A Design Project Submitted in Partial Fulfillment of Requirement for the Degree of Bachelor of Technology (DTDP)
DEFENCE MUSEUM
By ZAINAB FATIMA
B. Tech (Digital Techniques for Design and Planning) VIII Semester
Jawaharlal Nehru Architecture and Fine Arts University Mahaveer Marg, MasabTank, Hyderabad-500028 June 2020 www.jnafau.ac.in
Regd No: 16011BC060
Department of Digital Technology SCHOOL OF PLANNING AND ARCHITECTURE
Under the guidance of Prof. Ar. M. SARAH NIREEKSHANA
Under the guidance of Prof. Ar. M. SARAH NIREEKSHANA
By ZAINAB FATIMA
Regd No: 16011BC060
Jawaharlal Nehru Architecture and Fine Arts University Mahaveer Marg, MasabTank, Hyderabad 500028 June 2020 www.jnafau.ac.in
Department of Digital Technology SCHOOL OF PLANNING AND ARCHITECTURE
B. Tech (Digital Techniques for Design and Planning) VIII Semester
DEFENCE MUSEUM
A Design Project Submitted in Partial Fulfillment of Requirement for the Degree of Bachelor of Technology (DTDP)
DEPARTMENT OF DIGITAL TECHNOLOGY
Thesis Coordinator (Prof.Ar. M. SARAH NIREEKSHANA) (Er. P.S.S. NAGA LAKSHMI)
Thisistocertifythattheprojectentitled“DEFENCEMUSEUM”submittedbyMiss. ZAINABFATIMA bearing Hall Ticket No. 16011BC060 on partial fulfillment of the requirements for the award of the Degree of BACHELOR OF TECHNOLOGY (Digital Techniques for Design and Planning) of this University is a bonafide work to the best of my knowledge and may be placed before the Examination Board for their consideration.
Project Guide
JNAFAU SCHOOL OF PLANNING AND ARCHITECTURE Mahaveer Marg, MasabTank, Hyderabad 500028
BONAFIDE CERTIFICATE
Head of the Department
External Examiner (Dr. D. SRINIVAS REDDY)
Designation:NIREEKSHANAProjectGuide
This is to certify that it is a bonafide record of the Project work entitled “DEFENCE MUSEUM” done by ZAINAB FATIMA a student of B. TECH (DTDP) in the Department of Digital Technology, School of Planning and Architecture, JNAFAU, Mahaveer Marg, MasabTank, Hyderabad 500028.
Name: Prof.Ar. M. SARAH
GUIDE CERTIFICATE
During the period 2016 2020 in partial fulfillment of the requirements for the degree of B. Tech in Digital Techniques for Design and Planning This work is not submitted to any University for the award of any Degree / Diploma. This Work is carried out in School of Planning and Architecture, JNAFAU, Mahaveer Marg, MasabTank, Hyderabad 500028
Signature:
Yours Sincerely, ZAINAB FATIMA.
I thank almighty, my parents and my friends for their constant encouragement without which this assignment would not be possible.
I take this opportunity to express my profound gratitude and deep regards to my guide, Prof . Ar. M. SARAH NIREEKSHANA for her exemplary guidance, monitoring and constant encouragement throughout the course of this thesis. I express my gratitude to my lecturer Prof. B. PRITHVI RAJ for helping me with the 3d-Modelling of the project, and encouraging me throughout the course. The blessing, help and guidance given by them from time to time shall carry me a long way in the journey of life on which I am about to embark.
ACKNOWLEDGEMENT
Lastly, I am obliged to staff members of Digital Technology Department, for the valuable support. I am grateful for their cooperation during the period of my assignment.
I express my gratitude to Dr. D. SRINIVAS REDDY, HOD of Digital Techniques for Design and Planning for his valuable suggestions and advices throughout the course I also extend my thanks to other faculties for their cooperation during my course
The Defence Museum will portray famous battles, eulogies military martyrs, heroes and leaders and chronicle the course of Indian military history. The institution will collect, interpret, preserve and display military artifacts, and relics of historical value. The components of the Indian Armed Forces and their campaigns, victories, memories, equipment, will be eternalized for perpetuating the memory of the Services, which will be a source of inspiration for future generations.
On this basis I choose the site in Telangana for the Defence Museum.
On 5th June 2019 Telangana Tourism Department and the DRDO contemplated to establish a Defence museum in state capital where defence related equipment will be exhibited for public.
ABSTRACT
They requested to facilitate a retired war aircraft “TUPOLEV TU 142” to make it to museum.
2.2 Indian Armed Forces History 8
1.4 Scope 3 1.5 Limitations 4 1.6 Methodology 4
2. 2.1 Museum History
2.3 Equipment’s of Indian Defense 13
3.3 Visitors Planned 36 3.4 Architects 36
TABLE OF CONTENTS
2.1.3 Uses of Museum 6
2.1.5 Stages of development of museums in India 7
3. The National Museum of the United States Army
S. No TOPIC Pg. No
1.2 Objectives 2
2.1.1 What is a Museum? 6
CHAPTER :1 SYNOPSIS 1-4
CHAPTER :2 LITERATURE STUDY 5-34
2.1.4 Museums in India 7
1.1 Introduction & Intent 2
1.3 Aims 3
2.2.1 Indian Army 8 2.2.2 Indian Airforce 9 2.2.3 Indian Navy 10 2.2.4 Other branches of Indian defense 11
2.4.4 Library Standards 21 2.4.5 Auditorium Standards 22 2.4.6 Lightning 23 2.4.7 Day lightening concepts 25
CHAPTER 3 DESKTOP STUDY 35 48
2.1.2 Types of Museum 6
1. SYNOPSIS:
2.4.3 Gallery design Standards 20
2.4.1 Types of Circulation 16 2.4.2 Accessibility Standards 19
2.3.1 Indian Army equipment 13 2.3.2 Indian Airforce equipment 15 2.3.3 Indian Navy equipment 15 2.4 Architectural Standards 16
3.1 Location 36 3.2 Area 36
6.5.4 Average
4.4 Statistics
Humidity
6.5.9 Wind Rose
Introduction
6.9 Flora and Fauna
6.5.1 Temperature
6.12 Land use, Bye Laws and Zoning
6.5.7 UV Index
5. 63
6.5.10 Sun Analysis
CHAPTER 8
CHAPTER 5 COMPARITIVE ANALYSIS 63 66
Time line
CHAPTER 7 83
Location
3.10 Conclusion
3.6 37
4.3 History
6.10 Infrastructure
3.5 36
4.1 Location
6.5.6 Daylight Hours
SHEETS 9. Site Plan 1
3.8 39 48 48
6. 6.1 68 68 68 68 70 70 70 6.5.3 71 71 6.5.5 72 72 73 73 74 75 77 77 77 78 79 81
6.5.8 Rain Fall
CHAPTER 4 CASE STUDY 49-62
4. SALAR JUNG MUSEUM 50 50 50 51 51 52 62
Floor Plans
4.2 Introduction
6.2 Co Ordinates
4.5 Site Plan
6.5.2 Overcast Day
Precipitation
6.8 Noise Levels
BIBILOGRAPHY 86 8. Bibilography
3.9 Landuse
6.6 Topography
3.7 37
Site Plans
4.6 Floor Plans
6.3 Site Area
6.4 Site Justification
6.7 Drainage Pattern
4.7 Analysis
PROPOSALS 83-85 7. Area Poposals
Comparative Analysis
6.5 Climatic
CHAPTER 9
CHAPTER 6 SITE ANALYSIS 67 82
Interior View Render World War 1 & Kargil War Gallery 13
Ground Floor Furniture Plan 3
Ground Floor Plan 2
Interior View Render Cold War Gallery 14
First Floor Furniture Plan 6
Ground Floor Detailed Plan 4
Sections 9
Elevation Views Render 10-11
First Floor Plan 5
Interior View Render World War 2 Gallery 12
First Floor Detailed Plan 7
Elevations 8
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SYNOPSIS
TITLE: DEFENCE MUSEUM
• The Defence Museum will portray famous battles, eulogise military martyrs, heroes and leaders and chronicle the course of Indian military history.
• Portray military campaigns, heroic deeds and victories through a multi sensory display so as to reinforce citizens’ faith and pride in the Armed Forces.
A Defence Museum has been planned in Telangana as a tribute to Indian soldiers and to showcase the nation’s military culture, customs, traditions and history. The Museum is envisaged to be world class, state of the art building which will be a ‘must visit landmark for those visiting Telangana.
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1.2. OBJECTIVES:
1.1. INTRODUCTION & INTENT:
• Exhibit relics and records of historical significance and military interest, chronicling ascendency of Armed Forces from ancient times.
The Defence Museum will serve following purpose:
• Display items of military interest and historical value including development of arms, equipment and their role in the Indian history.
India has a rich military heritage. The gallantry of Indian soldiers is recognised world over. Since independence, the Indian Armed Forces have fought four major wars to defend national borders and uphold our national interests. The Armed Forces have also won laurels and glory while operating in UN mandated peace missions, combating terror and insurgency and during conduct of Humanitarian Assistance and Disaster Relief operations.
• Profile human experience of war and chronicle military events which shaped development of our country and national character.
• Enhance awareness of the glorious military heritage of India to instil and motivate citizens to greater devotion and duty to the country.
1.4. SCOPE:
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• To incorporate and to analyse the different daylight typologies and how their design elements form a direct or indirect connection with the exterior.
• To study the architectural and design aspects of the museum.
• Inform about the challenges under which Armed Forces operate to enhance comprehension and understanding of the Armed Forces.
• To bridge the gap between architecture and society.
• Space integration is the main part of the museum planning and it’s the main scope of work which can be exhibited through circulation patterns and zoning.
• Establish itself as an outstanding landmark in the for Indian and foreign visitors.
1.3.AIMS:
• Act as Military’s premier educational research and archive centre with multimedia libraries, seminar and exhibition facilities.
• Natural and artificial lighting is also a major aspect of the topic.
• Landscaping and site planning is also considered so that the museum doesn’t have a boring look. The project deals with the interior, exterior, and walkthrough.
DESKTOPSTUDY STUDYCASE • standardsArchitecture • Bye laws COMPARATIVEANALYSIS SITESITESELECTION&ANALYSIS7 AREAPRELIMINARYCONCEPTUALPRPOSALS&DESIGNS7DESIGN7DESIGNFINAL
It also doesn’t deal with the cost estimation of the project.
LITERATURESTUDY
It does not deal with the interior details of the project.
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1.5. LIMITATIONS:
This topic doesn’t emphasize the deep structural system and the architectural details.
1.6. METHODOLOGY:
MUSEUMDEFENCE IDENTIFICATIONHYPOTHESIS
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STUDYLITERATURE
2.1.1 WHAT IS A MUSEUM?
Museums are buildings in which we see many things of artistic, cultural, historical, traditional and objects of scientific interest. It is a great source of knowledge. It not only gives us knowledge but also makes us familiar with our history, culture, civilization, religion, art, architecture of our country. In the museum, there are many things which are kept for the public.
2.1.MUSEUM HISTORY:
Through all these things we can come to know how people of ancient times lived, what they used and what things they made. Therefore, Museums are also called the storehouse of history.
2.1.2 TYPES OF MUSEUMS:
2.1.3 USES OF MUSEUM:
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The concept of museums in India may be traced back to the historic times, in which references to the chitrasala (picture gallery) do occur. However, in India, the museum movementpost-datesthesimilardevelopments that occurred in Europe. The earliest necessity to house objects of antiquarian remains dates back to late 1796 CE when the Asiatic Society of Bengal felt the need to house the enormous collection of archaeological, ethnological, geological, zoological pursuits. However, the first museum by them was started in 1814. The nucleus of this Asiatic Society Museum later provided the Indian Museum, Calcutta. It’s now named as the Imperial museum.
2.1.4 MUSEUMS IN INDIA:
2.1.5 STAGES OF DEVELEPMENT OF MUSEUMS IN INDIA :
The Indian Armed Forces are the military forces of the Republic of India. It consists of three professional uniformed services: the Indian Army, Indian Navy, and Indian Air Additionally,Force. the Indian Armed Forces are supported by the Indian Coast Guard and paramilitaryorganisations(AssamRifles,andSpecialFrontierForce)andvariousinter service commands and institutions such as the Strategic Forces Command, the Andaman and Nicobar Command and the Integrated Defence Staff.
Reserve personnel: 1,155,000
2.2 INDIAN ARMED FORCES HISTORY:
Active personnel: 1,444,500[3] (ranked 2nd)
The Indian Army originated from the armies of the East India Company, which eventually became the British Indian Army, and the armies of the princely states, which finally became the national army after independence.
A Military Department was created within the Government of the East India Company at Kolkata in the year 1776. Its main function was to sift and record orders relating to the Army that were issued by various Departments of the East India Company for the territories under its control.
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The Indian Army (Hindi: Bhartiya Thal Sēnā) is the land based branch and the largest component of the Indian Armed Forces. The President of India is the Supreme Commander of the Indian Army
INDIAN ARMED FORCES:
2.2.1 INDIAN ARMY:
2.2.2 INDIAN AIRFORCE:
The Indian Air Force was establishedon8 October 1932in BritishIndiaas an auxiliary air force of the Royal Air Force. The enactment of the Indian Air Force Act 1932 stipulated out their auxiliary status and enforced the adoption of the Royal Air Force uniforms, badges, brevets and insignia. On 1 April 1933, the IAF commissioned its first squadron, No.1 Squadron, with four Westland Wapiti biplanes and five Indian pilots. The Indian pilots were led by British RAF Commanding officer Flight Lieutenant (later Air Vice Marshal) Cecil Boucher.
Formation and early pilots:
Page 9 of 86 DEFENCE MUSEUM ZAINAB FATIMA 16011BC060 Size: 1,237,117 active personnel 960,000 reserve personnel 245 manned aircraft
The IndianAir Force (IAF) is the air arm of the Indian Armed Forces. Its complement of personnel and aircraft assets ranks fourth amongst the air forces of the world. Its primary mission is to secure Indian airspace and to conduct aerial warfareduringarmed conflict.It wasofficiallyestablishedon 8 October 1932 as an auxiliary air force of the British Empire which honoured India's aviation service during World War II with the prefix Royal. After India gained independence from the United Kingdom in 1947, the name Royal Indian Air Force was kept and served in the name of Dominion of India. With the government's transition to a Republic in 1950, the prefix Royal was removed.
Size 139,576 active personnel
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Size 67,252 personnel 137 ships (excl. auxiliaries) Approx. 246 aircraft.
The Indian Navy is the naval branch of the Indian Armed Forces. The President of India is the Supreme Commander of the Indian Navy. The Chief of Naval Staff, a four star admiral, commands the navy.
2.2.3 INDIAN NAVAL:
Approx. 1,748+ aircraft
The Indian Navy traces its origins back to the East India Company's Marine which was founded in 1612 to protect British merchant shipping in the region. In 1793, the British East India Company established its rule over eastern part of the Indian subcontinent i.e. Bengal, but it was not until 1830 that the colonial navy was titled as His Majesty's Indian Navy. When India became a republic in 1950, the Royal Indian Navy as it had been named since 1934 was renamed to Indian Navy.
2.2.4 OTHER BRANCHES OF THE INDIAN DEFENCE:
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TOTAL:
EXPLOSIVES, ROCKETS, MOTORS, VEHICLES:
1.9 million+
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2.3. EQUIPTMENTS OF INDIA DEFENSE :
2.3.1 INDIAN ARMY EQUIPTMENTS:
Page 14 of 86 DEFENCE MUSEUM ZAINAB FATIMA 16011BC060 VEHICLES TOTAL: 46,200 + MINE EQUIPTMENTS: TOTAL : 3144+ INFANTRY VEHICLE : 2961 ARMOURED VEHICLES: TOTAL: 4292++ ARTILLERY: TOTAL: 4797+ MISSILE TOTAL:ENGINEERINGTOTAL:SYSTEMS:1,574,450+&SUPPORT861+
2.3.3 INDIAN NAVY:
2.3.2 INDIAN AIRFORCE:
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Page 16 of 86 DEFENCE MUSEUM ZAINAB FATIMA 16011BC060 2.4. ARCHITECTURAL STANDARDS: 1.2.4.1.CIRCULATION:OPENPLAN: Large and visually autonomous items on display Free Functioncirculationrooms in basement 2.LINEAR CHAINING: Linear sequences of rooms Controlled circulation Clear Separateorientationentrance and exit. 3.CORE AND SATELLITE ROOMS: -Main room for orientation in the museum or the exhibition Side rooms for autonomous displays (themes/collections) 4.LABYRINTH: Free Guidedcirculationrouteand direction are variable Entrance and exit can be separate 5.COMPLEX: Combined groups of rooms with typical features of Complex organisation of collection and display concept.
Controlled circulation leads back to entrance.
6. ROUND TRIP:
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Similar to linear chaining
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Page 19 of 86 DEFENCE MUSEUM ZAINAB FATIMA 16011BC060 2.4.2 ACCESSABILITY:
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2.4.3 GALLERY DESIGN STANDARDS:
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2.4.4 LIBRARY STANDARDS:
2.4.5 AUDITORIUM STANDARDS:
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Lighting is vital for spatial impression and enjoyment of art. Different light colours and beam spreads; different designs and arrangements of luminaires and lamps create different lighting situations light spaces designed to meet the relevant needs of the exhibition. Special attention needs to be paid to conservation requirements. Light protection plays an important role in any exhibition room. There is more to a museum than just what it displays; it is also a place of research, where collections are stored, preserved and managed. Only in the right lighting can museum staff work effectively.
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2.4.4 LIGHTINING:
Lighting also draws attention to tripping hazards and reduces the risk of accidents. So, although the lighting designer has a great deal of freedom in exhibition rooms, functional lighting must always be provided.
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is the density of a luminous flux incident on a surface and is measured in units of lux (lumens/m2) or foot candles (lumens/ft2).
Luminance is the physical measure of the stimulus which produces the sensation of luminosity (brightness) in terms of the intensity of the light emitted in a given direction (usually towards the observer) by a unit area of a self luminous or transmitting or reflecting surface. It is measured by the luminous intensity of the light emitted or reflected in a given direction from a surface element, divided by the area of the element in the same direction. It is measured in units of candela per square metre (cd/m2) or footlambert (FL). Lighting Power Density (LPD) is a measure of the amount of electric lighting installed in a space. It is expressed in units of lighting power to be supplied by the luminaire (Watt) divided by the area of the space to be lit (m2). By summing the wattage of all luminaries (including ballasts and associated controls) and then dividing by floor area one can calculate lighting power density Theoretically the lighting power density should be proportional to the illuminance level. However, variables such as the efficiency of the lighting system and the efficiency of the space surfaces in delivering light to the work area will affect the lighting power density.
DESIGN
IlluminanceBASICS:
Long and narrow footprints are better than square ones for access to daylight. Buildings can be arranged as a series of wings to minimize land requirements while still allowing access to daylight.
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Maximize southern exposure.
Optimize northern exposure.
The south facade allows the most daylight access and the best control of excess solar gain in the summer. Only marginal decreases in daylighting performance will occur for glazing’s facing 30 east or west of due south.
2.4.7 DAYLIGHT DESIGN CONCEPTS:
Maximize perimeter exposure to daylight:
Minimize east-west exposure.
It is difficult to control daylight penetration on the east and west facades because of low sun angles. Daylight variability is high since these orientations provide only half day exposure to sunlight.
Although daylight exposure is less abundant on the north facade, the near constant availability of diffuse skylight makes this the second most desirable orientation. For larger buildings where light uniformity and quality is key, large north facing glazing areas can minimize electric light use.
4.3.1 BUILDING ORIENATION:
Place windows on two walls.
ATTRIUM:
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-Use atria Use atria Use atria as buffer spaces.
Incorporate exterior features to increase daylight entry.
DAYLIGHT THE PERIMETER:
1.WINDOW PLACEMENT
Use atria to maximize core daylight
Place interior windows or openings into atria.
5.LIGHT SHELVES:
contrast between the window and the wall by splaying or rounding the inside edges.
Minimizecoloured.
Light penetration for a typical ceiling height is 1.5 times the head height for standard windows
Light shelves are horizontal reflectors placed under a high window that bounce light deep into a room. If positioned correctly, light shelves can improve light distribution in a space by reducing glare and by providing more even light
A higher window will direct light onto the ceiling and deeper into the room, thus providing more uniform lighting. The ceiling should be smooth and light
3. Use a sloped ceiling to increase window height.
2.DONT OVERSIZE THE WINDOWS:
4.ROOM SIZE
In most cases, conventional window areas (30% WWR) can provide adequate daylight if clear glazing’s are used. Oversized windows contribute to excessive heating and cooling loads and occupant discomfort.
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DAYLIGHT THE CORE:
There are several top lighting methods including skylights, monitors and clerestories. The main advantages of top lighting over side lighting are
1.roof openings can provide lighting over larger areas whereas typical side lighting is restricted to about the first 3 to 5 metres of room space
1.HorizontalTECHNIQUES:and
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2.the possibility of uniform and high illumination levels (especially with skylights). Clerestories and monitors offer increased opportunity to diffuse direct incoming radiation off the ceiling or shelves.
Sloped Skylight Strategies:
TOP LIGHTS:
distribution. The figure shows typical light gradients in a room with a light shelf.
2. Strategies:
A high performance window assembly will have at least one low e coating, an argon gas fill and an insulating edge spacer. High performance frames are non metal (e.g.
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4.3.5 WINDOW & GLAZING SELECTION:
Clerestory and Monitor
Useawnings.vegetation
as seasonal shading devices. Careful placement of deciduous and evergreen trees and other vegetation can perform the function of external and internal shading devices. Deciduous trees and vines will provide shade only in the summer, whereas evergreens will provide shade all year round.
Exterior shading devices are more effective than interior shades at controlling solar gains. Unless direct sunlight can be diffused or reflected, it should be kept out of the building with exterior shading devices such as overhangs and
Page 30 of 86 DEFENCE MUSEUM ZAINAB FATIMA 16011BC060 fibreglass) or have a minimum 12 mm thermal break. The cost premium for high performance windows is approximately $30 to $100 per square metre of window.
SHADING AND VISUAL COMFORT:
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Luminance (symbol: L) is the brightness of a luminous or illuminated surface as perceived by the human eye and is measured in candelas per unit area (cd/m). Luminance distribution in the visual field has a crucial bearing on visual performance because itdefinesthe state of adaptationof the eye.Thehigherthe luminance, the better the visual acuity, contrast sensitivity and performance of ocular functions. Visual
Illuminance (symbol: E) has a major bearing on the speed, reliability and ease with which we perceive and perform a visual task. Measured in lux (lx), t indicates the amount of luminous flux from a light source that falls on a given surface: where an area of 1 squaremetre is uniformlyilluminatedby1lumen of luminousflux,the illuminance is 1 lux. Example: the flame of an ordinary candle generates approx. 1 lux at a distance of 1 metre.
The averageilluminancenormallyprovidedinexhibitionroomsranges from 150to 250 lux, depending on whether the lighting caters for wall mounted exhibits or exhibits throughout the room, with higher vertical components or more horizontal ones. Sometimes it needs to be darker for conservation reasons; brighter lighting is often only required to offset daylight incidence.
ILLUMINANCE:
Generally, good visibility is defined by an adequate quantity of light for the expected visual task, uniform distribution of illuminance and luminance, sufficient directionality to model three dimensional objects and surfaces (direction of incident light from the side or from above), the absence of glare, and sufficient spectral content to render colours accurately when required.
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LUMINANCE DISTRIBUTION:
VISUAL COMFORT & PERFORMANCE:
PRESERVATION:
One of the main responsibilities of museums is to preserve the collections and cultural heritageforthefuture.Therefore,theyshouldsecuretheidealconditionsfordisplaying,
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comfort is impaired where luminance is too low or differences in luminance are too slight (disagreeable lighting atmosphere), where differences in luminance are too marked (eyes become fatigued because of the constant need to re adapt) and where points of luminance are too high (glare).
because an unguided exposure to natural light for some materials could result in potential damage. Fading is one of the most recognizable forms of light damage, but severe physical and chemical damage of the materials can be caused by light. Such reactions are in most cases irreversible, so preventive conservation conditions are necessary for objects in display.
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All buildings receive daylight. A daylit building, however, is specifically designed to efficiently use daylight through adapted components and control strategies. The goal of daylighting design is to minimize energy use and maximize human comfort.
BENIFITS OF DAYLIGHTNING:
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DESKTOPSTUDY
The National Museum of the United States Army:
3.1. LOCATION: Fort Belvoir, VA, Washington, D.C.
3.4. ARCHITECTS: Skidmore, Owings & Merrill.
The National Army Museum will be located on more than 80 acres on the grounds of beautiful Fort Belvoir, Va., less than 30 minutes south of our nation’s capital in Washington, D.C. The main building will be approximately 185,000 square feet and display selections from 15,000 pieces from the Army Art Collection and 30,000 artifacts, documents, and images. The vast majority of these rare and priceless artifacts
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Total site area 84 acres.
3.2. AREA:
3.5. INTRODUCTION:
The main building site is 185,000 square feet.
3.3. VISITORS PLANNED: 500,000 to 700,000 visitors every year.
Ground was broken for the museum in September 2016, and it is currently projected to open in JUNE 4 ,2020.
3.6. TIME LINE:
3.7. SITE PLAN:
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AMPHITHEATRE:
The amphitheatre will host outdoor events and performances.
Founder's Hall will serve as an event and temporary exhibit space.
THE MUSEUM:
The main building will be approximately 185,000 square feet and display selections from 15,000 pieces from the Army Art Collection and 30,000 artifacts, documents, and images.
THE PROMENADE:
GROUND STAND AND PARADE GROUND:
This scenic walkway will be lined with commemorative bricks honouring past and present Soldiers.
Thislargeoutdoorspacewillbeusedforpublicconcerts,events,andArmyceremonies. Additionally,thisuniqueoutdoorspacewillbeusedtodemonstratehistoricandmodern tactical manoeuvres, training and fighting tactics, battle re enactments, and equipment operations and demonstrations that are too large for inside the main Museum building.
FOUNDER’S HALL:
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DEFENCE MUSEUM FATIMA
ZAINAB
GROUND FLOOR PLAN:
LOBBY:
AREA: 8607 sift
16011BC060
3.8.FLOOR PLAN:
The inviting 8,607 square foot Lobby will welcome and orient visitors to the variety of Museum experiences and opportunities available. The versatility of the design will allow the Lobby to meet multipurpose needs during non Museum hours, to include special events, ceremonies, and dinners.
CAPACITY: Standing: 500 Seated: 370
The Army has fought 11 wars and conducted 190 campaigns over the past 240+ years. Those hard fought honours are represented by battle streamers that are attached to the Army flag as a reminder of the selfless service and courage of the over 30 million men and women who have served the nation during times of war and peace. This awe inspiring U.S. Army Wall of Honora displays the identity, traditions and history that make up the intangible spirit of a unit its soul.
DONOR WALL:
Wall of Honora (Colours of Courage):
Inside the museum, a grand lobby presents several symbolic features, and is designed with the flexibility to transform into a 460 seat banquet hall for fundraisers and other events. Stainless steel pylons sharing individual soldier stories lead visitors from the promenade, through the vestibule, and into the exhibition hall. Visible through a glazed
ARCHITECUTRE:
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Individuals, corporations, foundations, and organizations donating $50,000 $4,999,999 will be prominently displayed in the Museum’s Lobby in five circles of distinction One Star through Five Star. Those contributing $5,000,000 or more will be recognized in the Commander in Chief’s Circle.
entrance, the lobby features a coffered ceiling with a series of 22 translucent, laminated glass panels that match campaign streamers of the Army's past bringing the focus not only to history, but to the individual soldier.
The Experiential Learning Centre (ELC) is a unique, state of the art interactive resource centre featuring geography, science, technology, engineering, and mathematics (GSTEM) educational programs.
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A black granite honour wall lists each campaign, and a 21 foot diameter Department of the Army emblem is inscribed in the lobby's terrazzo floor.
LEARNING CENTER:
Considered one of the marquee features of the National Army Museum, the ELC will be located on the first floor adjacent to the Museum lobby. It will include an extensive experientiallearningarea,completewith classroom spaceandsimulatedrescuemission activities.
Page 42 of 86 DEFENCE MUSEUM ZAINAB FATIMA 16011BC060 MUSEUM SHOP: The retail shop will sell a variety of Army art prints and Army gear. CAFE & TERRACE: The terrace serves as an additional dining AREA:space. 4628sqft 1. Standing capacity: 400 2.Seating capacity: 270 AREA: 1636 sqft 1. Standing capacity: 130 2. Seating capacity: 90
THEMED AREAS: 5
Capacity: 122 people
AREA: 9,900 sift
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ARMY SOCIETY GALLERY:
The gallery will introduce visitors to the many advancements in medicine, aviation, communications, and technology that have helped shape American society, culture, and economy. Visitors will discover how the Army has responded to and impacted issues such as immigration, integration, racial and gender equity, educational opportunities, and shaping the national character. The Army is a reflection of American society, and like that society, it is always changing.
ARMY THEATRE:
This panoramic theatre in the round will engage, educate, inspire, and entertain using a variety of dramatic theatrical techniques. The 360 degree projection display will immerse the audience in an auditory and visual experience as they travel alongside Soldiers from basic training to combat in defines of our nation, and from peacekeeping and humanitarian assistance to the advent of technologies and services that have transformed our daily lives.
FIGHTING FOR THE NATION GALLERY:
1.The founding of the nation’s gallery
3.National overseas gallery
2.Preserving the nation gallery
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4.Global war gallery
1.The founding of the nation’s gallery: Explores the Revolutionary War and the War of 1812 allowing visitors to discover America’s roots, the origins and formationof the Continental Army, and to learn about the Army’s development as a professional force during the War of 1812.
5.Cold war gallery
These galleries are divided into five types as follows
2.Preserving the nation gallery: Gives visitors an appreciation for the impact of the Civil War as the defining event of the 19th century and show how the conflict fundamentally changed the relationship between the Army and American Society.
4.Global war gallery: Covers World War II, exploring the Army’s full involvement in the War highlighting technologies and tactics that led to an Allied victory, the story of the Army in Europe, North Africa, the Pacific, and the Manhattan Project.
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5.Cold war gallery: Showcases evocative imagery of civil defines symbols, mushroom clouds, duck and cover drills, with movie posters dramatizing the standoff between the Soviet bloc and America and its allies for over 40 years. Covers the Vietnam and Korean Wars.
3.National overseas gallery: Details America’s entry onto the world stage and the Army’s role in helping turn the tide during the Great War. It is organized into four distinct spaces “Entering the World Stage,” “The Great War,” “WWI Immersion,” and “WWI Battlefield Experience."
THIRD FLOOR PLAN:
FIRST FLOOR PLAN:
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Seated:Standing:CAPACITY:270160
AREA: 5,704 sqft
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VETERENS HALL:
AREA: 3,789 sqft
MEDAL OF HONOR GARDEN:
Garden is an outdoor area adjacent to the Veterans’ Hall and a continuation of the Medal of Honora Experience. The area is a reflective space divided into three sections to showcase the core principles of a Medal of honour recipient: Valour, Gallantry, and Intrepidity.
TheSeated:Standing:CAPACITY:320270MedalofHonour
3.9 LANDUSE:
The Museum will employ 25 30 full time employees, approximately 10 12 part time employees and will have a variety of volunteers.
This museum is very thoughtfully planned and the entire site is theme based right from its entrance. Every exhibit has some meaning and history which is beautifully depicted. It provides a vision, the visitor experience and an organised plan. The exhibition and the display units are creatively developed through unique ideology which separates museum from an orthodox museum.
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Total Area of Building, Parking, and Roads:
3.10.CONCLUSION:
Projected Employment:
The Museum building is approximately 111,500 square feet or 2.6 acres, the site will have approximately 13.7 acres of parking and 2 acres of road surface 1.5 acres of new cart path will be constructed.
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CASE STUDY
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SALAR JUNG MUSEUM:
4.2.INTRODUCTION:
4.3.HISTORY:
Longitude :17.371990 Darulshifa, Hyderabad, Telangana 500024.
4.1.LOCATION: Latitude: 78.480086
Originally a private art collection of the Salar Jung family, it was endowed to the nation after the death of Salar Jung III. It was inaugurated on 16 December 1951. It has a collection of sculptures, paintings, carvings, textiles, manuscripts, ceramics, metallicartifacts,carpets,clocks,andfurniturefromJapan,China,Burma,Nepal,India, Persia, Egypt, Europe, and North America. It is one of the largest museums in the world
The Salar Jung Museum is an art museum located at Dar ul Shifa, on the southern bank of the Musi River in the city of Hyderabad, Telangana, India. It is one of the three National Museums of India.
A noblemanof the Salar Jung family of Hyderabad, Nawab MirYousuf AliKhan, Salar Jung III (1889 1949) served as Prime Minister of Hyderabad during the Nizam's rule. He spent a substantial amount of his income, over a period thirty five years, collecting artifacts from all across the world. After the Nawab died in 1949, the collections were left behind in his ancestral palace Diwan Devdi. The collection was formerly exhibited there as a private museum, named Salar Jung Museum, which was inaugurated by Jawaharlal Nehru on 16 December 1951. Old timers believe that the present collection constitutes only half of the original art wealth collected by the Nawab. His employees
Indian Visitors: 13,20,210 including 3,05,750 children below 18 years
4.5. SITE PLAN:
As per financial year 2015 16.
Non Indian Visitors: 8,803
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Total Revenue: Rs 2,04,02,995 including Rs 35,88,80 from non Indian visitors
As on date, there are 38 galleries in the Museum in three blocks i.e.
siphoned offpart of it, since the Nawab depended upon his staff to keep a vigil. In 1968, the museum shifted to its present location at Dar ul Shifa, and is administered by a Board of Trustees with the Governor of Telangana as ex officio chairperson under the Salar Jung Museum Act of 1961. Some more art pieces were lost or stolen during the shifting of the museum from Diwan Devdi to the present site.
4.4.STATISTICS:
(1) Indian Block (27 galleries) (2) Western Block (7 galleries) and (3) Eastern Block (4 galleries) in which nearly 13,654 objects are on display.
Page 52 of 86 DEFENCE MUSEUM ZAINAB FATIMA 16011BC060 CENTRAL BLOCK: GROUND FLOOR PLAN: 1.Founders Privacy 2.Founders Gallery 3.Bronzes & Painted textiles 6.Minor5.Indian4.PalkessSculptureArtsofSouth India 8,9,10. Childrens Section Museum Shop Clock Shed 11.Ivory LadiesCanteen17.Indian16.Modern15.Metal14.Arms13.European12.RebeccaroomGallerystatuaryGallerywareIndianpaintingsminiaturepaintingstoilet Number of floors: 2 Number of galleries: 27 Types of exhibits: Complex Total gallery area: 28250 sqft (ground floor & first floor)
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Page 54 of 86 DEFENCE MUSEUM ZAINAB FATIMA 16011BC060 FIRST FLOOR PLAN: FIRST FLOOR EXHIBITS: 18.Japanese art 19.Chinese art 20.Far eastern statuary 21.Kashmir room 22.Far eastern 25.Carpets24.Clock23.Manuscrciptsporcelainroom
Page 55 of 86 DEFENCE MUSEUM ZAINAB FATIMA 16011BC060 26.Egyptain 28.Jade27.EuropeanroomBrosesandothermineral objects 29.European Glass 30.French room 32.Western31.Store paintings
THIRD FLOOR PLAN:
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SECOND FLOOR PLAN:
This floor has library and stores.
Page 57 of 86 DEFENCE MUSEUM ZAINAB FATIMA 16011BC060 THIRD FLOOR: 1. Board room 2.Documentation section 3.Directors chamber 4.Pa to the director 5 8 Keepers room 9 OA 10.Adminroomand accountant office 11.Board office 12. Store rooms 13.Photo section 14. Keeper 15.Picture restoration sections 17.Conservational16.Store lab 18.Chemist OBSERVATIONS FOR THE CENTRAL BLOCK: • No adequate lightning in all the galleries. • Field of view was adequate. • Circulation was well planned. • No proper ventilation • Rebecca gallery had attractive interiors • ladies’ washroom was not according to standards.
• Canteen: Not adequate, No proper space planning, No circulation.
• Fire safety and central AC provided.
EARSTERN BLOCK: FLOOR PLAN:
GROUND
1.Far eastern wooden furniture 2. Far eastern wooden carvings gallery 3. lecture Hall 4. Stores 5. Lobby OBSERVATION: Good interiors Some galleries were not equipped with proper lightning. Good circulation space.
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• Clock Shed: Worst space planning, No proper seating, No lightning
Page 59 of 86 DEFENCE MUSEUM ZAINAB FATIMA 16011BC060 Central ac Fire Goodsafetyfalse ceiling design. FIRST FLOOR PLAN: 1.Chinese gallery 2. Japanese gallery 3. Far eastern porcelain 4. Far eastern statutory gallery lobby OBSERVATION: Good Adequateinteriorslightning.
Page 60 of 86 DEFENCE MUSEUM ZAINAB FATIMA 16011BC060 Good circulation space. Central ac Fire Goodsafetyfalse celling design WESTERN BLOCK: GROUND FLOOR PLAN:
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SECOND FLOOR PLAN:
Page 62 of 86 DEFENCE MUSEUM ZAINAB FATIMA 16011BC060 4.6 ANALYSIS:
COMPARITIVE ANALYSIS
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DESIGNBUILDING
Complex style of connected.Galleriesbarriercirculationtoiletscanteen,Inblocks.widthAdequatecirculation.corridorinallthesomepartslikelibrary,theisnotfree.arewell
DESCRIPTION
Should be barrier free circulation.
STUDYDESKTOP STUDYCASE INFERENCES
It was designed for the museum
5. COMPARITIVE ANALYSIS:
Linear style of Galleriescirculation.are well connected
ARCHITECTURE
On the entrance side of the Museummuseum. is planned with courtyards in
Exhibits include all type of artworks and objects.
NAME National Museum of United States Army Salar Jung Museum LOCATION Fort Belvoir, VA, Washington, D.C. TelanganaHyderabad,Darulshifa,
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Old block is in the combination of Muslim and the Persian style. The new blocks are modern and contemporary. Its modern and minimal style of Themearchitecture.based.
It was designed for the museum. CIRCULATION
Central block :3 Eastern bloc: 2 Western block :2 2
Exhibits includes all equiptments.defence
LANDSCAPE
BLOCKS 3 1 FLOORS
YES YES Should consider 30% of the site area as the future expansion.
Landscape is very well planned in Hugethis. land is left for the landscape 15% of the site area should be for landscaping.
TYPE OF EXHIBITS
EXPANSIONFUTURE
which landscape is planned.
On the ground floor to sell books anticraft and posters of the museum.
LIGHTINGARTIFITIAL
A separate space is provided for the parking.
CANTEEN
A separate space is provided for the parking.
Provided.
Good amount of natural lighting. Natural lighting must be effectively used and care must be taken to see that the light doesn’t glare the exhibits.
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PARKING
For the central block it’s not Foradequate.theother two blocks its radiations.artworksobjectspreserveplacesisNaturaladequate.lighteningnotusedinmanysoasthetheandfortheuv
Artificial lights are used effectively.
Provided
The galleries are utilized to its maximum where as spaces like library, canteen, toilets are not planned properly.
The galleries are utilized to its maximum usage. All spaces should be utilized thus giving a meaning to all the spaces.
To sell posters of the military and Also,defence. some military anticraft.
Provided on the ground floor. Not adequate in regards to number of people that visit Nodaily.proper space Notplanning.barrier free
PLANNINGSPACE
LIGHTINGNATURAL
MUSEUM SHOP
FIRE FIGHTINIG provided provided Should be installed.compulsory
TOILETS
NotProvided.adequate.
Inthecentralblock the lighting is not Theadequateother two blocks have a very good lightening
Provided on each floor Provided MUST OTHER SPACES arerooms,areas,library,Auditorium,conferencegeneratorstaffroomsprovided providedroomsmultipurposeParadeconferenceauditorium,Amphitheatre,rooms,ground,are
STORES
PROVIDED MUST
WATERDRINKING
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SITE ANALYSIS
Under HADA Airport Development Authority HMDA.
&
International Airport.
6.3. SITE AREA 38490 sq.
COORDINATES: Latitude: Longitude:17°13'59.9"N78°28'28.9"E
Nearby villages: Mamidipally (1.28km north)
6.2.
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Basaguda thanda (3.28 south east) Kongara kalan (9.2 km south west)
meters 9.511 Acres
6.4. SITE JUSTIFICATION:
:
(Hyderabad
6.1. Rajiv Gandhi
LOCATION: Kurmaguda, Telangana, India Near to
This site is chosen on the following basic: Near to RDI (for security purpose within 3km). Near to airport (for shipping and transport). Not too far from the main heart of the city.
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Barren lands for future development.
Easily accessible to people.
Highway access to the site. Good infrastructure facility.
6.5.2 OVERCAST DAY ANALYSIS:
Partly cloudy: Days with 20 70% of cloud cover
highest: April (18.7 days) Lowest: December (6.8 days)
Sunny Days: Days with 20% of cloud cover
Highest: December (23 days) Lowest: July (0.8 days)
6.5. CLIMATIC ANALYSIS:
6.5.1 TEMPERATURE ANALYSIS:
Highest temperature: May (39o C) Lowest temperature: December (14.5o C)
Overcast days: Days with 80% of cloud cover
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Winter season: December to February:
Mean maximum temperature: February (39o C)
Mean maximum temperature: June (40o C)
6.5.4 AVERAGE ANALYSIS:
Mean minimum temperature: December (14.5o C)
Monsoon season: June to September:
Mean minimum temperature: August (20o C)
6.5.3 PRECEPITATION ANALYSIS:
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Highest: July (16.7 days) Lowest: February (1.1 days)
The month with the longest days is June (Average daylight: 13.2h). The month with shortest days is December (Average daylight: 11.1h)
Mean minimum temperature: November (13.4o C)
The month with the highest relative humidity is August The(74%).month with the lowest relative humidity is April (37%).
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Data analysis from1971- 2010 from IMD pune.
6.5.5 HUMIDITY ANALYSIS:
Post-monsoon season: October to November:
Mean maximum temperature: October (32.3o C)
6.5.6 DAYLIGHT HOURS ANALYSIS:
The wettest month (with the highest rainfall) is August (178.7mm). The driest month (with the lowest rainfall) is December (5.9mm).
Months with the highest UV index are March, April, May, June, July, August and September (UV index 12). The month with the lowest UV index is December (UV index 8).
The month with the highest number of rainy days is August (14.1 days). The month with the lowest number of rainy days is January (0.6 days).
6.5.8 RAIN FALL ANALYSIS:
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6.5.7 UV index ANALYSIS:
6.5.9 AVERAGE WIND ROSE:
Maximum wind speed: August (12.4 km/h)
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Minimum wind speed: January (4.1 km/h)
Page 75 of 86 DEFENCE MUSEUM ZAINAB FATIMA 16011BC060 WIND ROSE ANALYSIS FROM IMD 6.5.10 SUN ANALYSIS:
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Soil Type: Red soil
The district is drained by the river Musi. The reservoirs Osman Sagar and Himayat agar are constructed across rivers Musi andMusa respectively. These reservoirs supply drinking water to Hyderabad and Secunderabad cities.
6.10 DRAINAGE PATTERN:
6.8 NOISE LEVELS:
Lowest elevation: 597M
Highest elevation: 602M
Noise in general is sound, which is composed of many frequency components of various types of loudness levels distributed over the audible frequency range. The most
6.6. TOPOGRAPHY:
observed in the core zone were of common occurrence, mostly common birds such as common crow, Jungle crow, Common sparrow and egrets. The commonly observed mammals were mongoose and squirrels.
6.8 FLUORA AND FAUNA:
NOISE LEVEL IN SHAMSHABAD:
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common and universally accepted scale is the A weighted scale, which is measured as dB (A). This is more suitable for audible range of 20 to 20,000 Hz.
TheFAUNA:species
NaturalFLORA:vegetation
is mostly restricted to shrub layer having drought resistance. Borrasso’s flabelliform (Toddy palm), Phoenix aculis (Dwarf kajur), Calotropis gigantea ( Milkweed), Azadirachta indica (Neem), Ficus bengalensis (Raavi) , Cassia tora (Tanner’s Cassia), Cassia occidentlis (Tangedu), Eupatorium odarattum, Abutilon
DAY TIME: 65.6 dB NIGHT TIME: 61.0 dB
10 Bus stops along the Srisailam highway.
indicum (Indian mallow), Achyranthes aspera, (Uttareni), Tephrosia purpurea ( Wild Indigo) which are mainly restricted to wastelands and cultivable waste lands.
6.9 INFRASTRUCTURE:
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More than 20 hotels within 10km radius. ATMs and Banks are not nearby (Adibatla approx. 17km)
Nearest fire station ARFF Main fire station (6.6km) Nearest Police Station Pardah shareef police station (3.2km)
radius Nearest
The area/built spaces under Public facilities and Utilities need to be a minimum 30 % of the permissible coverage. At least 50 % of such built up area shall be leased out to publicfunctionalagencieslikeFireServicesdept.,localauthority,Telecommunications dept., Postal dept., Police, etc. on mutually agreed terms and conditions. Only the front setback or building line needs to be maintained for normal buildings. In case these are proposed as high rise buildings/blocks, such blocks would be permissible, in consultation with the Airport Authority.
HEIGHT CLEARANCE PERMISSION SHOULD BE TAKEN FOR THE HIGH RISE BUILDINGS FOR AIRPORT AUTHORITY OF INDIA.
Railway Stations are not in 10km railway station 13.1km
The maximum permissible coverage shall be restricted to 10 % of site area •
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6.10 LANDUSE, BYE LAWS AND ZONING: BYE
PublicFROMLAWSHADAFacilities
Farnum
and Utilities Buildings
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There are no rules .... the building can be sited anywhere as it falls under public building.
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AREA
PROPOSALS
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WEBSITES REFFERED : https://www.thehansindia.com/posts/index/Telangana/2019 01 05/Tourism dept https://en.wikipedia.org/wiki/Indihttps://en.wikipedia.org/wiki/List_of_equipment_of_the_Indian_ArmyDRDO-to-establish-Defence-museum-in-Hyderabad/469609an_Army
SAVER STANDARDS
2.NEUFERT
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BIBILOGRAPHY:
1.TIME
