ARCH. PORTFOLIO AMIZATUL SHAYIDAH
Amizatul Shayidah [Bsc. Arch]
Biography
AMIZATUL SS H H A A YY II D D A A H H Have high enthusiast in design, believe in continuous learning and a seeker of creativity. I am an organized person with leadership skills and had coherently succeeded to complete all team and individual task successfully. Currently in quest for schools that can sharpen my knowledge related to my field. I also believe that in each of the project that we were assign to, it has a story of its own. How they appear, how they react and how they interact. “One of the great beauties of architecture is that each time, it is like life starting all over again.” -Renzo Piano-
Amizatul graduated with Vice Chancellor Award (CGPA: 3.82) in Bachelor of Science (Hons) Architecture from University Technology MARA, Malaysia. She used to work with Z&SR Architect for 8 months (2019-2020) and did her internship at GDP Architects for 5 months in 2018. Amizatul also used to work as a Teaching Assistant at Kumon English, Bukit Jelutong for students aged between 5-12 years old in English and Mathematics. She provides sufficient guidance for her students to be able to do exercise on their own and track on their progress. During her early years, she also work as a part time Bookshop assistant at Redzone Printing shop near her house. During her studies years, she had been guided in multiple forms of study; History of Arts, the technique of creating, investigation-led, theoretical and philosophical review and also sustainability study. She won multiple Awards during her undergrad studies; Best Students Award Based (2019) for her overall achievement from previous semester, Best Board Award (2019) which she won by the number of voters by visitors during the REVIEW week and Vice Chancellor Award (2020) during her graduation ceremony. Throughout her study years, she was actively participated in social activity and community services. The social activities that she had joined are Architectural Workshop (National Event), Architectural Festival (University Event), Kite Festival held by her studio during her 2nd Year, Architectural Sport Events and more. During these time, she also won 3rd Place Design Competition (RE:DEFINE) in Taylors University, Subang Jaya (2018). She also participated in ‘MARS’ idea competition for KLAF in 2019. While on the other hand, the community service that she was involved was at elder care center which situated at Mahmudah, Semenyih held by UITM Shah Alam. After graduating, she was involved in various seminars, events and organizational works. She participate in Think City event where they have to repurpose the Kuala Lumpur’s alleyway, making it more people-friendly environment. She truly believes that by involving in these kind of activities, it allows her to give back to the community and helps to widen her knowledge. During her leisure time, she loves drawing portraits of birds and various exercise such as playing ping pong, hiking and swimming.
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Amizatul Shayidah [Bsc. Arch]
TABLE OF CONTENTS
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ANASTASIS
HOPEA
SONNEGROWTH
ABE-SHELTER
WORK EXPERIENCE
Amizatul Shayidah [Bsc. Arch]
Bsc. Arch Year 4
ANASTASIS //Expression Centre
ANASTASIS were defined as resurrection for the Youth in Klang Valley whom encounter the sculpture center. It’s a place for them to express their mind and create creativeness into sculptures and arts. The center also encouraged the rise of local arts. Such exhibition that were shared are the rising ASEAN artist such as KAWS, Takashi Murakami and etc.
sense of belongings and positive atmosphere with recreational facilities for respite and emotional outlet in in the crowded urban scape. The project will be focused on the development of youth skills, empowerment and means of providing self-expression and dynamic interaction. The project will also have different theme to cater to different youth.
The idea of the project is mooted due to the current on-going issues with regards to youth in urban and inner-city areas ranging from doing nothing to more serious but illegal doings. The youth need a place that has a
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Amizatul Shayidah [Bsc. Arch]
Bsc. Arch Year 4
The Design Brief // Proposed Youth Community Centre. The idea of the project is mooted due to the current on-going issues with regards to youth in urban and inner-city areas ranging from doing nothing to more serious but illegal doings. The youth need a place that has a sense of belonging and positive atmosphere with recreational facilities for respite and emotional outlet in the crowd urban space. Thus, a philanthropist developer company ABC through their effort in collaboration with the Ministry of Youth and Sport Malaysia has decided to embark on youth-oriented project in the inner city of Klang, Malaysia.
The project will be focused on the development of youth skills, empowerment and means of providing self-expression and dynamic interaction. The project will also have different theme to cater to different youth nowadays. The statue of the Egyptian sphinx welcomes the pedestrian that came from the park. The railing of the plaza is covered with the student’s sculptures. From here, we can see the celebration of sculptures and installation at the beginning of the plaza.
Concept
// Invitation to curiosity Curiosity [strong desire to learn something/ an unusual or interesting object or fact.] Curiosity emerge in the mind of a growing youth. It’s essential for them to develop their curiosity in a positive way such as involving in a community that is filled with environment and activity.
I S S U E // Declination of Sculpturist in Malaysia
Background of Site
Journey Of Sculpture
// Site: Petaling Jaya, Selangor, Malaysia. The proposed site is located at Padang Kota Damansara., a community park which covers total area 18 acre comprising 10 acres of forested area with remaining of 8 acres of open field. It was also a fragment of the Sungai Buloh forest reserve. The location of the
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site is really near to nearby collage and mall such as; Sunway Giza Mall, Sunway Nexus, Point College and MRT Surian.
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Porcelain Chinese era [necessity as art]
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Stone Chisel Neolithic era [representation of god and weapon]
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Metal Construction Pablo Picasso art form
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Clay Neolithic area [representation of god an cookery]
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Mixed Media Sculpture as public art, 1947.
Not many sculpturist surviving in Malaysia due to the lack of appreciation towards sculpture arts. Only certain famous sculpturist left in Malaysia. Lack of implementation of arts and culture in Malaysia’s education system increase the declination of sculpturist. Therefore, in this project a sculpture centre is proposed to increase the youth’s appreciation towards arts. They are encourage to express the creative mind in this centre. Kota Damansara have always been promoting Green City. So the programme will create a programme that can lead to: Reuse, Recycle and Upcycling
Amizatul Shayidah [Bsc. Arch]
Bsc. Arch Year 4
Hello? What’s Inside?? // Perspective view from inside the plaza
Come Join the Festival!! // Perspective view towards the entrance of the plaza
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The statue of the Egyptian sphinx welcomes the pedestrian that came from the park. The railing of the plaza is covered with the student’s sculptures. From here, we can see the celebration of sculptures and installation at the be-
The plaza is filled with sculptures by the students and by professional sculptures that wishes to exhibit their sculpture to the public. Installation and various sculpture were represented at the plaza. The installation completion
were also held here. Since the plaza is a public access, the nearest worker (from Sunway Giza mall) and the nearby neighbourhood can come here to relax themselves after work.
ginning of the plaza.
Amizatul Shayidah [Bsc. Arch]
Bsc. Arch Year 4
Stone House
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Clay House
Porcelein House
Metal House
Plastic Go Away !!!
From using the stone as weapon into sculptures
The collage shows the journey of Clay Era (during mesapotamia
For decoration purposes such as vases during Chinese ancient time.
Used to expressed contemporary arts.
Story of the sculpturist interpretation of the workshop
The crystals represents stone minerals while the modern sculpture depicting how hman use the stone to carved assorted sculpture to express its surrounding and beliefs; The Angel (graveyard sculpture), Gollum sculpture (from Lord of The Rings movie), Owl (animal sculpture). All the sculpture mentioned indicate that stone sculpture were used from before until now.
Most of the sculptures during early time represents god and goddesses. The use of clay as vases, sculptures of the dead and cartoon. Example Mr Bean (popular comedy character). All the sculpture mentioned indicate that clay sculpture were sometimes used to express humour.
The beauty of these porcelain sculpture were largely contributed by the detail drawings and refined colours of the sculpture. So the workshop in this sculpture centre focuses more in painting on these porcelain vases for the youth to express themselves of the beauty of nature.
All of the sculptures shown were sculpted by famous sculpture. The Angel from the North (designed by Antony Gormley) represents the angels. The metal lion represents modern ways to sculpt animal form in interesting method.
From the picture, it tells the viewer that the plastic we used trashed the ocean, making the endangered species like whale and turtles decreasing by time. Blue plastic represents the ocean. The bottle plastic (top of the ceiling) represents the floating plastic that engendering the marine animal.
Amizatul Shayidah [Bsc. Arch]
Bsc. Arch Year 4
The Workshop (top)
Perspective Interior of The Workshop From left: Main Workshop1, Main Workshop 2, Steel House, Clay House
The Gallery (below)
Perspective Interior of The Gallery From left: Hailing Sky Gallery, Multipurpose Gallery, Painting Walkway and Cove Gallery. (name were given based on the theme of the gallery on each project)
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Amizatul Shayidah [Bsc. Arch]
Bsc. Arch Year 4 2nd Floor Plan
Ground FloorPlan Legend 1 1. 2. 3. 4.
Guard house Drop off OKU carpark Motorcycle parking 5. Public carpark 6. Loading bay 7. Lobby 8. Control room 9. Souvenir shop 10. Toilet 11. Prayer room 12. Kitchen 13. Closed café 14. Open café 15. Briefing area 16. Hailing sky 17. Event gallery 18. Statue army 19. Stone House 20. Workshop 1 21. Workshop 2 22. Steel House 23. Clay House 24. Performance Stage 25. Seating area 26. Sculpture area 27. Plaza 28. Sculpture 29. Picnic area 30. Service room 31. VRF room Ground Floor Plan
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1st Floor Plan
Roof Plan
1st Floor Plan Legend 2
1. Workshop 1 2. Porcelein House 3. Workshop 2 4. Bridge 5. Toilet
Custom-made solar panel according to engr’s
Steel baton
2nd Floor Plan Legend 3
1. Viewing area 2. Office 3. Toilet
Structure Detail
Metal sliding window
Bolt & nut
Metal sliding
Sprinklers PTFE Custom-made steel column Bolt & nut Plate
// Section blow up Scale : NTS
Amizatul Shayidah [Bsc. Arch]
Bsc. Arch Year 4 // Axonometric view of the Sculpture Centre. Sculptures can be seen in every part of the centre. Visitors and workers nearby came here to relive their strees by looking at all these creative sculptures (made by the youths).
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Amizatul Shayidah [Bsc. Arch]
Bsc. Arch Year 4 // Colour Pencil on paper (594x841mm)
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Amizatul Shayidah [Bsc. Arch]
Bsc. Arch Year 4 Journey of Expectations Watercolour & Pen on paper (297x841mm) The drawings tell the summary of Anastasis Center. From top, we can see the plan view of the site, (children on paragliding) indicate the arrival of them to the center with a happy heart. Birds signals as freedom in expressing the ideas. All the sculpture (porcelain, mummia clay, Anthony Gormley’s sculpture tells the history of the sculpture for each space. Finally, sculptures were shown and presented to the public on the nearest shopping mall (Sunway Giza) to encourage others to join.
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Amizatul Shayidah [Bsc. Arch]
bv Bsc. Arch Year 4 // Construction Model (Manual) 1:50 scale Plastic House
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Amizatul Shayidah [Bsc. Arch]
Bsc. Arch Year 4
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1.2
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// Study Model
HOPEA OASIS // Home Transit Programme
In this semester, we were given a chance to do an Experimental Housing. The housing were focused mainly for the urban poor, or ‘miskin bandar’. The exercise for this semester is to provide these two group of people – the B40 and poor. Existing social housing schemes aimed for the two groups have turned into urban slums due to rapid urbanization. ‘’No one gets left Behind’’ is housing for the people who are taken for granted. This is an exercise aiming to adequate, safe and comfortable living environment for the community. Housing is not just about a place to stay, eat and sleep. It’s a living community as a whole.
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Fig. 1.1 Extrude according to the basic block plan. Fig 1.2 Inserting the flow of plaza. Fig. 1.3 Block are cut to create air flow. Fig. 1.4 Inserting basic flow of the walkway. Fig. 1.5 Walkway design according to block. Fig. 1.6 Block are being cut out (use full optimisation of single loading corridor). Fig. 1.7 Single loading and double loading corridor can be seen. Fig. 1.8 Inserting the terra-cotta. Fig. 1.9 The stepped floor are designed just at one side. Fig. 1.10 Glass movement enhanced the stepped apartments. Fig. 1.11 Slope site. Fig. 1.12 The site are separated in 3 different step (according to the study of spaces).
Amizatul Shayidah [Bsc. Arch]
Bsc. Arch Year 4 1. Watercolour & Pen on paper (594x841 mm) Sectional perspective view. The perspective tells a story on how alive the plaza will be during an event. Public and the community becomes a whole. The highlighted stained glass lift become the main focus in this building. Reflecting the colourful surroundings towards the plaza. The cut was purposely done on long stretch in order to show how the movement from public to the private area of the plaza. Appreciating the hardscape of the man-made contour.
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Amizatul Shayidah [Bsc. Arch]
Bsc. Arch Year 3
SONNE-GROWTH //Kuala Selangor Nature Park Pavilion 4.1
The park pavilion shows studies of Depletion of mangrove trees (Sonneratia) along Kuala Selangor’s River. Sonneratia is known for the main food sources for fireflies in the river. The programme in this centre is about inserting ‘’The Growth of Sonneratia Trees’’ so that people will be educated about the importance of the endangered species and help in preserving it for future generation.
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4.4 4.2 4.3
Fig. 4.1 Sectional detail of the Sonneratia’s Centre. The Trees of Life. Fig. 4.2 Detailing of Sonneratia’s roots and gutter of the centre. The dead trees is recycle by the research centre. By showcasing the roots to the visitors. Here, the visitors can experience the connectivity of the roots. Fig. 4.3 Growth of the trees throughtout the year. Fig. 4.4 Ground floor plan of the centre. Fig. 4.5 Sectional perspective of the centre. Here, it tells a story about the journey when visiting the centre. From far right of the perspective; the lobby (witness the arts of the
dead trees where their roots is being displayed as floor arts), The Roots Exhibition (roots are carefully picked and displayed to imitate as it is still alive and how do we feel when we are under it? Scared? Amazed?, the beginning of the greenhouse (here we can see all the baby Sonneratia being displayed from seeds to a One year old trea), Tree of Life (visitor witnessed the amazing tree, walk around the ramp until reaching the head of the tree), Café (where visitors enjoy the rest of the site visiting by having tea and watch the view of the trees growing inside the centre).
Amizatul Shayidah [Bsc. Arch]
Bsc. Arch Year 2
ABE SAPIENS //Experimental Shelter
Snuggle between the woods and sea, a shelter for our character was proposed suits to the characters need. The beginning of our semester on understanding how and what a space can give to us. By choosing Abe Sapiens (famously known from the Hellboy’s movie). The character intrigued me when I first watch the movie because I always think how he actually live on land. And how unique it must be to be in his lifestyle. Creating this shelter creates lots of process of understanding one’s need. How
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Abe walks, eat, live, sleep and etc. the façade of the building mimic the rooting of the nearby trees by the beach since Abe is a solitary character and like to be in disguise. Abe has no bedroom area since does most of his activity underwater. The tank (in the middle where there is a spiral staircase surrounding it) is where he sleeps and do his reading. This is the most personal project for me because it gave me the idea that, creating a space must have a meaning towards our client. What they need in it and how do we perceive it in our design.
Fig. 5.1 Sapiens’s shelter (scale 1:50). Main material: balsa wood and MDF board. Fig. 5.2 Exploded drawings (scale:NTS)
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Amizatul Shayidah [Bsc. Arch]
Work Experience
Z&SR Architect //IIBF Masterplan //Event Hall & Instituition
I became fond of the concept of connectivity between building in terms of functions. We were asked to propose new building (IIBF) to the existing campus (Islamic campus thus have islamic architecture to its prior campus). Major issues that I had during this projects are the topography of the site, connectivity between buildings in term of functions, and how to make the complex visible from the adjacent major highway. As the team leader, I took the initiative of carrying out site visits to study the topography and the possible new accessibility from the old and current one access to ensure responsiveness of our proposals to the current users. Apart from that, this projects trains me to produce various masses and architectural language before creating the final product.
interaction linkage
The facade is combine from islamic architecture and modernism (green architecture)
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Amizatul Shayidah [Bsc. Arch]