'-0"
5" TRIM
453 West 17th Street, Studio 4NW New York, NY 10011 Telephone: 212.675.5195 www.scarpidis.com
No.
Date
Revision
7 1/4"
REF
DOOR 104
5" TRIM
3'-0"
5" TRIM
1'-11 1/4"
10"
1'-2" 7'-5 5/8"
2019 SCARPIDIS DESIGN CORPORATION. All Rights Reserved
N
TITLE :
ENLARGED DIRTY ROOM PLAN
Enlarged Floor Plan ENLARGED DIRTY ROOM PLAN
1
E1"=1'-0" NLARGED GALLERY
DATE :
JUNE 28th 2019
A
SCALE :
1" = 1'
1 PLAN
DRAWING :
A-308.10
DOCTOR'S OFFICE AT
800 FIFTH AVENUE NEW
YORK, NEW YORK
SCARPIDIS NEW YORK
453 West 17th Street, Studio 4NW New York, NY 10011 Telephone: 212.675.5195 www.scarpidis.com
5" TRIM
8'-9 3/8"
5" TRIM
3'-0" DOOR 104
10"
1'-4 3/4"
4'-7" 2 1/4"
9 1/2"
3'-0"
3'-0"
4'-7"
9 1/2"
4" WOOD PLANK
No.
DOOR 113 5'-4 7/8"
5" TRIM
2'-8"
Date
Revision
DOOR 112 5" TRIM
5" TRIM
2'-8"
5" TRIM
5 7/8"
Enlarged Floor Plan
2019 SCARPIDIS DESIGN CORPORATION. All Rights Reserved
N
TITLE :
ENLARGED GALLERY 1 PLAN DATE :
1
ENLARGED GALLERY 1 PLAN 1"=1'-0"
JUNE 28th 2019 SCALE :
1" = 1' DRAWING :
A-302.10
ENLARGED
A
RECEPTION PLAN ALTERNATIVE 1
DOCTOR'S OFFICE
15'-11 3/4"
AT
2 1/8" 5'-3"
4'-10"
1'-6 5/8"
2'-8"
800 FIFTH AVENUE
1'-6"
4" WOOD BORDER PLANK
6 1/4"
5" TRIM
NEW YORK, NEW YORK
SCARPIDIS
4" WOOD PLANK
NEW YORK
8'-5"
1'-6 1/4"
7'-7 1/2"
11'-1"
1'-6 1/4"
14'-9"
1'-6 1/4"
9 1/2"
3'-0"
5" TRIM
9 1/2"
3'-0" DOOR 101
453 West 17th Street, Studio 4NW New York, NY 10011 Telephone: 212.675.5195 www.scarpidis.com
Date
Revision
9 1/2"
1'-6 1/4"
1'-6 1/4"
No.
N 2019 SCARPIDIS DESIGN CORPORATION. All Rights Reserved
14'-5 3/4"
10"
15'-3 3/4"
TITLE :
ENLARGED RECEPTION PLAN ALTERNATIVE 1 DATE :
JUNE 28th 2019
ENLARGED RECEPTION PLAN - ALTERNATIVE 1
1
1"=1'-0"
SCALE :
1" = 1'
Enlarged Floor Plan
ENLARGED EXAM ROOM 4
DRAWING :
A-301.10
A
PLAN
DOCTOR'S OFFICE AT
800 FIFTH AVENUE NEW
YORK, NEW YORK
8'-11 1/2"
2'-1 1/4"
6'-10 1/4"
SCARPIDIS NEW YORK
3'-5 5/8"
CL
5'-9 3/4"
5" TRIM
10'-3"
10'-3"
2'-8"
DOOR 106
5" TRIM
6 3/4"
CL
4'-5 3/8"
1'-11 1/2"
453 West 17th Street, Studio 4NW New York, NY 10011 Telephone: 212.675.5195 www.scarpidis.com
Date
Revision
7 1/4"
No.
TILE TO START FROM THE CENTER OF THE SADDLE
Enlarged Floor Plan DOOR 107 TRIM 5"
2'-8"
TRIM 5"
10 3/4"
5'-11"
2'-1"
2019 SCARPIDIS DESIGN CORPORATION. All Rights Reserved
N
TITLE :
ENLARGED EXAM ROOM 4 PLAN DATE :
1
ENLARGED EXAM ROOM 4 PLAN 1"=1'-0"
JUNE 28th 2019 SCALE :
1" = 1' DRAWING :
A-309.10
Kilwins Chocolate Store JZA+D
Princeton, NJ
This project located in Witherspoon street in Princeton, NJ. A new branch of the chocolate brand in New Jersey .This project includes interior design of the retail as well. My responsibily in this project was to survey the exising condition, drawing interior elevations, section and Details as well as collaboration in producing plans and elevations.
7'
60"
TILE FLOOR
TILE FLOOR
WALL COVERING
PROVIDE RESTROOM SIGN WITH RAISED AND BRAILLE TILE CHARACTE PICTORIAL SYMBOL SIGN AT STOCK ROOM OF TOILET ROOM DOO CEILING STATE AND LOCAL ACCESSIBILITY CODE.
TILE CEILING
A. B. 10"
C.
INTERIOR ELEVATION - N SCALE: 1/4" = 1'-0"
414"
STR'L DECK
2'-821"
3'-0"
2'-112"
SCALE: ELEVATION 1" = 1'-0" - S INTERIOR SCALE: 1/4" = 1'-0"
2
INTERIOR ELEV SCALE: 1/4" = 1
3
TOELET ROOM SIGNAGE
5
7'-278"
10'-6"
1'-10"
CEILING DETAIL - 2 HR
4
1'-4"
1'-4"
INTERIOR ELEVATION - W 1 SCHEDULED FLOOR FINISH SCALE: 1/4" = 1'-0" TILE FLOOR
4'-0"
9'-4"
INTERIOR ELEVATION - N RESTROOM ELE. - E SCALE: 1/4" = 1'-0" 11 SCALE: 1/2" = 1'-0"
BASE
TILE FLOOR
RESTROOM ELEV. - S SCALE: 1/2" = 1'-0"
12
TILE FLOOR
3'-0"
2'-10"
1'-421"
102 1'-6"
103 TOELET ROOM SIGNAGE SCALE: 1/2" = 1'-0"
5
BASERESTROOM
13
4"3'-0"
4"
WALL EX COVERING
TILE FLOOR
103
TO BE MOUNTED ON LATCH SIDE OF TOILET ROOM DOOR
3'-4"
6'-0"
11
48" A.F.F.
1'-9"
4"
WALL COVERING
OPEN TO BEYOND
8'-0" 1 2'-87'-8" 2"
9'-4"
8'-0"
-
TOILET ROOM SIGNAGE PLAQUE 3'-0"
6"
1'-414"
2'-921"
2'-078 "
1'-9"
8"
12
102
4
9"
BASE
4"
WALL COVERING
13
3'-8"
3'-8"
8'-4"
3'-8"
10'-6"
TILE CEILING
BASE
1'-6"
9'-4"
8'-0"
8'-0"
9'-4"
10"
5"
4'-0"
4'-0"
SCALE:Interior 1/2" = 1'-0" Proposed Elevations
UL DES #U330
AR ET
48" A.F.F.
1'-158 "
BASE
BACKER ROD AND ACOUSTICAL SEALANT (TYP.)
7'-6" VERIFY
ELEVATION - W = 1'-0"
2X4 WOOD BOTTOM RUNNER 102 DECK ANCHORED TO STR'L
1'-9"
48" MIN
6
60" MAX
2X4 WOOD STUDS @ 16" O.C. STOCKROOM
1'-4"
10'-6" 9'-4"
7'-0"
EX.
3" SOUND ATTENUATING BATT INSULATION FULL HEIGHT PER UL ASSEMBLY REQUIREMENTS
SCALE: ONE LAYER 5/8" GWB TYPE1/4" X
7'-278"
3'-6"
10"
BASE
1'-4"
1'-2"
SIGNAGE SEE DETAIL
EXTERIOR SIDE
6 MIL VAPOR BARRIER
TILE FLOOR
1)
TILE CEILING
5'-0"
FRAME AND DOOR
1'-6" CLEAR FLOOR SPACE
INTERIOR ELEVATION - E FLOOR PLAN NOTES SCALE: GENERAL 1/4" = 1'-0"
3
2'-0"
BACKER ROD AND SCHEDULED ACOUSTICAL SEALANT (TYP.) EXISTING PARTITION
TILE FLOOR
101
1'-6" IF A QUESTIONS 4'-5" 1'-3" DRAWINGS ARE NOT TO BE SCALED, WRITTEN PREVAIL. REGARDING DIMENSIONAL DISCOVERY ARISE, A CLARIFICATION FROM 7'-2" THE ARCHITECT PRIOR TO CONTINUING WITH THE CONSTRUCTION IS THE TILE RESPONSIBILITY OF THE GENERAL CONTRACTOR. CEILING AND BRAILLE CHARACTERS AND PROVIDE RESTROOM SIGN WITH RAISED EXTEND TO EXISTING VERIFY 14 2) THE CONTRACTOR RESPONSIBLE FOR VERIFYING THE EXISTING PICTORIAL SYMBOL SIGN AT STOCKSHALL ROOMBE OF TOILET ROOM DOOR AS PER PLYWOOD CEILING CONDITIONS PRIOR TO BIDDING AND SHALL BE FAMILIAR WITH 13 ALL -ASPECTS OF 2HR RATED STATE AND LOCAL ACCESSIBILITY 11 CODE. EXIST. CROSS THE JOB, INCLUDING SITE UTILITIES. CONTRACTOR SHALL VERIFY ALL BACKER ROD AND UL ASSEMBLY BRIDGING, TYP. 12 OF ANY DIMENSIONS AND WALK-IN CONDITIONS AT THE TILE (TYP.) WALL WALL TILE JOB SITE PRIOR TO THE START ACOUSTICAL SEALANT DESIGN NO. L511 A. BOTTOM OF TACTILE 48" 6" 3'-0" CEILING COVERING COVERING BOX SHALL BE MOUNTED CEILING BETWEEN WORK. CHARACTER TILE EXISTING MASONRY WALL AND 60"3)A.F.F. ALL DIMENSIONS SHOWN ON DRAWINGS ARE TO FACE OF STUD CENTERLINE OF CEILING WALL WALL WALL OPEN TO EXIST. LATH B. BOTTOM OF BRAILLE SHALL MOUNTED BETWEEN 48" AND COLUMN, FACEBE OF MASONRY OR CONCRETE, EDGE60" OF WALK OR FACE OF CURB COVERING COVERING COVERING BEYOND AND PLASTER MASONRY INFILL TO MATCH A.F.F. UNLESS NOTED OTHERWISE. FOR FURTHER DIMENSIONING, SEE LARGE SCALE EXISTING (2) LAYERS 5/8" C. SIGN TO BE SURFACE MOUNTED. THE WALL ADJACENT TO THE103 PLAN AND SECTIONS,ON EXTERIOR ELEVATIONS, INTERIOR ELEVATIONS, AND EL. +VERIFY TYPE X GYP. BD BASE BASE THE DOOR. BASE PTD. GYP. BD. LATCH SIDE OFDETAILS. WALL 6 MIL VAPOR BARRIER 4) ITEMS “N.I.C.” (NOT IN CONTRACT) ARE NOT INCLUDED IN THE GENERAL D. SIGN SHALL BE IN MARKED CONTRASTING COLOR AND NON-GLARE FINISH COVERING RAISED BRAILLE FURRING STRIPS RESILIENT METAL CONTRACTOR’S CONTRACT AND SHALL BE PROVIDED BY THE OWNER. TILE FLOORCHANNEL @ 24" O.C. TILE FLOOR TILE FLOOR FASTENED TO EXIST. SYMBOLS OPEN TO 5) CHASES FOR MECHANICAL, PLUMBING AND ELECTRICAL SHALL BE INSTALLED PER 3" SOUND ATTENUATING BATT BEYOND JOISTS, TYP. RUN SPELLING OUT ' THE RESPECTIVE ENGINEERING DRAWINGS. INSULATION FULL HEIGHT PER UL PERPENDICULAR TO RESTROOM' 6) PIPING LOCATED ABOVE GRADE AND INCLUDE THE BUILDING SHALL BE WALL ASSEMBLY REQUIREMENTS FIRE STOP ALL EXIST. JOISTS, TYP. RESTROOM CONCEALED IN FURRED SPACE WITH THE EXCEPTION OF PIPING IN STAIRWAYS, COVERING PENETRATIONS ROOMS, ON DRAWINGS. THE 2X4 WOOD STUDS ELEVATION @ 16" O.C. STOCKROOM - N GC TO VERIFY DETAIL WITH ARCHITECT STOCKROOM -E STOCKROOM EQUIPMENT ELEVATION - SAND IF SPECIFICALLY DESIGNATED ENLARGED RESTROOM PLAN MECH PRIOR TO ELEVATION ORDERING AND INSTALLATION 7 8 9 10 TRADES TO PROVIDE FURRING CONTRACTOR SHALL COORDINATE WITH OTHER SCALE: 1/4" = BASE 1'-0" SCALE: 1/4" = 1'-0" SCALE: 1/4" = FOR 1'-0" SCALE: 1/4"ARE = 1'-0" BASE ONE LAYER 5/8" GWB TYPE X PIPING INSTALLED IN FINISHED AREAS. IF ‘FURRED SPACES’ NOT 8" SPECIFICALLY DESIGNATED ON THE DRAWINGS, CONTRACTOR TO CONTACT 2X4 WOOD BOTTOM RUNNER ARCHITECT. ANCHORED TO STR'L TILEDECK FLOOR TILE FLOOR7) FOR ALL RATED AND/OR SMOKE PARTITIONS, THE SURFACE AREA OF AN BAS TOILET ROOM SIGNAGE PLAQUE INDIVIDUAL RECESSED METALLIC OUTLET, SWITCH BOX, ETC. SHALL NOT BACKER ROD AND TO BE MOUNTED ON LATCH SIDE EXCEED 16 SQUARE INCHES. THE AGGREGATE SURFACE AREA OF RECESSED ACOUSTICAL SEALANT (TYP.) OF TOILET ROOM DOOR OUTLETS BOXES, ETC. SHALL NOT EXCEED 100 SQUARE INCHES PER 100 SQUARE FEET OF WALL AREA OR AS PER APPLICABLE CODES. CONTRACTOR EX SCHEDULED FLOOR FINISH TO VERIFY THIS CODE REQUIREMENT. THIS DRA 8) ALL RATED PARTITIONS SHALL BE TIGHTLY SEALED TO THE UNDERSIDE OF THE PROPERTY PUBLISHE STRUCTURAL DECK. INTEGRITY OF PARTITIONS SHALL BE MAINTAINED AT STR'L DECK THIS PRO CORNERS AND AT INTERSECTIONS OF OTHER PARTITION TYPES. OTHERS PROVIDE RESTROOM SIGN 9) PENETRATION IN RATED PARTITIONS FOR CONDUIT, PIPING OR OTHER PICTORIAL SYMBOLARCHITEC SIGN A RIGHTS A COMBUSTIBLE ITEM SHALL BE FILLED WITH AN APPROVED NON-COMBUSTIBLE STATE AND LOCALDRAWING ACCES MATERIAL TO PROVIDE AN APPROVED SEAL TO PROHIBIT THE PASSAGE OF FIRE © JOSHUA AND SMOKE. A. BOTTOM OF TACTILE TILE 10) PROVIDE METAL STUD FRAMING AROUND ALL PENETRATIONS THROUGH METALAND 60" A.F.F. CEILING STUD/GYPSUM BOARD WALLS. ℄B. BOTTOM ℄ OF BRAILLE 11) CAULK AT JUNCTURE OF INTERIOR FACES OF DOOR FRAMES, VIEW WINDOW A.F.F. 3'-4" C. SIGN TO BE SURFAC 838"WORK, RECESSED 2'-1021" FRAMES, EXTERIOR WINDOW FRAMES, CABINET TOILET 1 LATCH SIDE OF THE 1'-6" 4'-5"ETC. WITH ADJACENT 1'-3" WALL 2" ACCESSORIES, MATERIALS EVEN THOUGH JOINT MAY1'-7 NOT D. SIGN SHALL BE IN CO COVERING RAISED BRAILLE BE VISIBLE.7'-2" SYMBOLS 12) PROVIDE WOOD BLOCKING AS REQUIRED FOR WALL MOUNTED EQUIPMENT OR SPELLING OUT ' ACCESSORIES. MAILERS, BLOCKING, AND OTHER ROUGH CARPENTRY ITEMS IN TILE TILE 1041" 3'-6" RESTROOM' RATED ASSEMBLIES SHALL BE TREATED FOR FIRE RESISTANCE. CEILING CEILING RESTROOM 14 DIMENSIONS SHALL BE FIELD VERIFIED PRIOR TO FABRICATION. 13) ALL CASEWORK TILE CEILING
10'-6"
EXTEND TO PLYWOOD CEILING
EX
6'-0"
TILE CEILING
SCHEDULE FRAME AND DOOR
BASE TOELET ROOM SIGNAGE SCALE: 1/2" = 1'-0"
5
EXIST. WOOD FLOORING EXIST. WOOD SUBFLOORING EXIST. 2X10 WOOD JOIST @ 16" O.C., TYP.
2X4 WOOD TOP RUNNER
414"
WALL COVERING EXISTING
TOILET ROOM SIGNAGE PLAQUE TO BE MOUNTED ON LATCH SIDE OF TOILET ROOM DOOR
TILE FLOOR
INTERIOR ELEVATION - S SCALE: 1/4" = 1'-0" 2X4 WOOD TOP RUNNER
2
BOTTOM OF TACTILE CHARACTER SHALL BE MOUNTED BET AND 60" A.F.F. BOTTOM OF BRAILLE SHALL BE MOUNTED BETWEEN 48" AN A.F.F. SIGN TO BE SURFACE MOUNTED. ON THE WALL ADJACENT LATCH SIDE OF THE DOOR. SIGN SHALL BE IN CONTRASTING COLOR AND NON-GLARE F
48" A.F.F.
4
RESTROOM
2'-112"
EX
D.
RAISED BRAILLE SYMBOLS SPELLING OUT ' RESTROOM'
8"
BASE TILE FLOOR
TILE FLOOR
10'-6"
7'-6" VERIFY
10'-6"
8'-4"
BASE
1'-9"
2'-0"
BASE
5'-0"
10'-6"
WALL COVERING
WALL COVERING
TILE FLOOR
INTERIOR ELEVATION - E SCALE: 1/4" = 1'-0"
TILE CEILING
WALK-IN BOX
1'-10"
WALL COVERING
3
5"
3'-6"
TILE CEILING
BASE
INTERIOR ELEVATION - S SCALE: 1/4" = 1'-0"
2
1'-158 "
INTERIOR ELEVATION - W SCALE: 1/4" = 1'-0"
1
2'-112"
BASE
2'-0"
1'-9"
48" MIN
BASE
102
ELEV. - W SCALE: 1/2" = 1'-0"
14
RESTROOM ELEV. - N SCALE: 1/2" = 1'-0"
TILE FLOOR 1'-6"
TOCKROOM ELEVATION - N CALE: 1/4" = 1'-0"
WALL COVERING
8
STOCKROOM ELEVATION - E SCALE: 1/4" = 1'-0"
TILE CEILING
STOCKROOM ELEVATION - S SCALE: 1/4" = 1'-0"
TILE CEILING
9
TILE CEILING
10
TILE ENLARGED RESTROOM PLANCEILING SCALE: 1/4" = 1'-0"
DATE
1 6"
WALL COVERING
WALL COVERING
BASE
WALL COVERING
BASE
BASE
TILE FLOOR
TILE FLOOR
TILE FLOOR
OPEN TO BEYOND
3'-0"
NO 103
1
STOCKROOM ELEVATION - W SCALE: 1/4" = 1'-0"
SALES
1'-10" STOCKROOM ELEVATION - N 11" 11" SCALE: 1/4" = 1'-0"
14 UP
4'-0"
3'-4"
7'-8"
9'-4" 8'-0"
8'-0"
RESTROOM ELEV. - N EX SCALE: 1/2" = 1'-0"
1'-41"
DN
F &
2'-1021"
4"
9"
101
4"
102
WITHERSPOON
1'-4"
12
101" EX 4
1
838" 9'-4"
2'-10"
4'-0"
1'-421" 1'-6"
1'-6"3'-6"
13 A4-1 11
1'-9"
1
3'-0"
2
1'-414"
103
1A
4" 14
102
RESTROOM ELEV. - W SCALE: 1/2" = 1'-0"
2'-812"
4"
3'-0"
1'-3"
6'-0"
8'-058"
6" 1
4'-5" 7'-2"
CH
3'-8"
3'-8"
1 1'-6"
4"
2'-921"
4"
3'-8"
3'-8"
13
UNISEX RESTROOM 106
3'-4"
1'-414"
1'-9" 8'-0"
8'-0"
9'-4"
9'-4"
RESTROOM ELEV. - S SCALE: 1/2" = 1'-0"
1
3'-0"
SALES PRODUC. AREA 101
2
7'-678 "
WALK-IN BOX 105
103 3
3
1
1'-712"
4
9"5'-58 "
4'-0"
4'-0"
3'-8"
3
2'-078 "
ENLARGED SCALE: 1/4
℄
2'-1021"
1'-4"
3'-4"
838"
7'-8"
8'-0"
9'-4"
9'-4"
SALES RETAIL AREA 102
8'-0"
1'-6"
1'-4"
1'-4"
1041"
3'-6"
4'-1012"
4"
10
STREET
℄
3'-4"
1 A4-1 3
AR PLAN
STOCKROOM ELEVATION - S SCALE: 1/4" = 1'-0" EX
4'-0"
UP
7
9'-4" 8'-0"
9
9 8 A4-1 6
UP
12
STATE
UP
STOCKROOM SERVICE AREA ELEVATION - E SCALE:1031/4" = 1'-0"
8
3'-4"
4'-0"
STOCKROOM 104 3
7
3'-0"
6
5'-012"
EX
AREA
1'-4"
EX.
1'-4"
TILE FLOOR
1'-4"
BASE
1'-6"
103
DRAWN BY DATE:
RESTROOM ELE. - E SCALE: 1/2" = 1'-0"
11
1
FLOOR PLAN - FIRST FLOOR SCALE: 1/4" = 1'-0"
12
RESTROOM ELEV. - S SCALE: 1/2" = 1'-0"
Proposed Floor Plan
13
RESTROOM ELEV. - W SCALE: 1/2" = 1'-0"
14
PROJECT NORTH
RESTR SCALE
1'-314"± EXISTING STONE HORIZONTAL
1112"±
NEW FLASHING TERMINATION BAR / MT-01
312"
NEW LIGHTING / LT-01
6"
1'-421"
10" OUTLINE OF EXISTING CANOPY TO BE DEMOLISHED
2'-0"±
2"
2" 11"±
NEW PTD GWB CEILING
EQ
4
CORNICE DETAILS SCALE: 1-1/2" = 1'-0"
CONTINUOUS SEALANT AND BACKER ROD ALL AROUND
NEW PTD ALUM TRANSOM WITH CLEAR INSULATED GLASS / MT-01
812"
5"
8"
4"
1081"
1'-841"±
NEW MTL C-JOIST CEILING FRAMING WITH BATT INSULATION
EQ
EXISTING CORNICE AT TOP OF BUILDING (APPROXIMATE)
NEW RETRACTABLE AWNING AW-01
NEW STEEL THROUGH BOLTS FOR AWNING SUPPORT
NEW PTD EXTERIOR STUCCO CEILING / PT-01
6"
NEW PTD WD SIGNBOARD / PT-01
NEW STEEL CHANNEL FOR AWNING SUPPORT
CONTINUOUS SEALANT AND BACKER ROD ALL AROUND
DENTIL
618"
DENTIL
6" MTL STUD FRAMING WITH BATT INSULATION NEW CLEATS FOR SIGNBOARD
RECESSED EXTERIOR GRADE LIGHT FIXTURE LT-03
1'-7"
1'-4"
EXTERIOR CEMENT BOARD
238"
DENTIL
721"
NEW PTD WD CORNICE BASED ON EXISTING 14.5 WITHERSPOON CORNICE AB0VE THIRD FLOOR PT-01
2X WD BLOCKING AS REQUIRED EXISTING STEEL TO REMAIN
8"
3"
4 A3-2
612"
2"
NEW ALUM CAP FLASHING MT-01
4'-0" AWNING
NEW NORMAN BRICK TO MATCH EXISTING 14.5 WITHERSPOON BRICK BR-01
NEW NORMAN BRICK TO MATCH EXISTING 14.5 WITHERSPOON BRICK / BR-01 NEW PTD ALUM STOREFRONT ASSEMBLY WITH CLEAR INSULATED GLASS / MT-01
NEW PTD ALUM STOREFRONT DOOR WITH CLEAR INSULATED GLASS MT-03
8'-634"±
7'-0" DOOR
3'-0
2" 4"
4" 2"
5"
WINDOW DISPLAY AREA
NEW ALUM THRESHOLD / MT-02
SCHEDULED FLOOR
EXPANSION JOINT AND THERMAL BREAK
3
WALL SECTION DETAIL SCALE: 1-1/2" = 1'-0"
EXPANSION JOINT
NEW CONC SLAB ON GRADE
CONTINUOUS SEALANT AND BACKER ROD ALL AROUND NEW NORMAN BRICK TO MATCH EXISTING / BR-01
EXPANSION JOINT AND THERMAL BREAK
PROVIDE RIGID INSULATION BELOW SLAB AND COMPACTED GRAVEL
2
Wall Sections
2" 4"
NEW PTD ALUM STOREFRONT WITH CLEAR GLASS / MT-01
VARIES 2"
10"
NEW ALUM THRESHOLD MT-02
2"
NEW CONC WALK TO MATCH EXISTING / CT-01
NEW PTD ALUM STOREFRONT BASE / MT-01
WALL SECTION DETAIL SCALE: 1-1/2" = 1'-0"
1
PLAN DETAIL SCALE: 1-1/2" = 1'-0"
821"
4" 2"
NEW PTD GWB
The Tale Solo Project Graduation Thesis Advisor Julia Czerniak Yazd & Tehran, Iran
This thesis investigates the potential of narrative storytelling to generate a design through speculation and depiction of the protagonist’s spatial experience. This story depicts scenes from the imagination of a girl on her journey from Yazd to Tehran, Iran. *This Project submitted to Fairy Tale Story Competition To read the story on Inkitt click on the link
Story Link
Yazd
Yazd, Fahadan Neighborhood
Yazd, Lari House
The city of Yazd, is located in the central part of Iran. Yazd is a historic city founded in 4th century AD. The city is among the oldest and the biggest clay cities in the world. The atmospheric spaces that were created by architecture such as mosques, interior spaces with ornaments and window crafting make the space valuable regarding being memorials. The old city has architecture that has remained since 4th century and is representative of the age of the city. The old city of Yazd is considered as one the sties in this thesis because of historic and traditional notion of Iranian architecture. Lari house in Fahadan neighborhood is considered as the first site. The fiction begins with the protagonist’s character in the house and she decide to leave the house after 25 years living there. The protagonist describes the moments and experiences that she has in historic places or architectural features that created special atmosphere/feelings for her.
Central Garden
View front all angles to the central Garden. There is no view from outside
Windcatcher, as a tool of passive cooling system.
Yazd, Fahadan Neighborhood, Lari House
Iwan
Iwan, as a spatial element to create a scenery view to the garden
Her Bedroom
Acess to the roof
Her Bedroom has acess to the roof Entrance
Enterance to the house, is through a closed and narrow corridor, which opens in garden.
Yazd, Fahadan Neighborhood, Lari House
Tehran - Ekbatan Apartments
Tehran-Ekbatan Apartments Tehran, is the second city where the protagonist lives. In 1970s West of Tehran became the center of modern development and new, modernist buildings such as monument, airport, residential complexes were raised. Ekbatan residential apartments, as the first place where the protagonist lives, could be considered as the most important and the most influential modern mass residential project. It hosts around 40.000 people with accessibility to transportation and infrastructural requirements such as schools and shopping center that somewhat makes the place independent form the city. Ekbatan is considered in the story as the first neighborhood that the protagonist lives in when she moves to Tehran as a pose to experience the modernity.
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In the wholePhase 1, designed based on cars and there not much of a place for walking Vehicle Access Walking Access
EKbatan Apartments- Phase 1 Axon
Ekbatan Apartments- Phase 1 Plan
Imagination Form
Imagination
Market
Exisiting Market
Building Block
As the final product in this thesis, I designed an elevated park on top of the Phase 1 market that built in the 1970s, in response to lack of sociable place and improving social and architectural qualities. The concept of design is to transform the experience of the protagonist in the city of Yazd, bring it to Ekbatan and create a picturesque moment that simulates the experience of “Home�. I used the experience of alleyways to create a canopy over the public park. The created space has the experience of Yazd, such as meandering, having the feeling of materiality, shading and etc.
Chapter I: This chapter begins in “home�. Talks about Lari House in Yazd where the imaginary protagonist grow for 2526 years and her character shapes based in the place. This Chapter describes how the characteristics of the house can shape the understanding of the space and influence the characteristics of the protagonist. The concept of this house talks about the privacy, scenery, passive architecture .
Chapter III: The third chapter describes the moment the protagonist move to Tehran, a modern metropolitan and faces Ekbatan, her new place to live. This chapter describes the issues, challenges, and contradiction she experiences when she moves to Tehran.
Chapter II: The second chapter describes Fahadan neighborhood where is lari house is placed. The neighborhood that the protagonist grows up. This chapter focuses on ideas such as meandering, climate, sequential view spaces and creating sequential space and human scale.
Chapter IV: Chapter four, describes the imaginary world, that the protagonist dreams about in Ekbatan, an imaginary elevated park, that is that the idea of the Fahadan neighborhood (the concept of chapter 2). she dreams about things she missed in her hometown such as meandering, shades, human scale.
Chapter V: Chapter five has the idea of home. She imagined the place in response to modern buildings of Ekbatan which are out of human scale so that she dreams of a place that reminds her of her home with the ideas of scenery views of materiality and privacy.
Modular Apartment In Collaboration with Gary Thurston
Comprehensive Studio Professors David Shanks and Bess Krietmeyer Brooklyn, NY
Urban Oblique
As Brooklyn grows fast, and changes shape, especially horizontally, the requirement of place to live which is affordable, easy and quick to construct is tangible. The project considered as modular apartment project which meets the mentioned requirements. The site is seen at the intersection of Classon and Willoughby Avenue in Brooklyn. In this topic in addition to designing of the building, other factors such as constructional aspects, HVAC systems, structural, environmental analysis and fire codes are considered. The concept of the design is to consider modules in a way that their different formations shape different square footage as well as being structural.
Drone View Render
Second Floor Level
First Floor Level
Ground Floor Level
Level 11
Level 12
42'-0"
4'-8 1/4"
8'-11 1/2"
18'-10 1/4"
1'-10 3/4"
14'
28'-1 3/4"
10'
5'-6 1/4"
26'-0 3/4"
14'-0"
12'-0"
Module Type A, Plan and Section
8'-7 1/4"
10'-8 1/4"
15'-3"
2'-3 3/4"
28'-0"
2'-3 3/4"
4'-3 1/4"
13'-6 1/4"
13'-0 1/2"
4'-3 3/4"
9'-10 1/4"
6'-4 3/4"
15'-3"
Module Type B, Plan and Section
11'-11"
5'-6 1/4"
42'-0"
6'-1 3/4"
14'-0"
30'-6 1/4"
2'-3 3/4"
8'-11 1/2"
21'-2 3/4"
4'-3 1/4"
4'-8"
10'-2 3/4"
21'-0 1/2"
Module Type C, Plan and Section
7'-7 3/4"
18'-2"
14'-0"
8'-10 3/4"
1'-3 3/4"
9'-0 1/2"
4'-11 1/2"
3'-8 1/4"
26'-0"
16'-4 1/2"
2'-1 3/4"
14'-0"
10'-5 1/2"
10'-0 1/2"
12'-4 3/4"
4'-4 1/4"
9'-6 3/4"
2'-3 3/4"
5'-6 1/4"
42'-0"
18'-11 1/4"
9'-0 1/2"
Module Type D, Plan and Section
9'-10 3/4"
2'-3 3/4"
Building Section
Lighting Analysis of 3 Different Modules
Interior View of a Module
Exterior View of Modules From Balcony
Process of Physical Models
Consctruction Process
Consctruction Process
Tehran Theater Hall Undergraduate Thesis Supervisor Dr.Farsi Tehran, Iran
Considering the long history of traditional performing art in Iran, on one hand and importing western performing art as a part of modernization in the 19th century, caused this tradition to became less important to western style. In recent years. This concept has been tried to promote the place and importance of the traditional performing art. This important of reviving traditions has been considered for years especially in Tehran, as the Capital of the country that has both modern and traditional identity. In this Thesis, I integrate Iranian performing art with the modern theater by keeping traditional characteristics and feelings. The result is a theater hall that has both conventional and modern[western] performing arts. The site is in Harft-Tir area which is one of the crowdest areas that includes both commercial and residential areas.
Diagrams
*’Diagrams’ produced in collaboration with Landscape architecture students of Tehran University
Site Plan Analysis
GroundFloor Plan, Site Plan
UnderGround Floor Plan
Second Floor Plan
UnderGround Floor View
First Floor View
Section 1
Section 2
Section 3
Capula Hall Solo Project
Slums of Utopia Professor Lawrence Chua Jerusalem, Isreal
Premise, My project was to design a new monument in order to present the ‚new Jerusalem.› The monument depicts the city as a united one city, encourage the citizens of each side hopeful to a united future and define itself as the symbol of Jerusalem by montaging the new with the old symbol in order to have the legacy of the past. In designing Copula Hall in The City and The City, it functions as a checkpoint between the two cities. The concept of the design is to make the checkpoint monumental as well as to facilitate the traffic from Berszel and Ul Qoma. The design does not only function as a checkpoint but also as the monument. In addition people and traffic can pass through as well as working as the monument of the city for both Berszel and Ul Qoma.
Project Description, The concept is to design a monument that is the representative of the united Jerusalem with the same values for both of the population, even though both populations ignore each other but Cupola Hall is the only one that has the same value for both populations, and they have take the advantage of the same benefits. On the other hand, it should have the characteristics of Cupola Hall in the book. The environment of story has somehow eastern European/ Western Asian connotations. Such as in Berszel is economically has a lower rate than Ul Qoma. In my opinion, the book and its addresses are more similar to Ex-Yugoslavian/Ex-Ottoman Empire countries. In addition to its monumentality, it also facilitates the traffic and works as a checkpoint between Palestinian and Israelian part.
As a result I considered Ilirska Bistrica in Slovenia as a moncument in a place that was historically was some part of Ex-Yugoslavian/Ex-Ottoman as precedent. So I collaged Dome of the Rock›s plaza with the designed monument as a pose to present the new United monument that is united for both sides with the same values such as not being ignored by the other side. Also, Ilirska Bistrica, as precedent is capable of going through so cars can go passing through. In this case, monument becomes a neutral zone for citizens of both sides they also are able to walk through the other side and connecting Islamic Quarter neighborhood to Armenian Quarter neighborhood. I designed the monument and checkpoints a way to merge the crosshatch areas into one united road. In fact, roads from Palestine and Israel merge into one road and able to enter the checkpoint, and going the other side of the old city.
Music Pavilion, Tehran Visitic Critic Studio Professors Katherine Hogan, Vincent Petrarca Tehran, Iran
The music pavilion is in a public park and was considered as a short studio project on a small scale. The project began with this question “ How do you spend your spare time?” which one the things I do, I listen to music. In the next step, I transformed the content of the question in the service of public and I reframe the question as “How a spare time can integrate into public architecture?” As a result, the designed building is considered as a music pavilion in a public park.
5°
Sequence of shaping landscape based on islamic geometry
Landscape
Exploded Axonometric of Achitectural Elements
Sound Control Room
First Floor Plan
Second Floor Plan
En
tra
So
nc
e
So
un
d
un
Co n
tro
Formal Sequences
Section
l
d
Co n
tro
l
Scratch Model of the concept
Initial Completed Physical Model
Sequences of Physical Model
Wall Section
Physical Model of Wall Section
Mid-Term Physical Model
Final Physical Model
Exterior Render
Gamry Design Office In Collaboration with Gary Thurston
Studio Design III Professors Brian Lonsway and Amber Bartosh Manhattan, NY
Design III was intended to design an office space on the narrative of Harry Potter Staircases. Based on this concept each space in the office has its own characteristics thus, each space has its own special shape [form]. In addition as the staircases were moving in the space, so that each space will moving horizontally and vertically in the space. * This project contains animations. Here are links below. For watching Red-Blue Glasses : First Animation
Second Animation
Scene 1- Moving Toward the Entrace
Space 2 - Moving from one office to another one
Space 3 - Moving Through the Joint Spaces
Space 4 - Still Scene at Moving Spaces