Urban Renewal- Restoring the Vision of Olmsted andVaux in Central Park's Woodlands

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Urban Renewal Restoring the Vision of Olmsted and Vaux in Central Park's Woodlands by Marianne Cramer

Civic involvement creates opportunities and obstacles in路a large-scale restoration and management

F

ew restoration projects have assumed a civic dimension as broad as that of the recent woodlands revival in New York's Central Park. From removing political roadblocks to surviving public scrutiny to handling an eager but diverse corps of volunteers, park planners faced tremendous challenges that required innovative responses. Rather than a restoration to a precontact landscape, the Central Park woodlands project sought to renew the magnificent urban plan of Frederick Law Olmsted and Calvert Vaux, who designed the park in the mid-1800s. Their original intent-to create rural tranquillity among the chaos of the city-guided each phase of the restoration.

The Genesis of Central

project.

Park's Woodlands To create New York City's Central Park, 341 ha (843 acres) of prime real estate set aside for public use, many thousands of cartloads of top soil were imported from New Jersey and Long Island, hundreds of pounds of dynamite were used to blast the Manhattan schist bedrock for the sunken transverse roads, and miles of clay pipe were laid to thoroughly drain the landscape. Between 1857 and 1873 Olmsted and Vaux oversaw the creation of an idyllic public landscape out of what at the time was considered a relatively nondescript parcel of land at the city's urban fringe. . New York City hosts a wide array of natural communities from forests to salt marshes, according to the Native Species

Planting Guide for New York City and Vi-

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(Parks & Recreation Natural Resources Group, 1993) Although only fragments of the pre-colonial forest survive, Marc Matsil, director of the Natural Resources Group, and his staff have done enough investigation to confirm that the plant community matrix was and continues to be unique on the Eastern Seaboard because of its location at the juncture of two hardiness zone limits. For instance, Staten Island still has evidence of sugar maple and beech forests (a northern hardiness zone plant community at its southern limit) mingled with hackberry and sweet bay magnolia (a southern hardiness zone plant community at its northern limits). Although plant records are not explicit until the 1800s, we do know that most of the original forest on Manhattan Island was cut by the Dutch and English settlers. The forest was further denuded by the British military who occupied the island for seven years (1776 to 1783) during the Revolutionary War. These actions directly affected Central Park, since there was a line of fortifications across its northern limits along with three permanent encampments. From the city's tax and condemnation records we also know that the land on which Central Park was built was changing rapidly during the mid-1850s as New York City expanded northward on Manhattan Island. As many as 5,000 people lived within Central Park's original boundaries, 57th to 106th streets, at that time. Land use varied from farms, pasturage, piggeries, and dwellings with subsistence gardens to churches and cemeteries, taverns, bone-boiling factories, rubbish heaps, quarries, and abandoned military Clnlty

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The central portion of the Loch today. Olmsted reconstructed a small stream into an open water body. which has since filled to capacity with silt from the watershed. Black willow (Salix nigra) trees that took hold several decades ago are now falling into the stream corridor. The woodlands advisory board has begun discussing management of this area. Photo by Sara Cedar Miller

fortifications. Inhabitants had already planted non-native species such as Lombardy poplar (Populus Nigra 'Italica'), and tree-of-heaven (Ailanthus altissima), particularly surrounding their dwellings. Contrary to written descriptions by Clarence Cook and others that give the impression that the land "as mostly barren, a survey of existing plants on the ground for Central Park conducted in August and September of 1857 by Charles Rawolle and Ignatz Pilat records more than 280 species, many of them native. Rawolle and Pilat estimated that there were 12,000 American hornbeam (Carpinus americana); 9,000 red maple (Acerrubrum); 8,000 specimens of nine Quercus species; 6,000 sweetgum (Liquidambarstyraciflua); 3,000 black locust (Robinia

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pseudo-acacia); 1,200 specimens of the Salix genus; 1,000 specimens of the Betula genus; 600 mockernut hickory (Carya tomentosa); 500 American chestnut (Castanea dentata); and 300 flowering dogwood (Comus florida) to name a few. American and beaked filbert (Corylus americana and C. comuta), wild black cherry (Prunus serotina), Carolina rose (Rosa carolina), summersweet (Clethra alnifolia), sweet and swamp azaleas (Rhododendron arborescens and R. viscosum) , winterberry (Ilex laevigata) , sassafras (sassafras albidum), and common greenbrier (Smilax rotundifolia) were listed as abundant, common, or (very) numerous. The part of the landscape not disturbed by cutting, grazing, or trampling was regenerating. Olmsted wrote in 1857 about" ... a fine young

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wood of the native deciduous species admirably grouped by nature ... " in what is now the Upper Park's North Woods, and in the Lower Park a large but young grove of deciduous trees that would need few additions. Since the park could not rightly imitate seashore, desert, mountain, or prairie, the designers chose the overall landscape character to mimic rural scenery. It is well documented that this artistic style was directly imported from England's romantic landscapes designed by Humphrey Repton and Joseph Paxton, among others. Central Park's rural scenery featured two design types-the pastoral landscape, consisting of broad expanses of gently rolling meadows and placid lakes, and its direct contrast, the picturesque landscape. To fashion Central Park's picturesque areas, trees were left and new ones planted to form a continuous canopy; vines were trained to grow up tree trunks; mosses and ferns were encouraged to grow in boulder crevices; grades were changed on streams or water courses rerouted to create cascades; imported soil was mounded up and planted With evergreens to create the illusion of miniature mountains. Shelters or benches constructed were usually in the rustic style. Everything in the picturesque landscape was placed to enhance the visitor's enjoyment of the lushness and detail of a wilderness. It was to be a re-creation of scenery reminiscent of the Adirondack or Appalachian Mountains-genuine American landscapes. Approximately 20 percent of the land that Olmsted called "heterogeneous surface"-magnificent bedrock outcrops, a series of bluffs, a steep

"Rocky passages of the Park, which had been furnished under my direction with a natural growth of characteristic rocky hillside perennials, have been more than once 'cleaned up,' and so thoroughly that the leaf-mould, with which the crevices of the ledge had been carefully filled for the sustenance of the plants, was swept out with house brooms . . . and all in the heart of an Appalachian glen."

-Frederick Law Olmsted. "The Spoils of the Park," February 1882.

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