Andreas Ierides_Work Sample_Extended by andreas ierides

PORTFOLIO ANDREAS IERIDES

MENTORS AND SUPERVISORS

WORK EXPERIENCE Nov. - Dec. 2014:

Space Agency, London Part 2 Architect

July 2013 - July 2014: OMA (Office for Metropolitan Architecture) Rotterdam, Netherlands Trainee / full time Aug. 2009 - Sep. 2010:

Andreas Ierides Qualified architect (Cyprus 2010) MSc. (TU Delft), Dip. Arch. (NTUA) +44 (0) 7706917752 (UK) andreasierides@gmail.com www.behance.net/andreasierides PROFESSIONAL BODIES - member of the Cyprus Scientific and Technical Chamber (professional architect’s license since 2010)

IMA Architecture, Cyprus Architect / full time

Jul. - Aug. 2007: Dewan Architects, Dubai, UAE www.dewan-architects.com Intern / full time Jan. - Mar. 2007:

Fyrillas Vasos-Architects and Engineers, Athens, Greece Architect Assistant / part time

Mar. - May 2006: Ergo 7-Architects and Engineers, Athens, Greece www.ergo7.gr Architect Assistant / part time BACKGROUND AND EDUCATION 2010 - 2013 MSc Technical University of Delft

- member of the Cyprus Architects Association

2003 - 2009 Diploma in Architecture Engineering, National Technical University of Athens, GR

LANGUAGES

2001 - 2003 Military Service, National Guard of Cyprus, Second Lieutenant

Greek English

1998 - 2001 Acropolis High School. Nicosia, Cyprus Field: Science section.

Native GCE Examination O’Level IGCSE Examination O’Level

COMPUTER SKILLS AutoCAD, Rhino, Google Sketch Up, V-Ray, 3D studio MAX, Adobe Photoshop / In Design / Illustrator INTERESTS Photography / Football / Playing piano 2

Ippolito Pestellini Laparelli OMA*AMO / Rotterdam, NL www.oma.eu AMO Project leader Michiel Riedijk Neutelings - Riedijk architects / Rotterdam, NL www.neutelings-riedijk.com TU Delft MSc ¾, Graduation studio, Public Buildings Track Niklaas Deboutte Meta Architectuur / Antwerp, BE www.meta-architectuur.be TU Delft MSc ¾, Graduation studio, Public Buildings Track Winy Maas MVRDV / Rotterdam, NL www.mvrdv.nl TU Delft MSc 2, Food City studio, The why factory Kostas Moraitis Arsis Architects / Athens, GR www.arsisarc.gr NTUA Graduation project Solon Xenopoulos tel.: +30 210 772 3388 Lomvardou 4, Athens 11473 GR NTUA Graduation project Vassilis Ierides IMA Architecture / Nicosia, CY Megalou Alexandrou str. 50, 1010 Nicosia Cyprus tel. +357 22661130 Various realized projects

PROJECT MATRIX

REALIZED

COMPETITIONS Sibling Houses, Nicosia Built / Ongoing

House on a slope, Nicosia Ongoing

EDUCATIONAL

EUROPAN 11 Tracing the landscape

EUtopia Ankara Ankara Velodrome

European Competition (NL)

TU Delft graduation project

Al Khazendar Square, Cairo

Food City

International Competition (EGY) 3rd prize

TU Delft MSc 2

Architecture Pavilion NTUA 6th semester

Elementary school in Nea Ionia NTUA 5th semester

Grandma house, Nicosia

TOWER ONE Nicosia

Casablanca Mediatheque

Housing complex in Metz, Athens

Built

Invited competition (CY)

TU Delft MSc 1

NTUA 4th semester

Il Fondaco dei Tedeschi Venice,Italy

The walking tetrahedron

The new Cyprus Museum

Exhibition Gallery in Lavrio, Greece

Folie competition TU Delft (NL)

NTUA graduation project

NTUA 2nd semester

On going

PRADA Man*Woman Catwalks FW 2014/SS 2015 Milan, Italy

Greece Cinematheque NTUA 8th semester

Completed MonditaliaArsenale, 14th Venice Architecture Biennale Venice, Italy Completed

* The black box indicates the projects that are included in this booklet.

Il Fondaco dei Tedeschi Venice,Italy http://oma.eu/projects/2010/il-fondaco-dei-tedeschi/

ON GOING (IT) period:

July - Dec. 2013

project leader: Ippolito Pestellini Laparelli team:

Andreas Ierides, Francesco Moncada, Cecilia del Pozo, Jan de Ruyver, Silvia Sandor, Hyeonsu Yang

status:

On going

First constructed in 1228, the Fondaco dei Tedeschi was a trading post for German merchants before becoming a customs house under Napoleon in 1806. Depicted by Canaletto and other masters, and photographed numberless times as the impressive but anonymous backdrop for the Rialto, the Fondaco - at 11,000m2 one of Venice’s largest buildings - now stands as a muted icon of the Venetian mercantile era. Twice destroyed by fire and rebuilt in the 16th century, the Fondaco was radically altered again in the 1930s, its structure almost completely replaced by reinforced concrete to allow its new use as a post office. The Fondaco has constantly reshaped itself, accumulating many layers of ‘authenticity’: its preservation is a history of change.

The Fondaco’s current role as a post office has diminished in tandem with the native population of Venice: an annual decline of 1.2 percent mirrors the gradual emptying out of the building. Today, it is largely unused for the first time in centuries. The latest evolution of the Fondaco will reactivate the building a thriving contemporary trading post, in the form of a modern department store. In tandem with the department store, the renovation will create three major areas of commerce-free public space. Inside the building, 75% of the Fondaco’s structure will remain untouched. Occasional interventions in the 1930s structures will consolidate rooms into larger spaces while crucial historic elements like the corner rooms will be preserved. Some uses of the building, lost for centuries, will be resurrected: the walls of the gallerias will once again become a surface for frescoes, reappearing in a contemporary form.

Department stores have historically been incubators for the arts, collaborating with graphic designers, fashion designers, musicians and artists in a very public venue. With the Cultural Masterplan for the Fondaco, our ambition is to resurrect this relationship between art and commerce a classically Venetian mixture.

OMA’s renovation scheme - composed both of architecture and public programming - continues the Fondaco dei Tedeschi’s tradition of vitality and adaptation. Venice will acquire a landmark that will become a shared civic facility and a crucial element in the cultural fabric of the city.

Study Model Scale 1:50 Study Model Scale 1:20 The rooftop will be adapted and made accessible, leaving the buildingâ&#x20AC;&#x2122;s profile intact while unlocking potential for the Fondaco dei Tedeschi as a major destination and vantage point for tourists and Venetians alike, with rare views of the Grand Canal and Veniceâ&#x20AC;&#x2122;s stunningly dense roofscape.

New additions to the existing building

The courtyard will become a major public hub. As well as new entrances to the building from Campo San Bartolomeo and the Rialto, existing shortcuts through the courtyard, used by locals, will be retained. The escalator reaching from the courtyard to the gallerias can be lifted up, freeing the courtyard for a program of public events as part of cultural masterplan: film screenings, performances, meetings. The gallerias, which will remain untouched, will form a public promenade.

FOOR GNITSIXE

Sednaoui building Al Khazendar Square, Cairo 3rd prize period: Feb - June 2010 team: Vassilis Ierides Andreas Ierides Stephani Keszi Panagiotis Papadimatos Byron Ioannou status: Competition - 3rd prize

COMPETITION INTERNATIONAL (EGY) 3rd prize The goals of the project goes as follows - Pedestrianisation of Aly el Kassar street and submergence of AI Bosta and Clot Bey streets to create an underground vehicle route and parking in front of AI Khazendar square. - Division in zones/levels of activities - tapestry of urban cultural activity where local people and visitors can enjoy with their families. Organization of pathways and routes with the introduction of a ribbon like canopy that stretches along different directions providing shading at day and lighting at night - Creation of a modern upgraded urban environment adorned with trees, plants and a flowing waterway that is lit at night and acts as a promenade guide leading from the Sednaoui to the newly constructed Metro Station. - Urban renaissance of the broader area with the paving and rehabilitation of the maze like back streets and building facades around the Sednaoui building.

- Full renovation of the grand historical buildings Around the AI Khazendar square. - Creation of a unified urban space for people to gather and enjoy without the interference of vehicles and traffic, along with the Sednaoui jewel building that will become a magnet of cultural commercial activity for local and visitors from around the world. The urban design and architectural qualities introduced within the proposal will bear an international appeal. -The Sednaoui building, this exquisite example of historical architecture will be regenerated to become a unique cultural and commercial centre housing contemporary space within a brilliant renovated historical shell of a building.

Faculty of Science

Zagreb, Croatia period:

Sep. - Oct. 2014

team: Andreas Ierides, Stančić Frane, Pletikapić Živko, Frkin Jurčević Ivana, Relić Tamara, Sipina Dora, Sušić Feni, Štrbac Nenad, Tabain Tomislav, Žerjavić Filip, Zoran Divjak status:

Competition

B3.1.1. KABINET

B2.3.3. KABINET

B3.1.3. KABINET

B2.1.34. LAB. ZA PALINOLOG.

B3.1.1. KABINET

B3.1.3. KABINET

B1.3.4. ZOOLOGIJSKI PRAKTIKUM

B3.1.1. KABINET

B3.1.2. KABINET

B3.1.1. KABINET

B3.1.2. KABINET

B3.1.1. KABINET

B2.1.9. LAB ZA HISTOLOGIJU/ HISTOKEMIJU

A1.2.1. STUDENTSKA REFERADADODIPLOMSKI STUDIJ

B3.1.1. KABINET

B2.1.8. LAB. ZA KEM. ANALIZE

B1.3.4. ZOOLOGIJSKI PRAKTIKUM

B3.1.1. KABINET

B3.1.7. KABINET

A1.8.1. VJETROBRAN

B3.1.9. KABINET

B1.3.12. KOMBINIRANI ALGOLOŠKI PRAK. S ALGE DEPOOM

B2.1.7. LAB. ZA LIMNOLOGIJU

B2.1.24. ALGOLOŠKI LABORATORIJ

B2.1.6. LAB. ZA MIKROFAUNU

B3.1.9. KABINET

B2.1.29. LAB. ZA PR. UZ. ZA PCR I RT PCR

B2.1.32. B2.1.30. LAB. ZA LAB. ZA PCR I ELEKTROFOR. I RT PCR SPEKTOMETRIJU

B2.1.1. LAB. ZA BIO. MORA

B3.1.9. KABINET

B2.1.33. LAB. ZA MIKROSK.

D1.4.6. PETROLOŠKA ZBIRKA

D1.4.7. SPREMIŠTE MODELA

D1.1.3. PREDAVAONICA - UČIONICA (32)

B1.4.2.1. ZOOLOGIJSKA ZBIRKA ZA UČENJE

C1.1.1. PREDAVAONICA (40)

A1.8.9. SANITARIJE INVALIDA

A1.2.2. STUDENTSKA REFERADAPOSLIJEDIPLOMSKI STUDIJ

C1.1.1. PREDAVAONICA (40)

B2.2.15. CENTRIFUGE

A3.4.1. SOBA ČISTAČICA I SPREM.

B2.2.2. SUŠIONICE, MUFOLNE PEĆI

A1.8.9. SANITARIJE

A1.8.5. FOTOKOPIRAONICA

A1.8.6. PROSTORIJA S VELIKIM SKENEROM PRINTEROM I PLOTEROM

A2.1.1. LAB. ZA PRIPREMU UZORAKA

A1.8.2. ULAZNI PROSTOR

A2.1.4. LAB. ZA ELEKTRONSKU MIKROSKOPIJU II

B1.4.2.3. BOTANIČKA, HERB. I KARP. ZBIRKA

B1.4.2.2. ALGOLOŠKA ZBIRKA

B2.2.5. SPREMIŠTE ALGOLOŠKIH UZORAKA A2.1.2. LAB. ZA ELEKTR. MIKROSKOPIJU I

A1.8.9. SANITARIJE

D2.2.3. SPREMIŠTE ZA KEMIKALIJE

D2.2.2. VAGAONICA

A1.8.9. SANITARIJE

B2.2.3. PRANJE I STERIL.

B1.3.21. PREDPR. ZA IZOLACIJU I PR.

A1.8.9. SANITARIJE

B2.2.18. DEPO

B2.2.1. IZLAGANJE ŽIVOTINJA

A1.8.3. PORTIR

A1.8.4. CENTRALNA GARDEROBA

A1.8.8. TELEFONSKA CENTRALA

A1.8.7. SOBA ZA URUDŽBENI ZAPIS

A1.8.9. SANITARIJE

A2.1.3. TAMNA KOMORA

A2.1.5. UREĐAJ ZA HLAĐENJE

A1.8.1. VJETROBRAN

B3.1.7. KABINET

B3.1.1. KABINET

D3.1.6. KABINET

D3.1.7. KABINET

D2.1.6. KEMIJSKI LAB.

B3.1.1. KABINET

B1.3.3. EKOLOŠKI PRAKTIKUM

B3.1.1. KABINET

B2.1.2. LAB. ZA EKOTOKSIKOLOG.

B3.1.7. KABINET

D3.1.8. KABINET

B3.1.1. KABINET

B2.1.14. PROSTOR ZA PCR

B2.1.13. IZOLACIJA DNA

B3.1.7. KABINET

B3.1.1. KABINET

D2.3.2. KABINET

D1.4.8. VODITELJ ZBIRKE

D2.1.8. LAB. ZA IZOTOPNE ANALIZE

B2.3.2. KABINET

B1.3.1. RAČUNALNI PRAKTIKUM

B3.1.1. KABINET

B2.1.12. LAB. ZA EVOLUCIJU

B3.1.7. KABINET

TAMNA KOMORA

B2.1.25. LAB. ZA FIZIOLOGIJU BILJA

D2.1.7. LAB. ZA RENTGENTSKU DIFRAKCIJU

B3.1.1. KABINET

B2.1.5. LAB. GRUPE ZA SIS. ZOO. I ENTOM.

B3.1.7. KABINET

B1.3.17. PRAKTIKUM IZ FIZIOLOGIJE BILJA

B3.1.1. KABINET

B2.1.17. LAB. ZA ISTR. SISAVACA

D2.3.1. KABINET

D2.1.9. LAB. ZA GEOKEMIJU OKOLIŠA

B3.1.6. KABINET

D3.1.1. KABINET

D2.1.5. MINERALOŠKO PETROGRAFSKI LAB.

B3.1.6. KABINET

B1.3.10. PRAKTIKUM IZ KULTURE BILJNIH I ANIM. ST.

B2.1.16. LAB. ZA ISTR. KRALJEŠNJAKA

B3.1.7. KABINET

D3.1.1. KABINET

B3.1.1. KABINET

COMPETITION (HR)

Elementary school and kindergarten

Ayia Napa, Cyprus

period: Jan. - March 2010 team: Andreas Ierides, Keti Kashiouli, Maria Xenofontos, Vrahimis Moutiris status: On hold

ON HOLD (CY)

EUROPAN 11 Tracing the landscape period: team:

May 2011- June 2011 Andreas Ierides Garifalia Pitsaki Panos Papanastasis Philippos Protopapas

COMPETITION (NL) Inspired by the crops that enclose the urban environment, we moved on inserting rural life in the urban fabric and combine it with the labyrinth like single family housing network. Incorporating landscape into a new lifestyle that allows the public space to be in line with the free space of the housing creates the dynamic for this area to become vivid. Adapting the rural way of living in the city fabric comprises both environmental and social qualities. The crop grid inserted into the urban planning becomes the new strategic component for sustainability and social cohesion. It creates the soil to achieve direct and indirect connections with the central part and facilities of the town, while setting new standards in sustainable design. The housing grid alternates with the open air zones into a playful and at the same time functional game. The plan of the house is based on an atrium to better succeed isolation and ventilation that insert outside leaving into the house throughout the year. At the same line the housing volume slips into three layers that form shaded areas on the ground floor, and while fragmented still coherent spaces.

PROGRAM DISTRIBUTION

fourth floor

third floor

second floor

first floor

ground floor 32

Urban life demands â&#x20AC;&#x2DC;fastâ&#x20AC;&#x2122; connections to the central and commercial parts inside the city and all around the metropolitan area. Thus withdraw the car amenities is rather simplified solution to avoid disconnection between the ground floor and the housing units. However, we introduce parking facilities adjusted to the new grid, detached from pedestrian routes and from site simultaneously. Areas accessible to vehicles are covered, serving as green roofs, having at the same time immediate access to housing units. This graduated development achieves low rise volumes and provides expansion to outside space for first and second floor. In between the volumes the zoning has a multifunctional role. It is aligned with the rural grid and crosses the metro and central city line. All units thus have views to the city and reflect the urban complexity. Interaction among the residences, longitudinal passages and diversity of the clear faĂ§ade to the canal and the floating public space in vertical direction set the base to wider operations and use of the open space. Street market is a suggested function in one of the zones.

Sibling Houses

Nicosia, Cyprus period:

May 2009 - today

team: Andreas Ierides Vassilis Ierides status: Built (phase 1) Ongoing (phase 2) budget: 1.000.000 euros

Working at IMA as a junior architect I was given the opportunity to handle small scale projects individually and bigger scale projects as part of a team. This housing project was my first responsibility as a graduate architect. Under the supervision of Vassilis Ierides, I was involved with the design from the beginning of the project until its finale. I was responsible for the design, the meetings with the client, dealing with the contractor and the final elaboration of phase 1 of the project. The clients are 2 siblings who share the same plot. Both dwellings have an average gross floor area of 300 mÂ˛ each. The first phase of the project is already realized while the second phase is at the first stage of implementation.

REALIZED (CY) 1. View from Southwest 2. The section was one of the main synthetic characteristics of the project. As shown in the drawing , the diversity of each section creates different quality for each space. 3. Form diagrams and program distribution

ALEXANDROU

UNDERGROUND

ALEXANDROU

PANAYOULI STRE

GROUND FLOOR

ALEXANDROU

PANAYOULI STRE

FIRST FLOOR

PANAYOULI STRE

4. Floor plans of the 3 levels 5. Cross section of the North block 6. Cross section of the South block

6. 7

Grandma Nicosia House Cyprus period:

Sep 2010-Dec 2012

team:

Andreas Ierides Vassilis Ierides

status:

Built

300.000 euro

budget:

GROUND FLOOR PLAN

0.5

FIRST FLOOR PLAN

REALIZED (CY) 1. View from the West 2. Conceptual diagram. The building is conceived in main 5 volumes. The existing structure on the ground floor, the leaving spaces on the 1st and 2nd floors, the services on the North side, the vertical circulation on the West and the green façade on the sunny South side. 3. Longitudinal section AA’

SECOND FLOOR PLAN

ROOF GARDEN

0.5

4. Cross section BBâ&#x20AC;&#x2122; The green faĂ§ade on the South prevents the direct sunlight to the interior space, improves the microclimate and creates a unique image to the building. 5. Interior space of the 2nd floor during construction. The large openings provide abundant light to the interior space. The steel construction allows large spans between the columns and creates an open plan space which is flexible to arrange according the needs of the users.

6. The South faรงade during the early stage of the construction.

6. 11

House on a slope Nicosia, Cyprus role: Freelance architect at IMA period: May 2011 - Sep 2014 team: Andreas Ierides Vassilis Ierides status: Builded budget: 200.000 euros

REALIZED (CY)

Foundation detail

1. flooring concrete 50mm 2. SCREED C20 150mm 3. reinforced concrete slab 500mm 4. footing mix (concrete C15) asphalt-textile + water proofing

Floor detail

1. ceramic tiles 600 x 100 x 10mm 2. thin mortar 3. regularization light concrete 4. reinforced concrete slab 200mm 5. footing mix (concrete C15) 6. asphalt-textile + water proofing

Steel detail

1. wooden planks 20mm thick 2. 30mm thick plywood 3. i beam H=160mm 4. i beam H=200mm 5. laminate glass 8+8mm 6. L shape metal plate

Roof detail

1. 50 mm gravel fill 2. water sealant polyester 200g/mÂ˛ 3. thermal insulation 50mm 4. vapor barrier 4mm 5. light concrete for water drainage 6. 200mm reinforced concrete slab 7. 20mm plaster 8. 50mm thermal insulation 9. light concrete angle 10. 300mm insulated brick

MEZZANINE 14

ΣΤ Π.Ρ

Π.Π φ

0 1 2 3

GROUND FLOOR

UNDERGROUND 15

Man*Woman Catwalk FW 2014 Milan, Italy period:

Dec. 2013 - Mar. 2014

project leader: Ippolito Pestellini Laparelli

team:

Andreas Ierides, Miguel Taborda, Lucia Venturini

status:

Completed

COMPLETED (IT) The process of designing a set for a fashion show strongly resonates with the one of theatrical performance: in both cases characters, space, costumes, music and lights come together into a single concept, each one contributing to the unique experience of the audience. A large 1m high platform occupies the center of the room. The majority of the audience is orderly arranged around the central stage, while the room is bordered on all sides by metal scaffolding serving as balcony to the rest of the public. Different geometric excavations punctuate the central stage; surprisingly part of the audience sits inside these pockets, becoming part of the overall scenography.

Models weave on the central stage around the audience, while the rest of the public experiences the show all around from multiple points of views. Follow-spot lights orchestrate the movement of the show, leaving the rest of the space in dark and enhancing the theatricality of the experience. The space is neutral: the central stage is entirely covered in grey felt, while the metal structured of the balcony is cladded all along the perimeter with a curved natural metal mesh. Metal reoccurs in the pockets of the central platform, while felt dominates the main entrance.

http://oma.eu/projects/2014/prada-catwalk-fallwinter-2014/

Man*Woman Catwalk SS 2015 Milan, Italy period:

May - June 2014

project leader: Ippolito Pestellini Laparelli

team:

Andreas Ierides, Miguel Taborda, Lucia Venturini

status:

Completed

COMPLETED (IT) Outdoor/ Indoor / Outdoor In between a cave, a cruise ship, and an indoor pool, the set up questions the relationship between outdoor and indoor: water invades the space, redefining the existing elements, changing proportions, reflecting unexpected point of views, augmenting the show. Based on a concentric organization, the room develops around the central water surface: a regular series of brown carpet covered steps runs along the perimeter, while a thin line of technical lights marks the perfectly white walls as an horizon. Models walk on the passarel stretching concentrically through the blue water surface. Before taking place orderly around the pool, the audience reaches the show space after climbing over the steps and having a privileged overview of the new water environment.

MONDITALIA Arsenale, 14th Venice Architecture Biennale Venice, Italy period:

April - June 2014

project leader:

Ippolito Pestellini

team:

Paul Cournet, Andreas Ierides, Barbara Materia, Marton Pinter, Miguel Taborda, Fabrizia Vecchione, Lucia Venturini, Hyeonsu Yang

status:

Completed

COMPLETED (IT) The Arsenale presents a scan of Italy, established by 82 films, 41 architectural projects, and a merger of architecture with la biennaleâ&#x20AC;&#x2122;s dance, music, theatre, and film sections for the first time. Each project in Monditalia concerns unique and specific conditions, together forming a comprehensive portrait of the host country.

http://oma.eu/news/2014/fundamentals

Eu-topia Ankara

Ankara Velodrome period:

Sep. 2011- Jan. 2013

semester:

MSc3/4 graduation proj.

team:

Andreas Ierides

supervisors: Michiel Riedijk Niklaas Deboutte Alper Alkan Stefano Milani Bas Gremmen https://www.behance.net/gallery/Eu-topia-Ankara

1. 3D visualisation of the main entrance 2. Physical model_scale 1:200 3. Urban analysis in 3 steps a. the riverbed functions, b. the fragmentation and the misused functions and c. the urban proposal 38

GRADUATION (TU Delft) The term Utopia derives from the Greek syllables u+topos (ου+τόπος) which means non-place. In the case of Ankara the term is re-interpreted in Evtopia also from the Greek ev+topos (ευ+τόπος) which mean a good-place. The main goal of the project is to transform the city from a dull bureaucratic city which is overruled by the cars and the heavy traffic into a leisure city, a city dedicated to its inhabitants. The theme of leisure which is chosen here also reflects on the vision of Ataturk which he had for the city from the very beginning of the establishment of the new republic. Under this theme, cycling is introduced as an alternative way of transportation and aims to liberate the city from the automobile. Bicycle aims to become not just a new transportation method but a way to a new lifestyle which will change not only the image of the city but also the perception of the society. The evocation of the bicycle as an extension of the human body aims to

become a reality in the society of Ankara. A series of leisure activities are juxtaposed along the existing riverbed of Ankara. This juxtaposition creates a new urban fabric and a place which is liberated from the automobile something which is absent from the city today. This continuous strip of leisure activities will start forming the new image of the city and aims to be influential in the future development of the city.

Riverbed functions

500 m 400 300 200 100 100 200 3 300 400 500 m

Relegion Housing Industry Education Unbuilt Goverment Leisure Commercial

The architectural proposal (the Velodrome) becomes an extension of this urban fabric. The Velodrome is an arena of public events but also an incubation center for bicycles which is the new proposed lifestyle.

Military 0

1000

2500

5000 m

fragmentation by misused functions

Relegion Housing Industry Education Unbuilt Goverment Leisure Commercial Military 0

1000

2500

5000 m

RESTRUCTURING THE RIVER BED

ANIMAL SHELTER

CHILDRENS PARK BICYCLE PARK water park

Relegion Housing Industry Education Unbuilt Goverment Leisure Commercial

CROSS SECTION 0

Military

50 m

1000

2500

5000 m

OUTER FACADE STRUCTURE INNER FACADE STRUCTURE FACADE OUTER SKIN FACADE INNER SKIN

ROOF STRUCTURE INNER FACADE STRUCTURE OUTER FACADE STRUCTURE ROOF INNER SKIN FACADE INNER SKIN FACADE OUTER SKIN

SPECTATORS MAIN STRUCTURE CIRCULATION FLOORS

On an architectural level the building itself is an interpretation of the society. Just like the society is prioritized in social groups, the building is stratified in the same way. Furthermore, the building reflects the evocation of the bicycle as a fine machine, as a well tuned mechanism and itâ&#x20AC;&#x2122;s conceived as a three dimensional puzzle which brings together all the different social groups of the society. â&#x20AC;&#x153;Evtopiaâ&#x20AC;? aims to improve the quality of public life, free the city from the automobile and propose a new lifestyle which will be based on leisure.

4. Physical model_ Interior space from the VIP level 5. Physical model_ North facade impression 6. Explode view_ floor levels and circulation of the different groups of visitors 7. Axonometric slice_the different levels and the construction

fabric faรงade detail

Physical model_scale 1:200 Main entrance impression 43

The new Cyprus Museum

period: Sep 2008 - Jul 2009 semester: 10th_diploma project team: Andreas Ierides Keti Kasiouli supervisors: Solon Xenopoulos Kostas Moraitis

The building site is located in Nicosia, very close to the present Cyprus museum, and it is part of the future cultural axis which will represent the new cultural centre of the city. In our proposal we suggest a parallel walk for pedestrians and bicycles as a tenor of the present linear park of Pedieus river. This way, we piece together the cultural buildings of the area with the new museum. In our site stands the former general hospital of Nicosia, built by Polys Michaelides in 1938, one of the most important architects of Cyprus. The old hospital constitutes one of the most representative sample of modern architecture in Cyprus. For this reason, we choose to keep it and use it mostly for administrative functions. Our building is designed to separate the functions of the museum: the exhibition area, which takes place in the upper floor, and the entrance area, which takes place in the ground floor and takes in the auditorium, so that the entrance area could be open to the public even when the exhibition area is not. The exhibits are being exhibited according to their chronological period and the visitor can see them producing a perimetrical movement in the building. The new museum connects to the old hospital through an underground passage and also through the central square which works as an expansion area for the two buildings.

GRADUATION (NTUA)

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

κυπροαρχαϊκή περίοδος

κυπρογεωμετρική περίοδος

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χαλκολιθική περίοδος

νεολιθική περίοδος

μίνας

αγγεία - ειδώλια

αμφορείς - κρατήρες

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κοσμήμ

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σταυρόσχημα ειδώλια Πάφου

ατα

αγαλματίδια

νομίσματα - σφραγίδες

πινακίδες κυπρομινωικής γραφής

πολη

βασιλικό ξίφος

βασιλικός θρόνος

οθόνη προβολής

Έγκωμη - Κίτιο νεκρό

ειδώλια

Αγία Ειρήνη

επιτύμβιες στήλες

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

0.00

αφροδίτη των Σόλων

αγάλματα

ειδώλια

αυτοκράτωρ Σεπτίμιος Σεβίρος

+3.58

περιοδικές εκθέσεις +3.58

κυπροκλασική περίοδος

ελληνιστική περίοδος

ρωμαϊκή περίοδος

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

-1.00

-0.50

-6.00

-3.00

0.00

υπαίθ ριος παρα χώρο λαβή ς ς ευρημ

άτων

χώρο ς ευρημ παραλαβή άτων ς

χώρο ς συνα ρμολ

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

1. Morphological diagrams of the site and the building 2. Physical model_ scale 1:500 3. Ground floor plan 4. First floor plan 5. Physical model_ scale 1:50. Interior space and light analysis 6. Façade detail and climate diagram

όγησ

ης

-3.00

εργασ _ γυάλ τήριο κεραμ ινων ικής

-3.00

καφετέρια

πωλητήριο

εργασ _χημείοτήριο μετάλ

λων

-3.00 εργασ _ τοιχογτήριο ψηφιδ ραφιώ ωτών ν

εργασ _εκμαγ τήριο λίθινω είων ν

εργασ φωτο τήριο γραφ ίας

χώρος αποθηκ μελέτης ευμένων

σκοτε ινός θάλα μος

νομίσμα

τα

ευρημά

των

αποθ

ήκες

γυάλι

νων

αποθ ήκες ψηφιδ κεραμ ωτών ικών _ λίθινω _τοιχο γραφ ν ιών _ _γλυπτών εκμαγ _ είων

_ μετάλ

λων

χώρος μελέτης αποθηκευμένων ευρημάτων

αίθουσα εκπαιδευτικών προγραμμάτων

-3.00 εισητήρια_ασφάλεια

αναψυκτήριο χώρος ψηφιδωτών

χώρος εισόδου

αίθουσα εκδηλώσεων

πωλητήριο γκαρταρόμπα θησαυροφυλάκιο

πρώτ ες βοήθ ειες

πωλητήριο

βοηθητικός χώρος_αποθήκη

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6. 47

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