2
Written for the Abilene Chamber Players
Dark Water For Messiaen Quartet
Andrew Rodriguez (b. 1989)
On the edge of tranquility and discord (q=60)
Violin
Clarinet in Bb
p
sul mf pont.
Violoncello
f
f
Piano
4
Vln.
Cl.
3
5
3
5
3 mp
p
p
p
mp
Pno.
7
mf
5
ord.
Vc.
p
7
On the edge of tranquility and discord (q=60)
3
mp
p
mf
5
p
sub. f
p
Copyright © 2015 by Paper Thin Publishers. All Rights Reserved.
3 8
Vln.
Cl.
Vc.
3
5
Cl.
mp
Pno.
mf
7
3
5
6
6
mp
5
6
3
mp
Vc.
10
Vln.
6
Pno.
p
pp
13
Vln.
Cl.
Vc.
sub. p
Cl.
Vc.
Pno.
7
p
7
A
7 f
mp
mf
f
4
mp
fp
17
Vln.
pp
Pno.
A
5
p
11
p
5 Vln.
pizz.
mp 5
Cl.
Vc.
5
pp
Cl.
Vc.
Pno.
mp
mf
mf
mp
mp
6
5
p
mf
f
5
mf
5
5
mf
p
3
22
Vln.
f
5 f fp
5
arco
Pno.
19
mp
p
mp
p
26
Vln.
Cl.
Vc.
poco rit.
pp
31
3 3 Vln. Cl. Vc. 3
Pno.
ff
poco rit.
Pno.
Forceful (q=125)
5 3 3 3 ff
6
3
5
3
3
3
Forceful (q=125)
5
3
3
5
3
3
7 36
Vln. Cl. Vc.
Pno.
5 3 3 3
5
3
3
41
3 3 3 5 Cl.
Vln.
Vc.
3
Pno.
3
3
5
3
8 46
Vln. Cl. Vc.
3
3
Cl.
Vc.
Pno.
3
f
5
mf
3
50
Vln.
B
3
Pno.
fp 3
3
3
3
fp
3
B
f
3 3 5
mp
3 5 3 3
9 54
5 Cl. 11 f Vc.
Vln.
5
Pno.
Cl.
Vc.
3
5
mf
p
C
3
mf
arco C behind bridge f
Pno.
56
Vln.
3 5
6
3
sub. p
3
10 59
Vln.
Cl.
Vc.
Pno.
3
Pno.
3
3
f
3
3
3
3
3
5
5
61
Vc.
3
p
Cl.
sul pont.
mp
Vln.
3
6
3
11 63
Vln.
Cl.
Vc.
D
norm.
6
f
65
Vln.
Cl.
Vc.
Pno.
mp
mp
D
6
pizz.
Pno.
mf
mf
p
68
Vln.
f
Cl.
f
Vc.
arco
f
Pno.
f
71
Vln.
Cl.
Vc.
Pno.
f
3
f
f
E
E
12
3
13
73
Vln.
Cl.
Vc.
Pno.
3
Cl.
Vc.
3
Pno.
F
7
3
mp
3
75
Vln.
5 5
mp
mp
F mf
3 3
ff
78
Vln.
Cl.
Vc.
3
3
3
3
3
3
3
3
ff
mf
Pno.
14
mp
5 5
sf 81
Vln.
Cl.
Vc.
sf
3
Pno.
ff
mp
sf
3
3
3
3
3
sf
15
3 sf molto cresc.
85
Vln.
Cl.
mp
Vc.
sf
Pno.
mf
molto cresc.
3
3
G 88
Vln.
Cl.
Vc.
Pno.
3
7
p
G
mp
Pedal continuously
16 90
Vln.
Cl.
Vc.
Pno.
Cl.
Vc.
Pno.
p
3
mp 3
mp
p
92
Vln.
3
3
17 94
Vln.
Cl.
Vc.
Pno.
Cl.
Vc.
Pno.
3
3
3
96
Vln.
3
3
3
3
3
p
3
18 98
Vln.
Cl.
Vc.
Pno.
Cl.
Vc.
Pno.
3
3
100
Vln.
3
p
3
3
19 102
Vln.
Cl.
Vc.
3
3
p
pp
5
5
p
3 3
Pno.
104
Vln.
ppp
Cl.
Vc.
Pno.
f
20 106
Vln.
Cl.
Vc.
Pno.
ppp
Vc.
mp
3
3
Cl.
3
109
Vln.
f
pitch bend
3
mp
3
Pno.
21 112
Vln.
Cl.
Vc.
H
pizz.
mp
p
mf
mf
Pno.
H
115
Vln.
Cl.
Vc.
Pno.
arco
pizz. mf
p
118
Vln.
Cl.
arco
Vc.
Pno.
Cl.
Vc.
Pno.
pp
mp
121
Vln.
pp
mp
22
23
123
Vln.
Cl.
Vc.
Pno.
Cl.
Vc.
126
Vln.
Pno.
3
3
3
5
6
6
6
24
I arco
129
5 3 pp mf p mf 5 Cl. mp
Vln.
Vc.
pp
I Pno.
mf
Vln.
p
Cl.
mf
mp
3
mf
f
3
5
3
mp
mf
f
3
3
5
5
sub. mp
3 5 p
Pno.
p
p
Vc.
133
5
3
sub. mp
25
137
Vln.
Cl.
Vc.
Pno.
3
f
ff
Cl.
Vc.
Pno.
3
6
3
3
mp 3
3
3
3
f
141
Vln.
3
ff
3
3
3
fp
3 3 3 3
fp
Vln.
Cl.
Vc.
molto rall.
ff
3
3
3
Vc.
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
3
(q=90)
3
3
3
3
3
(q=90)
3
Pno.
3
3
3
f
3
3
151
Cl.
3
3
molto rall.
Vln.
3
ff
Pno.
26
146
3
3
3 3 3 3
168
Vln.
Cl. (sounding pitch)
Cl. (fingered pitch)
Vc.
pizz.
5
p
3
3
Cl. (sounding pitch)
vib.
Cl. (fingered pitch)
Vc.
Pno.
3
pp
3
mp
mp
J
3
sul pont.
174
Vln.
pp
28
Pno.
J arco
29 179
Vln. Cl. (sounding pitch)
6
Cl. (fingered pitch)
Vc.
Pno.
Vln. Cl. (sounding pitch)
Cl. (fingered pitch)
Vc.
Pno.
3
5
3
pp
3
3
K
6 3 5 3
183
mp
ord.
K p
p
poco accel.
187
Vln. Cl. (sounding pitch)
Cl. (fingered pitch) Vc.
3
30
mp
Cl. (sounding pitch)
Cl. (fingered pitch)
Vc.
Pno.
3
5
5
191
Vln.
pp
poco accel.
Pno.
mp
poco accel.
3
mp
3
3
poco accel.
p
p
3 3
5
3
3
31
196
Vln. Cl. (sounding pitch)
Cl. (fingered pitch)
Vc.
Pno.
Vln. Cl. (sounding pitch)
Cl. (fingered pitch)
Vc.
Pno.
mp
*
pp
L
pp
201
mp
L
5
p
*Replace barrel and mouthpiece onto instrument.
5
3
205
Vln.
Cl. (sounding pitch)
Cl. (fingered pitch)
Vc.
Pno.
Cl.
Vc.
208 con sord.
con sord.
5
*short gliss.
pp
pp
*short gliss.
pp
Meno mosso (q=65)
Pno.
Meno mosso (q=65)
Vln.
32
33 214
Vln.
Cl.
Vc.
Pno.
220
Vln.
Cl.
Vc.
p 3
Pno.
p
pp
5
M
M
mp 3
3
34 225
Vln.
Cl.
p
Vc.
pp
senza sord. pizz.
3
mp
3
p
p
Pno.
senza sord.
3
7
228 pizz. 3
Vln.
arco
mp
p
Cl.
Vc.
Pno.
3
arco
3
p
5
p
pizz.
3 mp
mp 7
mp
pizz.
3
35
arco
232
Vln.
3
p
Cl.
arco
Vc.
3
Cl.
Vc.
Pno.
3
3
3
7
arco
3
poco rit.
p
pp
3
3
3
p
p
mp
3
3
arco 3
5
p
3
pizz. 3
236
Vln.
3
mp
p
p
p
Pno.
pizz.
rubato p
5
3
3
poco rit.
pp
ppp
July 30, 2015 Abilene, TX