Drew Suszko - M.Arch + MBA

DREW SUSZKO M.Arch + MBA UNIVERSITY of CINCINNATI | DAAP SELECTED WORKS | 2014

DREW SUSZKO

M.Arch + MBA

Master of Architecture GPA: 3.8 / 4.0

UNIVERSITY of CINCINNATI | LINDNER MBA

GPA: 3.8 / 4.0

NORTHWESTERN UNIVERSITY Bachelor of Arts | Economics GPA: 3.6 / 4.0

BHDP Architecture Cincinnati, OH

Business Strategy Co-Op May 2013 - August 2013

Ziger | Snead Architects

EXPERIENCE

EDUCATION

UNIVERSITY of CINCINNATI I DAAP

Baltimore, MD

Architecture Co-Op July 2012 - December 2012

Adrian Smith + Gordon Gill Architects Chicago, IL

Architecture Co-Op September 2011 - December 2011

BHDP Architecture Cincinnati, OH

Architecture Co-Op March 2011 - June 2011

Target Corporation Minneapolis, MN

Business Analyst - Strategic Negotiations Expert - Systems Developer September 2006 - June 2010

CONTACT

http://cargocollective.com/drewsuszko http://drewsuszko.com

drew@drewsuszko.com

CONTENTS 12

13

Grad House Cranbrook Wellness Center

21

Shaker Retreat

26

27

34

39

Scholar’s Residence Indie Reception Sweetgum Lamp

43

300 Cathedral Apartments

48

49

Maryland Hall for the Arts Kingdom Tower

52

03

35

53

20

38 42

58

DREW SUSZKO

GRAD HOUSE LOCATION: Cincinnati, OH AREA: 80,000 SF PROGRAM: Graduate Student Housing PARTNER: Luke Sinopoli, M.Arch 2014

04

The Grad House takes a new spin on an otherwise out-dated typology. Located on a busy street at the intersection of the University of Cincinnati campus with the neighboring Uptown District, the building acts as a welcome mat for the campus. With a Grand Stair in the style of the Spanish Steps cascading down the hilly terrrain into the campus, the landscape invites the adjacent community into the University. Two primary masses frame the central procession, each bi-furcated to allow light to flood centralized common spaces. At the ground floors, retail, dining, and

gallery spaces promote interaction with the public. The floors above are dedicated to the more academic elements of campus life, with twentyfirst century amenities including conference rooms, breakout spaces, study carrels, and a gymnasium. The residents occupy the upper stories.

Instead of the traditional apartment or suite-style residential spaces, each student is afforded a small private space which progressively opens onto a public internal avenue with meeting spaces, reading zones, dining areas, and other points to encourage interaction amongst the residents.

DREW SUSZKO GRAD HOUSE

Site Plan 160

120

06

Spatial Profile Typical Room Residential

DREW SUSZKO GRAD HOUSE

STORAGE (BIKE)

INTRAMURAL

FITNESS

COMMUNITY CENTER

CLASSROOMS

MEDITATION SPACE

PUBLIC PRESENTATION

MEDIA LIBRARY

CATERING KITCHEN

DINING HALL

MAIL (C)

BREAKOUT SPACE

BAR

GREEN HOUSE

VENDING

CONFERENCE

GARDEN / COURT

DINER

FOOD GARDEN

REC ROOM

SPA

MAIL (L)

REC READING

ASSEMBLY

GALLERY

BIZ INCUBATOR

ART STUDIO

TUTOR SUITES

KITCHEN (L)

STUDIO SPACE

LABORATORY

SINGLE BRs

COMMON LOUNGE

WASTE (C) DEAN’S RES

STUDY ROOM REFLECTIVE READ

MASTER’S RES

DOUBLE BRs

PARKING

WASTE (L)

STORAGE (OTHER)

FAMILY SUITES

BATHROOMS (L)

CUSTODIAL (L)

LAUNDRY

BATHROOMS (W)

CUSTODIAL (C)

STORAGE (BIKE)

INTRAMURAL

FITNESS

COMMUNITY CENTER

CLASSROOMS

PUBLIC PRESENTATION

MEDIA LIBRARY

CONFERENCE

GARDEN / COURT

DINER

FOOD GARDEN

REC ROOM

SPA

MEDITATION SPACE

CATERING KITCHEN

DINING HALL

BREAKOUT SPACE

BAR

GREEN HOUSE

VENDING

MAIL (C)

MAIL (L)

REC READING

BIZ INCUBATOR

ART STUDIO

GALLERY

LABORATORY

STUDIO SPACE

KITCHEN (L)

TUTOR SUITES

WASTE (C) DEAN’S RES

STUDY ROOM REFLECTIVE READ

PARKING

SINGLE BRs

COMMON LOUNGE

ASSEMBLY

DOUBLE BRs

WASTE (L)

MASTER’S RES

STORAGE (OTHER)

FAMILY SUITES CUSTODIAL (L)

LAUNDRY

CUSTODIAL (C)

Common Space

BATHROOMS (W)

BATHROOMS (L)

08

Social Joint

DREW SUSZKO GRAD HOUSE

Socializing

Studying

Dining

Social Vignettes

10

Nodes and Paths

Active Section

DREW SUSZKO GRAD HOUSE

Streetscape

12

DREW SUSZKO

CRANBROOK WELLNESS CENTER LOCATION: Bloomfield Hills, MI AREA: 10,000 SF PROGRAM: Holistic Health Center

14

The Cranbrook Wellness Center is situated along the Grand Allee of the Cranbrook Campus in Bloomfield Hills, Michigan. The Center provides the bodily compliment to the mental stimulation provided by the Library and Art Museum on the end of campus immediately adjacent to the Orpheus Fountain. The new building reinforces the symmetry of the current configuration by mirroring the setback established by the Archives building. Taking cues from the original Saarinen plan, the building uses established axes and unfinished pavement patterns to determine boundary, access, and

orientation.

The building takes advantage of views where available and considers the environmental context of the site. Per the program, it provides smaller, human-scale places for individual contemplation within the context of a monumental setting. The architecture reflects the program, centering itself on a crystalline complex which houses the baths on the lower level. Above, hospitality suites ring the exterior.

Material selections juxtapose texture with cleanliness. In total, the Wellness Center establishes a cultural hub for mental and physical health on the Cranbrook Campus.

DREW SUSZKO CRANBROOK

4 7

8

11

6

10 6 5

4

9 3

1 2

Site Plan Reception Administration

5

2

6

Large Pools Steam Room

10

Yoga Studio Fitness

3

Therapeutic Pool Entrance

7

Sauna

11

Meditation

4

Changing Facilities

8

Small Pools

1

9

16

Ground Level

DREW SUSZKO CRANBROOK

6 6

6

5

7 6 4 6 4

8

3

2

1

Level Two Kitchen and Dining Sun Garden

5

2

6

Library Guest Room

3

Waiting

7

Storage

4

Massage

8

Facilities Management

1

4

18

Sections

DREW SUSZKO CRANBROOK

Section Perspective

20

Physical Model

DREW SUSZKO

SHAKER RETREAT LOCATION: Greater Miami Valley, OH AREA: 8,000 SF PROGRAM: Meeting Center

22

Filling the void between two existing structures - the farmhouse and a machine shed - new elements of program establish a more immediate connection amongst the units on the farmstead. Passageways direct movement away from the neighboring road and sever the connection to the outside world.

The new structure celebrates the isolation that the Shaker Retreat may afford. This is not a lonely place, though. Added to the complex are places for gathering: classrooms, an auditorium, a cafeteria, and a courtyard. All are composed around a centralized core, which both provides

service and dampens potential interruptions. Internal and external views continue to connect the spaces, with overlooks in multiple places, and internal windows allowing for continued interaction amongst the parts. Indeed, interaction informs the entirety of the composition. A variety of breakout spaces abound on the ground level. Above, the staff is housed in an open plan book-ended by conference rooms that could be converted to private offices. In all, the building celebrates the heritage of the existing site while providing for contemporary modes of interaction.

DREW SUSZKO SHAKER RETREAT

6

Site Plan Conference Informal Meeting

5

2

6

Dining Covered Outdoor

3

Breakout Space

7

Kitchen

4

Auditorium

8

Restroom

1

24

4 3

2 5

8 7 8

2

1

Ground Level

DREW SUSZKO SHAKER RETREAT

4

2 5 3

5

2

1

Level Two 20

Demo - Ground

Demo - Level Two

Section Perspective 2

Open Office Closed Office

3

Classroom / Conference

1

4 5

Bonus Space Restroom

0

26

Physical Model

DREW SUSZKO

SCHOLAR’S RESIDENCE LOCATION: Greater Miami Valley, OH AREA: 1000 SF PROGRAM: Residence for One

28

Balancing stewardship and privacy, the scholar’s residence is the onsite home to the sole resident of a Rural Field Station. The structure sits at the elbow between a welcome center and a research facility, serving as a hinge between the two zones of the greater complex. The residence hunkers against a large wall that runs north-south adjacent to a major movement corridor on the site. Built from locally-sourced brick, portions of this wall are designed to slowly decay, reinforcing the connection to the site. To the south, the formal front entrance sits tucked behind this wall, in a comfortable nook

that continues into the heart of the building. The northern and western portions embrace the woods beyond, and a complimentary courtyard is embedded behind the wall of this private compound. The ground level provides compact spaces for food preparation, service, and relaxation.

Integrated into an interior bookshelf, a small staircase ascends from the lounge on the ground floor to a sleeping and dressing area on the second. In addition, a small office opens off of the sleeping quarters.

The residence is a quiet retreat that celebrates its context, both in form and material selection.

DREW SUSZKO SCHOLAR’S RESIDENCE

5

3

4 2

1

6

Site Plan Covered Entry Living

4

2

5

Dining / Work Surface Private Courtyard

3

Kitchen

6

Path to Creek

1

30

Physical Model

DREW SUSZKO SCHOLAR’S RESIDENCE

E - W Section

32

Plans

DREW SUSZKO SCHOLAR’S RESIDENCE

Elevations

34

Elevations

DREW SUSZKO

INDIE RECEPTION Interior Design Millwork

36

Given a blank floor plan of an 18’ x 24’ space, the digital design of a reception desk became a generator for the rest of the interior. The front is composed of a series of CNCmilled slats that are assembled and mounted onto a laminated plywood surface that acts both as a destination and a director of traffic to two doors beyond. Inlaid wooden accents in the floor invert the relationship and echo the geometry of a billowing ceiling above. Conceived as a sheet of fabric stretched over an aluminum frame, the ceiling ripples out from the door frames. Inset lighting acts to direct traffic, illuminate the work surface

of the reception desk, and flood light down the finished faces of the walls of the space. The receptionist desk sits between two glass doors etched with ‘Studio’ and ‘Office’, which lead to those destinations. At the rear of the space, built-in seating angled towards dual-screens provide a place for guests to wait. In all, this project is an attempt to integrate the many possibilities afforded by designing in the digital environment into a cohesive, constructible place. The space serves to engage the visitor and create a state of anticipation for the spaces that lay beyond.

DREW SUSZKO INDIE RECEPTION

Desk Assembly

38

Ceiling Design

DREW SUSZKO

SWEETGUM LAMP CNC Milled Sculpture Plywood

40

Taking inspiration from the form of a sweetgum ball, this floor lamp was assembled using component parts that were milled from a single 4’ x 8’ sheet of birch plywood. The geodesic structure is based on a twenty-sided polyhedron composed of equilateral triangles. Subtracting the common points of intersection of these surfaces transformed the triangles into hexagons, and additional operations further opened up the exterior surface of the built form. To secure adjacent faces, the “spikes” of the sweetgum ball were reconceived as connectors, which plunge through the exterior envelope

to express themselves on the interior.

No additional fasteners are used.

Additional surface articulation on the spikes is the remnant of cusps left by successive passes of the mill. When illuminated, the form casts wild geometric shadows in all directions.

The light source is embedded into the base and obscured from vision.

Future development of this project might consider different materials or geometric forms. Considering the potential afforded by illumination, additional iterations could make use of varying degrees of transparency or selective use of color to further amplify the effect.

DREW SUSZKO SWEETGUM LAMP

Cast Shadows

42

Components

DREW SUSZKO

300 CATHEDRAL LOCATION: Baltimore, MD AREA: 40,000 SF PROGRAM: Apartments FIRM: Ziger / Snead Architects TEAM: Jonas Risen, Katherine LePage, and Drew Suszko

44

300 Cathedral was built in 1849 by the Odd Fellows, a fraternal order of gentlemen that used the building as their headquarters for the better part of the following century. After several years of vacancy, the property was purchased by a Washington, D.C. - based development company.

Ziger / Snead Architects was hired to survey the existing structure and produce a CD-set with the expressed goal of maximizing the rentable property. After modeling the existing building in Revit and generating a series of alternative options, the firm was able to carve the building into 59 rentable units: Studios, 1 BR, 2 BR’s,

and Lofts. In order to meet the goals of the client, each unit is as compact as possible, while still striving to meet the expectations of the Baltimore rental market. In addition, the building hosts off-street parking in the basement of the structure and amenities include a shared gym and entertaining space. My contributions to the project included field measurements, managing the digital model, generating detail and construction drawings, and coordinating with the client and external consultancts to produce the final CD-set.

DREW SUSZKO 300 CATHEDRAL EX.1

EX.2

EX.3

EX.5

EX.4

EX.6

EX.C

EX.A

EX.D

DN

UP

DN

EX.E

DN UP

EX.F EX.B

DN

UP

EX.G

0

4' - 0"

8' - 0" TRUE NORTH

4th Floor North Character

1st Floor Plan

5th Floor South Lofts - Unfinished

46

EX.1

EX.2

EX.1

EX.3

EX.5

EX.4

EX.2

EX.3

EX.4

EX.5

EX.6

EX.6

EX.C

EX.C

EXISTING SKYLIGHT ABOVE

EXISTING SKYLIGHT ABOVE

EX.A

EX.A

EX.D

EX.D

EX.E

EX.E

DN

DN

UP

UP

DN UP DN

DN

DN

EX.F EX.B

EXISTING SKYLIGHT ABOVE

EX.F EX.B

UP

EXISTING SKYLIGHT ABOVE

EX.G

EX.G

5th Floor

4th Floor

EX.1

EX.1

EX.2

EX.3

EX.4

EX.5

EX.2

EX.3

EX.4

EX.5

EX.6

EX.6

EX.C

EX.A

EX.D

EX.C

EX.A

UP

EX.D

UP

EX.E

EX.E DN

DN

UP

UP DN

DN DN

DN

UP

DN

EX.F

EX.B

EX.F EX.B

DN

UP

EX.G

OPEN TO BELOW

EX.G

OPEN TO BELOW

2nd Floor

3rd Floor

Plans

DREW SUSZKO UNIT A.1 SOUTH ELEVATION 300 CATHEDRAL 0

2' - 0"

4' - 0"

KITCHEN BASE AND UPPERS

HIGH RECESSED POWER/DATA/CABLE RECEPTACLE FOR WALL MOUNTED FLATSCREEN TELEVISION RECESSED POWER/DATA/CABLE FOR FURNITURE MOUNTED FLATSCREEN TELEVISION AND ENTERTAINMENT SYSTEM / CONNECT TO HIGH RECESSED WALL MOUNTED RECEPTACLE WITH OPEN CONDUIT FOR DATA CABLING

H8

UNIT A.1 NORTH ELEVATION 2' - 0"

0

A.507

1/4" = 1'-0"

4' - 0"

1/4" = 1'-0"

H3 A.507

EXISTING WINDOWS; TYP. WINDOW BLINDS BY OTHERS; TYP.

SUSPENDED TRACK LIGHTING; TYP.

PTD SPRINKLER PIPING

CL

16'

CONTINUOUS LINEAR FLUORESCENT UPLIGHT ABOVE LIGHTSHELF

GPC-1 14'-0 1/2"

CARPET

LINE OF BULKHEAD ABOVE

CONTINUOUS LINEAR FLUORESCENT UPLIGHT ABOVE UPPER CABINETS

1'-0" WIDE LIGHT SHELF

ELEVATION

' - 0"

S/O

DW

SINK

CERAMIC TILE

D11

SUSPENDED TRACK LIGHTING; TYP.

A.507

PTD SPRINKLER PIPING

9'-6"

308D

8'

CL

1/4" = 1'-0"

FLOOR TYPE TRANSITION

MW R/F

9'-6"

GPC-1 14'-0 1/2"

FLOOR TYPE TRANSITION

GPC-2 9'-6"

E.T.R. BEAM ABOVE

CARPET

US RT

9'-6"

RELKNIRPS DTP ESOLC DLEH / GNIPIP FO EDISREDNU OT .PYT ;GNILIEC DEDNEPSUS GNITHGIL KCART

NOT ALIGNED

308B HTIW FLEHS THGIL BWG '1 RAENIL SUOUNITNOC ;THGILPU TNECSEROULF .PYT SUOUNITNOC TNECSEROULF NEHCTIK TA THGILPU ;SREPPU TENIBAC .PYT

TP PIP OT IEC

308C / GNIPIP RELKNIRPS DTP OT ESOLC DLEH ;GNILIEC FO EDISREDNU .PYT

GPC-2 LATNOZIROH TA SDNILB WODNIW .PYT ;SWODNIW LLA GPC-2 9'-6"

GPC-2 9'-6"

CENTER FIXTURE ABOVE VANITY/MIRROR

VESTIBULE 9'-6"

WATER RESISTANT 6" RECESSED DOWNLIGHT ABOVE BATHTUB

KCART DEDNEPSUS .PYT ;GNITHGIL W/D

GPC-2

.PYT ;WODNIW GNITSIXE 8'-0"

4" RECESSED DOWNLIGHT AT KITCHEN/ENTRY CEILING; TYP.

BR-2

CERAMIC TILE

308A

VESTIBULE 308

HTIW FLEHS THGIL BWG '1 RAENIL SUOUNITNOC ;THGILPU TNECSEROULF .PYT

.PYT ;SREHTO YB SDNILB WODNIW

308E

FLOOR TYPE TRANSITION CARPET

4" RECESSED DOWNLIGHT AT CORRIDOR VESTIBULE; TYP.

NOTE: FURNITURE BY OTHERS / SHOWN FOR REFERENCE ONLY

ELEVATION

' - 0"

1/4" = 1'-0"

A11

A7

UNIT E.1 DETAIL RCP 2' - 0"

0

A.507 ESAB NEHCTIK

4' - 0"

ERUTINRUF ROF ELBAC/ATAD/REWOP DESSECER TNEMNIATRETNE DNA NOISIVELET NEERCSTALF DETNUOM DETNUOM LLAW DESSECER HGIH OT TCENNOC / METSYS GNILBAC ATAD ROF TIUDNOC NEPO HTIW ELCATPECER

1.A TINU

8H 705.A

UNIT E.1 DETAIL PLAN 0

A.507

1/4" = 1'-0"

ELCATPECER ELBAC/ATAD/REWOP DESSECER HGIH NOISIVELET NEERCSTALF DETNUOM LLAW ROF

SREPPU DNA

SEE TYPICAL CONSTRUCTION TYPE FOR PLUMBING CHASE AT EXISTING WALL.

2' - 0"

4' - 0"

NOITAVELE HTUOS 1.A TINU "0 - '4

"0-'1 = "4/1

"0 - '2

0

.PYT ;SWODNIW GNITSIXE .PYT ;SREHTO YB SDNILB WODNIW

GNIPIP RELKNIRPS DTP

KCART DEDNEPSUS .PYT ;GNITHGIL

1-CPG "2/1 0-'41

DAEHKLUB FO ENIL EVOBA

RAENIL SUOUNITNOC THGILPU TNECSEROULF STENIBAC REPPU EVOBA

FLEHS THGIL EDIW "0-'1 WM

WD

O/S

KNIS

F/R

"6-'9

11D

KCART DEDNEPSUS .PYT ;GNITHGIL

Finished Apartment "6-'9

D803

2-CPG "6-'9

TEPRAC

C803

2-RB

'8

EVOBA MAEB .R.T.E

1-CPG "2/1 0-'41

"6-'9 2-CPG

ELUBITSEV "6-'9 D/W

705.A

GNIPIP RELKNIRPS DTP

2-CPG

"0-'8

2-CPG "6-'9 ERUTXIF RETNEC RORRIM/YTINAV EVOBA "6 TNATSISER RETAW THGILNWOD DESSECER BUTHTAB EVOBA

2-CPG "6-'9

LC

Typical 1 BR Unit ELIT CIMAREC

LC

'61

RAENIL SUOUNITNOC THGILPU TNECSEROULF FLEHSTHGIL EVOBA

TEPRAC

NOITAVELE TSAE 1.A TINU "0-'1 = "4/1

"0 - '4

"0 - '2

0

1/4" = 1'-0"

A3 A.507

UNDERSIDE OF CEILING; TYP. SUSPENDED TRACK LIGHTING; TYP. 1' GWB LIGHT SHELF WITH CONTINUOUS LINEAR FLUORESCENT UPLIGHT; TYP.

PTD SPRINKLER PIPING / HELD CLOSE TO UNDERSIDE OF CEILING; PTD SPRINKLER PIPING / HELD CLOSETYP. TO

1' GWB LIGHT SHELF WITH CONTINUOUS LINEAR UPLIGHT; 1'FLUORESCENT GWB LIGHT SHELF WITH TYP. CONTINUOUS LINEAR

TO UNDERSIDE OF CEILING; TYP. SUSPENDED TRACK LIGHTING

HORIZONTAL WINDOW BLINDS AT ALL WINDOWS; TYP. HORIZONTAL

UNDERSIDE OF CEILING; SUSPENDED TRACK LIGHTING; TYP.

WINDOW BLINDS AT ALL WINDOWS; TYP.

SUSPENDED TRACK LIGHTING; TYP.

1' GWB LIGHT SHELF WITH CONTINUOUS LINEAR FLUORESCENT UPLIGHT; 1' GWB LIGHT SHELF WITH TYP. CONTINUOUS LINEAR CONTINUOUS FLUORESCENT UPLIGHT; FLUORESCENT TYP. UPLIGHT AT KITCHEN CONTINUOUS CABINET UPPERS; FLUORESCENT TYP. UPLIGHT AT KITCHEN

PTD SPRINKLER PIPING / HELD CLOSE TO UNDERSIDE PTD SPRINKLEROF CEILING; TYP. CLOSE PIPING / HELD

SUSPENDED TRACK LIGHTING

PTD SPRINKLER PIPING / HELD CLOSE TO UNDERSIDE PTD SPRINKLEROF CEILING;/ HELD TYP. CLOSE PIPING

48

TO UNDERSIDE OF CEILING; TYP. SUSPENDED TRACK LIGHTING SUSPENDED TRACK LIGHTING

CABINET UPPERS; TYP.

WINDOW BLINDS BY OTHERS; TYP. WINDOW BLINDS BY OTHERS; TYP. EXISTING WINDOW; TYP.

FLUORESCENT UPLIGHT; TYP.

EXISTING WINDOW; TYP.

UNIT A.1 SOUT

2

0

PTD SPRINKLER PIPING / HELD CLOSE TO UNDERSIDE OF CEILING; TYP. HORIZONTAL WINDOW BLINDS AT ALL WINDOWS; TYP.

1' GWB LIGHT SHELF WITH CONTINUOUS LINEAR FLUORESCENT UPLIGHT; TYP. CONTINUOUS FLUORESCENT UPLIGHT AT KITCHEN CABINET UPPERS; TYP.

SUSPENDED TRACK LIGHTING

PTD SPRINKLER PIPING / HELD CLOSE TO UNDERSIDE OF CEILING; TYP. SUSPENDED TRACK LIGHTING

KITCHEN BASE AND UPPERS

HIGH RECESSED POWER/DATA/CABLE RECEPTACLE FOR WALL MOUNTED FLATSCREEN TELEVISION

H8 H8

UNIT A.1 SOUTH ELEVATION UNIT A.1 SOUTH ELEVATION 1/4" = 1'-0" 2' - 0"

4' - 0"

0

2' - 0"

4' - 0"

UNIT A.1 NORTH UNIT A.1 NORTH

SYSTEMRECESSED / CONNECTPOWER/DATA/CABLE TO HIGH RECESSED FOR WALLFURNITURE MOUNTED RECEPTACLE WITH OPEN CONDUIT FOR DATA CABLING MOUNTED FLATSCREEN TELEVISION AND ENTERTAINMENT SYSTEM / CONNECT TO HIGH RECESSED WALL MOUNTED RECEPTACLE WITH OPEN CONDUIT FOR DATA CABLING

A.507 A.507

1/4" = 1'-0"

0

2' - 0"

0

2' - 0"

CL

0

KITCHEN BASE AND UPPERS

HIGH RECESSED POWER/DATA/CABLE RECESSED POWER/DATA/CABLE FORRECEPTACLE FURNITURE FOR WALL MOUNTED FLATSCREEN TELEVISION MOUNTED FLATSCREEN TELEVISION AND ENTERTAINMENT

EXISTING WINDOWS; TYP. WINDOW BLINDS BY OTHERS; TYP. EXISTING WINDOWS; TYP. WINDOW BLINDS BY OTHERS; TYP.

KITCHEN BASE AND UPPERS

RECESSED POWER/DATA/CABLE FOR FURNITURE MOUNTED FLATSCREEN TELEVISION AND ENTERTAINMENT SYSTEM / CONNECT TO HIGH RECESSED WALL MOUNTED RECEPTACLE WITH OPEN CONDUIT FOR DATA CABLING

H3

UNIT A.1 NORTH ELEVATION 2' - 0"

4' - 0"

1/4" = 1'-0"

CL

0

16'

SUSPENDED TRACK LIGHTING; TYP.

PTD SPRINKLER PIPING

SUSPENDED TRACK LIGHTING; A.507 TYP.

PTD SPRINKLER PIPING

CL

16'

OWS; TYP.

CONTINUOUS LINEAR FLUORESCENT UPLIGHT ABOVE UPPER CABINETS CONTINUOUS LINEAR

S BY OTHERS; TYP.

14'-0 1/2" GPC-1

UNIT A.1 EAST ELEVATION UNIT A.1 EAST ELEVATION 1/4" = 1'-0" 2' - 0"

4' - 0"

0

2' - 0"

4' - 0"

1/4" = 1'-0"

A.507 A.507

S/O

8'

GPC-1

GPC-2 9'-6" GPC-2 9'-6"

308D

NOT ALIGNED

308B

308C

BR-2

4' - 0"

0

2' - 0"

4' - 0"

8'-0"

A11 A11

CERAMIC TILE

1/4" = 1'-0"

S/O

SINK

DW

FLO TRA

CERAMIC 308D

9'-6"

308D GPC-2 9'-6" GPC-2 9'-6"

FLOOR TRANS

PTD SPRINKLER PIPING / HELD CLOSE TO UNDERSIDE OF CEILING; TYP.

CARPET

SUSPENDED TRACK LIGHTING; TYP.

CARPET

1' GWB LIGHT SHELF WITH GPC-2 9'-6" CONTINUOUS LINEAR FLUORESCENT UPLIGHT; GPC-2 TYP.

GPC-2 9'-6" GPC-2 CENTER FIXTURE ABOVE 9'-6" VANITY/MIRROR

VESTIBULE 9'-6" VESTIBULE GPC-2 9'-6"

FIXTURE WATERCENTER RESISTANT 6" ABOVE VANITY/MIRROR RECESSED DOWNLIGHT ABOVE BATHTUB WATER RESISTANT 6" RECESSED DOWNLIGHT ABOVE BATHTUB

FLOOR TRANS 308B

GPC-2

308B

308C WINDOW BLINDS BY OTHERS; TYP. 308C EXISTING WINDOW; TYP.

BR-2

A11

UNIT A.1 WEST ELEVATION W/D

0

2' - 0"

BR-2

W/D

4' - 0"

CERAMIC TILE

308A

CERAMIC TILE

308A

A.507

1/4" = 1'-0"

8'-0"

CARPET

9'-6"

W/D 2' - 0"

DW

9'-6"

E.T.R. BEAM ABOVE

FLOOR TYPE TRANSITION

UNIT A.1 WEST ELEVATION UNIT A.1 WEST ELEVATION 1/4" = 1'-0"

SINK

8'-0"

GPC-2 9'-6"

0

R/F

MW S/O

9'-6"

CERAMIC TILE

GPC-2

9'-6"

E.T.R. BEAM ABOVE

14'-0 1/2" GPC-1

DW

SINK

FLO TRA

MW R/F

FLOOR TYPE TRANSITION

MW

VESTIBULE 9'-6"

CARPET

1'-0" WIDE LIGHT SHELF

PTD SPRINKLER PIPING

8'

CL

F

GPC-2

CARPET

9'-6"

SUSPENDED TRACK PTD SPRINKLER PIPING LIGHTING; TYP.

14'-0 1/2"

R/F

A.507

1/4" = 1'-0"

LINEWIDE OF BULKHEAD 1'-0" LIGHT SHELF ABOVE

SUSPENDED TRACK LIGHTING; TYP.

CARPET

HT

4' - 0"

CERAMIC

D11 D11 CL

0

2' - 0"

FLUORESCENT UPLIGHT LINE OF BULKHEAD ABOVE LIGHTSHELF

14'-0 1/2"

FLUORESCENT UPLIGHT ABOVE UPPER CABINETS

ING

0

CONTINUOUS LINEAR FLUORESCENT UPLIGHT ABOVE LIGHTSHELF CONTINUOUS LINEAR

GPC-1

D11

UNIT A.1 EAST ELEVATION

CL

HIGH RECESSED POWER/DATA/CABLE RECEPTACLE FOR WALL MOUNTED FLATSCREEN TELEVISION

4" RECESSED DOWNLIGHT AT CORRIDOR VESTIBULE; TYP.

4" RECESSED DOWNLIGHT AT KITCHEN/ENTRY CEILING; TYP.

4" RECESSED DOWNLIGHT AT CORRIDOR VESTIBULE; TYP.

NOTE: FURNITURE BY OTHERS / SHOWN FOR REFE

308E

308A

UNIT E.1 DETAIL RCP UNIT E.1 DETAIL1/4"RCP = 1'-0"

VESTIBULE 308

A.507

4" RECESSED DOWNLIGHT AT KITCHEN/ENTRY CEILING; TYP.

A.507

FLOOR TYPE TRANSITION CARPET

0

2' - 0"

4' - 0"

0

2' - 0"

4' - 0"

1/4" = 1'-0"

SEE TYPICAL CONSTRUCTION TYPE SEE FOR TYPICAL PLUMBING CHASE CONSTRUCTION TYPE AT EXISTING WALL. FOR PLUMBING CHASE 4' - 0" 2' - 0" WALL. 0AT EXISTING

NOTE: FURNITURE BY OTHERS / SHOWN FOR REFE

A7UNIT A.1 SOUTH ELEVATION H8 A7 A.507

1/4" = 1'-0"

A.507

UNIT E. UNIT E. 0 0

A.507

EXISTING WINDOWS; TYP. 4" RECESSED DOWNLIGHT AT CORRIDOR VESTIBULE; TYP.

NOTE: FURNITURE BY OTHERS / SHOWN FOR REFERENCE ONLY

4' - 0"

1/4" = 1'-0"

A7 A.507

SEE TYPICAL CONSTRUCTION TYPE FOR PLUMBING CHASE AT EXISTING WALL.

UNIT E.1 DETAIL PLAN 0

2' - 0"

4' - 0"

1/4" = 1'-0"

A3

SUSPENDED TRACK LIGHTING; TYP.

A.507

CL

E.1 DETAIL RCP

2' - 0"

WINDOW BLINDS BY OTHERS; TY

PTD SPRINKLER PIPING

Typical Elevations 16'

CONTINUOUS LINEAR FLUORESCENT UPLIGHT ABOVE LIGHTSHELF

GPC-1 14'-0 1/2"

LINE OF BULKHEAD ABOVE

CONTINUOUS LINEAR FLUORESCENT UPLIGHT ABOVE UPPER CABINETS

1'-0" WIDE LIGHT SHELF

9'-6"

DREW SUSZKO

MARYLAND HALL LOCATION: Annapolis, MD AREA: 20,000 SF PROGRAM: Performing Arts Renovation and Addition FIRM: Ziger / Snead Architects TEAM: Joe Cellucci, Jonas Risen, and Drew Suszko

50

Maryland Hall for the Creative Arts is a community-based organization in Annapolis, Maryland that celebrates and promotes the creative and performing arts. Located in the old Annapolis High School, Maryland Hall houses spaces for fine art, ballet, theater, vocal groups, and the Annapolis Symphony. Recently, the organization has identified deficiencies with the performing spaces, which are located in the old high school theater and gymnasium.

Ziger / Snead Architects was hired to generate a conceptual design to renovate several of the existing spaces, especially those dedicated

to performance. In addition, the firm proposed the addition of three new zinc-clad volumes, designed to complement the existing structure - a set shop, a fly (on top of the existing stage), and a reception/ dressing complex, successively. I joined the team during our transition from conceptual design to design development. In the process, I modeled the existing building in Revit, translated the proposed concept to more concrete physical form, and proposed several variations, including a revised entry-vestibule into the reception space, which will become the new face of the building.

DREW SUSZKO MARYLAND HALL

2 3

7

1

UP

FT-5

UP

UP

4 O

4 O

8

6

DN DN

5

GROUND FLOOR 0

4' - 0"

8' - 0" TRUE NORTH

Ground Floor Plan Addition Renovation

Set Shop Dock

5

2

6

Concessions / Cafe Event Space

3

Black Box Theater

7

Reception

4

Dressing Rooms

8

Exterior Courtyard

1

52

6

1

7

2 7

5

4

3

3

8

FIRST FLOOR 0

4' - 0"

8' - 0" TRUE NORTH

First Floor Plan Set Shop Office

5

2

6

Orchestra Pit Stage

3

Sound / Light Lock

7

Dressing Rooms

4

Theater

8

Reception / Gallery

1

DREW SUSZKO

KINGDOM TOWER LOCATION: Jeddah, Kingdom of Saudi Arabia HEIGHT: 1,000+ meters PROGRAM: Hotel, Office, and Residential FIRM: Adrian Smith + Gordon Gill Architects

54

My primary responsibility during my time on the Kingdom Tower project was to coordinate a comprehensive set of Fire and Life Safety drawings.

Partnering with consultants and specialists, the team produced a design and the corresponding documentation to satisfy IBC 2009 for what will be the world’s tallest building upon completion.

To accompany this set, I also produced a document summarizing the fire and life safety features of the building for the Saudi Arabian Civil Defense Authorities. During this process, I worked in close partnership with Peter Weismantle, Director

AS+GG and Chairman of the Height Committee of the Council on Tall Buildings and Urban Habitat. During design development, I produced a set of alternative designs and details for the series of balconies that ring the tower, as well as the initial nightlighting concept for the top of the tower. This design celebrates the floral quality of the tower’s apex.

Upon implementation, the design will mark the building on the Jeddah Skyline by night.

DREW SUSZKO KINGDOM TOWER

Podium Section

56

Lighting Studies

DREW SUSZKO KINGDOM TOWER

Egress + Program Lobby Office

Hotel Residential

Area of Refuge

Mechanical

Hotel

Observation

58

VP

FIREFIGHTING/SERVICE VESTIBULE 16 m²

S3

EM ELEC 10 m²

ELEC 8 m²

EM ELEC 6 m²

SA RA

PL 3 m²

FP

TRASH 1 m² FP

TC CL 4 m²

VP

FHC FIREFIGHTING/SERVICE VESTIBULE 33 m²

R09

PL 1 m²

R10

FS2

CHW

DN

UP

FC

UP

SP

CHW

SP

S3

FS2

TC 3 m² R09

ELEC 18 m²

R10

R11

R11 SA

RA

OB1

OB2 R12

R12

PH 1003 m²

SP

FHC

SP

ES1

ES2

UP

UP DN

ES3

DN

UP

UP

DN FHC FHC

SA

RA

JANITOR 3 m² PANTRY 17 m² ELEC 9 m²

TC CL 2 m²

SA

O2

O1

HS1

OS1

O3

HS2

O4

FS1

VP

STORAGE 14 m²

O5

S1

ELEC 5 m²

PL 2 m² FHC

FHC SERVICE VEST. 7 m²

CHW

FHC

SP

S3

VP

FS1

RS1

R1

CHW

DN S2

S2

UP UP

FP

A2

S1

TC CL 2 m²

FIREFIGHTING VESTIBULE 16 m²

EM ELEC 13 m²

A3

RS2

CHW

R2

SA OB1

A1

OB2

RS3

ELEC 13 m²

H3

RS4

OB1

R3

OB2

R4

RS4

RA H2

RS5

RS6

H1

FHC

CHW

R5

RS5

RS6

TC CL 2 m²

FHC

DN

UP

Representative Plans Additional detail omitted for the sake of confidentiality.

DREW SUSZKO M.Arch + MBA UNIVERSITY of CINCINNATI drew@drewsuszko.com