2014 Design Portfolio by Anastasia Victor

PORTFOLIO

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workÂŠ Anastasia

Victor-Faichney

ANA S TA SIA V IC TOR-FAICHNE Y B. L ANDSC APE ARCHITEC TURE THE UNIVERSIT Y OF MELBOURNE. 2008. M. ARCHITEC TURE THE UNIVERSIT Y OF CALIFORNIA . BERKELE Y. 2012

PORTFOLIO

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workÂŠ Anastasia

Victor-Faichney

CONTENTS 01- 05

C U LT U R A L

06-09 M AT E R I A L

10 -13

ECOLOGICAL

01 02 03 04 05 06 07 08 09 10 11 12 13

Igualada Conmemorativa S p a n i s h C i v i l W a r M e m o r i a l Waterscape S I T E S a n t a F e B i e n n i a l C o m p e t i t o n E n t r y A_School R a d i c a l A r c h i t e c t u r e S c h o o l P r o p o s a l Bicyclery H y b r i d B i c y c l e W o r k s h o p / R e t a i l + R e s i d e n c e Parklet Cinema M o b i l e V i d e o - a r t G a l l e r y Richard does a Cartwheel W o o d / S c u l p t u r a l i n s t a l l a t i o n StarstruckC e r a m i c s /P a r a m e t r i c p o r c e l e i n Guillotine M e t a l / S t r u c t u r a l S u r f a c e Chevron P l a s t i c / C o m p o n e n t P r o l i f e r a t i o n Critical Mess F l o a t i n g I s l a n d C o n c e p t Foundry 3 L i v i n g W a l l Dam[n] the Chicago River C h i c a g o P a v i l l i o n C o m p e t i t o n E n t r y Pplanter U r b a n P r o t o t y p e

IGUALADA

CONMEMORATIVA

/TYPE_SPANISH CIVIL WAR MEMORIAL //DATE_FALL 2013 ///PROGRAM_ M.ARCH ////INSTRUCTORS_ M. ANDERSON R.CHOKSOMBATCHAII /////INSTITUTION_ U.C. BERKELEY

O n o c c a s i on, one ex p er i en c e s d e s i gne d env ironment s that, throu gh the ir mater ia l q ua li t y, for ma l la n guag e a n d /or p ro gr ammin g, s p ea k to the ver y nat ure of huma n exi s ten c e in a way that i s s imul t a ne ousl y sur rea l a n d b eau t i f ul. Inter vent i ons in su c h p lac e s c a n am ount to s ac r il e g e, a s the a d d i t i on or su btr ac t i on of a ny el ement c a n u p s et a p otent ia ll y d eli c ate ae s thet i c ha r m ony or d i sr u pt a c a ref ull y c h ore o gr a p he d ex p er i en c e. The a s s i gnment of the ren ow ne d I gua la d a C emeter y (S p a in), by Enr i c M ir a ll e s a n d Ca r me Pin o s a s the su b j e c t s i te for a n ea r l y a rc hi te c t ur a l d e s i gn s t u d i o at UC B er kel ey wa s thus one that in c i te d b oth exc i tement a n d tre p i d at i on- gi ven i t s re p u t at i on a s one of the f ine s t exam p l e s of huma ni s t d e s i gn. In s t u d y in g the s i te, rem otel y a n d f ir s tha n d, the c om p l ex layer in g of c irc ulat i on, mater ia l a n d p ro gr am b e c ame ev i d ent; a sy nthe s i s b et we en a rc hi te c t ure a n d la n d s c a p e.

E XI STI N G M A U SO L E U M

E X IS T IN G CHAPEL

E XI STI N G CE M E TE RY

E X IS T IN G M O RT U A RY

CO N N E CTI O N TO E XI STI N G CE M E TA RY

B E NTRY 3:S PA NIS H CIV IL WA R ME MO R IA L

E X IS T IN G C A R PA R K + E N T RY

ROOFSCAPE: M E D ITAT IO N G A R D E N

E N TRY 2: A R CH I VE S + G A L L E RY A

B I R CH G R O VE A M PH I TH E ATR E

BUIL D IN G SKY L IGHT EN TRY 1

E XI STI N G CE M E TE RY

SPA N I SH CI VI L WA R M E M O R I A L STA I R S TO G A L L E RY BELOW

LEFT

►REN D ERED VI S UA LI Z ATI O N O F T H E B U I L DI N G , EM B ED D ED I N TO T H E L A N DS CA PE D EFI N ED BY FI EL DS O F B LO O D RED P O PPI ES

LOBBY E N T RY

RIGHT [FROM TOP] ►S I T E PL A N ►L E V EL 1 PL A N

O F F IC E PAT H T O C A R PA R K ENTRANCE

S TA IR S T O A R C H IV E BELOW

B I R CH G R O VE A M PH I TH E ATR E

LEFT

►M O D EL O F T H E I G UA L A DA CEM E T ERY M A D E FRO M L A M I N AT ED 1/16 ” C H I PB OA RD ►N I G H T REN D ER O F T H E S PA N I S H CI VI L WA R M EM O RI A L AS S EEN FRO M T H E E XI STI N G CEM EM T ERY

►LO N G I T U DI N A L S ECTI O N A - A ►U N FO L D ED PAT H S ECTI O N B - B

The studio brief called for an addition to the existing site that included a Spanish Civil War memorial, outdoor auditorium and library. An architectonic of embedding and revealing was appropriated from Miralles for the extension, which is located just South of the existing cemetery. However, while also borrowing from a similar material palette of concrete, steel and glass, the design imbues lightness, in contrast to the monolithic forms of the existing cemetery. Additionally, the facade of the building is crossed with diagonal mullions and columns, mimicking the patterning of trunks in a beech forest- a tree common to cemeteries in Southern Europe. Yet, the crux of the design for the extension truly lies in the synthesis between building, landscape and site, which can be seen in the decision to embed the building into the ground, buried beneath fields of Poppies. This relationship is unveiled in the critical moment of the design, the Spanish Civil War Memorial, merely a corridor that reveals on one side the transition from earth to tree to sky.

E X IS T IN G C E M E T E RY

M EDI TAT IO N R O O F GARDEN LOBBY

LI BRARY

B I R CH G R O VE A M PH I TH E ATR E

C IR C U L AT IO N

E XI STI N G CE M E TE RY M EDI TATI ON ROOF GARDEN EXI T TO C ARPARK

LOBBY

B AT H R O O M S TO REAR A R C H IV E L O B B Y

G A L L A RY 1

SPA N I SH CI VI L WA R MEMORIAL

E XI T TO E XI STI N G CE M E TE RY

LEFT

CR E PE M Y RTL E L ag er s t ro emi a i n di ca ‘Bu rg u n dy Cotton’ CR E PE M Y RTL E L ag er s t ro emi a i n di ca ‘Gl en do r a Wh i t e’ CR E PE M Y RTL E L ag er s t ro emi a i n di ca ‘D w ar f Snow’

F I E L D PO PPY P apav er r h o eas

STR I P SKY L I G H T In s i t u co n cret e wi t h h o n ed i n t er i o r fi n i s h fo r max i mu m refl ex t i v i t y G R E E N R O O F TR E E TR O U G H WI TH A D J A CE N T B E N CH SE ATI N G U N D U L ATI N G CO N CR E TE G R E E N ROOF STE E L I -J O I STS CE I L I N G STR U CTU R E G I R D E R I -B E A M DUAL GLAZING SY STE M Aqu ar i u m g l as s wi t h s t ai n l es s s t eel di ag o n al mu l l i o n s CO N CR E TE CO L U M N

R A I SE D CO N CR E TE WA L KWAY wi t h cl ear g l as s bal u s t r ade CO N CR E TE WA L L

CO N CR E TE STR U CTU R A L SL A B A N D F L O O R SL A B A SSE M B L E Y

►S ECTI O N A L PERS PECTI V E O F T H E S PA N I S H CI VI L WA R M EM O RI A L

R E N D E R ►VI E W O F T H E S PA N I S H CI VI L WA R M EM O RI A L I N T ERI O R - T H I C K G L A ZI N G FR A M ES T H E T R AS I TI O N FRO M G RO U N D TO S K Y A N D T EM P O R A L PAS S I N G I S RE A D FRO M T H E M OV EM EN T O F LI G H T, REF L ECT ED T H RO U G H S K Y LI G H T S A B OV E

WATERSCAPE /TYPE_SITE SANTA FE BIENNIAL COMPETITION //DATE_SEPTEMBER 2012 ///AWARDS_ SECOND PLACE ////OFFICE HYPHAE DESIGN LAB //// R O L E _ L E A D D E S I G N E R / P R O J E C T M A N A G E R / P R E S E N T A T I O N G R A P H I C S / 3 D MODELLING/

Waterscape is a unique comment on Santa Fe's desert landscape and rail history. The design presents water as a precious and surprisingly structural element, challenging traditional ideas of water's place in landscape. It speaks to the necessary changes we must make in the desert landscape through creating a pavillion of shade and moisture that sharply constrasts with the surrounding site.

►AT N I G H T T H E PAVI LI O N I S T R A N S FO R M ED I N TO A LI G H T I N STA L L ATI O N

BELOW

SECTION

The structure of Waterscape is built through massing IBC shipping totes that are filled with rainwater from the roof of SITE Santa Fe, pulling out and displaying the natural process that is most important to existence in the desert. The translucent white totes are recycled pieces of an industrial shipping chain that references the rail history of Santa Fe, and elevate the water collected within to a precious and packaged commodity. The mass of totes contrasts solidly with the gravel site, while the mist blurs the line between installation and desert, spilling out of constructed boundaries and creating a liminal microclimate.

►WAT ER D EFI N ES T H E S PACE B OT H ST RU CT U R A LY A N D EPH EM ER A L LY T H RO U G H I B C TOT ES A N D M I ST WA L L S

SITE BUILDING AT REAR

MIST WALL 1MIST EMITTER LINE

PROJECTION WALL 1

COURTYARD

PROJECTION WALL 2

FLOOR ASSEMBLY-1” OSB, TIMBER FRAMING, 4X4 TIMBER POSTS, NO-DIG FOOTINGS

KIOSK/BAR: 150SF

BAR/KIOSK

WALL ASSEMBLY2X4 TIMBER FRAMING WITH DOUBLE TOP PLATE + 1/2” SEMI TRANSLUCENT TWIN WALL POLYCARBONATE

PRESENTATION SPACE: 170 SF

ROOF ASSEMBLYTIMBER FRAMING, 3/4” OSB, WHITE ROLL ROOFING

SCALE: 3/16” = 1’

R E N D E R ►U S ERS EN T ER T H E PAVI LI O N T H RO U G H A WA L L O F M I ST

PASEO DE PERALTA

SLIDING WALL PARTITIONS ARE LEFT OPEN IN THE WARM MONTHS

PRESENTATION STANDING SPACE

PRESENTATION SPACE: 170 SF

MIST WALL #2 BENCH SEATING

PRESENTATION SCREEN SPACE

DECK OPEN

BAR SLIDING WALL PARTITIONTYP

MAIN ENTRANCE RAMP-ADA COMPLIANT

COURTYARD

KIOSK/BAR: 150SF

INFORMATION/ SHOP: 180SF

PROJECTION WALL

SCALE: 3/16” = 1’

MIST WALL #1 MAIN ENTRANCE TO SITE BUILDING

PLAN

►PL A N - T H E PAVI LI O N FO R M S A T EM P O R A RY EN T RY FO R T H E 6 M O N T H B I EN N I A L ►D I AG R A M - R AI N WAT ER I S C O L L ECT ED A N D STO RED O N S I T E, T H EN REU S ED AS M I ST WA L L S B E L O W ►PAVI LI O N I N T H E MORNING N E X T P A G E ►E X PLO D ED A XO N - A N A N C H O RI N G SYST EM WAS D E V ELO PED AS N O E XCAVATI O N WAS A L LOW ED O N T H E S I T E

Waterscape shifts both with the seasons, in response to the drastic shifts in Santa Fe's climate, and from day to night. In the summer, the three enclosed building volumes are cooled by misted rainfall; in the winter, the water has been drained away and the translucent cubes remain as a reminder of water's absence. By night the tote cubes are illuminated within, creating a visually engaging process of water collection that changes as the water level is refilled by rainfall or depleted by use. Under the vast Santa Fe night sky, Waterscape's structure glows softly from within. Three main spaces are created within the misting walls; the first is an entrance area containing the information desk and staff counter. The central space encloses the bar and shop. Users then move to the third, a presentation and event pavilion that is open to accommodate any number of uses. Users inhabit Waterscape by exploring a landscape that floats on mist out of the hardpacked gravel in front of the SITE building; an ephemeral installation carved out of water, born in the desert, blooming in summer and still in winter

ROOF ASSEMBLYTIMBER FRAMING(2X6 BEAMS, 2X4 RAFTERS), 3/4” OSB, WHITE ROLL ROOFING

60 X RECYCLED 275 GALLON IBC TOTES- FOOD GRADE

WALL ASSEMBLY2X4 TIMBER FRAMING WITH DOUBLE TOP PLATE + 1/2” SEMI TRANSLUCENT TWIN WALL POLYCARBONATESLIDING WALL PANELS FOR DOORS/ VENTILATION TO BE OPEN IN WARM MONTHS

FLOOR ASSEMBLY-1” OSB, TIMBER FRAMING, 4X4 TIMBER POSTS, NODIG FOOTINGS WITH TWO LOAD REQUIREMENTS

CONSTR

A_SCHOOL

►REN D ERED VI S UA LI Z ATI O N O F T H E CEN T R A L S PACE O F T H E B U I L D I N G S H OW I N G T H E M AI N LI G H T W EL L , G RO U P M EE TI N G A RE AS A N D R A M P CI RCU L ATI O N

RIGHT [CLOCKWISE TOP]

FROM

►C O N CEP T D I AG R A M FO R T H E B U I L DI N G - A N A RC H I T ECT U RE S C H O O L AS A C O N D EN S O R OF K N OW L ED G E ►L E V EL 1 PL A N ►E X T ERI O R N I G H T REN D ER LO O K I N G TOWA RDS TO D O E LI B R A RY

DOE LIBRARY MOFFITT LIBRARY

/TYPE_ARCHITECTURE SCHOOL DESIGN //DATE_SPRING 2011///PROGRAM_ M.ARCH ////INSTRUCTORS_ D. WOODS///// INSTITUTION_ U.C. BERKELEY

Sa n d w i c he d b et we en the ma in li b r a r i e s at UC B er kel ey, A _ S c h o ol i s a r a d i c a l c on c e pt for the a rc hi te c t ure s c h o ol of the f u t ure. The d e s i gn i s b a s e d a roun d the n ot i on of the a rc hi te c t ure s c h o ol a s a hu b, w here k n ow l e d g e i s su p er f i c ia ll y a n d p a s s i vel y a b s or b e d throu gh c irc ulat i on throu gh the s p ac e. It d r aw s on a n d exag g er ate s the i d ea of c onverg en c e a s a for ma l la n guag e, p lay in g w i th v i ew line s a n d tr a ns p a ren c y, illuminate d by gr a n d o i s e li ght well s that p i erc e the b uil d in g. S p ac e s a re l o o sl ey p ro gr amme d to a ll ow f l ex i b l e us e in a n at tem pt to fo s ter a new p e d ag o gi c a l s t y l e of l ea r nin g throu gh a s s o c iat i on a n d inter ac t i on.

SOCIA LIZI NG S PAC E

C LAS S ROOM

E N T RY FR OM D OE L I BR ARY

C IR C U L AT IO N

ENTRANCE LOBBY

L E C T U R E M E Z Z A N IN E LIGHT WELL / PROJ ECTIO N SURFA CE

L E C T U R E T H E AT R E

R O O F D E CKCO N N E CTS TO E XI STI N G G R O U N D L E VE L

E N TRY F R O M M O F F I TT L I B R A RY

LEFT [FROM TOP]

►S ECTI O N A - A T H RO U G H T H E CEN T R A L S PACE O F T H E BUILDING

RIGHT [CLOCKWISE FROM TOP]

►C LO S E- U P PH OTO O F T H E CEN T R A L LI G H T W EL L O F T H E B U I L DI N G ►C O N CEP T D E V ELO PM EN T M O D EL S ►B U I L DI N G M O D EL

BICYCLERY

/TYPE_HYBRID BICYCLE STORE/COMMUNITY WORKSHOP/ RESIDENCE INSTRUCTORS_ D.GUTHRIE /////INSTITUTION_ U.C. BERKELEY

//DATE_FALL

2010

///PROGRAM_

M.ARCH

////

The g oa l of thi s a rc hi te c t ur a l d e s i gn s t u d i o at UC B er kel ey wa s to g ener ate a hy b r i d li ght in d us tr ia l a n d re s i d ent ia l b uil d in g, that c ha ll en g e d c onvent i ona l us ag e of s p ac e in a b uil d in g. The su b j e c t s i te wa s l o c ate d in Pet a luma i s a n in d us tr ia l a rea n or th of Sa n Fr a n c i s c o, w hi c h i s d ire c tl y a d jac ent to a p ro p o s e d r a il inf r a s tr u c t ure hu b a n d i s thus l o o k in g to grow a n d d ens i f y s i gni f i c a ntl y in the nex t d e c a d e. It i s a l s o one of the m o s t c a r c entr i c a rea s c entr a l Ca li for nia, h owever w i th the im p l ement at i on of im p rove d p u b li c tr a ns i t a n d p rov i s i ons ma d e for b i c yc l e us e (i.e. b i ke la ne s, b i ke p a r k in g) thi s i s b e ginnin g to c ha n g e. It wa s p re c i s el y thi s fac t that ins p ire d my s el e c te d p ro gr am for thi s p roj e c t, in c onjun c t i on w i th the d i s t ur b in g fac t that Pet a luma ha d one of the hi ghe s t b i c yc l e -au tom ot i ve ac c i d ent r ate s in the S t ate.

Second floor Plan Scale 1-1/8 ft

►REN D ER VI S UA LI Z ATI O N T H E B I K E STO RE FRO M T H E C O R N ER E.WAS H I N GTO N ST A N D C O PEL A N D ST

OF OF

ABOVE

►M A P S H OW I N G E XI STI N G A N D PRO P O S ED CYC LI N G N E T W O R KS I N PE TA LU M A ►3 D PRI N T ED M AS S I N G M O D EL I N PL A N VI E W

RIGHT

►FI RST F LO O R PL A N ►S EC O N D F LO O R PL A N

First floor Plan Scale 1-1/8 ft

L E F T ►WA L L S ECTI O N

The Bicyclery is a combined residence and community bicycle workshop, which aims to promote sustainable transportation as well, targets the need for such a service in that area. The building borrows from the formal language of its industrial surroundings, utilizing corrugated steel cladding with reflective coated glass and steel framing. It was a requirement of the studio to develop a design to the level of specifying and detailing structural systems, exploring and refining key moments in the design. The main concept for the building revolves around that of circulation and it is thus possible to reach every key space from the retail and work spaces at ground level to the residences above.

►T R A N SV ERS E S ECTI O N S S H OW I N G S H I F TI N G O F B U I L D I N G M AS S ►3 D PRI N T ED M AS S I N G M O D EL - S I D E EL E VATI O N ►LO N G I T U DI N A L S ECTI O N O F B I CYC L E W O R KS H O P,O FFI CE A N D STO RE

Section c-c Scale 1’- 1/8”

Section d-d Scale 1’- 1/8”

Section b-b Scale 1’- 1/8”

O F F IC E W IT H S T O R A G E S PA C E BELOW

ENTRA NCE + SU S P ENDED B I KE DI SP LAY

BI K E S TO R E WI TH S U S P E N D E D DI S P LAY

C O M M U N IT Y B I KE W O R K S H OP

SE CU R E B I KE PA R KI N G FOR LIGHT RAIL CO M M U TE R S B E L O W SH A R E D CO U RTYA R D SPA CE

PARKLET

CINEMA

/TYPE_URBAN INFRASTRUCTURE //DATE_JULY-AUGUST 2013 ///INSTALLATION DATE_ JANUARY 2015 ////COLLABORATORS_ J. VICTOR-FAICHNEY //////ORGANIZATION_OP-ARTS /////ROLE_ PROJECT MANAGER/LEAD DESIGNER/PRESENTATION GRAPHICS

Dam[n] the Chi c ag o Ri ver i s the p ro d u c t of t wo we e k s of s ketc h d e s i gn for f ir s t s t ag e of the t wo p a r t A rc hTr ium p h c om p et i t i on. The b r i ef re q uire d c om p et i tor s to d e s i gn a n ‘e c ol o gi c a l’ p av ili on l o c ate d in a n exi s t in g Chi c ag o p a r k . I d ea s were su b mi t te d on a s in gl e c om p et i t i on b oa r d. The Chi c ag o Pav ili on c om p et i t i on wa s a n intr i guin g o p p or t uni t y to en gag e w i th the p ro b l ems c ur rentl y fac in g Chi c ag o’s water ways a n d thus p ro p o s e a n e c ol o gi c a l p av ili on to ent i c e the p e o p l e of the c i t y into inter ac t in g w i th p a r t s of the r i ver that a re c ur rentl y to o p ollu te d to tou c h. O ur d e s i gn a ims to d i ver t water f rom the S ou th B r a n c h of the Chi c ag o Ri ver, b i o -f il tr ate i t throu gh a s er i e s of c ons tr u c te d wetla n d s a n d then ju x t a p o s e the c l ea n water aga ins t the re s t of the r i ver throu gh a d ua l layer ma s onr y d am.

►REN D ERED VI S UA LI Z ATI O N S H OWI N G O N - ST REE T O PER ATI O N AT N I G H T

LEFT [FROM TOP]

►S I TI N G O P TI O N S ►T Y PI CA L O N - ST REE T PL A N

ABOVE

►REN D ERED N I G H T VI S UA LI Z ATI O N S H OWI N G LI G H T I N STA L L ATI O N ►REN D ERED A F T ER N O O N O FFST REE T VI S UA LI Z ATI O N

RIGHT

►E X PLO D ED A XO N O M E T RI C D I AG R A M S H OWI N G DI FFEREN T M O D U L ES

B E L O W ►T H E PA R K L E T CI N EM A O PER ATI N G D U RI N G T H E DAY

/TYPE_SCULPTURAL INSTALLATION //DATE_FEBRURYJUNE 2008 ///INSTALLATION DATE_ JUNE-JULY 2008 ////PROGRAM_ BLARCH //////INSTRUCTOR_PETER HILL /////INSTITUTION_ U. MELBOURNE

LEFT

►PH OTO G R A PH O F T H E I N STA L L ATI O N , J U LY 2 0 0 8

RIGHT[FROM TOP]

►PH OTO M O N TAG E O F T H E CA RT W H EEL ►D I AG R A M M ATI C REPRES EN TATI O N O F T H E PH OTO M O N TAG E ►M O D EL LI N G PRO CES S: PH YS I CA L C O PPER ST U DI ES TO 3 D R H I N O M O D EL

‘Ri c ha r d d o e s a c a r t w he el’ i s a p ro c e s s b a s e d s c ul pt ur a l ins t a llat i on, w hi c h re p re s ent s a p reme d i t ate d m ovement ac ro s s a s i te. The p ro c e s s of tr a nslat in g m ovement s to for m b e ga n w i th d o c ument in g a c a r t w he el throu gh a thre e d imens i ona l gr i d v ia p h oto gr a p hi c over lays. Thi s c ur ve of m ovement wa s then m o d el e d, b oth p hys i c a ll y a n d d i gi t a ll y to d evel o p a m ore d ef ine d for m. L aminate d B en d y p l y wo o d, a p ro p r i et a r y ma r ine gr a d e p l y wo o d c om p o s i te, wa s us e d to ac hi eve the c ur v ilinea r sha p e. Th ou gh n ot ne c e s s a r il y intell e c t ua ll y c om p l ex, the p roj e c t s e e k s to ex p l ore s ome of the ways that d i gi t a l p ro c e s s e s a n d 3D m o d ellin g c a n infor m s o p hi s t i c ate d ma nua l fa b r i c at i on te c hni q ue s .

PREVIOUS [FROM TOP]

►PH OTO G R A PH FACI N G W EST ►N O RT H EL E VATI O N

RIGHT [FROM TOP] ►S I T E PL A N ►E AST EL E VATI O N

STARSTRUCK

/TYPE_DIGITAL CERAMICS //DATE_FALL 2010 /////INSTITUTION_ U.C. BERKELEY

///PROGRAM_ M.ARCH ////INSTRUCTORS_ R.RAEL

S t a r s tr u c k i s a li ght a n d p orc ela in ins t a llat i on, w hi c h wa s the p ro d u c t of a n inve s t i gat i on of tr a nslu c en c y throu gh the me d ium of sli p c a s t p orc ela in. A key in d i c ator of CNC rou te d fa b r i c at i on i s the tell t a l e to ol p aths; s tr iat i ons a l on g the sur fac e of the rou te d o b j e c t, g ener ate d by the b i t a s i t sha p e s the for m. Un d er the gui d a n c e of A s s o c. Profe s s or Ron Rael at UC B er kel ey, s t u d ent s ex p l ore d s ome of the ways by w hi c h to ol p ath s tr iat i ons, a n a r t i fac t of fa b r i c at i on c oul d b e us e d to m o d ulate tr a nslu c en c y in c a s t sur fac e s. For ms were g ener ate d in M o d o, a sur fac e su b d i v i s i on 3D m o d elin g s of t wa re, then CNC rou te d into p la s ter in g ot s, w hi c h were in t ur n us e d a s m ol d s for sli p c a s t in g N ew Zea la n d K aolin p orc ela in. Thi s s eme s ter l on g s emina r wa s the b a s i s for f ur ther ex p l or at i on in d i gi t a l fa b r i c at i on p ro c e s s e s a n d meth o d s w hil e a ll ow in g s t u d ent s to ga in wor k in g k n ow l e d g e of tr a d i t i ona l meth o d ol o gi e s in c er ami c s. The f ina l ins t a llat i on p i e c e s were p ro d u c e d in d i v i d ua ll y a n d ex p l ore d h ow thre e - d imens i ona l sur fac e g e ometr y c oul d b e c reate d throu gh the ag gre gat i on of p orc ela in t il e s.

LEFT

►C LO S E- U P PH OTO G R A PH O F T H E TI L ES S H OW I N G CU STO M TO O L PAT H S

RI G H T [FRO M TO P ] ►D E TAI L S ECTI O N O F T H E I N STA L L ATI O N ►PL AST ER B U L LI O N M O U L D FO R S LI P CASTI N G WI T H T H E FO R M E X T R ACT ED BY C N C RO U T ER ►3 D PRI N T ED T EST TI L ES FO R A M O C K- U P ►T H E FI N A L I N STA L L ATI O N WI T H BAC K LI G H TI N G

SLIPCAST, GLAZED PORCELAIN TILE

2'-0"

T5 LED HOUSED ON THREAD EXTENSIONS 1/8” X 1/2” X 3” STAINLESS STEEL FLATBAR CROSS- BRACING 1/8”SATINLESS STEEL NUT WITH 1/8” STAINLESS STEEL WASHERS ON BOTH SIDES 1/8”DIA ACRYLIC TUBE -CUSTOM CUT TWO-PART ANGLED SHIM

2” X #2 PHILLIPS HEAD MACHINE SCREW 1/8” DIA THREADED ROD 1/8” X 1” X 24” STAINLESS STEEL FLAT-BAR 1/2” DIA CARRIAGE HEAD BOLT TO ATTACH TO EXISTING HOLES IN CONCRETE WALL

detail section scale 1:1

1/2”DIA STAINLESS STEEL WING NUT

GUILLOTINE

/TYPE_PARAMETRIC STRUCTURAL SURFACE //DATE_SPRING 2012 ///PROGRAM_ M.ARCH ////INSTRUCTORS_ L.IWAMOTO///// INSTITUTION_ U.C BERKELEY //////COLLABORATORS_ TEAM 8753F###

G uill ot ine wa s the p ro d u c t of a s eme s ter l on g inve s t i gat i on into p a r ametr i c fa b r i c at i on at UC B er kel ey, un d er the su p er v i s i on of Profe s s or Li s a Iwam oto. S t u d ent s were t a s ke d w i th c reat in g a n inha b i t a b l e ins t a llat i on that c ha ll en g e d ex i s t in g mater ia l a n d s tr u c t ur a l p a r a d i gm s v ia a n i ter at i ve p ro c e s s that invol ve d b oth d i gi t a l a n d p hys i c a l te s t in g. The c la s s fo c us e d on g ener at in g s tr u c t ur a ll y p er for mat i ve sur fac e s, w hi c h were te s te d a n d m o d el e d b oth d i gi t a ll y (Rhin o c ero s 3D, G r a s sh o p p er, A l g or) a n d p hys i c a ll y. S p e c i f i c s tr u c t ur a l sur fac e sys tems were s el e c te d to infor m the f ina l ins t a llat i on p roj e c t s – fol d e d p late in the c a s e of G uill ot ine. The f ina l ins t a llat i on wa s b uil t us in g fol d e d p late s te el that wa s la s er c u t into p er for ate d m o d ul e s a n d a s s em b l e d on s i te.

►O PEN I N G N I G H T O F T H E I N STA L L ATI O N

RIGHT

►S U RFACE S U B D I VI S I O N D I AG R A M I N PL A N , EL E VATI O N + A XO N O M E T RI C ►PH OTO G R A PH O F T H E I N STA L L ATI O N

bar/ /diem day

diy espresso bar

night

pop-up speakeasy

bar capacity_3 g seatin _2 y capacit

e a m e iintervention g h t s eareav e n fi v e t h r e e f u c k

program distribution

MODULE: 2.2 columns

CLOCKWISE FROM TOP ►PRO G R A M DI AG R A M

►ST RU CT U R A L A N A LYS I S O F T H E OV ER A L L FO R M I N A LG O R ►FRO N T EL E VATI O N D R AWI N G S H OWI N G C O N N ECTI O N TO BAS E B RI C K WA L L

NEXT [CLOCKWISE FROM TOP]

columns

connection tabs (pop rivets)

fold per forations

►C LO S E- U P PH OTO G R A PH O F T H E I N STA L L ATI O N S H OW I N G P O RO S I T Y ►M O D EL S T ESTI N G T H E P O RO S I T Y G R AS S H O PPER S CRI P T

module interface (machine screws) plates

►S I D E EL E VATI O N D R AW I N G WI T H M O D U L E C O N N ECTI O N D E TAI L PU L LO U T

gussets

warning: guillotine

MODULE: 2.2

MODULE: 2.2 rows

ion tabs ivets)

c o n n e c ft oi ol dn pt aebr fso r a t i o n s (pop rivets)

fold per forations

module interface (machine screws)

plates

rows

plates

gussets

CHEVRON

/TYPE_MATERIAL INTELLIGENCE //DATE_FALL 2011 ///PROGRAM_ M.ARCH ////INSTRUCTORS_ J.TRUCO + K.PARK /////INSTITUTION_ U.C. BERKELEY //////COLLABORATORS_ A.LOW + W.MIXTER

The M ater ia l Intelli g en c e s t u d i o ve ere d f rom the c onvent i ona l p ro c e s s of s t a n d a r d a rc hi te c t ur a l p e d ag o g y a n d la rg el y fo c us e d u p on the d evel o p ment of a s in gl e c om p onent a s o p p o s e d to a n ent ire b uil d in g. Wor k in g in grou p s, s t u d ent s ex p l ore d the p er for mat i ve c a p a b ili t i e s of the ir c h o s en c om p onent s, a c hev ron in our c a s e, inve s t i gat in g the p er for ma n c e of the c om p onent un d er d i f ferent c on d i t i ons. Ini t ia ll y wor k in g w i th in d i v i d ua l m o d ul e s the s e ex p l or at i ons in s c a l e, mater ia l a n d s tr u c t ure r a p i d l y p ro gre s s e d into p roli fer ate d m o d ul e s. Thi s re s ea rc h wa s f ina ll y us e d to infor m i d ea lize d a rc hi te c t ur a l a p p li c at i ons.

CHEVRON

component variation

base shape

scale 2x horizontal

connections for global change

scale 2x vertical component connectivity with longer tabs at different angles Basic Chevron one notching variable

connection system between components with the idea of using fasteners.

scale vertical outside edge x 0.5

rather than having a slide 3 holes are used to define the different positions

longer tabs scale vertical centre x 0.5 Basic Chevron four notching system longer chevron arms

longer chevron arms and longer tabs number of tabs is reduced and a slider to make the component move up and down is introduced

scale edge 1,2, 4 or 5 x 2

Chevron surface

M O V E M E N T _ SENSORING AND ACTUATION

Chevron shape that can address change of aperture and can contract the system.

Introducing movement using gears

Change of motion strategy

Component’s present stage.

L E F T ►REN D ER O F T H E FI N A L B U I L D I N G PRO P O S A L R I G H T ►E VO LU TI O N O F T H E C H E VRO N C O M P O N EN T

924.90 800.30 683.39 567.16 451.35 335.72 258.55 355.93 284.95 210.71 144.21 88.53

51.20

100

R70.55 30.00

-50

1 2 3 4 5 6

87.22 53.62 53.72 74.08 73.78 28.41

-50

1 2 3 4 5 6

87.22 53.62 53.72 74.08 73.78 28.41

-50

1 2 3 4 5 6

side elevation

100

R251.41

100 R325.30

R205.60

87.22 53.62 53.72 74.08 73.78 28.41

position position position position position position

1 2 3 4 5 6

-50

1 2 3 4 5 6

87.22 53.62 53.72 74.08 73.78 28.41

100

radii(mm)

87.22 53.62 53.72 74.08 73.78 28.41

radii(mm)

1 2 3 4 5 6

radii(mm)

planar -50

radii(mm)

1 102.4 2 104.8 3 69.09 4 104.8 5 102.4 6 97.5

radii(mm)

-50

radii(mm)

508.20

R57.88

488.07

534.05

570.51

554.95

1 2 3 4 5 6

87.22 53.62 53.72 74.08 73.78 28.41

-50

100

R377.55

1 2 3 4 5 6

87.22 53.62 53.72 74.08 73.78 28.41

1 2 3 4 5 6

87.22 53.62 53.72 74.08 73.78 28.41

1 2 3 4 5 6

87.22 53.62 53.72 74.08 73.78 28.41

radii(mm)

87.22 53.62 53.72 74.08 73.78 28.41

radii(mm)

1 2 3 4 5 6

radii(mm)

87.22 53.62 53.72 74.08 73.78 28.41

radii(mm)

1 2 3 4 5 6

radii(mm)

R615.32 radii(mm)

583.06

578.85

R53.95

1 2 3 4 5 6

87.22 53.62 53.72 74.08 73.78 28.41

plan

R227.28

R316.53

R72.64 R214.09

1 2 R3 4

R4 R5

R82.89

R66.56

5 R194.37 R106.342

R223.62

R82.80

R342.97

R93.36

five component proliferated module

PREVIOUS [FROM TOP]

►D EFI N I N G T H E D EFO R M ATI O N O F A S I N G L E C O M P O N EN T I N G R AS S H O PPER ►DI AG R A M O F T H E M OV EM EN T O F A S I N G L E C O M P O N EN T ►DI AG R A M O F T H E D EF L ECTI O N A N D D EFO R M ATI O N O F AG G REG AT ED C O M P O N EN TS

ABOVE [FROM TOP]

►T ESTI N G D I FFEREN T C O M P O N EN T FO R M S ►T ESTI N G D I FFEREN T P O I N T S O F C O N N ECTI O N

A ma in d r i ver of the s t u d i o wa s to wor k s imul t a ne ousl y d i gi t a ll y a n d p hys i c a ll y w hi c h ent a il e d a p a ins t a k in g p ro c e s s of b uil d in g p hys i c a l m o d el s, mea sur in g d efor mat i ons a n d in p u t t in g re c or d s into gr a s sh o p p er s c r i pt s in a n at tem pt to p re d i c t ex tens i ve m o d ul e p roli fer at i on. The s t u d i o c ulminate d w i th a t wo -we e k b uil d in g d e s i gn exerc i s e, w here the p er for mat i ve q ua li t i e s of eac h c om p onent were u t ilize d to p ro p o s e a n i d ea l us e. Thi s re q uire d fa b r i c at in g a n ac t uate d, 1:1 s c a l e d em ons tr ator m o d el (d e p i c te d on the foll ow in g t wo p ag e s) to illus tr ate the o p er at in g me c ha ni sms of the sys tem. The d em ons tr ator wa s p ro gr amme d us in g a n A r d uni o mi c ro c ontroll er, a n d ac t uate d throu gh the us e of s er vo s. A s the m o d ul e s m ove they c reate va r y in g d e gre e s of p oro s i t y, w hi c h we env i s i one d woul d b e well sui te d to p ro gr ams that re q uire s p e c i f i c yet va r y in g li ght c on d i t i ons.

LEFT [FROM TOP]

►1:1 S CA L E A RD U I N O D RI V EN D EM O N ST R ATO R M O D EL ►T ESTI N G T H E D EM O N ST R ATO R :I R S EN S O RS ACTI VAT E S ERVO M OTO RS W H I C H D EFO R M T H E M O D EL

►DI AG R A M O F T H E D EM O N ST R ATO R M O D EL

Reinforcement

the chevrons are notched together and with hole ‘a’ and matches with the slider from the above chevron.

Slider that keeps the components together and assists with both the aperture and contracting movements.

demonstrator

R25.30 Stainless Steel Standard Washer #6, #10

17.14 25.30

Servo 1 , 4, 7, 10 Top/Bottom Wheel 1/4"

8.38

50.60

8.38

1.60

17.18

1/2"±0.005

1/4"±0.005

6.86

R17.18

11.83

3/32"

Thread Hex Nut #4, #6, #8

Lateral connection between the rows allowing for change in aperture.

1.60

9.83 21.13

5/16" 1/8"

44.60

Servo 1, 4 7, 10 Middle Wheel

8.38 17.14 22.30

1/4"±0.005

1.60

9.83

R22.30

Servo 2, 3, 5, 6, 8, 9 Top/Bottom Wheel

Female Threaded 1/4”, 1/2”

1.60

9.83

R13.00 5/32"

0.172”

8.38 13.00

0.037” Servo 2, 3, 5, 6, 8, 9 Middle Wheel

Notching connection between each component.

Philips Flat Head Machine Screw Stainless Steel # 6, 8

0.086”

100°

15.00

1.6

23.5 20.00 2

Stainless Steel Pan Head Philips Machine Screw #2, #4, #6 Note: Screw sizes are in imperial

Picture Hooks #1 Drive M2 x .4 Thread

12.5

Eyelet for thread ing wire through.

Thundermist 360° Rotation 3-Way Swivel Size 5x6, 55 Lbs

15.5

American Fishing Wire Duo Lock Snaps Servo #1, 4, 7, 10 Changing Aperture

Servo #2, 3, 5, 6, 8, 9 Contracting System

HIGH MID - BOGUNVILLEA, FLOWERING PLANTS LOW MID - BAMBOO LOW SUN - MOSS FULL SUN - PRODUCE (LETTUCE) LOW SUN - FERNS FULL SUN - FLOWERING PLANTS FULL SUN - CARNIVEROUS PLANTS LOW SUN - COMMUNITY SPACE LOW MID - SUCCULENTS HIGH MID - SUCCULENTS

LEFT [ANTI-CLOCKWISE FROM TOP]

►E AST EL E VATI O N ►B AS I C S O L A R ST U DY O F C H O S EN S I T E ►D I AG R A M O F LI G H T PEN E T R ATI O N ZO N ES I N O N E STATI C RO O F C O N DI TI O N ►PRO G R A M DI AG R A M ►REN D ERED VI E W O F G REEN H O U S E O N S U B J ECT S I T E

N E X T ►PRO P O S ED WA L L S ECTI O N O F G REEN H O U S E

1/16” STYRENE CHEVRON LIGHT MODULATING SKIN SYSTEM- CLOSED POSITION CHEVRON SKIN SYSTEMOPEN POSITION

3” DIA HDPE TUBE RAIL

ROTATING STAINLESS STEEL BALL CONNECTION HDPE COMPRESSION CONNECTORS 1” DIA HDPE TUBE CROSS MEMBER

LIGHT DIFFUSING, PNEUMATIC LDPE FILM PILLOW- EXPANDABLE DUAL LAYER FOR TEMPERATURE CONTROL MAXIMUM EXPANSION FOR LDPE PILLOW MOST INSULATED CONDITION

LDPE FILMCONDENSATION COLLECTION LAYER FINE GUAGE STEEL CABLE

AIR INTAKE VALVE AIR PUMP

PLATE STEEL HOUSING FOR SKIN MECHANICAL CONTROLLERS ROTARY ACTUATOR CONCRETE FOOTING STAINLESS STEEL PIPE FOOTING CONDENATION COLLECTION SYSTEM 5000 GAL FIBREGLASS WATERTANK

CRITICAL

MESS

/TYPE_PACIFIC RIM FLOATING ISLAND CONCEPT //DATE_SPRING 2010 ///PROGRAM_ M.ARCH ////INSTRUCTORS_ M. ANDERSON R.CHOKSOMBATCHAII /////INSTITUTION_ U.C BERKELEY + AFH //////COLLABORATORS_ S. EWART

Ag gre gat i on a s a te c toni c, in i t s m o s t nat ur a l s t ate c a n b e un p re d i c t a b l e, for ma ll y er r at i c a n d sur p r i s in gl y d ens e. Thin k ma n grove swam p or f ur b a ll. The Pac i f i c Tr a sh Gy re, a n o c ea ni c ‘ vor tex’ of ma r ine li t ter p rov i d e s a ter r i f y in g exam p l e of the p ower of ag gre gat i on; the p ro d u c t of c onverg ent s ea c ur rent s forc in g va s t am ount s of f l ot s am a n d d e b r i s f rom a roun d the Pac i f i c Rim into one c entr a l l o c at i on. In a d d i t i on to the tr a sh g y re, a n other p ro b l em i s d evel o p in g for re s i d ent s of i sla n d s in the Pac i f i c, w hi c h i s of c our s e that of the s ea l evel r i s e, that threatens to w i p e ou t w h ol e c ommuni t i e s. If thi s o c c ur s, w hat may b e re q uire d in the f u t ure i s the fa b r i c at i on of new i sla n d s to su p p or t d i s p lac e d c ommuni t i e s h owever i sla n d c reat i on a n d la n d re c lamat i on a re t y p i c a ll y c o s tl y p ro c e s s e s. A rc hi te c t ure for Huma ni t y (AFH) thus p o s e d a la rg er q ue s t i on a s to w hether i t wa s p o s s i b l e to us e the Pac i f i c Tr a sh Gy re to s omeh ow g ener ate new i sla n d s in the ir Pac i f i c Rim S t u d i o – a s er i e s of g ener at i ve d e s i gn wor k sh o p s hel d in va r i ous ins t i t u t i ons a roun d the Pac i f i c Rim.

PREVIOUS► VI S UA LI Z ATI O N O F T H E I S L A N D PH YS I CA L M O D EL PH OTO C O M P O S I T E A B O V E ►M A P S H OWI N G T H E S PRE A D O F T H E PACI FI C T R AS H GY RE A N D P OT EN TI A L LO CATI O N S FO R I S L A N DS B AS ED O N A RE AS O F H I G H AC CU M U L ATI O N

LEFT [FROM TOP]

►C O I R N E T TI N G AT A CEL LU L A R L E V EL ►P OT EN TI A L ROA D, WAT ER A N D H A B I TATI O N C O RRI D O RS T H AT M AY D E V ELO P O RG A N I CA L LY ►VI S UA LI Z ATI O N O F W H AT H A B I TATI O N M AY B E LI K E

R I G H T ►HYPOTHETICAL E X PA N S I O N OV ER TI M E

BELOW

‘Cr i t i c a l me s s’ wa s d evel o p e d a s p a r t of the ini t ia l s t ag e for the AFHP Pac i f i c Rim inter nat i ona l s t u d i o - a n inve s t i gat i on into the im p ac t of r i s in g s ea l evel s a n d the p otent ia l for im p l ement in g f l oat in g i sla n d s olu t i ons. In c olla b or at i on w i th S c ot t Ewa r t, thi s hi ghl y c on c e pt ua l p ro p o s a l l o o k s towa r d s one of nat ure’s b e s t ag gre gator s: the ma n grove tre e. M a n grove s a re a b l e to c ol onize c oa s t a l sh oreline s a n d s t a b ilize e d g e s a s s e d iment c oll e c t s a roun d them. O ur s c heme thus su g g e s t s a m ore nat ur a ll y d er i ve d for m of i sla n d g ener at i on, us in g c o ir net t in g s e e d e d w i th grow in g me d ia a n d ma n grove s e e d s, p lac e d w i thin a rea s of the exi s t in g g y re. The s e p roto - i sla n d s in t ur n w ill b e c ome ag gre gator s, at tr ac t in g sus p en d e d mat ter. In thi s way, the i sla n d s a re a b l e to b uil d ma s s a n d s t a b ilize over t ime a s the p la s t i c tr a sh a n d p a r t i c ulate mat ter a re b ro ken d ow n by the i sla n d s su b sur fac e b i of ilm c oat in g. The en d g oa l i s to e s t a b li sh a n i sla n d f i t for o c c u p a n c y.

►DI AG R A M S H OW I N G PRO CES S BY W H I C H I S L A N D W I L L H Y P OT H E TI CA L LY D E V ELO P

01 Refuse and plastic polymer particulate are suspended within the trash gyre in the Pacific Ocean

Initial island modules, constructed from woven coir are seeded with mangrove plants, coir fibre and water retention capsules for irrigation. These modules are scattered around the coastline of the Pacific Rim . As currents pull them towards the gyre, they begin to aggregate trash that is still intact - creating a stable, buoyant mass.

As currents bring modules together, they begin to aggregate, forming sufficient mass for habitation by more diverse ecologies; initiating the process of bioremediation

Over time, biological life such as oysters and mussels as well as cyanobacteria and other biofilms uptake and retain the plastic particulate matter that’s held in solution.

DAM[N] THE CHICAGO RIVER

INLET

SITE BOUNDARY

CHICAGO RIVER

WETLAND

T I D A L F L AT S

OUTLET

C L E A N W AT E R POOL PA V I L I O N

PING TOM PA R K

P R E V I O U S ►RENDERED VI S UA LI SATI O N O F T H E W H O L E PAVI L LI O N A B O V E ►T H E C H I CAG O RI V ER -IN CONTEXT R I G H T ►S I T E PL A N

/TYPE_ECOLOGICAL PAVILION //DATE_AUGUST 2012 ///COLLABORATORS_ J. VICTOR-FAICHNEY ////// COMPETITION ARCHTRIUMPH /////ROLE_ DESIGN/ PRESENTATION GRAPHICS

Dam[n] the Chi c ag o Ri ver i s the p ro d u c t of t wo we e k s of s ketc h d e s i gn for f ir s t s t ag e of the t wo p a r t A rc hTr ium p h c om p et i t i on. The b r i ef re q uire d c om p et i tor s to d e s i gn a n ‘e c ol o gi c a l’ p av ili on l o c ate d in a n ex i s t in g Chi c ag o p a r k . I d ea s were su b mi t te d on a s in gl e c om p et i t i on b oa r d. The Chi c ag o Pav ili on c om p et i t i on wa s an intr i guin g o p p or t uni t y to en gag e w i th the p ro b l ems c ur rentl y fac in g Chi c ag o’s water ways a n d thus p ro p o s e a n e c ol o gi c a l p av ili on to ent i c e the p e o p l e of the c i t y into inter ac t in g w i th p a r t s of the r i ver that a re c ur rentl y to o p ollu te d to tou c h.

CLEAN

DIRTY

CLEAN

DIRTY

CLEAN

RIVER

DIRTY

O ur d e s i gn a ims to d i ver t water f rom the S ou th B r a n c h of the Chi c ag o Ri ver, b i o -f il tr ate i t throu gh a s er i e s of c ons tr u c te d wetla n d s a n d then ju x t a p o s e the c l ea n water aga ins t the re s t of the r i ver throu gh a d ua l layer ma s onr y d am. The for ma l g e s t ure s em p l oye d in the d e s i gn a im to re inforc e the n ot i on of s e p a r at i on a n d the d ia l e c t i c s of c l ea n a n d d ir t y, s a ni t a r y a n d uns a ni t a r y; w i th the h o p e that i t w ill ins p ire a renewe d intere s t in Chi c ag o’s hyd rol o gi c a l reha b ili t at i on. M a s onr y i s a c omm on te c toni c for the c ons tr u c t i on of d ams a n d p rov i d e s a la n guag e that i s n ot onl y b eau t i f ul b u t w hi c h l en d s i t s el f to su btl e m o d ulat i on, a s well a s s tr u c t ur a l inte gr i t y. O ur e c ol o gi c a l p av ili on inten d s to te s t, throu gh va r i e d p ro gr am s el e c t i on a n d s p at ia l c onf i gur at i on, s ome of the ways by w hi c h a d am c a n b e c ome m ore tha n jus t a b a r r i er.

CLEAN

DIRTY

CLEAN

DIRTY

DIRTY CLEAN

CLEAN

DIRTY

PA R K

SITE

LO B BY ►C O N CEP T M AS S I N G DI AG R A M B E L O W ► PL A N

DIRTY

R I G H T ►S ECTI O N - EN T R A N CE

DIRTY CLEAN

BRIDGE

WINTER VIEWING AREA E P A W AT E R Q U A L I T Y MONITORING LAB

CHICAGO RIVER

INLET FROM WETLAND B I O F I LT R AT I O N SYSTEM

W AT E R TA N K

LOBBY

RAMP TO CHANGEROOM BELOW

T E R R A C E D B AT H I N G POOLS FILLED WITH CLEANED CHICAGO R I V E R W AT E R

EXISTING DECOMISSIONED B&OCT RAIL BRIDGE OVERHEAD

SAUNA

C O AT C H E C K

ENTRANCE FROM PING TOM M E M O R I A L PA R K

ADJACENT WETLAND V E G E TAT I O N

EXISTING B&OCT R A I L B R I D G E F O O TINGS

DIRTY EXISTING DECOMISSIONED B&OCT RAIL BRIDGE OVERHEAD

CHICAGO RIVER

WINTER VIEWING AREA

EXISTING DECOMISSIONED B&OCT RAIL BRIDGE OVERHEAD

CHICAGO RIVER

L AY E R E D B R I C K COURSING AKIN TO MASONRY DAM SAUNA EXISTING B&OCT RAIL BRIDGE FOOTINGS

T E R R A C E D B AT H I N G POOLS FILLED WITH CLEANED CHICAGO R I V E R W AT E R

CLEAN 59

FOUNDRY

III-LIVING

WALL

/TYPE_LIVING WALL //DATE_NOVEMBER 2012- PRESENT ///INSTALLATION DATE_ AUGUST 2013- NOVEMBER 2013 ////OFFICE_ HYPHAE DESIGN LAB //////CLIENT TISHMAN SPEYER /////ROLE_ PROJECT MANAGER/DESIGN/SYSTEMS ENGINEERING/DRAFTING

In c onjun c t i on w i th Ha b i t at H or t i c ul t ure a n d S t u d i o s A rc hi te c t ure, Hy p hae wa s a s ke d to d e s i gn a n d en gine er the li v in g wa ll for the Foun d r y S q ua re 3 mi xe d us e d evel o p ment in Sa n Fr a n c i s c o. The 10 0 f t l on g ins t a llat i on en c om p a s s e s t wo f ull, d ua l he i ght wa ll s w i thin the l o b by a n d i s the la rg e s t li v in g wa ll in Sa n Fr a n c i s c o to d ate.

LW3-1.1

SLOPE 1% MIN. TO DRAIN (TYP.)

8'-9 1/8" SP

POC 2" SANITARY SEWER TO 6" SS PIPE (FLACK + KURTZ

3-WAY ACTUATED BALL VALVE TI INTO 1" IRR (PROVIDED BY FLACK KURTZ) AND PUMPED IRRIGATIO RETURN FROM STORAGE TAN

16'-2 5/8"

7.7 IM

9'-3 1/2"

18'-2 11/16"

H.P. + 0'-2"

+ EC

2'-0" MIN.

D3-2270 4" 8-21"

4" LIVING WALL DRAIN WITH P-TRAP AND PRIMER (SEE PLUMBING SHEET P3-201) L.P. + 0'-0"

24V LOW-VOLTAGE CONTROL WIRE CONDUIT TO FLOAT SWITCH IN BASEMENT 120G PRESSURE TANK

HANNA HI-8000 SENSOR, DOSING, AND IRRIGATION CONTROL PANEL FLOOR DRAIN PROVIDED BY FLACK + KURTZ (SEE PLUMBING SHEET P201 FOR PLAN)

3 4"

SV-4 3 4"

SV-5 3 4"

T-M

3 4"

SV-2 3 4"

SV-3

3 4"

T-F

SV-7 3 4"

T-C

T-Ph

SV-6 3 4"

SV-8 3 4"

D2-2270 4" 8-21"

L.P. + 0'-0" IM

2 LW3-1.0

8.7

SV-10

SV-1

120V 20 AMP W/ 4 OULETS TO POWER HI-8000 CONTROL PANEL

H A B I TAT H O RTI CU LT U RE + ST U D I O S L E F T ►C O N T RO L RO O M + PA R TI A L LO B BY PL A N A B O V E ►FI LT R ATI O N SYST EM I N STA L L ED B E L O W ►FI LT R ATI O N SYST EM D E TAI L

LW3-1.2

8.3

6 LW3-1.2

P R E V I O U S ►REN D ERED VI S UA LI Z ATI O N BY

3 4"

7 LW3-1.2

SLOPE 1% MIN. 1'-6 9/16"

CHARCOAL AND FABRIC FILTERS FOR RECIRCULATING WATER TANK IN

2- CENTRIFUGAL PUMPS ON STAND WITH 208V SINGLE POINT CONNECTION

H.P. + 0'-1 1/2" SV-9

1% MIN.

1" IRRIGATION MAKE-UP LINE AND RECIRCULATING IRRIGATION LINE FROM BASEMENT

1" IRRIGATION COPPER MANILINE SPLIT TO 34" COPPER SUBMAIN TO LIVING WALL ZONES

18'-5 7/16"

HANNA HI-5000 SENSOR AND DOSING PUMP SYSTME MOUNTED TO WALL ABOVE MIXING TANK

SLOPE 1% MIN.

120V 20 AMP W/ 4 OULETS TO POWER FERTIGATION DOSING PUMPS

9'-2 5/8"

8'-2 13/16"

4" CAST-IRON PIPE FROM LIVING WALL DRAINAGE TO TANK IN GARAGE BASEMENT

2'-5 1/16"

8'-7 3/4"

BY CONTRACTOR • •• •• ••• • • • •• • • • •• • •• • • •• • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • • MASONRY SCREWS BY CONTRACTOR RIGHT [FROM TOP] ►H A B I TAT H O RTI CU LT U RE I N STA L LI N G T H E FO U N D RY 3 LI VI N G WA L L ►WA L L AS S EM B LY D E TAI L ►PL A N T S I N STA L L ED I N FELT P O C K E T S O N WA L L

STUB-OUT 6" BEFORE PANEL INSTALL (SEE ELEVATION FOR LOCATIONS HOLESAW CUT IN POLYCARBONATE

1-1/2" STAINLESS STEEL CONSTRUCTION GRADE STAPLES DURING PLANTING

CONSTRUCTION GRADE SEALANT AT PENETRATION • •• ••• • •• •• • • • • • • • • • • • • • • • • • POLYCARBONATE

/TYPE_URBAN PROTOTYPE //DATE_ SEPTEMBER 2012 ///INSTALLATION DATE_ OCTOBER 2012, AUGUST 2013 //// O F F I C E H Y P H A E D E S I G N L A B / / / / R O L E _ LEAD DESIGNER/CO-PROJECT MANAGER/ PRESENTATION GRAPHICS/3D MODELLING/ FABRICATION/INSTALLATION/

PPLANTER

The PPla nter i s a r a p i d l y d e p l oya b l e, re c onf i gur a b l e p u b li c ur ina l a n d s in k that us e s m o d ula r b i of il ter s to treat ur ine a n d wa s tewater. A net wor k of s ens or s for au tomate d m oni tor in g a n d a re s p ons i ve we b a p p li c at i on ena b l e p u b li c fe e d b ac k a n d p a r t i c i p at i on in the d e s i gn of f u t ure i ter at i ons. Thi s r a p i d l y d e p l oya b l e ur b a n gre en inf r a s tr u c t ure p rotot y p e wa s d e s i gne d a n d fa b r i c ate d in c onjun c t i on w i th Hy p hae De s i gn L a b or ator y. L aun c he d a s p a r t of the Ur b a n Protot y p in g fe s t i va l in Sa n Fr a n c i s c o. PPla nter wa s us e d by hun d re d s of p e o p l e, in c lu d in g women w h o us e d fema l e ur inat i on d ev i c e s to reli eve thems el ve s at the ur ina l. PPla nter c el e b r ate s Sa n Fr a n c i s c oâ&#x20AC;&#x2122;s p ro gre s s i on towa r d s m o b il e a n d ou td o or s er v i c e s in c lu d in g fo o d tr u c k s, b e er ga r d ens, a n d p a r k l et s, a n d p rov i d e s a d d i t i ona l inf r a s tr u c t ure to su p p or t a n d enha n c e thi s tren d.

1 PREVIOUS

►PPL A N T ER AT T H E 2 012 S F U R BA N PROTOT Y PI N G FESTI VA L

urinal is used

user activates sink with foot pump

urinal is flushed with sink greywater

combined urine + water is mixed in dosing tank

combined urine+water is fed into biofiltration planters

high carbon biomass denitrifies urine, turning it into a plant soluble fertilizer

RIGHT [FROM TOP]

►PPL A N T ER: H OW I T W O R KS ►PPL A N T ER: DI G I TA L A N D PH YS I CA L EL EM EN TS

PPLANTER

2 BIOFILTRATION MODULE

1 UTILIPLANTER

hardy nitrogen loving, fast growing plant species such as bamboo (bambusa oldhami )

MODULE

liquid level sensors in the planters not only indicate evapotransiration rates but also can notify maintenence if the unit is oversaturated

water level sensor in tank indicates when water level is low

pplanter is a gender neutral facility which includes a dispenser of disposable female urination devices

P PLANTER

water tank for sink + dosing tank locacted in module

a high float switch triggers a pump, transferring liquid waste from dosing tank to biofiltration unit

sliding privacy door /signage

units spacing meets current ADA code access requirements occupancy light is activated when the door is closed

combined urine + water divurted into straw reservoirs in biofiltration planters

QR code links users to smartphone feedback app

FROM TOP

►T H E U RI N A L E X PERI EN CE: B A M B O O B I O FI LT ER WI T H CU STO M VACU U FO R M ED U RI N A L , WAT ER L ES S U RI N A L CA RT RI D G E A N D S LI DI N G PRI VACY D O O R ►U S ER FEED B AC K S M A RT PH O N E A PP

FROM TOP

►PPL A N T ER: C O M P O N E T S ►T H E T R A N S PA REN T CU STO M S I N K VAC CU FO R M ED I N PE TG ►3 D M O U L DS

ABOUT

Anastasia Victor-Faichney is an architect, landscape architect, designer and artist who presently divides her time between Melbourne, AUS and San Francisco, US. She has received a Bachelor of Landscape Architecture from the University of Melbourne, where she was named valedictorian and a Master of Architecture from the University of California, Berkeley, developing a thesis on the potential for Brain Computer Interfacing in the built environment. Over the past five years, she has gathered experience working in both the public and private sectors in environmental design and related disciplines. Anastasiaâ&#x20AC;&#x2122;s interests in urban prototyping have provided her with the opportunity to work with the Civil and Environmental Engineering Department at UC Berkeley and the Bill and Melinda Gates Foundation, in addition to the Urban Biofilter, an ecologically driven non-profit funded by the State of California, working to develop design solutions for environmental issues. Presently, Anastasia works for renowned San Francisco Bay Area start-up, Hyphae Design Laboratory as a lead designer and project manager on projects of varied cost and scale, such as the new SFMOMA and the Luggage Store Gallery. Her collaborative work has been presented at ACADIA, UC Berekley, The University of Melbourne and Elisava and published in Architecture Australia, VEIL, EYES, The San Francisco Chronicle, The New York Times and The Huffington Post. Anastasia specializes in digital design and fabrication techniques, having worked for the CAD/CAM Laboratory at the Centre for Environmental Design at UC Berekely but also produces graphic art and photography and has exhibited art in Melbourne, San Francisco and Berkeley, CA. Please visit www.victor-faichney.com for more examples.