The American Experience of Skateboarding

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THE MUSEUM OF AMERICAN SKATEBOARDING EXPERIENCE Ana Muhlen Professor Kapila Silva



The american experience of skateboarding 2000’s 1980’s

1950’s

Freestyle skating remained popular, where Rodney Mullen invented many of the basic tricks of modern street skating. Skateboarding began influencing clothing styles, music and culture. By Mid 80s, the skateboarding magazine Thrasher was created.

Skateboarding was born in the late 1940s or early 1950s when surfers in California wanted something to surf when the waves were flat. It started with wooden boxes or boards with roller skate wheels attached to the bottom. As something fun to do when not surfing.

Skateparks started to appear, as well as skateboarding videogames. Slowly the sport starts to detach from the criminal stereotype.

2020’s

1970’s

1960’s First manufactured skateboards: Roller Derby. By Mid 1960’s the popularity of the sport was decaying.

Frank Nasworthy created a skateboard wheel made of polyurethane: Cadillac Wheels. A game changer in the skateboard world. By 1972 the popularity of skateboarding started to rise rapidly again, companies started investing in skateboards.

1990’s After a quick decay in popularity, skateboarding starts to rise again. By mid 90’s, ESPN hosts the first X-Games - bringing the sport into the mainstream light.

Skateboarding is added to the Olympic games and the first US Olympic Stakeboarding team is born.



Galleries

Galleries Galleries Program Program

Skatepark Concept development

Skate Skate

CT RI T T S I IC T D TR AR DIS T AR

Skatepark CONTEXT CONNECTION Skatepark CONTEXT ++CONNECTION

T

IC

R CONTEXT + CONNECTION ST DI T The is site is located Dallas,Texas Texas in of of downtown. AR The site located in in Dallas, in the theheart heart The site is located in Dallas, Texas in the heart of downtown. The buildable area is located directly The buildable area is located to te art district. downtown. The buildable area directly is locatednect directly nect to te art district. nect to te art district.

Program Skate

DIVISION THE DIVISION OFOF THE SITESITE

DIVISION OF THE SITE The site dividedinto into two two parts the The site waswas divided partstotostabilish stabilish The twoskatepark parts to stabilish placesite forwas the divided additioninto of the and the the the place forthe the addition of skatepark the skatepark place for addition of the and theand museum program. the museum program. museum program. DIVISION OF THE SITE

CONTEXT + CONNECTION The site is located in Dallas, Texas in the heart of downtown. The buildable area is located directly nect to te art district.

The site was divided into two parts to stabilish the place for the addition of the skatepark and the museum program.

Program placed in different levels to create an undulating movement

SKATEPARK: CONNECTIONTO TOTHE THE COMMUNITY COMMUNITY SKATEPARK: CONNECTION SKATEPARK: CONNECTION TO THE COMMUNITY A skatepark was inserted to propose the public with a A skatepark was gathering, inserted propose the public with a Aplace skatepark inserted to to propose the public with a for was skateboarding lectures, place place for gathering, skateboarding lectures, competitions for gathering, skateboarding lectures, competitions and practice space even when the competitions and practice space even when the and practice space even when the museum is closed. museum is closed.

JUXTAPOSITION OFGALLERY GALLERY OVER JUXTAPOSITION OF OVERSKATEPARK SKATEPARK

museum is closed. SKATEPARK: CONNECTION TO THE COMMUNITY

JUXTAPOSITION OF GALLERY OVER SKATEPARK Addition of floating galleries above the skatepark to Addition of offloating galleriesabove above skatepark Addition floating galleries the the skatepark to reflect the skatepark while exploring history of the to reflect the skatepark while exploring the history reflect the skatepark while exploring the history of the american experience of skateboarding in the United american experience of skateboarding in the United of the american experience of skateboarding in the States. States. United States. JUXTAPOSITION OF GALLERY OVER SKATEPARK

A skatepark was inserted to propose the public with a place for gathering, skateboarding lectures, competitions and practice space even when the museum is closed.

Addition of floating galleries above the skatepark to reflect the skatepark while exploring the history of the american experience of skateboarding in the United States.

+15ʼ +15ʼ

+12ʼ6” +12ʼ6”

+10ʼ +10ʼ

+5ʼ +5ʼ

Visual Access between spaces +15ʼ

Wrapping Circulation

+12ʼ6”

+10ʼ

+5ʼ

WRAPPING PROGRAM WRAPPING PROGRAM The rest of the program was added hugging the rest and of theskatepark program relating was added hugging the The galleries to skateboarding galleries skatepark relating to skateboarding wrapping and onto the individual. Forming a journey wrapping ontothe the galleries individual.and Forming a journey surrounding the skatepark, the surrounding the galleries and the skatepark, program was placed in PROGRAM different levels in orderthe to WRAPPING WRAPPING program was placed inPROGRAM different levels in order to create movement. create movement. The The rest rest of ofthetheprogram wasadded added hugging program was hugging the the galand skateparkrelating relating to to skateboarding leriesgalleries and skatepark skateboarding wrapwrapping the individual.Forming Forming aa journey journey surroundping onto the onto individual. surrounding the galleries and the skatepark, the ing the galleries and the skatepark, the program was program was placed in different levels in order to placed in different levels in order to create movement. create movement.

EMBRACING ROOF EMBRACING ROOF An underlaying roof was placed to embrace not only An placed to embrace not only theunderlaying galleries butroof thewas whole program. Encompassing the but the experiece. whole program. Encompassing the galleries whole museum the whole museum experiece.

EMBRACING ROOF

EMBRACING ROOF

An underlaying roof embrace not only An underlaying roofwas was placed placed toto embrace not only the galleries thewhole whole program. the galleries butbutthe program.Encompassing Encompassing the whole museumexperiece. experiece. the whole museum


SECTION 1/16” - 1’ 0”



GROUND FLOOR PLAN 1/16” - 1’ 0”




OFFICE AREA -5ʼ

LIBRARY -15ʼ

PUBLIC AREA -5ʼ

SKATEPARK -15ʼ

PRIVATE FLOOR PLAN 1/16” - 1’ 0”


RESTORATION

PREPARATION AREA

STORAGE

STORAGE

SERVICE -30ʼ

MECHANICAL

STORAGE

COLLECTION

SERVICE FLOOR PLAN 1/16” - 1’ 0”



A 12mm Glass Fiber Reinforced Plastic Cladding B Fairing C 3” Rigid Insulation D Vapor Barrier E 4” Concrete F 4” Steel Structure G 1/2” Plywood Panelin H Steel Connector I Steel Cable J 3” Steel Decking

A1 ROOF SCALE 1’=1’0”

A2 GALLERY FLOOR SCALE 1’=1’0”

A 3” Concrete Slab B 1” Steel Decking C Timber Beam D 4” Plywood Flooring E 10” Steel Beam

AB

D

C

F

G

H

I

J

K

E

L

A B

H

C D E

I

J F 1/2” Plywood Panneling G 4” Steel Framing H 4” Concrete I Vapor Barrier J 3” Rigid Insulation K Faring L 12mm Glass Fiber Reinforced Plastic Clading

F G

A Earth B 5” Concrete C 4’ x 8’ x 3’ Geofoam Block

A3 FLOOR SCALE 1’=1’0”

A Concrete Slab B 10” Reinforced Concrete C Earth D 16” Gravel Layer E 5“ Rigid Insulation F 16” Concrete G Beam Connector H 16” Steel Beam I Vapor Barier

A4 FLOOR SCALE 1’=1’0”

A

A

B

C

B

C

D

E

F

G

H

I



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