Ana BelĂŠn Conde Sastre
About me
Mi nombre es Ana Belén, tengo 23 años y soy técnica superior de restauración con la especialidad en pintura. Finalicé los estudios en junio del 2012 en la Escuela de Arte de León, España. Actualmente he obtenido el Grado en Conservación y Restauración de Escultura en la Escuela de Valladolid, España. Mi proyecto fin de grado trato sobre Nuevas tecnologías en impresión 3D. Valoración de su aplicación en el campo de la Conservación y Restauración de Bienes Culturales Escultóricos. He asistido a varios cursos de Conservación y Restauración y realizado prácticas en empresas. Además estudié un año de italiano en la Escuela Oficial de Idiomas de León. Soy una persona alegre y extrovertida. Me gusta la música, el arte, relacionarme con los demás y vivir nuevas experiencias.
My name is Ana Belén, I´m 23 years old and I´m fine Art Restorer/conservator. I finishes my studies in June of 2012 at the School of Arts in León, Spain. At present, I have obtained the Degree in Sculpture Conservation and Restoration at the School of Art in Valladolid, Spain. My final degree project discuss New technologies in 3D printing. Assessment of its application in the field of the Preservation and Restoration of Sculpture. I have attended several courses of Conservation and Restoration and done internships. I also studied a year of Italian at the Official School of Languages. I´m a happy person and outgoing. I love the music, art, interacting with everybody and live new experiences.
PERSONAL INFORMATION
CV
Ana Belén Conde Sastre
12/08/1991
10 Mota St Fl 1º F 47008 Valladolid
Spain
+34638395880 anacondesastre@gmail.com
ACADEMIC BACKRGROUND September 2007- June 2009: September 2009- June 2012: September 2012- June 2014:
BACHELOR OF ART. School of Art of Valladolid, Spain. DEGREE IN PAINTING CONSERVATION AND RESTORATION. School of Art of León, Spain. DEGREE IN SCULPTURE CONSERVATION AND RESTORATION. School of Art in Valladolid, Spain.
ADITIONAL TRAINING Course 2010:
Course 2011:
- CONSERVACIÓN DEL PATRIMONIO CULTURA: MONITORIZACIÓN DE LAS CONDICIONES AMBIENTALES DE LOS BIENES ARQUEOLÓGIOCOS, MONUMENTALES Y DE LAS OBRAS DE ARTE. San Isidoro, León. - LA RESTAURACIÓN DE VIDRIERAS: CRITERIOR Y ACTUACIONES. School of Art of León. - CONSERVACIÓN PREVENTIVA EN LAS INSTITUCIONES MUSEÍSTICAS. School of Art of León.
WORK EXPERIENCE 2014:
- 360 HOURS OF PRACTICAL CONSERVATION AND RESTORATION OF SCULPTURE AT THE CENTER FOR CONSERVATION AND RESTORATION OF CULTURAL OF CASTILLA Y LEÓN IN SIMANCAS. - 12 WEEKS OF PRACTICAL CONSERVATION AND RESTORATION OF PAINTING AT THE COMPANY RAVA C.S.R.L. AT TURIN (ITALY) . Leonardo Da Vinci scholarship. -36 HOURS OF VOLUNTEERING IN IX BIENAL AR&PA DE RESTAURACIÓN Y GESTIÓN DEL PATRIMONIO, VALLADOLID (SPAIN)
COMPUTER SKILLS Adobe PhotoShop, Adobe Illustrator, Corel Microsoft Word, PowerPoint
LANGUAGES Spanish: native language English: medium level (spoken and written) Italian: medium level (spoken and written)
Contents
Painting conservation and
Academi
Sculpture conservati
d restoration
ic year 2010-2012
on and restoration
Academic year 2012-2014 Preventive conservation Work experience Other class work
Painting conservation and restoration I will show the different works done in the León´s school below. I'll speak about several works because at the school we all worked with all the pictures, testing different treatments. Let´s see!
Academic year 2010-2012 Baroque Frame
Deesis
The assumption Saint Clara The annunciation
Guadalupe Sanctuary door Mustache man Transfiguration
Virgin of the road
Baroque Frame Typology: religious. Period: XVII-XVIII century. Material and technique: pinewood, cabinetwork. Polychrome and gilding. Dimensions: 232 x 150,8 cm.
After
Before
Treatment conducted: •Previous study. •Sheath removal. •Surface cleaning. •Volumetric reintegration. •Polychrome consolidation. •Polychrome cleaning. •Fillings. •Shine. •Chromatic reintegration.
Polychrome consolidation
Volumetric reintegration
Sheath removal
Surface cleaning Before front
Before reverse
Deesis Typology: religious. Period: XVIII century. Material and technique: oil and board. Dimensions: 113 x 104 cm.
Previous study, UV light.
Previous study, IR light
Treatment conducted: •Previous study, documental and photography. •Polychrome consolidation. •Reverse surface cleaning. •Support consolidation. •Mechanical and structural consolidation of the support. •Removing filling of previous restoration. •Polychrome cleaning. *No finish restoring.
Dissolvent test
Before
The assumption Typology: religious. Period: XVII century. Material and technique: oil and linen. Dimensions: 188 x 120 cm.
Treatment conducted: •Removal of a canvas from the stretcher and the frame. •Polychrome consolidation. •Paint tensioning. •Surface cleaning. •Reverse mechanical cleaning. *No finish restoring.
Before
Paint tensioning
Saint Clara
Polychrome consolidation Typology: religious. Period: XVII-XVIII century. Material and technique: oil on canvas. Dimensions: 200 x 125 cm.
During treatment
The annunciation Fillings
Typology: religious. Period: XVI-XVII century. Material and technique: oil on canvas. Dimensions: 40 x 110 cm (x2).
Treatment conducted: •Put out dents and bulges with suction table. •Remove varnish. *No finish restoring.
Treatment conducted: •Fillings. •Chromatic reintegration. *No finish restoring.
Put out dents and bulges
Chromatic reintegration Before
Guadalupe
Typology: religious. Period: XVII-XVIII century. Material and technique: oil and canvas. Dimensions: 174,4 x 10,7 cm.
Typology: religious. Period: XVII-XVIII century. Material and technique: gilding and board. Dimensions: 50 x 35 cm.
Treatment conducted:
Treatment conducted:
•Polychrome consolidation. •Removing varnish.
•Dissolvent test. *No finish restoring.
*No finish restoring.
Remove varnish During treatment
Remove varnish
Sanctuary door
Polychrome powder
Dissolvent test.
Mustache man
During treatment
Typology: religious. Period: XVIII century. Material and technique: oil and canvas. Dimensions: 160 x 110 cm.
Treatment conducted: •Removing overpaints. •Varnish chromatic reintegration. *No finish restoring.
Varnish chromatic reintegration
After Typology: portrait. Period: contemporary . Material and technique: oil and canvas. Dimensions: 50 x 40 cm.
Treatment conducted: *No finish restoring.
Tensioning
Transfiguration
•Polychrome consolidation. •Tensioning over strainer.
Virgin of the road
Cleaning reverse
Before
Typology: religious . Period: XX century. Material and technique: ceramic altarpiece. Dimensions: 250,6 x 155,2 cm (36 pieces)
Before
Filling
Before
Before
Cleaning obverse
Treatment conducted: After filling
•Previous study. •Support consolidation. •Cleaning obverse and reverse. •Reconstruction and volumetric reintegration. •Locating tile fragments. •Chromatic reintegration. •Painted new pieces. •Transfer to a new support (Aerolam).
Before
After filling
After
After
After
Sculpture conservation and restoration Similarly , I will show the different
works
done
in
the
Valladolid´s school below. I started directly on the 3rd academic year by having the paint degree .
Academic year 2012-2014 Altarpiece Saint Damian Sanctuary Bracket Romanic capital Patriarch Madonna with Child
Altarpiece Before
Typology: architecture. Period: XVIII century. Material and technique: wood, cabinetwork. Dimensions: 6,26 x 2,74 x 1,06 m.
Treatment conducted: •Surface cleaning. •Removal electrical installations. •Polychrome cleaning. •Volumetric reintegration. •Silicone mold preparation.
Silicone mold preparation
*No finish restoring.
Surface cleaning
Removal electrical installations
Polychrome cleaning
Saint Damian Typology: religious . Period: XVII century. Material and technique: oil and wood. Dimensions: 95,5 x 43 x23 cm.
Treatment conducted: •Surface cleaning. •Polychromic cleaning. *No finish restoring.
Polychromic cleaning
During treatment
Surface cleaning
Before
Medium cleaning
Sanctuary Typology: architecture. Period: XVIII century. Material and technique: wood, cabinetwork. Polychrome and gilding. Dimensions: 77 x59,4 x40,6 cm
Removing overpaints
Before
Treatment conducted: IT program maps: Illustrator CS5 , Photoshop CS5
Surface cleaning.
Araldit.
Removing overpaints.
Support consolidation.
Binding loose pieces.
Filling.
Polychrome consolidation.
New pieces.
Chromatic reintegration.
Bracket Typology: architecture. Period: XX century. Material and technique: stone carving. Dimensions: 50 x 36 x 24 cm.
Treatment conducted: •Lichen biocide treatment . *No finish restoring.
Before
During treatment
Biocide poultice and mechanical cleaning
Romanic capital Typology: architecture. Period: XI-XIII century. Material and technique: stone carving. Dimensions: 32,5 x 25,5 x24 cm.
Treatment conducted: •Previous study. •Surface cleaning. •Consolidation. •Cleaning. •Consolidation of cracks and fissures. •Structural reintegration. Before
During treatment
Structural reintegration.
*No finish restoring.
Patriarch Typology: religious. Period: XX century. Material and technique: plaster. Dimensions: 104 x 40 x 24 cm.
Polychrome consolidation
Cleaning test
Treatment conducted: •Previous study.
•Polychrome consolidation. •Polychromic cleaning. •Added elimination. •Filling. *No finish restoring.
Added elimination
During treatment
Filling
Madonna and Child Typology: religious. Period: XIV century. Material and technique: carved alabaster. Dimensions: 68 x 18,5 x 16 cm.
Cleaning polychrome.
Cleaning wax.
Treatment conducted: •Previous study. •Surface cleaning. •Polychrome consolidation. •Consolidation support. •Cleaning. •Filling. •Chromatic reintegration. Final protection.
Filling
•Final protection.
Chromatic reintegration.
Before
After
Preventive conservation
Now I want to quote some work done in class within
the
subject
of
preventive conservation.
Reports and studies Simulating a loan report for a temporary exhibition work. Study of temperature and relative humidity of the school building. Studio lighting school building. Preventive conservation study of a museum: Museo Nacional de Escultura Valladolid. Emergency plan of the school building. Preventive conservation assessment of the school
Plane proposal showroom *Within the report “Simulating a loan report for a temporary exhibition work�.
Packing box Design and construction of a packing box for transport of the ceramic altarpiece.
Test with the altarpiece.
Screwing the handle
Work experience I have had the opportunity to practice at the end of studies at the Castilla y Le贸n Center for Conservation and Restoration of Cultural Property. Moreover, in 2014 I was awarded the scholarship Leonardo Da Vinci and do an internship in Italy.
CASTILLA Y LEÓN CENTER FOR CONSERVATION AND RESTORATION OF CULTURAL PROPERTY Treatment conducted: •Surface cleaning. FUNERAL TABLE Typology: religious. Period: XVIII century. Material and technique: wood, cabinetwork. Polychrome and gilding.
•Polychrome consolidation. •Consolidation support.
•Cleaning. •Removing overpaints. •Chromatic reintegration. •Final protection.
SEPULCHER Typology: religious. Period: XIII century. Material and technique: wood, polychrome and gilding.
OTHER WORKS - Help in performing x-rays on a canvas. - Dismantling, packing and moving works after completion of a exhibition.
Treatment conducted: • Virtual reconstruction of sequence of materials and painting technique.
*For privacy reasons can not display photos.
RAVA C.S.R.L. (Turin, Italy) Treatment conducted: PARELA CASTLE Typology: architecture. Period: XIII century with rearrangements of XVII.
•Elimination of previous interventions on the wall. •Wall consolidation. •Application of new mortar in the wall. •Volumetric reintegration of windows and tower. •Removal of oxides on the windows. •Mechanical and chemical cleaning of forecourt’s fresco. •Chromatic reintegration of forecourt’s
Application new mortar
Mechanical cleaning
Polychrome consolidation
Elimination overpaints
fresco.
Before
VIA SAN PIO V SHRINE Typology: religious and architecture. Period: XIX century.
Treatment conducted: •Surface cleaning of cornice. • Polychrome consolidation of cornice. •Remove overpaints acrylic of the wall.
During treatment
CHURCH
ORATORY SAN FILIPPO Typology: religious and architecture. Period: XVII-XVIII century.
Treatment conducted:
PAINTING
Treatment conducted: •Canvases disassembly.
•Surface cleaning fresco.
•Canvas tight on the
•Cleaning reverse canvas. frame.
•Polychrome consolidation and desalting of fresco. •Filling fresco.
•Frame cleaning.
•Removing overpaints.
•Mending tears.
•Filling canvas and frame.
•Consolidation canvases •Chromatic reintegration.
•Cleaning windows and altarpiece.
and frame. •Strip-lining.
Church and oratory
Oratory
Surface cleaning altarpiece
Ceiling fresco
Desalting
Strip-lining
Filling
Mending tears
Chromatic reintegration
Other class works
Finally, I want to show
other
school
work in more related to
technical
creative processes.
and
León´s School Clay modeling
Charcoal on paper
Oil on board
wood with oil and temple polychrome, gilt and “estofado”
Charcoal on paper
Charcoal on paper
Charcoal on paper
Wall painting: sgraffito, temple to the tail, fresh air and oil
Encaustic
Oil on metal (self-portrait)
Collage
Valladolid´s School
Priming, decoration, polychrome and mixed carnation of a cast
Samba woodcarving
Stone carving
Modeling clay
Priming, bol, gilt and temple.
Priming, bol, gilt.
Wood gilt and silver with temple polychrome and “estofado” Sculpture: Wood and newsprint. Polychrome and carnation to polish. Modeling clay
Priming, bol, gilt and oil.
Blog with other odd jobs: http://anabelen-elarteyyo.blogspot.com.es/
Ana BelĂŠn Conde Sastre
+34638395880
anacondesastre@gmail.com