AVF Portfolio Sample 2013 by Anastasia Victor

ana s ta sia v ic tor-faichne y b. l andsc ape architec ture the universit y of melbourne. 2008. m. architec ture the universit y of california . berkele y. 2012

portfolio sa mple

CONTENTS 01- 05

c u lt u r a l

06-09 m a te r i a l

10 -13

eco l o g i c a l

01 02 03 04 05 06 07 08 09 10 11 12 13

Igualada Conmemorativa S p a n i s h C i v i l W a r M e m o r i a l Waterscape S I T E S a n t a F e B i e n n i a l C o m p e t i t o n E n t r y A_School R a d i c a l A r c h i t e c t u r e S c h o o l P r o p o s a l Bicyclery H y b r i d B i c y c l e W o r k s h o p / R e t a i l + R e s i d e n c e Parklet Cinema M o b i l e V i d e o - a r t G a l l e r y Richard does a Cartwheel W o o d / S c u l p t u r a l i n s t a l l a t i o n StarstruckC e r a m i c s /P a r a m e t r i c p o r c e l e i n Guillotine M e t a l / S t r u c t u r a l S u r f a c e Chevron P l a s t i c / C o m p o n e n t P r o l i f e r a t i o n Critical Mess F l o a t i n g I s l a n d C o n c e p t Dam[n] the Chicago River C h i c a g o P a v i l l i o n C o m p e t i t o n E n t r y Foundry 3 L i v i n g W a l l Pplanter U r b a n P r o t o t y p e

•••OMITTED FROM SAMPLE PORTFOLIO

IGUALADA CONMEMORATIVA /TYPE_SPANISH CIVIL WAR MEMORIAL //DATE_FALL R . cho k sombatchai I / / / / / I N S T I T U T I O N _ U . C . B E R K E L E Y

2013

///PROGRAM_

M.ARCH

////INSTRUCTORS_

ANDERSON

O n o c c a s i on, one ex p er i en c e s d e s i gne d env ironment s that, throu gh the ir mater ia l q ua li t y, for ma l la n guag e a n d /or p ro gr ammin g, s p ea k to the ver y nat ure of huma n exi s ten c e in a way that i s s imul t a ne ousl y sur rea l a n d b eau t i f ul. Inter vent i ons in su c h p lac e s c a n am ount to s ac r il e g e, a s the a d d i t i on or su btr ac t i on of a ny el ement c a n u p s et a p otent ia ll y d eli c ate ae s thet i c ha r m ony or d i sr u pt a c a ref ull y c h ore o gr a p he d ex p er i en c e. The a s s i gnment of the ren ow ne d I gua la d a C emeter y (S p a in), by Enr i c M ir a ll e s a n d Ca r me Pin o s a s the su b j e c t s i te for a n ea r l y a rc hi te c t ur a l d e s i gn s t u d i o at UC B er kel ey wa s thus one that in c i te d b oth exc i tement a n d tre p i d at i on- gi ven i t s re p u t at i on a s one of the f ine s t exam p l e s of huma ni s t d e s i gn. In s t u d y in g the s i te, rem otel y a n d f ir s tha n d, the c om p l ex layer in g of c irc ulat i on, mater ia l a n d p ro gr am b e c ame ev i d ent; a sy nthe s i s b et we en a rc hi te c t ure a n d la n d s c a p e.

EXISTING M AU SOLEU M

E X IS TING C HAP E L

EXISTING CEM ETERY

E X I S TING MO RTUARY

CONNECTION TO EXISTING CEM ETARY

B ENTRY 3: SPANISH CIVIL WAR M EM ORIAL

E X IS TING C A R PARK + E NTRY

ROOFS C AP E : ME DITATION GARDE N

ENTRY 2: ARCHIVES + GALLERY A

BIRCH GROVE AM PHITHEATRE

BUILDING S K YLIGHT E NTRY 1

EXISTING CEM ETERY

SPANISH CIVIL WAR M EM ORIAL STAIRS TO GALLERY BELOW

L eft

►Rendered visuali z ation of the building , embedded into the landscape D EFI N ED BY FI EL DS O F B LO O D RED P O PPI ES

LOBBY E NTRY

R ight [ from top ] ►S ite plan ►L evel 1 plan

OFFIC E PATH TO C ARPARK E NTRANC E

S TAIRS TO ARC HIV E BE LOW

BIRCH GROVE AM PHITHEATRE

L eft

►M odel of the I gualada Cemetery made from laminated 1/16 ” chipboard ►N ight render of the S panish Civil War M emorial as seen from the e xisting cememtery

►Longitudinal section A - A ►U nfolded path section B - B

The studio brief called for an addition to the existing site that included a Spanish Civil War memorial, outdoor auditorium and library. An architectonic of embedding and revealing was appropriated from Miralles for the extension, which is located just South of the existing cemetery. However, while also borrowing from a similar material palette of concrete, steel and glass, the design imbues lightness, in contrast to the monolithic forms of the existing cemetery. Additionally, the facade of the building is crossed with diagonal mullions and columns, mimicking the patterning of trunks in a beech forest- a tree common to cemeteries in Southern Europe. Yet, the crux of the design for the extension truly lies in the synthesis between building, landscape and site, which can be seen in the decision to embed the building into the ground, buried beneath fields of Poppies. This relationship is unveiled in the critical moment of the design, the Spanish Civil War Memorial, merely a corridor that reveals on one side the transition from earth to tree to sky.

EX IS TING C EMETERY

M E D I TATI ON ROOF GARD E N LOBBY

LI BRARY

B IR CH G R O VE A MPH IT H EAT R E

C IRC ULATION

EXIST ING CEMET ERY M E D I TATI ON R OOF GARD EN E X IT T O CARPARK

L OBBY

BATHROOMS TO REAR ARCHI V E L OBBY

GALLARY 1

SPA NISH CIVIL WA R MEMO R IA L

EXIT T O EXIST ING CEMET ERY

L eft

CR E PE M Y RTL E L ag er s t ro emi a i n di ca ‘Bu rg u n dy Cotton’ CR E PE M Y RTL E L ag er s t ro emi a i n di ca ‘Gl en do r a Wh i t e’ CR E PE M Y RTL E L ag er s t ro emi a i n di ca ‘D w ar f Snow’

F I E L D PO PPY P apav er r h o eas

STR I P SKY L I G H T In s i t u co n cret e wi t h h o n ed i n t er i o r fi n i s h fo r max i mu m refl ex t i v i t y G R E E N R O O F TR E E TR O U G H WI TH A D J A CE N T B E N CH SE ATI N G U N D U L ATI N G CO N CR E TE G R E E N ROOF STE E L I -J O I STS CE I L I N G STR U CTU R E G I R D E R I -B E A M DUAL GLAZING SY STE M Aqu ar i u m g l as s wi t h s t ai n l es s s t eel di ag o n al mu l l i o n s CO N CR E TE CO L U M N

R A I SE D CO N CR E TE WA L KWAY wi t h cl ear g l as s bal u s t r ade CO N CR E TE WA L L

CO N CR E TE STR U CTU R A L SL A B A N D F L O O R SL A B A SSE M B L E Y

►S ectional perspective of the S panish Civil War M emorial

R E N D E R ►view of the S panish Civil War M emorial I N T ERI O R - T H I C K G L A ZI N G FR A M ES T H E T R AS I TI O N FRO M G RO U N D TO S K Y A N D T EM P O R A L PAS S I N G I S RE A D FRO M T H E M OV EM EN T O F LI G H T, REF L ECT ED T H RO U G H S K Y LI G H T S A B OV E

/TYPE_SITE SANTA FE BIENNIAL COMPETITION //DATE_SEPTEMBER 2012 ///AWARDS_ SECOND PLACE ////OFFICE HYPHAE DESIGN LAB //// R O L E _ L E A D D E S I G N E R / P R O J E C T M A N A G E R / P R E S E N T A T I O N G R A P H I C S / 3 D MODELLING/

Waterscape is a unique comment on Santa Fe's desert landscape and rail history. The design presents water as a precious and surprisingly structural element, challenging traditional ideas of water's place in landscape. It speaks to the necessary changes we must make in the desert landscape through creating a pavillion of shade and moisture that sharply constrasts with the surrounding site.

►AT N I G H T T H E PAVI LI O N I S T R A N S FO R M ED I N TO A LI G H T I N STA L L ATI O N

BELOW

SECTION

The structure of Waterscape is built through massing IBC shipping totes that are filled with rainwater from the roof of SITE Santa Fe, pulling out and displaying the natural process that is most important to existence in the desert. The translucent white totes are recycled pieces of an industrial shipping chain that references the rail history of Santa Fe, and elevate the water collected within to a precious and packaged commodity. The mass of totes contrasts solidly with the gravel site, while the mist blurs the line between installation and desert, spilling out of constructed boundaries and creating a liminal microclimate.

►WAT ER D EFI N ES T H E S PACE B OT H ST RU CT U R A LY A N D EPH EM ER A L LY T H RO U G H I B C TOT ES A N D M I ST WA L L S

SITE BUILDING AT REAR

MIST WALL 1MIST EMITTER LINE

PROJECTION WALL 1

COURTYARD

PROJECTION WALL 2

FLOOR ASSEMBLY-1” OSB, TIMBER FRAMING, 4X4 TIMBER POSTS, NO-DIG FOOTINGS

KIOSK/BAR: 150SF

BAR/KIOSK

WALL ASSEMBLY2X4 TIMBER FRAMING WITH DOUBLE TOP PLATE + 1/2” SEMI TRANSLUCENT TWIN WALL POLYCARBONATE

PRESENTATION SPACE: 170 SF

ROOF ASSEMBLYTIMBER FRAMING, 3/4” OSB, WHITE ROLL ROOFING

SCALE: 3/16” = 1’

R E N D E R ►U S ERS EN T ER T H E PAVI LI O N T H RO U G H A WA L L O F M I ST

PASEO DE PERALTA

SLIDING WALL PARTITIONS ARE LEFT OPEN IN THE WARM MONTHS

PRESENTATION STANDING SPACE

PRESENTATION SPACE: 170 SF

MIST WALL #2 BENCH SEATING

PRESENTATION SCREEN SPACE

DECK OPEN

BAR SLIDING WALL PARTITIONTYP

MAIN ENTRANCE RAMP-ADA COMPLIANT

COURTYARD

KIOSK/BAR: 150SF

INFORMATION/ SHOP: 180SF

PROJECTION WALL

SCALE: 3/16” = 1’

MIST WALL #1 MAIN ENTRANCE TO SITE BUILDING

PLAN

►PL A N - T H E PAVI LI O N FO R M S A T EM P O R A RY EN T RY FO R T H E 6 M O N T H B I EN N I A L ►DI AG R A M - R AI N WAT ER I S C O L L ECT ED A N D STO RED O N S I T E, T H EN REU S ED AS M I ST WA L L S B E L O W ►PAVI LI O N I N T H E MORNING N E X T P A G E ►E X PLO D ED A XO N - A N A N C H O RI N G SYST EM WAS D E V ELO PED AS N O E XCAVATI O N WAS A L LOW ED O N T H E S I T E

Waterscape shifts both with the seasons, in response to the drastic shifts in Santa Fe's climate, and from day to night. In the summer, the three enclosed building volumes are cooled by misted rainfall; in the winter, the water has been drained away and the translucent cubes remain as a reminder of water's absence. By night the tote cubes are illuminated within, creating a visually engaging process of water collection that changes as the water level is refilled by rainfall or depleted by use. Under the vast Santa Fe night sky, Waterscape's structure glows softly from within. Three main spaces are created within the misting walls; the first is an entrance area containing the information desk and staff counter. The central space encloses the bar and shop. Users then move to the third, a presentation and event pavilion that is open to accommodate any number of uses. Users inhabit Waterscape by exploring a landscape that floats on mist out of the hardpacked gravel in front of the SITE building; an ephemeral installation carved out of water, born in the desert, blooming in summer and still in winter

ROOF ASSEMBLYTIMBER FRAMING(2X6 BEAMS, 2X4 RAFTERS), 3/4” OSB, WHITE ROLL ROOFING

60 X RECYCLED 275 GALLON IBC TOTES- FOOD GRADE

WALL ASSEMBLY2X4 TIMBER FRAMING WITH DOUBLE TOP PLATE + 1/2” SEMI TRANSLUCENT TWIN WALL POLYCARBONATESLIDING WALL PANELS FOR DOORS/ VENTILATION TO BE OPEN IN WARM MONTHS

FLOOR ASSEMBLY-1” OSB, TIMBER FRAMING, 4X4 TIMBER POSTS, NODIG FOOTINGS WITH TWO LOAD REQUIREMENTS

CONSTR 15

A_SCHOOL

►Rendered visuali z ation of the central space of the building showing the main light well , group meeting areas and ramp circulation

R ight [ clockwise top ]

from

►C oncept diagram for the building - an architecture school as a condensor of k nowledge ►L evel 1 plan ►E x terior night render loo k ing towards to D oe Library

DOE LIBRARY MOFFITT LIBRARY

/TYPE_ARCHITECTURE SCHOOL DESIGN //DATE_SPRING 2011///PROGRAM_ M.ARCH ////INSTRUCTORS_ D. WOODS///// INSTITUTION_ U.C. BERKELEY

Sa n d w i c he d b et we en the ma in li b r a r i e s at UC B er kel ey, A _ S c h o ol i s a r a d i c a l c on c e pt for the a rc hi te c t ure s c h o ol of the f u t ure. The d e s i gn i s b a s e d a roun d the n ot i on of the a rc hi te c t ure s c h o ol a s a hu b, w here k n ow l e d g e i s su p er f i c ia ll y a n d p a s s i vel y a b s or b e d throu gh c irc ulat i on throu gh the s p ac e. It d r aw s on a n d exag g er ate s the i d ea of c onverg en c e a s a for ma l la n guag e, p lay in g w i th v i ew line s a n d tr a ns p a ren c y, illuminate d by gr a n d o i s e li ght well s that p i erc e the b uil d in g. S p ac e s a re l o o sl ey p ro gr amme d to a ll ow f l ex i b l e us e in a n at tem pt to fo s ter a new p e d ag o gi c a l s t y l e of l ea r nin g throu gh a s s o c iat i on a n d inter ac t i on.

S OCIALIZING SPACE

CLASSR OOM

ENTRY FROM D OE LIBRARY

CI RCU L ATI ON

E NTRANCE L OBBY

L E CTU RE M E Z Z ANI NE LIGHT WELL/ PROJECTION SURFACE

LE CTU RE THE ATRE

ROOF DECKCONNECTS TO EXISTING GROUND LEVEL

E N T RY F R O M M O F F I T T L I B R A RY

L eft [ from top ]

►S ection A - A through the central space of the building

R ight [ clockwise from top ]

►C lose- up photo of the central light well of the building ►C oncept development models ►B uilding model

PARKLET

CINEMA

/TYPE_URBAN INFRASTRUCTURE //DATE_JULY-AUGUST 2013 ///INSTALLATION DATE_ JANUARY 2015 ////COLLABORATORS_ J. VICTOR-FAICHNEY //////ORGANIZATION_OP-ARTS /////ROLE_ PROJECT MANAGER/LEAD DESIGNER/PRESENTATION GRAPHICS

Dam[n] the Chi c ag o Ri ver i s the p ro d u c t of t wo we e k s of s ketc h d e s i gn for f ir s t s t ag e of the t wo p a r t A rc hTr ium p h c om p et i t i on. The b r i ef re q uire d c om p et i tor s to d e s i gn a n ‘e c ol o gi c a l’ p av ili on l o c ate d in a n exi s t in g Chi c ag o p a r k . I d ea s were su b mi t te d on a s in gl e c om p et i t i on b oa r d. The Chi c ag o Pav ili on c om p et i t i on wa s a n intr i guin g o p p or t uni t y to en gag e w i th the p ro b l ems c ur rentl y fac in g Chi c ag o’s water ways a n d thus p ro p o s e a n e c ol o gi c a l p av ili on to ent i c e the p e o p l e of the c i t y into inter ac t in g w i th p a r t s of the r i ver that a re c ur rentl y to o p ollu te d to tou c h. O ur d e s i gn a ims to d i ver t water f rom the S ou th B r a n c h of the Chi c ag o Ri ver, b i o -f il tr ate i t throu gh a s er i e s of c ons tr u c te d wetla n d s a n d then ju x t a p o s e the c l ea n water aga ins t the re s t of the r i ver throu gh a d ua l layer ma s onr y d am.

►REN D ERED VI S UA LI Z ATI O N S H OW I N G O N - ST REE T O PER ATI O N AT N I G H T

LEFT [ from top ]

►S I TI N G O P TI O N S ►T Y PI CA L O N - ST REE T PL A N

ABOVE

►REN D ERED N I G H T VI S UA LI Z ATI O N S H OWI N G LI G H T I N STA L L ATI O N ►REN D ERED A F T ER N O O N O FFST REE T VI S UA LI Z ATI O N

RIGHT

►E X PLO D ED A XO N O M E T RI C D I AG R A M S H OWI N G DI FFEREN T M O D U L ES

BELOW

►T H E PA R K L E T CI N EM A O PER ATI N G D U RI N G T H E DAY

/TYPE_PARAMETRIC STRUCTURAL SURFACE //DATE_SPRING 2012 ///PROGRAM_ M.ARCH ////INSTRUCTORS_ L.IWAMOTO///// INSTITUTION_ U.C BERKELEY //////COLLABORATORS_ TEAM 8753F###

G uill ot ine wa s the p ro d u c t of a s eme s ter l on g inve s t i gat i on into p a r ametr i c fa b r i c at i on at UC B er kel ey, un d er the su p er v i s i on of Profe s s or Li s a Iwam oto. S t u d ent s were t a s ke d w i th c reat in g a n inha b i t a b l e ins t a llat i on that c ha ll en g e d ex i s t in g mater ia l a n d s tr u c t ur a l p a r a d i gm s v ia a n i ter at i ve p ro c e s s that invol ve d b oth d i gi t a l a n d p hys i c a l te s t in g. The c la s s fo c us e d on g ener at in g s tr u c t ur a ll y p er for mat i ve sur fac e s, w hi c h were te s te d a n d m o d el e d b oth d i gi t a ll y (Rhin o c ero s 3D, G r a s sh o p p er, A l g or) a n d p hys i c a ll y. S p e c i f i c s tr u c t ur a l sur fac e sys tems were s el e c te d to infor m the f ina l ins t a llat i on p roj e c t s – fol d e d p late in the c a s e of G uill ot ine. The f ina l ins t a llat i on wa s b uil t us in g fol d e d p late s te el that wa s la s er c u t into p er for ate d m o d ul e s a n d a s s em b l e d on s i te.

►O pening night of the installation

R ight

►S urface subdivision diagram in plan , elevation + a xonometric ►Photograph of the installation

clockwise from top ►Program diagram

►Structural analysis of the overall form in A lgor ►Front elevation drawing showing connection to base bric k wall

N E X T [ clockwise from top ]

►C lose- up photograph of the installation showing porosity ►M odels testing the porosity grasshopper script ►S ide elevation drawing with module connection detail pullout

columns columns

warning: guillo

MODULE: 2.2

MODULE: 2.2 rows

onnection tabs (pop rivets)

c o n n e c ft oi ol dn pt aebr fso r a t i o n s (pop rivets)

fold per forations

module interface (machine screws)

plates

rows

plates

gussets

DAM[N] THE CHICAGO RIVER /TYPE_ECOLOGICAL PAVILION //DATE_AUGUST 2012 ///COLLABORATORS_ ARCHTRIUMPH /////ROLE_ DESIGN/PRESENTATION GRAPHICS

VICTOR-FAICHNEY

//////COMPETITION

INLET

SITE BOUNDARY

CHICAGO RIVER

WETLAND

T I D A L F L AT S

OUTLET

C L E A N W AT E R POOL PA V I L I O N

PING TOM PA R K

P R E V I O U S ► R endered Visualisation of the whole pavillion A B O V E ►T H E C H I CAG O RI V ER -IN CONTEXT R I G H T ►S I T E PL A N

CLEAN

DIRTY

CLEAN

DIRTY

CLEAN

RIVER

DIRTY

The for ma l g e s t ure s em p l oye d in the d e s i gn a im to re inforc e the n ot i on of s e p a r at i on a n d the d ia l e c t i c s of c l ea n a n d d ir t y, s a ni t a r y a n d uns a ni t a r y; w i th the h o p e that i t w ill ins p ire a renewe d intere s t in Chi c ag o’s hyd rol o gi c a l reha b ili t at i on. M a s onr y i s a c omm on te c toni c for the c ons tr u c t i on of d ams a n d p rov i d e s a la n guag e that i s n ot onl y b eau t i f ul b u t w hi c h l en d s i t s el f to su btl e m o d ulat i on, a s well a s s tr u c t ur a l inte gr i t y. O ur e c ol o gi c a l p av ili on inten d s to te s t, throu gh va r i e d p ro gr am s el e c t i on a n d s p at ia l c onf i gur at i on, s ome of the ways by w hi c h a d am c a n b e c ome m ore tha n jus t a b a r r i er.

CLEAN

DIRTY

CLEAN

DIRTY

DIRTY CLEAN

CLEAN

DIRTY

PA R K

SITE

LO B BY ►C O N CEP T M AS S I N G DI AG R A M B E L O W ► PL A N

DIRTY

R I G H T ►S ECTI O N - EN T R A N CE

DIRTY CLEAN

BRIDGE

WINTER VIEWING AREA

CHICAGO RIVER

E P A W AT E R Q U A L I T Y MONITORING LAB

RAMP TO CHANGEROOM BELOW

W AT E R TA N K

LOBBY

INLET FROM WETLAND BIOF I LT R AT I O N SYSTEM

T E R R A C E D B AT H I N G POOLS FILLED WITH CLEANED CHICAGO R I V E R W AT E R

EXISTING DECOMISSIONED B&OCT RAIL BRIDGE OVERHEAD

SAUNA

C O AT C H E C K EXISTING B&OCT RAIL BRIDGE FOOTINGS

B AT H R O O M

ENTRANCE FROM PING TOM M E M O R I A L PA R K

ADJACENT WETLAND V E G E TAT I O N

DIRTY

EXISTING DECOMISSIONED B&OCT RAIL BRIDGE OVERHEAD

CHICAGO RIVER

WINTER VIEWING AREA

EXISTING DECOMISSIONED B&OCT RAIL BRIDGE OVERHEAD

CHICAGO RIVER

L AY E R E D B R I C K COURSING AKIN TO MASONRY DAM SAUNA EXISTING B&OCT RAIL BRIDGE FOOTINGS

T E R R A C E D B AT H I N G POOLS FILLED WITH CLEANED CHICAGO R I V E R W AT E R

CLEAN

FOUNDRY SQUARE LIVING WALL

/TYPE_LIVING WALL //DATE_NOVEMBER 2012- PRESENT ///INSTALLATION DATE_ AUGUST 2013- NOVEMBER 2013 ////OFFICE_ HYPHAE DESIGN LAB //////CLIENT TISHMAN SPEYER /////ROLE_ PROJECT MANAGER/DESIGN/SYSTEMS ENGINEERING/DRAFTING

In c onjun c t i on w i th Ha b i t at H or t i c ul t ure, Hy p hae wa s a s ke d to d e s i gn a n d en gine er the li v in g wa ll for the Foun d r y S q ua re 3 mi xe d us e d evel o p ment in Sa n Fr a n c i s c o. The 10 0 f t l on g ins t a llat i on en c om p a s s e s t wo f ull, d ua l he i ght wa ll s w i thin the l o b by a n d i s the la rg e s t li v in g wa ll in Sa n Fr a n c i s c o to d ate.

LW3-1.1

SLOPE 1% MIN. TO DRAIN (TYP.)

8'-9 1/8" SP

POC 2" SANITARY SEWER TO 6" SS PIPE (FLACK + KURTZ

3-WAY ACTUATED BALL VALVE TI INTO 1" IRR (PROVIDED BY FLACK KURTZ) AND PUMPED IRRIGATIO RETURN FROM STORAGE TAN

16'-2 5/8"

7.7 IM

9'-3 1/2"

18'-2 11/16"

H.P. + 0'-2"

+ EC

2'-0" MIN.

D3-2270 4" 8-21"

4" LIVING WALL DRAIN WITH P-TRAP AND PRIMER (SEE PLUMBING SHEET P3-201) L.P. + 0'-0"

24V LOW-VOLTAGE CONTROL WIRE CONDUIT TO FLOAT SWITCH IN BASEMENT 120G PRESSURE TANK

FLOOR DRAIN PROVIDED BY FLACK + KURTZ (SEE PLUMBING SHEET P201 FOR PLAN)

3 4"

SV-4 3 4"

SV-5 3 4"

T-M

3 4"

SV-2 3 4"

SV-3

3 4"

T-F

SV-7 3 4"

T-C

T-Ph

SV-6 3 4"

SV-8 3 4"

D2-2270 4" 8-21"

L.P. + 0'-0" IM

2 LW3-1.0

8.7

SV-10

SV-1

HANNA HI-8000 SENSOR, DOSING, AND IRRIGATION CONTROL PANEL

A B O V E ►filtration system installed B E L O W ►filtration system detail

120V 20 AMP W/ 4 OULETS TO POWER HI-8000 CONTROL PANEL

plan

LW3-1.2

8.3

6 LW3-1.2

previous ►rendered visuali z ation L E F T ►control room + partial lobby

3 4"

7 LW3-1.2

SLOPE 1% MIN. 1'-6 9/16"

CHARCOAL AND FABRIC FILTERS FOR RECIRCULATING WATER TANK IN

2- CENTRIFUGAL PUMPS ON STAND WITH 208V SINGLE POINT CONNECTION

H.P. + 0'-1 1/2" SV-9

1% MIN.

1" IRRIGATION MAKE-UP LINE AND RECIRCULATING IRRIGATION LINE FROM BASEMENT

1" IRRIGATION COPPER MANILINE SPLIT TO 34" COPPER SUBMAIN TO LIVING WALL ZONES

18'-5 7/16"

HANNA HI-5000 SENSOR AND DOSING PUMP SYSTME MOUNTED TO WALL ABOVE MIXING TANK

SLOPE 1% MIN.

120V 20 AMP W/ 4 OULETS TO POWER FERTIGATION DOSING PUMPS

9'-2 5/8"

8'-2 13/16"

4" CAST-IRON PIPE FROM LIVING WALL DRAINAGE TO TANK IN GARAGE BASEMENT

2'-5 1/16"

8'-7 3/4"

BY CONTRACTOR • •• •• ••• • • • •• • • • •• • •• • • •• • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • MASONRY SCREWS BY CONTRACTOR RIGHT [ from top ] ►H A B I TAT H O RTI CU LT U RE I N STA L LI N G T H E FO U N D RY 3 LI VI N G WA L L ►WA L L AS S EM B LY D E TAI L ►PL A N T S I N STA L L ED I N FELT P O C K E TS O N WA L L

STUB-OUT 6" BEFORE PANEL INSTALL (SEE ELEVATION FOR LOCATIONS HOLESAW CUT IN POLYCARBONATE

1-1/2" STAINLESS STEEL CONSTRUCTION GRADE STAPLES DURING PLANTING

CONSTRUCTION GRADE SEALANT AT PENETRATION • •• ••• • •• •• • • • • • • • • • • • • • • • • • POLYCARBONATE

/TYPE_URBAN PROTOTYPE //DATE_ SEPTEMBER 2012 ///INSTALLATION DATE_ OCTOBER 2012, AUGUST 2013 //// O F F I C E H Y P H A E D E S I G N L A B / / / / R O L E _ LEAD DESIGNER/CO-PROJECT MANAGER/ PRESENTATION GRAPHICS/3D MODELLING/ FABRICATION/INSTALLATION/

PPLANTER

The PPla nter i s a r a p i d l y d e p l oya b l e, re c onf i gur a b l e p u b li c ur ina l a n d s in k that us e s m o d ula r b i of il ter s to treat ur ine a n d wa s tewater. A net wor k of s ens or s for au tomate d m oni tor in g a n d a re s p ons i ve we b a p p li c at i on ena b l e p u b li c fe e d b ac k a n d p a r t i c i p at i on in the d e s i gn of f u t ure i ter at i ons. Thi s r a p i d l y d e p l oya b l e ur b a n gre en inf r a s tr u c t ure p rotot y p e wa s d e s i gne d a n d fa b r i c ate d in c onjun c t i on w i th Hy p hae De s i gn L a b or ator y. L aun c he d a s p a r t of the Ur b a n Protot y p in g fe s t i va l in Sa n Fr a n c i s c o. PPla nter wa s us e d by hun d re d s of p e o p l e, in c lu d in g women w h o us e d fema l e ur inat i on d ev i c e s to reli eve thems el ve s at the ur ina l. PPla nter c el e b r ate s Sa n Fr a n c i s c oâ&#x20AC;&#x2122;s p ro gre s s i on towa r d s m o b il e a n d ou td o or s er v i c e s in c lu d in g fo o d tr u c k s, b e er ga r d ens, a n d p a r k l et s, a n d p rov i d e s a d d i t i ona l inf r a s tr u c t ure to su p p or t a n d enha n c e thi s tren d.

►pplanter at the 2 012 sf urban prototyping festival

RIGHT [ from top ]

►pplanter: how it wor ks ►pplanter: digital and physical elements

FROM TOP

â&#x2013;şthe urinal e x perience: bamboo biofilter with custom vacuuformed urinal , waterless urinal cartridge and sliding privacy door â&#x2013;şuser feedbac k smartphone app

from top

►pplanter: componets ►the transparent custom sin k VAC CU formed in petg ►3 d moulds

ABOUT 40

Anastasia Victor-Faichney is an architect, landscape architect, designer and artist who presently divides her time between Melbourne, AUS and San Francisco, US. She has received a Bachelor of Landscape Architecture from the University of Melbourne, where she was named valedictorian and a Master of Architecture from the University of California, Berkeley, developing a thesis on the potential for Brain Computer Interfacing in the built environment. Over the past five years, she has gathered experience working in both the public and private sectors in environmental design and related disciplines. Anastasiaâ&#x20AC;&#x2122;s interests in urban prototyping have provided her with the opportunity to work with the Civil and Environmental Engineering Department at UC Berkeley and the Bill and Melinda Gates Foundation, in addition to the Urban Biofilter, an ecologically driven non-profit funded by the State of California, working to develop design solutions for environmental issues. Presently, Anastasia works for renowned San Francisco Bay Area start-up, Hyphae Design Laboratory as a lead designer and project manager on projects of varied cost and scale, such as the new SFMOMA and the Luggage Store Gallery. Her collaborative work has been presented at ACADIA, UC Berekley, The University of Melbourne and Elisava and published in Architecture Australia, VEIL, EYES, The San Francisco Chronicle, The New York Times and The Huffington Post. Anastasia specializes in digital design and fabrication techniques, having worked for the CAD/CAM Laboratory at the Centre for Environmental Design at UC Berekely but also produces graphic art and photography and has exhibited art in Melbourne, San Francisco and Berkeley, CA. Please visit www.victor-faichney.com for more examples.