architecture portfolio 2022

The Principle of Arch. Haunted House Section F

@Fishing platform of Hobe Harbor 3.Tourist Info-booths @Tamsui Customs Wharf

4.Observatory @Ang Mo Sian / Fort San Domingo parking

Impressionism 1872

Art works discription

Neo-Impressionism 1886

Dark and light

Soft strokes: blurred boundaries of sky/water/artificial objects

Gradient colour: sunset refraction creates scenery unity

Tranquil Light and Shadow: Fusion of Real Scenes and Reflections

Double focual points: Orange sunset, boat and people

Multicolor composition

Golden Ratio: Symmetry, alignment, stricted to 3:7 ratio

Divisionism: Using the viewer's eyes as the palette, the visual sense is clear

Front & back, light & dark, clear layers: clearly define the relationship between the light and shadow of the characters in the painting

Claude Monet Impression, Sunrise Georges Seurat , A Sunday Afternoon on the Island of La Grande Jatte

Post-Impressionism

1889

Art works discription

Post-Impressionism 1898

Impasto vortex

Black Flame : Cypress twisted by personal emotions

Vortex : Perceptual insanity makes its imagination of air currents, stars

Contrast of movement and stillness: the liveliness of the sky contrasts with the tranquility of the town.

Blue Melancholy: A Mind Imprisoned in a Mental Asylum.

Clear boundaries

Right corner: Infant symbolizing the beginning of life

Center: The man who picks mangoes is the centre of the whole picture, a symbol of the most powerful stage of human beings

Blue Statue: The god who dominates life, old age, sickness and death

The old woman: Symbolizes death sometimes, inevitable helplessness

Vincent van Gogh , The Starry Night Paul Gauguin , Where Do We Come From? What Are We? Where Are We?

Discription of design

Slope

This photo shows the facial expressions and mus cular lines on limbs while playing. The arms on both sides of the wooden table compete with others, and the children watching beside them have nervous and exciting smiles on their faces. Some people grin and widen their eyes, immersed in the exciting atmosphere of the game. Teeth, eyes and eyebrows laugh like a crescent moon and the person on the right side puffs up his face, tilts his head, and tries his best to push his opponent back. The lines and movements of the limbs highlight the tension and excitement of the game. The muscles of the arms of the two children are prominent, and the shadows of skin texture show the strength of the force.

Projection

They clenched their fists and connected their wrists. The person on the right squatted on the ground and used all his arm strength to suppress the oppo nent. Among them, the child on the right uses his left hand to grasp the leg of the table, assisting and balancing himself, as if to say that his strength is not as good as his opponent!

From these photos, the children's expressions, sweat and lines on their limbs, I can feel the innocence of childhood, competing with each other but not worry ing about gains or losses, strength and lines, candid and natural, composed this lively picture.

Teahouse

project location: parking lots beside the Japanese style dormitory

Fishing Pavillion project location:

Discription of design

Vortex

They clenched their fists and connected their wrists. The person on the right squatted on the ground and used all his arm strength to suppress the oppo nent. Among them, the child on the right uses his left hand to grasp the leg of the table, assisting and balancing himself, as if to say that his strength is not as good as his opponent!

From these photos, the children's expressions, sweat and lines on their limbs, I can feel the innocence of childhood, competing with each other but not worry ing about gains or losses, strength and lines, candid and natural, composed this lively picture.

Survey

They clenched their fists and connected their wrists. The person on the right squatted on the ground and used all his arm strength to suppress the oppo nent. Among them, the child on the right uses his left hand to grasp the leg of the table, assisting and balancing himself, as if to say that his strength is not as good as his opponent!

From these photos, the children's expressions, sweat and lines on their limbs, I can feel the innocence of childhood, competing with each other but not worry ing about gains or losses, strength and lines, candid and natural, composed this lively picture.

Infomation booth project location: Banyan trees square

Observatory project location: Ang Mo Sian parking lots

Cover of the Design Theory Book

Node & Pod : Cityscale in little architectureNode & Pod : Cityscale in little architecture

About Semester 2022, spring

This semester is my last academic year before my graduation thesis design in my 5th year, to improve my exposition skill in architec tural design, I joined professor Hirahara’s studio. This studio focuses on finding your way to express your interests and presents them through notation illustrations with a theory book.

The book you are now reading was the theory book that was mentioned in the previous texts. This theory book included the infor mation of 4 projects that I design this semester, such as the initial four pictures, analysis of 4 sites, architecture design models, axonometric drawings and last but not least, the four notation drawings.

Before you start it, as the designer of these four projects, I want to say thank you for taking your time reading my design theory book of 2022, spring, hope you enjoy it!

Initial Image

Methology 1 EXPERIENCE COMPRESSOR

Theory 1 : order from chaos

sorce of the image

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From image to concept

ORDER FROM CHAOS

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© CONSISTENCY & INPERMANCE

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Theory 2 : consistency & impermanence

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From image to concept

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Initial Image

AMBIENCE CONDENSER

Theory 3 : sunk as time passing by

sorce of the image

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From image to concept

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©

Theory 4 : memory moisturizer

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From image to concept

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MEMORY

MOISTURIZER

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©

Abstracted reality

Apperance

This photo shows the facial expressions and mus cular lines on limbs while playing. The arms on both sides of the wooden table compete with others, and the children watching beside them have nervous and exciting smiles on their faces. Some people grin and widen their eyes, immersed in the exciting atmosphere of the game. Teeth, eyes and eyebrows laugh like a crescent moon and the person on the right side puffs up his face, tilts his head, and tries his best to push his opponent back. The lines and movements of the limbs highlight the tension and excitement of the game. The muscles of the arms of the two children are prominent, and the shadows of skin texture show the strength of the force.

Instructor: 駱又誠 Period: 2018.09-2018.10

Movement

They clenched their fists and connected their wrists. The person on the right squatted on the ground and used all his arm strength to suppress the oppo nent. Among them, the child on the right uses his left hand to grasp the leg of the table, assisting and balancing himself, as if to say that his strength is not as good as his opponent!

From these photos, the children's expressions, sweat and lines on their limbs, I can feel the innocence of childhood, competing with each other but not worry ing about gains or losses, strength and lines, candid and natural, composed this lively picture.

Cardboard folding space

Discription of the initial photo

name : PANCO

© Adhi Prayoga, Indonesia, 2nd Place National Award, 2014 Sony World Photography Awards

Abstraction

Design proccss

1. Composition : discussing composition layout of the picture

2. Dialogue : discussing the dialogue relationship between topics

3. Proportion : discussing the proportional relationship between the part and the whole

On a 40x40cm drawing, according to the previ ous abstracted concept, the selected photographic works will be developed and transformed more than three times. After drawing various line segments on the paper with a pencil, imagine and create a "Multi-View" from the reading of the drawing and the possibility of "Paraline Drawing".

Draw this abstract sketch into a positive draw ing with engineering strokes, and the lines must show differences in thickness, odd and even, continuous or dashed lines.

Redraw the analysis diagram on the model board (grey, white, and black), and cut, cut, fold, and fold to form a three-dimensional sense of space. Express the spatial characteristics between abstract concepts and quantities.

Abstraction

Design proccss

1. Composition : discussing composition layout of the picture

2. Dialogue : discussing the dialogue relationship between topics

3. Proportion : discussing the proportional relationship between the part and the whole

On a 40x40cm drawing, according to the previ ous abstracted concept, the selected photographic works will be developed and transformed more than three times. After drawing various line segments on the paper with a pencil, imagine and create a "Multi-View" from the reading of the drawing and the possibility of "Paraline Drawing".

Draw this abstract sketch into a positive draw ing with engineering strokes, and the lines must show differences in thickness, odd and even, continuous or dashed lines.

Redraw the analysis diagram on the model board (grey, white, and black), and cut, cut, fold, and fold to form a three-dimensional sense of space. Express the spatial characteristics between abstract concepts and quantities.

Models

CREATIVITY

History of Twa Tiu Tia

Goden Eage 1895-1945

Japanese period

1851-1895

Chin dynasty

In the mid-19th century, exporting tea gradually became an important industry in northern Taiwan, and many merchants appeared in Da Dao Cheng. The first firm, Lin Yi Shun, was opened in 1851 by Keelung businessman Lin Lan Tian.

In 1853, many merchants moved in from Bangka due to regional fighting.

British traders began trading tea in Dadaocheng in 1872.

At the beginning of the 20th century, Dadaocheng was regarded as a part of the city and was located outside the city wall of Taipei. Many European businessmen lived along the Danshui River, about 16 kilometres from Dadaocheng to the mouth of the Danshui River.

Dadaocheng is the second most populous city in Taiwan (the first is Tainan Fucheng, and the third is Wanhua), with a population of about 30,000 to 40,000 people.

The first movie theatre built by Taiwanese audiences was located in Dadaocheng. "Emperor Theater" imitated Tokyo's "Imperial Theater", combining cafes, sports fields and dressing rooms, it was a popular entertainment centre of the area.

At the same time, it is also the core of the development of Taiwan's modern advanced ideas and cultural creations, such as cultural lectures, poems, songs and paintings.

Foundation of Prosperous ROC period 1945-now

Decline and Transformation

After the war, the busiest street in Dadaocheng was called Dihua Street, which explains the oldest street in Taipei City. After the war in Dadaoc heng, the buying and selling of goods gradually changed to north-south goods. During the Chinese New Year every year, a large number of biscuits, candies and dry goods are sold.

Xiahai City God Temple is also located here. Every year on the 13th day of the fifth lunar month, there are a series of activities to celebrate the birthday of the god.

The first generation Taipei Main Station (1891) is located in Dadaocheng

From Taipei City to Dadaocheng, the North Gate is the only gateway

The ornate facade of various street houses Street view

north section mid-north section mid street south section

Shophouses development context

time & space

1850s 1860s N. sec. N. sec. N. sec. N. sec. N. sec.

1870 80s 1890s

Mid-N. N. sec N. sec 1910-30s 1930s 1940s

Mid-N. Mid-N.

Mid. st. Mid. st. Mid. st.Mid. st. Mid. st.

N. sec. N. sec.

The old city gradually declined, and the development moved to the east, along Mid-north and south part of the street. Numerous old street houses were converted into new post-war buildings. types & space

N. sec. N. sec.

Mid. st. S. sec. S. sec.S. sec.S. sec. S. sec. S. sec.

in conclusion: 1. The order of development is from the North section, central the war. 2. The style has a clear timing.

From composite structure to composite material façade.

The use of space in shophouses

Features＆scals of shophouses

courtyard arcade narrow houseatrium

SCALE & SIZE：

The size of the courtyard was 1/3 of the width of facade

SCALE & SIZE：

The width of arcades were between 3-3.5m and facades were 5.4m

Scattered volumes of street houses

The roof extends forward to form an arcade, and the body extend s backwards to increase the function of the street house.

Built the patio for better lighting and ventilation

The path of life is continuous and uninterrupted

continus shophouses with arcade

Conclusion:

1. By using the fabrication of blanks and volumes, people in Tua Tiu Tia make full use of long/narrow shophouses.

2. The spatial scale of the long street houses is directional.

3. Atrium patio as a vertical flow space for light, circulation and air.