Mahabharat and Dwarka

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DWARKA AND THE MAHABHARATA Every Indian, either living in India or living outside India, knows about the two epics that dominates the Indian psyche and the psyche of the terra firma. These epics are the Mahabharata and the Ramayana. The Mahabharata has exercised a continuous and pervasive influence on the Indian mind for millennia. The Mahabharata, originally written by Sage Ved Vyas in Sanskrit, has been translated and adapted into numerous languages and has been set to a variety of interpretations. Dating back to "remote antiquity", it is still a living force in the life of the Indian masses. With more than 74,000 verses, long prose passages, and about 1.8 million words in total, the Mahabharata is one of the longest epic poems in the world. The Mahabharata has a total length of more than 90,000 verses. Everything about the Mahabharata is huge, from its sprawling length, to the enormous breadth of its vision. The longest of all epics is like an encyclopedia, a world all on its own. At its core is the powerful and moving story of the Pandava and Kaurava cousins who ultimately fight the greatest war of all, Kurukshetra. But that is not all, the Mahabharata is full of mythic stories, vast time spans of history, detailed geography and a massive body of spiritual teachings. The author of the massive epic is Rishi Vyas, who, according to the text itself, spent three years creating it, rising every morning, and working on it every day. His abode was Vyas Gufa, a cave high in the Himalayas, which is still visited today by travelers on their way to Mansarovar. In Mahabharata's Musal Parva, the Dwarka is mentioned as being gradually swallowed by the ocean. Krishna had forewarned the residents of Dwaraka to vacate the city before the sea submerged it. The Sabha Parva gives a detailed account of Krishna's flight from Mathura with his followers to Dwaraka to escape continuous attacks of Jarasandh's on Mathura and save the lives of its subjects. For this reason, Krishna is also known as RANCHHOR (one who runs away from the battle-field). Dr. SR Rao and his team in 198488 (Marine Archaeology Unit) undertook an extensive search of this city along the coast of Gujarat where the Dwarikadeesh temple stands now, and finally they succeeded in unearthing the ruins of this submerged city off the Gujarat coast. The first archaeological excavations at Dwaraka were done by the Deccan College, Pune and the Department of Archaeology, Government of Gujarat, in 1963 under the direction of H.D. Sankalia. It revealed artifacts many centuries old. Marine Archaeology Unit (MAU) jointly by the National Institute of Oceanography and the Archaeological Survey of India. Under the guidance of Dr. Rao, a great marine archaeologist, a team consisting of expert underwater explorers, trained diverphotographers and archaeologists was formed. The technique of geophysical survey was combined with the use of echo-sounders, mud-penetrators, sub-bottom profilers and underwater metal detectors. This team carried out 12 marine archaeological expeditions between 1983 to 1992 and articles and antiquities recovered were sent to Physical Research Laboratory for dating. By using thermo-luminescence, carbon dating and other modern scientific techniques, the artifacts were found to belong to the period between 15th to 18th century B.C. In his great work, The Lost City of Dwaraka, Dr. Rao has given scientific details of these discoveries and artifacts. Between 1983 to 1990, the well-fortified township of Dwaraka was discovered, extending more than half mile from the shore. The township was built in six sectors along the banks of a river. The foundation of boulders on which the city's walls were erected proves that the land was reclaimed from the sea. The general layout of the city of Dwaraka described in ancient texts agrees with that of the submerged city discovered by the MAU.


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