

ANDI MOORE
ARCHITECTURE PORTFOLIO
Table of Contents
Resume...................................................................4-5
The Office Park..................................................6-19
Object Field.....................................................20-31
The Homestayer...............................................32-41
An Anthropomorphic Wall...........................42-49
Drawings & Paintings.....................................50-53
Work Experience
The Ohio State University
August 2022-present
Works as a Graduate Research Assistant with Ben Wilke, Todd Gannon, and Phu Hoang on the Source Books in Architecture.
Flanagan’s Pub
May-August 2017, May 2020 - February 2022
Worked as a server and bartender at Flanagan’s Pub in Blacklick, Ohio.
ChangeUp Inc.
May-June 2019
Gained experience drafting construction documents working with ChangeUp’s retail architecture studio.
dig Architecture
August-December 2018
Gained significant experience within custom residential architecture by working on as-built remodels as well as schematic design for new homes.
Moody Nolan
January-May 2018
Gained experience in experiential design and architecture working with Moody Nolan’s Student Focused Facilities and Sports and Recreation studio.
The Ohio State University
Columbus, Ohio
Knowlton School of Architecture
Master of Architecture Anticipated: 2024
University of Cincinnati
Education Skills
Cincinnati, Ohio
College of Design, Architecture, Art, and Planning Class of 2020
Bachelor of Science in Architecture
• Rhino, AutoCad, Adobe Creative Suite, Revit, Twinmotion, Enscape, KeyShot, V-Ray, Midjourney, Microsoft Office Suite, Hand Drafting, Woodwork, Laser Cutting, 3D Printing, Vacuum Forming, Drawing, Model Building, Sketching, Painting
Accomplishments
• Keinle Scholarship Recipient 2024
• Semester Award Winner Spring 2022, Fall 2022, Spring 2023, and Fall 2023
• Project Submission for 2023 Seoul Biennale
• Jury member for the Knowlton School’s Freshman Studios
• AIAS Member since 2018
The Office Park


The Office Park is a future office model for co-creation and start-up companies that has a goal of bringing together its constituents by utilizing mobile pods that move through nature. These pods grant ample opportunity for focus, collaboration, regeneration, and socialization.
The current office model is noisy, dark, and gloomy. There is little chance for impromptu collaboration, and a lack of focus. Offices are rigid and lack flexibility. Additionally, there also tends to be a lack of plant life due to the need to maintain them, and a lack of fresh air. An unhealthy and stuffy environment can be a result.

Based on the movement and the form of Kenzo
Plan for Japan, The Office fixing problems in a typical implementing mobile move back and forth raised a foot above of the main building,
movement of an abacus, Kenzo Tange’s Master Office Park aims at typical office by pods. These pods forth along a track the ground outside or “docking station.”

Small Pod Variations





There are two sizes
smaller pod is meant focusing alone, and provides collaboration
The larger pods are creation space, and provide regeneration



The pods provide individual space, small, medium, meeting spaces, co-creation and spaces for regeneration socialization.
The pods have no ownership. a user arrives each open pod, work, and when they leave.
of pods. The meant for working and and when rotated collaboration space are meant for coand when rotated regeneration space. individual work medium, and large co-creation spaces, regeneration and ownership. When day they take an and take their things
Large Pod Variations











The user has the ability to move along the track and stop where desired. As the pods move back and forth, there is opportunity for a multiplicity of experiences for the user. Along with moving along the track, each pod rotates 90 degrees, providing the possibility for single-user use, larger areas of collaboration, along with regeneration.






Object Field

South Korean culture can be viewed as a still life. Munbangdo
Paintings are a traditional painting genre portraying culturally significant objects on two dimensional panels from different vantage points around a three dimensional still life.


K-pop choreography represents contemporary Munbangdo, speaking of a relationship between autonomous subject and mobile viewer.

As one moves through the path on the site, they are confronted with alternating objects and fields that make up a still life. Object conditions spread from one to many, from the object emerges a field. From forest as field… to a Plaza as an object field... Each space has a program appropriate form.


The architecture transforms from object at the top, to field at the bottom. Within the architectural field we have artists studios, a recording studio, gallery spaces, living and kitchen areas, and classrooms. We also have communal bathrooms and artist residences. The path moves through the building allowing for food carts and the public to move through the gallery spaces and the artist residences on their way to the amphitheater.



The architectural field is informed by the architectural object in a top-down geometry. The object transforms from mostly circular at the top to mostly orthogonal at the bottom.


Light Tunnels are utilized to bring natural light into the different spaces. The wooden shingles break the barrier from exterior to interior and different times of day bring different lighting conditions. Glass is reused in a mosaic form in the interior of the light wells to create a geometric relationship between the sun and the architecture, translating light from singular moments at the top to many at the bottom.



The Homestayer
In Collaboration with Trevin Stewart & Marie-Lou Moulanier

The needs of the hotel have changed overtime.
In the past, the target audience for hotels has been primarily for business travelers. Now, travel is far more accessible to everyone and hotels need to be as well. Many people travel with a goal of experiencing new cultures. However, this can be difficult, especially if a traveler intends to only stay for a few days or in a large group. The Homestayer aims to allow single travelers or groups of travelers to stay for days, months, or even years at a time while being able to immerse themselves in local culture.

Using a series of simple translations, a mat building plan formed through figure-ground diagramming.
If the needs of the hotel are needing to change, so should the form. As opposed to being a large tower that sits monolithically within the city, what if it were a string of smaller, connected towers? Instead of a simple doubleloaded corridor, what if the hallways become disarranged, and larger than is traditional, allowing for new opportunities for unique public space? What if instead of a traditional lobby, checkin is via smartphone? The Homestayer implements these changes and creates a space for travelers to embrace new people and cultures.
Room Walls
Corridors
Boundary
Connecting Building
The floors of each string are laid out in such a way that allows for the corridor to be broken up, and the overlap of each tower creates a connection point.
Rather than focusing on short-term travelers, The Homestayer becomes a place that allows for many lengths of stay. Within a series of connected strings, there are rooms available in a hostel-like set up that allow for day-travelers. The higher one goes up the towers the larger the rooms become to accommodate longer stays. The highest portions of the towers accommodate travelers that might want to stay for years at a time and contribute to the teaching and running of the hotel.

years+ retail months days circulation

years months days



The more permanent residents have the opportunity to share some of their life and culture with other travelers. Based on the ideas of the homestay, where a traveler is hosted by a family or person, the longer-staying residents can run a family owned store or business at the bottom of their tower. Within these spaces, there is opportunity for teaching as well. For example, there might be an art studio with an attached gallery, a teaching kitchen with an attached diner, a dance studio with an attached performance space, etc. The Homestayer can be thought of as a boarding school with the more permanent residents being the head of the school.




Using a disarranged corridor allows the norm of the double loaded corridor to be challenged, creates more equitable public space, and generates opportunity for meandering staircases between different floors. The differing heights within each string of towers allows for the use of both public and private roofs for public gathering spaces and private gardens. The overlapping of the towers allows for some of the ground-level retail space to bridge two units, inherently creating a duality that benefits long-term residents for teaching and for business.
An Anthropomorphic Wall



Using simple transformations of a rectangle, new shapes were triangulated together and piped around the seams to create unique objects. One object was then split in half and repeated to create An Anthropomorphic Wall.








Section A
Scale: 1/8” = 1’-0”

Andi Moore
Section B
Scale: 1/8” = 1’-0”

Andi Moore
Section C
Scale: 1/8” = 1’-0”


Hand Drawings &Paintings







