PORTFOLIO
ANAGHA YOGANAND DESCRIPTION A final year student of architecture, looking for an internship to learn and exercise my skills and knowledge, for a duration of 3 months, between Feb’2017 to May’2017. Juhani Pallasmaa quotes, “Significant architecture makes us experience ourselves as complete embodied and spiritual beings.” If architecture is about a complete self-experience, so is education. Therefore my thesis aims at exploring how education and architecture can find common grounds, enhancing the experience of learning and development by redefining existing schooling architecture in India.
PERSONAL INFORMATION Flat no: 33, Paravat CHS Ltd, Srishti Sector-3, Mira Road [east], Thane-401107, Maharashtra, India 23/12/1993 NATIONALITY Indian CONTACT +919594075707 anaghayoganand@gmail.com https://in.linkedin.com/in/anaghayoganand-857b5011b
EDUCATIONAL QUALIFICATIONS 2012 - Present [CGPA 3.38]
2012 [Distinction]
2010 [Distinction]
May’2016 [1 month]
Feb’2016
May’2014
EXHIBITIONS
Bachelor’s of Architecture
2012
Assemblies Disassemblies
Higher Secondary School Certificate
2013
Complexity in Non-living Natural Systems
Secondary School Certificate
2016
Suburban Sprawls
Balwant Sheth School of Architecture, N.M.I.M.S University, Mumbai.
Thakur College of Science and Commerce, Kandivali, Mumbai. Sushil Hari International Residential School, Kelambakkam, Chennai. Samratchana, Kelambakkam, Chennai
Advanced
Basic
[Designing Decals for Mahamaruthi Montessori School, 3-D development and lobby designing, for Guruvayur Hotel]
AutoCad Adobe Photoshop Ms Office Rhinocerous
Adobe Indesign Abode Illustrator Revit 3ds Max Adobe PremierPro
Intern
The Lost Party 2016, Salter Lake, Lonavla
[Designed and Fabricated a walk through Installation] The Lost Party- Annual Music Festival
OTHER SKILLS Model Making Measure Drawing Sketching Hand Drafting
Master and Associates, Fort, Mumbai
Dec’2013
Thespo’15, Prithvi Theatre, Mumbai
[Handling projects related to Shivsrushti Municipal School and revision of Working Drawings]
LANGUAGES English Hindi Tamil Kannada Marathi
[Design and installation] Thespo- Annual Youth Theatre Festival
PARTICIPATIONS Summer School Laurie Baker Center for Habitat Studies, Kerala
‘Towards a Green Habitat: Based on Laurie Baker’s Philosophy and Approach’ Competition EVOLO Skyscraper Competition
‘The Escapist Refuge’ [Team:7 members]
PUBLICATIONS 2016
Urban Design Studio Year 4
SOFTWARE SKILLS
Intern
2016
Foundation Workshop 2 Design Studio
WORK EXPERIENCE
[1 month]
May’2015
Foundation Workshop 1 Design Studio
Urban Design Report 2016
Co-Author and Editor
Laser Cutting Print Making Metal Work Pottery
[Full Professional [Professional Working [Limited [Limited [Limited
Proficiency] Proficiency] Proficiency] Proficiency] Proficiency]
INTERNATIONAL STUDY TOURS 2016 Srilanka [Columbo, Sigiriya, Bentota, Galle, Dambulla] 2015
Spain [Barcelona, Valencia, Granada, Seville, Madrid]
CONTENTS This portfolio is a compilation of selected works from 2012-2016. Projects ranging from Fabrication design - Architectural design - Strategy Development Urban design.
01 Research Based Design Strategy Developement [Food Safety and Standards Authority of India]
02
Redefining Public Spaces Through Commerce [Suburban Sprawls: Urban Design Proposal]
03 Ghost Town : Chromaesthesia
[Reinvigorating Dilapitated Historic Structures]
04 Mixed Use Housing
[Understanding and Redeveloping Mixed-use Typologies]
05 Phool Bhandar [Flower Market]
[Design Development and Working Drawings]
06
Salt Tectonics [Exibit Display: Complexity In Non-Living Natural Systems]
07 Royal Palace Complex, Mandu, MadhyaPradesh [Study Trip Documentation : Measure Drawing]
08 Heritance Kandalama, Dambulla, Srilanka [Study Trip Documentation]
09 The Lost Party Installation [Work Experience]
Diagram showing the relationship shared between FSSAI and FMCG industry
Research Based Design Strategy Development Year 4: Semester 8 [2016] Mentor: Milind Merchant Site: Bandra [East], Mumbai.
The aim of the project was to formulate an organizational design strategy for FSSAI (Food Safety and Standards Authority of India) headquaters, by understanding the relationship shared between FSSAI and the FMCG industry. Research done proves how FSSAI plays the role of a regulatory body by enforcing regulations, which is not enough to control a volume driven industry like the FMCG [supply chain functioning as the core]. Therefore, it calls for FSSAI to play the larger role of an enabler too. The introduction of a grading system will incentivise the stakehodlers in the FMCG industry, and encourage them to follow regulations in-turn enhancing their performance and making FSSAI an enabler in this situation. It will also be instrumental in increasing collaboration between the two through training, education and sharper communication. So the whole design strategy focuses on organizing the required programs for the FSSAI Headquaters based on the above mentioned theory.
Food Product Classification
Nature of the Supply Chain
Case Studies: FMCGs Manufacturing Dairy Products [Perishable]
Operational Steps of the Stakeholders in the Supply Chain
FSSAI as a Regulator [Currently]
FSSAI as an Enabler [Proposed]
Non-Perishable Food Products
Perishable Food Products
Program-Organizational Strategy Division of Major Programs into 3 Basic Categories
Site Observations
Redefining Public Spaces Through Commerce Year 4: Semester 8 [2016] Mentors: Atrey Chhaya Prachi Donde Site: Malad [West], Mumbai.
Malad is a thriving commercial suburb in the city of Mumbai and this sudden commercial boom, has led Mindspace to grow in an unplanned manner. The commercial establishments are enclosed and boxed, because of which they are introvert in nature, and lack interaction with surroundings. All the buildings are isolated and scattered, making it unfriendly for pedestrians to access them and hence making streets very deserted and unsafe. They stand independent of each other without responding to its environment around. The project aims at unboxing these glass isolated boxes by breaking the rigid boundaries of private establishments and bringing in the surrounding ecology, to build healthy interaction, shared recreation, and a thriving public life. This has been achieved by working out a pattern that devolves into an urban strategy which helps in resolving this problem at multiple levels. It also helps in bridging different programs efficiently and making them function together.
Types of Commerce in Mindspace, Malad [West]:
Site Analysis: Built-Unbuilt
3
1
1 2 2
Land-use
3
Recreation
The Mindspace area has varied commercial establishments ranging from the informal Tapris and Chai-walas to white collared professionals. Although these street side vendors are not a formalized part of the fabric, they help in bringing the people out of these commercial glass boxes. These existing types of commerce, are contained, secluded from each other, and compartmentalised. There is no form of recreation or leisure areas provided for the people, who are not only confined to their cubicles but also to a specific office level. As compared to the other parts of malad mindspace lacks informal market sapces, provsional stores, and resident friendly commerce due to extensive privatization.
Intervention |: Typical and Proposed Condition on Site 1.1
Typical Condition
1.2
Intervention
1.3
Intervention ||: Design Development Proposed Condition
2. Dismantling the box
3. Series Showing the growth of hexagonal fractals into an urban network
3.1
3.2
3.3
3.4
3.5
3.6
4. Master Plan:
5. Program Distribution:
6. Views:
6.1
6.2
7. Project Model:
7.1
7.2
7.3
7.4
6.3 The design is driven by a fractal pattern that is determined by the programs it facilitates. It is divided into three categories, namely Primary, Secondary and Tertiary. The primary fractals cater to the public programs like schools, hospitals, malls, banks, etc. which needs direct access. While the secondary fractals, houses semi-public programs like IT parks, BPOs and offices. Lastly, the tertiary fractals are private residential complexes consisting of various housing typologies. This pattern grows continuously and bridges all the various programs together at different levels, avoiding seclusion and introvert spaces. It helps in collaboration and builds an efficient urban sprawl.
7.5
1.1
1.2
1.3
1.4
To view video clip visit URL: https://youtu.be/zTGBzKZkiRA
Ghost Town: Chromesthesia Year 4: Semester 7 [2015] Mentors: Atrey Chhaya Dipal Chhaya Site: Opera House, Mumbai
Revisiting the once historical landmarks, which are now dilapidated structures in south Mumbai and building a narrative that helps in reinvigorating the structure was the motive of the project. The project involved 4 modules namely, 1. Video 2. Drawing 3. Models 4. Design which represents and justifies the narative. The Opera house, one of the most important historical icons’ of Mumbai, was the structure chosen for this project. 1. Video Clip description: The narrative represents a synaesthetic protagonist’s journey through a historical but now dilapidated Opera House, Mumbai. The protagonist who was a former performer, hears his performance come alive from the past when Opera House was at its peak and he was the musician celebrity of many evenings. This visual shows what he reminisces.
Module 1: Video Clip
1.5
1.6
1.7
1.8
Module 2: Drawing
Drawing shows a section of the Opera House occupied by sound represented by coloured pixels. Sound starts from a source and resonates throughout the theatre through different means like reflection, reverberation, absorption, and it eventually fades away into walls and thin air. But at a given point in time, occupies the whole contained space by forming an amorphous sound cloud.
Module 3: Process Models
Module 4: Design 4.1 Ground Floor Plan
3.1
3.2
3.3
3.4
3.5
3.6
N
4.2 Section:
Cafeteria
Booking Counter
5. Final Model Materials: MDF and Acrylic
5.1
5.2
Amphitheatre
5.3
5.4
1.1
1.2
1.3
1.4 Process Models
Mixed-Use Housing Year 3: Semester 6 [2015] Mentors: Jagdish Jani Shreyank Khemalapure Site: Vile Parle [East], Mumbai
This project is based on understanding the mixed-use complexity observed in the suburbs of Vile Parle, Mumbai. There are areas of mixed use, ranging from pure residential to work+residence, offices, consulting room, hotels/inns, nursing homes, and restaurants which exist as stacked programs in the building. The design therefore tries to form a new way of co-existence between the varied programs by hinging them at fixed angles of connection to allow for a healthy collaboration. This is done by connecting the three boardly classified programs of commerce, entertainment and residence thorugh a fourth program of recreation.
Site Analysis: Mixed-use typologies in Vile Parle [east]: Gladdiola 1
Manek Nivas
Kartikeya 3
2
1 2 3 4
Hanuman
5 6
Guruprasad 4
Residential
Residential
Residential + Bank + Offices
Shri Kunj
5
6
Varalakshmi [CHS] 7
Road
7
8
Lakme Salon + Hostel
9
Residential + Clinic + Offices
Residential +Bank +Offices
Residential + Garment Production + Offices
Narayan Nivas 8
9
10
10
N
Residential + Bank + Retail
Residential + Bank
Residential + Eateries
Recomposition of hinged programs in an existing mixed use building: Commercial Recreational Residential
1.5
1.6
1.7
1,8
Entertainment
2. Diagram showing the wind flow on site and its relation to design developement:
Height of the structure
Area of the programs
Complexity of fixed-hinging
3. Schematic sections showing growing complexity of hinging:
3.1. Commercial
3.2. Entertainment + Retail
3.3. Residential
3.4. Residential
4. Distribution of programs:
4.1. Commercial : Parking + Bank + Office + Cafeteria
4.2. Entertainment : Parking+ Retail + Theatre + Cafeteria
5. Site Plan:
N
6. Residential Unit Plans: Type 2
Type 3
Upper level
Upper level
Upper level
Lower level
Lower level
Lower level
Type 1
7. Typical Residential Floor Plan:
8. Residential Section:
9. Commecial Section:
10. Entertainmment Section:
Parking + Bank + Offices + Cafeteria
Parking + Retail + Theatre + Restraunt + Cafeteria + Terrace Garden
Phool Bhandar [Flower Market] Year 2: Semester 4 [2014] Mentors: Atrey Chhaya Mahel Lallan Site: Bhuleshwar, Mumbai
Bhuleshwar, is one of the oldest and busiest market places in South Mumbai. The streets of Bhuleshwar very effortlessly come across as root networks growing organically, such that they branch out from primary to secondary to tertiary, as they engulf, and penetrate into built masses, holding and gripping them tightly together. Therefore, this concept of streets engulfing into masses was translated into an open flower market that produces and sells saplings, loose flowers and garlands. The market is designed as a network of pathways engulfing into the existing surrounding buildings to share their external walls and in-turn provide them with a beautiful view of the flower [produce+sell] market.
1. Diagrams: Showing nature of street networks to built masses Engulfing
Grasping
Penetrating
1.1
1.2
1.3
1.4
1.5
1.6
1.7
1.8
1.9
2. Process Models:
2.1
2.2
2.3
2.4
2.5
2.6
2.8
2.7
2.9
3. Axonomentric: Showing design engulfing into the existing masses on site
N
Site Plan
Basement Plan
4. Final Model [Built at 1:50 scale] Material: MDF, Mount board, Balsa and Cane mat Ground Floor Plan
Roof Plan
4.1
4.2
5. Working Drawings:
5.1 Ground Floor Plan
5.2 North Elevation
5.3 Part Roof Plan
5.4 Plan Layout of Rails Carrying Pots
5.5 Section BB’
5.6 Detail A
Key Plan
1.1
1.2
1.3
1.4
1. Illustrations showing rising salt diapir depositions due to differential loading
Salt Tectonics Year 2: Semester 3 [2013] Mentors: Atrey Chhaya Mahek Lallan BSSA Exhibition Display: Table Installation
The aim of this Foundation workshop-2 was to understand and reinterpret the complexity in non-living natural systems in the environment. Salt Tectonics is the study of the formation of a salt diapir. A salt diapir is any salt structure that is formed by intrusion into its overburden. Salt has low density, thus it is viscous in nature. Due to differential loading of sediment layers, the salt depositions underground rises up to the surface, forming a salt diapir. This exhibit focuses on the dynamism of this formation, and represents the mechanism as part of its design.
2. Process Models:
2.1
2.2
2.3
2.4
2.5
2.6
2.7
2.8
3.1
3.2
3.3
3.4
3. Final Model:
4. Plan:
5. Side View:
6. Elevation:
7. Axonometric showing working mechanism:
8. Joinery Detail 1
9. Joinery Detail 2
Jal Mahal
Royal Palace Complex Year 2: Semester 3 [2013] Mentors: Trilochan Chhaya Anand Pandit Site: Mandu, Madhya Pradesh
Mandu or Mandhavgarh is a historical landmark located in the western region of Madhya Pradesh, and is popular for its marvels in Afghan architecture, most of which is now in ruins. The Royal palace complex is one such marvel comprising of different structures, such as a royal bath, tomb, mosque, residences, undergroundwells, etc, which was entirely measure drawn as a collective class project during a study trip to Mandu in 2013. 7. Jal Mahal: Jal Mahal located in the northern side of the Munj talao, surrounded by water bodies on all sides was once a luxurious retreat for the sultan of Malwa. It consists of a few rooms and multiple water tanks in the courtyard with steps to descend down.
Layout Plan of Complex: 1. 2. 3. 4. 5. 6. 7. 8.
Jahaz Mahal Hindola Mahal Nahar Jaroka Dilwar Khan’s Mosque Hamams [Baths] Champa Baodi Jal Mahal Munj Talao
N
Section XX’
Section YY’
7. Jal Mahal :
N
Ground Floor Plan
First Floor Plan
N
Second Floor Plan
N
Section AA’
Section BB’
Elevation
Heritance Kandalama Year 5: Semester 9 [2016] Site: Dambulla, Srilanka
Known for its architectural splendor, Heritance Kandalama sits effortlessly on the rocky landscape, and almost becomes a part of the topography it is buit on. It is a classic example of blurring boundaries between inside and outside, or from within and without. Bawa thoughtfully choreographed a sequenced circulation throughout the structure, by framing dramatic scenic views, which is reflected right from the tree-sheilded drive till the entrance and beyond. Hertance Kandalama, one of Geoffery Bawa’s most celebrated works, was documented on a study trip to Srilanka.
1. Concept Highlight: Framing Views | Blurring Boundaries
1.1
1.2
2. Facade Detial:
Site Plan:
N Section CC’
Section AA’
Section BB’
The Lost Party Installation Work Experience [2016] Site: Salter Lake, Lonavla Team: 8 Members
The Lost Party an annual camp-out music festival commisioned us to design a walk-through installation. The important feature of this design is that, it frames different views of the site when viewed from varied angles, but when a user walks through it he/she experiences a unidirectional circular framed scenic view. Materials used were box-board for the thin plates, mild steel rods, and metal spacers.
1. Design Development:
2. Installation on site:
1.1
1.2
2.1
2.2
2.3
ANAGHA YOGANAND https://in.linkedin.com/in/anagha-yoganand-857b5011b
anaghayoganand@gmail.com +919594075707