Architecture Portfolio: Anahí Sanz by Anahí Sanz

PORTFOLIO A N A H I

S A N Z

Cover: “Leaves structures” , pastel painting by Anahí Sanz. 2

CONTENTS

RECOMMENDATION LETTER

ARCHITECTURE

RE-INHABITING RAVAL Museum extension in Misericordia church.

DESINTEGRATION OF A PURE FORM Multipurpose pavillion.

MUSIC MEETS ARCHITECTURE House for a pianist.

URBAN PLANNING THE CULTURAL DELTA The decentralization of the flow of tourists.

32 33

ARTS OTHER SKILLS Painting, Photography, Design.

37tt

2017/18

Urban Designer and Architect at Ensanche 21, Vitoria’s City Hall. Vitoria, Spain. Urban proposals to re-activate Vitoria’s old town. Investigation of historic building’s pathologies and proposals for their restoration.

2016

Freelance Architect and Urban Designer, Raja Ampat islands, West Papua, Indonesia. Designing and planning Papuan cottages with natural materials. Supervising builders.

ANAHI SANZ A R C H I T E C T URBAN DESIGNER

2014/15

Intern at Enric Miralles Foundation - EMBT studio. Barcelona, Spain. Working in competitions. Production of graphic material, Organization of lectures. Organization and installation of “Urban RegenerationEnric Miralles - EMBT Projects 1992. 2022” exhibition for Barcelona and Hong Kong.

EDUCATION 2015

Degree, Masters Degree in Architecture. Barcelona School of Architecture: ETSAB, (UPC).

2014

Up Cycle | International Workshop [15 days, ETSAB, Barcelona] Cogenerative design strategies for a sustainable urban metabolism in the industrial district, Zona Franca.

2013/14/15

Architecture and cities through cinema | Seminar, Workshop. [3x4 months, ETSAB, Barcelona] Cinema as a representation technique of space-time in cities.

| Workshop [3 days, Barcelona]

2012

Re-thinking and building Mies van der Rohe’s Barcelona chair in wood. 2012

POSTsuburbia | International Workshop [15 days, ETSAB, Barcelona] Restoration of low-density monofunctional residential areas of Castellnou, Barcelona.

2011 Social Housing and Urban Development | International Workshop [15 days, Italy] Recovering and development of Cassette village, Italy. 2011

BEsides Tourism | International Workshop [15 days, ETSAB, Barcelona] Alleviating the negative effects of Barcelona's tourism on its local infrastructure.

2011 Architecture and Nature in the 20th century | Seminar [3 months, Institut d’Humanitats, Barcelona] Discovering the relationship between architecture and nature through cinema. 2011 Discovering California’s architecture | Architecture Tour. Studying and visiting most famous architecture: Kahn, Right, Neutra, Schindler, Eames, Lautner, Maybeck, ...

PUBLICATIONS Up Cycle Barcelona, “Cogenerative design strategies for a sustainable urban metabolism.”– ULB editorial. POSTsuburbia, “Restoration of low-density monofunctional residential areas.”– ETSAB editorial. 2011 Besides Tourism, ”Revisiting Barcelona’s most touristic places.” – ETSAB editorial.

2015 2012 ADDRESS

274 South Dowling St 2021 Paddington NSW Sydney

Spanish: Native language. | English: Fluent. | Basque: Fluent. | Catalan: Intermediate. | Galician: Intermediate. Indonesian: Basic Knowledge.

CONTACT

(Tel) 0421 013 336 anahisanz@gmail.com

SOCIAL

instagram.com/anahi.sanz instagram.com/anahi.sanz.art facebook.com/sanz.anahi issuu.com/anahisanz

AutoCad | Archicad | Vectorworks Final Cut Pro | Office

Rhinoceros

Sketchup

Photoshop | Illustrator | InDesign

EXPERTISE Model Making | Architecture Photography | Video: Film - Edition. Fashion design: Pattern Design - Couture. | Community Manager

Graphic Design | Fine Arts: Painting

References available upon request.

RECOMMENDATION LETTER:

ARCHITECTURE 6

RE-INHABITING RAVAL MACBAâ&#x20AC;&#x2122;S MUSEUM EXTENSION IN AN ABANDONED CHURCH Graduation project.

Location: Raval district, Barcelona. Problem statement: Misericordia church has remained abandoned for years. It is not a listed building which allows for extensive modification. It has no real faĂ§ade facing the street, just a dividing wall. Beside it sits a courtyard which remains hidden behind the church, which is public. Objective: The aim of the proposal is to provide extra square meters to the museum, without hiding the beauty of the church. As well as making public courtyard accessible to people. Strategy: The museum remains as an entrance for the public courtyard. The ground floor is very permeable, with a chiastic character of interior/exterior. Building on top of the church in order to preserve its visibility, mixing the old and new, which defines the Raval district.

CIUTAT VELLA, BARCELONA

MACBA MUSEUM

RAVAL DISTRICT

MUSEUMS AND PUBLIC CULTURAL FACILITIES 1. Museo de Arte Contemporáneo de Barcelona - MACBA 2. Centro de Cultura Contemporánea de Barcelona - CCCB 3. Centro de Artes Santa Mónica 4. Museo Marítimo de Barcelona ART GALLERIES 5. Ángels Barcelona 6. Cotthem Gallery 7. Et Hall 8. Galería y Estudio de Diseño Antídoto 28 9. Galería Workshop & Break El Bigote del Señor Smith 10. La Xina Art 11. Miscelania 12. Nogueras Blanchard 13. Roomservice Design 14. Siesta

30 60

14 59

HISTORIC HERITAGE 36. Capilla Sant Llàtzer 37. Casa de la Caritat 38. Casa de la Misericordia 39. Edificio del Antigüo Hospital de la Santa Creu 40. Iglesia Betlem 41. Iglesia de Santa María de Montalegre 42. Mercado de Sant Josep - La Boquería 43. Monasterio de Sant Pau del Camp 44. Palau de la Virreina 45. Palau Güell 46. Parroquia de SantPere NOlasc 47. Pati Manning 48. Real Academia de Farmacia 49. Real Academia de Medicina 50. Reials Drassanes de Barcelona

100

6 27 75

78 89

PUBLIC LIBRARIES 57. Biblioteca Nacional de Catalunya 58. Biblioteca e Sant Pau i La Santa Creu 59. Biblioteca del MACBA

36 86

95 58

52 90

51 29

74 31

85 23

96 16

10 88

87 97

92 17

CREATION AND ARTISTIC DIFFUSION CENTERS 15. Asociación e Ceramistes de Catalunya 16. Carretes 47 17. Casa - Taller de Marionetas de Pepe Otal 18. Centro de creación Taller Obert 19. Club Cronopios 20. El Arco de la Virgen 21. Escola de Puntaires de Barcelona 22. Escuela Taller Textil Teranyina 23. Espacio de creación La Poderosa 24. Espai Mallorca 25. Espai Mer 26. Estudis e Teatre Berty Tovias 27. Forn de Teatre Pa Tothom 28. Inusual Project Espacio cultural 29. La Capella

62 84

BOOKSHOPS 60. A la Premsa d’Aquell Dia 61. Casa Beethoven 62. Casa del Libro Árabe 63. Libreria de la Filmoteca 64. La Central del Raval 65. Laie del CCB 66. Llibreria Institual Estudis Catalans 67. Llibreria Millà 68. Loring Art 69. Medios

ACADEMIC AND RESEARCH INSTITUTION 51. Centro Municipal de Arte y Diseño Escola Massana 52. Consell Superior d’Investigacions Científiques - CSIC 53. Facultad de Comunicación Blanquerna - Universitat Ramón Llull 54. Facultad de Geografía e Historia - Universitat de Barcelona 55. Institut d’Estudis Catalans - iec 56. Reial Acadèmia de Ciències i Art de Barcelona

98 50

30. Llibreira Cafeteria Lletraferit 31. Muchafibra 32. Sala Freedonia 33. Taller de Ideas de Barcelona 34. Tinta Invisible Edicions 35. ZZZINC

THEATRES 70. Espai Barts 71. Almazen 72. El Llantiol 73.Gran Teatre el Liceu 74. La Perla 29 75.Poliorama 76. Sala Fénix 77. Tantarantana 78. Teatre del Raval 79. Teatre Goya 80. Teatre Principal 81. Teatre Romea LIVE MUSIC AND MUSICAL TRAINING 82. London Bar 83. Bar Gipsy Lou 84. Bar Musical El Cangrejo 85. Bar Musical Robadors 23 86. Big Bang Bar

CINEMA 94. Filmoteca de Catalunya ORGANIZATIONS AND ASSOCIATIONS 95. Associació Institut de la Cultura Catalana - Bastoners i Imaginari 96. Casal de Barri Folch i Torres 97. Centre Cívic Drassanes 98. Flea Market 99. Mercat Obert del Raval 100. Nire Etxea

SITE PLAN

CURRENT SITUATION Orthophoto

PROPOSAL Cardboard model

Cardboard model of proposal 10

THE MUSEUM: HIDDEN COURYARDâ&#x20AC;&#x2122;S GATE

EXISTING TEXTURES

ISOLATED COURTYARD

PROPOSED PERMEABLE COURTYARD

MISERICORDIA’S CHURCH TRANSFORMATION

HISTORICAL PLAN OF THE MISERICORDIA’S CHURCH CURRENT CHURCH

COURTYARD FACADE

DEMOLISHED ELEMENTS

STREET FACADE

PRESERVED ELEMENTS

CURRENT SITUATION

PROPOSAL

GROUND FLOOR PLAN

CLERESTORY PLAN

GEOMETRY: GOLDEN RATIO

ROSE WINDOW PLAN

ROOFTOP PLAN

PLANS

LEVEL â&#x20AC;&#x201C;1

GROUND FLOOR

LEVEL +1

LEVEL +2

LEVEL +3

LEVEL +4

LEVEL +5

ROOFTOP PLAN

GENERAL FACADE

LONGITUDINAL SECCIÃ&#x201C;N

LONGITUDINAL SECTION

TRANSVERSAL SECTION

TRANSVERSAL SECTION DETAIL

(original drawing scale 1:20)

FACADE DETAIL Stainless steel microperforated screen panel, painted in burgundy red colour. Screen panels: Hunter Douglas brand, 1200 x 3300mm.

+15.0 +15.0mm 11.23 11.23KNKN

33KNKN

22.46 22.46KNKN

33KNKN

ESTRUCTURE

38.11 38.11KN/m KN/m

+8.5 +8.5mm

-389.52 -389.52KNKN

27.84 27.84KNKN

13.92 13.92KNKN

12.4m

-174.96 -174.96 KNm KNm

-168.12 -168.12 KNm KNm

2.6

7.2

2.6

22.2mm

-7.3mm

-578.86 -578.86KNKN

376.90 376.90KNKN

12.4m

2.6

-221.65 -221.65KNKN

43.43 KN/m

-185.36 -185.36KNKN

38.11 KN/m

245.07 245.07KNKN

+0.0 +0.0mm

681.06 681.06 KNm KNm -1.5mm -496.06 -496.06 KNm KNm -292.72 -292.72 KNm KNm

2.6

4.32 KN

8.88 KN

4.2 4.2KNKN

40.51 40.51KN/m KN/m

38.01 KN/m

0.48 KN

–6.0 –6.0mm

1.9mm

-366.05 -366.05 KNm KNm

-242.62 -242.62 KNKN 11.23 KN

-1177.45 KN

-1165.15 KN

-411.55 -411.55 KNm KNm

-7.2mm

-533.31 KN

+15.0 m 22.46 KN

AXIALS DIAGRAM 3 KN -174.96KNm

-578.86 KN

-531.74 -531.74 KNm KNm

0.48 KN

38.11 KN/m

-520.64 KN

-389.52 KN

27.84 KN

376.90 KN

-531.74 -531.74 KNm KNm -221.65 KN

+8.5 m 27.84 KN

13.92 KN

681.06KNm -496.06KNm -292.72KNm

-185.36 KN

3 KN

38.11 KN/m

-168.12KNm

4.2 KN

40.51 KN/m

19.92 KN

11.23 KN

DEFORMED DIAGRAM +8.5 m

6 KN

38.01 KN/m

+19.5 m

-410.21 -410.21 KNm KNm

128.66 128.66 KNm KNm

3 KN

13.92 KN

14.7 KN

6.98 KN

0.48 KN

242.24 242.24KNKN 38.11 KN/m

11.76 KN

9.3mm

-8.3mm

22.46 KN

38.11 KN/m

9.84 KN

142.34 142.34 KNm KNm

+15.0 m

4.2 KN

-844.48 KN

0.48 KN

38.11 KN/m

3 KN

-855.68 KN

6 KN -0.2mm

-370.02 -370.02 KNm KNm +19.5 m

55.92 55.92KN/m KN/m

43.43 KN/m

236.45 236.45 KNm KNm

11.2mm

243.29 243.29 KNm KNm

233.58 233.58KNKN 19.92 KN

9.84 KN

4.32 KN

8.88 KN

+24.0m

-2.1mm

+24.0m 14.7 KN

6 KN

-426.08 KN

-1.4mm

73.22 73.22 KNm KNm

219.07 219.07KNKN

-234.69 -234.69KNKN

-434.69 KN

2.0mm

-480.48 -480.48 KNm KNm -283.50 -283.50 KNm KNm 4.2mm

11.76 KN

6.98 KN

442.79 442.79KNKN

6 KN

-480.48KNm -283.50KNm

73.22KNm 245.07 KN

+0.0 m

442.79 KN

219.07 KN

236.45KNm

243.29KNm

-234.69 KN

-370.02KNm

-366.05KNm

4.2 KN

142.34KNm

233.58 KN

4.2 KN

40.51 KN/m

55.92 KN/m

+0.0 m –6.0 m

-242.62 KN

-411.55KNm

442

-410.21KNm

128.66KNm

242.24 KN

55.92 KN/m

-531.74KNm

–6.0 m

-531.74KNm

MOMENT DIAGRAM

SHEAR DIAGRAM

0.7 0.7

4.8 4.8

PORTICO 4 40.6 40.6

40.6 40.6 4.8 4.8

4.2 4.2

4.8 4.8

0.7 0.7

4.8 4.8

4.2 4.2

4.8 4.8

2.8 2.8

2.6 2.6

40.6

40.6 4.8

0.7

4.8

4.2

4.8

0.7

4.8

4.2

4.8

2.4 2.4

2.8

2.6

2.4 2.4

16.6 2.4 16.6

2.4 2.4

0.7

16.6

2.6 2.6 4.8

40.6 4.8

2.6

4.8

3.6 3.6 3.6

LEVEL - 1

GROUND FLOOR 1.4 1.4

4.8 4.8

1.11.1

3.7 3.7

1.11.1

3.7 3.7

1.11.1

3.7 3.7

1.4

4.8

1.4 1.4

3.7 3.7

3.5 3.5

1.1

3.7

4.8 4.8

2.8

2.8 2.8

1.1

3.7

1.1

3.7

1.8 1.8

1.4

3.5

4.8 4.8

1.8

4.8

1.4 1.4

1.11.1

3.7 3.7

1.4

4.8

3.7 3.7

2.8

1.11.1

3.7

3.7 3.7

1.1

3.7

1.11.1

3.7 3.7

1.1

3.7

1.4 1.4

3.5 3.5

2.8 2.8

1.4

3.7

3.5

4.8

4.8 4.8 1.8

1.8 1.8 IPE270

IPE330

IPE270

IPE330

2.6

IPE270 IPE270

IPE600

IPE360

IPE600

IPE270

IPE330

IPE270

IPE330

IPE270

IPE270 IPE270

IPE330 IPE330

2.8

IPE270

IPE270 IPE270

4.8

IPE330

IPE270 IPE270

4.2

IPE330

IPE330 IPE330

IPE270

IPE400

IPE360

4.8

IPE270 IPE270

IPE330

IPE270

IPE330 IPE330 IPE330

IPE270

IPE330

4.8

IPE330 IPE330

IPE270 IPE270

4.8

4.2

4.8

IPE270 IPE270

IPE330

IPE400 IPE400

IPE330

IPE330 IPE330

IPE270 IPE270

IPE330 IPE330

IPE270 IPE270

IPE330 IPE330

2.4

IPE270 IPE270

IPE400 IPE400

IPE330 IPE330

IPE270 IPE270

IPE360 IPE360

IPE330 IPE270 IPE270

IPE270 IPE270

IPE330

IPE360 IPE360

IPE330

IPE270 IPE270

IPE360 IPE360

IPE270 IPE270

IPE360 IPE360

IPE270 IPE270

IPE330

IPE360 IPE360

IPE330

IPE330 IPE330

IPE270 IPE270

IPE330

IPE270

IPE270 IPE270 IPE270

1.5 1.5 IPE330

IPE270

IPE270 IPE270

5.4

4.8

IPE270 IPE270

IPE360 IPE360

IPE330

IPE400 IPE400

IPE360 IPE360

IPE270 IPE270

IPE270

IPE270 IPE270

2.4 2.4

IPE270 IPE270

IPE330

1.8 IPE330 IPE330

IPE330

IPE330 IPE330

IPE270

IPE270 IPE270

IPE270

IPE330

IPE330 IPE330

12.4 12.4 2.6

4.8

IPE330

IPE330 IPE330

IPE270 IPE270

IPE270

IPE270 IPE270 IPE270

IPE270 IPE270

IPE360 IPE360

IPE270 IPE270

IPE360 IPE360

IPE270 IPE270

IPE400 IPE400

IPE270 IPE270

IPE330

IPE270

IPE270 IPE270

IPE400 IPE400

IPE270 IPE270

IPE270

IPE270 IPE270 IPE330

IPE270

2.4 2.4

5.4

IPE270 IPE270

IPE270

IPE270 IPE270

IPE330 IPE330

2.8 IPE330 IPE330

IPE270

IPE270 IPE270

IPE360 IPE360

IPE270 IPE270

IPE270

2.6

IPE270 IPE270

IPE270

2.6 2.6

IPE270 IPE270

IPE330

IPE270

IPE330 IPE330

IPE270 IPE270

IPE270

IPE330

IPE270

IPE330 IPE330

IPE400

IPE330

IPE270

IPE330 IPE330

IPE270

IPE330 IPE330

IPE400

IPE360 IPE270

IPE330

IPE400 IPE400

IPE330

IPE400

IPE360

IPE270

IPE330

IPE270

IPE360

IPE270

IPE400

IPE270

2.4

IPE270

IPE270 IPE270

IPE330 IPE330

1.5 1.5 IPE270

IPE360

IPE400

IPE360 IPE270

IPE270

2.4

IPE270

IPE270 IPE270

12.4

IPE270

LEVEL +2

IPE270

IPE330 IPE330

3.7

2.4

IPE330

IPE270

IPE360

IPE270

IPE330

IPE270 IPE270

IPE330 IPE330

IPE270

2.5 2.5

LEVEL +1

1.1

3.7

IPE270 IPE270 IPE330

IPE270

IPE270 IPE270

1.1

3.7

2.6

IPE330

IPE270

1.5

1.4

4.8

IPE270

2.5

IPE330 IPE330

IPE330

IPE330 IPE330

IPE270 IPE270

1.5

IPE270 IPE270

IPE270

IPE270 IPE270

1.2 1.2

IPE330 IPE270 IPE270

IPE270 IPE270

2.6 2.6

IPE330 IPE330

IPE330

IPE270

2.4 2.4

IPE270 IPE270

IPE330

IPE330 IPE330

IPE400 IPE400

IPE270 IPE270

IPE270

IPE330 IPE330

IPE270 IPE270

IPE330 IPE330

IPE270

IPE270 IPE270 IPE330

IPE270

IPE330

IPE330 IPE330

IPE270

IPE270 IPE270

IPE330 IPE270 IPE270

IPE330 IPE330 IPE270

IPE360

IPE600 IPE600

IPE360 IPE360

IPE270 IPE270

IPE270

IPE400

IPE270

IPE360 IPE360

IPE270 IPE270 IPE330

IPE270 IPE270 IPE270

IPE270

IPE600 IPE600

IPE270 IPE270

IPE360

IPE400

IPE360 IPE360

IPE400 IPE400

IPE270 IPE270

IPE400

1.2 16.6 16.6

IPE360 IPE360

IPE270 IPE270

IPE330

IPE330 IPE330

IPE270

2.6

IPE330 IPE330

IPE330

IPE270

IPE270 IPE270 IPE270

IPE330

IPE270 IPE270

IPE270

IPE270 IPE270

2.4

IPE270 IPE270

IPE270

IPE270 IPE270

2.4 2.4

IPE400 IPE400

IPE270

IPE330

IPE330 IPE330

IPE270 IPE270

IPE330 IPE330

IPE270 IPE270

IPE270

16.6

IPE360

IPE270 IPE270

IPE330

IPE270

IPE330 IPE330

IPE270

2.4

IPE330 IPE330

IPE270 IPE270

IPE330

IPE330 IPE330

IPE270

IPE330

IPE270

IPE400

IPE330 IPE330

IPE270

2.4 2.4

IPE400

IPE330

2.4

IPE270 IPE270

IPE270

IPE330

2.6 2.6

IPE330 IPE330

IPE270 IPE270

IPE330

IPE270

IPE600 IPE600

IPE330 IPE330

IPE330

IPE360

IPE270 IPE270IPE330

IPE330 IPE330

IPE330

IPE270 IPE270

IPE330

IPE270 IPE270

IPE330 IPE330

IPE330

IPE330 IPE330

IPE270 IPE270

IPE330

IPE270 IPE270

4.8 4.8

4.2 4.2 1

4.8 4.8

4.8 4.8 8

4.8 4.8

4.8 4.8 3

4.2 4.2 4

IPE330 IPE330

IPE270

IPE2

IPE270

2.6 2.6

IPE330 IPE330

IPE270

IPE330

IPE330 IPE330

IPE270

4.8 4.8

IPE330

IPE330 IPE330

IPE330

5.4 5.4

4.8 4.8 2

1.8 1.8

IPE360

4.8 4.8

IPE330

IPE360

4.8 4.8

IPE330

IPE360

4.8 4.8

IPE330

IPE400

5.4 5.4 2.8 2.8

IPE330

2.6

IPE330

LEVEL +4

IPE270

IPE2

IPE270

IPE360

IPE330 IPE330

LEVEL +3

2.4

IPE330

IPE270 IPE270

IPE330

2.6 2.6

IPE330

IPE270 IPE270

IPE600

IPE270 IPE270 IPE330

IPE600

IPE330

IPE600

IPE330

IPE600

IPE330

IPE360

IPE330

IPE360

IPE330

IPE600

IPE330

IPE600

IPE330

IPE600

IPE330 IPE330

IPE600

IPE270 IPE270

IPE600

IPE330

IPE600

IPE270 IPE270

2.4

IPE270 IPE270

12.4

IPE270 IPE270

2.4 2.4

IPE330

IPE270 IPE270

IPE270

IPE2

2.4 2.4

IPE330 IPE330

IPE600 IPE600

IPE330 IPE330

2.4 2.4

IPE330 IPE330

5.4

2.6 2.6

IPE330

LEVEL +5

4.8

IPE330

IPE33

IPE330

IPE33

IPE330

IPE33

IPE330

IPE600

ROOFTOP PLAN IPE600

4.8

2.4 2.4

4.8

2.8

IPE330

IPE330 IPE330

12.4 12.4

IPE600 IPE600

IPE330

IPE600 IPE600

4.2 4.2KNKN

7.2

10.2mm

IPE330

IPE3

IPE330

IPE3

SHAPING THE LIGHT

LIGHTING DIAGRAMS

ARCHITECTURE MODEL PHOTOS

DESINTEGRATION OF A PURE FORM MULTIPURPOSE PAVILLION

Location: Poble Nou, industrial district, Barcelona. Objective: The aim of the proposal is to provide a public plaza to the city, following Cerdà’s original plan. Strategy: An structure that defines spaces; interior and exterior.

Andy Goldsworthy’s landart

FINDING UNITY

PUBLIC AGORA

Proposal

Eixample’s typical block

Pure form as definition of unity.

Eixample’s typical block

Proposed public courtyard vs Eixample’s private courtyards.

Aspergillus niger’s microscopic view

RADIAL STRUCTURE

Proposal

Eixample’s typical block

Building with dividing walls.

Andy Goldsworthy’s landart

GAME OF OPPOSITES

Proposal

Eixample’s typical block

Inner perimeter: pure form. Outer perimeter: broken form.

Dandelion

BROKEN GEOMETRY

Proposal

Eixample’s typical block

Breaking circumference’s pure form, to be integrated in the site, the imperfect reality.

Dandelion

D3 / D4

DETAIL 1

DETAIL 2

DETAIL 3

DETAIL 4

BEAM – SLAB JOINT

D3 / D4

DETAIL 1

TECHNICAL SPECIFICATION

DETAIL 1

DETAIL 2

DETAIL 3

DETAIL 4

DETAIL 3

DETAIL 4

BEAM – SL

1. Acabado de chapa de cobre con junta de listón 1mm 2. Listón de madera de pino 3. Fieltro protector 4. Entablado de madera de pino 5. Rastrel vertical de madera pino 6. Membrana impermeable 2,5mm 7. Panel sandwich autoportante THERMOCHIP (colocado al tresbolillo) formado por: -tablero aglomerado hidrófugo 19mm -núcleo de espuma de poliestireno extruido 60mm -tabla friso de iroko 10mm 8. Lengüeta de tablero de fibra para ensamblado entre paneles sandwich 9. Junta elástica 10. Cuña de madera de pino 11. Jácena de madera laminada (4x20x300)cm 12. Viguetas de madera de iroko, unidas mecánicamente a las jácenas mediante angulares 13. Hormigón armado in situ, acabado abujardado 14. Canalón revestido de cobre (1,5mm) 15. Premarco de madera 16. Rastrel de madera de iroko 17. Carpinteria fija de madera de iroko con rotura de puente térmico 18. Puertas correderas de madera de iroko con rotura de puente térmico 19. Vidrio de doble hoja con cámara de aire 20. Lamas fijas de madera de iroko 21. Puertas correderas de lamas de madera de iroko 22. Pavimento de madera 23. Capa de nivelación de mortero 24. Losa de hormigón 25. Solera de hormigón 26. Gravas

MUSIC MEETS ARCHITECTURE A HOUSE FOR A PIANIST

Location: L’Ampolla, Baix Ebre, Catalonia. Objective: The aim of the proposal is to create a very personal house, satisfying all the needs of the client. Additionally, the need to provide south orientation to most of spaces. Strategy: Spaces forms are given by voronoi diagrams which have been generated with the score “Moonlight” by Beethoven. Very permeables spaces are created, by melting the interior-exterior relationship.

URBAN DESIGN 32

THE CULTURAL DELTA THE DECENTRALIZATION OF THE FLOW OF TOURISTS, for the improvement of the quality of local daily life. International Workshop | Besides Tourism ETSAB · UPC | Barcelona, Spain | 2011 An intensive summer workshop collaborating nine international universities:

Location: “Las Ramblas” street, Barcelona.

BJUT: Beijing, China CNU: Gwangju, South Korea ETSAB: Barcelona, Spain GATECH: Atlanta, USA ITU: Istanbul,Turkey NCKU: Tainan,Taiwan NTU: Taipei, Taiwan MSA: Manchester, UK USB: Caracas, Venezuela

Problem statement: The excessive amount of tourism in Barcelona is destroying the city, especially in “Las Ramblas”, which is the most popular street with visitors. Furthermore, the city’s relationship with the sea is almost not existent. Objective: The aim of the proposal is to alleviate the negative effects of Barcelona’s over-tourism on its local infrastructure, and to open the city towards the sea, improving the city-sea relationship. Strategy: The tourism will be descentralized from “Las Ramblas” by inviting tourists to explore other major streets of interest. Traffic is diverted, to prioritize pedestrians over the vehicle. The unification of the pavement in the area of intervention will facilitate pedestrian flow continuity while reducing car speed.

ARTS 36

OTHER SKILLS ARTS · PHOTOGRAPHY · DESIGN

In my spare time, I work in a wide range of creative arts, such as photography and painting through which I explore architecture. Through photography, I train the eye and I shape objective light while through painting I explore geometry, materialising a subjective light. I am very interested in cinema too, which is the materialisation of the space-time in cities. The director Eduardo de Filippo used to say “Seek life and you will find shape; seek shape and you will find death”, with this quote any mere formalism is not justified.

ARCHITECTURE PHOTOGRAPHY

Louis Kahn - Salk institute, 1966, La Jolla, San Diego, California.

Moore, Lyndon, Turnbull & Whitaker - Condominium One - Sea Ranch 1965, Sonoma County, California.

PAINTINGS

BOW TIE COLLECTION

HUMAN SCALES

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JEWELRY LASER CUT COLLECTION

ANAHI SANZ A R C H I T E C T

w w w.anahisanz.com anahisanz@gmail.com i n s t a g r a m . c o m /a n a h i . s a n z i n s t a g r a m . c o m /a n a h i . s a n z . a r t f a c e b o o k . c o m /s a n z . a n a h i