VINTAGE NEVE OUTBOARD COLLECTION
Unique Sound...Unrivalled Quality AMS NEVE CONTINUES TO DELIVER HANDCRAFTED MODULES USING THE CLASSIC DESIGNS AND BUILD TECHNOLOGIES THAT HAVE MADE THEM A MARKET LEADER FOR MORE THAN 30 YEARS. OVER THIS TIME, AMS NEVE HAS BEEN COMMITTED TO DEVELOPING THE WORLD'S LEADING AUDIO OUTBOARD SOLUTIONS BASED ON ITS AWARD-WINNING TECHNOLOGIES. BY USING AMS NEVE'S VINTAGE OUTBOARD EQUIPMENT, A WEALTH OF NEW CREATIVE OPPORTUNITIES ARE POSSIBLE OFFERING THE UNIQUELY WARM SOUND OF NEVE.
Head Office AMS NEVE LTD • BILLINGTON ROAD • BURNLEY • LANCASHIRE • ENGLAND • BB11 5UB • TEL +44 (0)1282 457011
enquiry@ams-neve.com • www.ams-neve.com On behalf of its customers, AMS Neve Ltd actively pursues a policy of continual improvement.Therefore all specifications and descriptions are subject to change without notice.
V I N T A G E
N E V E
Neve Sound - No Question
A P P L I C AT I O N 1 0 7 3 G U I TA R S 1 0 7 3 V O C A L S 1 0 7 3
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“ I just love the warmth and character these units bring to sounds, they bring things alive” SPIKE STENT
AUNCHED IN 1970, THE 1073 MODULE IS DEEMED BY MANY TO BE THE CLASSIC NEVE MIC PRE. THE 1073's UNIQUE CHARACTER OFFERS THE ORIGINAL NEVE SOUND.
THE CLASS A DESIGN OF THE MODULE DELIVERS THE WARM SOUND ASSOCIATED WITH NEVE. THE MODULE INCLUDES 3 BANDS OF EQ WITH ONE FIXED HIGH FREQUENCY BAND AND TWO SWITCHABLE BANDS WITH CUT AND BOOST AND A HIGH PASS FILTER.
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THE SOUND OF THE 1073s HAS MADE THEM THE MOST SOUGHT AFTER MIC PRES. NOW NEVE HAS RE-LAUNCHED THE 1073 DELIVERING ITS UNIQUE SOUND.
A P P L I C AT I O N 1 0 7 3 G U I TA R S 1 0 7 3 V O C A L S 1 0 7 3
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“ I just love the warmth and character these units bring to sounds, they bring things alive” SPIKE STENT
AUNCHED IN 1970, THE 1073 MODULE IS DEEMED BY MANY TO BE THE CLASSIC NEVE MIC PRE. THE 1073's UNIQUE CHARACTER OFFERS THE ORIGINAL NEVE SOUND.
THE CLASS A DESIGN OF THE MODULE DELIVERS THE WARM SOUND ASSOCIATED WITH NEVE. THE MODULE INCLUDES 3 BANDS OF EQ WITH ONE FIXED HIGH FREQUENCY BAND AND TWO SWITCHABLE BANDS WITH CUT AND BOOST AND A HIGH PASS FILTER.
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THE SOUND OF THE 1073s HAS MADE THEM THE MOST SOUGHT AFTER MIC PRES. NOW NEVE HAS RE-LAUNCHED THE 1073 DELIVERING ITS UNIQUE SOUND.
A P P L I C AT I O N 1 0 7 3 D P A / D P D V O C A L S • G U I TA R S • A C O U S T I C I N S T R U M E N T S
THE LATEST ADDITION TO THE NEVE PRE-AMP RANGE, THE1073DPA PROVIDES TWO OF THE WORLD FAMOUS CLASS A NEVE 1073 MICROPHONE PRE-AMPLIFIERS. THIS CLASSIC DESIGN IS A CONSUMMATE MIC PRE FOR RECORDING VOCALS, GUITARS AND ACOUSTIC INSTRUMENTS OF ALL DESCRIPTIONS. THE SOUGHT AFTER NEVE SOUND IS NOW AVAILABLE IN A COST EFFECTIVE 1U BOX.
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“ If you use a decent mic and a Neve you won’t have to process the lead vocal” Al UNSWORTH, PETE WATERMAN LTD
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WO CLASSIC NEVE 1073 MIC PRE-AMPLIFIERS ARE COMPLEMENTED BY PROFESSIONAL ADCS TO CAPTURE A PERFORMANCE TO ANY REQUIRED FORMAT. IN ADDITION TO NEVE'S FAMOUS CLASS A ANALOGUE OUTPUTS ARE A SERIES OF DIGITAL OPTIONS INCLUDING ALL STANDARD PCM SAMPLING RATES UP TO 192KHZ. A UNIQUE FEATURE IS THE NEVE DSD OUTPUT. ANALOGUE INSERT POINTS ARE PROVIDED AHEAD OF THE ADCS. THE ULTIMATE ANALOGUE CIRCUITRY IS COUPLED WITH SUPERIOR DIGITAL QUALITY MAKING THIS UNIT THE OBVIOUS CHOICE AS A FRONT END FOR RECORDING TO WORKSTATIONS.
A P P L I C AT I O N 1 0 7 3 D P A / D P D V O C A L S • G U I TA R S • A C O U S T I C I N S T R U M E N T S
THE LATEST ADDITION TO THE NEVE PRE-AMP RANGE, THE1073DPA PROVIDES TWO OF THE WORLD FAMOUS CLASS A NEVE 1073 MICROPHONE PRE-AMPLIFIERS. THIS CLASSIC DESIGN IS A CONSUMMATE MIC PRE FOR RECORDING VOCALS, GUITARS AND ACOUSTIC INSTRUMENTS OF ALL DESCRIPTIONS. THE SOUGHT AFTER NEVE SOUND IS NOW AVAILABLE IN A COST EFFECTIVE 1U BOX.
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“ If you use a decent mic and a Neve you won’t have to process the lead vocal” Al UNSWORTH, PETE WATERMAN LTD
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WO CLASSIC NEVE 1073 MIC PRE-AMPLIFIERS ARE COMPLEMENTED BY PROFESSIONAL ADCS TO CAPTURE A PERFORMANCE TO ANY REQUIRED FORMAT. IN ADDITION TO NEVE'S FAMOUS CLASS A ANALOGUE OUTPUTS ARE A SERIES OF DIGITAL OPTIONS INCLUDING ALL STANDARD PCM SAMPLING RATES UP TO 192KHZ. A UNIQUE FEATURE IS THE NEVE DSD OUTPUT. ANALOGUE INSERT POINTS ARE PROVIDED AHEAD OF THE ADCS. THE ULTIMATE ANALOGUE CIRCUITRY IS COUPLED WITH SUPERIOR DIGITAL QUALITY MAKING THIS UNIT THE OBVIOUS CHOICE AS A FRONT END FOR RECORDING TO WORKSTATIONS.
A P P L I C AT I O N 1 0 8 4 G U I TA R S 1 0 8 4 V O C A L S 1 0 8 4 A C O U S T I C I N S T R U M E N T S
“ The Neves are great on vocals” STEVE PARKER
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ASED ON THE SAME TECHNOLOGY AS THE 1073s, THE 1084s OFFER ALL OF THE FEATURES OF THE 1073 AND MORE.
THE 1084's 3 SWITCHABLE FREQUENCY BANDS OF EQ ADD A FURTHER DEGREE OF FLEXIBILITY IN ADDITION TO A HIGH Q PRESENCE SWITCH AND HIGH AND LOW PASS FILTERS. BOTH THE 1073s AND 1084s ARE EXACT REPLICAS OF THE ORIGINALS. THE NEVE TEAM HAS DEVOTED MUCH TIME TO SOURCING THE SAME COMPONENTS TO ENSURE THE SOUND REMAINS TRUE TO THE ORIGINALS.
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A P P L I C AT I O N 1 0 8 4 G U I TA R S 1 0 8 4 V O C A L S 1 0 8 4 A C O U S T I C I N S T R U M E N T S
“ The Neves are great on vocals” STEVE PARKER
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ASED ON THE SAME TECHNOLOGY AS THE 1073s, THE 1084s OFFER ALL OF THE FEATURES OF THE 1073 AND MORE.
THE 1084's 3 SWITCHABLE FREQUENCY BANDS OF EQ ADD A FURTHER DEGREE OF FLEXIBILITY IN ADDITION TO A HIGH Q PRESENCE SWITCH AND HIGH AND LOW PASS FILTERS. BOTH THE 1073s AND 1084s ARE EXACT REPLICAS OF THE ORIGINALS. THE NEVE TEAM HAS DEVOTED MUCH TIME TO SOURCING THE SAME COMPONENTS TO ENSURE THE SOUND REMAINS TRUE TO THE ORIGINALS.
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A P P L I C AT I O N 1 0 8 1 D R U M S 1 0 8 1 P E R C U S S I O N 1 0 8 1 V O C A L S 1 0 8 1
“ I probably do 80% of my recordings through Neve 1081s” KEVIN BACON
“ I love 1081s, they really punch vocals forward” SPIKE STENT
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AUNCHED IN 1972, THE 1081 CHANNEL AMPLIFIER WAS ORIGINALLY USED TO PROVIDE THE MIC/LINE-AMP AND EQ SECTIONS IN VINTAGE NEVE CONSOLES SUCH AS THE 8048. THE 1081 MODULE HAS SINCE BECOME A HUGELY POPULAR DESIGN CLASSIC. IN RECOGNITION OF THE 1081’s POPULARITY, AMS NEVE HAS RESUMED PRODUCTION. USING MANY OF THE ORIGINAL COMPONENTS AND NEVE HANDCRAFTED CONSTRUCTION PROCESSES, THE 1081 DELIVERS THE SIGNATURE SOUND OF NEVE. BY USING THE 1081 CHANNEL AMPLIFIERS, OPERATORS ARE ASSURED THE HIGHEST QUALITY SIGNAL ACQUISITION. THIS VERSATILE UNIT PROVIDES A WIDE RANGE OF CONTROL AND FLEXIBILITY. HIGH AND LOW PASS FILTERS COMPLIMENT THE FULLY FEATURED EQ SECTION. THE UNIT HAS BEEN DESIGNED TO OFFER THE USER A FLEXIBLE TOOL TO CREATE NEW SOUNDS WITH FULL TECHNICAL CONTROL. THE UNIT IS TOTALLY ENCLOSED AND FULLY SCREENED. HIGH GRADE COMPONENTS ARE USED THROUGHOUT.
“ The general sound it produces is pretty awesome” AL UNSWORTH
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A P P L I C AT I O N 1 0 8 1 D R U M S 1 0 8 1 P E R C U S S I O N 1 0 8 1 V O C A L S 1 0 8 1
“ I probably do 80% of my recordings through Neve 1081s” KEVIN BACON
“ I love 1081s, they really punch vocals forward” SPIKE STENT
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AUNCHED IN 1972, THE 1081 CHANNEL AMPLIFIER WAS ORIGINALLY USED TO PROVIDE THE MIC/LINE-AMP AND EQ SECTIONS IN VINTAGE NEVE CONSOLES SUCH AS THE 8048. THE 1081 MODULE HAS SINCE BECOME A HUGELY POPULAR DESIGN CLASSIC. IN RECOGNITION OF THE 1081’s POPULARITY, AMS NEVE HAS RESUMED PRODUCTION. USING MANY OF THE ORIGINAL COMPONENTS AND NEVE HANDCRAFTED CONSTRUCTION PROCESSES, THE 1081 DELIVERS THE SIGNATURE SOUND OF NEVE. BY USING THE 1081 CHANNEL AMPLIFIERS, OPERATORS ARE ASSURED THE HIGHEST QUALITY SIGNAL ACQUISITION. THIS VERSATILE UNIT PROVIDES A WIDE RANGE OF CONTROL AND FLEXIBILITY. HIGH AND LOW PASS FILTERS COMPLIMENT THE FULLY FEATURED EQ SECTION. THE UNIT HAS BEEN DESIGNED TO OFFER THE USER A FLEXIBLE TOOL TO CREATE NEW SOUNDS WITH FULL TECHNICAL CONTROL. THE UNIT IS TOTALLY ENCLOSED AND FULLY SCREENED. HIGH GRADE COMPONENTS ARE USED THROUGHOUT.
“ The general sound it produces is pretty awesome” AL UNSWORTH
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A P P L I C AT I O N 1 0 8 1 R O R C H E S T R A L I N S T R U M E N T S 1 0 8 1 R V O C A L S 1 0 8 1 R D R U M S 1 0 8 1 R G U I TA R S 1 0 8 1 R
“ We have a couple of 1081R mic pres and they are stonking.” NIGEL HEATH, HACKENBACKER
“ The 1081R mic pres sound so warm, they will definitely be my first choice when I am recording orchestras” RONALD PRENT, (RESIDENT ENGINEER) GALAXY STUDIOS
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H E 1 0 8 1 R M A K E S AN IDEAL ALTERNATIVE FOR ENGINEERS LOOKING TO DELIVER NEVE SOUND QUALITY WITHOUT INVESTING IN A NEW CONSOLE. THE RACK CAN BE POSITIONED REMOTELY AND CONTROLLED BY A PC MAKING IT IDEAL FOR BOTH STUDIO AND LIVE RECORDINGS. THIS SYSTEM CONSISTS OF A MICRO PROCESSOR CONTROLLED 12 SLOT RACK AND A CHOICE OF THREE MIC PREAMPLIFIERS, THE 1081, 1073 AND AIR MONTSERRAT (FROM THE VINTAGE AIR MONTSERRAT CONSOLE). BY SELECTING A COMBINATION OF THESE THREE MIC PREAMP DESIGNS, ENGINEERS HAVE THE FLEXIBILITY TO RECORD CLASSICAL MUSIC,
POP, ROCK AND ROLL OR ANY REQUIRED SOUND. THE AIR MIC PRE IS THE OPTIMUM CHOICE FOR AMBIENT MIC TECHNIQUES, THE 1081 OFFERS A PERFECT RESPONSE TO CLOSE MICING TECHNIQUES AND THE 1073 PROVIDES A UNIQUE CLASS A SOUND. THE 1073 MODULE REQUIRES TWO SLOTS. THE 1081R RACK IS CONNECTED TO A PC BY MEANS OF A 9 PIN SERIAL CONTROL CABLE VIA AN RS232 TO RS485 CONVERTER. THE SETTINGS FOR THE 1081R CHANNELS CAN BE SAVED TO AND LOADED FROM THE PC. OPERATIONAL SETTINGS SUCH AS GAIN, PHASE AND 20dB PAD CAN BE CONTROLLED EITHER FROM THE RACK ITSELF OR MORE COMMONLY, VIA THE INTERFACE SCREEN.
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A P P L I C AT I O N 1 0 8 1 R O R C H E S T R A L I N S T R U M E N T S 1 0 8 1 R V O C A L S 1 0 8 1 R D R U M S 1 0 8 1 R G U I TA R S 1 0 8 1 R
“ We have a couple of 1081R mic pres and they are stonking.” NIGEL HEATH, HACKENBACKER
“ The 1081R mic pres sound so warm, they will definitely be my first choice when I am recording orchestras” RONALD PRENT, (RESIDENT ENGINEER) GALAXY STUDIOS
T
H E 1 0 8 1 R M A K E S AN IDEAL ALTERNATIVE FOR ENGINEERS LOOKING TO DELIVER NEVE SOUND QUALITY WITHOUT INVESTING IN A NEW CONSOLE. THE RACK CAN BE POSITIONED REMOTELY AND CONTROLLED BY A PC MAKING IT IDEAL FOR BOTH STUDIO AND LIVE RECORDINGS. THIS SYSTEM CONSISTS OF A MICRO PROCESSOR CONTROLLED 12 SLOT RACK AND A CHOICE OF THREE MIC PREAMPLIFIERS, THE 1081, 1073 AND AIR MONTSERRAT (FROM THE VINTAGE AIR MONTSERRAT CONSOLE). BY SELECTING A COMBINATION OF THESE THREE MIC PREAMP DESIGNS, ENGINEERS HAVE THE FLEXIBILITY TO RECORD CLASSICAL MUSIC,
POP, ROCK AND ROLL OR ANY REQUIRED SOUND. THE AIR MIC PRE IS THE OPTIMUM CHOICE FOR AMBIENT MIC TECHNIQUES, THE 1081 OFFERS A PERFECT RESPONSE TO CLOSE MICING TECHNIQUES AND THE 1073 PROVIDES A UNIQUE CLASS A SOUND. THE 1073 MODULE REQUIRES TWO SLOTS. THE 1081R RACK IS CONNECTED TO A PC BY MEANS OF A 9 PIN SERIAL CONTROL CABLE VIA AN RS232 TO RS485 CONVERTER. THE SETTINGS FOR THE 1081R CHANNELS CAN BE SAVED TO AND LOADED FROM THE PC. OPERATIONAL SETTINGS SUCH AS GAIN, PHASE AND 20dB PAD CAN BE CONTROLLED EITHER FROM THE RACK ITSELF OR MORE COMMONLY, VIA THE INTERFACE SCREEN.
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A P P L I C AT I O N 3 3 6 0 9 M U S I C 3 3 6 0 9 P O S T 3 3 6 0 9 B R O A D C A S T 3 3 6 0 9
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UILT TO THE HIGHEST DESIGN SPECIFICATIONS, THE AMS NEVE 33609 UNIT OFFERS COMPREHENSIVE LIMITING AND COMPRESSION FACILITIES FOR MUSIC RECORDING, POST PRODUCTION AND BROADCAST APPLICATIONS. THE 33609 IS BASED ON A CIRCUIT DESIGN FIRST USED IN THE CLASSIC 2254 LIMITER/COMPRESSOR DESIGNED BY NEVE IN 1969. THE 33609's COMBINATION OF TRANSFORMERS AND GAIN REDUCTION ELEMENT PRODUCES A SOUND QUALITY WHICH IS UNIQUE AMONGST COMPRESSOR LIMITERS. COUPLED WITH THE UNIT'S UNPARALLELED EASE OF USE, THIS SOUND QUALITY HAS MADE THE 33609 A STUDIO STANDARD. MULTIPLE UNITS MAY BE LINKED FOR MULTI-CHANNEL OPERATION. THE LIMITER/COMPRESSOR IS A 2U RACK-MOUNTING UNIT WITH A CLEAR, UNCLUTTERED PANEL LAYOUT. THERE ARE INDEPENDENT SIDE CHAINS FOR THE COMPRESSOR AND LIMITER SECTIONS WITH INDEPENDENT THRESHOLD, RECOVERY AND ATTACK CONTROLS. THE COMPRESSOR FEATURES A SELECTION OF RATIOS FROM 1.5:1 TO 6:1 AND A GAIN MAKE-UP CONTROL THAT COMES BEFORE THE LIMITER. OVERALL GAIN REDUCTION IS INDICATED ON A MOVING COIL METER.
“A brick wall limiter that you can’t hear working. It just does what it says on the tin.”
TWO VERSIONS ARE AVAILABLE, THE 33609/J AND THE 33609/JD. BOTH UNITS OFFER THE LEGENDARY NEVE SOUND BUT WITH ENHANCED INTERNAL AND EXTERNAL I/O SWITCHING COMPARED TO THE ORIGINALS. THE 33609/J USES SIMILAR CIRCUITS TO THE VINTAGE 33609/C. THE 33609/JD INCORPORATES A 340 DISCREET OUTPUT STAGE AS USED IN THE ORIGINAL 33609 DESIGN.
CRAIG IRVING, TWICKENHAM FILM STUDIOS
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A P P L I C AT I O N 3 3 6 0 9 M U S I C 3 3 6 0 9 P O S T 3 3 6 0 9 B R O A D C A S T 3 3 6 0 9
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UILT TO THE HIGHEST DESIGN SPECIFICATIONS, THE AMS NEVE 33609 UNIT OFFERS COMPREHENSIVE LIMITING AND COMPRESSION FACILITIES FOR MUSIC RECORDING, POST PRODUCTION AND BROADCAST APPLICATIONS. THE 33609 IS BASED ON A CIRCUIT DESIGN FIRST USED IN THE CLASSIC 2254 LIMITER/COMPRESSOR DESIGNED BY NEVE IN 1969. THE 33609's COMBINATION OF TRANSFORMERS AND GAIN REDUCTION ELEMENT PRODUCES A SOUND QUALITY WHICH IS UNIQUE AMONGST COMPRESSOR LIMITERS. COUPLED WITH THE UNIT'S UNPARALLELED EASE OF USE, THIS SOUND QUALITY HAS MADE THE 33609 A STUDIO STANDARD. MULTIPLE UNITS MAY BE LINKED FOR MULTI-CHANNEL OPERATION. THE LIMITER/COMPRESSOR IS A 2U RACK-MOUNTING UNIT WITH A CLEAR, UNCLUTTERED PANEL LAYOUT. THERE ARE INDEPENDENT SIDE CHAINS FOR THE COMPRESSOR AND LIMITER SECTIONS WITH INDEPENDENT THRESHOLD, RECOVERY AND ATTACK CONTROLS. THE COMPRESSOR FEATURES A SELECTION OF RATIOS FROM 1.5:1 TO 6:1 AND A GAIN MAKE-UP CONTROL THAT COMES BEFORE THE LIMITER. OVERALL GAIN REDUCTION IS INDICATED ON A MOVING COIL METER.
“A brick wall limiter that you can’t hear working. It just does what it says on the tin.”
TWO VERSIONS ARE AVAILABLE, THE 33609/J AND THE 33609/JD. BOTH UNITS OFFER THE LEGENDARY NEVE SOUND BUT WITH ENHANCED INTERNAL AND EXTERNAL I/O SWITCHING COMPARED TO THE ORIGINALS. THE 33609/J USES SIMILAR CIRCUITS TO THE VINTAGE 33609/C. THE 33609/JD INCORPORATES A 340 DISCREET OUTPUT STAGE AS USED IN THE ORIGINAL 33609 DESIGN.
CRAIG IRVING, TWICKENHAM FILM STUDIOS
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A P P L I C AT I O N 8 0 5 1 O R C H E S T R A L A N D M U S I C R E C O R D I N G , P O S T P R O D U C T I O N , B R O A D C A S T, M A S T E R I N G
T “ I’ve used Neve processors and consoles for over thirty years and I still think they sound better than anything I’ve ever heard.” ROB JAMES
HE 8051 PROVIDES SIX TRANSFORMER BALANCED AUDIO PATHS COMPLEMENTED BY TWO SIDE CHAINS AND A KEY INPUT. FLEXIBLE SIDE CHAIN ROUTING, TRIMMING AND FILTERING MAKE THIS A POWERFUL AND RESPONSIVE TOOL FOR SURROUND MIXING.
FULLY DISCRETE AUDIO PATHS AND THE CLASSIC FEEDBACK CONTROL CIRCUIT DESIGN ENSURE THAT THE 8051 SURROUND COMPRESSOR PROVIDES THE VINTAGE NEVE SOUND THAT HAS MADE THE 33609JD STEREO COMPRESSOR A SOUGHT AFTER CLASSIC.
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A P P L I C AT I O N 8 0 5 1 O R C H E S T R A L A N D M U S I C R E C O R D I N G , P O S T P R O D U C T I O N , B R O A D C A S T, M A S T E R I N G
T “ I’ve used Neve processors and consoles for over thirty years and I still think they sound better than anything I’ve ever heard.” ROB JAMES
HE 8051 PROVIDES SIX TRANSFORMER BALANCED AUDIO PATHS COMPLEMENTED BY TWO SIDE CHAINS AND A KEY INPUT. FLEXIBLE SIDE CHAIN ROUTING, TRIMMING AND FILTERING MAKE THIS A POWERFUL AND RESPONSIVE TOOL FOR SURROUND MIXING.
FULLY DISCRETE AUDIO PATHS AND THE CLASSIC FEEDBACK CONTROL CIRCUIT DESIGN ENSURE THAT THE 8051 SURROUND COMPRESSOR PROVIDES THE VINTAGE NEVE SOUND THAT HAS MADE THE 33609JD STEREO COMPRESSOR A SOUGHT AFTER CLASSIC.
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VINTAGE NEVE OUTBOARD COLLECTION
Unique Sound...Unrivalled Quality AMS NEVE CONTINUES TO DELIVER HANDCRAFTED MODULES USING THE CLASSIC DESIGNS AND BUILD TECHNOLOGIES THAT HAVE MADE THEM A MARKET LEADER FOR MORE THAN 30 YEARS. OVER THIS TIME, AMS NEVE HAS BEEN COMMITTED TO DEVELOPING THE WORLD'S LEADING AUDIO OUTBOARD SOLUTIONS BASED ON ITS AWARD-WINNING TECHNOLOGIES. BY USING AMS NEVE'S VINTAGE OUTBOARD EQUIPMENT, A WEALTH OF NEW CREATIVE OPPORTUNITIES ARE POSSIBLE OFFERING THE UNIQUELY WARM SOUND OF NEVE.
Head Office AMS NEVE LTD • BILLINGTON ROAD • BURNLEY • LANCASHIRE • ENGLAND • BB11 5UB • TEL +44 (0)1282 457011
enquiry@ams-neve.com • www.ams-neve.com On behalf of its customers, AMS Neve Ltd actively pursues a policy of continual improvement. Therefore all specifications and descriptions are subject to change without notice.
V I N T A G E
N E V E
Neve Sound - No Question