1
The Angkor Photo Festival & Workshops is proud to announce its new format! Over the last 12 years, we have held countless workshops and projections in hopes of building a community of emerging photographers in Asia. We have had the pleasure of watching hundreds of young and talented artists master their craft, and it’s time to give them a chance!
EVOLUTION 1 EDUCATION 3
The Angkor Photo Workshops 2017 Professional Tutors 2016 Workshops Results Testimonials
OUTREACH 9
The Anjali Photo Workshops 2017 Anjali Tutors Anjali Workshops Results
13 COMMUNITY
2017 Activities 2017 Guest Curators
16 GET INVOLVED
Support us APFW in the world
19 CONTACT US
PHOTO BY PHANNA, 2016 ANJALI PHOTO WORKSHOPS
1
13 th Edition: education, outreach & community 2017: focus on our educational values & missions As more festivals emerge in the world, our emphasis on education has become our main goal for this 13th Edition. After 12 years, the new format of our event reflects the incredible development and growth of our workshop alumni as well as the photography community that have grown around our annual event.
The Angkor Photo Workshops: our history and legacy • • •
A unique opportunity in the world: a professional tuition-free workshop. A strong community: an ever-growing family of workshop alumni, which is currently over 280-strong spread out all across the region. Our core aim: continuing to provide affordable and accessible professional education to Asia’s emerging photographic talents.
Nurturing this community that has been built as a result of our activities: creating our uniqueness • • •
Continuing to address the lack of access and opportunities in the region. Encouraging the members of this community to take part in the Angkor Photo Festival & Workshops’ events and influence. Supporting the artistic and professional development of this community by providing a space to express and exchange.
An inclusive, participative & emerging talents’ oriented event A more educational focused programme: inspiring, teaching and guiding • •
Creating and aligning the content and activities of our event to our workshops participants and the emerging talents. Highlighting the Asian photographic network through our projects, projections and tutoring.
Creating a space for this community to express: endorsing and encouraging • •
2
Supporting our Alumni’s ideas and exchanges by involving them in the Angkor Photo Festival & Workshops’ organisation and content. Nurturing the professional development of the photographic community in Southeast Asia.
Our origins The longest-running photography event in Southeast Asia, the annual Angkor Photo Festival & Workshops is a free international platform & educational resource for established and emerging photographers. Created in 2005 by a group of photography enthusiasts, we began as an endeavour to train emerging photographers from Asia. Addressing the lack of established professional platforms in Southeast Asia for photographers, founders Jean-Yves Navel and Gary Knight launched a series of workshops along with exhibitions and projections of quality work from professional photographers. Since its inception, the Angkor Photo Festival & Workshops has evolved over the years to adapt to the ever-changing photography industry and the needs of photographers in Asia. It became a regular highlight on the Asian arts calendar.
3
The Angkor Photo Workshops Providing Asia’s emerging talents with premier professional training, addressing the lack of affordable and accessible options for young Asian photographers to take their craft to the next level. The heart and soul of our event, this annual tuition-free professional photography workshop aims to provide an affordable, accessible and intensive educational experience to the region’s emerging talents. Every year, 30 participants from Asia are selected based on the merit of their application, and invited to attend this intense week-long workshop which provides first-hand training, exposure and valuable career guidance. The workshops are led by internationally renowned professionals who share their expertise and volunteer their time for this non-profit training. In addition to being established professionals, these photographers have also demonstrated a commitment to the educational growth and development of their younger peers. With an emphasis on nurturing their unique photographic vision as well as challenging their approach to the craft, the workshops are an intensive experience during which each participant completes a photo essay during the week while engaging in group discussion sessions and one-on-one reviews with the tutors. The results are shown during an evening projection, allowing participants to share their work with the greater public and get feedback from a wide range of spectators. Year after year, we witness workshop alumni returning to become mentors and teachers themselves, bringing in fresh ideas that help us adapt to an ever-changing industry. This organic exchange has allowed us to evolve into a self-sustaining venture where emerging talent and international industry professionals forge enduring relationships. Support for alumni continues throughout the years, helping them with edits, answering questions, connecting them with editors and assignments - such personal guidance is hard to come by in the world of photography, and is what makes us more of a home than an institution.
4
2017 Professional Tutors Sohrab HURA
Tania BOHÓRQUEZ
Sohrab Hura was born on 17th October 1981 in a small town called Chinsurah in West Bengal, India and he grew up changing his ambitions from one exciting thing to another.
Tania Bohórquez (Oaxaca, México, 1987) is a visual artist, active in photography, video and performance, working in two lines: self-referential and documentary, focus in the human fragility in the interpersonal relationships and structures collectives (family and vulnerable groups). The topics in her projects are the violence, sexual abuse and incest.
He started with dreams of growing up and becoming a dog, which later turned to becoming a superhero and then to a veterinarian to a herpetologist to becoming a wildlife film maker. Today he is a photographer, after having completed his Masters in Economics. In 2014, he was named a nominee of Magnum Photos.
Antoine D’AGATA Born in Marseille, Antoine D’Agata left France in 1983 and remained overseas for the next ten years. Finding himself in New York in 1990, he pursued an interest in photography by taking courses at the International Center of Photography, where his teachers included Larry Clark and Nan Goldin. In New York, D’Agata worked as an intern in the editorial department of Magnum, but despite his experiences and training in the US, he took a fouryear break from photography when he returned in France. His first books of photographs, De Mala Muerte and Mala Noche, were published in 1998, and the following year Galerie VU’ began distributing his work. In 2001 he published Hometown, and won the Niépce Prize for young photographers. He continued to publish regularly: Vortex and Insomnia appeared in 2003, accompanying his exhibition 1001 Nuits, which opened in Paris in September; Stigma was published in 2004, and Manifeste in 2005. In 2004, D’Agata joined Magnum Photos and in the same year, shot his first short film, Le Ventre du Monde (The World’s Belly); this experiment led to his long feature film Aka Ana, shot in 2006 in Tokyo. Since 2005 Antoine D’Agata has had no settled place of residence but has worked around the world.
Kosuke OKAHARA Kosuke Okahara was born in 1980 and grew up in Tokyo, starting his career as a photographer after obtaining his degree in education. Alternating between news reporting and longterm personal projects, his initial forays led him to Sudan, Burma, China, as well as Colombia, a project which he is only now at the point of completion. He also works in his native country.
Her background is in Political Sciences. She studied in the Manuel Álvarez Bravo Photographic Center and Centro de la Imagen in México, and she completed a Master’s degree in Critic of Contemporary Art and Production of Visual Arts. She is a tutor for the Clinics for Specialization in Contemporary Art in Oaxaca and was tutor of the Program to Encourage Artistic Creation and Development (Award for artists granted by The Council of Arts of México). Part of her creative process is involved practice of communitary pedagogy avoiding the vertical structure of power.
In 2004, he began ‘Ibasyo’, a long-term photographic essay on adolescent self-mutilation in Japan which received the W. Eugene Smith Fellowship. A member of Agence VU’ for a period, Kosuke is also the recipient of several awards and grants, including the PDN’s 30 (New York, 2009), Joop Swart Masterclass of World Press Photo (Amsterdam, 2009), Getty Images Grants (Perpignan 2012), and the Pierre & Alexandra Boulat Award (Perpignan, 2014). Since the Fukushima nuclear accident in 2011, he has been documenting the devastated region. The work is now the subject of his sixth book, ‘Fukushima Fragments’, published by Editions de la Martinière (2015).
5
SIM Chi Yin
Ian TEH
Sim Chi Yin is a visual author focused on documentary projects in Asia. She is particularly interested in history and memory, migration and transience.
Ian Teh has published three monographs, Undercurrents (2008), Traces (2011) and Confluence (2014). His work is part of the permanent collection at the Los Angeles County Museum of Art (LACMA), The Museum of Fine Arts, Houston (MFAH) and the Hood Museum in the USA. Selected solo shows include the Jack Shainman Gallery in New York in 2004, Flowers in London in 2011 and the Kunsthal Museum in Rotterdam in 2012.
A fourth-generation overseas Chinese born and raised in Singapore, schooled in London and now based in Beijing for the past eight years, Chi Yin feels both southeast Asian and Chinese, and is curious about where cultures meet and blend or diverge. Her work has been screened at photo festivals in Arles and Perpignan, and exhibited at PhotoVille in New York, the Annenberg Space in Los Angeles, Paris Photo, Nobel Peace Center in Oslo, and at festivals in China. Chi Yin is represented by VII Photo Agency. She has done photography, video and multimedia commissions for TIME, The New York Times Magazine, National Geographic, Le Monde and The New Yorker, among other top international publications. Her personal work is more long-form and presented as books, installations and projections. Chi Yin was a Magnum Foundation Human Rights and Photography fellow at New York University in 2010 and a finalist for the W. Eugene Smith Grant in Humanistic Photography in 2013. She was a World Press Photo jury member for documentary categories in 2016. Chi Yin was trained as a historian, finishing two degrees in International History at the London School of Economics and Political Science. She worked as a journalist and foreign correspondent for The Straits Times, Singapore’s national English language daily, for nine years before quitting to be an independent story-teller.
Katrin KOENNING Born in Bochum, a city right in the heart of Germany’s Ruhr Area (also called Pott), at twenty-five Katrin Koenning moved to Australia where she studied photography at the Queensland College of Art, Griffith University. She has a particular interest in our physical and emotional connection to place, and to that which surrounds us. Her still and moving image works are regularly exhibited in Australian and international solo and group exhibitions. Koenning is a former editor of the Australian PhotoJournalist Magazine, and winner of the Conscientious Portfolio Award and the Daylight Photo Award. Her images have been published widely in places such as The New York Times, The Guardian, Der Spiegel Magazine, National Geographic, The New Yorker, SBS Australia and many others. In 2016, she published her first book ‘Astres Noirs’ (Chose Commune), which won the Australian Photobook of the Year Award.
6
Teh has received several honours, including the Abigail Cohen Fellowship in Documentary Photography in 2014 and the Emergency Fund from the Magnum Foundation in 2011. In 2013, he was elected by the Open Society Foundations to exhibit in New York at the Moving Walls Exhibition. In 2015, during COP21 during the Paris climate talks, large poster images of his work was displayed on the streets of Paris as part of a collaborative initiative by #Dysturb and Magnum Foundation. He is a co-exhibitor to an environmental group show of internationally acclaimed photographers, Coal + Ice, curated by Susan Meiselas. It was recently exhibited at the Official Residence of the US Ambassador to France during COP21 and is also currently showing in Shanghai. Teh’s work has been published internationally in distinguished magazines such as Time, The New Yorker, GEO and Granta. Since 2013, he has exhibited as well as conducted masterclasses at Obscura Festival of Photography, Malaysia’s foremost photo festival. Teh is a member of two prestigious agencies, VU’ and Panos Pictures.
2016 Workshop results (selected excerpts)
AISHWARYA ARUMBAKKAM India
‘AHP’ It was a cloudy day when I ran into a strange, beautiful woman in the countryside of Cambodia. Everyone referred to her as Ahp. She lived alone in an isolated house by the edge of the village. No one seemed to know where she came from. But ever since she did, more and more mysterious things seem to be happening.
YU YU MYINT TAN
Myanmar
‘I’VE NEVER TOLD YOU BEFORE’
“You should serve him well and not disappoint him.” “No matter what happens, you have to listen to him.” “Do not speak to him as if you consider him as an equal.” “If you are stubborn and talk back to your husband, you are the woman who destroys the repute of the family.” “Forgive him in the name of a woman.” - Excerpts from Chbab Srey, Cambodian book, “How to be a good woman”
GULIGO JIA China
Women in Southeast Asia who suffer domestic violence often keep silent, straining to conform to rules set by society. I met several Khmer women survivors. We shared our never-before-told stories and journeyed together through grief, and found strength.
‘VISION’ My work explores the fantasies of people whose gender is fluid. There are obstacles between their fantasies and reality. These obstacles can be many, such as gender discrimination and stereotypes. But in their own space they have the freedom to voice their inner selves.
7
Testimonials ‘It is an intense time where you are given an opportunity to dedicate yourself wholeheartedly to the work. That’s a state of mind that is useful to have when you do other work in the future. The friendships and having the environment of Asian photographers who are equally hardworking and passionate are hard to come by elsewhere.’ - Charmaine Poh - Singapore (2016 Alumni)
‘The most wonderful thing about Angkor Photo Festival is the community that they’ve been building up. There is no place around where you can easily hang out and connect with like-minded people, even some are your long-time idols.’ - Lin Pham - Vietnam (2015 Alumni)
‘The young photographers from Asia should apply. Besides learning and honing other technical or storytelling skills, it’s a great place to also connect with others who are like-minded and with industry professionals. You don’t leave having just learned something but you also leave feeling more inspired and motivated to take on other future projects and assignments.’ - Amrita Chandradas - Singapore (2016 Alumni) ‘Young photographers should apply for the Angkor Photo Workshop to learn to work under different and restricted time frames and with the pressure of working in a place with new languages and culture.’ - Chandan Khanna - India (2015 Alumni)
‘It is so rare to find photo workshops in Asia that are free and led by mostly Asian tutors who are the top-notch photographers in the industry. It’s also one of the few places where you can find a real photo community in Southeast Asia.’ - Yan Cong - China (2015 Alumni)
8
9
The Anjali Photo Workshops Sharing our love for photography with the Siem Reap community and encouraging and nurturing the children’s innate creativity. Our annual Anjali Photo Workshops empowers underprivileged Cambodian children through creative expression. Using photography as a means to have fun while telling their own stories, the workshops encourage self-esteem and self-discovery – a key tool in fostering scholastic development, self-confidence, and social interaction. Initiated in 2005 by Magnum photographer Antoine D’Agata, this 10-day workshop is guided by volunteer photographers who bring the kids on excursions to a variety of places in Siem Reap. The older participants can also bring their cameras home to continue photographing their daily lives. The children’s photographs are showcased at ‘Children’s Day’, a special event aimed at bringing the ‘Anjali kids’ and families together with festival attendees to enjoy the festivities while sharing their work with the public.
Children’s Day Always a highlight of our event, Children’s Day involves all the kids of Anjali House. Special performances and a unique “Kid’s Edition” of projections are creating a fun and memorable day which ends with showcasing the photographs created during the Anjali Photo Workshops.
Established as an offshoot of the Angkor Photo Festival & Workshops, ANJALI HOUSE is a non-government organisation providing free food, education, health care, family support and access to the arts to underprivileged children and young adults from Siem Reap, Cambodia.
10
find out more at www.anjali-house.com
2017 Anjali Tutors
(more coming soon)
A focus on our Asian community: involving more Cambodian Alumni into the Anjali Photo tutoring. Roun Ry (Cambodia)
2010 Anjali Photo Workshops Alumni 2016 Angkor Photo Workshops Alumni
A self-taught photographer based in his hometown of Siem Reap, Cambodia, Roun Ry’s interest in the medium began when he first participated in the annual Anjali Photo Workshops in 2010, organised by the nonprofit Angkor Photo Festival & Workshops. Since then, his passion for photography has motivated him to learn as much as possible about the craft. In 2016, he was one of the selected participants of the professional Angkor Photo Workshops.
Sophal Neak (Cambodia)
Anshika Varma (India)
2013 Angkor Photo Workshops Alumni
2010 Angkor Photo Workshops Alumni
Sophal Neak is a conceptual photographer, considered as one of the emerging talents of the Cambodian art scene. Her works highlight social issues and specificities of the Cambodian culture, with a strong focus on the stories and memories of her models. Trained as a graphic designer at the Phnom Penh Royal University for the Arts, she always prepares the composition of her photographs by asking the model to pose, sometimes with specific objects.
Anshika is a freelance documentary photographer, whose photographs are a means of exploring social and cultural changes in structures within communities. She has conducted art therapy programs for children from challenging social and economic strata and she is one of our main tutors since 2013.
Sopheak Vong (Cambodia)
Kim Hak (Cambodia)
2009 Angkor Photo Workshops Alumni
2015 Angkor Photo Workshops Alumni
After being an Interior Design student of Royal University Of Fine Art (Phnom Penh, Cambodia), Sopheak started photography with his first workshop with Kim Hak, in Studio Images (French Insitute of Cambodia) in 2013. Then, he joined several workshops, such as Photo Clinic workshop 2013 with Anne Holmes; Intermediate photography class with Phann Phearith; I-Qlick Cambodia, Photo Clinic workshop 2014 with Vincent Soyez; International Photo Clinic workshop 2015 with Herbie Yamaguchi in Japan; and Photo Phnom Penh Festival workshop with Patricia Lanza. His story ‘Darkness’ has been exhibited in Photo Phnom Penh 2013 and his work ‘Unconcealed’ has been showed at Royal University of Fine Art.
Born in Battambang City, Cambodia, Kim Hak is a full-time photographer whose work brings together storytelling and artistic aesthetic. He has focused on several themes including survivor stories, the funeral of King Sihanouk, architectural documentations and also the changing landscape of his homeland. His work has been featured at art and photography festivals and his portfolio has been featured in several international wellknown publications throughout his career. In 2011, he won prize “Residency Program” of Musée du quai Branly, Paris and second prize of Stream Photo Asia in Bangkok. In 2012, he was designated Best Artist in the “Best of Phnom Penh” issue of The Advisor, a weekly Cambodian arts and entertainment magazine.
Born on April 1986 in Battambang province, Sayon Soun became interested in photography in 2008. He attended photography classes at the Frenh Institute of Cambodia, and other workshops, such as the Photo Phnom Penh Workshop by Patrica Lanza or the Angkor Photo Workshop. In 2015, he won the 1st prize of the Canon Photo Marathon in Phnom Penh, and has been exhibited at the Frenh Institute of Cambodia in 2015 and 2016.
2015 Angkor Photo Workshops Alumni
Sayon Soun (Cambodia)
He is passionate about telling story through documentary, conceptual and artistic work.
In 2015, he has been selected to join the Angkor Photo Professional Workshop: his series ‘Bound’ has been selected amongst the top 5 and showcased on Invisible Photographer Asia’s website (Singapour).
11
Anjali Workshops results (selected excerpts) (From L-R) © Anjali Photo Workshops Photos by [ROW 1] Srey / Phanna / Phanna / Sokim / Sreylen [ROW 2] Sokuam / Ruon / Phekday / Sreylane [ROW 3] Daney / Sokim / Sovann / Vecheka
12
13
2017 Activities: realizing our educational goals The Alumni Showcase: inspiring our participants and audience with our community As part of our new format, we will be having a special projection evening dedicated to showcasing work by the Alumni of the Angkor Photo Workshops since their beginning in 2005. Through a ‘Open Themed’ Call for Submissions, we will select a wide variety of works (photography & multimedia) to show our Alumni’s career since they attended our workshops. This projection will be curated by Françoise Callier & Kosuke Okahara.
The Alumni Curations: inviting the members of our community to participate in our content According to our new dynamic toward our community, two nights of projections will be curated by two of our Alumni: Wawi Navarroza (Philippines) & Anshika Varma (India). It is a great pleasure to welcome these two women photographers and curators in our official programme.
The Call for Projects: Creating a space for the community to express itself For the first time, we will launch a Call for Proposals for all members of this photographic community who wish to organise an activity, a workshop or a photography-related event during the festival. The Angkor Photo Festival & Workshops becomes more inclusive and participative and will host projects organised by this community that we are trying to nurture. According to our values, all the selected projects will be non-profit.
14
2017 Guest Curators Anshika Varma
Wawi Navarroza
2010 Angkor Photo Workshops Alumni
2005 Angkor Photo Workshops Alumni
Anshika is a freelance documentary photographer, whose photographs are a means of exploring social and cultural changes in structures within communities.
Wawi is an artist/photographer from Manila, Philippines. She graduated from De La Salle University, Manila and attended continuing education at the International Center of Photography, New York. In 2012, Navarroza completed her scholarship awarded by the Istituto Europeo di Design, Madrid under the program European Master of Fine Art Photography.
Her personal projects have been exhibited through various galleries in India, Italy and New York. She was invited to participate at the Chennai Photo Festival (2016), Kochi Biennale 2014, New York Biennale for Contemporary Art 2013, India Art Fair 2012 & 2013 and the Florence Biennial in 2009. Her awards include the “Lorenzo Il Magnifico” award for photography at the Florence Biennale in 2009. Her works have been published by various national and international media such as The Sunday Guardian, National Geographic, Time Out, Tehelka, The Rolling Stones, Vogue and People Magazine. She has also worked on various book projects with the HCL Foundation, Mahindra Rise, Vodafone Foundation, Roli Books, Hachette Publishing (India), Random House (India) and The Tehelka Foundation. She is a strong believer in the power behind inclusive education and has conducted art therapy programs for children from challenging social and economic strata. She has also been a part of the education workshops for children for the Angkor Photo Festival (2013-Present) and the Delhi PhotoFestival (2013-2015). She has been the Photography curator for the Contemporary Arts Week, New Delhi (2014) and been part of the Festival Secretariat for the Delhi Photo Festival (2013). Her last curation, Judgement of Line Orientation, was screened at the Obscura Festival of Photography, Malaysia. She is a keen collector of odd things and loves her dog, Fido.
Her work with photography has taken shape in highly stylized symbolic tableau vivants to her more recent interest in landscape, constructed still life, and installation. Her landscape photographs propose a familiar ‘other place’ that opens up to fabricated emotional space that seem to be carved out by both personal and collective memory and amnesia. Navarroza has widely exhibited in the Philippines and internationally. She has participated at the 2012 Tokyo Month of Photography presented by Tokyo Metropolitan Museum of Photography, the Asian Art Biennale at the National Museum of Fine Arts, Taichung, Taiwan (2011), the annual touring exhibition “CUT: New Photography from South East Asia” by VWFA Kuala Lumpur, ASEAN-Korea “Emerging Wave” Asian Contemporary Photography Exhibition in Hangaram Museum, Seoul, Korea (2010) and “Verso Manila: Contemporary Art from the Philippines” in Turin, Italy (2009). She has also been shown at the Museum Belvedere and the Fries Museum of Contemporary Art for Noorderlicht Photography Festival, Holland; at Angkor Photography Festival, Cambodia; and as portfolio selection at PhotoIreland, Dublin. She has received a number of awards such as the Cultural Center of the Philippines’ Thirteen Artists Awards national triennial (2012), the winner prize at the Ateneo Art Awards (2007), honorary award at Lumi Photographic Art Awards, Helsinki (2011), and finalist for the Sovereign Asian Art Prize (2011) and the Singapore Museum Signature Art Prize (2011). In 2009, Navarroza was awarded the first Asian Cultural Council-Silverlens Fellowship Grant to further her photographic research and practice in New York City. Her works are in the photography collections of LUMI, Helsinki/Oulu, Finland, the Metropolitan Museum of Manila, and private collectors around the globe. Navarroza has also worked as a lecturer of photography at De La Salle University, Manila and from time to time, works as an independent curator. She also sings for a post-punk rock band called The Late Isabel. In 2015, she founded THOUSANDFOLD, an independent multi-platform space dedicated to contemporary photography and photobooks in Manila. Wawi Navarroza is represented by Silverlens Galleries.
15
PHOTO BY VATEY, 2016 ANJALI PHOTO WORKSHOPS
16
Supporting us is getting involved in... An original educational platform in constant evolution Support a unique initiative for education and exchanges in the heart of the Asian region. Help a non-profit and free professional and cultural event which promotes and supports photography in Asia. Reach a targeted market of young and creative individuals, professional and emerging photographers, photo enthusiasts, and art collectors.
The Asian artistic scene & emerging talents Play a role in training and nurturing the next generation of Asian photographers. Engage with a creative and dynamic audience from all across Asia and beyond. Get involved with a strong and productive community who participates in a wide range of events and initiatives in photography.
Previous partners As a not-for-profit centre of education and culture, our gratitude to all the partners and sponsors who have generously supported us over the years is immeasurable.
ANGKOR
An international influence in the photographic industry Exhibition & Projection curations. Portfolio reviews in international festivals & events. Presence in diverse photography-related events.
The Angkor Photo Association is a registered NGO in France under the 1901 law. Find out if you benefit from our tax deductible status in your country.
17
The Angkor Photo Festival & Workshops in the world The initiatives of the community ANGKOR PHOTO TRAVEL GRANTS & PROJECT DEVELOPMENT GRANTS Initated in 2016 by photographer Andri Tambunan, the travel grants aim to provide financial help to our workshop participants from Indonesia, Malaysia and Philippines. They also provide a one-year or three-month mentorship by Alumni and a great exposure, such as a feature on the Invisible Photographer Asia (IPA) website. MOVING INTO THE FUTURE Launched in 2016 for the first time, this official gathering of Angkor Alumni and veterans aims to exchange ideas, projects and shared values for the evolution of the Angkor Photo Festival & Workshops. #ANGKORHANGOVER An Alumni initiative to inspire and help emerging photographers to apply to our Angkor Photo Workshops! Fully organised by the members of our community, these events combine projections and artists talks who share their experience and valuable insights about the festival, the workshops and the application process. • Yangon, Myanmar (24 May 2017) • Kuala Lumpur, Malaysia (7 July 2017) • Manila, Philippines (8 July 2017)
The Angkor Photo Team • • • • • • • •
18
Jury member of the 2017 Sony World Photography Awards - London, England (January 2017) Presenter at Photo Symposium Asia - Kuala Lumpur, Malaysia (May 2017) Curation of Raúl Cańibano’s exhibition - Central DUPON, Paris, France (June 2017) Curation of the exhibition ‘The Kogi Indians, The Memory of Possibilities’ by Eric Julien, for the Associated Program of Les Rencontres d’Arles Librairie Actes Sud, Arles, France (July-September 2017) Portfolio reviews at Mt.Rokko International Photo Festival - Kobe, Japan (August 2017) Curation of ‘Anders Jiras for Meta House - Lessons from the past: ECCC Civil Parties address Cambodia’s youth’ exhibition - Tuol Sleng Genocide Museum, Phnom Penh, Cambodia (August 2017) Curation of a projection for Tbilisi Night of Photography 2017 - Tbilisi, Georgia (September 2017) Curation of a projection for Hyderabad Arts Festival - Hyderabad, India (September 2017)
2017 Committee Françoise Callier Jean-Yves Navel Antoine D’Agata Kosuke Okahara Sohrab Hura Jessica Lim
Contact us
/Ang korPhotoFestiv al @Ang korPhotoFest #an g korphotofest w ww.an g kor-ph oto.c om P O Bo x 9 3 2 3 8 , Po st Offic e, S i em Rea p , 17 0 0 0 C a m b o dia
FRANÇOISE CALLIER
Curator & Anjali Photo Workshops Coordinator francoise@angkor-photo.com
JEAN-YVES NAVEL
Festival Founder jy@angkor-photo.com
CLAIRE TADDEI
Coordinator claire.angkor@gmail.com
PHOTO CONTRIBUTORS: Ronald Patrick, Kenji Mercado, Andrea Fernandes, Rebecca Rütten, Laura Lalvée, Paolo Patrizi, Soheila Sanamno, Sophie Estran.
19