Malacca Site Analysis

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MALACCA


WAY FINDING Malim Jaya Via Lebuh AMJ/ Route 19 18 minutes

N From

1h

ou r

orth

2h

rs u o

Ujong Pasir Via Route 5 13 minutes From South

Kuala Lumpur to Malacca 153.3 km / 2 hours 7 minutes


MORPHOLOGY

Portuguese Era (1511-1641) In the year 1511 until 1641 the Portuguese conquered Melaka and consolidated their position by building a fortress known as A-Famosa at the foot of St Paul’s hill, near the Melaka River mouth. All Portuguese residents were living inside the fort. The traders and others were staying outside of the fort.


Dutch Era (1642-1823) During 1641, the Dutch invaded Melaka in which many new developments and redevelopment were done in and outside the fortress. The residential area and buildings along the riverbanks in Melaka town was also influenced by the canal architecture of Dutch town where the buildings were built close to the water edge.


British Era (1824-1957) In 1824 Melaka came under the British rule and did not have any improvement in the land and sea transportation because the British were paying more attention to George Town and Singapore port cities. During the period of 1900-1910, the Melaka town development was not depended on the river but the road network and this has an effect on the role of the waterfront to the city and its conditions.


Post-Independence (1957-2016) In 1971, after Malaysia received the independence Melaka embarked on an extensive reclamation of seashore area near the Melaka waterfront (Figure 3). The reclamation which began as early as 1921 during the colonial era due to sedimentation problems change the physical character of the Melaka’s original setting.


RIVER DEVELOPMENT TIMELINE

1400 Parameswara who established a port in Malacca because it was a strategically important spot halfway down the peninsula.

1403 All seagoing trade between China and India was concentrated

1509 Portuguese invasion in Malacca, they capture a strategic bridge across the river

1780 Melaka has been a major trading center, and come under the influence of Malay, Arab, Indian, Chinese, Portuguese, Dutch and British traders

1820 With the finding of Penang and Singapore, Malacca become less attractive as a trading destination.

1980 Indiscriminate dumping of trash and the run-off of nutrients and raw sewage directly into the river.

1986 Government has undertaken a major to construct sewage treatment along the river

1989 Proclamation of Malacca has potential as a Historical City


RIVER DEVELOPMENT diagram

1403

40M Depth

1509

1956

1986

During the Portuguese era, 40M Depth they built up a strategic bridge as means to cross the river.

6M Depth

6M Depth

The river was narrowed as it was no longer a destination for traders.

Government has undertaken the project to construct a sewage treatment and provide boat ride as a tourist attraction along the river


SITE


HERITAGE


RELIGIOUS

GOVERNMENT


RESIDENTIAL


SITE

HERITAGE

RELIGIOUS

GOVERNMENT

RESIDENTIAL

COMMERCIAL

COMMERCIAL + RESIDENTIAL


MICRO


EDGES - RIVER AS BOUNDARIES - CONNECTING BRIDGES BREAK BARRIERS AND STRENGTHENS THE COMMUNITY


ENTRY POINT

ENTRY POINT

ENTRY POINT

paths

1 ACCESSIBILITY

- ONE WAY TRAFFIC FLOW SITE HAS POTENTIAL TO BE THE STARTING POINT OF THE HERITAGE TRAIL.


paths

2 VISIBILITY

- INTERSECTION POINT OF VISUAL AXIS


paths

3 EXPERIENTIAL JOURNEY

- DISTINCTIVE SOCIAL & CULTURAL ASPECTS ALONG PEDESTRIAN WALKWAY


NODES - ENCOURAGE COMMUNITY INTERACTION

- ENHANCE & EXPAND EXISTING NODAL AREA


CAPITOL SATAY

GEOGRAPHER CAFE

PAK PUTRA TANDOORI AND NAAN

CHONG WAH COFFEE SHOP

LANDMAR

COMMERCIAL


THE STERLING

QUAYSIDE

CASA DEL RIO

LANDMAR

COMMERCIAL


JONKER STREET

TAMAN WARISAN DUNIA

JONKER STREET

JONKER STREET

LANDMAR

COMMERCIAL


BASTIAN VICTORIA

MALACCA CLOCK TOWER

ST PAUL’S CHURCH

SANTIAGO BASTION

LANDMAR

HERITAGE


MALACCA ART GALLERY

CHENG HO MUSEUM

BABA NYONYA MUSEUM

QUEEN VICTORIA’S FOUNTAIN

LANDMAR

HERITAGE


MASJID KAMPUNG HULU

MASJID KAMPUNG KLING

SRI POYYATHA VINAYAGAR MOORTHI

ST FRANCIS XAVIER

LANDMAR

RELIGIOUS


XIANG LIN SI TEMPLE

CHENG HOON TENG TEMPLE

CHRIST CHURCH

LANDMAR

RELIGIOUS


STRE Windy NGTH Accessible Strong Visibility Shaded area

Opportu Historical center nity Become an indication as a Landmark for Red Square

Weakne Thre Heavy traffic in front ss of the site

Over crowdedness of Birds Lack of law enforcement Safety of pedestrian

Alcoholic people Vehicles

at


VIEWS FROM SITE r ive R cca a l Ma

1 View from carpark towards the St.

2 View of the Melaka World Heritage

Francis Xavier Church.

from the Victoria Bastian.

3 View from the Carpark area towards

4 The view of existing entrance

Jalan Bunga Raya.

towards Jalan Laksamana

5 A panoramic view towards the river and the opposite back lane pedestrian walkway.


VIEWS TO SITE

M al ac ca

Riv er

1 Aerial view of site showing the potential entrance location based on the flow of traffic coming from the bridge.

2 View of the Victoria Bastion from existing entrance to mini carpark.

3 View of the site from a pedestrian’s point of view. The pathway should be designed to attract pedestrians into the building from the back lane.

4 View from across the street which shows the existing entrance to the carpark and the one way traffic

5 Easily seen from the bridge and shaded area

flow which will influence the accessibility to the building.

as the site surrounded by trees




WIND TUNNEL EFFECT

- chirping sound - feathers and dust - creates a casual, relaxed ambience

- honking sound - pollute the surrounding air

MORNING 8 a.m.

MICROCLI MATE - as sound barriers -filter air and improve air quality

EVENING 5 p.m.

As it is a heritage site it is always packed with activities, the hot and humid site context affects the schedule for activities. It will then further affect the flow of visitors at different hours.


SENSOR Y A Famosa Portuguese fortress

Serenity of Red Square with lights, fountain, and entertainment Echo Bell of Christ Church

The arches on 5 foot ways give a portal effect

Trishaw ride

Enclosure to an open space

Serenity of riverside as the people relax at night by the river The red color gives a sense of place and connection to our site

Smell of Indian Traditional flowers

Birds chirping

Crowdness of people at Jonker walk

Boat Ride


tourism

identit gentrification y noun gen·tri·fi·ca·tion \ˌjen-trə-fə-ˈkāshən\ The process of the renewal and the rebuilding, accompanying the influx of middle class and affluent people into deteriorating areas that often displaces the poor.


objectives of

UNESCO

WORLD HERITAGE The United Nations Educational, Scientific and Cultural Organization (UNESCO) seeks to encourage the identification, protection and preservation of cultural and natural heritage around the world considered to be of outstanding value to humanity. This is embodied in an international treaty called the Convention concerning the Protection of the World Cultural and Natural Heritage, adopted by UNESCO in 1972.


architectural position

Using Architecture to concretize the objectives of UNESCO building type

Heritage / Conservation Centre

To educate and bring awareness to locals and tourists alike.

To preserve Malacca’s identity while accommodating the Victoria Bastion.


design strategies VICTORIA BASTION

PROPOSED BUILDING

Proposed building to be integrated with the bastion.

Vehicular access into the site with a basement carpark in mind.

Existing site condition as a starting point for the main one way path.

Continuation of the existing architectural styles to fit into the context.


programs

GalleryTheatre Open Perman Retail 200m² 200m² 50m² Plaza ent 100m² Exhibiti on Space

Researc h Centre

Archive

80m²

250m²

target user group Tourists Locals Students

160m²

Confere nce Room 85m²

Studios 60m²


The Stain OF Time

Kolumba Museum “ They believe in the inner values of art, its ability to make us think and feel, its spiritual values. “ - Peter Zumthor


LEGEND 1.Foyer 2.Churchyard 3.Excavation 4.Sacristy

// Its ground floor contains a large archaeological excavation site with the remains of previous church buildings, with walls gently wraps every spaces together.


// A journey over the ruined remnants which embraces the past and turning spaces into a calm ,timeless dimension

// Use of micropiles allow structures to be built over the 600 year old of church.


PRECEDENT STUDY

The Edge of Space

CAIS Da RIBERIA , POrtugal

“ For most people, in most places, the edge of space is the space.” - Whyte


LEGEND 1.Foyer 2.Churchyard 3.Excavation 4.Sacristy

// Riberia which known as riverside in Portuguese, is where the square located in the heart of historical UNESCO district, which used to be a centre of intense commercial and manufacturing activity.

// Outdoor activities are taken place in between public space of river and edges nowadays and it enhances the relationship of contextual site and events.


Relationship of River & Edge of Space

Public activities taken place at edge of spaces eventually forms a local culture. Contextual interaction between human and context improves urban Health.

Robustness of Space The edges of site next to the river becomes a robust public space where many activities are taken place here.

From Segregation to Intergration Edges of spaces redefine andreconnect contextual relationship with integrated design of space.

Sense of Refuge Places with activities generate greater sense of refuge where “watching people� becomes an common activity.


An Eternal Presence of Absence

Bamiyan Culture Centre afghanistan


// The design of Integrating the building as part of a larger garden strategy, with an elegant entry sequence and minimal visual impact on the site.


Garden Cultural zone Education zone Open space View (Buddha Statue)

// Seperation of both exhibition and educational spaces is used as strategy to clarify the programs of the design according to the needs of local community.

// Design uses open spaces to link two different zones, aligned to face the Buddha statue as a sign of respect. The In between open space of both zones functions as a plaza which creates a sense of grandeur to the architecture.


// Use of bricks creates an elegant passageways that could easily serve as informal or formal meeting spaces (additional informal gallery spaces).


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