JVC PROFESSIONAL PRODUCTS by Andrea Rivetta

www.jvcvideocloud.com

JVCKENWOOD

PROFESSIONAL PRODUCTS QUICK REFERENCE GUIDE

Camcorders • Monitors • Projectors • Studio Systems Interested in learning more about our products? Please visit our website at www.jvcpro.eu.

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Professional on-line video platform for SMEs and creative individuals. Simple yet powerful content management system for live video streaming and VoD, featuring skinnable players, built-in monetization options, website builder tools and rich performance analysis tools.

Broadcast from anywhere Broadcast live events from anywhere in the world, record the broadcast and use cloudbased transcoding to provide the best user experience possible.

Manage your video library Ingest, sort, categorize, enrich with metadata, set custom rights on all VoD content, live recordings and more.

Live Simple Free start Streaming setup & & VoD management

Superior Functionality

Deliver content globally JVC VIDEOCLOUD is running on Akamai â&#x20AC;&#x201C; the best CDN in the world â&#x20AC;&#x201C; serving more than a third of the global video traffic.

Monetize content Insert custom adSense banners into configured websites, add pre/mid/post-rolls to content, connect players to the VAST server.

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www.jvcvideocloud.com

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EASY SETUP

STREAM LIVE

CHOOSE A STREAMING PLAN THAT SUITS YOUR NEEDS

STARTER

FREE 50 viewer hours 5 GB storage 1 live channel All features included No commitment

PLUS

USD / month

PREMIUM

USD / month

200 viewer hours 1000 viewer hours 20 GB storage 100 GB storage UNLIMITED live channels UNLIMITED live channels All features included No commitment

All features included No commitment

USD 0.25 additional viewer hour USD 0.25 additional viewer hour USD 0.25 additional 1GB of storage USD 0.25 additional 1GB of storage

For more information and to register go to:

www.jvcvideocloud.com

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Introduction to IP Production JVC continues to expand its advanced IP technologies. The new GY-HM660 camcorder will allow reporters in the field to communicate with the studio through IFB while streaming live HD reports from the field. We’ve also added SMPTE 2022 forward error correction for increased stream reliability.” When paired with a 4G LTE modem or hotspot, the JVC camcorder’s built-in video-over-IP technology delivers high-quality streaming with a choice of resolutions, bit rates and formats without a backpack transmission system or external encoder. For more reliable streaming, it offers SMPTE 2022 or Zixi forward error correction (FEC), automatic repeat request (ARQ) and adaptive bit rate control. Our cameras also include support for Real Time Messaging Protocol (RTMP), which allows a direct connection to a number of content distribution networks (CDNs) including Ustream and YouTube, together with compatibility with Streamstar’s range of streaming production tools. New to IBC this year is our own streaming platform – JVC VIDEOCLOUD – ideal for use with our most advanced camcorders. We are also introducing a new PTZ camera to the JVC IP camera family: the KY-PZ100 and its IP controller, RM-LP100. This features a precise direct drive system and the possibility to use the KY-PZ100 as stand alone streaming PTZ head via 3G/4G/LTE.

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GY-HM890E Key Features • 1/3" 12-bit CMOS sensors (1920x1080x3) • F12 sensitivity • Compact shoulder design with H.264 ftp 50Mbps interchangeable lens options • Exchangable 20x optical zoom lens w/AF/OIS included • Dual SDHC/SDXC memory card recording (HD+HD, HD+SD, HD+Web, etc.) • Multiple file formats for native workflow: - .MP4 (XDCAM EX™) - .MOV (Final Cut) - .MXF (AS-10) - .MTS (AVCHD) - .MOV (H.264) • Virtually lossless H.264 50Mbps 1080/50/60p recording • 4 Position ND Filter (Clear, 1/4, 1/16, 1/64) • 0.45" LCOS Viewfinder • High-resolution 4.3” LCD monitor • Histogram display and Expanded Focus Functions • Focus Assist Function • 12 assignable user buttons • Variable frame rate recording (over cranking, under cranking) • Wired remote control operation • Genlock input and TC input/output • HD/SD-SDI external input for recording and streaming (pool feed) • 4-channel audio system • Full complement of Fibre or Multicore studio accessories • Pre Rec Mode (10 sec) and Interval Rec • Colour Aberration Compensation • FTP, Web remote, Live streaming functions • Live streaming from 200 kpb/s up to 12 Mbp/s • Streaming protocol: ZIXI, UDP, TCP, RTP, RTMP

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GPS

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GY-HM850E Key Features • 1/3" 12-bit CMOS sensors (1920 x 1080 x 3) • F12 sensitivity H.264 50Mbps • Compact shoulder design with interchangeable lens options • Exchangable 20x optical zoom lens w/AF/OIS included • Dual SDHC/SDXC memory card recording (HD+HD, HD+SD, HD+Web etc.) • Multiple file formats for native workflow: - .MP4 (XDCAM EX™) - .MOV (Final Cut) - .MXF (AS-10) - .MTS (AVCHD) - .MOV (H.264) • Virtually lossless H.264 50Mbps 1080/50/60p recording • 4 Position ND Filter (Clear, 1/4, 1/16, 1/64) • 0.45" LCOS Viewfinder • High-resolution 4.3" LCD monitor • Histogram display and Expanded Focus Functions • Focus Assist Function • 12 assignable user buttons • Variable frame rate recording (Over cranking, Under cranking) • Wired remote control operation • Genlock input and TC input/output • 4-channel audio system • Pre Rec Mode (10 sec) and Interval Rec • Colour Aberration Compensation • Balanced weight distribution for effortless working • FTP, Web remote, Live streaming functions • Live streaming from 200 kbs up to 12 Mbps • Streaming protocol: ZIXI, UDP, TCP, RTP, RTMP

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ftp

GPS

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GY-HM660 Key Features • NEW: 1/3-inch 12-bit CMOS sensors • NEW: F13 sensitivity • 23x Fujinon Auto focus zoom lens with manual functions • F1.6-3.0, 23x, f=4.1-94.3mm (35mm conversion:29 to 667mm) • Optical image stabilizer • 3 position ND filter (1/4, 1/16, 1/64) • HD-SDI and HDMI outputs • 0.45-inch 1.22M pixel colour viewfinder • NEW: Brighter 3.5-inch 920K pixel LCD display with focus assist • SDXC/SDHC memory card recording (2 slots for dual-backup, continuous recording) • Large file size support with SDXC card • 50Mbps H.264 Extreme High Quality mode (XHQ) • Dual Codec: simultaneously record HD + SD, HD+480x270 or 940x540 (for Web delivery) • Multiple encoding formats - HD H.264 (50Mbps) - HD MPEG2 (35/25/19Mbps) - AVCHD 1920x1080 60i - MXF • 1080/60p recording capability • SD H.264

IP functions from GY-HM660: • • • • • • • •

USB host supports a wide range of WIFI, 3G, 4G and CAT5 adapters Live streaming with advanced Zixi error correction NEW: Interruptible foldback (IFB) NEW: High latency mode, recovering up to appr. 40-50% package loss RTMP protocol let you stream directly to USTREAM, YouTube SMPTE 2022 FEC MPEG-TS/RTP streaming RTSP and UDP streaming NEW: ZIXI FTP support

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GY-HM200E Key Features • • • • • • • • • • • • • • • • • • • • • •

1 / 2.3 BSI 12.4 Megapixel CMOS sensor 1080/50/60p recording up to 4:2:2 50 Mbps HD highspeed recording with 120fps HD recording Dual slot recording for continuous, back-up and pre-recording 4K / 23.98p / 25p / 30p recording 12x optical zoom lens with OIS and auto focus, filter 62mm 24x dynamic zoom Built-in ND filters – 1/4 and 1/16 Super LoLux mode up to 36db Focus assist, zebra, expand focus, clip cutter, clip marking, etc. Built-in microphone 3.5 inch LCD display 1.56 Megapixel 16:9 LCOS colour viewfinder with tilt SDHC and SDXC memory card support Supports recordings from low resolution over SD/HD up to 4K Time stamp Multicast address support HDMI output up to 4K/30p 3.5mm mini-jack external mic input Mini USB for file handling 2.5mm mini-jack for cable remote SSL-JVC50/75 IDX battery

IP functions from GY-HM200: • Handle with XLR audio mic inputs and phantom power (optional for GY-HM170) • IP connectivity, includng FTP file transfer • Remote control via IP • Live streaming • 3G SD/HD-SDI output

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GY-HM200SP

NEW

Key Features • Single 1/2.3-inch CMOS image sensor with 12.4 million pixels • High quality integrated 12x F1.2-3.5 zoom lens (35mm equivalent: 29.6-355mm) • Graphic score overlay with custom logo option (HD mode only) • Dynamic Zoom in HD mode combines optical zoom and pixel mapping to create seamless and lossless 24x zoom • 4K Ultra HD recording (150 Mbps, 24/30p) to SDXC (UHS-I Speed class3) card • 4K Ultra HD recording (70 Mbps, 24/30p) to SDXC/SDHC(Class 10) card • 4:2:2 Full HD (24-60p) recording at 50Mbps • HD highspeed recording with 120fps HD recording • Live 4K UHD output via HDMI connector • 2 position ND filter (1/4, 1/16) • HD-SDI (3G) and HDMI outputs (4K output via HDMI only) • HD-SDI and HDMI outputs can feed and trigger external recorder • 2-channel XLR audio inputs with phantom power • Built-in stereo microphone • Dual SDHC/SDXC slots enable dual, backup and continuous recording • Advanced JVC streaming engine compatible with USTREAM, Zixi and Wowza Streaming Engine

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KY-PTZ100B/W

NEW

Key Features • • • • • • • • • • • • • • • • • • • •

1 / 2.8-inch CMOS sensor (2.1 million pixels) Optical zoom lens with 30x zoom ratio Fast f/1.6-4.7 maximum aperture for excellent low light High sensitivity mode (down to 0.01 lux) Robotic pan, tilt and zoom Full HD 1080p, 1080i, 720p video 3G-SDI and HDMI digital outputs 2 channels audio (or 1 channel balanced audio w/phantom power) USB host connection for WiFi or 4G LTE adapter LAN connector supports Power over Ethernet Advanced IP connunications capability Streaming with SMPTE 2022 forward error correction Advanced Zixi reliable communication with ARQ, FEC and adaptive bitrate control Low latency streaming RTMP streaming directly to content delivery network (JVCVIDEOCLOUD, YouTube, Ustream, Facebook, etc.) Micro SDHC/SDXC memory card recording Remote control via RS-232C / RS-422, or via IP controller Can memorize up to 100 preset settings and positions Can be mounted upside-down PoE+ will be supported

Key Features of RM-LP100 IP Controller: • • • • • •

IP Network controller for up to 100 cameras LCD control touch display Tally GPI out Robust metal chassis Joystick controlled Camera set-ups and gain settings

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GY-LS300 Key Features IP Production Camera • Super 35mm bayored 13.7MP CMOS sensor • Full HD 50/60P recording up to 4:2:2 50Mbps • Dual-slot recording, continuous, back-up and pre recording • 4K Ultra HD (3840x2160) 23.98p / 25p / 30p recording (150 MBit) as a single file • C4K 4096 x 2160 / C2K 2048 x 1080 • New 70 MBit 4K recording for Class 10 SDHC cards • FOV selection: Super 35mm, UHD/HD, MFT, Super 16mm & variable (VSM=Variable Scan Mapping) • Build in ND filters: Clear, 1/4, 1/16, 1/64 • Histogram • Two slot - dual codec recording (depend on the selection) • JVC log Mode for 800% dynamic range • Super LoLux up to 36db • Focus assist, Zebra, Expand focus, clip cutter, clip marking • Built-in microphone / plus external microphone • 3.5 inch LCD display • 1.56 Megapixel 16:9 LCOS colour viewfinder with tilt • SDHC and SDXC memory card support • Supports low resolution recording over SD/HD up to 4K • HDMI output up to 4K/30p • HDSDI HD output for 4K downscaled • 3.5mm mini jack external mic input • Mini USB connection for file handling • 2.5mm mini jack for cable remote • Handle with XLR audio & mic inputs / phantom power • Comprehensive IP features • FTP files transfer with resume • Remote control via IP • Live streaming from to 0.2 to 12 Mbps

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Super 35mm Compact, convenient and ultra high definition, the GY-LS300CHE is equipped with a 4K Super 35mm CMOS sensor and accommodates a wide range of cinema and photographic lenses and adapters for dazzling cinematic effects. The latest free firmware upgrade adds a ‘JVC Log’ mode that practically duplicates the look of film, plus new Cinema 4K and Cinema 2K recording modes and a unique Prime Zoom feature that uses the camera’s innovative technology to allow zoom capabilities when using prime lenses. There’s now a 70-bit mode to enable 4K recording on standard Class 10 SDXC cards, a histogram, new zebra indication and a variety of live streaming changes, plus the ability to trigger recordings via HDMI/SDI and JVC LUT support via the Atomos Shogun or Ninja Assassin external recorders. Create hours of pristine recordings on SDHC media in a variety of image formats including 4K Ultra HD, full HD with 4:2:2 sampling, SD and web friendly proxy formats. Conventional DSLR cameras simply can’t match the high reliability, long recording time and ergonomics provided by JVC’s GY-LS300CHE. Its dual codec design allows you to make two copies of your programme simultaneously. You can even stream live HD over the internet to content delivery networks such as USTREAM while recording full HD. No other removable lens video camera offers this much flexibility in such a compact, easy-tohandle form factor. * New 3.0 upgrade is now available with HD Slow Motion recording. The slow motion mode records HD footage at up to 120 frames per second. This can be downloaded from our support website.

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Special Functions for GY-LS300

New features

Cinematographic recordings

In addition to the existing Ultra HD recording mode, the GY-LS300 can now record in Cinema 4K and 2K formats: • Cinema 4K recording 4096x2160 23.98 / 24P • Cinema 2K recording 2048x1080 23.98 / 24P

JVC Log (J-Log) gamma mode

A new J-Log gamma mode for cinematographic recordings with a 800% dynamic range, which expands the possibilities for colour grading in post production.

70Mbit mode

If you want to shoot in 4K or UHD but have no SDXC UHS 1 U3 memory card available, this new 70Mbit mode allows 4K recording to a class 10 SDHC/SDXC card. From a quality point of view, it’s similar to recording in HD at 35Mbits, so still very good.

Histogram

By popular request, this function has been implemented, providing improved exposure adjustment. It can be activated from the display menu.

Spot meter

Another request for was for a spot meter, which is now available for the GY-LS300 from the function menu / user keys. Its function is the same as in the GY-HM600 Series.

Multicast address Support

Live Streaming Multicast addresses can now be entered in UDP streaming mode.

ColourMatrix & Black Paint

For colour optimisation when working with the GY-LS300, you can now access an adjustable graphical colour matrix and a black paint function from the process menu.

Digital Zoom via Variable Scan Mapping

Having a digital zoom for fixed focal length lens sounds unusual but can be very useful when you need to get just the right shot. It works using the GY-LS300’s clever Variable Scan Mapping to optimally adjust how the optics match the scan area, whichever lenses you choose to use.

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GW-SP100 Remote camera head system The JVC GW-SP100E is a 4KCAM remote camera head and recording unit; the system includes the camera head, a recording/playback device with built-in monitor and a RCU controller. The GW-SP100E uses JVC’s new Super 35mm CMOS 13.6 Megapixel image sensor, and features a MFT mount for flexible adaptation to lenses and other mounts to enable the camera to use a large selection of lenses. It records at HD and 4K Ultra HD, at 4:2:2 150Mbps, and supports up to 50/60p recording in both HD and 4K. HD recording in H.264 50 Mbps or AVC HD.4K footage is recorded as a single file in AVC H.264 format at 150Mbps. There’s a FOV (Field of View) menu selection too, supporting filming in a number of resolutions including Super 35mm, UHD & HD, MFT, Super 16mm and a variable selection – this allows the user to adapt their lens selection to avoid vignetting. The GW-SP100E camera system features a video unit with a foldable and detachable 7-inch HD LCD monitor and includes a wired dedicated remote and camera control panel. The recording unit also comes with a RCU to perform major operations. Ideal for any production environment, the GW-SP100 features HDMI and also 4x SDI (quad outputs).Thanks to the system’s two dual codecs and four card slots (two for 4K, two for HD), the camera can record 4K+4K and HD+HD (continuous/backup recording), making it a very flexible system. Recording is via costeffective SDHC/SDXC cards; a single 64GB UHS-I U3 SDXC card provides around an hour of recorded 4K footage at 60p.

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GW-SP100 Accessories Cable for camera unit (1/5/10m) Metal cable adapter KA-MA001 required when using the 5m or 10m cable.

Lithium-Ion Batteries Uses 2 lithium-ion batteries. Please see batteries and kits below.

1m: KA-SC001G

ID-JPE2-E

ID-XQ10E

5m: KA-CC005G 10m: KA-CC010G + KAMA001E SSL-JVC50

SSL-JVC75

Please note: For operating the GW-SP100E camera system you need either the 1m cable or the combination of 5m or 10m cable with the additional interface, see details below (KA-MA001E).

Product name

Description

GW-SP100E KA-SC001G CA-4XLR IA-60A KA-CC005G KA-CC010G KA-MA001E SSL-JVC50 SSL-JVC75 LC-2J IDX-Q10E IDX-JPE2-E

Remote head 4KCAM camera system 1m cable for GW-SP100E camera system 3m power cable for GW-SP100E camera system and IA-60A 60W AC Adaptor Power Supply 5m cable for GW-SP100E camera system 10m cable for GW-SP100E camera system Interface for 5m and 10m cables IDX lithium spare battery (at least 2 should be used) IDX lithium spare battery Charger for IDX batteries IDX Power pack kit: incl. 2 batteries (SSL-JVC50) & 1x twin loading station Power pack: includes 2 batteries (SSL-JVC75) & loading station

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IP Camera Tools When you talk about streaming, it’s also important to talk about the tools required to decode or support such streaming signals. JVC cameras are not only able to stream signals, but also able to transfer content via FTP and to support metadata. They can also be operated remotely via the web, either in standalone mode with preview of live video, or in a remote production environment as a full-featured RCP. This all runs via a simple web browser, without the need for a dedicated app. JVC camcorders are also fully integrated in the productions tools from Streamstar, and are ideal for sports, weddings, music or any other events.

BR-DE800 The BR-DE800 Decoder is a high-performance IP decoding appliance for standard definition and high definition MPEG-2 and MPEG-4 H.264 streams, ideal for use with JVC streaming cameras.

Key Features

• • • • • • • • • • •

1x HD-SDI 1x SD-SDI (downscales HD sources on-the-fly) 1y HDMI 1x Composite 1x mini-jack for unbalanced stereo audio Resolutions: QCIF - Full HD 1920x1080 Frame rates: 1-60 Color systems: PAL and NTSC Aspect ratio: 4:3 and 16:9 Streaming protocols: UDP/RTSP (MPEG-2 TS encapsulation) Multicast and Unicast

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Streamstar designs and manufactures an advanced line of live production and streaming tools that enable users to easily produce and stream professional multicamera live productions. Streamstar PRODUCTS From the self-install DIY streaming solutions to professional, highperformance production systems that excel in the most demanding production situations, Streamstar line of production tools covers a full spectrum of streaming production applications. JVC and Streamstar STRATEGIC PARTNERSHIP All Streamstar products fully support the JVC streaming cameras and accept their IP video stream as input, creating a perfect match for a seamless streaming production chain. JVC has extended its strategic partnership with Streamstar, adding the full range of its innovative, professional live production and video streaming products to its portfolio and distribution network.

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New sports streaming star

X7 6 channel, live production and streaming studio in a compact rack housing

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SW Live production and streaming software that enables users to easily produce and stream professional multi-camera video productions.

KIT | HDMI ®

Streamstar SW software bundled with a 4 channel HDMI capture card as selfinstall kits. Installed into the customer’s own PC, it will turn it into a multi-camera live production and streaming studio.

KIT | HD-SDI ®

Streamstar SW software bundled with a 4 channel HD-SDI plus a single channel HDMI capture card. Installed into the customer’s own PC, it will turn it into a multi-camera live production and streaming studio.

Full-featured, 4 channel, live production and streaming production studio in a compact rack housing. Fine tuned, versatile and extremely affordable systems for medium and small live productions.

Full-featured, 6 channel, live production and streaming production studio in a compact rack housing. Fine tuned, high performance systems for professional live productions. 16

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CASE 500 Full-featured, 4 HDMI/HD-SDI input live production and streaming studio in a portable case. All-in-one system for small and medium productions.

CASE 510 Full-featured, 4 HD-SDI + 1 HDMI input live production and streaming studio in a portable case. All-in-one system for advanced and professional productions.

CASE 710 Full-featured, 6 HDSDI + 1 HDMI input live production and streaming studio in a portable case. All-in-one, high performance system for advanced and professional productions.

SCOREPLUS High-quality, easy-to-use sports graphics SW package. Groundbreaking IP technology, brilliant user interface design, professional results and an affordable price tag.

SCOREPLUS SERVER A professional network TV style sports graphics server that offers groundbreaking IP technology, top performance and exceptional reliability. 17

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X4 Live production and streaming studio in a compact rack unit

Monitors not included

Streamstar X4 is a 4-channel, live production and streaming studio in a 2U rack. It offers professional features, top performance and broadcast quality results. Network television style live production at a fraction of the cost.

Feature highlights • Intuitive touch screen user interface • 4x HD-SDI input • 4x IP Stream input • 4x NDI input • 1x Ingest input for HDMI or NDI with transparency • IP Video Stream inputs from JVC streaming camcorders • IP/NDI input for SCOREPLUS – scores, timers and titles app. • Integrated JVC camcorder remote control • External signal ingest with keying (for PowerPoint, Keynote, Facebook, GoPro or even a smart phone camera) • 1x HD-SDI video out • 1x HDMI video out - PGM • 1x HDMI/Display port video out - multiview or PGM • up to 720@50/60p streaming @ 10 Mbps max • RTMP & MPEG-TS simultaneous Output • Cut/Crossfade/Transitions automated switching modes • Instant replays with slow motion playback on all cameras • Replay matrix playout system with playlists • Dynamic replay camera switching • Autocut - automatic camera switching after replays or media

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• Replay lead in/out animations • Monetizing system with advertising statistics • Ingest on/off Automation in replays • Internal character generator with templates • 4 layers of DSK – CG/images/animations with transparency • Instant, unlimited video clips playback – No transcoding! • Unlimited playlists – Media management / playout system • PIP and Split screen layouts • HD recording (PGM) • ISO recording (all cameras) • PGM stream recording (simultaneous) • 2nd display multiview grid • Multi framerate 50fps / 60fps operation • True 4:4:4:4 ARGB video processing • Full featured audio mixer • Built-in Streamstar® encoder • Popular streaming platforms integration • JVC VIDEOCLOUD direct streaming integration • Facebook Live direct streaming integration

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NEW

Live production and streaming studio in a compact rack unit

Monitors not included

Streamstar X7 is a 6-channel, high-performance live production and streaming studio in a 2U rack. It offers professional features, top performance, pure SSD architecture and broadcast quality results. Network television style live production at a fraction of the cost.

Feature highlights • Intuitive and easy-to-use touch screen user interface • 6x HD-SDI input • 6x IP Stream input • 6x NDI input • 1x Ingest input for NDI with transparency • IP Video Stream inputs from JVC streaming camcorders • IP/NDI input for SCOREPLUS – scores, timers and titles app. • Integrated JVC camcorder remote control • External signal ingest with keying (for PowerPoint, Keynote, Facebook, GoPro or even a smart phone camera) • 1x HD-SDI video out • 1x HDMI video out - PGM • 1x HDMI/Display port video out - multiview or PGM • up to 1080@25/30p streaming @ 10 Mbps max • RTMP & MPEG-TS simultaneous Output • Cut/Crossfade/Transitions automated switching modes • Instant replays with slow motion playback on all cameras • Replay matrix playout system with playlists • Dynamic replay camera switching • Autocut - automatic camera switching after replays or media

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• Replay lead in/out animations • Monetizing system with advertising statistics • Ingest on/off Automation in replays • Internal character generator with templates • 4 layers of DSK – CG/images/animations with transparency • Instant, unlimited video clips playback – No transcoding! • Unlimited playlists – Media management / playout system • PIP and Split screen layouts • HD recording (PGM) • ISO recording (all cameras) • PGM stream recording (simultaneous) • 2nd display Multiview grid • Multi framerate 50fps / 60fps operation • True 4:4:4:4 ARGB video processing • Full featured audio mixer • Built-in Streamstar® encoder • Popular streaming platforms integration • JVC VIDEOCLOUD direct streaming integration • Facebook Live direct streaming integration

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CASE 500 All in one, HD portable, live production studio Streamstar CASE 500 is a 4 input, multi-camera streaming production studio in a compact and portable package. It offers professional productivity features Replays and Slow Motion on all cameras, Monetizing system, comprehensive Media Playlists, an internal character generator, advanced Graphics and a brilliant user interface that makes the live production fun again. Plus top quality video processing and an unmatched reliability track record. With Streamstar CASE 500 you’ll achieve better results smarter, faster and easier. Feature highlights • Intuitive and easy-to-use touch screen user interface • 4x HD-SDI input • 4x HDMI input • 4x IP Stream input • 4x NDI input • 1x Ingest input for HDMI or NDI with transparency • IP video stream inputs from JVC streaming camcorders • IP/NDI input for SCOREPLUS – scores, timers and titles • Integrated JVC camcorder remote control • External signal ingest with keying (for PowerPoint, Keynote, Facebook, GoPro or even a smart phone camera) • 1x HD-SDI video out • 1x HDMI video out - PGM • 1x HDMI/Display port video out - multiview or PGM • up to 720@50/60p streaming @10Mbps max • RTMP & MPEG-TS simultaneous output • Cut/Crossfade/Transitions automated switching modes • Instant replays with slow motion playback on all cameras

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• Replay matrix playout system with Playlists • Dynamic replay camera switching • AutoCut - automatic camera switching after replays/media • Replay lead in/out animations • Monetizing system with advertising statistics • Ingest on/off automation in replays • Internal character generator with templates • 4 layers of DSK – CG/images/animations with transparency • Instant, unlimited video clips playback – No transcoding! • Unlimited playlists – Media management / playout • PIP and Split screen layouts • HD recording (PGM) • ISO recording (all cameras) • PGM stream recording (simultaneous) • 2nd display multiview grid • Multi framerate 50fps / 60fps operation • True 4:4:4:4 ARGB video processing • Full featured audio mixer • Built-in Streamstar encoder • Popular streaming platforms integration • JVC VIDEOCLOUD direct streaming integration • Facebook Live direct streaming integration

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CASE 510 & 710 All in one, FULL HD portable, live production studios Streamstar CASE 510 & 710 are high-performance, professional, multi-camera streaming production studios in a compact and portable case. They offer a full range of professional productivity features including the renowned Streamstar Replays and Slow Motion on all cameras. They are the leading portable production studios available. The superb graphics capabilities and intuitive, touch screen user interface allow for incredible flexibility, greatest creative freedom and absolute ease of use. Feature highlights • • • • • • • • • • • • • • • • •

Intuitive touch screen user interface 6x HD-SDI input (4x on CASE 510) 6x IP Stream input (4x on CASE 510) 6x NDI input (4x on CASE 510) 1x Ingest input for HDMI or NDI with transparency IP Video Stream inputs from JVC streaming camcorders IP/NDI input for SCOREPLUS – scores, timers and titles app. Integrated JVC camcorder remote control External signal ingest with keying (for PowerPoint, Keynote, Facebook, GoPro or even a smart phone camera) 1x HD-SDI video out 1x HDMI video out - PGM 1x HDMI/Display port video out - multiview or PGM up to 1080@25/30p streaming @ 10 Mbps max RTMP & MPEG-TS simultaneous Output Cut/Crossfade/Transitions automated switching modes Instant replays with slow motion playback on all cameras Replay matrix playout system with playlists

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• Dynamic replay camera switching • Autocut - automatic camera switching after replays or media • Replay lead in/out animations • Monetizing system with advertising statistics • Ingest on/off Automation in replays • Internal character generator with templates • 4 layers of DSK – CG images or animations with transparency • Instant, unlimited video clips playback – No transcoding! • Unlimited playlists – Media management/ playout • PIP and Split screen layouts • HD recording (PGM) • ISO recording (all cameras) • PGM stream recording (simultaneous) • 2nd display multiview grid • Multi framerate 50fps / 60fps operation • True 4:4:4:4 ARGB video processing • Full featured audio mixer • Built-in Streamstar encoder • Popular streaming platforms integration • JVC VIDEOCLOUD direct streaming integration • Facebook Live direct streaming integration

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KIT Advanced live production and streaming software. Do you own a quality PC system? Expand its capabilities and turn it into a multi-camera, live TV studio! Streamstar KIT is an easy-toinstall software plus capture card package that’s the best and most affordable streaming solution on the market. In a few minutes you will be streaming broadcast quality, live video, right from your PC. Available in two versions, HDMI and HD-SDI, it features HDMI or HD-SDI inputs respectively plus all the functionality of the Streamstar SW.

KIT/HDMI

KIT/HD-SDI

• Full-featured Streamstar production software • Intuitive and easy-to-use touch screen user interface • HDMI/HD-SDI/IP/NDI inputs • IP/NDI input for SCOREPLUS • Supports IP inputs from JVC streaming camcorders • Replays and slow motion on all cameras • PIP and Split screen layouts • HD recording of PGM • Stream recording of PGM (simultaneous) • Replays recording (simultaneous) • Cut/Crossfade/Transition switching modes • 4 layers of DSK – images/animations with transparency support • Instant and unlimited video clips playback • Autocut - automatic camera switching after replays or media

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• • • • • • • •

Dual monitor mode 2nd display multiview grid Multi framerate 50fps / 60fps operation True 4:4:4:4 ARGB video processing Full-featured audio mixer Built-in proprietary Streamstar encoder Up to 1080@25/30p streaming @10Mbps max Popular streaming platforms and CDNs integration • JVC VIDEOCLOUD direct streaming integration • Facebook Live direct streaming integration • Touch screen control, single operator production HDMI KIT includes 4 HDMI input capture card. HD-SDI KIT includes 4 HD-SDI input capture card plus 1 HDMI input capture card.

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SW Advanced live production and streaming software. Advanced, innovative and versatile live production and streaming software that enables users to easily produce and stream professional multi-camera video productions. Designed and developed by Streamstar, it features a broad range of productivity features, unmatched functionality and an intuitive, easy-to-use touch screen enabled interface. Streamstar SW features • • • • • • • • • • • • • • • • • • • •

Support HD-SDI, HDMI, IP and NDI inputs Cut/Crossfade/Transitions switching modes Instant replays with slow/fast motion playback Replays In/Out animations Graphic overlays and Inserts PIP and Split screen layouts Video clips and complex playlists playback External signal capture over DVI with keying Built-in Streamstar encoder Up to 1080@25/30p streaming @ 10 Mbps max Popular streaming platforms integration JVC VIDEOCLOUD direct streaming integration Facebook Live direct streaming integration IP/NDI input for SCOREPLUS HD recording of PGM while streaming Stream recording of PGM (simultaneous) 2nd display multiview grid Multi framerate 50fps / 60fps operation Full blown audio mixer Supports IP inputs from JVC streaming camcorders

FEATURES / FUNCTIONALITY HD-SDI

HDMI

IN/OUT

SWITCHING

LAYERS

MEDIA

PLAYLISTS

REPLAYS

SEQUENTIAL

DYNAMIC

REPLAY

SLOMO

WIPES

REPLAY

PLAYLISTS

TAGS

FAVORITES

PREVIEWS

FULL

ALL CAM

GRAPHICS

REMOTE

CONTROL

ENCODER

MPEG-TS

INTERCOM

TALLY

MULTI

PIP

SPLIT

VIEW

AUDIO MIX

AUDIO FOLLOW

HDMI/DVI

AUTOCUT

RTMP

ISO

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CHARACTER

GENERATOR

TOUCH

CD TIMERS

AUTO

IP REMOTE

SCOREPLUS

PRODUCTION

IP INPUT

DIRECT

VIDEOCLOUD STREAMING

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NEW

SCOREPLUS

Network TV style, real-time, sports graphics at an affordable price Streamstar® SCOREPLUS blends groundbreaking IP technology with brilliant design to deliver highest-quality, easy-to-use sports graphics. Via the intuitive touch-screen GUI, the user can quickly generate realtime, database driven graphics covering every aspect of the sport. Ready-to-use sports modules with graphic templates supporting most major sports in the world are gradually being added and custom made templates are available for order.

SCOREPLUS SOFTWARE

Soccer module GUI

Main features • Dedicated sports modules GUI

• Internal sports statistics

• Teams, players and leagues database

• Touch screen enabled GUI

• Import of database data

• Timing systems

• Ready to use graphics templates

• Clocks, timers, score controls

• Real-time graphics rendering

• Preview monitor

• Graphics templates autofill

• IP / NDI output

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SCOREPLUS SERVER Professional Network TV style sports graphics server

NEW

Streamstar® SCOREPLUS SERVER is a professional sports graphics solution offering top performance, reliability and groundbreaking IP technology. It comes pre-installed with the Streamstar® SCOREPLUS software package fine-tuned for optimal performance. It’s an ideal companion for Streamstar live production systems like the Streamstar X4, X7 or Streamstar CASE. It can be used as a standalone sports graphics solution with any NDI supporting production switcher.

SCOREPLUS SERVER

Monitor not included

Main features • 2RU form factor • Pre-installed Streamstar SCOREPLUS SW • Pure SSD architecture • 3x sports modules of choice included • IP / NDI output (PGM with transparency) • HDMI / DP / DVI monitor output (for SW control and preview monitor)

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Studio Fibre System Developed exclusively for GY-HM890 ProHD cameras, the FS-790 fiber optic multiplexing system replaces the bulky multicore cables with durable, lightweight fibre cable. Ideal for production studios, OB vans, sports, concerts, or worship installations, fibre provides robust two-way communication between cameras and control systems. The custom designed camera back transciever module attaches directly to the GY-HM890 body using a hidden 68-pin connector and enables broadcasters to leverage the cameraâ&#x20AC;&#x2122;s full studio functionality in the field. It connects the camera via SMPTE hybrid (powered) or tactical (unpowered) fiber optic cable to a CopperHead base station typically located in a control room, fly-pack or OB van.

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FS-790TNRG

• KA-F790NVG Camera adapter with Neutrik and IDX VMount • R M-FP790TNRG Base Station No Power with Neutrik and RTS Intercom • VC-P790RMG Base Remote cable for RMLP25/55/57 • AA-FP790G External AC Power Adapter for Base station

FS-790TNCG

• • • •

K A-F790NVG Camera adapter with Neutrik and IDX VMount R M-FP790TNCG Base Station, No Power with Neutrik & ClearCom Intercom V C-P790RMG Base Remote cable for RMLP25/55/57 A A-FP790G External AC Power Adapter for Base station

Compatible cables

• • • • •

F S-CABTAC100 Tactical Fibre Cable 30m, OpticalCon FS-CABTAC200 Tactical Fibre Cable 65m, OpticalCon FS-CABTAC500 Tactical Fibre Cable 160m, OpticalCon FS-CABTAC1000 Tactical Fibre Cable 330m, OpticalCon FS-CABTAC2000 Tactical Fibre Cable 660m, OpticalCon

FS-790PNVRG • • • •

K A-F790NVG Camera adapter with Neutrik and IDX VMount RM-FP790PNRG Powered Base Station with Neutrik and RTS Intercom VC-P790RMG Base Remote cable for RMLP25/55/57 KA-PW790VG Camera side Power Wafer with IDX VMount

FS-790PNVCG • • • •

KA-F790NVG Camera adapter with Neutrik and IDX VMount RM-FP790PNCG Powered Base Station with Neutrik & ClearCom Intercom VC-P790RMG Base Remote cable for RMLP25/55/57 KA-PW790VG Camera side Power Wafer with IDX VMount

Compatible Cables

• • • •

FS-CABHYB100 SMPTE 311 Fibre Cable 30m, OpticalCon FS-CABHYB200 SMPTE 311 Fibre Cable 65m, OpticalCon FS-CABHYB500 SMPTE 311 Fibre Cable 160m, OpticalCon FS-CABHYB700 SMPTE 311 Fibre Cable 230m, OpticalCon

FS-790PSVRG • • • •

KA-F790SVG Camera adapter with SMPTE and IDX VMount RM-FP790PSRG Powered Base Station with SMPTE and RTS Intercom VC-P790RMG Base Remote cable for RMLP25/55/57 KA-PW790VG Camera side Power Wafer with IDX VMount

FS-790PSVCG • • • •

KA-F790SVG Camera adapter with SMPTE and IDX VMount RM-FP790PSCG Powered Base Station with SMPTE and ClearCom Intercom VC-P790RMG Base Remote cable for RMLP25/55/57 KA-PW790VG Camera side Power Wafer with IDX VMount

Compatible Cables

• • • •

FS-CABHYB100S SMPTE 311 Fibre Cable 30m, SMPTE 304 FS-CABHYB200S SMPTE 311 Fibre Cable 65m, SMPTE 304 FS-CABHYB500S SMPTE 311 Fibre Cable 160m, SMPTE 304 FS-CABHYB700S SMPTE 311 Fibre Cable 230m, SMPTE 304

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FG-CAM-F4/U ProHD Fibre System Multi-flexible 1080P Fibre system with Ethernet and integrated IP adapter over fibre. Supports JVC IP camcorders, especially for additional live-streaming or remote-over-IP functions. For: • GY-HM200/170 • GY-HM6x0 series • GY-HM8x0 series • Tripod mount, or in case of GY-HM8x0, tripod and shoulder mount as well. Supports: • Up to 1080P • Ethernet connection forremote or Live streaming • Serial Protocol for RM-LP´s • Serial (LANC) • 4 Wire intercom

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Base Unit - Head Unit • • • • • • • • • • • • • • •

1 x 3G/HD SDI from head to base unit 1 x 3G/HD SDI from base to head unit 1 x Genlock from base to head unit 2 x Tally (Preview / On Air ) integrated on the Head Unit front, plus external Tally output 1 x RS-232 / RS-422 configurable + Remote Power 1 x RS-232 (TTL remote 3) + Remote Power 1 x LANC (remote 4) + Remote Power 1 x DC OUT 13.2V 40W to power the camera (for more power, contact us) 1 x LAN Ethernet 10/100 1 x Single mode hybrid fiber up to 200m Fischer Connectors Single mode hybrid Optical Fiber link 1 x Intercom link 1 x Microphone/headphone, configurable headset levels thanks to push button on Head Unit rear 1 x DC IN from +8V to +24V : allows to use Tactical Fibre up to 10Km distance

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HD Camcorders

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GY-HM620E

NEW

Key Features • NEW: 1/3-inch 12-bit CMOS sensors • NEW: F13 sensitivity • 23x Fujinon Auto focus zoom lens with manual functions • F1.6-3.0, 23x, f=4.1-94.3mm (35mm conversion:29 to 667mm) • Optical image stabilizer • 3 position ND filter (1/4, 1/16, 1/64) • HD-SDI and HDMI outputs • 0.45-inch 1.22M pixel colour viewfinder • NEW: brighter 3.5-inch 920K pixel LCD display with focus assist • SDXC/SDHC memory card recording (2 slots for dual-backup, continuous recording) • Large file size support with SDXC card • 50Mbps H.264 Extreme High Quality mode (XHQ) • Dual Codec: simultaneously record HD + SD, HD+480x270 or 940x540 (for Web delivery) • Multiple encoding formats -H D H.264 (50Mbps) - HD MPEG2 (35/25/19Mbps) - AVCHD 1920x1080 60i • 1080/60p recording capability • SD H.264

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GY-HM170E Key Features • 1 / 2.3 BSI 12.4 Megapixel CMOS sensor • 1080/50/60p recording up to 4:2:2 50 Mbps • HD highspeed recording with120 fps • Dual slot recording for continuous, back-up and pre-recording • 4K / 23.98p / 25p / 30p recording • 12x optical zoom lens with OIS and auto focus, filter 62mm • 24x dynamic zoom • Built-in ND filters – 1/4 and 1/16 • Super LoLux mode up to 36db • Focus assist, zebra, expand focus, clip cutter, clip marking, etc. • Built-in microphone • 3.5 inch LCD display • 1.56 Megapixel 16:9 LCOS colour viewfinder with tilt • SDHC and SDXC memory card support • Supports recordings from low resolution over SD/HD up to 4K • Time stamp • HDMI output up to 4K/30p • 3.5mm mini-jack external mic input • Mini USB for file handling • 2.5mm mini-jack for cable remote • BN-VF823 battery • KA-HU1 (handle) optional

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GY-HM70E Key Features • AVCHD Progressive format for HD & SD recording • Dual SD Card Slot: Seamless Recording/Auto recovery mode • Dual Battery mounts • 3.0’ 230K Touch Panel LCD • 0.24’ 200K View Finder • Internal Stereo Microphone • Manual Operation Button • Terminals HDMI Out, AV Out, Head Phone Out, USB, Mic In • Auto focus/Manual focus (focus ring) • Focus assist function • Zebra indication (Over 100%/70-80%/OFF) • Auto iris/Manual iris adjustment • AE adjustment • Backlight compensation • Touch priority AE/AF • Face detection/Smile shot • Tele macro • Built-in stereo zoom microphone

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S2070 / S2060 X3 KIT

NEW

S2070 - Key Features • • • •

13W light, 800Lux @1m 3200K/5600K filters CRI Ra > 85 DV plate / D-tap

S2060x3Kit • • • •

30W lighting kit, 1300Lux / 4000Lux 3200K-5600K adjustment CRI Ra > 97 D-tap power

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Professional Blu-ray recorders packed with features that will make your job easier. JVC’s line-up for professional Blu-ray recorders offers comprehensive support of a wide variety of video camera formats. Anyone who wants to burn high definition video footage of our ProHD camcorders on a Blu-ray disc or DVD can now do this quite easily and efficiently. Our new Combo Deck, the SR-HD2700, is ideal for creating standard-compliant Blu-ray discs in high-definition quality as well as for saving on standard DVDs. The recorder can record contents of numerous HD image sources. For this, the user requires no complex software or additional computer hardware. Since our Combo Deck supports the common industry standards, it is perfectly suited for use with practically all other HDV and AVCHD video cameras that are available on the market. This has the advantage that contents can be played regardless of the camcorder used. The SR-HD2700 model also offers many other features that make your job easier! THE KEY ADVANTAGE – unlike its predecessor, it is now possible to burn content directly in the BDMV format on Blu-ray disc or in DVD video format on a DVD. Another new feature is simultaneous recording on a disc and on the hard disk, but backup format DVD (VR) is used. Furthermore, when using the new HDMI input, it is now possible to record both 1080i video sources (without HDCP) and computer sources in 1920x1080/50Hz and to burn them directly on standard DVD or Blu-ray discs, e.g., recording of a multimedia event or conference. In the HD era, DVDs in SD format are still necessary; a complicated conversion process is no longer required as the SR-HD2700 can now do this ‘on the fly’. It creates a “down converted” HD signal from the 1080i HD input signal.

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SR-HD2700E

Key Features • • • • • • • • • • • • • • • •

Built-in professional Blu-ray™ Recorder Direct-to-disc recording from live signal Internal 1000GB hard disk for editing, duplicating Create professional BDMV (with menu) or BDAV format discs Dual recording disc & hard disk, for backup (only DVD VR format) Recording of PC signals via HDMI (1920x1080/50Hz) Recording of HDMI video sources (without HDCP) Direct conversion of HD to SD Extension of recording time and cross-media continuous recording Supports SDHC/SDXC cards Transfer edited NLE-video contents to the recorder via LAN/FTP NEW! High speed dubbing (dubbing at high speed) Import QuickTime-compatible files at 35Mbps (.mov) Import of MXF files created with JVC ProHD camcorders Record standby mode NEW! Remote control via IR/RS232C or LAN NEW!

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SR-HD1700E Key Features • All-in-one professional Blu-ray™ Recorder • Direct-to-disc recording from live signal with new record pause mode • Direct recording to DVD possible in DVD-Video format • Internal 500GB hard disk for editing, duplicating • Dubbing speed up to 6x with BD-R discs • Create professional BDMV or BDAV format discs - even from live sources • Stores up to 24 hours of HD (AE mode using dual-layer 50GB disc) • Supports BD-R or BD-RE (erasable) Blu-ray™ discs • Authors discs with auto-start or repeat playback • Supported formats: VIDEO - MPEG2TS / MPEG2PS / H.264 AVC • Audio - Dolby Digital (2ch)/LPCM • Digital and analogue inputs for wide compatibility ◊ USB — (connect to camcorder) ◊ SDHC or SDXC** card — (AVCHD, ProHD camcorder) Works with .MOV and .MXF files up to 35Mbps created with JVC GY-HM series camcorders ◊ i.Link — (HDV, DV camcorder) ◊ Composite/S-Video input — (Analogue SD device, camcorder, etc.) ◊ Transfer NLE footage via LAN • Flexible monitoring via HDMI. Now outputs with/without HDCP encryption* • Component output (SD only) • Disc duplication function, with more formats • RS-232C terminal for external control • External control also possible via LAN *To output without HDCP, source material must not be encrypted. **USB card reader must be used with SDXC memory cards.

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SR-HD1350E Key Features • All-in-one professional Blu-ray™ Recorder • Direct-to-disc recording from live signal with new record pause mode • Direct recording to DVD possible in DVD-Video format • Internal 320GB hard disk for editing, duplicating • Dubbing speed up to 6x with BD-R discs • Create professional BDMV or BDAV format discs - even from live sources • Stores up to 24 hours of HD (AE mode using dual-layer 50GB disc) • Supports BD-R or BD-RE (erasable) Blu-ray™ discs • Authors discs with auto-start or repeat playback • Supported formats: VIDEO - MPEG2TS / MPEG2PS / H.264 AVC • Audio - Dolby Digital (2ch)/LPCM • Digital and analogue inputs for wide compatibility ◊ USB — (connect to camcorder) ◊ SDHC or SDXC** card — (AVCHD, ProHD camcorder) ◊ i.Link — (HDV, DV camcorder) ◊ Composite/S-Video input — (Analogue SD device, camcorder, etc.) • Flexible monitoring via HDMI. Now outputs with/without HDCP encryption* • Component output (SD only) • Disc duplication function, with more formats *To output without HDCP, source material must not be encrypted. **USB card reader must be used with SDXC memory cards.

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DT-V Monitor series has four new DT-V HD Studio Monitors The brand new DT-V line-up includes two new top models with 10-bit IPS panels and 10-bit processing (DT-V24G25 / DT-V17G25), along with two models with 8-bit IPS panels and 10-bit processing (DT-V21G2 / DTV17G2). Each of these models uses JVCâ&#x20AC;&#x2122;s new processing engine and features a wide range of signal inputs, including dual HD-SDI support. The DT-V Series can be calibrated with the JVC Monitor calibration software, which supports professional sensors from companies such as Minolta, Jeti or X-write. Other features include standalone IMD and IMD via TSL compatible serial control, as well as timecode, audio/video waveform/vectorscope and histogram.

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DT-V24G25 / DT-V17G25

NEW

Key Features • HD-SDI in/out (3G and dual HDSDI) x 2 with E-Audio • Loop out • CVBS (BNC) x1 in/out • Component in x1 • HDMI x 1 • Audio x2 (Dual) in x1 (Dual) out • RS-232C In, RS-485 In/Out DT-V17G2

DT-V21G2

DT-V17G25

DT-V21G2 / DT-V17G2

DT-V24G25

NEW

Key Features • HD-SDI in/out (3G and dual HDSDI) x2 with E-Audio • Loop out • CVBS (BNC) x1 in/out • Component in x1 • HDMI x 1

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DT-V9L5 The new DT-V9L5 replaces the DT-V9L3 series adding improvements such as new LED backlight technology and higher resolution. The DT-V9L5 uses an 8.2” IPS LED panel for the best viewing performance and the resolution has been increased to 1280 x 800 pixels for improved HD and Native SD Image performance. The monitor is a built-in unit, which includes the power supply and a 12 Volt connector. In addition to the full metal chassis and image protection filter, the DT-V9L5 also includes image controlling tools, like waveform and a vectorscope and a 16 channel audio level meter for embedded HD-SDI audio sources. This monitor will also support JVC calibration tool software.

Key Features • • • • • • • • • • • • • • • • • • • • •

1280 x 800 Pixel IPS LED Panel / 8.2” 450cd Front-Protection HD SDI in x2 /out x1 (1.5G) HDMI x1 CVBS (BNC) in x1, out x1 Component in x1 (Y/CVBS Share) Audio IN x1(RCA mono) out x2(RCA mono) Earphone jack Built in speaker RS-232C in x1, Make trigger x1 Marker Waveform Vector scope Histogram 16 channel Audio Level Meter Tally lamp Internal DC/AC switchable Power-supply Calibration software Front controls (Bright, Contrast, Chroma, Phase) Only 15 Watt power consumption

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DT-F9L5 The new DT-F9L5 with LED backlight technology and high resolution IPS Panel is perfect for field usage, and as a side mounted or attached camera control monitor. The DT-F9L5 uses an 8.2” IPS LED panel for the best viewing performance and the resolution has been increased to 1280 x 800 pixels with brightness boosted to 450cd for improved HD and native SD image performance. The DT-F9L5 is a reduced weight version of the DT-V9L5 model, with an external power supply and attached V Mount adapter for full battery usage (IDX). Also it includes more dedicated features for image control, including Zebra, Mirror mode, Wave, Vectorscope, Histogram, Audio level meter, 1:1 mode, etc.

Key Features • • • • • • • • • • • • • • • • • • • • •

1280 x 800 Pixel IPS LED Panel / 8.2" 450 cd Front-Protection HD SDI in x2 /out x1 (1.5G) HDMI x1 CVBS (BNC) in x1, out x1 Component in x1(Y/CVBS Share) Audio IN x1(RCA mono) out x2(RCA mono) Earphone Jack (front connector) RS-232C in x1, Make trigger x1 Marker Waveform Vector scope Histogram Zebra 16 channel Audio Level Meter Tally lamp (Back and front) External DC/AC switchable Power-supply Calibration software Front panel controls (Bright, Contrast, Chroma, Phase) Only 15 Watt power consumption

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DT-E21L4 JVC’s new DT-E Series of HD monitors provides a cost-effective alternative to industry-standard DT-V highend monitors and offers a new non-reflective TN Panel with LED backlighting for improved contrast and dark levels.

Key Features • • • • • • • • • • •

Fast 1920 x 1080 TN panel - non-reflective on DT-E21L4 HD-SDI and HDMI compatible Full HD Resolution with 1920 x 1080 panel Composite Video In/Out, Component Video In, Analogue RGB Video In, HDMI In, HD/SD-SDI In/Out 3-way stand for versatile installation Mercury-free LED backlight IMD (In Monitor Display) function based on TSL’s UMD protocol version 4.0 10bit colour processing 16ch embedded audio with level indicator Remote: RS-232C x1; RJ-45 x3 (MAKE/TRIGGER, RS-485 In & Out) Other features ◊ 16.7 million display colours ◊ Area/Center / Safety marker ◊ LTC & VITC time code support ◊ Built-In speakers ◊ AC/DC Power Supply ◊ Non-glare panel (1.000:1 contrast ratio)

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DT-E17L4 JVC’s new DT-E Series HD monitors provide a cost-effective alternative to industry-standard DT-V high-end monitors and offer a new non-reflective TN Panel with LED backlighting for improved contrast and dark levels.

Key Features • • • • • • • • • •

• • • • •

Full HD 1920 x 1080 TN Panel 17 inch multi-format LCD display with 16:9 aspect ratio 600:1 contrast ratio 16.7 million colours Gloss surface 10 bit image processor Brightness of 300 cd/m2 LED backlighting Viewing angles: Horizontal: 160˚ / Vertical: Upward 60˚, Downward 80˚ Video input/output ◊ Composite: 1 line, BNC connector (2), 1 V p-p, 75Ω ◊ HDMI input: HDMI connector (1) ◊ Analogue component RGB input: Mini D-Sub (1) 15 pin - Y: 1 V p-p, 75Ω - G, B/PB/B-Y, R/PR/R-Y: 0.7 V p-p, 75Ω - HS, VS: 0.3 V p-p to 5 V p-p ◊ HD/SD-SDI: BNC (2) auto detection ◊ HD/SD-SDI: BNC (1) switched out Operating temperature: 5˚C - 35˚C Operating humidity: 20% - 80% Power requirement: AC 120 V/ 220-240 V, 50/60 Hz, DC 12-17 V Dimensions: 430mm (W) x 309mm (H) x 102mm (D) (without stand) Weight: 5.6 kg

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DT-E15L4 The DT-E15L4 is a cost-efficient LCD 15” high-end studio monitor with a fast TN panel and LED backlighting, reduced power consumption and improved lifespan. DT-E models deliver improved contrast and black level and are also perfect for use as control and studio monitor.

Key Features • Fast 1366 x 768 TN panel, non-reflective • HD-SDI and HDMI compatible • Composite Video In/Out, Component Video In, Analogue RGB Video In, HDMI In, HD/SD-SDI In/Out • 3-way stand for versatile installation • Mercury-free LED Backlight • IMD (In Monitor Display) function based on TSL’s UMD protocol ver. 4.0 • 10bit colour processing • 16ch embedded audio with level indicator • Remote: RS-232C x1; RJ-45 x3 (MAKE/TRIGGER, RS-485 In & Out) • Other features ◊ 16.7 million display colours ◊ Area/Center / Safety marker ◊ LTC & VITC time code support ◊ Built-In speakers ◊ AC/DC Power Supply ◊ Gloss high contrast panel (600:1 contrast ratio)

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DT-N Series Ensure that your work is seen in the best light with JVC’s new range of DT-N monitors. The ProHD DT-N Series is an affordable range of studio monitors, offering professional connectivity and features. There are three models in the series – the DT-N17F, DT-N21F and DT-N24F, with 17.3”, 21.5” and 23.8” panels respectively – each supporting up to Cinema 2K 2048 x 1080P signal sources. Suitable for a wide range of broadcast, OB, production and post-production applications, the DT-N Series monitors provide outstanding image quality and include an array of professional features such as waveform monitors, vectorscopes and 3G support.

Key Features • • • • • • • • • • • • • • • •

2K/3G/HD/SD-SDI, HDMI, Y/Pb/Pr, CVBS, VGA monitoring Up to 16 channels of embedded audio meters with alert Select any 2 audio channels to output Waveform, Vector scope and Histogram AFD, H/V delay, R/G/B/Mono, false colour Zebra stripes, Peaking focus assist Picture freeze mode User set-up profiles (1 default, 3 user) LED backlighting TSL UMD (RS485 & RS232), Tally, GPI control USB firmware upgrade Dual DC IN V-mount battery holder Stand included VESA100 wall mount DT-17F supplied with 19” rack mount, optional for DT-21/24

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DT-X71FI The new DT-X71 monitor provides an affordable high quality solution for field and studio applications. The DT-X71FI is the most feature-rich model in this series. It is a 7” HDSDI/HDMI LCD monitor, with a high resolution 1024x600 panel, dual TALLY lights, image rotate and flip. It integrates a wide range of professional functions including waveform, vector scope, RGB histogram,red/blue switchable peaking, focus assist, false colour, blue only, zebra, rotate and flip, 16-ch HDSDI audio meter, time code and internal colour bars. The DT-X71FI monitor is Now with a new powered via a 4-pin XLR 12V DC connector or the battery connection snap-on JVC SLL-JVC50 7.4 battery from the plate, cable kit & 3G HDSDI input! GY-HM6x0 battery series (optional).

Key Features • • • • • • • • • • • • • • • •

1024×600 RGB 16:9 / 4:3 adjustable HD/SD-SDI, HDMI, Composite video inputs HDMI converted to SDI output by a Build-in Converter Waveform (Y/Cb/Cr/R/G/B), with full scale Vector scope R G B Histogram Peaking focus assist (red/blue switch) False colour, Blue only, Zebra Underscan / Overscan switch Canon DSLR scale zoom-in Customer editable video TITLE Audio meter (SDI 16-ch, HDMI 2-ch) 50cm HDMI cable including 50cm SDI cable including Battery connection plate for SSL-JVC50 battery from GY-HM6x0 camera series

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DT-X71HI The DT-X71HI is a 7” HD-SDI/HDMI on-camera monitor with 1024 x 600 resolution, H/V: 160/160 viewing angle and 900:1 contrast ratio. It has front and rear dual TALLY lights, Canon DSLR scale zoom-in, video flip, customer editable video title, and safety mark display. The DT-X71HI is powered via a 4-pin XLR 12V DC connector or a snap-on SSL-JVC50 7.4V battery of the GY-HM6x0 camera series (optional). Now with a new battery connection plate, cable kit & 3G HDSDI input!

Key Features • • • • • • • • • •

1024×600 RGB 16:9 / 4:3 adjustable HD/SD-SDI, HDMI, Composite video, Stereo audio inputs Dual 3-colour TALLY light Underscan / Overscan switch Canon DSLR scale zoom-in Picture flip Customer editable video TITLE 50cm HDMI cable included 50cm SDI cable included

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DT-X53F/X73F/X92F

NEW

Expanding our portfolio of monitors are the new models in the DT-X series, with small-format versions designed to be used as additional monitors for cameras or control monitors as top-mounted or a rackmount version (DT-X93Hx2). All monitors have full HD resolution, are robust and have a wide range of accessories. The monitors support 3G HDSDI and 2048x1080 up to 60P, the individual models DT-X53 / X73 / X92 are equipped with Wave / Vector and Histogram control measuring tools, with programmable function keys. If you use monitors regularly on location, we recommend the PRO package, where you also get a robust transport case including useful adapters. There is also our new DT-X93Hx2 rackmounted monitor pair, ideal for use in OB vans, which features dual 9“ 1920x1200 pixels Monitor in a rack mount unit. It has the same basic functions of the DT-X series, except vectorscope and histogram, to make the unit cost-effective.

DT-X53F • • • •

5.5” 1920 x 1080 Optical bonding LCD Metal housing 400cd/m2, 1.000:1

DT-X73F • • • •

7” 1920 x 1200 Optical bonding LCD Metal housing 450cd/m2, 1.000:1

DT-X92F • • • •

9” 1920 x 1200 Non-Optical bonding Plastic housing 450cd/m2, 800:1

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DT-X93Hx2

NEW

Video function list • • • •

SDI/HDMI 2-ch audio meters SDI/HDMI and CVBS PIP display Peaking focus assist SDI timecode displayTSL UMD and Text-Tally displayRed/Green/ Blue only, Zebra stripesScale marker 4:3, 13~15:9, 1.85:1, 2.35:1

Rack 9” • • • • • • • •

Front TALLY Light TSL UMD / GPI / TALLY input 3G/HD/SD-SDI input x 2 3G/HD/SD-SDI loop x 1 CVBS input x1 HDMI input x1 HDMI loop output x1 3.5mm audio input and output

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GM-552/GM-552D The GM-552/552D is a 55” Full HD (1920x1080 resolution) 16:9 LCD/LED monitor. Its ultra-high contrast display, durable design and excellent connectivity makes it ideal for signage, information display and security applications. The GM-552D version is additionally equipped with 3G/HD/SD-SDI interface, making it suitable for use in broadcasting facilities and studios.

Key Features • • • • • • • • • • • • • • • • • • • • •

Full HD IPS 1920 x 1080 pixels display (non glare) LED back lighting with MTBF of > 50.000 hours Electrical MTBF more than 30.000 hours Light intensity 450 cd/m² Viewing angle 89/89 (178°) to all directions 3G HDSDI in/out with 16 channel audio support (GM-552D) SMPTE424M / SMPTE425M / SMPTE292M / BTAS004C / ITU-RBT656 / SMPTE259M Embedded audio in according to SMPTE299M and SMPTE272M HDMI in (with security fastening) Composite BNC in/ out DVI-D in Component RGB in / out (D-Sub15) Audio RCA*2 in & mini jack in/out S-Video in Built-in audio amplifier and integrated speaker RS232C in/out Multiview function (video wall zoom) 1x1 – 5 x5 and 2x1 Option for minimizing screen burn effects Picture-in-picture function Controllable also without remote control (can also be handled at the back) Power consumption in standby mode less than 0.5W (depending on operating mode)

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D-ILA Home Cinema Projectors Since 2011, JVC has been developing 4K precision projectors delivered by e-shift technology. Today, reflecting the accelerating trend into the 4K and HDR era, JVC announced a new line of D-ILA projectors which comply with the latest HDMI/HDCP2.2 standard. The new projectors are DLA-RS600, DLA-RS500, and DLA-RS400 (black and white versions). The performance boost is driven by a new high power lamp and further upgrades to JVCâ&#x20AC;&#x2DC;s original e-shift technology, a combination which delivers both high brightness and a high clarity 4K picture. The JVC D-ILA imaging device has a narrow pixel gap to give high light efficiency and a smooth picture. Together with the new 265W high power lamp, the latest JVC projectors can produce powerful images with greatly increased brightness compared to our previous RS49, RS57 and RS67E models. This large brightness boost helps deliver clear images on big screens, even under ambient light environments such as those found in living room installations. JVC continues to hold the industryâ&#x20AC;&#x2122;s leading native contrast ratio of 150.000:1 (DLA-RS600). This is achieved by combining a new optical engine optimized for usage with the JVC D-ILA device, and the high power lamp, plus JVCs user-selectable Intelligent Lens Aperture to further boost contrast.

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DLA-RS600/500/400 Improved JVC original e-shift4 technology JVC’s e-shift technology gives clear 4K resolution (3840x2160) images by shifting each pixel diagonally 0.5 pixels to multiply the resolution. The new JVC projectors achieve images with further improved clarity thanks to the e-shift4 technology, optimized for the combination of 4K60p compatibility and high brightness. Newly developed blur reduction technology: Motion Enhance The new JVC projectors will be equipped not only with JVC original blur reduction technology, Clear Motion Drive, but also with new technology called Motion Enhance. This technology will minimize the motion blurs significantly by optimizing the drive of the D-ILA device. Importantly it is also compatible for 4K and 3D signals, to give smooth and detailed image for a variety of images. Model

Contrast (Native)

Contrast (Dynamic)

DLA-RS600 1.900 lm (+46%)

DLA-RS600

150.000:1

1.500.000:1

DLA-RS500 1.800 lm (+38%)

DLA-RS500

120.000:1

1.200.000:1

DLA-RS400 1.700 lm (+30%)

DLA-RS400

40.000:1

400.000:1

Applying for THX 3D Certification (DLA-RS600, DLA-RS500) THX 3D Certified Projectors deliver 3D movie experiences with the stunning clarity and detail found in the filmmaker’s studio. Great 2D performance is also mandatory for THX 3D Display certification. During the THX 3D certification process, more than 400 laboratory tests are conducted for performance on accurate colour reproduction, cross talk, viewing angle, video processing etc. This THX certification is evidence proving “High-Quality and HighPerformance”, giving the consumer the best entertainment performance now and for the future. DLA-RS600 and DLA-RS500 are currently applying to obtain this certification.

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DLA-RS600/500/400 Compatibility with the latest standard of HDMI/HDCP2.2 With the expansion of 4K streaming and the next generation Blu-ray soon to be released, JVC has incorporated the latest HDMI/HDCP2.2 standard. Both HDMI inputs will be compatible so two 4K copy protection products can be connected directly. These latest HDMI inputs will be capable of handling data transfer rate up to 18Gbps, which can deliver full spec native 4K signals such as 4K 60p 4:4:4, 4K 60p 4:2:2/36bit and 4K 24p 4:4:4/36bit. This will mean a great improvement in colour tone and gradation. Auto Calibration Function* to optimize the picture quality All of the new JVC projectors can take advantage of “Auto Calibration Function*”, which can calibrate the various pictures under various environments automatically, by using a 3rd party optical sensor available widely in the market. As a result, the picture performance will become optimum for the viewing environment. In addition, this can also compromise for the changing colour balance in long-term projector usage so the projector can be kept at its best performance. *In order to use the Auto Calibration Function, an optical sensor, exclusive software, PC and LAN cable is required.

Other Features 1. A “Film-like” image can be reproduced just like the original film by JVC‘s original “Real Colour Imaging Technology“ (DLA-RS600, DLA-RS500) 2. 6 axis colour management equipped on all models. 3. 12 point manual gamma adjustment function is now incorporated inside the JVC calibration software. 4. Increased screen compatibility for Screen Adjust Mode, which optimizes the colour differences caused by different screen materials.

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DLA-Z1 4K projector

NEW

JVC’s DLA-Z1 4K projector combines the company’s new 4096 x 2160 D-ILA devices and new ‘Blu-Escent’ Laser phosphor light source. It it the world’s first THX 4K certified projector delivering resolution beyond UHD, over 80% BT.2020 coverage, compatibility with High Dynamic Range content and high native contrast, creating home theatre images that need to be experienced to be believed. Main Features • • • • • • • •

0.69 inch 4K D-ILA (4096 x 2160) Devices BLU-Escent (Laser Diode) Light Source 4K (4096 x 2160) Projected Image 3.000 ANSI Lumens Two 18 Gbps HDMI/HDCP 2.2 Compatible Inputs Improved Multiple Pixel Control Motion Enhance (2D, 3D, 4K) with Upgraded Clear Motion Drive Digital Cinema Initiative (DCI) Colour Space

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Visualisation Series JVC Professional has a complete range of projectors for professional visualisation applications. The DLA-VS Series features versions with both conventional light sources and also a brand new laser-phosphor light source, for stable, long-life operation. The projectors can be ordered with a standard zoom lens (ZG models) or without a lens (G models) for use with dedicated high-grade wide angle lenses. The models with the standard light source are already in use around the world in Air Traffic Control and flight simulators. The DLA-SH7 Series of larger 4K projectors are also used for those applications, along with screening for planetariums. Since 2008, approximately 3000 projectors have been delivered to the simulation market. For more information, you can request our white paper to learn about D-ILA technology and about the new laser phosphor technology. D-ILA devices – projectors that deliver outstanding levels of contrast – have for many years been providing industry professionals and consumers with excellent results. The newly developed DLA-VS2300/ VS2500 industrial-use projectors have been designed to produce optimal results for simulators. Regardless of the image being presented on-screen, be it a bright daylight scenario or a dark night scene, the DLAVS2300/VS2500 has been developed to reproduce a realistic image. The proprietary technology in these D-ILA devices has been optimised and, as a result, the outstanding ‘luminance efficiency’ delivers a very high contrast image, which is one of the main advantages of using the laserbased light source. Compared with an approach that combines an LED with a DLP device, a projection system that combines a laser light source with a D-ILA device has proven to be a winning combination, delivering superior directionality and high brightness. JVC’s proprietary D-ILA devices deliver high-contrast images by harnessing a ight source created by combining highly efficient laser light with phosphor. The result is a contrast ratio of 30.000:1 (typical value). This high contrast gives outstanding reproduction of blacks, which can be particularly striking during simulations that take place at night. Combine a laser with phosphor (a fluorescent substance) and the resulting light source registers a brightness of 1100 lumens. Furthermore, compared with lamp-type models, this new approach delivers stable and fresh, clear images over long periods.

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DLA-VS2300G / DLA-VS2300ZG The DLA-VS2300G and DLA-VS2300ZG are the latest additions to the Visualisation Series. They are equipped with the new laser phosphor light source, offering a long lifetime for applications that require constant running. The new light source technology, developed by JVC, consists of a blue laser combined with phosphor (a fluorescent substance). Some of the blue laser light strikes the phosphor wheel, which gives off yellow light, which is then recombined with the blue light to create white light. This white light is then split into three colours (RGB), and every JVC D-ILA projector uses three D-ILA devices – one each for red, green and blue – that are combined to create the full colour palette.

Key Features • JVC e-shift Technology for 4.1 MP Effective Resolution (electrical & optical scaling) • 3 1920x1080 Active Matrix, 0.7-in D-ILA Devices • >18.000:1 Contrast Ratio • Digital Smear Reduction via Black-frame Insertion • ≤25ms Frame Delay • 1080p60/50 Synchronous Operation • 900 ANSI Lumens (minimum) - 1100 typically • 12-Bit Gamma Correction • 7-Axis Colour Management System • 4000 hour, 230W Super High Pressure Lamp • Rugged Chassis for Motion-Base Applications • 8 Step Lamp Aperture Control • Sim Specific D-ILA Devices • User Adjustable Gamma Tracking • Long-life Wiregrid Polarisers • Long-life Inorganic Optical Components • ±50% V Offset, ±25% H Offset • Flexible Orientation- angle free • 11x11 Matrix, 1/16 pixel Micro-Convergence Control • Comprehensive LAN/RS232C Control Protocol • Configuration Save/Restore Capability

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DLA-VS2500G / DLA-VS2500ZG The DLA-VS2500 projectors also offer the option to connect a 4K input source, with dedicated A/B signal driving. The unit uses native 1920x1080 D-ILA chip sets and a dedicated optical shift technology called e-shift, which creates a higher resolution with extreme low pixel density. This model offers low cost of ownership, 4.1 megapixel effective resolution with 2K to 4K upscaling (optical & electrical) and 120Hz refresh. The ZG model is designed for use with interchangeable lenses. The DLA-VS2500 models are equipped with the new laser phosphor light source for a long lifetime or for constant running.

Key Features • JVC e-shift Technology for 4.1 MP Effective Resolution (electrical & optical scaling) • 3 1920x1080 Active Matrix, 0.7-in D-ILA Devices • >18,000:1 Contrast Ratio • Digital Smear Reduction via Black-frame Insertion • ≤25ms Frame Delay • 1080p60/50 Synchronous Operation • 900 ANSI Lumens (minimum) • 12-Bit Gamma Correction • 7-Axis Colour Management System • 4000 hour, 230W Super High Pressure Lamp for Low Operating Cost • Rugged Chassis for Motion-Base Applications • 8 Step Lamp Aperture Control • Sim Specific D-ILA Devices • User Adjustable Gamma Tracking • Long-life Wiregrid Polarizers • Long-life Inorganic Optical Components • ±50% V Offset, ±25% H Offset • Flexible Orientation- angle free • 11x11 Matrix, 1/16 pixel Micro-Convergence Control • Comprehensive LAN/RS232C Control Protocol • Configuration Save/Restore Capability

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DLA-VS2200G / DLA-VS2200ZG The DLA-VS2200G and DLA-VS2200ZG models are designed for 2D simulation and offer improved native contrast, improved gamma tracking performance, and are equipped with a long-life illumination system. Since the size of the projector is identical to previous models, they can be used as drop-in replacements.

Key Features • • • • • • • • • • • • • • • • • • • • • • •

1920 x 1080 Native Resolution 3 Active Matrix, 0.7” Digital D-ILA Devices >18.000:1 Contrast Ratio Digital Smear Reduction via Black-frame Insertion 23ms Frame Delay 1080p60/50 Synchronous Operation 850 ANSI Lumens (minimum) 12-Bit Gamma Correction 7- Axis Colour Management System 4000 hour, 230W Ultra High Pressure Lamp Rugged Chassis for Motion-Base Applications 8 Step Lamp Aperture Control Sim Specific D-ILA Devices High Contrast User Adjustable Gamma Tracking Long-life Wiregrid Polarizers Long-life Inorganic Optical Components Wide-Range Zoom Lens, 1.4-2.8:1 Throw Ratio Optional 1.0:1 and 1.2:1 Fixed Lenses Flexible Orientation- ±90 Deg. Pitch, ±10 Deg. Roll 11x11 Matrix, 1/16 pixel Micro-Convergence Control Comprehensive LAN/RS232 Control Protocol Configuration Save/Restore Capability

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DLA-VS2400G / DLA-VS2400ZG Low cost of ownership and 4.1 megapixel effective resolution, with 2K to 4K upscaling (optical & electrical) and 120Hz refresh are key benefits of this Visualisation Series e-shift D-ILA Projector. The ZG model is designed for use with interchangeable lenses. JVC’s e-Shift technology shifts sub-frames by 0.5 pixel both vertically and horizontally to achieve four times the pixel density of the original content. Optimised for the new D-ILA device, the latest e-shift 3 technology boosts definition to a higher level.

Key Features • JVC e-shift Technology for 4.1 MP Effective Resolution (electrical & optical scaling) • 3 1920x1080 Active Matrix, 0.7-in D-ILA Devices • >18.000:1 Contrast Ratio • Digital Smear Reduction via Black-frame Insertion • ≤25ms Frame Delay • 1080p60/50 Synchronous Operation • 900 ANSI Lumens (minimum) • 12-Bit Gamma Correction • 7-Axis Colour Management System • 4000 hour, 230W Super High Pressure Lamp for Low Operating Cost • Rugged Chassis for Motion-Base Applications • 8 Step Lamp Aperture Control • Sim Specific D-ILA Devices • User Adjustable Gamma Tracking • Long-life Wiregrid Polarizers • Long-life Inorganic Optical Components • ±50% V Offset, ±25% H Offset • Flexible Orientation- ± 90 Deg. Pitch, ± 10 Deg. Roll • 11x11 Matrix, 1/16 pixel Micro-Convergence Control • Comprehensive LAN/RS232C Control Protocol • Configuration Save/Restore Capability

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DLA-SH7NLG JVC‘s DLA-SH7NLG projector has approximately 10 million pixels (4,096 x 2,400 pixels) image quality with ultra-high resolution. Exceptional 5000 lumen brightness is realised by a duallit system with an ultra high-pressure mercury lamp. Deeper, truer blacks are reproduced thanks to an incredible native contrast ratio of 10.000:1. Four dual-link DVI input terminals enable simultaneous multi-screen display (two or four display mode). Two types of lens are available, which can be selected depending on the throw distance required.

Key Features • • • • • •

1.27 inch D-ILA*1 x 3 (aspect ratio: approx. 17:10) 4,096 x 2,400 Resolution 330W UHP mercury lamp (dual-lit system) 5.000lm Brightness Contrast ratio native 10.000:1 Digital video output signals: 4096 x 2400, 4096 x 2160, 3840 x 2400, 3840 x 2160, 2048 x 1200, 2048 x 1080, 1920 x 1200, 1920 x 1080, 1600 x 1200, 1280 x 1024, 1024 x 768, 800 x 600, 640 x 480 • Optional lens Compact, light, quiet, centralised optics as well as flexible mounting in the projection axis up to plus/minus 90° offers optimal installation possibilities. It has a new cost saving dual-lamp-system which considerably reduces the operating costs and at the same time increases operational reliability. The hours of operation with two lamps in energy-saving mode are 3000 hours, at full tilt up to 2000 hours. With individual operation of the lamps the value increases accordingly.

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DLA-VS4800 JVC has shown Ultra High Definition projection in conjunction with NHK at several exhibitions, demonstrating 8K resolution (8192x4800). Now this prototype screening comes to a real product: the DLA-VS4800. This projector uses the 4K D-ILA chip (10M pixels) in conjunction with the newly-developed optical engine. To support and create 8K resolution, JVC uses its e-shift technology. The optical device and the special processing shifts the pixel in time. The contrast ratio of 10.000:1 with JVC‘s “wire grid” D-ILA technology reproduces fantastic black and incredibly deep information.

Key Features • • • • • •

1.27 inch D-ILA device (4096×2400 ) ×3 (aspect ratio approx 17:10) 8192 × 4800 Resolution 330W UHP Ag 2 lamps 4500lm Brightness Contrast ratio native 10.000:1 Visual input terminal: DVI-D (Dual Link) 24pin (12bit expanded input)×4(HDCP) • E-shift synchronize terminal: BNC ×1 • LAN: RJ45 ×1 • Optional lenses: ◊ GL-MS4011S: short throw lens (1.1 : 1) ◊ GL-MS4015SZ: zoom Lens (1.5 ~ 1.84 : 1) ◊ GL-MS4016SZ: zoom lens ( 1.5 ~ 1.84 : 1 for short distance) ◊ GL-MS4021SZ: Long focus zoom lens (2.15 ~ 3.65 : 1) The DLA-VS4800 has 4 DVI inputs and a Sync control input (BNC). In principle the IG (Image generators) needs to present 2 times a 4K signal, each 30 Hz - which represents odd and even image – and in conjunction with a generated Synchronic Signal, the two images represent the 8K resolution. This is a mandatory issue to generate an image. This model could display with 8K (8192x4800) resolution, which is 4 times of 4K resolution, or 16 times of Full HD resolution, thanks to newly developed Optical Engine.

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Technology Presentation Wireless ProHD transmission system This is designed for the GY-HM850 or GY-HM890 camcorders but can also be used without docking for other camcorders. Transmit live digital HD video and audio, point-to-point or point-to-multipoint, up to 1080P, with almost no delay, where a wired connection would be impossible. For transmission distance, we tested up to 400 meters, under SDI 1080p60 4:2:2, in direct line of sight. The wireless system also supports multi-cast: one transmitter to multireceivers. Additionally, it supports AES 128/256 encryption.

Model Antennas TX power RX sensitivity Input Output

(Transmitter) 2 20dBm / 3G/HD/SD-SDI× 1 HDMI× 1

(Receiver) 5 / -70dBm /

3G/HD/SD-SDI× 2 HDMI× 1 1080P (60 / 59.94 / 50 / 30 / 29.97 / 25 / 24 / 23.98) 1080psf (30 / 29.97 / 25 / 24 / 23.98) 1080i (60 / 59.94 / 50) 720p (60 / 59.94 / 50)

3G/HD/SD-SDI loop× 1

Video Format 480i, 576i

Audio Format Timecode Wireless frequency Bandwidth Transmission distance Latency Power consumption Input voltage Working Temperature: Dimension

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PCM, DTS-HD, Dolby TrueHD SMPTE-12M 5.1 - 5.9GHz 40MHz >300m (Line of sight) ≤1 millisecond

7-8W DC / Battery: 6 - 17V -10° C -+60° C 119× 79× 32 (mm)

7-8W DC / Battery: 6 - 17V -10° C -+60° C 155× 111× 32 (mm)

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Technology Presentation Studio Field LED Panel (LI-SW2500 / LI-SW1250) These monitors are for use in combination with the GY-HM850/890. They support v-mount battery adapters and have AC/DC as well.

LED Illuminance Dimmer Beam angle Colour temperature DMX

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1152pcs of 2835 SMD LED 2500 Lux @ 1 meter, center 10-100% 60ยบ 3200K-5600K continuous adjust DMX512 in/out

576pcs of 2835 SMD LED 1250 Lux @ 1 meter, center 10-100% 60ยบ 3200K-5600K continuous adjust DMX512 in/out 64

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FS-900 Multidyne The FS-900 is a new camera mounted fibre optic system designed for JVC’s GY-HM890 ProHD camcorder. Built exclusively for JVC by MultiDyne® Video & Fiber-Optic Systems, the system supports 3G-SDI 1080p/60 camera feeds and returns, and takes advantage of the camera’s built-in streaming engine for video-over-IP functionality. The camera module connects directly to the back of GY-HM890 camcorder via 68-pin interface – no external cables required – for full studio functionality. It transports multiple bi-directional 3G-SDI signals as well as control, audio, sync and intercom between the camera and the FS-900 Base Station. Up to three cameras are supported by the Base Station, and its redundant power supplies provide up to 150 watts for each camera, as well as prompters and talent monitors. Its three-in-one configuration provides a more cost efficient solution than other multi-camera solutions previously offered by JVC and other manufacturers. With built-in gigabit Ethernet, the lightweight, 2 RU Base Station also allows video-over-IP, control and advanced configuration. The high quality 1080p video signals are ideal for webcasts, virtual sets, and image magnification (I-MAG) applications. The system integrates easily with any studio, mobile truck, or portable flypack, and connects directly with a facility’s switcher, router, intercom, and house sync systems.

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Notes

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JVCKENWOOD

BREAKING NEWS

CONTACTS Belgium

Netherlands:

JVCKENWOOD Belgium N.V. Leuvensesteenweg 248/J B-1800 Vilvoorde, Belgium Tel.: +32 2 529 4246 E-Mail: info@jvcpro.de

JVCKENWOOD Netherlands B.V. Amsterdamseweg 37, 1422 AC Uithoorn Tel.: +31 (0)71 545 3333 E-Mail: info@jvcpro.nl

United Kingdom

Russia:

JVCKENWOOD U.K. Limited 12 Priestley Way London, NW2 7BA Tel. +44 (0) 20 8208 6205 E-Mail: prosales@uk.jvckenwood.com

LLC “JVCKENWOOD RUS” 127018 Moscow, Russia Suschevsky Val street, House 31 Building 1 E-Mail: jvcpro@jvc.ru Spain:

France: JVCKENWOOD France S.A.S. 14, Allée des Barbanniers, CS 10033 92632 Gennevilliers Cedex Tel.: +33 (0)1 800 44 538 E-Mail: jvcpro@jvcpro.fr Germany: JVCKENWOOD Deutschland GmbH Konrad-Adenauer-Allee 1-11 61168 Bad Vilbel Tel.: +49 (0) 6101 4988-300 E-Mail: info@jvcpro.de

For further information visit www.jvcpro.eu

JVCKENWOOD IBERICA S.A. Spain Ctra de Rubi, 88 planta 1. Edif. Can Castanyer 08174 Sant Cugat del Valles, Barcelona E-Mail: procom@es.jvckenwood.com Italy: JVCKENWOOD Italia S.p.A. Via Sirtori 7/9, 20129 Milano, Italy Tel.: +39 02 2694 3301 E-Mail: info@jvcpro.it Middle East & Africa: Jebel Ali Free Zone (South) P.O. Box 61161 Dubai, UAE Email: export@jvcpro.co.uk

© 2016 JVC KENWOOD Corporation. All rights reserved. Design, prices and specifications subject to change without notice. ‘JVC’ is the trademark or registered trademark of JVC KENWOOD Corporation. All product names stated in this document are trademarks or registered trademarks of their respective owners. Marks such as ™, ® and © are omitted in this document.

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