Animafest Zagreb 2022 Festival Catalogue by Animafest_Zagreb

ANIMAFEST ZAGREB 32. SVJETSKI FESTIVAL ANIMIRANOG FILMA 32ND WORLD FESTIVAL OF ANIMATED FILM 06-11/06 2022 ZAGREB UREDNICA EDITOR MARINA KOŽUL ASISTENTICA UREDNICE I LEKTORICA EDITOR’S ASSISTANT AND PROOF-READING MIRJANA LADOVIĆ PREVODITELJI TRANSLATION IVANA OSTOJČIĆ, DAVID EDEL TEKSTOVI CONTRIBUTORS NIKICA GILIĆ, PAOLA ORLIĆ, MARTINA PEŠTAJ, DANIEL ŠULJIĆ; TEKSTOVI AUTORA, PRODUKCIJA I DISTRIBUCIJA TEXTS AND SYNOPSES BY AUTHORS, PRODUCERS, AND DISTRIBUTORS ILUSTRACIJA NA NASLOVNICI COVER ILLUSTRATION BY MICHAEL DUDOK DE WIT OBLIKOVANJE DESIGN ANA KUNEJ, ZLATKA SALOPEK RADIĆ, ALMA ŠAVAR (KUNA ZLATICA) PRIJELOM DTP DARKO KUJUNDŽIĆ IZDAVAČ PUBLISHER HULAHOP D.O.O. ISSN 2671-1249 ZAGREB, SVIBANJ MAY 2022

VIJEĆE ANIMAFESTA ANIMAFEST COUNCIL MARGIT ANTAUER (PREDSJEDNICA/PRESIDENT), VINKO BREŠAN, NIKICA GILIĆ, DARKO MASNEC, NIKOLA STOJADINOVIĆ, BOŽIDAR TRKULJA, KREŠIMIR ZUBČIĆ UMJETNIČKI RAVNATELJ ARTISTIC DIRECTOR DANIEL ŠULJIĆ PRODUKCIJA PRODUCTION HULAHOP, WWW.HULAHOP.HR PRODUCENTICE PRODUCERS MATEA MILIĆ, PAOLA ORLIĆ PRODUKCIJSKA SAVJETNICA PRODUCTION ADVISER OLINKA VIŠTICA KOORDINATORICA FESTIVALA FESTIVAL COORDINATOR ORNELA ČOP KOORDINATORICA PROGRAMA PROGRAM COORDINATOR SANJA ĐURIĆ KOORDINATOR PRIJAVA I SELEKCIJE, UREDNIK INTERNETSKE STRANICE FILM SUBMISSIONS & WEBSITE DAVOR SRIĆA SELEKTORI NATJECATELJSKIH PROGRAMA COMPETITION PROGRAMS SELECTORS DANIEL ŠULJIĆ, MARGIT ANTAUER, VESNA MEŠTRIĆ, KATA GUGIĆ, HRVOJE SELEC, MARTINA PEŠTAJ, NINO KOVAČIĆ ANIMAFEST SCANNER FRANZISKA BRUCKNER, NIKICA GILIĆ, HOLGER LANG, HRVOJE TURKOVIĆ, ANDRIJANA RUŽIĆ, DANIEL ŠULJIĆ KOORDINATOR ANIMAFEST SCANNERA ANIMAFEST SCANNER COORDINATOR NINO KOVAČIĆ KOORDINATOR FILMSKIH KOPIJA I POPRATNIH DOGAĐANJA FILM PRINT AND EVENTS COORDINATOR ARON ADŽIJEVIĆ VODITELJICA UREDA ZA GOSTE HOSPITALITY OFFICE COORDINATOR ZDENKA DOMAČINOVIĆ KOORDINATORICA UREDA ZA GOSTE HOSPITALITY OFFICE COORDINATOR TENA STRAHINEC ASISTENTCA U UREDU ZA GOSTE HOSPITALITY OFFICE ASSISTANT KARLA DORKIĆ STAŽIST INTERN MARVIN DACLINAT ODNOSI S JAVNOŠĆU PUBLIC RELATIONS DALIBOR JAKUS URED ZA MEDIJE PRESS OFFICE SILVESTAR MILETA DRUŠTVENE MREŽE SOCIAL MEDIA ORNELA ČOP, LENA DOŠEN, KARLO ŠPOLJAR UREDNICA FESTIVALSKIH PUBLIKACIJA FESTIVAL PUBLICATIONS EDITOR MARINA KOŽUL ASISTENTICA UREDNICE I LEKTORICA ASSISTANT AND PROOF-READING MIRJANA LADOVIĆ PREVODITELJI TRANSLATORS IVANA OSTOJČIĆ, DAVID EDEL KOORDINATORICA PROGRAMA ZA DJECU I MLADE CHILDREN AND YOUTH PROGRAM COORDINATOR EMINA HORVAT KOORDINATORICA VOLONTERA I INFO-PULTA VOLUNTEERS AND INFO POINT COORDINATOR LIDIJA ŠUVIĆ

KOORDINATORICA RISE&SHINE PITCHING LABA RISE&SHINE PITCHING LAB COORDINATOR DORA BENCERIĆ KOORDINATORICA PROGRAMA ANIMAFEST PRO COORDINATOR TINA TIŠLJAR URED ZA AKREDITACIJE ACCREDITATION OFFICE ŽELJKO MARČAN ASISTENT POSTAVA IZLOŽBI EXHIBITION ASSISTANT SRĐAN BECK KOORDINATORICA BLAGAJNI BOX OFFICE COORDINATOR KOVILJKA LAZAR VODITELJI FESTIVALSKIH LOKACIJA LOCATION COORDINATORS PETRA BLAŠKOVIĆ, IVAN TURKALJ, BOJAN TIŠLJAR KOORDINATORI ŽIRIJA JURY COORDINATORS IVA JURLINA, MARGARETA ŠARKANJI, LADA BONACCI TEHNIČKA PODRŠKA TECHNICAL SUPPORT GREEN DCP, REZOLUCIJA, MMV AURIS MODERATORI RAZGOVORA S AUTORIMA Q&A MODERATORS ALEXIS HUNOT, SILVESTAR MILETA, VIŠNJA VUKAŠINOVIĆ, NINO KOVAČIĆ FOTOGRAFI PHOTOGRAPHERS SAMIR CERIĆ KOVAČEVIĆ, DORINGO, JULIEN DUVAL, ZOE ŠARLIJA FESTIVALSKE KRONIKE FESTIVAL CHRONICLES TIHANA IVA PROLIĆ, NIVES MILJEŠIĆ, DRAGAN ĐOKIĆ PRIJEVOD FILMOVA I TITLANJE FILM TRANSLATION AND SUBTITLING MINISTARSTVO TITLOVA FESTIVALSKA ILUSTRACIJA FESTIVAL ILLUSTRATION MICHAEL DUDOK DE WIT AUTORI FESTIVALSKE ŠPICE FESTIVAL TRAILER MICHAELA PAVLÁTOVÁ, KOJI YAMAMURA, JOAN GRATZ, DANIEL ŠULJIĆ, XI CHEN, MARTA PAJEK, FRANK DION, ŠPELA ČADEŽ, JUAN PABLO ZARAMELLA, PAUL DRIESSEN, JOANNA QUINN, MICHAEL DUDOK DE WIT GLAZBA / MUSIC NIK PHELPS ŠPICA NATJECANJA STUDENTSKOG FILMA STUDENT FILM COMPETITION TRAILER REDATELJICA / DIRECTOR SARA TOMAS SURADNICI / COLLABORATORS ANDREA MILETIĆ, BRUNA ERCEGOVAC, DORA IVKOVIĆ, DORA KLANAC, MONIKA MOHR, MORANA MARIJA VULIĆ, NIKA BELC KOMPOZITOR / COMPOSER LEON GOSPODARIĆ / AKADEMIJA LIKOVNIH UMJETNOSTI U ZAGREBU / ACADEMY OF FINE ARTS ZAGREB VIZUALNI IDENTITET VISUAL IDENTITY KUNA ZLATICA (ANA KUNEJ, ZLATKA SALOPEK RADIĆ, ALMA ŠAVAR) PRIJELOM DTP DARKO KUJUNDŽIĆ OBLIKOVANJE FESTIVALSKE NAGRADE FESTIVAL AWARD DESIGN PETAR DOLIĆ KALIGRAFIJA NA DIPLOMAMA CALLIGRAPHY ON CERTIFICATES MIRNA DRAŽENOVIĆ DIZAJN INTERNETSKIH STRANICA WEB DESIGN PIPSER IZRADA INTERNETSKIH STRANICA WEB DEVELOPMENT EFFECTIVA.HR

SADRŽAJ C ONTENTS

ANIMAFEST ZAGREB 2022 TIM TEAM

UVODNICI INTRODUCTION

PROGRAMSKI SELEKTORI PROGRAM SELECTORS

ŽIRI I NAGRADE JURY AND AWARDS

34 37 85 93 112 156

VELIKO NATJECANJE KRATKOMETRAŽNOG FILMA GRAND COMPETITION SHORT FILM VELIKO NATJECANJE DUGOMETRAŽNOG FILMA GRAND COMPETITION FEATURE FILM NATJECANJE HRVATSKOG FILMA CROATIAN FILM COMPETITION NATJECANJE STUDENTSKOG FILMA STUDENT FILM COMPETITION NATJECANJE VR ANIMACIJE VR ANIMATION COMPETITION

166

SVJETSKA PANORAMA WORLD PANORAMA

178 180 186 192 196 217 228 230 243 246

NATJECATELJSKI PROGRAMI COMPETITION PROGRAMS

MAJSTORI ANIMACIJE MASTERS OF ANIMATION NEDELJKO DRAGIĆ IZ MAJSTORSKIH RADIONICA TIME FOR THE MASTERS

272 274 318 330 332 335 338 344 346 348 362

365

368

TEMA THEME ANIMAFEST ZAGREB - 50 GODINA 50 YEARS

ZAGREBAČKA ŠKOLA ZAGREB SCHOOL NAGRADE PUBLIKE AUDIENCE AWARD

POSEBNI PROGRAMI SPECIAL PROGRAMS ŠKOLE ANIMACIJE ANIMATION SCHOOL ANIMIRANI DOKUMENTARCI ANIMATED DOCUMENTARIES ANIMATION FESTIVAL NETWORK

371

375

PROGRAM ZA DJECU I MLADE CHILDREN AND YOUTH PROGRAM NATJECANJE FILMOVA ZA DJECU FILMS FOR CHILDREN COMPETITION OBITELJSKI PROGRAM FAMILY PROGRAM

ANIMAFEST PRO

ANIMAFEST SCANNER IX – SIMPOZIJ O SUVREMENOJ ANIMACIJI SYMPOSIUM FOR CONTEMPORARY ANIMATION STUDIES RISE & SHINE PITCHING LAB PREDAVANJA, PREZENTACIJE LECTURES, MASTERCLASSES PREDSTAVLJANJE KNJIGA, RADIONICA BOOK PRESENTATIONS, WORKSHOPS

POPRATNA DOGAĐANJA SIDE EVENTS IZLOŽBE, PERFORMANSI E XHIBITIONS, PERFORMANCES

INDEKS REDATELJA INDEX OF DIRECTORS INDEKS FILMOVA (ENGLESKI NASLOV) INDEX OF FILMS (ENGLISH TITLE) INDEKS FILMOVA (HRVATSKI NASLOV) INDEX OF FILMS (CROATIAN TITLE) POPIS FILMOVA PO ZEMLJAMA FILM LIST BY COUNTRIES ANIMAFEST ZAHVALJUJE ANIMAFEST ZAGREB WOULD LIKE TO THANK

POKROVITELJI, PARTNERI, SPONZORI

377

380

PATRONS, PARTNERS, SPONSORS RASPORED SCHEDULE

UVODNICI / INTRODUCTION Poštovani filmski umjetnici, dragi sineasti i gosti Festivala, dragi filmofili te suradnici na Animafestu, dragi prijatelji Zagreba!

Dear film artists, dear filmmakers and Festival guests, dear film lovers and Animafest associates, dear friends of Zagreb!

Pozdravljam vas i upućujem vam najsrdačniju dobrodošlicu na Animafest 2022.

Allow me to extend my warmest welcome to Animafest 2022.

Svjetski festival animiranog filma – Animafest Zagreb ove godine slavi 50 godina od svog osnutka. Osim velikog jubileja, renome Animafesta kao jedne od važnijih hrvatskih umjetničkih manifestacija potvrđuju činjenice da je Animafest naš jedini filmski festival A-kategorije i da je drugi najstariji festival animacije na svijetu čiji se laureat direktno kvalificira za nagradu Oscar. Podsjetit ću, utemeljio ga je Grad Zagreb daleke 1972.

This year the World Festival of Animated Film – Animafest Zagreb is celebrating its 50th birthday. Apart from the big anniversary, Animafest’s reputation as one of the major Croatian art events is confirmed by the fact that Animafest is our only A-list festival and the second oldest animation festival in the world, whose winner directly qualifies for the Academy Awards. It was established by the City of Zagreb way back in 1972.

Ovogodišnja proslava bit će u znaku obilježavanja polustoljetne tradicije animacije u Zagrebu te se očekuje više od 300 gostiju i umjetnika sa svih strana svijeta koji će se zajedno s vjernom publikom prisjetiti nagrađivanih filmova s prošlih festivala.

This year’s celebration is marked by the half a century of animation tradition in Zagreb and over 300 guests and artists from all over the world are expected to join the faithful audience and reminisce on the past award winners.

Iza nas su dvije pandemijske godine, koje su osobito teško pogodile umjetničku scenu. No Animafest je oba pandemijska izdanja uspio organizirati uživo, s publikom i međunarodnim gostima, pa je još jedanput potvrdio svoj globalni ugled i imidž Zagreba kao grada animacije.

The previous two pandemic years have struck the art scene particularly hard. However, Animafest has managed to organise both ‘pandemic’ editions with live audience and international guests, once again confirming its global reputation and Zagreb’s image as a city of animation.

Animafest već 50 godina održava visoku razinu kvalitete svojih programskih sadržaja. I ove ćemo godine moći uživati u bogatu programu koji će nam omogućiti uvid u najveća ostvarenja svjetske filmske animacije.

For 50 years Animafest has been maintaining a high level of quality of its programmes. This year we once again have a chance to enjoy a comprehensive programme providing us with an insight into the greatest accomplishments of global animated film.

Nagrada za životno djelo ove će se godine dodijeliti redatelju, autoru crtanih filmova, brojnih karikatura i ilustracija, majstoru stripa te jednoj od najvećih osobnosti Zagrebačke škole crtanog filma i svjetskomu majstoru animacije, gospodinu Nedeljku Dragiću. Od srca mu čestitam na ovome vrijednom i nadasve zasluženom priznanju!

The Lifetime Achievement Award this year goes to a director, author of animated films, countless cartoons and illustrations, a comic book maestro and one of the greatest personalities of the Zagreb School of Animation, an international animation pioneer, Mr Nedeljko Dragić. My sincerest congratulations on this valuable and quite deserved honour!

Očekuje nas iznimno bogat festivalski program s brojnim natjecanjima, edukacijama i radionicama diljem Zagreba.

We are looking forward to an extremely rich festival programme with many competition categories, training sessions and workshops across Zagreb.

Umjetnicima i sudionicima na Animafestu, njegovim gostima i uzvanicima upućujem srdačnu dobrodošlicu i svima želim ugodan boravak u Zagrebu!

I wish warm welcome to all artists and Animafest participants, all festival guests and visitors. May you have a pleasant stay in Zagreb!

VAŠ

YOUR TRULY,

TOMISLAV TOMAŠEVIĆ, GRADONAČELNIK GRADA ZAGREBA

TOMISLAV TOMAŠEVIĆ, MAYOR OF THE CITY OF ZAGREB

UVODNICI / INTRODUCTION Svjetski festival animiranog filma u Zagrebu, u zadnjih petnaestak godina poznat i kao Animafest, drugi je najstariji festival u potpunosti posvećen umjetnosti animacije na svijetu. 50 godina, pola stoljeća, kroz više desetljeća bio je jedan od četiri ASIFA-ina svojevrsna grand slama (uz Annecy, Ottawu i, danas drugačiju, Hirošimu), a i dalje je neprekinuto među najomiljenijima i najvažnijima na globalnoj sceni! Pola stoljeća magičnog kontinuiteta u Zagrebu! Kada znamo da je prebrodio i ratne godine, i nedavni potres, i promjene političkih sustava, i razne gradonačelnike, promjene organizatora i ravnatelja te temeljite promjene u tehnologiji, sve djeluje kao nestvarno postignuće. Čudotvorna je tolika otpornost. Možda ju je moguće povezati sa samom djelatnošću: iako je na ekranu velik broj filmova nabijen energijom, dinamikom i brzim ritmom, animiranje je posao koji zahtijeva sate, tjedne, mjesece i godine vrijednog, jednoličnog rada da bi se došlo do zadovoljavajućeg rezultata i da bi došlo do premijerne projekcije! Animatori posjeduju shvaćanje protoka vremena te upornost i strpljivost Enta, u najboljem smislu! Jer što su dnevni problemi prema protoku polovine stoljeća?

The World Festival of Animated Film in Zagreb, over the past fifteen years also known as Animafest, is the second oldest festival entirely dedicated to the art of animation worldwide. Fifty years, half a century, through decades it was one of ASIFA’s ‘grand slams’ (opposite Annecy, Ottawa and today much different Hiroshima) and it is still among the most beloved and important on the global scene! Half a century of magical continuity in Zagreb! Taking into account that it has been through a war, a recent earthquake, changes in the political regime, different mayors, different organisers and directors, as well as ground-breaking changes in technology, it all seems like a surreal achievement. Such resilience is miraculous. It could be connected with the activity itself: although a large number of films on the screen is charged with energy, dynamism and fast-paced rhythm, animation is a business requiring hours, weeks, months and years of tedious work to reach a satisfactory result and to get to a premiere. Animators comprehend the flow of time and the persistence and patience of Ents, in the best possible sense! What are daily problems compared to the flow of a half a century?

Zbog čega je sve to bilo moguće tijekom tako dugog perioda? Možda je grad Zagreb mjesto na kojem, iz tko zna kojih mističnih razloga, ljudi razumiju tu sjajnu umjetnost na jedan drugačiji način. Presudan je bio onaj trenutak u pedesetima kada su se okupili prvi autori zagrebačke škole da bi zauvijek uklesali svoje filmove i ime svoga grada u povijest svjetske kulture. Kao svojevrsna nagrada njihovim umjetničkim dosezima od strane grada i Zagreb filma, a uz podršku i blagoslov međunarodne organizacije animatora ASIFA-e, 1972. osnovan je ovaj festival. Od prvih organizacijskih timova do danas, svoje znanje i strast u njega su ugradili brojni sjajni suradnici! Od legendarnih Želimira Matka, preko Borivoja Dovnikovića Borde, Margit Antauer Bube i Joška Marušića, Gorana Pavelića Pipa i nebrojenih drugih, sve do danas – do nas koji radimo i pazimo na festival – prisutan je kontinuitet u stavu što taj festival jest, što je na njemu najvažnije i kako treba biti organiziran. Kroz povijest postoji velik broj svjedočanstava različitih ljudi vezanih uz festival, danih u različita vremena, koja pokazuju ista razmišljanja. Taj kontinuitet ostaje i drži festival na vrhunskoj poziciji na kojoj traje, a osobno sam siguran da će tako biti i dalje, nakon što sadašnji tim preda štafetu nekim novim entuzijastima.

How was all this possible during such a long period? Perhaps Zagreb is a place where, for who knows what mystical reasons, people understand this amazing art in a different way. The crucial moment took place in the fifties, when the very first Zagreb School authors gathered to chisel their films and their city’s name forever in the history of global culture. As a reward to their artistic accomplishments, the city and Zagreb Film, with the support and blessing of ASIFA, the international animators’ association, this festival was founded in 1972. From the first organisational teams to this day, so many brilliant associates enriched it with their knowledge and passion! From the legendary Želimir Matko, to Borivoj Dovniković Bordo, Margit Antauer Buba and Joško Marušić, to Goran Pavelić Pipo and many others, all the way to this day – and us, making and taking care of this festival – there has been a continuity in the view what this festival is, what is the most important thing about it and how it should be organised. Throughout history, there are a number of testimonies of different festival-related people told at different points in time which show the same views. This continuity remains and holds the festival high on its lasting level and I’m personally convinced it will keep doing so, after the current team passes the torch to new enthusiasts.

U Zagrebu se sve vrti oko toga, oko kreatora/kreatorica i njihovih predivnih filmova i najbolje verzije festivala uspijevaju uspostaviti kreativni balon, utočište, u koje zajedno iz večeri u večer, iz projekcije u projekciju, uranjaju i publika i gosti! Zadovoljstvo, ispunjenost i zahvalnost koju svi osjećaju na putu iz kina, s festivala, prema svojim kućama, nemjerljiva je! Tko to može platit? A mi to imamo tu, u svome gradu, gradu animacije, Zagrebu. U to ime, živjeli, s najboljim željama za sljedećih pedeset! I stopedeset! DANIEL ŠULJIĆ, UMJETNIČKI RAVNATELJ

Zagreb is all about this, about the filmmakers and their amazing films; the best versions of the festival are a creative bubble, a haven, in which audience and guests are immersed night after night, screening after screening. Satisfaction, wholesomeness and gratitude we all feel upon leaving the cinema, on our way home from the festival, is immeasurable! Who can pay this? And we have this here, in our city, the city of animation, in Zagreb. That said, cheers, to the next fifty! To the next hundred and fifty! DANIEL ŠULJIĆ, ARTISTIC DIRECTOR

UVODNICI / INTRODUCTION Danas, kad u ruci držite iscrpan i bogato opremljen katalog Svjetskog festivala animiranog filma u Zagrebu, Animafesta 2022., ja se sa sjetom prisjećam požutjele, na mehaničkoj pisaćoj mašini ispisane, a na šapirografu (nove generacije, dakako, nemaju pojma o čemu pričam) umnožene knjižurine u koju su uneseni podaci o programima i filmovima 1. zagrebačke svetkovine animacije, održane od 19. do 24. lipnja 1972. godine, dakle pred punih pola stoljeća, u vrijeme mojih studentskih dana, kada sam, kao i svatko tko je imalo držao do svog progresivnog kulturnog obrazovanja, strpljivo čekala u redu za ulaznicu u svijet animacije, ne sluteći da će mi ova sasvim posebna i magična umjetnost obilježiti najbolje i najplodnije godine profesionalnog, ali i umirovljeničkog života. Proslavljala sam radno, u krugu svaki put veće, generacijski i geopolitički raznolikije Animafestove obitelji, desetu obljetnicu, pa onda dvadesetu one teške, ratne 1992., kad su nas mnogi unaprijed lakomisleno otpisali, potom veliku i bogatu tridesetu obljetnicu 2002. godine, s kojom smo naš festival ponosno uveli u 21. stoljeće, prihvaćajući izazov brzog tehnološkog napretka koji je animaciju doveo u svaki djelić premrežene zemaljske kugle. A sad, nakon 50 godina, pomalo sa strane, ali punim srcem i svim stečenim znanjem, s radošću i ponosom pripadam timu koji se sukladno Animafestovoj povijesti i ovaj put bori s raznim organizacijskim nedaćama i problemima tu oko nas, ali, nažalost, i tamo daleko, a ipak tako blizu, ali s puno truda i dobre volje, s osmijehom i nepresušnom nadom u još uspješnije šesto festivalsko desetljeće, dočekuje sve autore, filmske djelatnike svake vrste, sve goste, sve filmoljupce, sve znane i neznane prijatelje animacije uz glasno i zajedničko Z… ZNAČI ZAGREB uvijek i zauvijek – jer Zagreb pamti i poštuje uspjehe i zasluge svojih velikana. Majstori animacije, ali i svi koji su kroz ova 32 održana festivalska godišta s ljubavlju i predanošću radili da bi Animafest u čitavom svijetu među pregaocima, zagovornicima i ljubiteljima „osme umjetnosti“ postizao i održao visoku reputaciju, zaslužuju naše poštovanje i naše veliko i iskreno HVALA, koje uime svih nas ispisujem ovdje velikim slovima. MARGIT (BUBA) ANTAUER PREDSJEDNICA VIJEĆA SVJETSKOG FESTIVALA ANIMIRANOG FILMA U ZAGREBU

Today, as you hold in your hands the detailed and richly equipped catalogue of the World Festival of Animated Film – Animafest Zagreb 2022, I cannot but remember with melancholy the yellowing paper of the huge catalogue book with the programme and film entries of the first Zagreb celebration of animation that was written on a typewriter, and copied on a mimeograph (the younger generations will have no clue what I’m talking about). That first edition of the Festival was held 19 – 24 June 1972, half a century ago, back when I was still a student and when I, just like everyone else who cared at all about their progressive cultural education, would wait patiently in queue to buy my tickets into the world of animated film, clueless to the ways this utterly special and magical art form would shape my best and most productive years of my professional life and continue well into retirement. I celebrated each big milestone working at the Festival, each of the anniversaries with a bigger, generationally and geopolitically more diverse Animafest family: First came the tenth, then the twentieth anniversary in that difficult war-torn year of 1992, when we were written off by many; after that followed the rich, grand thirtieth anniversary in 2002, which proudly launched our festival into the 21st century by accepting the challenges of the rapid technological progress that brought animated film into every part of the interconnected globe. Now, fifty years later, a bit from the sidelines, but wholeheartedly and with all the knowledge gathered over the years, I am happy to still be part of the festival team’s family who have fought numerous organisational troubles and problems that arose in our parts, as well as in the far corners of the world, yet was always felt so close. With immense effort and good will, warmed with smiles on their faces and an inexhaustible hope for an even more successful sixth festival decade, we welcome authors, film workers of all professions, all guests, film buffs, known and unknown friends of animated film with a loud and united Z… if for Zagreb always and forever – because Zagreb remembers and respects the successes and merits of its greats. I speak for all of us as I convey respect and a great and sincere capital lettered THANK YOU to all the masters of animated film, and to all those who have in all 32 editions of our festival worked with love and commitment for Animafest to achieve and retain the high reputation among enthusiasts, advocates and lovers of the “eighth art form”. MARGIT (BUBA) ANTAUER PRESIDENT OF ANIMAFEST COUNCIL

UVODNICI / INTRODUCTION Dragi prijatelji animacije, Izuzetna mi je čast da vam se mogu obratiti u ovom veličanstvenom trenutku kad obilježavamo pola stoljeća našeg dragocjenog i voljenog festivala. Dok sjedim pred praznim papirom/ekranom, pred očima mi prolaze drage slike, uspomene mog života. Od onog davnog lipanjskog dana 1972. godine kada sam pobjegla s predavanja psihologije na Filozofskom fakultetu da bih pogledala poslijepodnevne programe legendi američke animacije Chucka Jonesa, Fleischera, Lantza, Bosustowa… Preko ratnih godina devedesetih, kada su nas budile sirene opće opasnosti, pa sve do prošle dvije godine, kada smo se jedva prepoznavali pod maskama i kada je velika većina festivala zbog pandemije prešla na online format.

Dear friends of animated film, It is a great honour to address you on this magnificent occasion, as we celebrate half a century of our treasured and beloved festival. As I sit in front of an empty paper, or better say empty screen, pictures and memories of a lifetime flash before my eyes. From that time long ago when I skipped a psychology lecture at the Faculty of Humanities and Social Sciences to attend an afternoon screening of the legends of American animated film Chuck Jones, Fleischer, Lantz, Bosustow… through the war years in the Nineties when we were woken from sleep by emergency warning sirens, to the recent years of hardly being able to recognise one another under the masks, when most other festivals were forced to switch to an online format by the pandemic.

Sjećam se svih zvjezdanih trenutaka kada su nam gosti bili Jim Henson, autor Muppet Showa, i Chuck Jones, koji je sa suprugom plesao na Cvjetnom trgu dok je njegov Bugs Bunny (Zekoslav Mrkva) u svojevrsnom performansu silazio s obližnje višekatnice, sve to uz pjesme u izvedbi našeg Jimmyja Stanića. Bili su ovdje i velikani Disneyja Frank Thomas i Ollie Johnston sa suprugama, koji su nam postali bliski prijatelji, kao i veliki američki dizajner Saul Bass, autor poznatih špica za najveće igrane filmove svih vremena, kao što su Psiho i Vrtoglavica Alfreda Hitchcocka, Spartak Stanleyja Kubricka, West Side Story Roberta Wisea, da spomenem samo neke. Sjećam se nezaboravnih piknika na kojima se mogla vidjeti čitava galerija velikana svjetske animacije kako pjevaju i plešu, od Jurija Norštejna, Boba Godfreyja, preko Caroline Leaf, Joanne Quinn, do Paula Driessena, Georgesa Schwizgebela i mladih veličina suvremene animacije.

I remember all the stellar moments when our guests were Jim Henson, the author of the Muppet Show, and Chuck Jones who danced with his wife on Cvjetni square while his Bugs Bunny was climbing down a building nearby in a performance art piece of sorts, all this set to a Jimmy Stanić song. The Disney greats Frank Thomas and Ollie Johnston with their wives were also here, with whom we have developed a close friendship over the years, as well as the great American designer Saul Bass, author of famous opening credits for some of the greatest films of all time such as Alfred Hitchcock’s Psycho and Vertigo, Stanley Kubrick’s Spartacus, Robert Wise’s West Side Story, to mention but a few. I remember the unforgettable picnics you could see an entire gallery of the greats of animated film sang and danced, from Yuri Norstein, Bob Godfrey, Caroline Leaf, Joanna Quinn to Paul Driessen, Georges Schwizgebel and the young stars of contemporary animated film.

Unatoč mnogim problemima, između ostalog vezanih uz neadekvatan prostor i sve ostale nevolje, Festival je preživio, i to ne samo preživio već je jedini svjetski festival animacije A-kategorije u svijetu koji je u pandemijskim godinama održan u normalnom, fizičkom obliku. Mnogo smo se selili – od neuglednog Doma armije preko elegantne Koncertne dvorane Lisinski pa do vrućeg Studentskog centra, Kina Balkan i Zagreb u centru grada, pa natrag u Lisinski, zatim u malo kino Tuškanac i opet natrag u Studentski centar. Razumljivo, bilo je i dosta promjena u producentskom, umjetničkom i organizacijskom timu, nekad s više a nekad s manje sreće, ali ona glavna misija Festivala održana je kroz sve te godine, a to je da Festival mora služiti isključivo umjetnicima animacije i da su oni glavne zvijezde ove manifestacije. Naše hrabre i neumorne festivalce nisu u tome spriječili ni rat, ni potresi, ni financijske i sve ostale svjetske krize, ni pandemija…

Despite many a problem, such as inadequate venue space and other troubles, the festival survived, and not just that, but is the only world’s A-category animated film festival to have taken place in the normal physical format in the pandemic years. We’ve moved a lot – from the unremarkable Dom armije (Army Hall), elegant Concert Hall “Vatroslav Lisinski”, to the hot Student Centre, cinemas Balkan and Zagreb in the city centre, then back to “Lisinski”, the small Tuškanac cinema, and finally ending back in the Student Centre. Understandably, there were a lot of changes in the production, art and organisation teams, some of them more, others less fortunate, but the principal mission of the Festival survived through all these years, which is that the Festival must cater exclusively to animated film artists and focus on them as the stars of the show. Our courageous and indefatigable festivalgoers would not be held back by war, earthquakes, financial or other world crises, or even a pandemic…

UVODNICI / INTRODUCTION Umjetnost animacije duboko je ukorijenjena u našu nacionalnu kulturu još od 1950. godine, kada je ni iz čega stvoren prvi umjetnički animirani film na teritoriju tadašnje Jugoslavije. Nakon toga desilo se pravo svjetsko čudo kada je grupa naših raznorodnih likovnih umjetnika stvorila ono što je povijest upamtila kao Zagrebačku školu crtanog filma. Animafest je dijete rođeno u tom umjetničkom pokretu, dijete koje se pokazalo dostojnim svojih roditelja, što je ASIFA tada prepoznala i, u konkurenciji nekoliko velikih europskih gradova, upravo Zagrebu dala svoje povjerenje i pokroviteljstvo za organizaciju novog svjetskog festivala. To dijete sada ima 50 godina, ali je u svom biću još uvijek mlado, mlado kao ova grupa divnih mladih ljudi koji ga sada stvaraju s istim entuzijazmom kao i naši stari prije 50 godina.

The art of animation has been deeply rooted in our national culture since 1950, when the first Yugoslav artistic animated film was made practically out of nowhere. What followed was a true world wonder, when a group of our genre-diverse artists created what history remembers as the Zagreb School of Animation Films. Animafest is that movement’s lovechild, a child that has proved worthy of its parentage, which was recognised by ASIFA when, from a competition between several European capitals, they entrusted Zagreb with their support in organising a new world festival. This child has now reached fifty, but remains young at heart, as young as this group of splendid young people who are making it today with the same enthusiasm as our predecessors did fifty years ago.

Završit ću ovim divnim riječima iz 1988. direktora kanadskog festivala Louisa Dallairea: „U Zagrebu nema umišljenih ni onih koji se prave važni… Da, da, neprestano sam bio pod dojmom da organizatori rade 'za lijepe oči', prepuni dobre volje i osobnog zalaganja… Ako još niste posjetili taj festival, pazite, znači da postoji ozbiljna rupa u vašoj kulturi!“

I will close this introduction with the wonderful words that the Canadian film festival director Louis Dallaire uttered in 1988: “In Zagreb there are no stuck up people showing off… Yes, yes, there’s an underlying impression that the organisers are working ‘for your pleasure’, armed with good will and personal commitment… If you haven’t visited that Festival, be warned, that’s a serious gap in your ‘cultured’ file!”

VESNA DOVNIKOVIĆ GLAVNA TAJNICA ASIFA-E (2000.–2022.)

VESNA DOVNIKOVIĆ ASIFA SECRETARY GENERAL (2000–2022)

PROGRAMSKI SELEKTORI / PROGRAM SELECTORS

PROGRAMSKI SELEKTORI PROGRAM SELECTORS VELIKO NATJECANJE KRATKOMETRAŽNOG FILMA I NATJECANJE HRVATSKOG FILMA GRAND COMPETITION SHORT FILM AND CROATIAN FILM COMPETITION DANIEL ŠULJIĆ, MARGIT ANTAUER, VESNA MEŠTRIĆ

DANIEL ŠULJIĆ

UMJETNIČKI RAVNATELJ ARTISTIC DIRECTOR DANIEL ŠULJIĆ redatelj je animiranih filmova i glazbenik. Rođen je u Zagrebu, a od 1992. do 2010. živi u Beču. Nakon 2011. živi i radi u oba grada. Studirao je na Akademiji likovnih umjetnosti u Zagrebu, a od 1992. do 1998. slikarstvo i animaciju na Akademiji primijenjenih umjetnosti u Beču u klasi C. L. Atterseea, gdje je i diplomirao. Od 2005. do 2008. predavao je klasičnu animaciju na Institutu za dizajn medija pri Sveučilištu za umjetnost i dizajn u Linzu, a 2006. postao je počasni profesor pri Koledžu za animaciju Sveučilišta Jilin u kineskom Changchunu. Od 2010. do 2012. bio je umjetnički savjetnik za animirani film pri Hrvatskom audiovizualnom centru, a 2013.–2017. član umjetničkog vijeća za film Grada Zagreba. Njegovi filmovi (izbor) Evening Star (1993.), Leckdonalds (1995.), Kolač (1997.), Sunce, sol i more (1997.), Mogu si to jako dobro zamisliti (2004.), Kratak život (2007., surež. Johanna Freise), Stakleni čovjek (2015.) i Ispod kojeg li su samo kamena ispuzali (2018.) prikazivali su se na više stotina međunarodnih i domaćih festivala, različitim TV-postajama diljem Europe i dosad su osvojili mnoge međunarodne nagrade. Član je velikog broja festivalskih žirija i imao je nekoliko autorskih retrospektiva (Anifilm Trebon, Monstra Lisabon, ITFS Stuttgart). Od 2018. docent je na Odsjeku za animirani film i nove medije na Akademiji likovnih umjetnosti u Zagrebu te je od 2018. do 2020. ambasador Hrvatske pri European Animation Award. Od 2011. umjetnički je ravnatelj Svjetskog festivala animiranog filma – Animafesta Zagreb. www.danielsuljic.com

DANIEL ŠULJIĆ is an animation film director and a musician. Born in Zagreb, from 1992 to 2010 he lived in Vienna, and from 2011 on he has been living and working in both cities. He studied at the Academy of Fine Arts in Zagreb, and from 1992 to 1998 painting and animation at the University of Applied Arts in Vienna, Masterclass C. L. Attersee, where he graduated. From 2005 to 2008 he was a lecturer of classical animation at the Institute for Media Design at the University of Art and Design in Linz, and in 2006 he was given the title of honorary professor at Jilin College of the Arts Animation School in Changchun, China. From 2010 to 2012 he served as an artistic consultant for animated film at the Croatian Audiovisual Centre, and from 2013 to 2017 he was a member of City of Zagreb artistic council for film. His films (selection) Evening Star (1993), Leckdonalds (1995), The Cake (1997), Sun, Salt and Sea (1997), Ich kann es mir sehr gut vorstellen (I Can Imagine It Very Well, 2004), Kurzes Leben (Short Life, 2007, co-dir. Johanna Freise), Transparency (2015), From Under Which Rock Did They Crawl Out (2018) were shown at several hundred international and national film festivals, different TV channels across Europe and earned numerous international awards. He is a member of festival juries and had several retrospectives (Anifilm Trebon, Monstra Lisbon, ITFS Stuttgart). Since 2018 he is an assistant professor at the Department of Animation and New Media, Academy of Fine Arts, Zagreb and from 2018 to 2020 the Croatian ambassador of the European Animation Awards. Since 2011 he has been the artistic director of the World Festival of Animated Film Animafest Zagreb. www.danielsuljic.com

PROGRAMSKI SELEKTORI / PROGRAM SELECTORS

MARGIT ANTAUER MARGIT ANTAUER (Zagreb, 1950.) pohađala je osnovnu školu i gimnaziju (društveni smjer) u Varaždinu, a na Filozofskom fakultetu u Zagrebu studira engleski i njemački. 1974. godine zapošljava se u Koncertnoj direkciji Zagreb kao producentica, gdje s kratkim prekidom (1990.–1991.) radi do umirovljenja 2015. godine. Od 1992. do 2006. voditeljica je ureda za priredbe u Zagrebu Koncertne direkcije Zagreb i organizacijska direktorica Animafesta, a 2004. i 2006. godine samostalno potpisuje oblikovanje ovog svjetski priznatog festivala animacije. Sudjelovala je u radu selekcijskih komisija i ocjenjivačkih sudova mnogih međunarodnih animacijskih festivala i dobitnica je godišnje nagrade međunarodne udruge animiranog filma ASIFA-e za svekoliki doprinos razvoju umjetnosti animacije. Za 30. obljetnicu Svjetskog festivala animiranog filma – Animafesta Zagreb uredila je Priručnik za sjećanje, koji pokriva festivalska godišta od početne 1972. pa do 2002. godine. Od 2015. godine obavlja dužnost predsjednice Vijeća Animafesta.

MARGIT ANTAUER (Zagreb, 1950) attended elementary and high school (social sciences) in Varaždin and later studied English and German at the Faculty of Humanities and Social Sciences in Zagreb. In 1974 she started working as a producer at Koncertna direkcija Zagreb, where she worked with a brief break (1990-1991) until retirement in 2015. Between 1992 and 2006 she was the event office manager at Koncertna direkcija Zagreb and the chief organiser of Animafest, and in 2004 and 2006 she independently designed this world-renowned animation festival. Ms Antauer took part in selection committees and juries of many international animation festivals and won the annual award of the ASIFA international animation association for her overall contribution to the development of the art of animation. For the 30th birthday of the World Festival of Animated Film she edited an issue Priručnik za sjećanje, covering the festivals from its first 1972 edition to 2002. Since 2015 she has been the President of Animafest Council.

PROGRAMSKI SELEKTORI / PROGRAM SELECTORS

PROGRAMSKI SELEKTORI PROGRAM SELECTORS

VESNA MEŠTRIĆ VESNA MEŠTRIĆ je muzejska savjetnica, voditeljica Zbirke Richter i Zbirke Marie-Luise Betlheim u Muzeju suvremene umjetnosti u Zagrebu. Diplomirala je povijest umjetnosti i arheologiju na Filozofskom fakultetu u Zagrebu, a od 2005. radi u MSU-u. Njezin je glavni interes suvremena umjetnost, avangardni i postavangardni umjetnički pokreti 20. st., interpretacija i novi mediji u interpretaciji umjetničkih zbirki. Voditeljica je projekta digitalizacije Arhiva Vjenceslava Richtera i Arhiva Zagreb filma, a 2013.–2015. vodila je projekt digitalizacije „Eksperiment s avangardom“. Autorica je više izložbenih projekata, među kojima su retrospektivna izložba Vjenceslava Richtera „Buntovnik s vizijom“, održana u MSU-u i Neue Galerie u Grazu, za koju je primila godišnju nagradu DPUH-a za najbolju izložbu u 2017., zatim izložbe „Richter Experience – the architect and his art“ (Wevelgem, Belgija) i „Černigoj / Teater in dela iz Zbirke Marie-Luise Betlheim“ (Kostanjevica na Krki, Slovenija). U ciklusu povremenih izložbi SintArt u Zbirci Richter kustosica je izložbi Davida Maljkovića, Silvija Vujčića, Marka Tadića, Ksenije Turčić, Kristiana Kožula, Tonija Meštrovića, Ištvana Išt Huzjana. Autorica je ciklusa izložbi „Iz arhiva arhitekta“ i interaktivnog projekta za djecu o Zbirci Richter „Avanture Vita“ i „Nade“. Bila je voditeljica i suautorica međunarodnog istraživačkog i izložbenog projekta „Bauhaus – umrežavanje ideja i prakse“ i edukativnog projekta „Runaway Art“. Suautorica je više izložbi, među kojima su „Croatia First Minute“ (Avesta, Švedska), „Bauhaus: od škole do pokreta“ (Galerija umjetnina, Split), „Od imaginacije do animacije: šest desetljeća Zagreb filma“ (MSU Zagreb), „The World as a Pavilion. Vjenceslav Richter“ (Bozar, Bruxelles). Redovito sudjeluje na međunarodnim konferencijama i radionicama, a 2017. u organizaciji njujorške MoMA-e, uz potporu Zaklade Andrew W. Mellon, sudjelovala je na radionici „Getting Started: A Shared Responsibility“.

PROGRAMSKI SELEKTORI / PROGRAM SELECTORS

VESNA MEŠTRIĆ is a senior curator and head of Vjenceslav Richter Collection and MarieLuise Betlheim Collection at the Museum of Contemporary Art (MSU) in Zagreb. She graduated Art History and Archaeology at the Faculty of Humanities and Social Sciences University of Zagreb, and since 2005 works at the MSU Zagreb. Her main interest is 20th century contemporary art, avant-garde and post avant-garde movements, as well as interpretation and new media in art collections. She is head of several archive digitisation projects, Vjenceslav Richter, Zagreb film, Experiments with Avant-garde (2013-2015). She curated many exhibitions, e. g. Vjenceslav Richter retrospective exhibition „Rebel with a Vision“ (MSU, Neue Galerie Graz), awarded by the Croatian Society of Art Historians for the best exhibition in 2017, „Richter Experience – The Architect and His Art“ (Wevelgem, Belgium), „Černigoj / Teater in dela iz Zbirke MarieLuise Betlheim“ (Kostanjevica na Krki, Slovenia), or solo shows by David Maljković, Silvio Vujčić, Marko Tadić, Ksenija Turčić, Kristian Kožul, Toni Meštrović, Ištvan Išt Huzjan. She was coordinator and co-author of the European research exhibition project „Bauhaus – Networking Ideas and Practice“, and educational project „Runaway Art“. She co-authored exhibitions „Croatia First Minute“ (Avesta, Sweden), „Bauhaus: od škole do pokreta“ (Galerija umjetnina, Split), „Od imaginacije do animacije: šest desetljeća Zagreb filma“ (MSU Zagreb), „The World as a Pavilion. Vjenceslav Richter“ (Bozar, Brussels). She regularly participates in international conferences and workshops, and in 2017 she participated in the workshop „Getting Started: A Shared Responsibility“, organised by MoMA New York, with the support of the Andrew W. Mellon Foundation.

NATJECANJE STUDENTSKOG FILMA STUDENT FILM COMPETITION DANIEL ŠULJIĆ, KATA GUGIĆ, HRVOJE SELEC

KATA GUGIĆ KATA GUGIĆ (1990.) diplomirala je modni dizajn na Tekstilno-tehnološkom fakultetu i animirani film i nove medije na Akademiji likovnih umjetnosti u Zagrebu. Njezin diplomski film, Cockpera, prikazan je i nagrađen na brojnim svjetskim filmskim festivalima. Živi u Zagrebu, gdje radi na području animacije, scenografije i kostimografije.

KATA GUGIĆ (1990) graduated in Fashion Design from the Faculty of Textile Technology, and Animation and New Media from the Academy of Fine Arts in Zagreb. Her graduation film Cockpera was screened and awarded at numerous film festivals worldwide. She is based in Zagreb where she works in the fields of animation, set design and costume design.

HRVOJE SELEC HRVOJE SELEC (1984., Varaždin) završio je srednju Elektrostrojarsku školu u Varaždinu, preddiplomski studij multimedije, diplomski studij ambalaže te je stekao zvanje magistra inženjera grafičkih tehnologija pri Sveučilištu Sjever. Dobitnik je Rektorove nagrade Sveučilišta Sjever za doprinos u znanstvenom polju. Svoje radno iskustvo u audio-vizualnoj djelatnosti započinje u Filmsko-kreativnom studiju VANIMA u Varaždinu. Radeći ondje desetak godina, bio je producent na više od dvjesto filmova nastalih u radu s djecom i mladima. Godine 2010. s kolegama je pokrenuo VAFI – internacionalni festival animiranog filma djece i mladih (od 2018. godine VAFI & RAFI festival), koji se odvija u Varaždinu i Rijeci, a čiji je direktor od samog osnivanja. Od 2021. godine glavni je tajnik Hrvatskog filmskog saveza, a 2021. ulazi u Vijeće Dana hrvatskog filma te postaje producent navedenog festivala. Bio je član žirija i selekcija brojnih festivala te je održao više od 80 radionica animiranog filma u Hrvatskoj i svijetu (UAE, Australija, Japan, Kina, Izrael, Češka, Slovenija, Srbija, Portugal…). Član je ASIFA-e Hrvatske od 2008. godine, a 2019. postaje dopredsjednik ASIFA-ine Animation Workshop Group.

HRVOJE SELEC (1984, Varaždin) graduated from the Secondary School of Electromechanical Engineering in Varaždin, undergraduate studies in multimedia, graduate studies in packaging and earned an MA in graphic technologies at the University North. He won the Rector’s Award of the University North for his contribution to the scientific field. He began his work experience in the audiovisual industry at the VANIMA Film and Creative Studio in Varaždin, where he produced more than two hundred films made by children and youth. With his colleagues, in 2010 he launched VAFI – International Festival of Animated Film for Children and Youth (since 2018 VAFI & RAFI Festival), where he serves as director since its founding. In 2021, he was appointed as the General Secretary of the Croatian Film Association, and in the same year he joined the Croatian Film Days Council and became producer of the festival. He was a member of the jury and selection committees of numerous festivals and has held over 80 animated film workshops in Croatia and around the world (UAE, Australia, Japan, China, Israel, Czech Republic, Slovenia, Serbia, Portugal). He is a member of the ASIFA Croatia since 2008, and in 2019 he became Vice President of the ASIFA’s Animation Workshop Group.

PROGRAMSKI SELEKTORI / PROGRAM SELECTORS

ŽIRI / JURY

PROGRAMSKI SELEKTORI PROGRAM SELECTORS NATJECANJE FILMOVA ZA DJECU FILMS FOR CHILDREN COMPETITION

ŽIRI JURY VELIKO NATJECANJE KRATKOMETRAŽNOG FILMA GRAND COMPETITION SHORT FILM

MARTINA PEŠTAJ

ALEX DUDOK DE WIT

MARTINA PEŠTAJ urednica je Programa za djecu i mlade Televizije Slovenije, gdje je mnogo godina radila kao autorica, scenaristica i urednica mnogih emisija. Selektorica je stranih animiranih emisija i igranih serija za djecu. Kao medijska psihologinja vodi Laboratorij za istraživanje dječjih programa u različitim ciljnim skupinama. Surađuje s Logoutom – Centrom pomoći za prekomjerno korištenje internetom, odgojno-obrazovnim programom Slon u sklopu Međunarodnog festivala animiranog filma Animateka u Ljubljani te je selektorica dječjeg programa zagrebačkog Animafesta. Kao stručnjakinja za televiziju redovito surađuje s Ministarstvom kulture Slovenije na različitim projektima kulturno-umjetničkog obrazovanja. Predaje o djeci, televiziji, filmu i internetu, objavljuje članke i sudjeluje u istraživačkim projektima.

MARTINA PEŠTAJ is an editor with the Children and Youth Programme at TV Slovenia, where she spent many years as an author, screenwriter and editor of a large number of shows. A commissioning editor for foreign animated shows and fiction series for children. As a media psychologist, she runs the Laboratory for Children’s Programme Research for different target groups and works with Logout – an assistance centre for excessive use of internet, the educational programme Slon at the international animation festival Animateka in Ljubljana, and selects the children’s programme for Animafest Zagreb. As a TV expert, Martina regularly works with the Slovenian Ministry of Culture on different cultural and artistic educations projects, and holds lectures about children, television, film and internet, publishes articles and takes part in research projects.

NINO KOVAČIĆ NINO KOVAČIĆ freelancer je na kulturnim projektima s fokusom na film i medije. Magistrirao je komparativnu književnost i povijest na Filozofskom fakultetu u Zagrebu te komparativnu povijest na Srednjoeuropskom sveučilištu u Budimpešti. Dugogodišnji je suradnik filmskih festivala, kao selektor i koordinator programa i događanja, te je radio na Animafestu, ZagrebDoxu, Zagreb Film Festivalu, Festivalu 25 FPS, DHF-u i drugima. Na Animafestu, osim predselekcije Natjecanja za djecu i mlade, vodi razgovore s autorima i koordinira konferenciju Animafest Scanner. Član je Hrvatskog društva filmskih kritičara i međunarodnog FIPRESCI-ja te piše za relevantne filmske i kulturne medije. Bio je član festivalskih žirija u Jeruzalemu, Krakovu, Motovunu, Wiesbadenu i drugdje. Kao filmski edukator organizirao je i održao mnogobrojne radionice analize filma, ponajviše za djecu i mlade u sklopu udruge Djeca susreću umjetnost.

NINO KOVAČIĆ is a freelancer on film and media-based cultural projects. He holds an MA in Comparative Literature and History from the Faculty of Humanities and Social Sciences in Zagreb and in Comparative History from the Central European University in Budapest. A long-time associate of film festivals as a programmer and programme and event coordinator, he has worked with Animafest, ZagrebDox, Zagreb Film Festival, 25 FPS Festival, DHF etc. At Animafest, in addition to Children and Youth Competition preselection, he hosts Q&A’s and coordinates the Animafest Scanner symposium. A member of the Croatian Film Critics Association and FIPRESCI, he writes for relevant film and cultural media. A festival jury member in Jerusalem, Krakow, Motovun, Wiesbaden and elsewhere. As a film educator, he has organised and held many film analysis workshops, mainly for children and young adults as part of the Children Meet Art association.

ALEX DUDOK DE WIT je novinar animacije. Njegove tekstove objavljivali su časopisi Sight & Sound, Vulture, Little White Lies, Skwigly, ASIFA Magazine i Cartoon Brew, gdje je nekad bio zamjenik urednika. Alexovu prvu knjigu, BFI Film Classics: Grave of the Fireflies, kritičku studiju o klasičnoj ratnoj drami Isaa Takahate, objavio je Bloomsbury 2021. Također je za BBC napisao dokumentarni film o britanskoj lutkarskoj animaciji i bio mu narator. Njegov je sljedeći projekt prijevod crtanog romana Shuna no Tabi (Shunino putovanje) Hayaa Miyazakija.

ALEX DUDOK DE WIT is an animation journalist. His writing has appeared in Sight & Sound, Vulture, Little White Lies, Skwigly, ASIFA Magazine and Cartoon Brew, where he was formerly Deputy Editor. Alex’s first book BFI Film Classics: Grave of the Fireflies, a critical study of Isao Takahata’s classic wartime drama, was published by Bloomsbury in 2021. He has also written and narrated a documentary for the BBC about British puppet animation. His next project is a translation of Hayao Miyazaki’s graphic novel Shuna’s Journey.

PAUL DRIESSEN PAUL DRIESSEN (1940, Nizozemska) je umjetnik, redatelj animiranih filmova i profesor. Diplomirao je na Umjetničkoj akademiji u Utrechtu te je nakon akademije radio kao animator u komercijalnom studiju za animaciju i TV u Hilversumu. Godine 1967. pozvan je u London da radi na filmu Georgea Dunninga Žuta podmornica. Tri godine kasnije preselio se u Kanadu i počeo raditi kao nezavisni animator, najviše za kanadski NFB. Od 1976. režirao je i animirao i za nezavisne producente u Nizozemskoj. Za svoj rad primio je više od 70 međunarodnih nagrada, a film 3 gospođice (2000.) bio je nominiran i za nagradu Oscar. Holivudska ASIFA uručila mu je Nagradu Annie za izniman doprinos umjetnosti animacije (1987.), a međunarodna ASIFA (1994.) i Animafest Zagreb (2002.) nagrade za životno djelo.

PAUL DRIESSEN (1940, The Netherlands) is an artist, animation director and professor. He graduated from the Art Academy in Utrecht, and was offered a job as an animator at a commercial animation film & TV studio in Hilversum. In 1967 he was invited to London to work on George Dunning’s The Yellow Submarine. In 1970 he emigrated to Canada and started a freelance animation career, working mainly for the National Film Board. Since 1976 he has also animated and directed a number of films for independent producers in the Netherlands. He has won over 70 international awards for his work, and 3 Misses (2000) earned him an Oscar nomination. ASIFA Hollywood awarded him with the Annie Award (1987), ASIFA International (1994) and Animafest Zagreb (2002) with Lifetime Achievement Awards.

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IGOR GRUBIĆ IGOR GRUBIĆ (1969, Zagreb) aktivan je kao multimedijalni umjetnik u Zagrebu od ranih 90-ih. Bavi se site-specific intervencijama u javnom prostoru, fotografijom i filmom. Predstavljao je Hrvatsku na 58. Venecijanskom bijenalu. Njegovu kritičku, društveno-politički posvećenu praksu karakterizira dugotrajni angažman i u radovima se posvećuje prošlim i sadašnjim političkim situacijama od dubinskog istraživanja sudbine povijesnih spomenika i propasti industrije do istraživanja problema manjinskih zajednica. Iako se temelji na dokumentarnoj tradiciji, Grubićev rad u fotografiji i filmu obilježava afektivan i empatičan pristup, koji je duboko human i često poetičan. Svoje radove izlagao je u različitim međunarodnim institucijama i izložbama: Tirana Biennial 2 (2003); Manifesta 4 (Frankfurt, 2002); Manifesta 9 (Genk, 2012); 50. Oktobarski salon (Beograd, 2009); Gender Check, MuMOK (Vienna, 2009); 11. Istanbulski bijenale (2009); 4th Fotofestival Mannheim Ludwigshafen, Heidelberg (2011); East Side Stories, Palais de Tokyo (Paris, 2012); Gwangjuski bijenale (2014); Zero Tolerance, MOMA PS1 (New York 2014); Degrees of Freedom, MAMbo (Bologna, 2015); 5th Solunski bijenale (2015); Cut / Rez, MSU (Zagreb, 2018); Heavenly creatures, MG+MSUM (Ljubljana, 2018); The Value of Freedom, Belvedere 21 (Vienna, 2018); 58. Venecijanski bijenale (2019); Jerevanski bijenale – The Time Complex (2020); Bigger than myself, MAXXI (Rome, 2021).

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LES MILLS IGOR GRUBIĆ (1969, Zagreb) has been active as a multimedia artist in Zagreb since the early 1990s. His work includes site-specific interventions in public spaces, photography, and film. He represented Croatia at the 58th Venice Biennale. His critical, socio-politically committed practice is characterised by the longterm engagement and his work is focused on past and present political situations from the in-depth exploration of the fate of historical monuments and the demise of industry, to examination of the predicament of minority communities. Though grounded in the documentary tradition, Grubić’s work in photography and film is characterised by an affective and empathic approach, which is deeply humane and often poetic. His work has been exhibited in various international institutions: Tirana Biennial 2 (2003); Manifesta 4 (Frankfurt, 2002); Manifesta 9 (Genk, 2012); 50th October Salon (Belgrade, 2009); Gender Check, MuMOK (Vienna, 2009); 11th Istanbul Biennial (2009); 4th Fotofestival Mannheim Ludwigshafen, Heidelberg (2011); East Side Stories, Palais de Tokyo (Paris, 2012); Gwangju Biennale (2014); Zero Tolerance, MOMA PS1 (New York 2014); Degrees of Freedom, MAMbo (Bologna, 2015); 5th Thessaloniki Biennial (2015); Cut / Rez, MSU (Zagreb, 2018); Heavenly creatures, MG+MSUM (Ljubljana, 2018); The Value of Freedom, Belvedere 21 (Vienna, 2018); 58th Venice Biennale (2019); Yerevan Biennial – The Time Complex (2020); Bigger than myself, MAXXI (Rome, 2021).

LES je studirao likovnu umjetnost na Cardiff Art Collegeu, Goldsmiths College Universityju u Londonu i Sveučilištu Rutgers u SAD-u, gdje je završio magisterij iz likovne umjetnosti i povijesti. Njegovo je iskustvo poučavanja intenzivno; u početku je predavao umjetnost i dizajn, ali se postupno sve više zanimao za dokumentarni film i animaciju, što ga je dovelo do predavanja osnova animacije na sveučilištima Middlesex i Cardiff, gdje je bio koordinator Radionice nezavisnog filma. Također je postao nositelj kolegija Filmske škole na Sveučilištu Wales u Newportu. Njegova prva kreativna suradnja s Joannom Quinn bila je na njezinu diplomskom filmu Ženski provod na Middlesexu i otad blisko surađuju, osnovavši tvrtku Beryl Productions International 1988. Napisao je i producirao sljedeći film o Beryl, Body Beautiful, i producirao Wife of Bath iz serijala Canterburyjske priče, koji je osvojio BAFTA-u, tri Emmyja i nominaciju za Oscara. Napisao je i producirao još dva filma o Beryl, Snovi i želje – obiteljske veze i Umjetnička posla, koji su osvojili 80 međunarodnih nagrada, dvije nominacije za BAFTA-u i nominaciju za Oscara. Les je 2022. osvojio Writers Award na dodjeli British Animation Awards.

LES studied Fine Art at Cardiff Art College, Goldsmiths College University of London and at Rutgers University in the USA, where he completed a Master’s Degree in fine art and history. His teaching experience is extensive, initially teaching Art and Design but gradually becoming more interested in documentary filmmaking and animation which resulted in him teaching basic animation at Middlesex University, Independent Film Production at Cardiff University and he was the Coordinator of Chapter Independent Film Workshop in Cardiff. His teaching experience culminated in him becoming Course Director of the Film School at the University of Wales, Newport. His first creative collaboration with Joanna Quinn was on her Graduation film Girls Night Out at Middlesex and since then the two have worked very closely together forming their company Beryl Productions International in 1988. He wrote and produced the next Beryl film Body Beautiful and produced Wife of Bath one of the Canterbury Tales series, which won a BAFTA, 3 Emmys and received an Oscar nomination. He went on to write and produce 2 more Beryl films Dreams and Desires – Family Ties and Affairs of the Art which have won 80 international awards between them including 2 BAFTA nominations and an Oscar nomination. Les won the Writers Award at the 2022 British Animation Awards.

ANA NEDELJKOVIĆ ANA NEDELJKOVIĆ diplomirala je slikarstvo na Fakultetu likovnih umjetnosti u Beogradu, gdje je i doktorirala na umjetničkoj praksi. Likovna je umjetnica, redateljica, animatorica i pedagoginja. Njezin prvi animirani film, Rabbitland (surež. Nikola Majdak, 2013.), nagrađen je Kristalnim medvjedom na Berlinaleu. Dobio je brojne druge nagrade te je prikazan na više od stotinu festivala diljem svijeta. Njezin drugi film, Neputovanja (surež. Nikola Majdak, 2018.), prikazan je na Berlinaleu, Annecyju i Sundanceu, nominiran za Nagradu Annie i primio je mnoge nagrade. Trenutačno radi na razvoju svojega prvog dugometražnog animiranog filma, Novi Rabbitland, a njezin je novi kratki animirani film, O novcu i sreći, upravo završen. Radeći u vlastitom studiju, bavi se i komercijalnim animacijskim projektima te vodi radionice animacije.

ANA NEDELJKOVIĆ graduated in painting from the Faculty of Fine Arts in Belgrade. She has a PhD in art practice at the same faculty. She is a visual artist, director, animator and educator. Her first animated film Rabbitland (co-directed with Nikola Majdak, 2013) was awarded the Crystal Bear at the Berlinale. It has received numerous other awards and has been shown at more than a hundred festivals worldwide. Her second film Untravel (co-directed with Nikola Majdak, 2018) was screened at Berlinale, Annecy and Sundance, nominated for the Annie Award and received numerous awards. At present she is working on project development for her first animated feature film New Rabbitland, while her new short animated film Money and Happiness is just finished. Working within her own studio, she also makes commercial animation projects as well as conducting animation workshops.

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ŽIRI J URY VELIKO NATJECANJE DUGOMETRAŽNOG FILMA GRAND COMPETITION FEATURE FILM OLGA PÄRN OLGA je diplomirala s pohvalama na Bjeloruskoj umjetničkoj akademiji 2000. na grafičkom odjelu sa specijalizacijom za bakrorez. Od 1996. do 2003. Olga Marčenko (djevojačko prezime) radila je u studiju Belarusfilm kao umjetnička direktorica i animatorica, uglavnom u tehnici animacije pijeskom, sa svojim roditeljima. Od 2003. do 2005. studirala je u školi La Poudrière u Valenceu te od 2004. do 2006. crtala knjige snimanja u Parizu u različitim animacijskim studijima. Od 2006. Olga živi u Estoniji i radi u studiju Joonisfilm. Od 2008. godine preziva se Pärn. Kao suredateljica i suautorica s Priitom Pärnom snimila je šest nagrađivanih filmova (ukupno 90 minuta). Od 36 osvojenih nagrada, 11 je glavnih nagrada s prestižnih festivala. U 2014. Olga i Priit primili su estonsku državnu kulturnu nagradu za najbolji estonski film godine za film Piloti na povratku kući. Za njega su razvili jedinstvenu tehniku animacije pijeskom. Olga je održala niz predstavljanja i radionica animacije pijeskom i slikanja na staklu diljem svijeta. Bila je docentica na Odsjeku za animaciju Estonske umjetničke akademije (2007.–2019.) te je profesorica na Odjelu za slobodnu umjetnost Sveučilišta u Tartuu. Godine 2021. dobila je Nagradu Animakom za životno djelo Bilbao International Animation Community Festivala zajedno s Priitom Pärnom. Aktivno radi kao ilustratorica uglavnom za dječje knjige i časopise.

OLGA graduated from Belorussian Art Academy in 2000 (graphic department, with specializing on etching) Diploma of Excellence. From 1996 to 2003 Olga Marchenko (maiden-name) worked at studio Belarusfilm as art-director and animator mostly with sand animation technique with her parents. From 2003 to 2005 she studied at La Poudriere in Valence, France, working from 2004 to 2006 in Paris for different animation studios as storyboard artist. From 2006 Olga is living in Estonia and working at Joonisfilm studio. From 2008 her family name is Pärn. In collaboration with Priit Pärn she made 6 award winning films (90min altogether) as co-director and co-artist. Among 36 prizes received, 11 are Grand Prix from the prestigious festivals. 2014 Olga and Priit received Estonian State Cultural Prize for the best Estonian film of the Year for the film Pilots on the Way Home. For this film they developed a unique type of sand animation technique. Olga has run many demonstrations and workshops of sand animation and painting on glass all over the world. She was teaching at the Animation department at the Estonian Academy of Arts (20072019) as an associated professor. She was appointed as a professor in Tartu University Free Arts Department. In 2021 she received the Animakom Life Achievement Award from Bilbao Animakom International Animation Community Festival together with Priit Pärn. She is actively working as an illustrator mainly for children’s books and magazines.

ANASTASIYA VERLINSKA ANASTASIJA VERLINSKA radila je deset godina kao voditeljica projekata u jednoj od najvećih istočnoeuropskih filmskih tvrtki, Film.ua Group, razvijajući projekte koji promoviraju i film i animaciju u Ukrajini. U 2014. godini pridružila se timu festivala animacije Linoleum kao programska koordinatorica te je 2016. postala njegova direktorica. Osim rada na festivalu, Anastasija organizira projekcije međunarodne i ukrajinske animacije te obrazovne projekte, koji pomažu u razvoju lokalne animacijske industrije. dječje knjige i časopise.

ANASTASIYA VERLINSKA worked for ten years as a project manager of one of the biggest Eastern European film companies Film.ua Group, implementing projects to promote both film and animation in Ukraine. In 2014 she joined the team of Linoleum animation festival as a program coordinator and in 2016 became its director. Apart from the festival, Anastasiya organizes screenings of both international and Ukrainian animation as well as educational projects that help in developing the local animation industry.

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AYA SUZUKI AYA SUZUKI je japansko-britanska redateljica animacije, umjetnica layouta i knjiga snimanja koja internacionalno radi u industriji filma i animacije više od 15 godina. Radila je na mnogim projektima s velikim studijima kao što su Netflix, Disney, Warner Brothers i Paramount Pictures. ali i na samostalnim projektima kao što su Iluzionist, Otok pasa i Simonova mačka. Blisko surađuje s japanskom industrijom animacije u raznim funkcijama, primjerice kreativno savjetovanje za Belle, Attack on Titan i Little Witch Academia. Aya također putuje po svijetu, dijeleći svoje profesionalno iskustvo i podučavajući na sveučilištima, festivalima i kongresima.

AYA SUZUKI is a Japanese/British animation director, layout and story artist working globally in the film and animation industry for over 15 years. She has worked on a wide range of projects with major studios such as Netflix, Disney, Warner Brothers and Paramount Pictures. Her work also includes independent projects such as The Illusionist, Isle of Dogs and Simon’s Cat. She works closely with the Japanese animation industry in various roles such as creative consulting for Belle, Attack on Titan and Little Witch Academia. Aya also travels internationally to teach and share her professional experience at universities, festivals and conventions.

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ŽIRI J URY NATJECANJE STUDENTSKOG FILMA I NATJECANJE HRVATSKOG FILMA STUDENT FILM COMPETITION AND CROATIAN FILM COMPETITION JELENA POPOVIĆ JELENA je 1992. pobjegla iz rodnog, ratom razorenog Sarajeva i emigrirala u Kanadu, gdje je diplomirala filmsku produkciju. Formirala je svoje vještine u produkciji konvencionalnih, interaktivnih i hibridnih dokumentarnih i animiranih filmova, režirala dokumentarni film The Knights of Orlando i montirala kratki film Patricka Doyona Nedjelja, nominiran za Oscara, kao i nekoliko izdanja Hothousea, hvaljenog mentorstva u animaciji Kanadskog filmskog odbora (NFB). Kao producentica u Studiju za animaciju engleskog programa NFB-a od siječnja 2014., Jelena je producirala i koproducirala desetak višestruko nagrađivanih filmova, primjerice Ježeva kuća, Manivald, Caterpillarplasty, Turbine, I'm OK, Meneath: Skriveni otok etike.

JELENA fled her native war-torn Sarajevo in 1992 and immigrated to Canada, where she graduated with a B.A. in Film Production. She forged her skills in production of conventional, interactive and hybrid documentary and animation films, directed the documentary The Knights of Orlando and edited Patrick Doyon’s Oscar-nominated short Sunday, as well as several editions of Hothouse, the National Film Board of Canada’s acclaimed animation mentorship. Producer at the NFB English Program Animation Studio since January 2014, Jelena has produced and coproduced a dozen multi-awarded films, including Hedgehog’s Home, Manivald, Caterpillarplasty, Turbine, I’m OK, Meneath: The Hidden Island of Ethics.

IGOR PRASSEL IGOR PRASSEL rođen je 1971. u slovenskom primorskom gradu Kopru. Od 2002. vodi mjesečne serije posvećene animiranom filmu pri Slovenskoj kinoteci, gdje trenutačno radi kao filmski kustos. Bio je član žirija i selekcije programa na važnim međunarodnim festivalima animacije i kratkometražnog filma diljem svijeta. Od 2010. predaje povijest i teoriju animiranog filma na Sveučilištu u Novoj Gorici. Godine 2012. Slovenska kinoteka objavila je njegovu knjigu Filmografija slovenskog animiranog filma 1952.–2012. Godine 2004. osnovao je Međunarodni festival animiranog filma Animateka, gdje je otad umjetnički ravnatelj.

IGOR PRASSEL was born in 1971 in the Slovenian coast town Koper. From 2002 he is running a monthly series devoted to animated film at the Slovenian Cinematheque, where he is currently working as film curator. He served as jury and program selection member at important international animation and short film festivals around the world. From 2010 he is lecturing on the history and theory of animation film at the University in Nova Gorica. In 2012 the Slovenian Cinematheque published his book The Filmography of Slovene Animated Film 1952 – 2012. In 2004 he founded the International Animation Film Festival Animateka, where he is artistic director ever since.

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ALEXANDRA RAMIRES ALEXANDRA RAMIRES bavi se animacijom od 2009. U 2013. stigla je u Porto kako bi radila u animacijskim studijima produkcijske kuće Bando à Parte, koja je danas postala zadruga – BAP Animation Studio – čija je suosnivačica. U profesionalnoj karijeri radila je na nekoliko međunarodno nagrađivanih filmova. Kap po kap (Água Mole, 2017.), njezin prvi animirani film u suradnji s Laurom Gonçalves, bio je na festivalima poput Cannesa i Toronta. Veza (Elo, 2020.) je njezin prvi film kao samostalne redateljice. Premijerno je prikazan 2020. godine te je osvojio nekoliko nagrada.

ALEXANDRA RAMIRES has been working in animation since 2009. In 2013 she arrived in Porto to work in the animation studios of the production company Bando à Parte, which today has become a cooperative – BAP Animation Studio – of which she is a founding member. In her professional career she has worked on several international award-winning films. Drop by Drop (Água Mole, 2017) is her first animation movie co-directed with Laura Gonçalves, a film with presence in festivals such as Cannes and Toronto. Tie (Elo, 2020) is her first film as a solo director. Premiered in 2020, it has achieved several awards.

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ŽIRI J URY NATJECANJE VR ANIMACIJE VR ANIMATION COMPETITION MILEN ALEMPIJEVIĆ (1965) is a writer and a publicist. He is also a founder and artistic director of the international animation festival Animanima in Čačak, Serbia. He authored a film study The Day Miles Davis Disappeared: Jazz and Film Narration (2016) and a book of essays on the animated film The Art of Exaggeration: Notes from a Spectator (2014). He was an editor of the DVD edition After 2000: Contemporary Serbian Animation (2016), and an author of double edition No. 183-184 of the Gradac magazine (2012) dedicated to jazz. Regularly publishes articles and essays on animation, film and jazz in national and international periodicals and special editions. Milen held multiple multimedia lectures on Jazz and Animated Film at several European animated film festivals in Serbia, Slovenia, Romania, Slovakia, Portugal and Spain. He works at the Cultural Centre of Čačak as the editor of the Film and Video Program.

EVA CVIJANOVIĆ EVA CVIJANOVIĆ filmska je redateljica i animatorica iz Montréala, rodom iz Sarajeva. Režirala je niz animiranih filmova, i to kratkometražnu filcanu stop-animaciju Ježeva kuća, koja je premijerno prikazana na Berlinaleu 2017. i otad je doživjela izniman međunarodni uspjeh. Cvijanović je također radila kao animatorica na mnogim produkcijama, često surađujući s Kanadskim filmskim odborom (NFB). Krećući se između ručnog rada i digitalnih svjetova, Cvijanović nastoji stvoriti plodna igrališta za sebe i svoje vršnjake. Trenutačno eksperimentira sa snimanjem filmova unutar igraćih softvera i istražuje nova područja suradnje kao redateljica i istraživačica.

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MILEN ALEMPIJEVIĆ MILEN ALEMPIJEVIĆ (1965.) je književnik i publicist. Osnivač je i umjetnički direktor međunarodnog festivala animacije Animanima u Čačku. Autor je filmske studije Dan kad je nestao Majls Dejvis: Džez i filmska naracija (2016.) i knjige eseja o animiranom filmu Umetnost preterivanja: Beleške jednog gledaoca (2014.). Urednik je DVD izdanja Posle 2000-e: Savremena srpska animacija (2016.). Priredio je dvobroj 183-184 časopisa Gradac (2012.), posvećen džezu. Tekstove o animaciji, filmu i džezu objavljuje u domaćoj i stranoj periodici i posebnim izdanjima. Multimedijalno predavanje Džez i animirani film održao je na više europskih festivala animiranog filma u Srbiji, Sloveniji, Rumunjskoj, Slovačkoj, Portugalu i Španjolskoj. Radi u Domu kulture u Čačku kao urednik Filmskog i video programa.

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EVA CVIJANOVIĆ is a Montréal-based, Sarajevo-born filmmaker and animator. She has directed a number of animated films, namely the needle-felted stop motion short Hedgehog’s Home, which premiered at the 2017 Berlinale and has since had much international success. Cvijanović has also worked as an animator on many productions, often collaborating with the National Film Board of Canada. Navigating between the handmade and digital realms, Cvijanović seeks to create fertile playgrounds for herself and her peers. She is currently experimenting with filmmaking within a game engine and exploring new collaborative venues, both as director and researcher.

FRANZISKA BRUCKNER je voditeljica istraživačke grupe Media Creation na Sveučilištu primijenjenih znanosti St. Poelten, voditeljica projekta FFG AR/VR Immersive Media Lab, projekta FWF PEEK VRinMotion i projekta GFF NÖ Climate Media Frames. Kustosica je i organizatorica međunarodnog simpozija Animafest Scanner i koordinatorica radne skupine Animation of the German Society for Media Studies. Franziska ima magisterij iz slikarstva i animiranog filma sa Sveučilišta za primijenjenu umjetnost u Beču te kazališta, filma i medija sa Sveučilišta u Beču, gdje je radila kao sveučilišna asistentica od 2009. do 2013. godine. U 2017. primila je doktorat koji je nagrađen Nagradom dr. Maria Schaumayer. Predavala je na Sveučilištu u Beču, Sveučilištu Eberhard Karls u Tübingenu, Sveučilištu primijenjenih znanosti u Gornjoj Austriji i Campusu Hagenberg. Od 2021. je majka sina. Njezino istraživanje obuhvaća eksperimentalni film, hibride animacije i igranog filma, animaciju u virtualnom i proširenom okruženju te veze umjetnosti i filma.

FRANZISKA BRUCKNER is head of the Research Group Media Creation at St. Poelten University of Applied Sciences, project lead of FFG AR/ VR Project Immersive Media Lab, FWF PEEK project VRinMotion and GFF NÖ project Climate Media Frames. She is a curator and organizer of the international symposium series Animafest Scanner and coordinator of the working group Animation of the German Society for Media Studies. Her education includes master-degrees in painting and animated film at the University for Applied Arts Vienna and in Theater, Film, and Media Studies at the University of Vienna, where she worked as a University Assistant from 2009 to 2013. In 2017 she earned her doctorate which was awarded with the Dr. Maria Schaumayer Award. She was a lecturer at the University of Vienna, the Eberhard Karls University Tübingen, and the University of Applied Sciences Upper Austria, Campus Hagenberg among others. Since 2021 she is mother of a son. Her research focuses on experimental film, hybrids of animation and live-action films, animation in virtual and augmented environments, and the connection between art and film.

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ŽIRI J URY NATJECANJE FILMOVA ZA DJECU FILMS FOR CHILDREN COMPETITION

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LALA SPREMO LALA SPREMO rođena je 11. 3. 2014. u Zagrebu. Pohađa 2.d razred u OŠ Bistra. Voli čitati knjige, slušati muziku, putovati i gledati filmove. Jako voli provoditi vrijeme sa svojim prijateljima.

EMA BABAROVIĆ Zovem se EMA i imam devet godina. Idem u OŠ Ivana Gundulića u mađarski razred. Sviram klavir i treniram gimnastiku. Volim gledati animirane filmove i od kad znam za sebe pratim sve što mi mama da na Animafestu. Jako volim pse, a moj se zove Dama.

My name is EMA and I am nine years old. I am at Ivan Gundulić Elementary School in a Hungarian class. I play the piano and train gymnastics. I love watching animated films and since ever I follow everything my mom allows me at Animafest. I really like dogs, and mine is called Dama.

JAKOV BABAROVIĆ Zovem se JAKOV i imam dvanaest godina. Idem u dvije škole, OŠ Julija Klovića i Glazbenu školu Vatroslava Lisinskog, gdje sviram trombon. Treniram veslanje i volim igrati nogomet. Volim gledati crtiće, pogotovo one koji me nasmiju. Volim crtati i bilo mi je super na školicama animacije, a jako se veselim što ću ove godine biti u žiriju Animafesta.

My name is JAKOV and I am twelve years old. I attend two schools, Julije Klović Elementary School and the Vatroslav Lisinski Music School, where I play the trombone. I train rowing and I like to play football. I love watching cartoons, especially the ones that make me laugh. I love to draw and I had a great time at animation schools, and I’m really looking forward to take part in the Animafest jury this year.

GITA GUGO GITA GUGO rođena je u veljači 2017. u Zagrebu. Voli crtati, pjevati, plivati, skijati i jesti u restoranu. I brata Tomu. U slobodno vrijeme pleše balet i uči engleski. U još slobodnije vrijeme vozi romobil i mašta. Ponosna je članica vrtićkih Lavića.

GITA GUGO was born in February 2017 in Zagreb. She likes to draw, sing, swim, ski and eat in a restaurant. And her brother Toma. In her free time she dances ballet and learns English. In her more free time she rides a scooter and daydreams. She is a proud member of the Lavići team in her kindergarten.

LALA SPREMO was born on the 11 of March in 2014 in Zagreb. She is a second grader at Bistra Elementary School. She enjoys reading books, listening to music, traveling and watching movies. She loves spending time with her friends.

NIKA VRBANIĆ Zovem se NIKA VRBANIĆ, učenica sam Škole primijenjene umjetnosti i dizajna na Grafičkom odjelu. Trenutačno sam druga godina, obožavam raditi ilustracije i gledati animirane filmove. Volim crtati, dizajnirati likove i učiti o umjetnosti. Veselim se ovogodišnjem Animafestu.

My name is NIKA VRBANIĆ, I am a student of the School of Applied Arts and Design, Graphic Department. I am currently in my second year, and I love making illustrations and watching animated films. I love to draw, design characters and learn about art. I look forward to this year’s Animafest.

NAGRADE / AWARDS 2022

NAGRADE AWARDS 2022 NAGRADA ZA ŽIVOTNO DJELO

LIFETIME ACHIEVEMENT AWARD

PREMA ODLUCI VIJEĆA ANIMAFESTA

AT THE DISCRETION OF THE ANIMAFEST COUNCIL

ŽIRI NATJECANJA HRVATSKOG FILMA

CROATIAN FILM COMPETITION JURY

- NEDELJKO DRAGIĆ

- NAJBOLJI HRVATSKI FILM - 1 POSEBNO PRIZNANJE PREMA ODLUCI ŽIRIJA - 1 POSEBNO PRIZNANJE ZA NAJBOLJU HRVATSKU MANJINSKU KOPRODUKCIJU

- BEST CROATIAN FILM - 1 SPECIAL MENTION AT THE DISCRETION OF THE JURY - 1 SPECIAL MENTION FOR THE BEST CROATIAN MINORITY CO-PRODUCTION

NAGRADA ZA IZNIMAN DOPRINOS PROUČAVANJU ANIMIRANOG FILMA

AWARD FOR OUTSTANDING CONTRIBUTION TO ANIMATION STUDIES

PREMA ODLUCI VIJEĆA ANIMAFESTA

AT THE DISCRETION OF THE ANIMAFEST COUNCIL

ŽIRI NATJECANJA FILMOVA ZA DJECU

FILMS FOR CHILDREN COMPETITION JURY

- ROLF GIESEN

- NAJBOLJI FILM ZA DJECU - 1 POSEBNO PRIZNANJE PREMA ODLUCI ŽIRIJA

- BEST FILMS FOR CHILDREN - 1 SPECIAL MENTION AT THE DISCRETION OF THE JURY

NAJBOLJA ŠKOLA ANIMACIJE

BEST ANIMATION SCHOOL

PREMA ODLUCI SELEKCIJSKE KOMISIJE NATJECANJA STUDENTSKOG FILMA

AT THE DISCRETION OF THE STUDENT FILM COMPETITION SELECTION COMMITTEE - NATIONAL FILM AND TELEVISION SCHOOL - NFTS

ŽIRI NATJECANJA VR ANIMACIJE

VR ANIMATION COMPETITION JURY

- NATIONAL FILM AND TELEVISION SCHOOL - NFTS

ŽIRI VELIKOG NATJECANJA KRATKOMETRAŽNOG FILMA

GRAND COMPETITION SHORT FILM JURY

- NAJBOLJA VR ANIMACIJA - 1 POSEBNO PRIZNANJE PREMA ODLUCI ŽIRIJA

- BEST VR ANIMATION - 1 SPECIAL MENTION AT THE DISCRETION OF THE JURY

- GRAND PRIX – NAJBOLJI KRATKOMETRAŽNI FILM - NAGRADA “ZLATNI ZAGREB” (ZA KREATIVNOST I INOVATIVNO UMJETNIČKO POSTIGNUĆE) - NAGRADA “ZLATKO GRGIĆ” (NAJBOLJI PRVI FILM NAPRAVLJEN IZVAN OBRAZOVNE INSTITUCIJE) - 5 POSEBNIH NAGRADA PREMA ODLUCI ŽIRIJA

- GRAND PRIX – BEST SHORT FILM - “GOLDEN ZAGREB” AWARD (FOR THE ENCOURAGEMENT OF CREATIVITY AND INNOVATIVE ARTISTIC ACHIEVEMENT) - “ZLATKO GRGIĆ” AWARD (BEST FIRST FILM PRODUCED APART FROM EDUCATIONAL INSTITUTIONS) - 5 SPECIAL AWARDS AT THE DISCRETION OF THE JURY

“MR. M”

- NAGRADA ZA NAJBOLJI KRATKOMETRAŽNI FILM PREMA GLASOVIMA PUBLIKE

- AWARD FOR BEST SHORT FILM ACCORDING TO THE AUDIENCE’S VOTES

“MR. M”

- NAGRADA ZA NAJBOLJI DUGOMETRAŽNI FILM PREMA GLASOVIMA PUBLIKE

- AWARD FOR THE BEST FEATURE FILM ACCORDING TO THE AUDIENCE’S VOTES

ŽIRI VELIKOG NATJECANJA DUGOMETRAŽNOG FILMA

GRAND COMPETITION FEATURE FILM JURY

- GRAND PRIX (NAJBOLJI DUGOMETRAŽNI FILM) - 1 POSEBNO PRIZNANJE PREMA ODLUCI ŽIRIJA

- GRAND PRIX (BEST FEATURE FILM) - 1 SPECIAL MENTION AT THE DISCRETION OF THE JURY

ŽIRI NATJECANJA STUDENTSKOG FILMA

STUDENT FILM COMPETITION JURY

- NAGRADA “DUŠAN VUKOTIĆ” (NAJBOLJI STUDENTSKI FILM) - 2 POSEBNA PRIZNANJA PREMA ODLUCI ŽIRIJA

- “DUŠAN VUKOTIĆ” AWARD (BEST STUDENT FILM) - 2 SPECIAL MENTIONS AT THE DISCRETION OF THE JURY

NAGRADE / AWARDS 2022

NEDELJKO DRAGIĆ

ROLF GIESEN

NAGRADA ZA ŽIVOTNO DJELO / LIFETIME ACHIEVEMENT AWARD NEDELJKO DRAGIĆ (1936.), redatelj, autor crtanih filmova, karikatura i brojnih ilustracija (npr. Zagi, maskota Univerzijade 1987. u Zagrebu), u svijetu je cijenjen i kao majstor stripa (Tupko) te je jedan od najvećih autora Zagrebačke škole crtanog filma i svjetski majstor animacije. Ispočetka crtač u statičnim medijima te vrijedan suradnik drugih velikana Zagrebačke škole, od sredine 1960-ih i filma Elegija razvija vlastiti osebujan stil u animaciji na osnovu, kako je kritika s pravom primijetila, „bogatog crteža prožetog linearnom, karikaturističkom manirom“. Majstorski radovi kao što su Krotitelj divljih konja (1966.), Možda Diogen (1967.), Idu dani (1969.), Per Aspera ad Astra (1969.; vrhunsko ostvarenje tzv. mini-filma), Tup-tup (1972.), Dnevnik (1974.), Put k susjedu (1981.), Dan kad sam prestao pušiti (1982.) ili Slike iz sjećanja (1989.) osvojili su brojne nagrade u svijetu – u Zagrebu, Annecyju, New Yorku, Oberhausenu, Beogradu… No, osim vizualnošću, pažnju su ta ostvarenja privukla i čestom filozofskom komponentom, razmišljanjem o čovjeku u svijetu (npr. Idu dani), ali i esejističkim i filozofskim prikazom slika iz stvarnosti i iz vizualne kulture (Dnevnik je inspiriran i autorovim doživljajem Amerike i intimnim razmišljanjima). Pri tom je u Dragićevim najboljim djelima česta i komponenta osvrta na vlastitu umjetnost i vlastiti položaj u svijetu. Istodobno osoban i filozofičan, razigran i ozbiljan, Nedeljko Dragić stvorio je jednu od najbogatijih, ali i najpoticajnijih riznica remek-djela u čitavom svijetu animiranog filma, nevjerojatnim crtežima obogativši i monografiju Midhata Ajanovića o svom radu u animaciji. Teško je zamisliti primjerenijeg i zaslužnijeg dobitnika Nagrade za životno djelo, i to još u obljetničkoj godini Animafesta Zagreb! NIKICA GILIĆ, VIJEĆE ANIMAFESTA

NAGRADE / AWARDS 2022

NAGRADA ZA IZNIMAN DOPRINOS PROUČAVANJU ANIMIRANOG FILMA / THE AWARD FOR OUTSTANDING CONTRIBUTION TO ANIMATION STUDIES NEDELJKO DRAGIĆ (1936), a director, an author of animated films, caricatures and countless illustrations (e.g. Zagi, the trademark of the Zagreb’s Universiade), has been globally acclaimed as a comic book artist (Tupko), and he is also one of the greatest authors of the Zagreb School of Animation and a worldrenowned master of animation. Initially an illustrator in static media and a valuable collaborator to other Zagreb School greats, since the mid-sixties and the film Elegy he started to develop his own particular animation style based on, as critics rightfully observed, “lavish drawings imbued with a linear, caricaturist method”. His outstanding works such as Tamer of Wild Horses (1966), Diogenes Perhaps (1967), Passing Days (1969), Per Aspera ad Astra (1969, a magnificent mini-film), Tup-Tup (1972), The Diary (1974), Way to Your Neighbour (1981), The Day I Quit Smoking (1982) or Pictures from Memory (1989) won many awards worldwide – in Zagreb, Annecy, New York, Oberhausen, Belgrade etc. However, apart from visuality, these films attracted attention with their frequent philosophical component, observations about man in the world (e.g. Passing Days), as well as essayist and philosophical depiction of images from reality and from visual culture (The Diary was inspired by the author’s American experience and intimate thoughts). Dragić’s finest works often include an observation of his own art and position in the world. Both personal and philosophical, playful and serious, Nedeljko Dragić has created one of the richest and the most inspiring treasure chests of masterpieces in the entire animation world, enriching also Midhat Ajanović’s monograph about his animation work with his exceptional drawings. It is hard to imagine a more appropriate and deserving winner of the Lifetime Achievement Award, plus in Animafest Zagreb’s anniversary year!

ROLF GIESEN kritičar je i znanstvenik veoma širokih vidika, jedan od najvažnijih svjetskih poznavalaca animacije, ali i važan proučavatelj srodnih stvaralačkih mogućnosti ljudske mašte, kao što su filmski specijalni efekti (gdje se animacija itekako upotrebljava) ili žanrovi fantastike i horora. Sjajan je poznavatelj i zagrebačkih doprinosa nastanku i prikazivanju svjetskih vrhunaca animiranog filma, a svoja je znanja sa svijetom dijelio kroz brojna sveučilišna i javna predavanja, kroz muzejske i kinotečne izložbe i programe te kroz monografske, historiografske i leksikonske knjige. Surađivao je i na obrazovno-edukativnim filmovima i emisijama, no ponajprije je u svojim tekstovima i knjigama, objavljenima na njemačkom i na engleskom jeziku, uspješno obradio probleme kao što je filmska edukacija u digitalnoj eri. U svijetu animacije veoma su zapaženi njegovi doprinosi znanju o gradnji likova i glumi u animiranom filmu, potom o animaciji u doba nacističke Njemačke te o velikim temama kao što su kineska animacija (primjerice u knjizi Kineska animacija. Povijest i filmografija 1922.–2012. / Chinese Animation: A History and Filmography, 1922-2012) i lutkarstvo u animaciji – u rasponu od povijesnih uzora do digitalne revolucije, od trikova u igranom filmu do potpuno animiranih filmova (primjerice u knjizi Lutkarstvo, animacija lutaka i digitalna era / Puppetry, Puppet Animation and the Digital Age). Prisutan na brojnim animacijskim platformama i forumima, Rolf Giesen predstavlja jedan od svjetionika i za današnje proučavanje animacije i za naraštaje koji dolaze na scenu.

ROLF GIESEN is a critic and scholar of very broad horizons, one of the most important global experts in animation and a significant researcher of similar creative possibilities of human imagination, such as special film effects (where animation is very much used), or fantasy and horror genres. A magnificent connoisseur also of Zagreb’s contribution to the making and screening of the finest international animation, he shared his knowledge with the world through numerous university and public lectures, museum and cinematheque exhibitions and shows, in monographic, historiographic and lexicographic books. He collaborated on educational films and shows, but first and foremost in his texts and books published in German and English he successfully covered the issues such as film education in the digital era. He has made important contributions to the insight regarding character building and acting in animation, as well as animation in Nazi Germany, big subjects such as Chinese animation (e.g. in the book Chinese Animation: A History and Filmography, 1922-2012) and puppetry in animation – ranging from historical sources to digital revolution, from tricks in live action film to fully animated films (e.g. in the book Puppetry, Puppet Animation and the Digital Age). Present at many animation platforms and forums, Rolf Giesen is one of the beacons both for today’s animation studies and for the coming generations. NIKICA GILIĆ, ANIMAFEST COUNCIL

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NACIONALNA ŠKOLA FILMA I TELEVIZIJE NATIONAL FILM AND TELEVISION SCHOOL - NFTS

NAJBOLJA ŠKOLA ANIMACIJE / BEST ANIMATION SCHOOL

Nacionalna škola filma i televizije (NFTS) iz Ujedinjenog Kraljevstva međunarodno je priznata institucija koja je ogledni primjer dobre prakse i izvrsnosti u specijalističkom visokom obrazovanju. Navedena institucija predvodnik je u stvaranju filmskih talenata i važan je dionik kreativne industrije u Ujedinjenom Kraljevstvu, ali i puno šire. Na Odsjeku animacije svojom kvalitetom posebno se ističu tehnikom stop-animacije, koja je oduševila selekcijsku komisiju ovogodišnjim prijavljenim filmovima. NFTS u radovima svojih studenata potvrđuje visok standard i dugogodišnje iskustvo u usmjeravanju studenata prema timskom radu, a opet njegujući jedinstvenost pojedinačnog autorskog potpisa.

National Film and Television School – NFTS is an internationally acknowledged institution, an exemplary model of good practice and excellence in specialist high education. This institution is a leader in creating film talents and an important stakeholder in creative industry in UK and beyond. The Department of Animation stands out for its quality of stop motion technique, which thrilled the selection committee with this year’s submitted entries. The NFTS and the works of its students confirm high standards and years of experience in steering the students through the importance of teamwork and still fostering the uniqueness of individual creative trademarks. The official Student Film Competition includes four of their films, although their entire annual production stands out with skilful combination of media and techniques, engaging storytelling and exceptional visual designs. Next to the selected titles, the NFTS has entered another series of interesting films which all together contributed to the decision on the Best Animation School Award. The selection committee members feel that this year’s NFTS selection represents the very peak of student animation film production.

DANIEL ŠULJIĆ, KATA GUGIĆ, HRVOJE SELEC SELEKCIJSKA KOMISIJA NATJECANJA STUDENTSKOG FILMA

DANIEL ŠULJIĆ, KATA GUGIĆ, HRVOJE SELEC STUDENT FILM COMPETITION SELECTION COMMITTEE

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U službeno Natjecanje studentskog filma odabrana su im četiri filma, iako se njihova cjelokupna ovogodišnja produkcija ističe vještim kombiniranjem medija i tehnika, vještim pripovijedanjem te izuzetnim likovnim rješenjima. Uz odabrane filmove, NFTS je prijavio još niz zanimljivih filmova koji su svi doprinijeli odluci o Nagradi za najbolju školu animacije. Članovi selekcijske komisije smatraju kako ovogodišnja selekcija NFTS-a predstavlja sam vrh svjetske studentske produkcije animiranog filma.

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TEHNIKA / TECHNIQUE RAČUNALNI LUTKA-FILM, CRTEŽ / DIGITAL PUPPETRY, HAND-DRAWING JEZIK / LANGUAGE ENGLESKI / ENGLISH REŽIJA, MONTAŽA, PRODUCENT / DIRECTOR, EDITING, PRODUCER DANIEL BIRD SCENARIJ / SCREENPLAY DANIEL BIRD, JAROSLAV MRÁZEK ANIMACIJA / ANIMATION JAROSLAV MRÁZEK, DAVID IZAJ ILUSTRACIJE / ILLUSTRATION IVA BERANOVÁ, DAVID IZAJ KOMPOZITING, KNJIGA SNIMANJA / COMPOSITING, STORYBOARD JAROSLAV MRÁZEK GLAZBA, ZVUK / MUSIC, SOUND DANIEL BIRD, JINDŘICH KRAVAŘÍK PRODUKCIJA, DISTRIBUCIJA / PRODUCTION, DISTRIBUTION WIT & WISDOM S.R.O., WWW.WITANDWISDOM.TV; UNICEF, WWW.UNICEF.ORG

NEKA NAS NETKO PITA SOMEBODY ASK US DANIEL BIRD ČEŠKA / CZECH REPUBLIC, DCP, 2021, 1’

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Kako klimatska kriza ubrzava, naša djeca sve su ugroženija. O njihovoj je budućnosti riječ, pa zašto onda ne razgovaramo s njima o tome?

Our children face ever greater threats as the climate crisis accelerates. It’s their future, so why aren’t we talking to them about it?

DANIEL BIRD je britansko-francuski redatelj koji živi i radi u Pragu. U dvadesetima se bavio animacijom, izradom lutaka i montažom za filmskog nadrealista Jana Švankmajera. U tridesetima je postao kućni filmski autor Greenpeacea te snimao animirane filmove za ekološke kampanje. Njegova produkcijska kuća Wit & Wisdom na sličan način surađuje s nizom nevladinih organizacija.

DANIEL BIRD is a British-French director based in Prague. In his early twenties he animated, built puppets and edited for the surrealist filmmaker Jan Švankmajer. In his thirties he became Greenpeace International’s in-house film-maker, creating live-action and animated environmental campaign films. His company Wit & Wisdom continues this work for a wide range of NGOs.

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VELIKO NATJECANJE KRATKOMETRAŽNOG FILMA GRAND COMPETITION SHORT FILM 1

06/06 PON MON 20:00 KINO SC 09/06 ČET THU 18:30 TEATAR &TD

VELIKO NATJECANJE KRATKOMETRAŽNOG FILMA GRAND COMPETITION SHORT FILM 1

TEHNIKA / TECHNIQUE SLIKANJE, RAČUNALNA ANIMACIJA, STOP-ANIMACIJA, AFTER EFFECTS / HAND-PAINTED FILM, DIGITAL, STOP-MOTION, AFTER EFFECTS JEZIK / LANGUAGE ENGLESKI / ENGLISH REŽIJA, SCENARIJ, ANIMACIJA, KAMERA, MONTAŽA, LAYOUT, KOMPOZITING, KNJIGA SNIMANJA / DIRECTORS, SCREENPLAY, ANIMATION, CAMERA, EDITING, LAYOUT, COMPOSITING, STORYBOARD THOMAS HELMAN, SAHAR AL-SAWAF RAČUNALNA GRAFIKA / COMPUTER GRAPHICS THOMAS HELMAN GLAZBA, ZVUK / MUSIC, SOUND THOMAS HELMAN PRODUCENTICA / PRODUCER SAHAR AL-SAWAF PRODUKCIJA, DISTRIBUCIJA / PRODUCTION, DISTRIBUTION SHADOW MEDIUM, LLC, WWW.SHADOWMEDIUM.COM

TEHNIKA / TECHNIQUE 2D-ANIMACIJA, KOLAŽ / 2D ANIMATION, CUT-OUTS JEZIK / LANGUAGE SLOVENSKI / SLOVENIAN REŽIJA / DIRECTOR ŠPELA ČADEŽ SCENARIJ / SCREENPLAY GREGOR ZORC ANIMACIJA / ANIMATION ŠPELA ČADEŽ, ANKA KOČEVAR, ZARJA MENART, CLÉMENTINE ROBACH MONTAŽA / EDITING IVA KRALJEVIĆ GLAZBA / MUSIC OLFAMOŽ, TOMAŽ GROM ZVUK / SOUND JOHANNA WIENERT, BVFT PRODUCENTI / PRODUCERS TINA SMREKAR, ŠPELA ČADEŽ; FABIAN DRIEHORST; EMMANUEL-ALAIN RAYNAL, PIERRE BAUSSARON PRODUKCIJA / PRODUCTION FINTA FILM, WWW.FINTA.SI; FABIAN&FRED, WWW.FABIANFRED.COM; RTV SLOVENIJA, WWW.RTVSLO.SI; MIYU PRODUCTIONS, WWW.MIYU.FR DISTRIBUCIJA / DISTRIBUTION MIYU DISTRIBUTION, WWW.MIYU.FR

SJENA RAJA SHADOW OF PARADISE

STEAKHOUSE ŠPELA ČADEŽ SLOVENIJA, NJEMAČKA, FRANCUSKA / SLOVENIA, GERMANY, FRANCE, DCP, 2021, 9’30”

THOMAS HELMAN, SAHAR AL-SAWAF SJEDINJENE DRŽAVE / UNITED STATES, DCP, 2021, 7’

Film Sjena raja sastoji se od fotografija i rukom oslikanog 35 mm filma te prikazuje članove moje obitelji koji su živi, mrtvi ili nestali u Iraku. Kao raseljenoj iračkoj imigrantici koja živi u SAD-u, ovaj film mi je prirastao srcu jer se mirim s činjenicom da zemlja u kojoj sam odrasla polagano propada i briše se iz povijesti. Trideset godina poslije Pustinjske oluje, ovaj film predstavlja sliku prošlog, sadašnjeg i budućeg razaranja.

Shadow of Paradise is comprised of photographs and handpainted 35mm film depicting my family who are alive, dead, or missing in Iraq. As an Iraqi immigrant displaced, and living in the US, this film is dear to my heart as I come to terms with the country I grew up in being slowly eroded and redacted from history. Now, thirty years after Operation Desert Storm, this film is at once a snapshot of past, present and future destruction.

THOMAS HELMAN je filmski autor, autor vizualnih efekata, dizajner zvuka i softverski programer koji živi i radi u New Yorku, a izlagao je diljem svijeta. Trenutačno se pretežno bavi razvojem imerzivnih 3D-okoliša netradicionalnom uporabom softvera za umjetnu inteligenciju, eksperimentalnim stvaranjem slike i prostornim zvukom.

THOMAS HELMAN is a New York-based filmmaker, visual effects artist, sound designer and software developer who has exhibited internationally. His current work focuses primarily on the development of immersive 3D environments through non-traditional use of artificial intelligence software, (dis)embodiment, and spatial audio.

SAHAR AL-SAWAF je iračka filmska autorica, rođena u Saudijskoj Arabiji, odrasla u Libanonu i Iraku, a zatim je kao dijete izbjegla u Kaliforniju nekoliko dana prije izbijanja Zaljevskog rata. Baveći se dokumentarnim i animiranim filmom, mnogo je putovala po Bliskom istoku bilježeći mučne priče izbjeglica. Živi i radi u New Yorku.

SAHAR AL-SAWAF is an Iraqi filmmaker who was born in Saudi Arabia, grew up in Lebanon and Iraq, then escaped to California as a child, days before the Gulf War. Working in documentary and animation, she has traveled extensively throughout the Middle East, chronicling the plight of refugees who have fled. She lives and works in New York.

Odrezak se već danima marinira. Tava je zagrijana. Francu kruli u želucu. No Lizu kolege iznenade rođendanskom proslavom. Hoće li stići kući na vrijeme? ŠPELA ČADEŽ (1977., Ljubljana) se nakon diplome iz dizajna Akademije za likovnu umjetnost u Ljubljani 2002. nastavila školovati na Akademiji medijske umjetnosti u Kölnu. Tijekom studija realizirala je dva lutka-filma, koji su zapaženi i na međunarodnoj sceni (tridesetak nagrada, stotinjak filmskih festivala): Zasukanec (2004.) i Liebeskrank (2007.). Od 2008. radi kao nezavisna animatorica, redateljica i producentica. Njezin animirani film Boles (2013.) prikazan je na brojnim festivalima, a osvojio je više od pedeset nagrada i priznanja, uključujući i nominaciju za Cartoon d’Or.

The steak has been marinating for a few days now. The pan is heated. Franc’s stomach is rumbling. But Liza’s co-workers surprise her with a birthday party. Will she be home on time? ŠPELA ČADEŽ (1977, Ljubljana), after graduating in design from the Academy of Fine Arts (2002) in Ljubljana, continued her studies at the Academy of Media Arts, Cologne, Department of Media Design. During her studies she made two animated puppet films, Zasukanec (Mate to Measure) and Liebeskrank (Lovesick), which have been screened at over a hundred festivals all over the world and won more than 30 awards. Since 2008 Špela Čadež works in Slovenia as an independent animation film director and producer. Her animated film Boles (2013) screened at many festivals and won over 50 awards and honours, including a Cartoon d’Or nomination.

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TEHNIKA / TECHNIQUE KLASIČNA ANIMACIJA BEZ PAPIRA / PAPERLESS CLASSICAL 2D ANIMATION BEZ DIJALOGA / NO DIALOGUE REŽIJA, MONTAŽA / DIRECTOR, EDITING DARKO MASNEC SCENARIJ / SCRIPT DARKO MASNEC, LANA CIRKVENI ANIMACIJA / ANIMATION DARKO MASNEC, ANITA KOS, STJEPAN MILAS GLAZBA, DIZAJN ZVUKA / MUSIC, SOUND DESIGN LUKA SMETIŠKO PRODUCENT / PRODUCER STJEPAN MILAS PRODUKCIJA / PRODUCTION STUDIO U ŠUMI, WWW.USUMI.HR DISTRIBUCIJA / DISTRIBUTION BONOBOSTUDIO, WWW.BONOBOSTUDIO.HR

TEHNIKA / TECHNIQUE STOP-ANIMACIJA / STOP-MOTION JEZIK / LANGUAGE FRANCUSKI / FRENCH REŽIJA / DIRECTOR JOACHIM HÉRISSÉ PRODUKCIJA / PRODUCTION KOMADOLI STUDIO, WWW.KOMADOLI.FR DISTRIBUCIJA / DISTRIBUTION MIYU DISTRIBUTION, WWW.MIYU.FR

POZDRAV SUNCU SALUTE TO THE SUN

ODERANA SKINNED ÉCORCHÉE

DARKO MASNEC HRVATSKA / CROATIA, DCP, 2022, 9’

JOACHIM HÉRISSÉ FRANCUSKA / FRANCE, DCP, 2022, 14’

Zaljubljeni astronaut orbitira oko Sunca, upijajući njegovu energiju. No Sunce je preveliko i veza puca pa astronaut mora nastaviti sam. Pokušavajući se vratiti svom izvoru energije, shvaća kako ima i drugih poput njega. Ono što je na početku bila igra, polako se pretvara u ljubavni trokut. Oblici se mijenjaju, ali potrebe im ostaju iste. DARKO MASNEC (Celje, Slovenija, 1985.) diplomirao je 2009. likovnu umjetnost na Pedagoškom fakultetu u Mariboru. Godine 2012. završio je MA studij animiranog filma na Odsjeku za animirani film i nove medije pri Akademiji likovnih umjetnosti u Zagrebu, gdje je 2017. godine doktorirao temom „Zagrebačka škola crtanog filma – umjetničke i tržišne prakse u kontekstu videoigara“. Radio je kao animator na više kratkih filmskih projekata, objavio je nekoliko autorskih videoigara, članaka i predavanja o animaciji i videoigrama. Surađuje s Animafestom i drugim filmskim festivalima. Najviše se bavi autorskim animiranim filmom i videoigrama, a u galerijskom kontekstu konceptualnim umjetničkim praksama. Trenutačno je docent na Akademiji likovnih umjetnosti u Zagrebu.

An astronaut in love orbits around the sun, absorbing its energy. But the sun is too big, causing their connection to break, and the astronaut must continue on his own. As he tries to return to his source of energy, he realizes there are others like him. What started out as a game, slowly turns into a love triangle. Shapes change, but their needs remain the same. DARKO MASNEC (1985, Celje, Slovenia) graduated from the Faculty of Education (Department of Visual Arts) in Maribor in 2009 and in 2012 completed his MA studies at the Academy of Fine Arts in Zagreb, Department of Animation and New Media. In 2017 he obtained a PhD degree from the Academy of Fine Arts in Zagreb with the thesis “The Zagreb School of Animated Film: Art and Market Practices in the Context of Videogames”. He has worked as an animator on a few short animated film projects and published several articles on the topic of animation and videogames. He regularly cooperates with Animafest and other festivals. He currently works as an assistant professor at the Academy of Fine Arts in Zagreb.

U staroj zgradi, izgubljenoj usred močvare, žive dvije neobične žene, sijamske blizanke spojene nogom. Jedne noći Oderana ima grozne noćne more u kojima joj je tijelo prekriveno sestrinim mesom…

In an old building, lost in the middle of the swamp, live two strange women, Siamese twins by one leg. At night, the Flayed has terrifying nightmares in which she sees her sister’s flesh covering her own body...

JOACHIM HÉRISSÉ bavi se animacijom kao animator, autor, redatelj i umjetnik knjige snimanja dugi niz godina. Godine 2015. suosnovao je animacijski studio Komadoli, specijaliziran za stop-tehniku.

JOACHIM HÉRISSÉ has worked in the field of animation as an animator, author, director, and storyboarder for many years. In 2015, he co-founded Komadoli, an animation studio specializing in stop-motion animation.

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TEHNIKA / TECHNIQUE CRTEŽ / 2D DRAWING BEZ DIJALOGA / NO DIALOGUE REŽIJA / DIRECTOR YUMI JOUNG PRODUCENT / PRODUCER KIM KIHYUN PRODUKCIJA, DISTRIBUCIJA / PRODUCTION, DISTRIBUTION MATCH CUT INC., MATCHCUTWORKS@GMAIL.COM

TEHNIKA / TECHNIQUE STOP-ANIMACIJA PAPIRA / STOP-MOTION WITH PAPER BEZ DIJALOGA / NO DIALOGUE REŽIJA / DIRECTOR JUAN PABLO ZARAMELLA PRODUCENT / PRODUCER SOL RULLONI PRODUKCIJA, DISTRIBUCIJA / PRODUCTION, DISTRIBUTION JPZTUDIO, WWW.ZARAMELLA.COM.AR

KUĆA POSTOJANJA HOUSE OF EXISTENCE JON-JAE-UI JIB

PUTNIK PASSENGER PASAJERO

YUMI JOUNG JUŽNA KOREJA / SOUTH KOREA, DCP, 2022, 8’30”

JUAN PABLO ZARAMELLA ARGENTINA, DCP, 2022, 10’

Postoji jedna kuća. Kuća se počne raspadati. Krov i zidovi se ruše, polagano otkrivajući predmete u kući. I oni se počnu raspadati i nestajati. Kada sve iščezne, pojavljuje se osoba, sama u ruševinama.

There is a house. The house starts falling apart. Roof and wall collapses, slowly revealing belongings inside the house. They too collapse and break and disappear. When all goes away, a person appears, left alone in the remains.

YUMI JOUNG (1981.) studirala je likovnu umjetnost na Sveučilištu Kookmin (2000.–2004.) te režiju u animaciji na Korejskoj akademiji filmskih umjetnosti (2004.–2006.). Njezin kratki diplomski film My Small Doll House prikazan je u konkurenciji Hirošime i brojnih drugih međunarodnih filmskih festivala. Dust Kid (2009.) prikazan je u programu Quinzaine des réalisateurs u Cannesu te na 50 drugih međunarodnih filmskih festivala te je osvojio desetak međunarodnih nagrada. Osim filmova, autorica je i dvije slikovnice.

YUMI JOUNG (1981) studied Fine Arts at the Kookmin University (2000-2004), and Animation Directing at the Korean Academy of Film Arts (2004-2006). Joung’s graduation short animation, My Small Doll House, has been screened in the Competition section in Hiroshima and at many other international film festivals. Dust Kid (2009) has been screened at Cannes Directors’ Fortnight and over 50 other international film festivals, and received more than 10 international awards. In addition to films, she made two picture books.

Putovanje neskladnim odnosom između čovjeka, njegova društvenog okoliša i kodova.

A journey through the conflicting relationship between a man, his social environment and codes.

Kratki nezavisni filmovi JUANA PABLA ZARAMELLE osvajaju nagrade diljem svijeta. Godine 2010. Međunarodni festival animacije u Annecyju posvetio je poseban program odabiru iz njegove filmografije. Njegov kratki film Luminaris osvojio je Nagradu publike i nagradu FIPRESCI u Annecyju 2011. te je uvršten u uži izbor za nominaciju za Oscara za najbolji kratki animirani film.

JUAN PABLO ZARAMELLA’s independent shorts have been awarded all around the world. In 2010, the Annecy International Animation Festival presented a special program with a selection of his works. His short film Luminaris won the Audience Award and FIPRESCI Prize at Annecy 2011, and was included in the Oscars Shortlist for Best Animated Short.

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TEHNIKA / TECHNIQUE 2D-ANIMACIJA / 2D ANIMATION JEZIK / LANGUAGE PORTUGALSKI / PORTUGUESE REŽIJA / DIRECTORS RAPHAËLLE STOLZ, U SURADNJI S/IN COLLABORATION WITH AUGUSTO ZANOVELLO SCENARIJ / SCREENPLAY AUGUSTO ZANOVELLO, U SURADNJI S/IN COLLABORATION WITH RAPHAËLLE STOLZ PRODUCENT / PRODUCER NICOLAS BURLET PRODUKCIJA / PRODUCTION NADASDY FILM, WWW.NADASDYFILM.CH; KOMADOLI STUDIO, WWW.KOMADOLI.FR; FOLIMAGE, WWW.FOLIMAGE.FR DISTRIBUCIJA / DISTRIBUTION NADASDY FILM, WWW.NADASDYFILM.CH; KOMADOLI STUDIO, WWW.KOMADOLI.FR

TEHNIKA / TECHNIQUE RAČUNALNA 2D-ANIMACIJA / COMPUTER 2D ANIMATION JEZIK / LANGUAGE ENGLESKI / ENGLISH REŽIJA / DIRECTORS ADRIAN DEXTER, PERNILLE KJAER ANIMACIJA / ANIMATION PERNILLE KJAER, AMBRE CHATELAIN, HIPPOLYTE CUPILLARD, HUGO BRAVO, VLADIMIR ROSZAK, KEELAN MACLEOD, CHARLOTTE MOYEN, VIRGINIE GANTEIL, RAPHAËL CHIAPPARIN ZVUK / SOUND DAVID KAMP PRODUCENTI / PRODUCERS NIDIA SANTIAGO, EDWINA LIARD, PASCALINE SAILLANT, ANAÏS BERTRAND, CHARLOTTE DE LA GOURNERIE PRODUKCIJA / PRODUCTION IKKI FILMS, WWW.IKKIFILMS.COM DISTRIBUCIJA / DISTRIBUTION VARICOLOURED, WWW.VARICOLOURED.EU

MIRACASAS

TERRA INCOGNITA

RAPHAËLLE STOLZ, U SURADNJI S/IN COLLABORATION WITH AUGUSTO ZANOVELLO ŠVICARSKA, FRANCUSKA / SWITZERLAND, FRANCE, DCP, 2022, 13’51”

ADRIAN DEXTER, PERNILLE KJAER FRANCUSKA, DANSKA / FRANCE, DENMARK, DCP, 2021, 21’

Zahvaljujući drugoj dvojici, jedan čovjek napreduje prema svom odredištu: selu koje je nedavno izronilo iz izgubljenog tla u Južnoj Americi… No kada stigne, shvatit će da je njegova uloga u seoskom životu nezamjenjiva.

A man, transported by two others, advances towards his destination: a village recently emerged from the ground lost in South America... But when he arrives, he will understand that his role in village life is essential.

Terra Incognita prati život na tajanstvenom otoku nastanjenom besmrtnim bićima koja žive u neprekinutom lancu vječnosti, no vječnost je naprosto iluzija koju prekida jedino smrt, ništa se ne mijenja… dok se ne promijeni.

Terra Incognita follows life on a mysterious island, inhabited by immortal beings that live in an unbroken chain of eternity, but eternity is a simple illusion broken only by death, nothing changes until... it does.

RAPHAËLLE STOLZ rođena je 1989. u Ženevi. Diplomirala je slikarstvo i ilustraciju na École Émile Cohl u Lyonu (2011.), a 2014. animaciju na École des Gobelins. Multidisciplinarna je umjetnica, redateljica kratkih animiranih filmova, scenografkinja, animatorica i slikarica.

RAPHAËLLE STOLZ was born in 1989 in Geneva, Switzerland. Graduated with a degree in Illustration and Painting from the École Émile Cohl in Lyon (2011), and in 2014 she graduated from the École des Gobelins in Animation. A multidisciplinary artist, she is a director of animated shorts, an AD, a set designer, an animator and a painter.

ADRIAN DEXTER je američko-danski filmski autor i ilustrator. Pohađao je Europski filmski koledž i Animation Workshop u Danskoj. Režirao je kratki film Væsen, a zatim proveo dvije godine baveći se vizualnim efektima u Stockholmu. Radio je na nekoliko AR-instalacija, scenografiji, a autor je i komercijalnih ilustratorskih projekata.

ADRIAN DEXTER is an American/Danish filmmaker and illustrator. He attended the European Film College and the Animation Workshop in Denmark. He attended Animation sans Frontieres where he developed and then produced web series. He has been involved with several A.R installations, digital scenography, and commercial illustration projects.

PERNILLE KJAER (1989.) nezavisna je danska autorica animiranih filmova i multidisciplinarna umjetnica. Nekadašnja studentica Akademije likovnih umjetnosti u Århusu, diplomirala je animaciju likova na Animation Workshopu u danskom Viborgu. Njezina bogata produkcija uključuje kratke animirane filmove, umjetničke projekte koji često spajaju animaciju, umjetnost i glazbu, no i grafike, slike i skulpture, u kojima istražuje različite razine apstrakcije kroz šarene i konkretne oblike, strogu crnu i bijelu te linije.

PERNILLE KJAER (1989) is a Danish independent animation filmmaker and multidisciplinary artist. Former student at the Academy of Fine Arts in Århus, she completed her studies with a BA in character animation from The Animation Workshop in Viborg, Denmark. Her proliferous production includes short animated films, art-related projects often combining animation, art and music, but also prints, painting and sculptures, where she explores various levels of abstraction through colorful and concrete shapes, strict black and white, and line work.

AUGUSTO ZANOVELLO je redatelj animiranih filmova i scenarist. Autor je animiranog filma Pisma žena (Lettres de femmes, 2013.).

AUGUSTO ZANOVELLO is an animation director and scriptwriter. Author of animated short film Women’s Letters (Lettres de femmes, 2013).

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TEHNIKA / TECHNIQUE RAČUNALNA 2D/3D-ANIMACIJA / 2D/3D COMPUTER JEZIK / LANGUAGE FRANCUSKI / FRENCH REŽIJA, MONTAŽA / DIRECTOR, EDITING STÉPHANIE CLÉMENT SCENARIJ / SCREENPLAY MARC RIUS ANIMACIJA / ANIMATION JÉRÉMY ORTIZ, MARINE VAISSE, MARC ROBINET, MINA CONVERS, MORTEN RIISBERG HANSEN, MARTHE DELAPORTE GLAZBA / MUSIC OLIVIER MILITON ZVUK / SOUND PIERRE-FRANÇOIS RENOUF, STUDIO LE REFUGE PRODUKCIJA / PRODUCTION TNZPV PRODUCTIONS, WWW.NOUSVOIR.COM; FOLIMAGE, WWW.FOLIMAGE.FR DISTRIBUCIJA / DISTRIBUTION MIYU DISTRIBUTION, WWW.MIYU.FR

TEHNIKA / TECHNIQUE CRTEŽ UGLJENOM / DRAWING WITH CHARCOAL BEZ DIJALOGA / NO DIALOGUE REŽIJA / DIRECTOR IZABELA PLUCIŃSKA PRODUCENTICA / PRODUCER PAULINA RATAJCZAK PRODUKCIJA / PRODUCTION LAS SZTUKI, WWW.LASSZTUKI.PL DISTRIBUCIJA / DISTRIBUTION KFF SALES & PROMOTION, WWW.SP.KFF.COM.PL

DEBELOKOŽAC PACHYDERM PACHYDERME

98 KG

IZABELA PLUCIŃSKA POLJSKA / POLAND, DCP, 2021, 5’

STÉPHANIE CLÉMENT FRANCUSKA / FRANCE, DCP, 2021, 11’

Svakog ljeta Louise provodi nekoliko dana s djedom i bakom na selu. Zelena trava u vrtu, plivanje u jezeru, ribarenje s djedom, sve je slatko poput bakinih pita od jagoda. No ove godine u ljeto će pasti snijeg i čudovište će umrijeti. STÉPHANIE CLÉMENT je ilustratorica i redateljica animiranih filmova. Diplomirala je na MoPA-i (bivši Supinfocom u Arlesu) 2012. s filmom Dans l’ombre, koji je ušao u konkurenciju festivala u Annecyju. Potom je razvila transmedijski projekt La petite vampire aux crocs de verre. Godine 2021. režirala je kratki animirani film Debelokožac, u produkciji TNPZV Productions i Folimagea te uz podršku Artea.

As every summer, Louise is entrusted to her grandparents for a few days of vacation in the country. The green grass of the garden, the swimming in the lake, the fishing with Grandpa, everything seems as sweet as Grandma’s strawberry pies. Yet this year, the snow will fall in summer and a monster will die. STÉPHANIE CLÉMENT is an illustrator and director of animated movies. Graduated from MoPA (ex-Supinfocom Arles) in 2012, her graduation film Dans L’ombre was selected at Annecy Festival. She then developed La petite vampire aux crocs de verre, a transmedia project. In 2021, she directed Pachyderm, an animated short movie produced by TNPZV Productions and Folimage, with the support of Arte.

Tema filma 98 kg jest obiteljsko nasilje. Glavni je lik žena koju zlostavlja muž. Promatramo oblik toksičnog odnosa u kojem su likovi beskonačno zatočeni. 98 kg simbolizira težinu utega i težinu njezina muža. IZABELA PLUCIŃSKA redateljica je animiranih filmova rođena u Poljskoj. Živi i radi u Njemačkoj. Diplomirala je na Umjetničkoj akademiji u Łódźu, a potom i filmsku animaciju na Poljskoj nacionalnoj filmskoj školi, gdje je kasnije i doktorirala. Autorica je petnaestak filmova, primjerice Jam Session (2005.), za koji je u Berlinu nagrađena Srebrnim medvjedom, zatim Esterhazy (2009.), Sexy Laundry (2015.) i Portret Suzanne (2019.). Trenutačno predaje na Umjetničkoj akademiji u Szczecinu te radi u vlastitoj producentskoj kući ClayTraces.

The theme of the film 98 kg centers on domestic violence. The main character is a woman abused by her husband. We watch a form of toxic relationship in which the characters are endlessly trapped. 98 kg symbolizes the heavy weight of a set of barbells, as well as that of the husband. IZABELA PLUCIŃSKA was born in Poland and is now living in Germany. She studied fine arts and film as an undergraduate and completed her PhD in the field of animation at the National Film School in Lodz. Plucińska has some fifteen films to her credit, including Jam Session (2005), which won a Silver Bear at the Berlin International Film Festival, Esterhazy (2009), Sexy Laundry (2015), and Portrait of Suzanne (2019). Currently she is teaching at the Academy of Art in Szczecin Poland while being busily working at her own production company, ClayTraces Berlin.

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TEHNIKA / TECHNIQUE 2D-ANIMACIJA, CRTEŽ NA GRAFIČKOM TABLETU / 2D DRAWN ON TABLET BEZ DIJALOGA / NO DIALOGUE REŽIJA, SCENARIJ, ANIMACIJA, KAMERA, MONTAŽA, LAYOUT, KOMPOZITING, KNJIGA SNIMANJA, GLAZBA, ZVUK, PRODUCENT / DIRECTOR, SCREENPLAY, ANIMATION, CAMERA, EDITING, LAYOUT, COMPOSITING, STORYBOARD, MUSIC, SOUND, PRODUCER MALTE STEIN MIKSANJE ZVUKA / SOUND MIXING MICHAŁ KRAJCZOK PRODUKCIJA, DISTRIBUCIJA / PRODUCTION, DISTRIBUTION MALTE STEIN

TEHNIKA / TECHNIQUE RAČUNALNA ANIMACIJA / COMPUTER ANIMATION JEZIK / LANGUAGE TUNISKI ARAPSKI / TUNISIAN ARABIC REŽIJA / DIRECTOR LOTFI ACHOUR SCENARIJ / SCREENPLAY LOTFI ACHOUR, NATHALIE DUPORT DE PONTCHARRA KAMERA / CAMERA HAZEM BERRABAH MONTAŽA / EDITING MALEK CHATTA GLAZBA / MUSIC VENCESLAS CATZ GLAS / VOICE GHASSEN RGUIGUI PRODUCENTICE / PRODUCERS ANISSA DAOUD, OLFA BEN ACHOUR PRODUKCIJA / PRODUCTION A.P.A ARTISTES PRODUCTEURS ASSOCIÉS, WWW.FACEBOOK.COM/ARTISTESPRODUCTEURSASSOCIES DISTRIBUCIJA / DISTRIBUTION LA LUNA PRODUCTIONS, WWW.FACEBOOK.COM/LALUNAPROD

STVAR THING DING

MRTVI KUT BLIND SPOT ANGLE MORT

MALTE STEIN NJEMAČKA / GERMANY, DCP, 2021, 4’32”

LOTFI ACHOUR TUNIS, FRANCUSKA / TUNISIA, FRANCE, DCP, 2021, 13’13”

Čovjeka proganja i do ruba pameti dovodi jedna mala stvar.

Haunted by a little thing, a man gets driven to the edge.

MALTE STEIN (1981.) studirao je 2005. dramaturgiju, a od 2007. do 2013. animaciju na HFF Konrad Wolf. Bavi se animacijom, ilustracijom, stripom, filmom, pisanjem i glazbom.

MALTE STEIN (1981) studied dramaturgy in 2005, and from 2007 to 2013 he studied animation at the HFF Konrad Wolf. He is working in animation, illustration, comic books, film, writing and music.

Pod diktaturom Ben Alija, 7. listopada 1991. u toaletu javnog poduzeća u jednom gradu na jugu Tunisa otet je muškarac. Mučen je, ubijen i nikad nije pronađen. Gotovo 30 godina poslije, vraća se i razgovara s nama. Smiren, hladan, precizan, bez emocija, fokusira se na činjenice i ljude, mjesto i vrijeme, njihovu zapletenost u svom sjećanju te oživljava naše. Omogućava nam da na površinu izvučemo ono što smo namjerno ili nenamjerno odlučili zakopati, potisnuti iz svoje kolektivne povijesti. Glumac, autor, filmski i kazališni redatelj koji živi u Parizu i Tunisu, LOTFI ACHOUR napisao je i režirao više od 25 kazališnih komada, koje je postavio u Londonu, Parizu, Avignonu, Libanonu, Jordanu itd. Studirao je kazalište na Sorbonnei te dokumentarni film u pariškom Ateliersu Varan. Režirao je četiri kratka igrana filma. Njegov prethodni kratki film, Father, otkupila je France 3, a financirala regija Ile-de-France. Film je ušao u selekciju 90 festivala, osvojio je 30 nagrada te je prikazan na više televizija.

Under the dictatorship of Ben Ali, on the 7th of October 1991, a man is kidnapped in the bathroom of a public company, somewhere in a town in the south of Tunisia. He was tortured, killed and then vanished without ever being found. Nearly thirty years later, he comes back to talk to us. Calm, quite cold, surgical, free of affect, he focuses on the facts and the people, the places and the time, their entanglement in his memory and revives ours. It enables us to bring to the surface what we have voluntarily or involuntarily decided to bury, to repress from our collective history. Actor, author, director, stage director and theater director living between Paris and Tunis, LOTFI ACHOUR wrote and directed over 25 theater creations that he brought to stage in London, Paris, Avignon, Lebanon, Jordan. Lotfi Achour studied the theater at La Sorbonne and the documentary film making at Ateliers Varan in Paris. He directed four short fiction films. His previous short film, Father, received 90 selections, including 30 festival awards and was screened on different television channels.

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VELIKO NATJECANJE KRATKOMETRAŽNOG FILMA GRAND COMPETITION SHORT FILM 2

TEHNIKA / TECHNIQUE CRTEŽ, PROJEKCIJA, KOMPOZITING, STROJNO UČENJE / DRAWINGS, PROJECTION, COMPOSITING, MACHINE LEARNING BEZ DIJALOGA / NO DIALOGUE REŽIJA, ANIMACIJA, KAMERA, MONTAŽA, KOMPOZITING, RAČUNALNA GRAFIKA, PRODUCENT / DIRECTOR, ANIMATION, CAMERA, EDITING, COMPOSITING, COMPUTER GRAPHICS, PRODUCER ROBERT SEIDEL GLAZBA / MUSIC OVAL (MARKUS POPP) ZVUK / SOUND DAVID KAMP IZVEDBA I KOREOGRAFIJA / PERFORMANCE AND CHOREOGRAPHY TSUKI PRODUKCIJA, DISTRIBUCIJA / PRODUCTION, DISTRIBUTION STUDIO ROBERT SEIDEL, WWW.ROBERTSEIDEL.COM

TEHNIKA / TECHNIQUE DIGITALNI CRTEŽ / DIGITAL DRAWING BEZ DIJALOGA / NO DIALOGUE REŽIJA, ANIMACIJA, MONTAŽA, LAYOUT, KNJIGA SNIMANJA, PRODUCENT / DIRECTOR, ANIMATION, EDITING, LAYOUT, STORYBOARD, PRODUCER YUNGSUNG SONG GLAZBA / MUSIC AYAKO SATO GLAS / VOICE AKAIHIRUME PRODUKCIJA, DISTRIBUCIJA / PRODUCTION, DISTRIBUTION YUNGSUNG SONG, KORNPARK7@HOTMAIL.COM

HISTEREZA HYSTERESIS

NAŠA DVOJKA OUR 2

我々の２

ROBERT SEIDEL NJEMAČKA / GERMANY, DCP, 2021, 5’

YUNGSUNG SONG JAPAN, JUŽNA KOREJA, ITALIJA / JAPAN, SOUTH KOREA, ITALY, DCP, 2021, 5’30”

Histereza istražuje odgodu između snimanja analognih crteža i njihova projiciranja na koreografiju queer izvođača kako bi se kreirali gusti feedback loopovi. Nastale muybridgeovske siluete, barokne teksture i prštave slikarske strukture lebde između druge i treće dimenzije, rastvarajući slobodne pokrete koji oslobađaju zakone prirode. Pomoću strojnog učenja, kojim se posreduje u ovim transformativnim re-prezentacijama, film namjerno podriva strategije umjetne inteligencije, otkrivajući luđački, osjetljiv, flambojantan vizualni jezik histerije i histereze. ROBERT SEIDEL bavi se pomicanjem granica i apstrahiranjem pojma ljepote kroz filmske postupke, kao i one pridružene iz područja znanosti i tehnologije. Njegove instalacije, projekcije i eksperimentalni filmovi prikazivani su na brojnim međunarodnim festivalima i u muzejima kao što su Palais des Beaux-Arts Lille, Umjetnički centar Nabi u Seoulu, ZKM Karlsruhe i MOCA u Taipeiju. Za svoj rad primio je brojna priznanja, poput počasne nagrade na KunstFilmBiennaleu i nagrade Visual Music Award.

Hysteresis explores the lag between recording analogue drawings and projecting them onto a queer performer’s choreography to create dense feedback loops. The resulting Muybridgean silhouettes, baroque textures and bursting painterly structures fluctuate between the second and third dimensions, unfolding free-floating gestures that unhinge the laws of nature. Using machine-learning to mediate these transformative re-presentations, the film intentionally corrupts strategies of the AI, unveiling a frenetic, delicate, flamboyant visual language of the hysteria and hysteresis. ROBERT SEIDEL is interested in pushing the boundaries of abstracted beauty through cinematographic approaches, as well as ones drawn from science and technology. His projections, installations and experimental films have been shown in numerous international festivals and museums such as the Palais des BeauxArts Lille, Art Center Nabi Seoul, ZKM Karlsruhe and MOCA Taipei. His work was honored with various prizes, including the KunstFilmBiennale Honorary Award and the Visual Music Award.

Uoči 700. obljetnice Danteove smrti, ovaj film nova je verzija priče o sjedinjenju Dantea i Beatrice, koja započinje Novim životom, a završava s tri dijela Božanstvene komedije (Paklom, Čistilištem i Rajem). Gdje smo sada mladi mi? Kamo da idemo? „Situacija“ traje od 2020. Mladi mi imamo slobodu odabrati bilo što. Možemo odabrati umrijeti ili čak živjeti i voljeti. Novi svijet dolazi. Zaronimo u novi svijet s ljubavlju prema sebi i drugima. Ova pjesma dar je nama mladima i slabima. YUNGSUNG SONG, autor kratkih animiranih filmova, rođen je u Južnoj Koreji. Njegov pristup filmu temelji se na umjetnosti početka 20. stoljeća, kao što su misli i slikarski stil Kandinskog, Delaunaya, Matissea. Režirao je Našu dvojku (2021.), Creative Evolution i druge filmove, koji su prikazani na nekoliko festivala animacije diljem svijeta.

To commemorate the 700th anniversary of Dante’s death, the film reinterpreted the story of Dante and Beatrice’s reunion, which followed from La Vita Nuova to the three parts of Divine Comedy (Hell, Purgatory, and Heaven). Where are young us now? Where should we go? “The situation” has been going on since 2020. Young we are free to choose anything. We can choose to die or even live and love. The new world is coming. Let’s jump to the new world with self-love and love for others. This poem is a gift for ourself young and weak. YUNGSUNG SONG, a short animation filmmaker, was born in South Korea. His approach to filmmaking is based on early 20th century art such as thoughts and painting styles of Kandinsky, Delaunay, Matisse. He directed Our 2 (2021), Creative Evolution and more films which have been screened at several animation film festivals over the world.

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VELIKO NATJECANJE KRATKOMETRAŽNOG FILMA GRAND COMPETITION SHORT FILM 2

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VELIKO NATJECANJE KRATKOMETRAŽNOG FILMA GRAND COMPETITION SHORT FILM 3

TEHNIKA / TECHNIQUE CRTEŽ NA PAPIRU, RAČUNALNA 2D-ANIMACIJA / DRAWING ON PAPER, 2D COMPUTER BEZ DIJALOGA / NO DIALOGUE REŽIJA, MONTAŽA, LAYOUT, PRODUCENT / DIRECTOR, EDITING, LAYOUT, PRODUCER CLAUDE LUYET SCENARIJ / SCREENPLAY THOMAS OTT, CLAUDE LUYET ANIMACIJA / ANIMATION SEBASTIEN GODARD KOMPOZITING / COMPOSITING JONATHAN LASKAR RAČUNALNA GRAFIKA / COMPUTER GRAPHICS CLAUDE LUYET, JONATHAN LASKAR KNJIGA SNIMANJA / STORYBOARD THOMAS OTT GLAZBA / MUSIC BALZ BACHMANN ZVUK / SOUND PETER BRÄKER PRODUKCIJA, DISTRIBUCIJA / PRODUCTION, DISTRIBUTION STUDIO GDS, CLAUDE LUYET, WWW.STUDIO-GDS.CH

TEHNIKA / TECHNIQUE 2D-ANIMACIJA / 2D ANIMATION JEZIK / LANGUAGE ENGLESKI / ENGLISH REŽIJA, PRODUCENTICA / DIRECTOR, PRODUCER JINA YOON PRODUKCIJA, DISTRIBUCIJA / PRODUCTION, DISTRIBUTION AWTNOL, AWTNOLL@GMAIL.COM

SREĆKOVIĆ LUCKY MAN

SENZURA SENSOR SHIP

CLAUDE LUYET ŠVICARSKA / SWITZERLAND, DCP, 2022, 8’

JINA YOON KANADA, SJEDINJENE DRŽAVE, JUŽNA KOREJA / CANADA, UNITED STATES, SOUTH KOREA, DCP, 2021, 2’

Čovjek igra i pobjeđuje. Presretan je. Ali… Drugi igrač, druga igra, drugi pobjednik. Priroda pokazuje svoju prisutnost. Na kraju: pohvala polaganosti.

A man plays and wins. He’s over the moon. But... Other player, other game, other winner. Nature manifests its presence. In the end: a praise of slowness.

CLAUDE LUYET (1948., Ženeva) nakon studija grafičkog dizajna posvetio se animiranom filmu. Njegovi filmovi, različitih stilova, nastali ponekad u suradnji, osvajali su nagrade u Zagrebu, Hirošimi, Oberhausenu, Leipzigu, Tróiji, Trevisu, Soleureu, Valenceu, Bourg en Bresseu, Veveyu. Surađivao je i na prvom dugometražnom filmu J. G. Laguionieja, Gwen et le livre de sable.

CLAUDE LUYET (1948, Geneva, Switzerland) after graduating in graphic design focused on animation cinema. His films, of different styles, sometimes collaborations, have won awards at the festivals in Zagreb, Hiroshima, Oberhausen, Leipzig, Tróia, Treviso, Soleure, Valence, Bourg en Bresse, Vevey. He also collaborated on the first feature-length film of J. G. Laguionie, Gwen et le livre de sable (Gwen and the Book of Sand).

Brod Senzura plovi.

Sensor Ship voyages.

JINA YOON umjetnica je korejskog podrijetla koja živi i radi u Vancouveru u Kanadi.

JINA YOON is an artist of Korean origin, living and working in Vancouver, Canada.

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TEHNIKA / TECHNIQUE SKENIRANJE ILUSTRACIJA NA PAPIRU, DIGITALNO SLIKANJE / SCANNED PAPER ILLUSTRATIONS AND DIGITAL PAINTING JEZIK / LANGUAGE ŠVEDSKI / SWEDISH REŽIJA / DIRECTOR LARS HENRIK ANDERSSON, LISA RYDBERG SCENARIJ, ANIMACIJA, MONTAŽA, PRODUCENTI / SCREENPLAY, ANIMATION, EDITING, PRODUCERS LARS HENRIK ANDERSSON, LISA RYDBERG GLAZBA / MUSIC LARS HENRIK ANDERSSON, HORACIO SALINAS ZVUK / SOUND LARS HENRIK ANDERSSON, HENRIETTA SKOOG PRODUKCIJA / PRODUCTION VILTONE STUDIOS, VILTONESTUDIO@GMAIL.COM DISTRIBUCIJA / DISTRIBUTION RAINA FILM FESTIVAL DISTRIBUTION, WWW.RAINAFILMS.COM

TEHNIKA / TECHNIQUE CRTEŽ / DRAWING BEZ DIJALOGA / NO DIALOGUE REŽIJA, ANIMACIJA, MONTAŽA, KOMPOZITING, KNJIGA SNIMANJA / DIRECTOR, ANIMATION, EDITING, COMPOSITING, STORYBOARD ANDREI BAKHURIN SCENARIJ / SCREENPLAY VADIM MIKHAILOV, ANDREI BAKHURIN ZVUK / SOUND STANISLAV GLUSHINSKY, ANDREA MARTIGNONI PRODUCENTICA / PRODUCER LARISA GUCHKOVSKAYA PRODUKCIJA / PRODUCTION GAMMA-FILM DISTRIBUCIJA / DISTRIBUTION ANNA OSTALSKAYA, OSTALSKAYA@GMAIL.COM

DUGA RAZVUČENA NESREĆA A LONG PROTRACTED SCENE OF AN ACCIDENT EN LÅNG UTDRAGEN OLYCKSHÄNDELSE

TUĐI KRUH NOT MY BREAD CHUZHOY KHLEB

LARS HENRIK ANDERSSON, LISA RYDBERG ŠVEDSKA / SWEDEN, DCP, 2021, 14’30”

Henrik (10) od tate dobiva važnu zadaću. Paziti na mamu dok njega nema. Henrik se trudi. No što to doista znači? Jednog dana Henrik nalazi pismo napisano maminom rukom: „Više ne želim živjeti…“ LARS HENRIK ANDERSSON je tekstopisac, scenarist, redatelj i animator iz Malmöa. Film So No Harm Comes to You prikazan je na Švedskoj televiziji 2019. te na nekoliko festivala, a osvojio je nagradu za najbolji dokumentarac na Pixel Skånes Filmfestivalu 2020. Godine 2021. drugi film LISE i Larsa, Duga razvučena nesreća, nominiran je za nagradu Startsladden za najbolji švedski kratki film, na Filmskom festivalu u Göteborgu, a osvojio je nagradu za najbolji film na Pixel Skånes Filmfestivalu. Film je također ušao u konkurenciju New Nordic Voice na Nordisk panorami i osvojio je nagradu za najbolji švedski film na Festivalu kratkog filma u Uppsali 2021.

Henrik (10 years old) is given an important task by his Dad. Keep track of your mum while Dad is away. Henrik tries to. But what did that really mean? One day Henrik finds a letter in his mum’s handwriting; “I don’t wanna live anymore...” LARS HENRIK ANDERSSON is a songwriter, screenwriter, director and animator from Malmö. So No Harm Comes to You was shown at Swedish Television in 2019 and on several festivals, and won Best documentary at Pixel Skånes Filmfestival in 2020. In 2021 LISA’s and Lars Henrik’s second film A Long Protracted Scene of an Accident was nominated to Startsladden, Best Swedish Short at Gothenburg Film Festival and won the prize for Best film at Pixel Skånes Filmfestival. The film was also nominated to the New Nordic Voice competition at Nordisk panorama and won Best Swedish Film at Uppsala Short Film Festival 2021.

ANDREI BAKHURIN DCP, 2022, 7’11”

Zaustavite rat.

Stop the war.

ANDREJ BAHURIN (Lenjingrad, 1973.) diplomirao je srednjovjekovnu Englesku na Odsjeku za povijest Državnog sveučilišta u Sankt Peterburgu 1995. te na Posebnom filološkom odsjeku 1998. Od 2002. bavi se animiranim filmom. Radio je za studio Toonbox Animation, Peterburg Studio (serija Kokorikitv) te za TV-postaju 2x2.

ANDREI BAKHURIN (Leningrad, 1973) graduated from the St. Petersburg State University, Historical dept. in 1995 (major in medieval England), and Special philological dept. in 1998. He has been making animation films since 2002. He has worked for Toonbox Animation Studio, Peterburg Studio (Kokorikitv series), and 2x2 TV channel.

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TEHNIKA / TECHNIQUE RAČUNALNA ANIMACIJA / COMPUTER ANIMATION BEZ DIJALOGA / NO DIALOGUE REŽIJA, SCENARIJ, ANIMACIJA, KAMERA, MONTAŽA, LAYOUT, KOMPOZITING, KNJIGA SNIMANJA, GLAZBA, ZVUK, PRODUCENT / DIRECTOR, SCREENPLAY, ANIMATION, CAMERA, EDITING, LAYOUT, COMPOSITING, STORYBOARD, MUSIC, SOUND, PRODUCER PHILIP MULLOY PRODUKCIJA, DISTRIBUCIJA / PRODUCTION, DISTRIBUTION SPECTRE DESIGN LTD, PHILMULLOY@HOTMAIL.COM

TEHNIKA / TECHNIQUE CRTEŽ, 2D-ANIMACIJA / HAND-DRAWN, 2D ANIMATION BEZ DIJALOGA / NO DIALOGUE REŽIJA, SCENARIJ, KNJIGA SNIMANJA / DIRECTOR, SCREENPLAY, STORYBOARD LIANA MAKARYAN ANIMACIJA / ANIMATION LIANA MAKARYAN, DARIA VYATKINA, EKATERINA SEREGINA, ALINA ISRAFILOVA, SVETLANA RAZGULYAEVA GLAZBA / MUSIC LUSIA KAZARYAN-TOPCHYAN ZVUK / SOUND ARTEM FADEEV GLAS / VOICE ALEXEY SUKHOV PRODUCENT / PRODUCER VLADIMIR GASSIEV PRODUKCIJA, DISTRIBUCIJA / PRODUCTION, DISTRIBUTION STUDIO “PTCHELA”, PCHELANIMA@MAIL.RU; LIANA MAKARYAN, LIANAMAKARYANN@GMAIL.COM

ZAUVIJEK SRETNI HAPPILY EVER AFTER

ŠEĆERNI ŠOU SUGAR SHOW САХАРНОЕ ШОУ

PHILIP MULLOY UJEDINJENO KRALJEVSTVO / UNITED KINGDOM, DCP, 2022, 8’30”

LIANA MAKARYAN DCP, 2021, 8’

Kazališna ljubavna priča mrava.

A theatrical love story created by ants.

PHIL MULLOY režira animirane filmove posljednjih tridesetak godina.

PHIL MULLOY has been making animated film for the last 30 odd years.

Šećerni šou je obećavajući prolog ljubavi. Koja se ispostavi kao okrutan lažnjak.

Sugar Show is a promising prologue to love. Which turns out to be a cruel fake.

LIANA MAKARJAN je redateljica, umjetnica, scenaristica i animatorica iz Moskve. Diplomirala je režiju u animaciji na Sveruskom državnom institutu za film (VGIK). Autorica je dva animirana filma: Šećerni šou (2021.) i Running Behind the Wall (2019.), koja su oba sudjelovala na međunarodnim festivalima.

LIANA MAKARYAN is a director, artist, screenwriter and animator from Moscow. She graduated from the All-Russian State Institute of Cinematography as an animation director. Author of two animated films: Sugar Show (2021), Running Behind the Wall (2019); participant of international festivals.

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TEHNIKA / TECHNIQUE CRTEŽ NA PAPIRU, RAČUNALNA 2D/3D-ANIMACIJA / DRAWING ON PAPER, 2D/3D COMPUTER JEZIK / LANGUAGE POLJSKI / POLISH REŽIJA, SCENARIJ, MONTAŽA / DIRECTOR, SCREENPLAY, EDITING MARTA PAJEK ANIMACIJA / ANIMATION ALEX BOYA GLAZBA / MUSIC ALEKSANDRA GRYKA PRODUCENTI / PRODUCERS PIOTR SZCZEPANOWICZ, GRZEGORZ WACŁAWEK; MARAL MOHAMMADIAN PRODUKCIJA / PRODUCTION ANIMOON, WWW.ANIMOON.PL; NATIONAL FILM BOARD OF CANADA, WWW.NFB.CA DISTRIBUCIJA / DISTRIBUTION MIYU DISTRIBUTION, WWW.MIYU.FR

TEHNIKA / TECHNIQUE CRTEŽ / DRAWING BEZ DIJALOGA / NO DIALOGUE REŽIJA / DIRECTOR AKANE MURATA ZVUK / SOUND NAOAKI NISHIMURA PRODUCENT / PRODUCER KEI OYAMA PRODUKCIJA, DISTRIBUCIJA / PRODUCTION, DISTRIBUTION CALF, TERAKAWA@CALF.JP

NEMOGUĆE FIGURE I DRUGE PRIČE I IMPOSSIBLE FIGURES AND OTHER STORIES I

OTVORI USTA OPEN ONE’S MOUTH 口をひらく

MARTA PAJEK POLJSKA, KANADA / POLAND, CANADA, DCP, 2021, 16’10”

Zlokoban zvuk otkucavanja dovodi do eksplozije. Tumarajući opustjelim ulicama, jedna elegantna starija žena prisjeća se što je bilo i što bi moglo biti. Posljednji film (i prvi dio) hvaljene trilogije Marte Pajek, Nemoguće figure i druge priče I tajanstven je i jeziv prikaz osobnog i društvenog samouništenja. MARTA PAJEK (1982., Kielce) diplomirala je na Akademiji likovnih umjetnosti u Krakovu, gdje je specijalizirala animaciju u klasi Jerzyja Kucie. U sklopu programa studentske razmjene studirala je na Umjetničkoj akademiji u Turkuu u klasi Priita Pärna. Autorica je kratkih animiranih filmova After Apples, Next Door i Sleepincord. Živi i radi u Krakovu.

AKANE MURATA JAPAN, DCP, 2021, 4’

An ominous ticking sound triggers an explosion. Wandering deserted city streets, an elegant elderly woman recalls what was and what could have been. The final film (and first part) of Marta Pajek’s acclaimed trilogy, Impossible Figures and other stories I is a mysterious and haunting portrait of personal and societal self-destruction. MARTA PAJEK (1982, Kielce, Poland) graduated from the Academy of Fine Arts in Krakow, where she specialised in animated film in the class of Jerzy Kucia. As part of an exchange programme, she studied at the Turku Arts Academy in the class of Priit Pärn. She made animated shorts After Apples, Next Door and Sleepincord. She lives and works in Krakow.

Suvremena japanska slikarska animacija koja se koristi slikarskim materijalima poput mineralnih pigmenata, pigmenata iz blata i metalne folije. Puteno prikazuje radost i tjeskobu, svakodnevne kratkotrajne emocije i finese međuljudske interakcije.

Contemporary Japanese painting animation using painting materials such as mineral pigments, mud pigments and metallic foil. It sensuously depicts joy and anxiety, daily elusive emotions and the subtleties of interacting with people.

AKANE MURATA rođena je u Japanu 1993. Diplomirala je na Odsjeku japanskog slikarstva Akademije likovnih umjetnosti Umjetničkog sveučilišta u Tokiju 2018. Uglavnom se koristi mineralnim pigmentima i metalnom folijom, što su japanski slikarski materijali. Kroz slike i animaciju apstrahira prizore te ujedno dočarava osjetljive i nestabilne odnose među motivima. Dobitnica je Nagrade B-gallery na Nagradama IAG (Ikebukuro Art Gathering, Tokio 2018.). Njezina velika samostalna izložba Their Landscape održana je u B-gallery (Ikebukuro, Tokio) 2019. godine.

AKANE MURATA was born in Japan in 1993. She graduated from the Department of Japanese Painting, Faculty of Fine Arts, Tokyo University of the Arts in 2018. She mainly uses mineral pigments and metallic foil, which are Japanese painting materials. Through paintings and animations, she abstracts scenes and also depicts the delicate and unstable relationships between the motifs. She received the B-gallery award at the Ikebukuro Art Gathering IAG AWARD (Tokyo, 2018) and an honorable mention at the 10th Kiyosu City Haruhi Painting Triennale (Aichi, 2021). Her major solo exhibition Their Landscape was held at B-gallery (Ikebukuro, Tokyo) in 2019.

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TEHNIKA / TECHNIQUE 2D-ANIMACIJA / 2D ANIMATION JEZIK / LANGUAGE PORTUGALSKI, FRANCUSKI / PORTUGUESE, FRENCH REŽIJA, SCENARIJ / DIRECTOR, SCREENPLAY LAURA GONÇALVES ANIMACIJA / ANIMATION INÊS TEIXEIRA, MARTA REIS ANDRADE, ALEXANDRA RAMIRES, VITOR HUGO ROCHA, MARIA FRANCISCA MOURA, DIMITRIJE MIHAJLOVIC, LAURA GONÇALVES, MARTIM CORDOVIL, PATRÍCIA GUIMARÃES, DIANA PEIXOTO KOMPOZITING / COMPOSITING MARIA ROSA FIGUEIREDO, CONOR FLANAGAN GLAZBA / MUSIC RICARDO SANTOS ROCHA ZVUK / SOUND PEDRO MARINHO, BERNARDO SANTOS UMJETNIČKI SAVJETNIK / CREATIVE CONSULTANT ALESSANDRO NOVELLI PRODUCENT / PRODUCER RODRIGO AREIAS PRODUKCIJA / PRODUCTION BANDO À PARTE, WWW.BANDOAPARTE.NET DISTRIBUCIJA / DISTRIBUTION AGÊNCIA – PORTUGUESE SHORT FILM AGENCY, WWW.AGENCIA.CURTAS.PT

TEHNIKA / TECHNIQUE KLASIČNA ANIMACIJA, KOLAŽ / CLASSIC AND CUTOUT ANIMATION JEZIK / LANGUAGE POLJSKI / POLISH REŽIJA / DIRECTOR ZALESKY’S SCENARIJ, RAČUNALNA GRAFIKA, KNJIGA SNIMANJA / SCREENPLAY, COMPUTER GRAPHICS, STORYBOARD SŁAWEK ZALEWSKI ANIMACIJA / ANIMATION SŁAWEK ZALEWSKI, ANDRZEJ CZADERNA KAMERA / CAMERA TOMEK WOLF KOMPOZITING / COMPOSITING PRZEMEK ŚWIDA GLAZBA / MUSIC TOMEK HERNIK ZVUK / SOUND MICHAŁ KRAJCZOK GLAS / VOICE JERZY STUHR PRODUKCIJA / PRODUCTION MEDIA DESIGN, WWW.TVMEDIADESIGN.COM DISTRIBUCIJA / DISTRIBUTION ZALESKY’S, WWW.ZALESKYS.BLOGSPOT.COM

SMETLAR THE GARBAGE MAN O HOMEM DO LIXO

TVRĐAVA FORTRESS TWIERDZA

LAURA GONÇALVES PORTUGAL, DCP, 2022, 11’50”

ZALESKY’S POLJSKA / POLAND, DCP, 2021, 13’

Jednog vrućeg kolovoškog poslijepodneva obitelj se okuplja za stolom i prisjeća strica Botãoa: Kolonijalni rat, emigracija u Francusku, gdje je živio i trideset godina radio kao smetlar. Uspomene se miješaju dok pripovijedaju priču o čovjeku koji je živio teško, no uz humor i maštu, kao kad se vratio u Belmonte u kamionu punom smeća koje se pretvorilo u pravo blago.

On a hot August afternoon, the family gathered at the table remembers uncle Botão: the Colonial War, emigration to France, where he lived and worked thirty years as a garbage man. Memories of each are crossed to tell the story of a man who lived a hard life through humor and fantasy, like when he returned to Belmonte, in a van full of trash, turned into a real treasure.

LAURA GONÇALVES diplomirala je animaciju na Fakultetu likovnih umjetnosti u Lisabonu 2009. Zaposlena je kao animatorica u studiju Sardinha em Lata, gdje je surađivala s brojnim portugalskim redateljima animiranih filmova: José Miguel Ribeiro, David Doutel, Vasco Sá, Marta Monteiro, Joana Toste, Joana Bartolomeu u Bando à Parte. Magistrirala je animaciju 2012. na Umjetničkom sveučilištu u Bournemouthu.

LAURA GONÇALVES graduated in animation course from the Fine Arts Faculty, Lisbon, in 2009. She works for Sardinha em Lata Studio as an animator for many Portuguese animation directors: José Miguel Ribeiro, David Doutel, Vasco Sá, Marta Monteiro, Joana Toste, Joana Bartolomeu at Bando à Parte. In 2012 she completed an MA Degree in Animation at the Arts University College of Bournemouth.

U gradu je najavljena opsada. U tijeku su pripreme protiv neprijatelja. Neprijatelj se nije pojavio. Vlasti nalaze nekoga koga će okriviti za neuspjehe. On se, posramljen, sakrije. Vlasti odluče iz topa pucati na neprijatelja. Pronalazi se nestala topovska kugla. Topnička vatra uništi grad, no demoni su i dalje budni. Pastiš autoritarne moći. Praiskonska priča o odustajanju od individualizma u korist obrane takozvanih vrijednosti. Film u režiji Sławeka Zalewskog, prema priči Sławomira Mrożeka. SŁAWEK ZALEWSKI je grafički dizajner, animator i redatelj animiranih filmova. Autor je scenarija i režije za kratki animirani film Owadeusz i trąba (2007.). Godine 2008. realizirao je animirani film o radu Stanisława Wyspiańskog za Nacionalni muzej u Krakovu u Poljskoj, a 2017. seriju animiranih filmova za dokumentarac o disidentskom bardu Janu Kelusu – Krótkie popołudnie na Mazurach, koji je osvojio Prvu nagradu na Filmskom festivalu u Gdyniji 2018.

Siege has been announced in a town. Preparations against the enemy are in progress. The enemy doesn’t show up. The authorities find someone to blame for failures. He hides, ashamed. The authorities decide to fire a cannon at the enemy. A missing cannon ball is found. Cannon fire destroys the town, but demons stay awake. Pastiche of authoritarian power. A primeval story about giving up the individualism in the interest of defending so-called values. A film by Sławek Zalewski, based on a story by Sławomir Mrożek. SLAWEK ZALEWSKI is a graphic designer, animator, and director of animated films. He wrote and directed Owadeusz i trąba (animated short, 2007). In 2008, he created an animated film about the work of Stanisław Wyspiański for the National Museum in Krakow, Poland. In 2017, he created a series of animated films for the documentary about the dissident bard, Jan Kelus – Krótkie Popołudnie na Mazurach (Short Afternoon in Masuria), winner of First Prize in Gdynia Film Festival 2018.

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VELIKO NATJECANJE KRATKOMETRAŽNOG FILMA GRAND COMPETITION SHORT FILM 4

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VELIKO NATJECANJE KRATKOMETRAŽNOG FILMA GRAND COMPETITION SHORT FILM 4

TEHNIKA / TECHNIQUE SLIKANJE NA PAPIRU, CRTEŽ NA GRAFIČKOM TABLETU / PAINTING ON PAPER, DRAWING ON DIGITAL TABLET JEZIK / LANGUAGE ENGLESKI, FRANCUSKI / ENGLISH, FRENCH REŽIJA, ANIMACIJA, PRODUCENT / DIRECTOR, ANIMATION, PRODUCER THOMAS CORRIVEAU GLAZBA / MUSIC GUIDO DEL FABBRO ZVUK / SOUND OLIVIER CALVERT GLASOVI / VOICES MARC BÉLAND, MARIE MOUGEOLLE PRODUKCIJA, DISTRIBUCIJA / PRODUCTION, DISTRIBUTION THOMAS CORRIVEAU, CORRIVEAU.THOMAS@UQAM.CA

TEHNIKA / TECHNIQUE ROTOSKOPIJA / ROTOSCOPING JEZIK / LANGUAGE ŠPANJOLSKI / SPANISH REŽIJA, SCENARIJ, PRODUCENTI / DIRECTORS, SCREENPLAY, PRODUCERS KEVIN IGLESIAS RODRÍGUEZ, PEDRO RIVERO ANIMACIJA, LAYOUT, MODELIRANJE, KOMPOZITING, RAČUNALNA GRAFIKA, KNJIGA SNIMANJA / ANIMATION, LAYOUT, MODELLING, COMPOSITING, COMPUTER GRAPHICS, STORYBOARD TOMO STUDIO KAMERA, MONTAŽA / CAMERA, EDITING NATALIA DE DIOS GLAZBA / MUSIC NEREA ALBERDI ZVUK / SOUND LETICIA ARGUDO, JORGE FLOR (TLM THE LAST MONKEY) GLASOVI / VOICES ANTONIO ESQUIVIAS, JONE LASPIUR, ÁLEX DE LA PEÑA, JULIA AURRE, PEDRO RIVERO PRODUKCIJA / PRODUCTION ABRAKAM; AMANIA FILMS, WWW.AMANIAFILMS.COM; MEDIA ATTACK, WWW.MEDIA-ATTACK.TV; ECPV, WWW.ECPV.ES DISTRIBUCIJA / DISTRIBUTION AMANIA FILMS, WWW.AMANIAFILMS.COM; ABRAKAM, KEVINIGLESIASRODRIGUEZ@GMAIL.COM

NJIHOVE GLAVE PLEŠU THEY DANCE WITH THEIR HEADS ILS DANSENT AVEC LEURS TÊTES

DANI KOJI (NI)SU PROŠLI THE DAYS THAT (NEVER) WERE LOS DÍAS QUE (NUNCA) FUERON

THOMAS CORRIVEAU KANADA / CANADA, DCP, 2021, 8’27”

KEVIN IGLESIAS RODRÍGUEZ, PEDRO RIVERO ŠPANJOLSKA / SPAIN, DCP, 2021, 11’33”

Na pustom otoku jedan orao drži zatočenu koreografovu odrubljenu glavu. Uz čudesnu vještinu crtanja i slikanja, ovaj kratki animirani film neočekivano nas vodi u nježan svijet umjetnika ludo zaljubljenog u ples. THOMAS CORRIVEAU svoje je prve filmove realizirao u 1980-ima. U svojoj karijeri likovnog umjetnika uglavnom je djelovao na području crtanja, slikanja i grafike. Njegovi su radovi uvršteni u razne privatne i javne zbirke, a redovno izlaže u Kanadi i inozemstvu. Profesor je na Školi likovnih i medijskih umjetnosti na Sveučilišu u Québecu u Montréalu. Unatrag deset godina potpuno je posvećen nezavisnoj animaciji.

The severed head of a choreographer is held captive by an eagle on a desert island. With a dazzling mastery of drawing and painting, this animated short unexpectedly takes us into the sensitive world of an artist madly in love with dance.

Tri lika upravo će se zabaviti kao nikad u životu… sve dok neobična pojava sve ne prekine.

THOMAS CORRIVEAU made his first films in the 1980s and pursued a career as a visual artist, working mainly in the fields of drawing, painting and printmaking. His works are part of various private and public collections and he has exhibited regularly in Canada and abroad. He is a professor at the School of Visual and Media Arts at Université du Québec in Montréal. Since 10 years, he is fully involved as an independent animation filmmaker.

PEDRO RIVERO (Bilbao, 1969.) je producent, redatelj i scenarist. Napisao je scenarij za nekoliko animiranih TV-serija te za dugometražni film Goomer (nagrada Goya za najbolji dugometražni španjolski animirani film 1999.). Producirao je, režirao i napisao scenarij za Krizu mesoždera (2007.), prvi španjolski dugometražni kinofilm u tehnici flash animacije. Autor je kazališnih predstava i stripova te filmova Psihonauti, zaboravljena djeca (2015.); Birdboy (2010., nagrada Goya za najbolji španjolski kratki animirani film 2012., predselekcija za Oscare, više od 40 nagrada i 200 selekcija); Kriza mesoždera (2007.).

KEVIN IGLESIAS RODRÍGUEZ producirao je dugometražni film The Night of the Virgin.

Three characters are about to have the best time of their lives... until a strange phenomenon appears to interrupt everything. KEVIN IGLESIAS RODRÍGUEZ is the producer of The Night of the Virgin feature film. PEDRO RIVERO (Bilbao, 1969) is a producer, director and screenwriter. Screenwriter for several TV animated series and for the feature film Goomer (Goya Award for the Best Spanish Animated Feature Film in 1999). Producer, director and screenwriter of La Crisis Carnívora (2007), the first Spanish feature film in flash animation for theatres. He is author of theatrical plays and comic books, and his films include Psiconautas, the Forgotten Children (2015); Birdboy (2010, Goya Award for the Best Spanish Animated Short Film 2012, preselected for the Academy Awards longlist, more than 40 awards and 200 selections); La crisis carnívora (Animal Crisis, 2007).

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VELIKO NATJECANJE KRATKOMETRAŽNOG FILMA GRAND COMPETITION SHORT FILM 4

TEHNIKA / TECHNIQUE KOMBINIRANE TEHNIKE / MIXED MEDIA JEZIK / LANGUAGE HEBREJSKI / HEBREW REŽIJA, SCENARIJ / DIRECTOR, SCREENPLAY TAL KANTOR ANIMACIJA / ANIMATION METON JOFFILY, ANNE KRAEHN, TAL KANTOR KAMERA / CAMERA ARBEL ROM MONTAŽA / EDITING EFRAT BERGER GLAZBA / MUSIC PIERRE OBERKAMPF ZVUK / SOUND EREZ EYNI-SHAVIT GLASOVI / VOICES MORIYAH MEERSON, ALEX PELEG, AYELET MARGALIT, INDRA MAHARIK PRODUCENTI / PRODUCERS EMMANUEL-ALAIN RAYNAL, PIERRE BAUSSARON; AMIT R. GICELTER PRODUKCIJA / PRODUCTION MIYU PRODUCTIONS, WWW.MIYU.FR; THE HIVE STUDIO, WWW.THEHIVEPRO.COM DISTRIBUCIJA / DISTRIBUTION MIYU DISTRIBUTION, WWW.MIYU.FR

TEHNIKA / TECHNIQUE 2D-ANIMACIJA / 2D ANIMATION BEZ DIJALOGA / NO DIALOGUE REŽIJA, SCENARIJ, ANIMACIJA, MONTAŽA / DIRECTOR, SCREENPLAY, ANIMATION, EDITING YORIKO MIZUSHIRI GLAZBA / MUSIC YUKA C. HONDA PRODUCENTI / PRODUCERS EMMANUEL-ALAIN RAYNAL, PIERRE BAUSSARON PRODUKCIJA / PRODUCTION MIYU PRODUCTIONS, WWW.MIYU.FR; NEW DEER, WWW.NEWDEER.NET DISTRIBUCIJA / DISTRIBUTION MIYU DISTRIBUTION, WWW.MIYU.FR

PISMO PRASCU LETTER TO A PIG

TJESKOBNO TIJELO ANXIOUS BODY

TAL KANTOR FRANCUSKA, IZRAEL / FRANCE, ISRAEL, DCP, 2022, 17’

YORIKO MIZUSHIRI FRANCUSKA, JAPAN / FRANCE, JAPAN, DCP, 2021, 6’

Čovjek koji je preživio holokaust čita pismo prascu koji mu je spasio život. Djevojčica čuje njegovo svjedočanstvo na školskom satu i utone u čudan san gdje se suočava s pitanjima identiteta, kolektivne traume i krajnosti ljudske prirode.

A Holocaust survivor reads a letter he wrote to the pig who saved his life. A young schoolgirl hears his testimony in class and sinks into a twisted dream where she confronts questions of identity, collective trauma, and the extremes of human nature.

TAL KANTOR (1988., Jeruzalem) bavi se animiranim filmom i likovnom umjetnošću. S izvrsnim je uspjehom diplomirala na Akademiji umjetnosti i dizajna Bezalel u Jeruzalemu, gdje danas predaje animaciju. Godine 2013. sudjelovala je u studentskoj razmjeni sa Školom Instituta za umjetnost u Chicagu, na Odsjeku za film, video, nove medije i animaciju. Bila je umjetnička direktorica dokumentarca Advocate (r. Philippe Bellaïche i Rachel Leah Jones), koji je ušao u uži izbor nominacija za Oscare i uvršten je u program Sundance Film Festivala 2019. Kurira izložbe i posebne programe o animaciji, piše i uređuje izraelski časopis za animaciju Moonfash. Trenutačno radi na vlastitom novom animiranom filmu te radi kao animacijska redateljica na nekoliko filmskih projekata te ih konceptualno razvija.

TAL KANTOR (1988, Jerusalem) is an animation filmmaker and visual artist who graduated with honours from Bezalel Academy of Arts and Design, Jerusalem, where she teaches animation. In 2013 she attended an exchange programme at the School of the Art Institute of Chicago at the Film, Video, New Media and Animation Department. She was an Art director for the documentary feature film Advocate (directed by Philippe Bellaïche and Rachel Leah Jones), Oscars shortlisted and selected at Sundance Film Festival 2019. She is a curator of animation exhibitions and special screening programs, writer and editor at the Israeli animation magazine Moonfash. Currently she works on her next short animated film while working as an animation director and concept-art developer at several film projects.

Žive stvari, umjetne stvari, geometrijski oblici i linije. Kada se ove različite stvari susretnu, rađa se novi smjer. YORIKO MIZUSHIRI (1984.) filmska je autorica koja stvara opipljivu animaciju uz pomoć motiva kao što su dijelovi tijela ili suši. Osvojila je nagradu Novo lice u kategoriji animacije, koju dodjeljuje Japanski festival medijskih umjetnosti, u organizaciji Agencije za kulturne poslove, te je ušla u selekciju Berlinale Shorts, kao i mnogih drugih festivala.

Living things, artificial things, geometry shapes, and lines. When these different things encounter, a new direction is born. Born in 1984, YORIKO is a filmmaker who makes tangible animation using such motifs as body parts and sushi. She received the New Face Award, Animation Division at the Agency for Cultural Affairs’ Japan Media Arts Festival, and was formally selected at the Berlin International Film Festival’s Berlinale Shorts, and more.

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TEHNIKA / TECHNIQUE 2D-ANIMACIJA / 2D ANIMATION BEZ DIJALOGA / NO DIALOGUE REŽIJA, SCENARIJ, ANIMACIJA, KAMERA, MONTAŽA, LAYOUT, RAČUNALNA GRAFIKA, KNJIGA SNIMANJA / DIRECTOR, SCREENPLAY, ANIMATION, CAMERA, EDITING, LAYOUT, COMPUTER GRAPHICS, STORYBOARD LAURA MARTINOVIĆ KOMPOZITING / COMPOSITING LAURA MARTINOVIĆ, ZORAN MUDRONJA GLAZBA / MUSIC LIONEL ZIBLAT ZVUK / SOUND ZORAN MUDRONJA PRODUCENTICA / PRODUCER MILJANA DRAGIČEVIĆ PRODUKCIJA, DISTRIBUCIJA / PRODUCTION, DISTRIBUTION MINYA FILM I ANIMACIJA, MINJAMINJA@ICLOUD.COM

TEHNIKA / TECHNIQUE 2D/3D-ANIMACIJA / 2D/3D ANIMATION BEZ DIJALOGA / NO DIALOGUE REŽIJA, SCENARIJ, MONTAŽA / DIRECTOR, SCREENPLAY, EDITING JULIEN REGNARD ANIMACIJA / ANIMATION LISON SABIOLS, ELOISE RAUZIER, LUCIE MARCHAIS, LEA BOUFFIER LAYOUT PASCAL GIROUD KOMPOZITING / COMPOSITING ALEXIS FATON, GUILLAUME NOEL, PASCAL GIROUD, CHRISTOPHER CITTADINI GLAZBA / MUSIC ALI HELNWEIN ZVUK / SOUND BAPTISTE BOUCHER, DORINE LE LAY, GUILLAUME BOISSOT MIKSANJE / MIX THOMAS RICHARD CHRISTENSEN PRODUCENT / PRODUCER NICOLAS SCHMERKIN PRODUKCIJA, DISTRIBUCIJA / PRODUCTION, DISTRIBUTION AUTOUR DE MINUIT, WWW.BLOG.AUTOURDEMINUIT.COM

10 DANA LOVIDA 10 DAYS OF LOVID

NOĆNA STRAŽA THE NIGHT WATCH RONDE DE NUIT

LAURA MARTINOVIĆ HRVATSKA, NIZOZEMSKA / CROATIA, NETHERLANDS, DCP, 2022, 3’38”

JULIEN REGNARD FRANCUSKA, BELGIJA / FRANCE, BELGIUM, DCP, 2021, 12’

Kada na radiju svakodnevno slušamo broj umrlih, kada zdravstvo više ne funkcionira, ali i kada se sve to stiša. Unutar četiri zida raste nov svijet, odvija se nov način komunikacije te užitak i inspiracija poprimaju nov oblik. Animirani film nastao kao nusprodukt COVID-a tijekom deset dana izolacije. LAURA MARTINOVIĆ (Zagreb, 1993.) stekla je titulu magistre grafike na Akademiji likovnih umjetnosti u Zagrebu u rujnu 2017. godine u klasi prof. Svjetlana Junakovića. Studirala je jedan semestar na Sveučilištu Ulster u Belfastu na smjeru ilustracije i fotografije 2015. godine. Nakon studija, godinu dana živjela je i studirala u Barceloni, gdje je odradila stručnu praksu u umjetničkoj školi Metàfora kao ilustratorica i animatorica, te je položila početni tečaj terapije umjetnošću. Aktivno se bavi eksperimentalnom i 2D-animacijom, kojom se koristi u kombinaciji s kolažem i crtežom, te od listopada 2019. godine surađuje sa studiom Adriatic Animation kao redateljica i animatorica.

When we hear about the number of dead people on the radio every day, when the health system no longer functions, and when everything calms down. A new world grows inside our homes, a new form of communication takes place, and joy and inspiration take on a new shape. An animated film made as a by-product of COVID during a ten-day isolation. LAURA MARTINOVIĆ (1993, Zagreb) holds an MA in graphic arts from the Academy of Fine Arts, which she obtained in September 2017 under professor Svjetlan Junaković. She spent a semester at the Ulster University in Belfast, illustration and photography, in 2015. After her degree, she spent a year living and studying in Barcelona, where she apprenticed at the Metafora art school as an illustrator and animator, also completing an introductory course in art therapy. She actively pursues experimental and 2D animation, used in combination with collage and drawing. Since October 2019 she works with Adriatic Animation Studio as a director and animator.

Jedan par izjuri s glamurozne zabave. Svađajući se putem kući, dožive tešku prometnu nesreću. Kada se Georgeu vrati svijest, Christina je nestala. Tada će doživjeti pravi silazak u pakao.

A couple rushes out of a glamorous party. On their way home, an argument leads to a brutal car accident. When George regains consciousness, Christina has disappeared. He will then experience a real descent into hell.

JULIEN REGNARD studirao je animaciju u Belgiji, na umjetničkoj školi La Cambre, gdje je snimio dva kratka filma, koja su nagrađena i prikazivana na brojnim festivalima. Potom se pridružio studiju Cartoon Saloon u Irskoj kao umjetnik knjige snimanja te je ondje radio na raznim projektima, među kojima su i za Oscara nominiran dugometražni film Pjesma mora (Tomm Moore, 2013.), The Breadwinner (Nora Twomey, 2016.) i My Father’s Dragon (Nora Twomey, 2019.). Također je režirao kratki film za Cartoon Saloon, Somewhere Down the Line, koji je osvojio nagradu za najbolji animirani film na Filmskom festivalu u Clermont-Ferrandu 2015. te nagradu za najbolji animirani film na Irskim filmskim i televizijskim nagradama 2015.

JULIEN REGNARD studied animation in Belgium at La Cambre Art School where he made two short films awarded and screened throughout festivals. He then joined Cartoon Saloon Studio in Ireland to work as a storyboard artist on many projects including Oscar nominated feature film Song of the Sea (Tomm Moore, 2013), The Breadwinner (Nora Twomey, 2016) and My Father’s Dragon (Nora Twomey, 2019). He also directed a short film at Cartoon Saloon, Somewhere Down the Line, which won the Best Animated Film Award at Clermont-Ferrand Film Festival in 2015 and Best Animation Film at the Irish Film and Television Awards 2015.

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TEHNIKA / TECHNIQUE ANIMIRANI STRIP / MOTION COMIC JEZIK / LANGUAGE ENGLESKI / ENGLISH REŽIJA, SCENARIJ / DIRECTOR, SCREENPLAY SAMUEL CANTIN ANIMACIJA, MONTAŽA / ANIMATION, EDITING AGATHE BRAY-BOURRET GLAZBA, ZVUK / MUSIC, SOUND STÉPHANIE HAMELIN TOMALA GLASOVI / VOICES MARCEL JEANIN, TERRENCE SCAMMELL, WYATT BOWEN, BENOÎT BRIÈRE PRODUCENT / PRODUCER MARC BERTRAND PRODUKCIJA, DISTRIBUCIJA / PRODUCTION, DISTRIBUTION NATIONAL FILM BOARD OF CANADA, WWW.NFB.CA

TEHNIKA / TECHNIQUE KOLAŽ, RAČUNALNA 2D-ANIMACIJA / CUT-OUT ANIMATION, 2D COMPUTER BEZ DIJALOGA / NO DIALOGUE REŽIJA / DIRECTORS XU AN, XI CHEN SCENARIJ, ANIMACIJA, LAYOUT, KOMPOZITING, RAČUNALNA GRAFIKA, KNJIGA SNIMANJA, PRODUCENT / SCREENPLAY, ANIMATION, LAYOUT, COMPOSITING, COMPUTER GRAPHICS, STORYBOARD, PRODUCER XI CHEN GLAZBA, ZVUK / MUSIC, SOUND KEJU LUO PRODUKCIJA / PRODUCTION CONGRONG FILM DISTRIBUCIJA / DISTRIBUTION XI CHEN, CHENXICRZ@163.COM

SINDROM KORNJAČE THE TURTLE SYNDROME LE SYNDROME DE LA TORTUE

PAKLARA THE LOACH 春分

SAMUEL CANTIN KANADA / CANADA, DCP, 2021, 4’

Kakva je to bolest pogodila Henrija Castagnettea? Ispunjen tjeskobom, mladić stavlja svoju sudbinu u ruke neobično razdraganog doktora Von Strudela. U filmu Sindrom kornjače Samuel Cantin, autor popularnih grafičkih romana Phobie des moments seuls i Whitehorse, prepričava priču o mahnitom i urnebesnom liječničkom pregledu jednog dražesnog antijunaka. Sindrom kornjače, u produkciji NFB-a, dio je zbirke Comic Strip Chronicles. Crtač stripova i scenarist SAMUEL CANTIN studirao je film i književnost, a zatim kreirao grafičke romane Phobie des moments seuls (2011.) i Vil et misérable (2013.). Prvi dio njegove mračne romantične komedije Whitehorse izdan je 2015. te je osvojio nagradu Bédélys za najbolji strip objavljen u Québecu. Drugi dio izašao je 2017., a zbirno izdanje objavljeno je 2021. Cantin je također napisao scenarij za internetski serijal Sylvain le Magnifique te za kratki film Monsieur Cachemire, a potom je režirao Sindrom kornjače, što mu je bila prva suradnja s NFB-om.

XU AN, XI CHEN KINA / CHINA, DCP, 2022, 7’

What could the illness afflicting Henri Castagnette be? Filled with anxiety, the young man puts his fate in the hands of the off-puttingly exuberant Dr. Von Strudel. In The Turtle Syndrome, Samuel Cantin, author of the popular “motormouth” graphic novels Phobie des moments seuls and Whitehorse, recounts the story of an endearing anti-hero’s frenzied and hilarious medical appointment. Produced by the NFB, The Turtle Syndrome is part of the Comic Strip Chronicles collection. Comic book artist and screenwriter SAMUEL CANTIN studied film and literature before creating the graphic novels Phobie des moments seuls (2011) and Vil et misérable (2013). The first volume of his dark romantic comedy, Whitehorse, came out in 2015 and won the Bédélys award for best comic published in Quebec. Volume 2 was released in 2017 and published as a collected edition in 2021. Cantin also wrote the screenplay for the web series Sylvain le Magnifique and the short film Monsieur Cachemire before directing The Turtle Syndrome, his first collaboration with the NFB.

Žena urlajući moli dvojicu muškaraca za pomoć, s djetetom na rukama, no ono što će uslijediti kombinacija je dobrog predznaka i nesreće, sreće i fatalnosti.

A woman is crying out for help to two men, with a child in her arms, but what comes next is mixed with good omen and misfortune, with felicity and fatality.

XU AN (1977.–2017.) diplomirao je na Akademiji za umjetnost i dizajn Sveučilišta Tsinghua 2001., a od 2004. radio je kao redatelj animiranih TV-filmova. Sa Xijem Chenom surežirao je nezavisne animirane filmove od 2007., a njihovi radovi ušli su u selekciju na međunarodnim festivalima u Annecyju, Stuttgartu, Zagrebu, Hirošimi itd.

XU AN (1977–2017) graduated in 2001 from the Academy of Arts and Design, Tsinghua University. He has been working as a TV animation director since 2004. He has been co-directing independent animation films with Xi Chen since 2007. Their films have been selected for competition sections at international festivals in Annecy, Stuttgart, Zagreb, Hiroshima, etc.

XI CHEN u ranoj je dobi počeo crtati stripove, a radove je serijski objavljivao u brojnim kineskim časopisima. Diplomirao je na Filmskoj akademiji u Pekingu 2010. godine, a radio je kao redatelj animiranih TV-filmova i nezavisni redatelj. Osvojio je posebnu nagradu međunarodnog žirija na Međunarodnom festivalu animiranog filma u Hirošimi 2010. godine. Bio je kustos 5. Kineskog nezavisnog foruma animiranog filma. Trenutačno predaje na Filmskoj akademiji u Pekingu.

XI CHEN started to draw comics at an early age. His works were published serially by many Chinese magazines. In 2010, he graduated from the Beijing Film Academy with an MA. He worked as a TV animation director and an independent director. In 2010, he was awarded the Special International Jury Prize at the Hiroshima International Animation Festival. He was a curator of the 5th China Independent Animation Film Forum. He is currently a lecturer at the Beijing Film Academy.

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VELIKO NATJECANJE KRATKOMETRAŽNOG FILMA GRAND COMPETITION SHORT FILM 5

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VELIKO NATJECANJE KRATKOMETRAŽNOG FILMA GRAND COMPETITION SHORT FILM 5

TEHNIKA / TECHNIQUE ROTOSKOPIJA, SLIKANJE / ROTOSCOPING AND PAINTING JEZIK / LANGUAGE FRANCUSKI / FRENCH REŽIJA / DIRECTORS EMMA DEGOUTTE, FLORA MOLINIÉ SCENARIJ / SCREENPLAY EMMA DEGOUTTE ANIMACIJA / ANIMATION FLORA MOLINIÉ KAMERA, LAYOUT / CAMERA, LAYOUT RAPHAËL VANDENBUSSCHE MONTAŽA / EDITING PIERRE DESCHAMPS GLAZBA / MUSIC RÉMI ALEXANDRE ZVUK / SOUND NICOLAS JOLY GLASOVI / VOICES ALBERT GEFFRIER, SABRINA SEYVECOU, GEORGE BABLUANI, JEAN-MARIE ALBERT PRODUCENT / PRODUCER MARC BENOÎT CRÉANCIER PRODUKCIJA, DISTRIBUCIJA / PRODUCTION, DISTRIBUTION EASY TIGER, WWW.EASYTIGERFILMS.FR

TEHNIKA / TECHNIQUE 2D-ANIMACIJA / 2D ANIMATION BEZ DIJALOGA / NO DIALOGUE REŽIJA, PRODUCENT / DIRECTOR, PRODUCER MARU PRODUKCIJA, DISTRIBUCIJA / PRODUCTION, DISTRIBUTION MARU, MARUCOLLECTIVE0@GMAIL.COM

ZLIKOVCI NAUGHTY VILAINS

DIES IRAE

MARU AUSTRALIJA / AUSTRALIA, DCP, 2022, 7’37”

EMMA DEGOUTTE, FLORA MOLINIÉ FRANCUSKA / FRANCE, DCP, 2021, 14’16”

U dobi od samo deset godina, Lulu je odlučio da upravo on želi zaklati obiteljsku svinju. No istog dana Vincent, novi dečko njegove majke, useljava se na farmu, gdje ga dočekuje Luluova svita. Klanje životinje povjereno je novopridošlici. Zatomljena svađa izbija između dvojice muškaraca prilikom trančiranja. Lulu ne želi odustati.

When only 10 years old, Lulu wants to be the one to slaughter the family pig. But the same day, Vincent, his mother’s new boyfriend, settles in the farm, welcomed by Lulu’s entourage. The newcomer is entrusted with the slaughtering of the animal. Then, while being cut, a dormant fight breaks out between the two men. Lulu does not want to give in.

Nakon diplome iz dramaturgije na Sveučilištu Paris 1, EMMA je napisala scenarij za Zlikovce u sklopu Maratona pisanja scenarija za kratki film u Valenceu 2015. Piše za nekoliko redatelja te za sve vrste formata (animirani i igrani kratki filmovi, dugometražni filmovi, digitalne forme). Redaktorica je i konzultantica za scenarije te surađuje na tečajevima pri školama Lyon 2 i Centre Factory.

After her MA in Scriptwriting at Paris 1, EMMA wrote Naughty during the Valence Scenario Short Film Writing Marathon in 2015. At the same time, Emma writes for several directors and for all types of formats (animated and fiction shorts, feature films, digital...). She is also a reader and script consultant and is involved in training courses at Lyon 2 and the Centre Factory.

FLORA MOLINIÉ radi kratke filmove u kojima spaja fikciju i animaciju. Animirano slikarstvo njezina je uža specijalnost, koja joj omogućuje reinterpretaciju stvarnosti u hibridnom, snolikom i introspektivnom obliku. Zlikovci su njezin treći kratki film, nakon Apnée i Carapace (koji je osvojio nagrade na nekoliko festivala te je ušao u izbor za Césara 2016.).

FLORA MOLINIÉ makes short films that mix fiction and animation. Animated painting is her specialty, allowing her to reinterpret reality in a hybrid, dreamlike and introspective form. Naughty is her 3rd short film after Apnée and Carapace (which won awards in several festivals and selected for the César 2016).

Dva zaigrana anđela, sedam grešnih svinja, jedna jadna pravednička duša.

Two playful angels, seven sinful pigs, and one poor righteous soul.

MARU je skupina ljudi iz različitih zemalja koji dijele strast prema animaciji.

MARU is a group of people from various countries who are passionate about making animation.

10/06 PET FRI 20:00 KINO SC 07/06 UTO TUE 18:30 TEATAR &TD

VELIKO NATJECANJE KRATKOMETRAŽNOG FILMA GRAND COMPETITION SHORT FILM 5

10/06 PET FRI 20:00 KINO SC 07/06 UTO TUE 18:30 TEATAR &TD

VELIKO NATJECANJE KRATKOMETRAŽNOG FILMA GRAND COMPETITION SHORT FILM 5

TEHNIKA / TECHNIQUE 2D-ANIMACIJA, CRTEŽ, KOLAŽ, STOP-ANIMACIJA / 2D DRAWN, COLLAGE, CUT-OUT AND STOP FRAME ANIMATION JEZIK / LANGUAGE ENGLESKI / ENGLISH REŽIJA, SCENARIJ, MONTAŽA, KNJIGA SNIMANJA, ZVUK / DIRECTOR, SCREENPLAY, EDITING, STORYBOARD, SOUND EMMA CALDER ANIMACIJA / ANIMATION EMMA CALDER, SOFIA NEGRI, LUKE RAMSAY KAMERA, LAYOUT / CAMERA, LAYOUT JULIAN CRIPPS RAČUNALNA GRAFIKA / COMPUTER GRAPHICS LUKE RAMSAY GLAZBA / MUSIC JOHN WEBB, OLIVER CRIPPS GLAS / VOICE AMELIA BULLMORE PRODUCENTI / PRODUCERS DHIRAJ MAHEY, HARRIET TITLOW PRODUKCIJA, DISTRIBUCIJA / PRODUCTION, DISTRIBUTION PEARLY OYSTER PRODUCTIONS LTD, WWW.PEARLYOYSTER.COM

TEHNIKA / TECHNIQUE KLASIČNA 2D-ANIMACIJA / 2D CLASSICAL ANIMATION JEZIK / LANGUAGE NORVEŠKI / NORWEGIAN REŽIJA, SCENARIJ / DIRECTOR, SCREENPLAY ADEL KHAN FAROOQ ANIMACIJA / ANIMATION TUVA SYNNEVÅG MONTAŽA / EDITING ADEL KHAN FAROOQ, ZAKLINA STOJCEVSKA LAYOUT KATERINA PANTELA KOMPOZITING / COMPOSITING CATHINKA TANBERG, BRUNO GIRAUD KNJIGA SNIMANJA / STORYBOARD DYVEKE SKØLD, STIAN MATHIESEN, ROBIN JENSEN KONCEPT / CONCEPT 2VEINTE DIZAJN LIKOVA / CHARACTER DESIGN SUNNIVA FLUGE HOLE EFEKTI / EFFECTS NARISSA SCHANDER GLAZBA / MUSIC KÅRE VESTRHEIM ZVUK / SOUND JOHANNES DEKKO GLASOVI / VOICES MARLON LANGELAND, AKSEL HENNIE, ABDULHAKIM HASSANE PRODUCENTICE / PRODUCERS TONJE SKAR REIERSEN, LISE FEARNLEY PRODUKCIJA, DISTRIBUCIJA / PRODUCTION, DISTRIBUTION MIKROFILM AS, WWW.MIKROFILM.NO

ČUVAJTE SE VLAKOVA BEWARE OF TRAINS

ŽOHARI COCKROACHES KAKERLAKKENE

EMMA CALDER UJEDINJENO KRALJEVSTVO / UNITED KINGDOM, DCP, 2022, 13’

ADEL KHAN FAROOQ NORVEŠKA / NORWAY, DCP, 2022, 9’44”

Čuvajte se vlakova bavi se voajerističkom kulturom straha i neizvjesnosti današnjice. Ženu koja pati od ekstremne tjeskobe proždiru četiri glavne preokupacije – muškarac kojeg je slučajno upoznala u vlaku, umirući otac, sigurnost njezine kćeri i ubojstvo koje sanja da je počinila.

Beware of Trains explores today’s voyeuristic culture of fear and uncertainty. A woman with extreme anxiety is devoured by four major preoccupations – the man she met by chance on a train, her dying father, her daughter’s safety and the murder she dreams she has committed.

EMMA CALDER studirala je grafički dizajn na Kraljevskom umjetničkom koledžu (RCA) u Londonu. Tijekom studija počela je realizirati animirane filmove, uključujući kultni klasik iz 1980-ih, Madame Potatoe. Nakon studija otvorila je studio za grafički dizajn, ilustracije za časopise i radove za pop-spotove i reklame. Suosnovala je Pearly Oyster Productions, koji je producirao brojne uspješne i nagrađivane animirane filmove i reklame, uključujući The Queen’s Monastery (BBC). Emma trenutačno razvija i piše 52-epizodnu umjetničku animiranu seriju Random Person, a autorica je i nekoliko ilustriranih knjiga za djecu i odrasle.

EMMA CALDER studied Graphic Design at the Royal College of Art. Whilst at the RCA she began making animated films, including the cult 80’s classic Madame Potatoe. After college she set up a studio producing graphic design, illustration for magazines and work for pop videos and commercials. She co-founded Pearly Oyster Productions making many successful and award winning animated films and commercials, including The Queen’s Monastery (BBC). Emma is currently developing and writing a Random Person 52 part art animation series and has written several adult/children’s illustrated books.

Koliko ste daleko spremni ići da bi vas prihvatili? U distopijskom gradu na rubu kolapsa nakon što su ga preuzeli žohari, bratstvo šalje sedamnaestogodišnjeg Tima na misiju da raznese žoharsko gnijezdo i sve ih spasi. Međutim, susret s neznancem natjera Tima da preispita svoje poimanje stvarnosti. Žohari su animirana basna o isključenosti i ekstremizmu, koja pokazuje kobne posljedice potrage za prihvaćanjem.

How far are you willing to go to get accepted? In a dystopian city on the verge of collapse after cockroaches have taken over, a brotherhood sends 17-year-old Tim on a mission to blow up the cockroaches’ nest to save them all. But a meeting with a stranger makes Tim reconsider his perception of reality. Cockroaches is an animated fable about exclusion and extremism, showing how search for acceptance can have fatal consequences.

ADEL KHAN FAROOQ norveški je redatelj, autor i novinar poznat po filmovima i tekstovima koji se bave otuđenjem, radikalizacijom i ekstremizmom. Njegov dokumentarni film The Norwegian Islamist (2017.) veoma je hvaljen, a autor je trenutačno posvećen svom dugometražnom igranom prvijencu. Žohari su Farooqov prvi izlet u svijet animacije.

ADEL KHAN FAROOQ is a Norwegian director, author and journalist known for films and texts related to alienation, radicalization and extremism. He won wide acclaim with his documentary film The Norwegian Islamist (2017) and is currently in production with his live action feature debut. Cockroaches is Farooq’s first venture into animation.

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VELIKO NATJECANJE KRATKOMETRAŽNOG FILMA GRAND COMPETITION SHORT FILM 5

10/06 PET FRI 20:00 KINO SC 07/06 UTO TUE 18:30 TEATAR &TD

VELIKO NATJECANJE KRATKOMETRAŽNOG FILMA GRAND COMPETITION SHORT FILM 5

TEHNIKA / TECHNIQUE CRTEŽ NA PAPIRU (MONOTISAK), KOLAŽ / DRAWING ON PAPER (MONOPRINTING ON PAPER), CUT-OUT BEZ DIJALOGA / NO DIALOGUE REŽIJA, ANIMACIJA, PRODUCENTICA / DIRECTOR, ANIMATION, PRODUCER SHIVA SADEGH ASADI GLAZBA / MUSIC AMIR POURKHALAJI ZVUK / SOUND CHANGIZ SAYYAD PRODUKCIJA, DISTRIBUCIJA / PRODUCTION, DISTRIBUTION SHIVA SADEGH ASADI, WWW.SHIVASADEGHASSADI.YOLASITE.COM

TEHNIKA / TECHNIQUE RAČUNALNA 2D-ANIMACIJA / 2D DIGITAL ANIMATION JEZIK / LANGUAGE ENGLESKI / ENGLISH REŽIJA, SCENARIJ, PRODUCENTICA / DIRECTOR, SCREENPLAY, PRODUCER SOPHIE KOKO GATE ANIMACIJA / ANIMATION SOPHIE KOKO GATE, ANNE-LOU ERAMBERT, ROSIE GATE, ERIC LARSON, PETER CHOWNSMITH, JESSICA GATE KNJIGA SNIMANJA / STORYBOARD SOPHIE KOKO GATE, RACHEL SALE GLAZBA, ZVUK / MUSIC, SOUND SKILLBARD GLASOVI / VOICES SOPHIE KOKO GATE, OLIVER GATE PRODUKCIJA, DISTRIBUCIJA / PRODUCTION, DISTRIBUTION SOPHIE KOKO GATE, WWW.SOPHIEKOKOGATE.COM

MRLJA STAIN LAKKEH

HOTEL KALURA

SOPHIE KOKO GATE UJEDINJENO KRALJEVSTVO / UNITED KINGDOM, DCP, 2021, 5'

SHIVA SADEGH ASADI IRAN, DCP, 2022, 3’45”

Žena je zarobljena u svijetu punom mrlja, fleka i uvijek istih misli.

A woman is stuck in a world full of stains, spots and repetitive thoughts.

Žena ulazi u hotelski bar na romantičnoj Siciliji i čeka da joj netko pripali cigaretu.

A woman walks into a hotel bar on the romantic island of Sicily, waiting to be lit.

SHIVA SADEGH ASADI iranska je slikarica i filmska autorica. Njezini animirani filmovi, među kojima su Maned and Macho i Crab, prikazani su na brojnim festivalima diljem svijeta te su osvojili nekoliko nagrada, među kojima je Nagrada međunarodnog žirija na Festivalu animacije u Hirošimi te Nagrada publike na Filmfest Dresdenu za Crab (2020.).

SHIVA SADEGH ASADI is an Iranian painter and filmmaker. Her animated films including Maned and Macho and Crab have been screened in many festivals all over the world and won some awards, including International Jury Award of Hiroshima Animation Festival and Filmfest Dresden Audience Award for Crab (2020).

SOPHIE KOKO GATE je redateljica animiranih filmova koja živi i radi u Londonu. Njezin diplomski film Half Wet (2014) prikazan je na festivalima diljem svijeta, poput SXSW, BFI, AFI te u Tate Modernu. Snimala je kratke filmove za Adult Swim, MTV, Hulu, FX, Vice te nedavno za BBC i BFI. Njezin film Život puža prikazan je 2020. na Sundanceu, a osvajao je nagrade na SXSW-u, Ottawi i festivalu GLAS Animation. Uređuje animirani program za emisiju Off the Air Adult Swima. Trenutačno razvija animiranu TV seriju sa Sony Pictures Animationom.

SOPHIE KOKO GATE is an animation director working in London. Her graduation film Half Wet (2014) screened in festivals worldwide including SXSW, BFI, AFI and the Tate Modern. She has made short films for Adult Swim, MTV, Hulu, FX, Vice and most recently the BBC and BFI. Her film Slug Life screened at Sundance 2020 and won awards at SXSW, Ottawa and GLAS Animation festival. She has also curated animation for Adult Swim’s Off The Air programme. She is currently developing an animated TV series with Sony Pictures Animation.

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VELIKO NATJECANJE KRATKOMETRAŽNOG FILMA GRAND COMPETITION SHORT FILM 5

10/06 PET FRI 22:00 KINO SC 08/06 SRI WED 18:30 TEATAR &TD

VELIKO NATJECANJE KRATKOMETRAŽNOG FILMA GRAND COMPETITION SHORT FILM 6

TEHNIKA / TECHNIQUE RAČUNALNA 2D-ANIMACIJA, ULJENE BOJE / 2D COMPUTER, OIL PAINTING JEZIK / LANGUAGE PORTUGALSKI / PORTUGUESE REŽIJA, SCENARIJ / DIRECTORS, SCREENPLAY DAVID DOUTEL, VASCO SÁ ANIMACIJA / ANIMATION ALEXANDRA RAMIRES, LEONOR PACHECO, MIGUEL LIMA, VYKINTAS LABANAUSKAS GLAZBA / MUSIC JONAS JURKŪNAS PRODUCENTI / PRODUCERS DAVID DOUTEL, VASCO SÁ, AGNĖ ADOMĖNĖ, RODRIGO AREIAS PRODUKCIJA / PRODUCTION BAP STUDIO, WWW.BAPSTUDIO.COM; ART SHOT, WWW.ARTSHOT.LT DISTRIBUCIJA / DISTRIBUTION SQUARE EYES, WOUTER@SQUAREEYESFILM.COM

TEHNIKA / TECHNIQUE STOP-ANIMACIJA / STOP-MOTION BEZ DIJALOGA / NO DIALOGUE REŽIJA, MONTAŽA / DIRECTOR, EDITING HUGO COVARRUBIAS SCENARIJ / SCREENPLAY MARTÍN ERAZO, HUGO COVARRUBIAS ANIMACIJA / ANIMATION HUGO COVARRUBIAS, MATÍAS DELGADO GLAZBA / MUSIC ÁNGELA ACUÑA, CAMILO SALINAS PRODUCENT / PRODUCER TEVO DÍAZ PRODUKCIJA / PRODUCTION TREBOL 3 PRODUCCIONES, WWW.TREBOL3.COM; MALEZA ESTUDIO DISTRIBUCIJA / DISTRIBUTION MIYU DISTRIBUTION, WWW.MIYU.FR

GARRANO

BESTIA

DAVID DOUTEL, VASCO SÁ PORTUGAL, LITVA / PORTUGAL, LITHUANIA, DCP, 2022, 14’

HUGO COVARRUBIAS ČILE / CHILE, DCP, 2021, 16’

Garrano konj prisiljen je vući težak teret pod jarkim suncem. Dječak Joel otkriva čovjeka koji želi zapaliti šumu. DAVID DOUTEL (1983., Porto) diplomirao je zvuk i sliku na Umjetničkoj školi, gdje je prošao temeljitu izobrazbu iz animacije. Posljednjih 15 godina razvijao se na području nezavisnih kratkih animiranih filmova kao redatelj, animator i producent. Karijeru je razvijao s Vascom Sáom, s kojim je režirao četiri kratka animirana filma. Jedan je od osnivača BAP-Animation Studija, gdje radi kao redatelj i producent. VASCO SÁ (1979, Porto), podrijetlom iz sjeverne planinske regije Portugala, proveo je svojih prvih osamnaest godina života u Trás-os-Montesu (Iza planina) prije nego što se preselio u Porto, gdje je magistrirao zvuk i sliku na Umjetničkoj školi (UCP). Ondje je upoznao Davida Doutela s kojim je radio na nekoliko nagrađenih filmova: O Sapateiro (2011.), Soot (2014.), Predskazanje (2018.). Jedan je od osnivača BAP-Animation Studija, gdje radi kao redatelj i producent s Davidom Doutelom.

A Garrano horse is forced to pull a heavy load under a blazing sun. Young boy Joel discovers a man who is about to set the forest on fire. DAVID DOUTEL (1983, Porto) graduated in sound and image at the University School of Arts, with extensive training in animation. For the last 15 years he has developed his work in the field of independent animation short films, both as director, animator and producer. Has developed his career alongside with Vasco Sá with whom he shares the experience of direction on four short animated films. He is one of the founders of BAP-Animation Studio, where he works as a director and producer. VASCO SÁ (1979, Porto), with rooted ancestry in the northern mountainous region of Portugal, spent his first eighteen years of life at Trás-os-Montes (Behind-the-Mountains), before he moved to Porto, where he got his Master’s degree in Sound and Image from the School of Arts (UCP). It is in this context that he meets David Doutel, with whom he has shared several projects awarded nationally and internationally.

Nastao prema istinitim događajima, film Bestia istražuje život policijske tajne agentice tijekom vojne diktature u Čileu. Njezin odnos sa psom, tijelom, strahovima i frustracijama otkriva sumoran slom njezina uma i slom njezine zemlje.

Based on true events, Bestia explores the life of a secret police agent during the military dictatorship in Chile. Her relationship with her dog, her body, her fears and frustrations reveals a grim fracture of her mind and of the country.

HUGO COVARRUBIAS (Santiago, 1977.) je redatelj i animator u stop-tehnici. Osnivač je kazališne skupine Maleza, prvaka u kombiniranju teatra i animacije, gdje je surežirao drame Maleza i Un poco invisible. Režirao je kratke filmove El almohadón de plumas i La noche boca arriba. U sklopu studija Zumbástico režirao je serije El ogro y el pollo, Horacio y los plasticines, a sukreirao je i režirao seriju Puerto Papel. Trenutačno je scenograf serije Zander.

HUGO COVARRUBIAS (Santiago, 1977) is a stop-motion director and animator. He is the founder of the Maleza theater company, pioneers in mixing theater with animation, where he co-directs the plays Maleza and Un poco invisible. Director of the short films El almohadón de plumas and La noche boca arriba. With Zumbástico Studios, he has directed the series El ogro y el pollo, Horacio y los plasticines and is co-creator and director of the series Puerto Papel. He is currently the art director of the series Zander.

10/06 PET FRI 22:00 KINO SC 08/06 SRI WED 18:30 TEATAR &TD

VELIKO NATJECANJE KRATKOMETRAŽNOG FILMA GRAND COMPETITION SHORT FILM 6

10/06 PET FRI 22:00 KINO SC 08/06 SRI WED 18:30 TEATAR &TD

VELIKO NATJECANJE KRATKOMETRAŽNOG FILMA GRAND COMPETITION SHORT FILM 6

TEHNIKA / TECHNIQUE RAČUNALNA CEL-ANIMACIJA, ROTOSKOPIJA, DIGITALNO SLIKANJE / CEL DIGITAL, ROTOSCOPING, DIGITAL PAINTING JEZIK / LANGUAGE KURDSKI / KURDISH REŽIJA, SCENARIJ, ANIMACIJA, MONTAŽA, LAYOUT, KOMPOZITING, RAČUNALNA GRAFIKA, KNJIGA SNIMANJA, PRODUCENT / DIRECTOR, SCREENPLAY, ANIMATION, EDITING, LAYOUT, COMPOSITING, COMPUTER GRAPHICS, STORYBOARD, PRODUCER PEJMAN ALIPOUR KAMERA / CAMERA GHADER TAHAZADEH GLAZBA / MUSIC PEJMAN KHALILI ZVUK / SOUND MEHRSHAD MALEKOTI PRODUKCIJA, DISTRIBUCIJA / PRODUCTION, DISTRIBUTION DEFC, PJCARTOON@YAHOO.COM

TEHNIKA / TECHNIQUE 2D-ANIMACIJA / 2D ANIMATION BEZ DIJALOGA / NO DIALOGUE REŽIJA, SCENARIJ, ANIMACIJA, MONTAŽA / DIRECTOR, SCREENPLAY, ANIMATION, EDITING BRANKO FARAC GLAZBA, ZVUK / MUSIC, SOUND JELENKO HODAK PRODUCENT / PRODUCER VINKO BREŠAN PRODUKCIJA, DISTRIBUCIJA / PRODUCTION, DISTRIBUTION USTANOVA ZAGREB FILM, WWW.ZAGREBFILM.HR

TAMO GDJE UMIRU VJETROVI WHERE THE WINDS DIE BADHA KOJA MIMIRAND

PSYCHOGRAPHIC

BRANKO FARAC HRVATSKA / CROATIA, DCP, 2022, 7’

PEJMAN ALIPOUR IRAN, DCP, 2021, 13’

Sardasht je kurdski grad na zapadu Irana. Prvi je grad na svijetu gdje je bilo upotrijebljeno kemijsko oružje, iperitne bombe, u 16:15 u nedjelju, 28. lipnja 1987. Ovaj film govori o vremenu prije i poslije bombardiranja, kao i o ljubavnom odnosu jednog para te, naposljetku, o posljedicama poraća.

Sardasht is a Kurdish city in West of Iran. It is the first city in the world to be victim of chemical weapons with mustard gas bombs at 4:15 p.m. on Sunday, June 28th 1987. This film is about before, after the bombing, also a romantic relationship between a couple and finally, the effects of the post-war.

PEJMAN ALIPOUR rođen je 1975. u Sardashtu na zapadu Irana, a trenutačno živi u Mahabadu. Magistrirao je režiju u animaciji na Umjetničkom sveučilištu u Teheranu. Bavi se režijom, animacijom, ilustracijom te karikaturom.

PEJMAN ALIPOUR was born in 1975 in Sardasht, in western Iran, and he is currently based in Mahabad. He holds an MA in animation directing from the Tehran University of the Arts. He focuses on directing, animation, illustration and cartoons.

Defragmentacija prošlosti. Slikar, majka i dijete sačinjavaju nukleus obitelji. Gubitak majke vodi do rastakanja memorije, a sjećanja postaju znakovi, ritualno zaglavljeni u beskonačnosti. Umjetnikov artificijelni prostor dovodi ga u sukob s okolinom. Nakon što utone u svojevrsni mrak duše, ponire duboko u sebe. Kroz fikciju dolazi do zajedničkog duhovnog doživljaja u kojem on i dijete ostvaruju bliskost. Sredstvima same umjetnosti on nalazi put do pomirenja. Njegova umjetnost postaje ulaz u nadrealni duhovni prostor u kojem propituje humanističku dimenziju vlastite umjetnosti.

Defragmentation of the past. A painter, mother and child comprise a family nucleus. The loss of the mother leads to the dissolution of memory, and memories become signs, ritually trapped in infinity. The artist’s artificial space makes him clash with the surroundings. After sinking into a darkness of the soul, he immerses himself deep inside his mind. Fiction takes him to a shared spiritual experience in which he and the child are brought closer together. Through the means of art he finds a way to reconciliation. His art becomes an entrance into a surreal spiritual space in which he questions the humanist dimension of his own art.

BRANKO FARAC (1962.) diplomirao je na Akademiji likovnih umjetnosti u Zagrebu, gdje živi i radi. Od 1990. profesor je likovne kulture u školi. Izlagao je na brojnim izložbama u zemlji i inozemstvu. Uz slikarstvo bavi se ilustracijom, crtanjem stripova, animiranim filmom te objavljuje tekstove o teoriji stripa. Autor je animiranih filmova Metahead (2003.), Transoptic (2005.), Psychomorph (2007.), Technement (2018.) i Psychographic (2022.).

BRANKO FARAC (1962) graduated from the Academy of Fine Arts in Zagreb, where he lives and works. Since 1990, he has worked as fine arts teacher. He has held many exhibitions in Croatia and abroad. Besides painting, he also works as an illustrator and comic artist, makes animated films and publishes texts about comics theory. His previous animated films are Metahead (2003), Transoptic (2005), Psychomorph (2007), Technement (2018), and Psychographic (2022).

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VELIKO NATJECANJE KRATKOMETRAŽNOG FILMA GRAND COMPETITION SHORT FILM 6

10/06 PET FRI 22:00 KINO SC 08/06 SRI WED 18:30 TEATAR &TD

VELIKO NATJECANJE KRATKOMETRAŽNOG FILMA GRAND COMPETITION SHORT FILM 6

TEHNIKA / TECHNIQUE 2D-ANIMACIJA, 3D-ANIMACIJA, STOP-ANIMACIJA / 2D/3D, STOP-MOTION JEZIK / LANGUAGE JAPANSKI / JAPANESE REŽIJA, SCENARIJ / DIRECTOR, SCREENPLAY NIETO ANIMACIJA / ANIMATION GABRIEL CLAVERIE, ELOISE RAUZIER, COLINE PERON, JEANNE GRISERI, LÉO SILLY-PÉLISSIER, THIBAUT CHOLEAU, DANIELA METHEYER, FLORIAN DURAND, FABIEN JIMENEZ, MARIANNE LEMOIGNE, ANTOINE DAVID, DIEGO CRISTÓFANO KOMPOZITING / COMPOSITING CAPUCINE RAČUNALNA GRAFIKA / COMPUTER GRAPHICS DAICHI MORI GLAZBA / MUSIC MARCO SUÁREZ-CIFUENTES ZVUK / SOUND BRUNO SEZNEC MONTAŽA ZVUKA / SOUND EDITING QUENTIN ROBERT MIKSANJE / MIX RAPHAËL SEYDOUX PRODUCENT / PRODUCER NICOLAS SCHMERKIN PRODUKCIJA, DISTRIBUCIJA / PRODUCTION, DISTRIBUTION AUTOUR DE MINUIT, WWW.BLOG.AUTOURDEMINUIT.COM

TEHNIKA / TECHNIQUE RAČUNALNA 2D-ANIMACIJA / 2D COMPUTER JEZIK / LANGUAGE ENGLESKI / ENGLISH REŽIJA / DIRECTORS NOA BERMAN-HERZBERG, OSI WALD SCENARIJ / SCREENPLAY NOA BERMAN-HERZBERG ANIMACIJA / ANIMATION OSI WALD, ELLA BEN-YACOV, YAIR HAREL, LIRON NARUNSKY MONTAŽA, LAYOUT, KNJIGA SNIMANJA, PRODUCENTICA / EDITING, LAYOUT, STORYBOARD, PRODUCER OSI WALD KOMPOZITING / COMPOSITING RICARDO WERDESHEIM GLAZBA / MUSIC DANIELA SPECTOR, EINAV JACKSON COHEN ZVUK, DODATNA GLAZBA / SOUND, ADDITIONAL MUSIC ORI KADISHAY GLASOVI / VOICES NOA BERMAN-HERZBERG, GABRIELLA BOERSCHMANN, LINDA MAJORS PRODUKCIJA / PRODUCTION HOLY HOLOCAUST, WWW.OSIWALD.COM DISTRIBUCIJA / DISTRIBUTION GO2FILMS, WWW.GO2FILMS.COM

PROGUTATI SVEMIR SWALLOW THE UNIVERSE

SVETI HOLOKAUST HOLY HOLOCAUST

NIETO FRANCUSKA / FRANCE, DCP, 2021, 12’

NOA BERMAN-HERZBERG, OSI WALD IZRAEL / ISRAEL, DCP, 2021, 17’22”

Veličanstvena gromovita saga o malenom djetetu izgubljenom u gustim džunglama Mandžurije. Njegova nenadana prisutnost stvara potpunu anarhiju u primitivnom, dotad savršeno organiziranom svijetu tamošnje faune.

The grandiloquent blood-and-thunder saga of a young child lost in Manchuria’s deep jungles. His sudden presence creates complete anarchy in the fauna’s primitive world, which was until-then perfectly organized.

NIETO je perverzionistički umjetnik kojeg proganjaju borci za prava životinja i Hare Krišne. Njegovi su filmovi i performansi sumanuti eksperimenti i doživljaji.

NIETO is a perversionist artist persecuted by animal defensors and Hare Krishnas. His films and performances are insane experiments and experiences.

Neobično prijateljstvo bijele Izraelke i crne Njemice, koje su 22 godine vjerovale da mogu nadrasti sve povijesne, političke i geografske prepreke, sve dok im nisu eksplodirale ravno pred njihovim sarkastičnim nosom.

An unusual friendship between a white Israeli woman and a black German, who for 22 years believed that they could rise above historical, political, and geographical obstacles, until it explodes right in their sarcastic faces.

NOA BERMAN-HERZBERG je scenaristica i filmska autorica, nastavnica na Umjetničkoj akademiji Bezalel i „serijska zimničarka“ koja priređuje manifestacije gdje spaja pripovijedanje i gastronomiju. Njezini filmovi su Mabul (redatelj Guy Nattiv; posebno priznanje, Berlinale, 2011.), prema njihovu kratkom filmu Mabul (Kristalni medvjed, Berlinale 2002.).

NOA BERMAN-HERZBERG is a screenwriter and film creator, a teacher at Bezalel Academy of Arts and a ‘serial pickler’ who hosts events that combine storytelling and culinary. Among her works are Mabul (directed by Guy Nattiv; winner of a special mention, Berlinale, 2011), based on their short Mabul (winner of the Crystal Bear in Berlinale 2002).

OSI WALD je umjetnica animacije i predavačica. U svom radu istražuje poveznice između plesa i animacije te alternativne kreativne procese – u suradnji s koreografima i drugim animatorima stvara izvedbe uživo, instalacije i videoples. Osi je bila ključna članica animatorske ekipe Valcera s Bashirom i Kongresa Arija Folmana. Predavačica je na Akademiji Bezalel. Diplomirala je na Odsjeku za animaciju Akademije Bezalel te na Odsjeku za fiziku i matematiku Hebrejskog sveučilišta u Jeruzalemu.

OSI WALD is an animation artist and lecturer. In her work, she explores the connections between dance and animation and alternative creative processes – collaborating with choreographers and other animators in creating live shows, installations and video dance. Osi was a key member of the animation team of Waltz With Bashir and The Congress by Ari Folman. Graduate of the Bezalel Academy, where she teaches, and of the Hebrew University Jerusalem, Physics and math department.

10/06 PET FRI 22:00 KINO SC 08/06 SRI WED 18:30 TEATAR &TD

VELIKO NATJECANJE KRATKOMETRAŽNOG FILMA GRAND COMPETITION SHORT FILM 6

10/06 PET FRI 22:00 KINO SC 08/06 SRI WED 18:30 TEATAR &TD

VELIKO NATJECANJE KRATKOMETRAŽNOG FILMA GRAND COMPETITION SHORT FILM 6

TEHNIKA / TECHNIQUE KOLAŽ / COLLAGE BEZ DIJALOGA / NO DIALOGUE REŽIJA, SCENARIJ, ANIMACIJA, PRODUCENTICA / DIRECTOR, SCREENPLAY, ANIMATION, PRODUCER ANNA VASOF DISTRIBUCIJA / DISTRIBUTION SIXPACKFILM, WWW.SIXPACKFILM.COM

TEHNIKA / TECHNIQUE LUTKA-FILM / PUPPETS JEZIK / LANGUAGE KATALONSKI / CATALAN REŽIJA, SCENARIJ / DIRECTORS, SCREENPLAY MARC RIBA, ANNA SOLANAS ANIMACIJA / ANIMATION MARC RIBA KAMERA / CAMERA ANNA MOLINS MONTAŽA / EDITING SERGI MARTÍ GLAZBA / MUSIC XAVI LLOSES ZVUK, PRODUCENTICA / SOUND, PRODUCER ANNA SOLANAS GLAS / VOICE MARC RIUS PRODUKCIJA, DISTRIBUCIJA / PRODUCTION, DISTRIBUTION I+G STOP MOTION, WWW.STOPMOTION.CAT

AMAZONKA AMAZON WOMAN

JUTRO GOSPODINA XIFRÓA MR. XIFRÓ’S MORNING EL MATÍ DEL SENYOR XIFRÓ

ANNA VASOF AUSTRIJA / AUSTRIA, DCP, 2021, 4’

MARC RIBA, ANNA SOLANAS ŠPANJOLSKA / SPAIN, DCP, 2022, 5’

Glava radi sve. Dok drugi dijelovi tijela odvojeno funkcioniraju kao instrumenti, glava je alat za sve. Univerzalnost glave: čarobnica objektnih medija Anna Vasof je slavi te istodobno propituje njezinu superiornost. U 24 kadra od deset sekundi, njezin videouradak Amazonka pokazuje što glava – uvijek Annina – može. ANNA VASOF je arhitektica i medijska umjetnica. Rođena je 1985., studirala je arhitekturu na Sveučilištu u Tesaliji (2010.) u Grčkoj te transmedijsku umjetnost (2014.) na Sveučilištu primijenjenih umjetnosti u Beču. Od 2004. njezini se videoradovi i kratki filmovi prikazuju na raznim festivalima, a neki osvajaju i nagrade. Trenutačno radi na osmišljavanju i izgradnji inovativnih mehanizama produkcije kritičkih videa, akcija i instalacija.

The head does it all. While other body-parts have their separate functions as instruments, the head is an allpurpose tool. The head’s universality: object-oriented media magician Anna Vasof celebrates it, and at the same time questions its primacy. In 24 ten-second-shots, her video Amazon Woman demonstrates what a head – always Vasof’s – can do. ANNA VASOF is an architect and media artist. Born in 1985, she studied architecture at the University of Thessaly (2010) in Greece and Transmedia Art (2014) at the University of Applied Arts in Vienna. Since 2004 her videos and short movies have been presented in several festivals, some of them were receiving awards. She’s currently working on designing and building innovative mechanisms for producing critical videos, actions and installations.

Gospodin Xifró je očajan. Naprosto se ne može sjetiti jedne pjesme i samo o tome jutros razmišlja.

Mr. Xifró is desperate. He just can’t remember a song and it’s all he can think about this morning.

MARC RIBA i ANNA SOLANAS već se deset godina bave lutka-filmom. Napravili su šest kratkih filmova, koje su prikazali na više od 700 festivala diljem svijeta.

MARC RIBA and ANNA SOLANAS have been working in the world of puppet animation for 10 years. They have made 6 short films which have been selected in more than 700 festivals around the world.

ILMA G F NO TURE FI L A M E PE

O TITI N PRO A R G M NATJ E

GOMETRA DU ITION — Ž T F PE

M CO GRA

ELJSKI T P CA

C E J T A N AND GR

ANJ E COM

07/06 UTO TUE 21:00 TUŠKANAC 10/06 PET FRI 13:00 KINO SC

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06/06 PON MON 22:00 KINO SC 10/06 PET FRI 21:30 LJETNA POZORNICA TUŠKANAC

VELIKO NATJECANJE DUGOMETRAŽNOG FILMA GRAND COMPETITION FEATURE FILM

TEHNIKA / TECHNIQUE STOP-ANIMACIJA / STOP-MOTION JEZIK / LANGUAGE POLJSKI JEZIK S HRVATSKIM PODNASLOVIMA / POLISH WITH CROATIAN SUBTITLES REŽIJA, SCENARIJ, MONTAŽA / DIRECTOR, SCREENPLAY, EDITING TOMASZ WOLSKI ANIMACIJA / ANIMATION ROBERT SOWA GLAZBA / MUSIC BARTLOMIEJ TYCINSKI, DJ LENAR DIZAJN ZVUKA / SOUND DESIGN MARCIN LENARCZYK PRODUCENTICA / PRODUCER ANNA GAWLITA PRODUKCIJA / PRODUCTION KIJORA FILM, KIJORA@GMAIL.COM KOPRODUKCIJA / CO-PRODUCTION POLISH TELEVISION; INSTITUTE OF NATIONAL REMEMBRANCE DISTRIBUCIJA / DISTRIBUTION SQUARE EYES, WWW.SQUAREEYESFILM.COM

TEHNIKA / TECHNIQUE 2D-ANIMACIJA / 2D ANIMATION JEZIK / LANGUAGE JAPANSKI JEZIK S ENGLESKIM I HRVATSKIM PODNASLOVIMA / IN JAPANESE WITH ENGLISH AND CROATIAN SUBTITLES REŽIJA, SCENARIJ / DIRECTOR, SCREENPLAY MAMORU HOSODA REŽIJA ANIMACIJE / ANIMATION DIRECTOR HIROYUKI AOYAMA REŽIJA RAČUNALNE ANIMACIJE / CG ANIMATION DIRECTOR TAKAAKI YAMASHITA DIZAJN LIKOVA / CHARACTER DESIGN JIN KIM, KAGEICHI AKIYA MONTAŽA / EDITING SHIGERU NISHIYAMA GLAZBA / MUSIC LUDVIG FORSSELL, YUTA BANDO UMJETNIČKI DIREKTOR / ART DIRECTOR NOBUTAKA IKE PRODUKCIJA / PRODUCTION STUDIO CHIZU, WWW.STUDIOCHIZU.JP DISTRIBUCIJA / DISTRIBUTION CHARADES, WWW.CHARADES.EU (INTL. SALES); BLITZ (HR)

1970

BELLE RYŪ TO SOBAKASU NO HIME

TOMASZ WOLSKI POLJSKA / POLAND, DCP, 2021, 70’

MAMORU HOSODA JAPAN, DCP, 2021, 120’

Kad su krajem 1970. godine izbili prosvjedi u komunističkoj Poljskoj, u Varšavi se okupio krizni tim. Ubrzo nakon toga milicija je upotrijebila svoje palice. Začuli su se pucnji. Pomoću arhivskih snimaka i animacije gledatelji mogu promatrati različite mehanizme moći. Film 1970. priča je o pobuni, ali ispričana iz perspektive tlačitelja. Član Društva poljskih redatelja dokumentarnog filma, Poljske filmske akademije i Europske filmske akademije, TOMASZ WOLSKI režirao je kratki film Córka (Grand Prix na festivalu Premiers Plan u Angersu) te režirao, montirao i snimio 13 dokumentarnih filmova, nagrađenih na mnogim međunarodnim festivalima, poput Visions du Réel, Punto de Vista, Camerimage te onima u Los Angelesu, Palm Springsu i Krakovu.

When protests broke out in Communist Poland in late 1970, a crisis team gathered in Warsaw. Soon after the militia made use of their batons. Shots were fired. Through archival recordings and animations, viewers are able to observe various power mechanisms. The film 1970 is a story about a rebellion but told from the perspective of the oppressors.

Suzu je 17-godišnja srednjoškolka koja s ocem živi na selu. Godinama je bila tek sjena same sebe. Jednog dana ulazi u „U“, virtualni svijet od 5 milijardi članova na internetu. Ondje ona više nije Suzu, nego Belle, svjetski poznata pjevačica. Ubrzo upozna tajanstveno stvorenje i zajedno se upute na putovanje puno avantura, izazova i ljubavi u potrazi da postanu ono što uistinu jesu.

Member of Guild of Polish Documentary Directors, Polish Film Academy and European Film Academy, TOMASZ WOLSKI directed short film Daughter (Grand Prix at Angers Premiers Plan) and directed, edited, and filmed 13 documentaries awarded at many international festivals like Visions du Réel, Los Angeles Film Festival, Palm Springs Film Festival, Punto de Vista, Camerimage and Krakow Film Festival.

MAMORU HOSODA (1967.) japanski je filmski redatelj i animator. Nakon što je stekao iskustvo u animaciji u studijima Toei Animation i Madhouse, pažnju javnosti privukao je početkom 2000-ih s prva dva filma iz serije Digimon Adventure. Poslije je snimio hvaljene filmove Djevojka koja je skakala kroz vrijeme (2006.), Summer Wars (2009.), Djeca vukovi (2013.) i Mirai (2018.), koji su predstavljeni na festivalima, a osvojili su brojne nagrade u Japanu i drugdje.

Suzu is a 17-year-old high school student living in a rural village with her father. For years she has only been a shadow of herself. One day, she enters “U,” a virtual world of 5 billion members on the Internet. There, she is not Suzu anymore but Belle, a world-famous singer. She soon meets with a mysterious creature. Together, they embark on a journey of adventures, challenges and love, in their quest of becoming who they truly are. MAMORU HOSODA (1967) is a Japanese film director and animator. After gaining his experience in animation at studios Toei Animation and Madhouse, he first came to public attention in the early 2000s with the first two films in the Digimon Adventure series. Later, he made the critically acclaimed films, The Girl Who Leapt Through Time (2006), Summer Wars (2009), Wolf Children (2013), and Mirai (2018), presenting them at festivals worldwide and winning numerous awards both in Japan and internationally.

08/06 SRI WED 19:00 TUŠKANAC 11/06 SUB SAT 17:30 KINO SC

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09/06 ČET THU 22:00 KINO SC 10/06 PET FRI 19:00 TUŠKANAC

VELIKO NATJECANJE DUGOMETRAŽNOG FILMA GRAND COMPETITION FEATURE FILM

TEHNIKA / TECHNIQUE 2D-ANIMACIJA / 2D ANIMATION BEZ DIJALOGA / NO DIALOGUES REŽIJA, SCENARIJ, KOMPOZITING, SCENOGRAFIJA, MONTAŽA / DIRECTOR, SCREENPLAY, COMPOSITING, BACKGROUND ART, EDITING KOJI YAMAMURA ANIMACIJA / ANIMATION KOJI YAMAMURA, HONAMI YANO, AYAKA NAKATA MONTAŽA ZVUKA / SOUND EDITING KOJI KASAMATSU GLAZBA / MUSIC WILLEM BREUKER PRODUKCIJA / PRODUCTION YAMAMURA ANIMATION, WWW.YAMAMURA-ANIMATION.JP; MIYU PRODUCTIONS, WWW.MIYU.FR DISTRIBUCIJA / DISTRIBUTION MIYU DISTRIBUTION, WWW.MIYU.FR

TEHNIKA / TECHNIQUE 2D-ANIMACIJA / 2D ANIMATION JEZIK / LANGUAGE ČEŠKI JEZIK I DARI S ENGLESKIM I HRVATSKIM PODNASLOVIMA / IN CZECH AND DARI WITH ENGLISH AND CROATIAN SUBTITLES REŽIJA / DIRECTOR MICHAELA PAVLÁTOVÁ SCENARIJ / SCREENPLAY IVAN ARSENJEV, YAËL GIOVANNA LÉVY / PREMA ROMANU / BASED ON THE NOVEL FRIŠTA, PETRA PROCHÁZKOVÁ REŽIJA ANIMACIJE / ANIMATION DIRECTORS MICHAELA TYLLEROVÁ, FRANCK BONAY MONTAŽA / EDITING EVŽENIE BRABCOVÁ GLAZBA / MUSIC EVGUENI & SACHA GALPERINE MONTAŽA ZVUKA / SOUND EDITING RÉGIS DIEBOLD, MATHIEU Z’GRAGGEN, NIELS BARLETTA, GREGORY VINCENT, JAN ČENĚK PRODUCENTI / PRODUCERS PETR OUKROPEC, KATEŘINA ČERNÁ, RON DYENS, PETER BADAČ PRODUKCIJA / PRODUCTION NEGATIV, WWW.NEGATIV.CZ; SACREBLEU PRODUCTION, WWW.SACREBLEUPROD.COM; BFILM DISTRIBUCIJA / DISTRIBUTION TOTEM FILMS, NURIA@TOTEM-FILMS.COM

DESECI SJEVERA DOZENS OF NORTHS IKUTA NO KITA

MAAD, MOJE SUNCE MY SUNNY MAAD MOJE SLUNCE MAAD

KOJI YAMAMURA JAPAN, FRANCUSKA / JAPAN, FRANCE, DCP, 2021, 64’

MICHAELA PAVLÁTOVÁ ČEŠKA, FRANCUSKA, SLOVAČKA / CZECH REPUBLIC, FRANCE, SLOVAKIA, DCP, 2021, 81’

Sjever je posvuda usamljen. Ovdje je sve sjever. Ovo je zapis o ljudima koje sam sreo na tim sjeverima. Međutim, moje sjećanje je fragmentirano i uopće ne razumijem smisao. Sada se počinjem pitati kako li su svi moji napori postali uzaludni. Samo dobivam povremeno prepoznavanje postojanja svijeta kroz tupu bol koja malo-pomalo mijenja oblik.

North is everywhere solitary. Here is all North. This is a record of the people I met in these Norths. However, my memory is fragmented and does not get the point at all. Now I’m starting to wonder my efforts came to nothing. I’m just getting the occasional recognition of the existence of the world through the dull pain changes shape little by little.

KOJI YAMAMURA (1964.) diplomirao je na Sveučilištu Zokei u Tokiju. Godine 2002. njegov film Glava gora osvojio je glavne nagrade na šest najvećih festivala animacije, uključujući Annecy i Zagreb, a nominiran je za 75. nagradu Oscar. Njegov film Seoski liječnik Franza Kafke osvojio je glavne nagrade na sedam festivala, uključujući Ottawu i Stuttgart. Filmovi su mu dosad u karijeri donijeli više od 70 nagrada. Potpredsjednik je Japanskog udruženja za animirani film i upravnog odbora ASIFA-e Japana, ravnatelj sekcije Media Arts Festivala u Hirošimi od 2021., direktor tvrtke Yamamura Animation, gostujući profesor na Sveučilištu Zokei u Tokiju od 2004. te profesor na Visokoj školi za film i nove medije Umjetničkog sveučilišta u Tokiju od 2008. godine.

KOJI YAMAMURA (1964) graduated from the Tokyo Zokei University. In 2002, his film Mt. Head won grand prizes at six major animation festivals including Annecy and Zagreb and was nominated for the 75th Academy Award. His film Franz Kafka’s A Country Doctor won grand prizes at seven festivals including Ottawa and Stuttgart. His films have thus far in his career won more than 70 awards. He is a vice-chairman of the Japan Animation Association and the board of directors of ASIFA Japan, a director of the Hiroshima Festival Media Arts Division from 2021, president of Yamamura Animation, Inc., a visiting professor at the Tokyo Zokei University since 2004 and a professor at the Graduate School of Film and New Media, Tokyo University of the Arts since 2008.

Kad se Čehinja Herra zaljubi u Afganistanca Nazira, nema pojma o životu koji je čeka u posttalibanskom Afganistanu ni o obitelji kojoj će se pridružiti. MICHAELA PAVLÁTOVÁ (1961.) redateljica je animiranog filma iz Češke. Njezini su filmovi nagrađeni brojnim priznanjima na međunarodnim filmskim festivalima, među kojima su nominacija za Oscara za film Řeči, řeči, řeči... Kratki animirani film Repete također je osvojio niz nagrada, kao što su Grand Prix na Međunarodnom festivalu animiranog filma u Hirošimi i Zlatni medvjed u Berlinu. Njezin prethodni film, Tramvaj, imao je premijeru na kanskom Quinzaine des réalisateurs te je osvojio nagradu Cristal u Annecyju 2012. Režirala je dva dugometražna igrana filma, a od 2016. godine pročelnica je Odsjeka za animaciju na praškom FAMU-u.

When Herra, a Czech woman, falls in love with Nazir, an Afghan man, she has no idea about the life that awaits her in post-taliban Afghanistan, nor about the family she is about to join. MICHAELA PAVLÁTOVÁ is an animation director from the Czech Republic. Her films have received numerous awards at international film festivals, including an Oscar nomination for Reci, reci, reci (Words, words, words). Film Repete has also won a series of awards including the Grand Prix at the International Animation Festival Hiroshima and Golden Bear in Berlin. Her last film Tram premiered in Quinzaine des Réalisateurs in Cannes and won Annecy Cristal in 2012. Besides animation, she has directed two live action feature films. Since 2016 she is the head of the Animation Department at FAMU, Academy of Performing Arts in Prague.

08/06 SRI WED 22:00 KINO SC 11/06 SUB SAT 19:00 TUŠKANAC

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07/06 UTO TUE 22:00 KINO SC 09/06 ČET THU 19:00 TUŠKANAC

VELIKO NATJECANJE DUGOMETRAŽNOG FILMA GRAND COMPETITION FEATURE FILM

TEHNIKA / TECHNIQUE SLIKANJE NA STAKLU / PAINT ON GLASS JEZIK / LANGUAGE FRANCUSKI JEZIK S HRVATSKIM I ENGLESKIM PODNASLOVIMA / IN FRENCH WITH CROATIAN AND ENGLISH SUBTITLES REŽIJA, KNJIGA SNIMANJA / DIRECTOR, STORYBOARD FLORENCE MIAILHE SCENARIJ / SCREENPLAY MARIE DESPLECHIN, FLORENCE MIAILHE ANIMACIJA / ANIMATION VALENTINE DELQUEUX, MARIE JUIN, DAVID MARTIN, AURORE PEUFFIER, ANITA BRÜVERE, EWA ŁUCZKÓW, PAOLA DE SOUSA, ALINE HELMCKE, URTE ZINTLER, LUCIE SUNKOVÁ, POLINA KAZAK, EVA SKURSKÁ, ANNA PADĚROVÁ, ZUZANA STUDENÁ, MARTA SZYMAŃSKA GLAZBA / MUSIC PHILIPP KÜMPEL PRODUCENTI / PRODUCERS DORA BENOUSILIO, RALF KUKULA, MARTIN VANDAS, LUC CAMILLI PRODUKCIJA / PRODUCTION LES FILMS DE L’ARLEQUIN, WWW.FILMSDELARLEQUIN.COM; BALANCE FILM GMBH, WWW.BALANCEFILM.DE; MAURFILM S.R.O., WWW.MAURFILM.COM; XBO FILMS, WWW.XBOFILMS.COM DISTRIBUCIJA / DISTRIBUTION INDIESALES, FESTIVAL@INDIESALES.EU

TEHNIKA / TECHNIQUE STOP-ANIMACIJA, ARHIVSKI MATERIJAL / STOP-MOTION, FOUND FOOTAGE JEZIK / LANGUAGE ENGLESKI JEZIK S HRVATSKIM PODNASLOVIMA / IN ENGLISH WITH CROATIAN SUBTITLES REŽIJA, PRODUCENT / DIRECTOR, PRODUCER ARISTOTELIS MARAGKOS DIZAJN ZVUKA / SOUND DESIGN LOWTRONIK GLAZBA / MUSIC AMULETS PRODUKCIJA / PRODUCTION ARISTOTELIS MARAGKOS, ARISTOTELIS.M@GMAIL.COM DISTRIBUCIJA / DISTRIBUTION SQUARE EYES, WWW.SQUAREEYESFILM.COM

PRIJELAZ THE CROSSING LA TRAVERSÉE

ČUVARI VJEČNOSTI THE TIMEKEEPERS OF ETERNITY

FLORENCE MIAILHE NJEMAČKA, FRANCUSKA, ČEŠKA / GERMANY, FRANCE, CZECH REPUBLIC, DCP, 2020, 74’

ARISTOTELIS MARAGKOS GRČKA / GREECE, DCP, 2021, 62’

Malo selo poharano u tami, jedna obitelj prisiljena na bijeg. Dvoje najstarije djece, Kyona i Adriel, ubrzo se odvaja od roditelja i samo se suočava s cestom izgnanstva. Otisnu se na herojsko putovanje koje ih vodi od djetinjstva do mladosti u potrazi za skloništem, mirom i nadom da će pronaći utočište i svoju obitelj.

A small village looted in darkness, a family forced to flee. The two oldest children, Kyona and Adriel are quickly separated from their parents facing the road of exile alone. They embark on a heroic journey which takes them from childhood to adolescence in search of shelter, peace and the hope of finding refuge and their family.

Rođena 1956., FLORENCE je diplomirala na ENSAD-u, specijaliziravši se za graviranje. Profesionalnu karijeru započela je na prijelomima za tisak te je izlagala crteže i gravure. Godine 1991. režirala je svoj prvi kratki film, Hammam. Njezini animirani filmovi odišu vrlo osobnim stilom – filmove radi bojom, pastelom ili pijeskom, izravno ispod kamere, postupkom prekrivanja. Njezin rad zapažen je na festivalima u Francuskoj i inozemstvu. Primila je Nagradu César za najbolji kratki film 2002., posebno priznanje na Festivalu u Cannesu 2006., a 2015. dobila je Počasni Cristal za svoj opus na 39. Festivalu u Annecyju. Bila je profesorica u raznim školama animacije: Les Gobelins, ENSAD, La Poudrière i dr., a uz režiju radi i kao vizualna umjetnica.

Born in 1956, FLORENCE graduated from the ENSAD with a specialization in engraving. She began her professional career as a layout artist for the press and exhibited drawings and engravings. Since her first short film Hammam in 1991, she has imposed a very personal style. She makes her films with paint, pastel or sand, directly under the camera, using a covering process. Her work has been noticed in various festivals in France and abroad. In particular, she received the César for the best short film in 2002, a special mention at the Cannes Festival in 2006 and in 2015 she received a Cristal d’honneur at the 39th Annecy for her body of work. She has worked as a teacher in various animation schools: Les Gobelins, ENSAD, La Poudrière, etc.

Gospodin Toomey opsesivno trga papir kako bi kontrolirao svoja čudovišta iz djetinjstva, ali kada se probudi tijekom leta za Boston i otkrije da je većina drugih putnika nestala, mora se suočiti s papirnatom noćnom morom koja prijeti da će sve pokidati. Materijal za film uzet je iz filma Langolijeri (1995.) prema knjizi Stephena Kinga, montiran je, printan i animiran u papirnatu noćnu moru.

Mr Toomey obsessively tears paper to control his childhood monsters, but when he wakes mid-flight to Boston to find most of the other passengers disappeared, he must confront the paper nightmare which threatens to rip everything apart. Footage from the Stephen King TV movie Langoliers (1995) is edited, printed and animated into a paper nightmare.

ARISTOTELIS MARAGKOS je pisac i redatelj čiji je rad usmjeren na opsesivne priče i suočavanje s prošlošću. Njegovi filmovi eksperimentiraju s različitim formama i materijalima te su prikazani na festivalima u Tellurideu, Locarnu, Annecyju i brojnim drugima. Aristotelis je gledao film Langolijeri na televiziji kad mu je bilo 12 godina.

ARISTOTELIS MARAGKOS is a writer/director whose work focuses on obsessive stories and dealing with the past. His films experiment with different forms and materials and have screened in festivals around the world including Telluride, Locarno, and Annecy. Aristotelis watched the Langoliers on television when he was 12 years old.

VELIKO NATJECANJE DUGOMETRAŽNOG FILMA GRAND COMPETITION FEATURE FILM

TEHNIKA / TECHNIQUE 3D/2D-ANIMACIJA / 3D/2D ANIMATION JEZIK / LANGUAGE TALIJANSKI JEZIK S ENGLESKIM I HRVATSKIM PODNASLOVIMA / IN ITALIAN WITH ENGLISH AND CROATIAN SUBTITLES REŽIJA, SCENARIJ, SNIMATELJ / DIRECTOR, SCREENPLAY, CINEMATOGRAPHY ALESSANDRO RAK ANIMACIJA / ANIMATION IVANA VERZE, LAURA SAMMATI, DANILO FLORIO, ANTONIA EMANUELA ANGRISANI, GABRIELE SCUDIERO, VIOLA CECERE MONTAŽA / EDITING MARINO GUARNIERI GLAZBA / MUSIC DARIO SANSONE, ENZO FONICIELLO, ALESSANDRO RAK PRODUCENTI / PRODUCERS MARIA CAROLINA TERZI, LUCIANO STELLA, CARLO STELLA PRODUKCIJA / PRODUCTION MAD ENTERTAINMENT, PORFIDOMICHELLE@GMAIL.COM DISTRIBUCIJA / DISTRIBUTION RAI COM S.P.A., FLAVIA.FERRUCCI.CONSULENTE@RAI.IT

M NATJ E

O TITI N PRO

F I L M A O G K N IO

ALESSANDRO RAK directed in 2014 his first film, L’Arte della Felicità. The movie opened Settimana della Critica of the 70th Mostra Internazionale d’Arte Cinematografica di Venezia as a Special Event, winning the Arca Cinema Giovani Prize and the FEDIC Menzione Speciale as Miglior Film Italiano a Venezia. It was also awarded with the prestigious recognition as Best European Animated Film at the 2014 European Film Awards. In 2017 he made his second feature film Gatta Cenerentola.

M CO

A R G

GRA

ALESSANDRO RAK svoj prvi film, L’Arte della Felicità, režirao je 2014. godine, a njime je – kao posebnom projekcijom – otvoren Tjedan kritike na 70. Filmskom festivalu u Veneciji, gdje je osvojio nagrade Arca Cinema Giovani te posebno priznanje FEDIC kao najbolji talijanski film. Film je osvojio i prestižno priznanje za najbolji europski animirani film na Europskim filmskim nagradama 2014. U 2017. realizirao je svoj drugi dugometražni film Mačka Pepeljuga.

The world as we know it has ended. Nature has reclaimed the planet and a new society is about to rise again. It’s known as “The Institution” and its adepts attempt to restore the pre-established order by imposing their concept of rule to the free people of the jungle. Some, however, fight fiercely against their process of “civilization”. The dissidents are preparing their revolution! This is the story of the free spirits that wish to find their place in the world.

H R V A T S COMPET I T

ELJSKI T P CA

Svijet kakav poznajemo više ne postoji. Priroda je zauzela planet i novo će se društvo ponovno uzdići. Poznato je kao „Institucija“ i njegovi sljedbenici pokušavaju obnoviti unaprijed uspostavljeni poredak, namećući svoj koncept vladavine slobodnim ljudima džungle. Neki se međutim žestoko bore protiv procesa „civiliziranja“. Neistomišljenici spremaju svoju revoluciju! Ovo je priča o slobodnjacima koji žele pronaći svoje mjesto u svijetu.

ALESSANDRO RAK ITALIJA / ITALY, DCP, 2021, 99’

YAYA I LENNIE - HODAJUĆA SLOBODA YAYA E LENNIE - THE WALKING LIBERTY

E J C T A N A N OATIAN R F I C

07/06 UTO TUE 19:00 TUŠKANAC 10/06 PET FRI 15:30 KINO SC

11/06 SUB SAT 13:00 KINO SC

NATJECANJE HRVATSKOG FILMA CROATIAN FILM COMPETITION 1

11/06 SUB SAT 13:00 KINO SC

NATJECANJE HRVATSKOG FILMA CROATIAN FILM COMPETITION 1

TEHNIKA / TECHNIQUE 2D/3D-ANIMACIJA / 2D/3D ANIMATION JEZIK / LANGUAGE ENGLESKI / ENGLISH REŽIJA, SCENARIJ, MONTAŽA, LAYOUT / DIRECTOR, SCREENPLAY, EDITING, LAYOUT LUCIJA BUŽANČIĆ ANIMACIJA / ANIMATION MARKO BELIĆ, LUCIJA BUŽANČIĆ, KATARINA JUKIĆ GLAZBA / MUSIC STUDIO FRENDO ZVUK / SOUND IVOR PLUŽARIĆ PRODUCENT / PRODUCER VINKO BREŠAN PRODUKCIJA, DISTRIBUCIJA / PRODUCTION, DISTRIBUTION USTANOVA ZAGREB FILM, WWW.ZAGREBFILM.HR

ZASIĆENJE SATURATION

10 DANA LOVIDA 10 DAYS OF LOVID

LUCIJA BUŽANČIĆ HRVATSKA / CROATIA, DCP, 2022, 10’15”

LAURA MARTINOVIĆ HRVATSKA, NIZOZEMSKA / CROATIA, NETHERLANDS, DCP, 2022, 3’38”

Nešto raste iz pukotina u zidu i ispunjava sav prazni prostor malog mediteranskog grada. Ovaj kratki film bavi se gentrifikacijom mjesta koje je nedavno postalo „živo“ arheološko nalazište uslijed snažne turistifikacije. LUCIJA BUŽANČIĆ (1989.) je animatorica, ilustratorica i povjesničarka umjetnosti iz Splita. Započela je studij arheologije i povijesti umjetnosti 2008. godine na Filozofskom fakultetu u Zagrebu. Diplomirala je na Odsjeku za povijest umjetnosti (Filozofski fakultet u Zagrebu) 2014. godine, a na Odsjeku za animirani film (Akademija likovnih umjetnosti u Zagrebu) 2017. godine. Sa svojim diplomskim kratkim animiranim filmom, Proces, sudjelovala je na nekoliko međunarodnih festivala i naposljetku bila uvrštena u VAF Nove talente (danas CEE Animation Talents) za 2018. godinu. Danas radi kao samostalna autorica, animatorica i ilustratorica sa sjedištem u Zagrebu.

Something grew out of the cracks and walls and occupied all the empty spaces in a little Mediterranean city. This short film is about the gentrification of a place that has recently become a live archeological site thanks to severe touristification. LUCIJA BUŽANČIĆ (1989) is an animator, illustrator and art historian from Split. In 2008 she began studying Archaeology and Art History at the Zagreb Faculty of Humanities and Social Sciences. She graduated from the Department of Art History (Zagreb Faculty of Humanities and Social Sciences) in 2014 and from the Department of Animation (Zagreb Academy of Fine Arts) in 2017 with the animated film Process. Her graduation film took her to several international film festivals and finally included her among VAF New Talents (today CEE Animation Talents) for 2018. Today she is based in Zagreb as an independent author, animator and illustrator.

Kada na radiju svakodnevno slušamo broj umrlih, kada zdravstvo više ne funkcionira, ali i kada se sve to stiša. Unutar četiri zida raste nov svijet, odvija se nov način komunikacije te užitak i inspiracija poprimaju nov oblik. Animirani film nastao kao nusprodukt COVID-a tijekom deset dana izolacije. LAURA MARTINOVIĆ (Zagreb, 1993.) stekla je titulu magistre grafike na Akademiji likovnih umjetnosti u Zagrebu u rujnu 2017. godine u klasi prof. Svjetlana Junakovića. Studirala je jedan semestar na Sveučilištu Ulster u Belfastu na smjeru ilustracije i fotografije 2015. godine. Nakon studija, godinu dana živjela je i studirala u Barceloni, gdje je odradila stručnu praksu u umjetničkoj školi Metàfora kao ilustratorica i animatorica te je položila početni tečaj terapije umjetnošću. Aktivno se bavi eksperimentalnom i 2D-animacijom, kojom se koristi u kombinaciji s kolažem i crtežom, te od listopada 2019. godine surađuje sa studiom Adriatic Animation kao redateljica i animatorica.

When every day on the radio we keep hearing about the numbers of dead people , when the health system is no longer functioning, and when everything dies down. A new world grows inside our homes, a new form of communication takes place, and joy and inspiration take on a new shape. An animated film made as a by-product of COVID during a ten-day self-isolation. LAURA MARTINOVIĆ (1993, Zagreb) holds an MA in graphic arts from the Academy of Fine Arts, which she obtained in September 2017 under professor Svjetlan Junaković. She spent a semester in 2015 at the Ulster University in Belfast, studying illustration and photography. After graduating, she spent a year living and studying in Barcelona, where she apprenticed at the Metafora art school as an illustrator and animator, also completing an introductory course in art therapy. She actively pursues experimental and 2D animation, used in combination with collage and drawing. Since October 2019 she has worked with Adriatic Animation Studio as a director and animator.

11/06 SUB SAT 13:00 KINO SC

NATJECANJE HRVATSKOG FILMA CROATIAN FILM COMPETITION 1

11/06 SUB SAT 13:00 KINO SC

NATJECANJE HRVATSKOG FILMA CROATIAN FILM COMPETITION 1

TEHNIKA / TECHNIQUE RAČUNALNA 2D-ANIMACIJA / 2D DIGITAL ANIMATION JEZIK / LANGUAGE HRVATSKI / CROATIAN REŽIJA, LAYOUT, PRODUCENTICE / DIRECTORS, LAYOUT, PRODUCERS IVANA OGNJANOVAC, MARE ŠULJAK SCENARIJ, KNJIGA SNIMANJA, ZVUK / SCREENPLAY, STORYBOARD, SOUND IVANA OGNJANOVAC ANIMACIJA, KAMERA, MONTAŽA, RAČUNALNA GRAFIKA / ANIMATION, CAMERA, EDITING, COMPUTER GRAPHICS MARE ŠULJAK GLASOVI / VOICES IVANA OGNJANOVAC, ANJA ŠVERKO DRAČIĆ PRODUKCIJA / PRODUCTION KINOKLUB ZAGREB, WWW.KKZ.HR DISTRIBUCIJA / DISTRIBUTION IVANA OGNJANOVAC, MARE ŠULJAK, MARE.SULJAK@GMAIL.COM

PSYCHOGRAPHIC

ROZE PRIČE PINK STORIES

BRANKO FARAC HRVATSKA / CROATIA, DCP, 2022, 7’

IVANA OGNJANOVAC, MARE ŠULJAK HRVATSKA / CROATIA, DCP, 2021, 9’54”

Roze priče sastoje se od 5 povezanih priča. Glasovi žene i djevojčice pričaju/pjevaju mantre o ženskom nasljeđu, dalekim putovanjima, kućanskim poslovima, predmetima iz kućanstva i izmišljenim likovima poput tužne galopirajuće kobile, Babaroge, prljavih čarapa na psihodeličnim putovanjima, kuće na koferu itd.

Pink stories comprises of five interconnected stories. The voices of a woman and a girl narrate/sing mantras about female heritage, travelling far, chores, household appliances and made up characters such as the sad galloping mare, a Baba Yaga, dirty socks on their psychedelic voyages, a house on a suitcase, etc.

IVANA OGNJANOVAC (Vukovar, 1983.) magistrirala je na slikarskom odsjeku Akademije likovnih umjetnosti u Zagrebu, a studirala je i na Universitatea de Artă și Design u Cluj-Napoci u Rumunjskoj. Od 1999. izlaže na skupnim i samostalnim izložbama u zemlji i inozemstvu. Članica je HDLU-a od 2008. i HZSU-a od 2019. godine. Od 2018. s Mare Šuljak djeluje kao umjetnički dvojac. Živi i radi u Zagrebu.

IVANA OGNJANOVAC (Vukovar, 1983) got her MA in painting from the Academy of Fine Arts in Zagreb. She also studied at Universitatea de Arta si Design – Cluj-Napoca in Romania. Since 1999 she has exhibited her work on group and independent exhibitions in Croatia and abroad. She has been a member of HDLU since 2008 and of HZSU since 2019. Since 2018, she’s worked as an artist duo alongside collaborator Mare Šuljak. She lives and works in Zagreb.

MARE ŠULJAK je multimedijska umjetnica iz Dubrovnika. Magistrirala je slikarstvo 2008. na Akademiji likovnih umjetnosti u Zagrebu. Iste godine postaje članica HDLU-a, a od 2019. ostvaruje članstvo u HZSU-u. Od 2001. godine predstavila se na brojnim samostalnim i skupnim izložbama te filmskim festivalima u zemlji i inozemstvu.

MARE ŠULJAK is a multimedia artist from Dubrovnik. She has an MA in painting (2008) from the Academy of Fine Arts in Zagreb. That same year she became a member of HDLU, and of HZSU since 2019. Since 2001 she has shown her work on numerous independent and group exhibitions and on film festivals in Croatia and abroad.

11/06 SUB SAT 13:00 KINO SC

NATJECANJE HRVATSKOG FILMA CROATIAN FILM COMPETITION 1

11/06 SUB SAT 13:00 KINO SC

NATJECANJE HRVATSKOG FILMA CROATIAN FILM COMPETITION 1

TEHNIKA / TECHNIQUE RAČUNALNA 2D-ANIMACIJA / 2D DIGITAL ANIMATION BEZ DIJALOGA / NO DIALOGUE REŽIJA, SCENARIJ, ANIMACIJA, KAMERA, MONTAŽA, LAYOUT, KOMPOZITING, KNJIGA SNIMANJA, GLAZBA, ZVUK / DIRECTOR, SCREENPLAY, ANIMATION, CAMERA, EDITING, LAYOUT, COMPOSITING, STORYBOARD, MUSIC, SOUND MORANA MARIJA VULIĆ PRODUKCIJA / PRODUCTION AKADEMIJA LIKOVNIH UMJETNOSTI, WWW.ALU.UNIZG.HR DISTRIBUCIJA / DISTRIBUTION MORANA MARIJA VULIĆ, WWW.MORANAMARIJAVULIC.WIXSITE.COM/FOSCX

TEHNIKA / TECHNIQUE SLIKANJE / PAINTING JEZIK / LANGUAGE POLJSKI / POLISH REŽIJA / DIRECTOR TOMASZ SIWIŃSKI PRODUCENTI / PRODUCERS JAKUB KARWOWSKI, PIOTR SZCZEPANOWICZ PRODUKCIJA / PRODUCTION LETKO, M.SIWINSKA@LETKO.PL DISTRIBUCIJA / DISTRIBUTION KFF SALES & PROMOTION, WWW.SP.KFF.COM.PL

ILLUMINATED

LJUBAV U DOBA EKONOMIJE BAZIRANE NA UGLJENU LOVE IN TIMES OF COAL-BASED ECONOMY MIŁOŚĆ W CZASACH GOSPODARKI OPARTEJ NA WĘGLU

MORANA MARIJA VULIĆ HRVATSKA / CROATIA, DCP, 2021, 6’26”

TOMASZ SIWIŃSKI POLJSKA, HRVATSKA / POLAND, CROATIA, DCP, 2021, 12’

Antropomorfni robot-lampa živi u svijetu u potpunosti sačinjenom od humanoidnih elektroničkih bića. Pukom slučajnošću, nailazi se u nezgodnoj situaciji nakon što slijep, bez svoga oka-žarulje, završava u samoj srži tajne organizacije. Ubrzo otkriva da organizacija upotrebljava tijela njemu sličnih bića za stvaranje energije koja napaja ostatak grada. Jedva izvukavši živu glavu, protagonist je pomilovan od samog šefa organizacije te poslan natrag na površinu, gdje nikada neće moći ispričati svoju priču, budući da je – slijep – zapravo nije ni doživio.

An anthropomorphous robot-lamp lives in a world inhabited by humanoid electronic beings. By accident, he finds himself in an awkward situation when he falls into the heart of a secret organisation, but without his lightbulb-eye. He soon discovers that the organisation uses the bodies of beings similar to him to create energy that powers the city. After he barely gets out of there alive, the protagonist is pardoned by the head of that organisation and sent back to the surface where he will never be able to tell his story as he – experiencing it while blind – never really experienced it.

Pretpovijesna riba prvi put stupa na kopno. Mazni par tiranosaura samo što nije izumro. U međuvremenu, u Poljskoj 1963. godine, zima stoljeća u punom je zamahu. Dimnjaci veselo ispuhuju oblake crnog dima. Mladi rudar ugljena ludo je zaljubljen u prelijepu vozačicu dizalice. Vrelina njegove ljubavi ne da mu da se smrzne dok korača kroz olujnu mećavu, vođen divljom žudnjom. Naši junak i junakinja, još potpuno nesvjesni globalnog zatopljenja i prekomjernih emisija CO2, igraju svoju ulogu u ljudskoj komediji ljubavi i smrti.

A prehistoric fish takes the first step on dry land. A cuddling T-Rex couple is about to become extinct. Meanwhile in Poland, it is 1963, and the Winter of the Century is in full swing. Chimneys cheerfully spit out clouds of black smoke. A young coal loader is madly in love with a beautiful crane operator. The heat of his love will not let him freeze while he trudges through snow drifts guided by wild desire. Our hero and heroine, still totally unaware of global warming and excessive CO2 emissions, will play their parts in a human comedy of love and death.

MORANA MARIJA VULIĆ rođena je 1999. godine i dolazi iz Zaprešića. Svoje srednjoškolsko obrazovanje obavila je u Školi primijenjene umjetnosti i dizajna u Zagrebu, gdje je pohađala grafički odjel. Kao završni rad na grafici animirala je svoj prvi kratki film, Sophisma (2018.), koji je bio i dio portfolia za upis na Akademiju likovnih umjetnosti u Zagrebu, koju pohađa i danas. Od 2018. studira na Odsjeku za animirani film i nove medije, gdje je završila preddiplomski, a 2021. upisala diplomski studij. Film Illuminated njezin je drugi kratki animirani film, izrađen kao završni rad za preddiplomski studij.

MORANA MARIJA VULIĆ was born in 1999, and she is from Zaprešić. She attended the Secondary School of Applied Arts and Design in Zagreb, the Graphic Department. Her final thesis was the short film Sophisma in 2018, which was also part of her portfolio for the application for the Academy of Fine Arts in Zagreb, where she is currently studying. Since 2018 she has been studying animated film and new media. She finished her BA and enrolled in the master’s programme in 2021. Illuminated, her second animated short, was her BA thesis.

TOMASZ SIWIŃSKI (1982.) redatelj je animiranih filmova koji se specijalizirao za slikarske tehnike. Diplomirao je na Akademiji likovnih umjetnosti u Krakovu, gdje je studirao slikarstvo i animirani film u klasi Jerzyja Kucie. 2014. godine režirao je kratki film A Blue Room, koji je imao svjetsku premijeru u Cannesu. Uz autorske filmove, snima i animirane dokumentarce. Njegovi filmovi prikazivani su na festivalima u Annecyju, Clermont-Ferrandu, Cannesu, Hirošimi, Zagrebu, Uppsali, Hong Kongu.

TOMASZ SIWIŃSKI (1982) is an animation director specializing in painting technique. He graduated from Academy of Fine Arts in Krakow (Poland) where he studied Painting and Animation lectured by Jerzy Kucia. In 2014 he directed a short film A Blue Room. It had the world premiere at the Cannes Film Festival. In addition to his original films, he also makes documentary animations. His films have been presented at numerous festivals, e.g. in Annecy, Clermont-Ferrand, Cannes, Hiroshima, Zagreb, Uppsala, Hong Kong.

11/06 SUB SAT 13:00 KINO SC

NATJECANJE HRVATSKOG FILMA CROATIAN FILM COMPETITION 1

100

11/06 SUB SAT 13:00 KINO SC

NATJECANJE HRVATSKOG FILMA CROATIAN FILM COMPETITION 1

101

TEHNIKA / TECHNIQUE 2D-ANIMACIJA, CRTEŽ NA GRAFIČKOM TABLETU, 3D-ANIMACIJA, IGRANO / 2D ANIMATION, DRAWING ON DIGITAL TABLET, 3D ANIMATION, LIVE ACTION BEZ DIJALOGA / NO DIALOGUE REŽIJA, SCENARIJ, ANIMACIJA, KAMERA, MONTAŽA, LAYOUT, KOMPOZITING, RAČUNALNA GRAFIKA, KNJIGA SNIMANJA, GLAZBA, ZVUK, PRODUCENT / DIRECTOR, SCREENPLAY, ANIMATION, CAMERA, EDITING, LAYOUT, COMPOSITING, COMPUTER GRAPHICS, STORYBOARD, MUSIC, SOUND, PRODUCER NOA PISAČIĆ MODELIRANJE / MODELLING LUKA PISAČIĆ PRODUKCIJA / PRODUCTION UMJETNIČKA ORGANIZACIJA ANIMA, MATIJA.PISACIC@ZG.T-COM.HR DISTRIBUCIJA / DISTRIBUTION NOA PISAČIĆ, PISACIC.NOA@GMAIL.COM

TEHNIKA / TECHNIQUE RAČUNALNA ANIMACIJA SLIČICU PO SLIČICU / FRAME BY FRAME COMPUTER ANIMATION BEZ DIJALOGA / NO DIALOGUE REŽIJA / DIRECTOR TIMON LEDER SCENARIJ / SCREENPLAY HENRI ANGREMY, TIMON LEDER ANIMACIJA / ANIMATION MARICA KICUŠIĆ, TILEN JAVORNIK, VARONIKA HOZJAN, JOŠT ŠEŠKO MONTAŽA / EDITING MAJA ZUPANC GLAZBA / MUSIC JANEZ DOVČ ZVUK / SOUND JULIJ ZORNIK GLASOVI / VOICES MOJCA FATUR, JURIJ ZRNEC PRODUCENT / PRODUCER JURE VIZJAK PRODUKCIJA, DISTRIBUCIJA / PRODUCTION, DISTRIBUTION INVIDA, WWW.INVIDA.TV

KATARZA

MIŠJA KUĆA MOUSE HOUSE MIŠJA HIŠA

NOA PISAČIĆ HRVATSKA / CROATIA, DCP, 2021, 2’30”

TIMON LEDER SLOVENIJA, HRVATSKA / SLOVENIA, CROATIA, DCP, 2021, 8’30”

Katarza je animirani glazbeni spot za istoimenu pjesmu. Film prati košarkašku igru šarenih likova u neonskom, gumenom svijetu. Na igralištu se nalazi i ptica s ljudskim nogama, koja uhvati pogled jednog od igrača svojim baletnim plesom.

Katarza is an animated musical video for an eponymous song. The film follows a basketball game of picturesque characters in a neon, rubber world. On the field there is also a bird with human feet which catches the eye of one of the players with its ballet moves.

NOA PISAČIĆ rođen je u Zagrebu 2002. Pohađao je Školu primijenjene umjetnosti i dizajna u Zagrebu, gdje je maturirao animiranim filmom Katarza. Trenutačno studira na OZAFIN-u u Zagrebu, nakon čega planira napustiti Zagreb i preseliti se u Daruvar.

NOA PISAČIĆ was born in Zagreb in 2002. He attended the Zagreb School for Applied Arts and Design, where he graduated with the film Katarza. He’s currently studying at the Department of Animation and New Media, Academy of Fine Arts in Zagreb, after which he intends to leave Zagreb and move to Daruvar.

Dva miša pronađu velik kolut sira u staroj ostavi za drva. Ambiciozniji od njih dvojice ušulja se unutra i ostane zarobljen nakon što se kolut sira zakotrlja i prekrije rupu kroz koju je ušao. Dok drugi miš moli izvana, sretni miš jede svoj put kroz novopronađeni dom. Najprije pokuša pomoći drugome mišu, no ubrzo posveti svu pažnju rezbarenju palače od sira svojim zubima. U silnoj pohlepi, ne može si pomoći te izjeda kuću od sira iznutra dok se ona ne uruši. Vani ponovno vidi svog izgladnjelog prijatelja, kojega vreba mačka. Debeli miš suočava se s dilemom: spasiti sebe ili pomoći prijatelju u nevolji?

Two mice find a big cheese in an old timber room. The more ambitious of the two mice sneaks in and gets trapped as the cheese rolls over the hole. While the other mouse begs from the outside, the lucky mouse eats itself through the newly acquired home. First, it tries to help the other mouse, but soon devotes all its attention to carving a cheesy palace with its mouth. Greedy enough, it cannot help itself but eat the house from inside out until it collapses. Outside he sees his starving friend on which a starving cat preys. The fat mouse is now faced with the decision: save himself or help a friend in need?

TIMON LEDER (1986.) bavi se animacijom i pedagogijom. Svoje fakultetsko znanje usavršavao je na studiju režije u animaciji u Francuskoj (La Poudrière). Tijekom studija njegov animirani prvijenac, Work (s Urbanom Breznikom), obišao je više od 25 festivala. Također za vrijeme studija, Timon je režirao devet kratkih animiranih filmova i animirao niz drugih, napisao diplomski rad o dječjem razumijevanju filmskog jezika te surađivao na stvaranju prvog priručnika za animaciju za škole i vrtiće. Njegov je prvi profesionalni kratki animirani film Lasica (2016.).

TIMON LEDER (1986) works in animation and pedagogy. He perfected his academic knowledge at an animation directing school in France (La Poudrière). During his studies, his debut animated short Work (with Urban Breznik) was shown on more than 25 festivals. Still a student, Timon created nine animated shorts and animated many others, wrote a thesis on children’s comprehension of film language, and cooperated on the making of the first manual for animation for schools and kindergartens. His first professional animated short film is Weasel (2016).

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TEHNIKA / TECHNIQUE 2D/3D-ANIMACIJA / 2D/3D ANIMATION BEZ DIJALOGA / NO DIALOGUE REŽIJA, SCENARIJ, ANIMACIJA, LAYOUT, MODELIRANJE, KOMPOZITING, KNJIGA SNIMANJA / DIRECTOR, SCREENPLAY, ANIMATION, LAYOUT, MODELLING, COMPOSITING, STORYBOARD MANUEL ŠUMBERAC MONTAŽA / EDITING TOMISLAV PAVLIC GLAZBA / MUSIC MARCEL VAID ZVUK / SOUND PETER BRÄKER PRODUCENTI / PRODUCERS ANKICA JURIĆ TILIĆ, VANJA SREMAC, RUEDI SCHICK PRODUKCIJA / PRODUCTION KINORAMA, WWW.KINORAMA.HR; SCHICK PRODUCTIONS, RUEDI.SCHICK@GMAIL.COM DISTRIBUCIJA / DISTRIBUTION KINORAMA, WWW.KINORAMA.HR

TEHNIKA / TECHNIQUE 2D-ANIMACIJA / 2D ANIMATION JEZIK / LANGUAGE HRVATSKI / CROATIAN REŽIJA, LAYOUT, KOMPOZITING, KNJIGA SNIMANJA / DIRECTOR, LAYOUT, COMPOSITING, STORYBOARD JELENA OROZ SCENARIJ / SCREENPLAY JASNA JASNA ŽMAK ANIMACIJA / ANIMATION JELENA OROZ, ANA HORVAT MONTAŽA / EDITING IVA KRALJEVIĆ GLAZBA / MUSIC MARIN JURAGA ZVUK / SOUND JELENKO HODAK REŽIJA GLASOVA / VOICE DIRECTOR TOMISLAV RUKAVINA GLASOVI / VOICES JASNA BILUŠIĆ, DRAŽEN BRATULIĆ, IVAN GLOWATZKY, SANJA HRENAR, MAJA KOVAČ, EDVIN LIVERIĆ PRODUCENTICA / PRODUCER VANJA ANDRIJEVIĆ PRODUKCIJA, DISTRIBUCIJA / PRODUCTION, DISTRIBUTION BONOBOSTUDIO, WWW.BONOBOSTUDIO.HR

SFERA THE SPHERE

PISMA NA KRAJU ŠUME LETTERS FROM THE EDGE OF THE FOREST

MANUEL ŠUMBERAC HRVATSKA, ŠVICARSKA / CROATIA, SWITZERLAND, DCP, 2022, 13’30”

JELENA OROZ HRVATSKA / CROATIA, DCP, 2022, 12’17”

Promjena rutine neizbježno narušava harmoniju između Io i Sfere, uzrokujući nepovratno uništenje njihova suživota stvaranjem naizgled drukčije stvarnosti, koja će neizbježno postaviti nova pravila, novu rutinu. MANUEL ŠUMBERAC (Pula, 1988.) diplomirao je na Akademiji likovnih umjetnosti u Zagrebu na Odsjeku za animirani film i nove medije. Radio je kao glavni animator na dva kratka animirana filma – Guliver (2009., redatelj Zdenko Bašić) i Industrija (2013., redatelj Livio Rajh). Snimio je četiri kratka animirana filma: Escargot (2010.), U sjeni (2011.–2012.), Mehaničko srce (2013.) i Vesla (2011.), te tri glazbena spota za hrvatskog glazbenika Gibonnija. Ilustrirao je i nekoliko slikovnica, kao i brojne naslovnice knjiga, objavljenih u više zemalja i na nekoliko jezika.

A shift in the routine inevitably disrupts the harmony between Io and Sphere, causing the irreversible destruction of their coexistence by creating a new, seemingly different reality that will inevitably set new rules, a new routine. MANUEL ŠUMBERAC (1988, Pula) graduated at the Academy of Fine Arts in Zagreb, Department of Animation and New Media. He worked as lead animator on two animated shorts Gulliver (2009, dir. Zdenko Bašić) and Industry (2013, dir. Livio Rajh). He made four short animated films Escargot (2010), In the Shadow (2011/12), Clockwork Heart (2013) and The Oars (2011), and three music videos for Croatian musician Gibonni. He has also illustrated several picture books, as well as numerous book covers published in different countries and in several languages.

Grupica šumskih životinja upustit će se u avanturu učenja pisanja. Vjeverica, tigar, jež i slon po putu će napisati puno krivih slova i naopakih riječi, ali na kraju će se uvjeriti u važnost zajedništva, upornosti i znanja. JELENA OROZ (1987.) završila je preddiplomski studij likovne umjetnosti na Akademiji za umjetnost i kulturu u Osijeku. 2014. završila je magistarski studij iz animiranog filma i novih medija na Akademiji likovnih umjetnosti u Zagrebu. Radi kao animatorica.

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A group of forest animals decide do learn to write. In their learning adventure, the squirrel, tiger, hedgehog and the elephant write a lot of letters wrong and misspell words, but they eventually learn the importance of camaraderie, persistence and knowledge. JELENA OROZ (1987) graduated with a BA in Fine Arts Education from the Academy of Arts in Osijek. In 2014, she obtained an MA degree in Animated Film and New Media at the Academy of Fine Arts in Zagreb. She works as an animator.

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TEHNIKA / TECHNIQUE RAČUNALNA 2D-ANIMACIJA / 2D DIGITAL ANIMATION BEZ DIJALOGA / NO DIALOGUE REŽIJA, SCENARIJ, LAYOUT, KNJIGA SNIMANJA / DIRECTOR, SCREENPLAY, LAYOUT, STORYBOARD HANA TINTOR ANIMACIJA / ANIMATION HANA TINTOR, LAURA MARTINOVIĆ MONTAŽA / EDITING CHINTIS LUNDGREN, DRAŠKO IVEZIĆ KOMPOZITING, PRODUCENT / COMPOSITING, PRODUCER DRAŠKO IVEZIĆ GLAZBA, ZVUK / MUSIC, SOUND JURE BULJEVIĆ PRODUKCIJA, DISTRIBUCIJA / PRODUCTION, DISTRIBUTION ADRIATIC ANIMATION, WWW.ADRIATICANIMATION.HR

TEHNIKA / TECHNIQUE STOP-ANIMACIJA, KOLAŽ, SLIKANJE NA STAKLU / STOP-MOTION, CUT-OUT, PAINT ON GLASS JEZIK / LANGUAGE ENGLESKI / ENGLISH REŽIJA, ANIMACIJA, MONTAŽA / DIRECTORS, ANIMATION, EDITING IVANA BOŠNJAK, THOMAS JOHNSON VOLDA SCENARIJ / SCREENPLAY CAROLYN MARSHALL MODELIRANJE / MODELLING THOMAS JOHNSON VOLDA KNJIGA SNIMANJA / STORYBOARD IVANA BOŠNJAK GLAZBA, ZVUK / MUSIC, SOUND STEPHEN LAROSA PRODUCENTICA / PRODUCER BETHANY CUTMORE-SCOTT PRODUKCIJA / PRODUCTION TEDED, BETHANY@TED.COM DISTRIBUCIJA / DISTRIBUTION IVANA BOŠNJAK, BOSIVANA@GMAIL.COM

MORE MISLI THE SEA OF THOUGHTS

ZAŠTO SE OVO TIJELO NIJE RAZGRADILO? WHY DIDN’T THIS BODY DECOMPOSE?

HANA TINTOR HRVATSKA / CROATIA, DCP, 2021, 7’55”

IVANA BOŠNJAK, THOMAS JOHNSON VOLDA HRVATSKA, SJEDINJENE DRŽAVE / CROATIA, UNITED STATES, DCP, 2021, 4’53”

Žena uranja u more misli, u kojemu se gubi granica između stvarnosti i mašte, te se suočava sa svojim strahovima i manama.

One morning a woman dives into a sea of thoughts where the boundary between reality and imagination is lost, facing her insecurity and fears.

HANA TINTOR (Zagreb, 1992.) diplomirala je 2016. na studiju dizajna na Arhitektonskom fakultetu u Zagrebu. Za vrijeme studija razvila je interes za ilustraciju. 2017. godine preselila se u Cambridge, gdje je pohađala magisterij iz ilustracije i umjetnosti knjige. Tijekom tog studija pronašla se u animaciji, iz čega su proizašli brojni vizualni eksperimenti za kratki animirani film More misli. Radila je kao umjetnička direktorica i animatorica na dokumentarnom animiranom filmu Marka Dješke Sve te senzacije u mom trbuhu. Sudjelovala je na nekoliko grupnih izložaba i održala je četiri samostalne izložbe svojih radova. Kad ne crta ili smišlja priče, voli se izležavati na suncu, jesti jabuke sa svojim psom ili čitati kakvu dobru knjigu.

HANA TINTOR (Zagreb, 1992) graduated from School of Design, Faculty of Architecture in Zagreb 2016. During her study years, she developed a huge interest in illustration. In 2017 she moved to Cambridge to study MA Illustration and Book Arts. On the course she discovered her passion and interest for animation, which resulted with lots of visual experiments for a short animated film – The Sea of Thoughts. She worked as art director and animator on Marko Dješka’s animated documentary All Those Sensations in my Belly. She participated in several group exhibitions and had four solo exhibitions. When she is not drawing or making up stories, she enjoys lying under the sun, sharing apples with her dog or reading a good book.

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Iako se dva metra pod zemljom možda i ne čini tako živahno, samo jedna čajna žličica zemlje sadrži više živih organizama nego što ima ljudi na planetu. Bakterije i alge, gljivice i protozoa, u zemlji živi četvrtina biološke raznolikosti Zemlje. Možda i najvažniji stanovnici u tlu jesu mikrobi. Carolyn Marshall istražuje načine na koje nevidljivi podzemni pomagači održavaju sav život na Zemlji.

It may not appear very lively six feet underground, but a single teaspoon of soil contains more organisms than there are human beings on the planet. From bacteria and algae to fungi and protozoa, soils are home to one quarter of Earth’s biodiversity. And perhaps soil’s most important inhabitants are its microbes. Carolyn Marshall digs into how soil’s invisible helpers support all life on Earth.

IVANA BOŠNJAK (1983.) diplomirala je grafiku na Akademiji likovnih umjetnosti u Zagrebu i animaciju na norveškom Sveučilištu u Voldi. U suradnji s Leom Vidaković 2010. napravila je film Prekrižene haringe, koji je bio prikazan i nagrađen na brojnim međunarodnim festivalima. Radi modele, setove i animaciju na filmu.

IVANA BOŠNJAK (1983) graduated from the Graphics Department of the Academy of Fine Arts in Zagreb and Animation at the University in Volda, Norway. Her graduation film Crossed Sild, made in collaboration with Lea Vidaković, has been screened and awarded at many international festivals. She works as a model maker and animator.

THOMAS JOHNSON VOLDA (Bath, Engleska, 1984.) završio je studijski program Time Based Media na Institutu Sveučilišta u Walesu, u Cardiffu, te studij novih medija na Akademiji likovnih umjetnosti u Zagrebu. Thomas je s partnericom Ivanom Bošnjak režirao dva stop-animirana kratka filma, Simulacra (2010.) i Udahnut život (2019.), u suradnji s Bonobostudiom.

THOMAS JOHNSON VOLDA (Bath, England, 1984) graduated in Time Based Media from the University of Wales Institute, Cardiff, and at the New Media Department of the Academy of Fine Arts in Zagreb. Thomas has co-directed two stopanimation short films together with his partner Ivana Bošnjak, Simulacra (2010) and Imbued Life (2019), with Bonobostudio.

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TEHNIKA / TECHNIQUE ROTOSKOPIJA / ROTOSCOPING BEZ DIJALOGA / NO DIALOGUE REŽIJA, ANIMACIJA, KNJIGA SNIMANJA, PRODUCENTICA / DIRECTOR, ANIMATION, STORYBOARD, PRODUCER SARA TOMAS KAMERA / CAMERA LUKA JAZIĆ MONTAŽA / EDITING SARA TOMAS, MAJA PREDRIJEVAC ZVUK / SOUND DINO LJUBAN GLAS / VOICE EMA ŠUNDE PRODUKCIJA / PRODUCTION AKADEMIJA LIKOVNIH UMJETNOSTI, WWW.ALU.UNIZG.HR DISTRIBUCIJA / DISTRIBUTION SARA TOMAS, SARA.TOMAS000@GMAIL.COM

TEHNIKA / TECHNIQUE RAČUNALNA 2D-ANIMACIJA / 2D COMPUTER ANIMATION BEZ DIJALOGA / NO DIALOGUE REŽIJA, SCENARIJ, ANIMACIJA, KAMERA, MONTAŽA, LAYOUT, KOMPOZITING, KNJIGA SNIMANJA, PRODUCENTICA / DIRECTOR, SCREENPLAY, ANIMATION, CAMERA, EDITING, LAYOUT, COMPOSITING, STORYBOARD, PRODUCER SARA BERNAT GLAZBA / MUSIC THE VIVESECTORS PRODUKCIJA, DISTRIBUCIJA / PRODUCTION, DISTRIBUTION SARA BERNAT, BERNAT74.SARA@GMAIL.COM

DIPTIH DIPTYCH

KRALJ FJORD! KING FJORD!

SARA TOMAS HRVATSKA / CROATIA, DCP, 2021, 5’51”

SARA BERNAT HRVATSKA / CROATIA, DCP, 2021, 3’50”

Pratimo Emu, mladu slikaricu sa željom za stvaranjem, kroz proces u kojem se suočava s osjećajima frustracije, beznadnosti, inspiracije, uzbuđenja i na kraju zadovoljstva. Kroz taj proces gubi se u međuprostor svoje mašte, mjesta do kojeg želi stići svojom umjetnošću.

We follow Emma, a young painter with a desire to create, through the process of facing her feelings of frustration, hopelessness, inspiration, excitement and, finally, pleasure. In the process, she dives into her imagination, a place she wishes to reach with her art.

SARA TOMAS studentica je Likovne akademije u Zagrebu.

SARA TOMAS is a student at the Academy of Fine Arts in Zagreb.

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Smrt spašava maloga kralja u čudnovatom svijetu.

Death saves the little king in a strange world.

SARA BERNAT (1995., Varaždin) diplomirala je 2020. na odsjeku animiranog filma na Likovnoj akademiji u Zagrebu.

SARA BERNAT (1995, Varaždin) graduated in animated film in 2020 at the Academy of Fine Arts in Zagreb.

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TEHNIKA / TECHNIQUE CRTEŽ OLOVKOM, PEROM, AKVARELOM NA PAPIRU, ULJE NA PAPIRU, PLATNU / DRAWING WITH PENCIL, PEN, WATERCOLOR ON PAPER; OIL PAINTING ON PAPER AND CANVAS BEZ DIJALOGA / NO DIALOGUE REŽIJA, SCENARIJ, ANIMACIJA, KAMERA, LAYOUT, KOMPOZITING, KNJIGA SNIMANJA, PRODUCENT / DIRECTOR, SCREENPLAY, ANIMATION, CAMERA, LAYOUT, COMPOSITING, STORYBOARD, PRODUCER VUK JEVREMOVIĆ MONTAŽA / EDITING IVA KRALJEVIĆ GLAZBA / MUSIC LUKA ŠULIĆ PRODUKCIJA, DISTRIBUCIJA / PRODUCTION, DISTRIBUTION VUK JEVREMOVIĆ, VUKJE@YAHOO.COM

TEHNIKA / TECHNIQUE LUTKA-FILM / PUPPETS BEZ DIJALOGA / NO DIALOGUE REŽIJA / DIRECTOR BIRUTÉ SODEIKAITÉ KAMERA / CAMERA SIMONAS GLINSKIS MONTAŽA / EDITING IVA KRALJEVIĆ GLAZBA / MUSIC RUBEN DE GHESELLE ZVUK / SOUND PIERRE DOZIN PRODUCENTI / PRODUCERS AGNĖ ADOMĖNĖ, DELPHINE SCHMIT, DRAŠKO IVEZIĆ PRODUKCIJA, DISTRIBUCIJA / PRODUCTION, DISTRIBUTION ART SHOT, WWW.ARTSHOT.LT; TRIPODE PRODUCTIONS, WWW.TRIPODEPRODUCTIONS.FR; ADRIATIC ANIMATION, WWW.ADRIATICANIMATION.HR

ELENA

VUK JEVREMOVIĆ HRVATSKA / CROATIA, DCP, 2022, 5’17”

BIRUTÉ SODEIKAITÉ LITVA, FRANCUSKA, HRVATSKA / LITHUANIA, FRANCE, CROATIA, DCP, 2021, 13’

Tri majstora nogometne igre... Mogu napraviti čuda u toku igre i dati nemoguće golove... ali što se događa u njihovim glavama neposredno prije izvođenja jedanaesteraca? VUK JEVREMOVIĆ (1959., Frankfurt na Majni) diplomirao je arhitekturu na Tehničkom fakultetu u Beogradu (bivša Jugoslavija) 1984. godine. 2002. diplomirao je na Akademiji likovnih umjetnosti u Münchenu, u klasi Josepha Kosutha. Njegovi filmovi su: Eon (1995.), Wind, der stiller wird (1996.), Panther (1998.), Tagesbuch (2000.), Faces (2002.), Quercus (2004.), The Wheel Turns (2005.), Schließ die Augen und atme nicht (2006.), Lux (2007.), Berbaok (2008.), Geduld der Erinnerung (2009.), Toteninsel – La isla de los Muertos (2013.), Sailor’s Grave (2014.), No History (2015.).

Three masters of football... They can perform wonders during the match and score impossible goals... but what happens in their heads when they are about to take penalty kicks? VUK JEVREMOVIC (1959, Frankfurt on Main, Germany) graduated in Architecture at the Technical University in Belgrade (former Yugoslavia) in 1984, and in 2002 he graduated at the Academy of Fine Arts in Munich, Germany – as a masters’ student in the class of Joseph Kosuth. His film include: Eon (1995), The Wind Subsides (1996), Panther (1998), Diary (2000), Faces (2002), Quercus (2004), The Wheel Turns (2005), Close Your Eyes and Do Not Breathe (2006), Lux (2007), Berbaok (2008), Patience of the Memory (2009), Toteninsel – La isla de los Muertos (2013), Sailor’s Grave (2014), No History (2015).

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Elena uživa u bezbrižnom životu u oblacima, dok ne upozna šarmantnog crvenokapog ždrala i sjeme ne počne rasti u njoj. Nespremna nositi se s promjenama i žrtvom u životu koju sjeme zahtijeva, Elena ga iščupa iz svog tijela. No ubrzo će postati svjesna posljedica svog postupka.

Elena is enjoying her life in the clouds, until she meets a charming Red Crane and a seed starts growing inside her. Not ready for the changes and sacrifices that the seed is bringing to her life, Elena rips it out of her body. Soon she will realise the consequences of her actions.

BIRUTĖ SODEIKAITĖ redateljica je animiranih lutka-filmova, scenografkinja, lutkarica i animatorica. Diplomirala je na Umjetničkom sveučilištu Bournemouth u Ujedinjenom Kraljevstvu i odradila praksu u najslavnijim europskim studijima za animirani lutka-film (Aardman, Ujedinjeno Kraljevstvo; Nukufilm, Estonija; Se-Ma-For, Poljska). Njezin debitantski film, kratki animirani lutka-film Last Stop Is the Moon, poljsko-litavska je koprodukcija te je 2018. nominiran za European Animation Award u kategoriji najbolje scenografije i dizajna likova.

BIRUTĖ SODEIKAITĖ – a puppet animation director, puppet and scenography artist, animator. An alumna of The Arts University Bournemouth, UK, with the animation practice at the greatest puppet animation studios in Europe (Aardman, UK; Nukufilm, Estonia; Se-Ma-For, Poland). Her debut film, a short puppet animation Last Stop Is The Moon, Polish-Lithuanian coproduction, was nominated for the European Animation Awards 2018 in the Best Background and Character Design category.

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TEHNIKA / TECHNIQUE 2D-LUTKE / 2D PUPPETS BEZ DIJALOGA / NO DIALOGUE REŽIJA, SCENARIJ, ANIMACIJA, LAYOUT, KOMPOZITING, KNJIGA SNIMANJA / DIRECTOR, SCREENPLAY, ANIMATION, LAYOUT, COMPOSITING, STORYBOARD SUNČANA BRKULJ MONTAŽA / EDITING IVA KRALJEVIĆ GLAZBA / MUSIC SAMUEL MAHONEY, NATKO STIPANIČEV MENTOR DANIEL ŠULJIĆ KOMENTOR / CO-MENTOR DARKO MASNEC PRODUCENT / PRODUCER TOMISLAV BUNTAK PRODUKCIJA / PRODUCTION AKADEMIJA LIKOVNIH UMJETNOSTI, WWW.ALU.UNIZG.HR DISTRIBUCIJA / DISTRIBUTION SUNČANA BRKULJ, WWW.INSTAGRAM.COM/SUNCANABR

STINKY U MRAČNOJ ŠUMI STINKY IN THE DARK FOREST

POZDRAV SUNCU SALUTE TO THE SUN

SUNČANA BRKULJ HRVATSKA / CROATIA, DCP, 2022, 10’52”

DARKO MASNEC HRVATSKA / CROATIA, DCP, 2022, 9’

Stinky se rađa iz cvijeta usred Mračne šume. On istražuje šumu i raste. Kad se nađe odgovoran za brigu za drugo biće, suočava se s činjenicom da život nije samo zabava i kapric. SUNČANA BRKULJ rođena je 1997. u Zadru. Godine 2016. upisala je Akademiju likovnih umjetnosti u Zagrebu, gdje je diplomirala 2019., a trenutačno pohađa magistarski studij iz animacije. Radila je na nekoliko animiranih projekata kao glavna ili pomoćna animatorica. Njezin animirani prvijenac, Osjetljivi princ, premijerno je prikazan 2018., a otada je primljen na nekoliko festivala, među kojima je i Pula. Osim animacijom, Sunčana se bavi ilustracijom i stripovima, a izlagala je na nekoliko samostalnih i skupnih izložbi.

Stinky is born from a flower in the middle of The Dark Forest. He explores it, growing in the process. When faced with the responsibility of caring for another creature, he comes to terms with the fact that there is more to the forest than just fun and whimsy. SUNČANA BRKULJ was born in 1997 in Zadar, Croatia. In 2016 she enrolled in the Academy of Fine Arts at the University of Zagreb, where she graduated with a Bachelor of Arts degree in 2019, and is currently pursuing a Master of Arts degree in animation. Sunčana has worked on several animation projects as lead animator or assistant animator. She created her debut animated short, The Sensitive Prince, in 2018, and the film has since been accepted to several different festivals, most notably, Pula Film Festival. Apart from animation, Sunčana also works in the field of illustration and comics, and has exhibited works at several solo and group exhibitions.

Zaljubljeni astronaut orbitira oko Sunca, upijajući njegovu energiju. No Sunce je preveliko, i veza puca pa astronaut mora nastaviti sam. Pokušavajući se vratiti svom izvoru energije, shvaća kako ima i drugih poput njega. Ono što je na početku bila igra, polako se pretvara u ljubavni trokut. Oblici se mijenjaju, ali potrebe im ostaju iste. DARKO MASNEC (Celje, Slovenija, 1985.) diplomirao je 2009. likovnu umjetnost na Pedagoškom fakultetu u Mariboru. Godine 2012. završio je MA studij animiranog filma na Odsjeku za animirani film i nove medije pri Akademiji likovnih umjetnosti u Zagrebu, gdje je 2017. godine doktorirao temom „Zagrebačka škola crtanog filma – umjetničke i tržišne prakse u kontekstu videoigara“. Radio je kao animator na više kratkih filmskih projekata, objavio je nekoliko autorskih videoigara, članaka i predavanja o animaciji i videoigrama. Surađuje s Animafestom i drugim filmskim festivalima. Najviše se bavi autorskim animiranim filmom i videoigrama, a u galerijskom kontekstu konceptualnim umjetničkim praksama. Trenutačno je u suradničkom zvanju docenta na Akademiji likovnih umjetnosti u Zagrebu.

An astronaut in love orbits around the sun, absorbing its energy. But the sun is too big, causing their connection to break, so the astronaut must continue on his own. As he tries to return to his energy source, he realizes there are others like him. What started out as a game, slowly turns into a love triangle. Shapes change, but their needs remain the same. DARKO MASNEC (1985, Celje, Slovenia) graduated from the Faculty of Education (Department of Visual Arts) in Maribor in 2009 and in 2012 completed his MA studies at the Academy of Fine Arts in Zagreb, Department of Animation and New Media. In 2017 he obtained a PhD degree from the Academy of Fine Arts in Zagreb with the thesis “The Zagreb School of Animated Film: Art and Market Practices in the Context of Videogames”. He has worked as an animator on a few short animated film projects and published several articles on the topic of animation and videogames. He regularly cooperates with Animafest and other festivals. He currently works as assistant professor at the Academy of Fine Arts in Zagreb.

M CO M

A GR

GRA

M NATJ E

ELJSKI

T A C

UDENTSKO ST L M C O G M FI

C E A J N T J A N U D E N E T T S

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MEKE ŽIVOTINJE SOFT ANIMALS RENEE ZHAN UJEDINJENO KRALJEVSTVO / UNITED KINGDOM, DCP, 2021, 3’

Dvoje bivših ljubavnika slučajno se sretne na željezničkom kolodvoru. RENEE ZHAN je kinesko-američka redateljica i animatorica iz Houstona u Texasu. Diplomirala je 2016. godine na Sveučilištu Harvard na Odsjeku za vizualne i ekološke studije. U svojim filmovima Renee se prvenstveno bavi istraživanjem tema tijela, prirode, seksualnosti – svega što je lijepo, ružno i gnjecavo. Njezini kratki filmovi prikazani su i nagrađivani u više zemalja, uključujući Nagradu žirija za kratki animirani film na Filmskom festivalu Sundance 2019. godine.

Two ex-lovers bump into each other at a train station. RENEE ZHAN is a Chinese-American director and animator from Houston, Texas. She graduated from Harvard University in 2016 with a degree in Visual and Environmental Studies. In her films Renee is primarily interested in exploring topics of the body, nature, sexuality – all things beautiful, ugly, and squishy. Her short films have screened and won awards internationally including the Jury Prize for Animated Short at the 2019 Sundance Film Festival.

O TITI N PRO

LMA FI I T I T O N PE

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PERSONA

NARANČINA KORA ORANGE PEEL KORA POMORANDŽE

SUJIN MOON JUŽNA KOREJA / SOUTH KOREA, DCP, 2022, 7’

ISIDORA VULIĆ SRBIJA / SERBIA, DCP, 2021, 4’42”

각질

Proces zadiranja persone u osobnost.

The process of being encroached by the persona.

SUJIN MOON rođena je 1996. u Ansanu u Južnoj Koreji. U 2022. diplomirala je na Korejskom sveučilištu za umjetnost i animaciju.

SUJIN MOON was born in 1996 in Ansan, South Korea. In 2022 she graduated from Korea National University of Arts of Animation.

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U vlaku na povratku iz Španjolske. U njezinu krilu, bilježnica s uspomenama i jedna naranča.

On a train back from Spain. On her lap, a notebook of memories, and an orange.

ISIDORA VULIĆ rođena je 1998. godine u Beogradu. 2021. godine završila je preddiplomski studij animacije na Fakultetu primenjenih umetnosti u Beogradu. Kao studentica na razmjeni provela je semestar na ESADA-i, Visokoj školi za umjetnost i dizajn u Granadi u Španjolskoj. Trenutačno je na diplomskom studiju na modulu Grafika i knjiga na Fakultetu primenjenih umetnosti u Beogradu. Interesi su joj animirani film, grafika i tisak, kaligrafija i tipografija.

ISIDORA VULIĆ was born in 1998 in Belgrade, Serbia. In 2021, she obtained a Bachelor degree in Animation at the Faculty of Applied Arts in Belgrade. As an exchange student, she spent a semester studying at ESADA: Andalusian Higher School of Art and Design in Granada, Spain. Currently working on her Master degree in Printmaking and Calligraphy & Type Design at the Faculty of Applied Arts in Belgrade. Fields of artistic interests: animation, printmaking, calligraphy, typography.

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NOJ MI JE REKAO DA JE SVIJET LAŽAN I MISLIM DA MU VJERUJEM AN OSTRICH TOLD ME THE WORLD IS FAKE AND I THINK I BELIEVE IT

MANJE ZLO LESSER OF TWO EVILS A KISEBBIK ROSSZ

LACHLAN PENDRAGON AUSTRALIJA / AUSTRALIA, DCP, 2021, 11’

Mladi agent za telemarketing u susretu s nojem koji govori sazna da je svemir stop-animacija. Ostavlja postrani prodaju tostera, koja je ionako u padu, te se posvećuje uvjeravanju kolega u svoje zastrašujuće otkriće. Strašno je živjeti u svijetu stop-animacije, u kojemu vam otpadaju lica, a ogromna ruka upravlja svakim vašim pokretom. LACHLAN je pisac, redatelj i animator iz Brisbanea u Australiji. Ljubitelj je umijeća stop-animacije i njezinih pripovjednih mogućnosti. Voli njezino jedinstveno kreativno okruženje i sposobnost da udahne život neživim predmetima. Lachlan završava doktorat iz vizualnih umjetnosti na Sveučilištu Griffith u Brisbaneu. Njegov film proizašao je iz njegova studija.

When a young telemarketer is confronted by a mysterious talking ostrich, he learns that the universe is stop motion animation. He must put aside his dwindling toaster sales and focus on convincing his colleagues of his terrifying discovery. It’s scary business living in a stop motion world, where your faces come off and a giant hand controls your every move. LACHLAN is a writer, director, animator based in Brisbane, Australia. He has a love for the craft and storytelling possibilities of stop motion animation. He enjoys its unique creative environment and its ability to breathe life into inanimate objects. Lachlan is currently completing a Doctor of Visual Arts at Griffith University in Brisbane. This film was produced as part of his studies.

MÁTÉ HORESNYI MAĐARSKA / HUNGARY, DCP, 2021, 10’

Pero Attile Hazaija razotkriva istočnoeuropski mentalitet i odnose. Sirove i autentične priče prerastaju u apsurdne dagađaje.

The Eastern-European mentality and relations exposed by Attila Hazai’s pen. Raw and lifelike stories turn into absurd scenes.

MÁTÉ HORESNYI završio je preddiplomski studij na Budimpeštanskom metropolitanskom sveučilištu 2018. godine svojim višestruko nagrađivanim crno-bijelim kratkim filmom Jacques’ Rampage or When Do We Lose Our Self-confidence?. Završio je magisterij na istom sveučilištu. Njegov magistarski rad, kratki film Manje zlo, zasnovan je na romanima Attile Hazaija.

MÁTÉ HORESNYI graduated from Budapest Metropolitan University’s animation bachelor’s programme in 2018 with his multi-awarded black&white short Jacques’ Rampage or When Do We Lose Our Self-confidence?. He finished his master’s programme at the same university and made his MA graduation short called Lesser of Two Evils, based on the novels by Attila Hazai.

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ZVIJERI MEĐU NAMA BEASTS AMONG US BESTIE WOKOL NAS

SLON U DVORCU ELEPHANT IN CASTLE

NATALIA DURSZEWICZ POLJSKA / POLAND, DCP, 2021, 6’

FLORENCE YUK KI LEE HONG KONG, DCP, 2021, 4’50”

Smješten u nadrealan krajolik, film govori o zamjeni uloga između žrtava i grabežljivaca. Pokazuje nam svijet u kojemu živimo iz perspektive najranjivijih. Svakoga ih se dana ubija, jede, iskorištava za zabavu, osuđeni su na niži klasni rang, zlostavljani. Svijet je to pun nejednakosti, podjela, brutalnosti i neprestane borbe za preživljavanje. U takvoj stvarnosti teško je ostati nevin. Plijen postaje grabežljivac, a grabežljivac plijen. NATALIA DURSZEWICZ (1995., Bydgoszcz, Poljska) diplomirala je umjetnost na Umjetničkoj školi u Bydgoszczu 2015. godine. Trenutačno je na trećoj godini studija animiranog filma i vizualnih efekata na Filmskoj školi u Łódźu.

Set in a surreal scenery, the film tells about the role reversal of victims and predators. It shows the world we live in from the perspective of the most vulnerable. Every day, they are being killed, eaten, exploited for entertainment, doomed to be stuck in the lower social class, abused. A world full of inequality, division, brutality and a constant struggle for survival. In such a reality, it is difficult to remain innocent. Prey turns into predator, predator turns into prey. NATALIA DURSZEWICZ (1995, Bydgoszcz, Poland) graduated from the School of Art in Bydgoszcz and received Art Diploma in 2015. Currently a third year student at the Łódź Filmschool in the Animation Film and Visual Effects department.

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Slon u dvorcu (2021.) digitalni je 2D-animirani film koji tehnikom crtanja sličicu po sličicu stvara suptilne apstraktne narative. Rađeno u kontekstu dviju čudnih godina, 2019. i 2020., djelo izražava neprestanu promjenu u unutarnjem svijetu umjetnice. Prikazuje emocionalne, estetske i taktilne reakcije na Hong Kong, grad gdje je odrasla. Stupanjem u novo desetljeće, svijet kroči prema kritičnom trenutku bez presedana u povijesti. Stvaranje ovih sekvenci služi kao proces za samopromišljanje, otkrivanje vlastite tematike te složenog svijeta u kojemu živi.

Elephant in Castle (2021) is a 2D digital animation, using a hand-drawn frame-by-frame process to create subtle abstract narratives. Created within the context of two strange years, 2019 and 2020 respectively, the work expresses a constant change within the artist’s inner world. It depicts the emotional, aesthetic, and tactile responses that she has to Hong Kong, the city where she grew up. Stepping into a new decade, the world is coming to an unprecedented and critical moment in history. Making these sequences is a reflexive process, on discovering her own subject matter, as well as the complex world she is living in.

FLORENCE YUK KI LEE (1994., Hong Kong) nezavisna je kreativna stvarateljica koja se bavi animacijom, pokretnim slikama, ilustracijom i vizualnom komunikacijom. Florence je 2016. godine s pohvalom završila studij grafičkog dizajna sa specijalizacijom na pokretne slike na Central Saint Martinsu, University of the Arts London. Nakon toga, 2021. završila je magisterij iz likovnih umjetnosti na Školi za kreativne medije na Gradskom sveučilištu u Hong Kongu. Njezina djela istražuju emocionalne, estetske i poetske reakcije na razna mjesta.

FLORENCE YUK KI LEE (1994, Hong Kong) is an independent creative practitioner working across animation, moving image, illustration and visual communication. Florence completed a Bachelor of Arts (Honours) in Graphic Design, Moving Image Specialism at Central Saint Martins, University of the Arts London in 2016 and went on to obtain a Master of Fine Arts from the School of Creative Media at City University of Hong Kong in 2021. Her works explore the extraordinary in the ordinary, often expressing her emotional, aesthetic and poetic responses to different places.

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NEMORALAN THE IMMORAL L’IMMORAL

SESTRE SISTERS SESTRY

EKIN KOCA FRANCUSKA / FRANCE, DCP, 2021, 4’11”

ANDREA SZELESOVÁ ČEŠKA / CZECH REPUBLIC, DCP, 2021, 11’27”

Gost u restoranu se sruši. Svi su ostali gosti restorana – izuzev jednoga – u šoku.

A diner collapses in a restaurant. All the other diners – except for one – are in a state of shock.

U alegorijskoj priči o oproštaju, malena djevojčica brine se o svojoj divovskoj sestri, zarobljenoj usred pustoši.

EKIN KOCA redatelj je animiranih filmova. Rođen je 1996. godine u Turskoj. Diplomirao je na École des métiers du cinéma d’animation u Angoulêmeu 2019. godine, gdje je režirao film Crossfire. 2021. godine završio je studij na školi La Poudrière, gdje je režirao jednominutni film 300 Metres Underground, The Tree and the Woodsman za Espoirs de l’Animation (prikazan na francuskoj televiziji Canal J) te svoj diplomski rad, film Nemoralan.

Born in 1996 in Turkey, EKIN KOCA is an animation film director. He graduated from the Ecole des Métiers du Cinéma d’Animation in Angoulême in 2019, where he directed Crossfire. In 2021 he completed his course at la Poudrière, where he directed 300 Metres Underground (one-minute film), The Tree and the Woodsman for the Espoirs de l’Animation (broadcast on the French TV channel Canal J), and his graduation film The Immoral.

ANDREA SZELESOVÁ studirala je na VOŠ Václava Hollara, gdje je snimila film Malady. Studij je nastavila na FAMU-u, gdje su uslijedili filmovi poput anidoc 19 20 18 te Afternoon Tea, koji je ostvaren u tehnici stop-animacije te je prikazan na festivalima Anifilm i OIAF 2020. Radila je na filmu Maad, moje sunce (red. Michaela Pavlátová) te izradila jingleove za Anifilm i Anilogue.

In an allegorical tale about the hardships of letting go, a little girl takes care of her gigantic sister trapped in the middle of a deserted land. ANDREA SZELESOVÁ studied at VOŠ Václava Hollara, where she created the movie Malady. She continued studying at FAMU, with more films such as anidoc 19 20 18, or the stop-motion Afternoon Tea, that played at festivals Anifilm or OIAF 2020. She worked on the movie My Sunny Maad (dir. Michaela Pavlátová) and created jingles for Anifilm and Anilogue.

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TEHNIKA / TECHNIQUE RAČUNALNA 2D- I 3D-ANIMACIJA / 2D COMPUTER, 3D COMPUTER BEZ DIJALOGA / NO DIALOGUE REŽIJA, ANIMACIJA, KNJIGA SNIMANJA / DIRECTORS, ANIMATION, STORYBOARD YI-XIANG LIN, BO-YI WU SCENARIJ / SCREENPLAY HE-SHENG ZHANG MONTAŽA / EDITING BO-YI WU LAYOUT YI-XIANG LIN MODELIRANJE / MODELLING CHENG-RONG TSAI RAČUNALNA GRAFIKA / COMPUTER GRAPHICS CHENG-RONG TSAI, YI-CHEN CHOU GLAZBA / MUSIC CHUN-TIEN CHIANG ZVUK / SOUND WEI-HSIANG KAO PRODUCENT / PRODUCER NAI-I CHIU OBRAZOVNA USTANOVA / EDUCATIONAL INSTITUTION TAINAN UNIVERSITY OF TECHNOLOGY, WWW.TUT.EDU.TW DISTRIBUCIJA / DISTRIBUTION NATIONAL YUNLIN UNIVERSITY OF SCIENCE AND TECHNOLOGY, WWW.ENG.YUNTECH.EDU.TW

U SLUČAJU TJELESNE UZBUĐENOSTI AU CAS OÙ LE CORPS EXULTE

TRČI AKO TI JE DO ŽIVOTA STALO RUN FOR LIFE

FLORIAN GENTHIAL FRANCUSKA / FRANCE, DCP, 2021, 7’

YI-XIANG LIN, BO-YI WU TAJVAN / TAIWAN, DCP, 2021, 3’30”

Mladi snimatelj Johann snimi scenu silovanja na filmskom setu. Iako mu je glumica prijateljica, on postaje više sudionikom ovoga dekadentnog sustava negoli svjedok. Kao i sva nemirna djeca, FLORIAN je imao tri izbora: crtati, proučavati filmove ili raditi besmislice. Ovim trima stvarima bavi se s velikom strogošću i ozbiljnošću. Sa šesnaest godina započeo je svoje prvo uređivanje stripa, što je završio s 19 godina. Pohađa pripremnu školu Atelier de Sèvres u Parizu, gdje može prakticirati i eksperimentirati s mnogo različitih narativnih tehnika.

On a movie set, Johann, a young camera operator, shoots a rape scene. Even though he is friends with the actress, he becomes more of an actor of this decadent system than a witness.

Protagonistu, koji je na poslovnom druženju sa šefom, iznenada zazvoni telefon te on dobiva vijest da mu se rađa dijete. Iako je već prilično pijan, on juri u bolnicu da vidi bebu. Ali mnogo je prepreka na putu do bolnice…

Like all the turbulent children, FLORIAN had three choices: drawing, studying movies, or make bullshit things. He makes these three things with a big rigor and severity. At he’s sixteen years old, he began his first editing comics book, and finished this project when he was nineteen. He enrolled the preparatory school of the Atelier de Sèvres in Paris, where he can practice and experiment with lot of different narrative techniques.

YI-XIANG LIN trenutačno studira na Odsjeku za multimediju i animaciju na Tehnološkom sveučilištu u Tainanu. Hobi mu je gledanje filmova. Voli promatrati ljude oko sebe i tako istraživati. Stvarni svijet nije glamurozan kakvim ga zamišljamo; frustracije njime često pokušavamo izraziti kroz šalu. Zato je odlučio u film dodati razne nesavršene likove i snimiti ga kao komediju. Nada se da će u budućnosti biti u prilici raditi još zanimljivih animacija. BO-YI WU studira na Odsjeku za multimediju i animaciju na Tehnološkom sveučilištu u Tainanu. Hobiji su mu fotografija, snimanje iz zraka i gledanje filmova. Voli smišljati nove zaplete iz zanimljivih filmskih scena i priča te iznalaziti načine da ih se posloži u još interesantnija djela. Nada se da će u budućnosti stvarati sve bolja djela.

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The character is socializing for business with his boss. Suddenly, the phone rings, and the character is informed that his baby is about to be born. Although the character is already wasted, he still wants to rush to the hospital to welcome the baby. However, a lot of difficulties arise on the way to the hospital... YI-XIANG LIN is studying in multimedia and animation department of Tainan University of Technology. His hobby is watching movies. He likes to observe and research those around him . The real world is not as glamorous as we imagine; however, we try to laugh it off when we are frustrated. Hopefully, he will be able to create more interesting animations in the future. BO-YI WU is studying at Tainan University of Technology in the Department of Multimedia and Animation. His hobbies are photography, aerial photography and watching movies. He hopes to continue to create better animation works in the future.

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TEHNIKA / TECHNIQUE 2D-ANIMACIJA, 3D-ANIMACIJA, 2D CLEANUP, ROTOSKOPIJA / 2D/3D ANIMATION, 2D CLEANUP/ROTOSCOPING JEZIK / LANGUAGE NJEMAČKI / GERMAN REŽIJA, SCENARIJ, KAMERA, MONTAŽA, LAYOUT, MODELIRANJE, KOMPOZITING, RAČUNALNA GRAFIKA, KNJIGA SNIMANJA, PRODUCENT / DIRECTOR, SCREENPLAY, CAMERA, EDITING, LAYOUT, MODELLING, COMPOSITING, COMPUTER GRAPHICS, STORYBOARD, PRODUCER CHRISTOPH BÜTTNER ANIMACIJA / ANIMATION CHRISTOPH BÜTTNER, AMÉLIE MÜLLER, BENITA BERNOTEIT, CARMEN GOSLING GLAZBA / MUSIC LOUIS BRÜCKNER, MARLON MATH ZVUK / SOUND LAMBERT REGEL GLASOVI / VOICES ALFRED BEHRENS, KARL SEIBT OBRAZOVNA USTANOVA / EDUCATIONAL INSTITUTION FILMUNIVERSITÄT BABELSBERG KONRAD WOLF, WWW.FILMUNIVERSITAET.DE PRODUKCIJA, DISTRIBUCIJA / PRODUCTION, DISTRIBUTION FILMUNIVERSITÄT BABELSBERG KONRAD WOLF, WWW.FILMUNIVERSITAET.DE

TEHNIKA / TECHNIQUE KLASIČNA ANIMACIJA / TRADITIONAL ANIMATION JEZIK / LANGUAGE FRANCUSKI / FRENCH REŽIJA / DIRECTOR NICOLAS VERDIER MONTAŽA / EDITING RAPHAËL PIBAROT GLAZBA / MUSIC FABRICE FALTRAUE OBRAZOVNA USTANOVA / EDUCATIONAL INSTITUTION LA POUDRIÈRE, WWW.POUDRIERE.EU DISTRIBUCIJA / DISTRIBUTION LA POUDRIÈRE, WWW.POUDRIERE.EU

U NJEGOVOJ MILOSTI IN HIS MERCY IN SEINER GNADE

OSTACI BUDUĆNOSTI REMAINS OF THE FUTURE VESTIGES DU FUTUR

CHRISTOPH BÜTTNER NJEMAČKA / GERMANY, DCP, 2022, 11’55”

NICOLAS VERDIER FRANCUSKA / FRANCE, DCP, 2021, 3’52”

Jedne večeri upravitelj zatvora najavi zatvoreniku da će biti pogubljen sljedećeg dana. Gotovo čudom, kasnije te noći otvaraju se vrata njegove ćelije. Iscrpljen beskrajnim ispitivanjima, osuđenik se vuče mračnim zatvorskim hodnicima. Na svojoj odiseji u potrazi za slobodom, prolazi kroz razna mentalna stanja: strah da ga ne otkriju, nadu u spas i trenutke pukog ludila. CHRISTOPHU BÜTTNERU (1986., Frankfurt na Odri) dugo je trebalo da se pronađe u umjetnosti. Radio je kao tehničar u Deutsche Telekomu, diplomirao je tehnologiju medija, bio je agent u pozivnom centru i animirao računalne igre. Filmsko sveučilište Konrad Wolf ponudilo mu je 2015. spas. Ondje se posvetio marginalnim temama filmaštva. Nakon šest godina i dvoje djece, najzad se izvukao iz animacijske tamnice i udahnuo punim plućima: njegov prvi film bio je dovršen! Film je ogledni primjer njegovih specifičnih interesa: ostvarenje analognog stila digitalnim sredstvima.

One evening a prison director announces to a convict he’s being executed the next day. As if by a miracle later that night his cell door opens. Exhausted by endless interrogations, the convict drags on through the dark prison corridors. On his odyssey to gain freedom he is tossed back and forth by various mental states: his fear of being discovered, his hope for salvation and moments of sheer madness. Born in 1986 in Frankfurt (Oder), Germany, CHRISTOPH BÜTTNER didn’t have a clue of his artistic career for a very long time. He worked as a Deutsche Telekom technican, graduated in media technology, has been a call center agent and finally animated computer games. Filmuniversity Babelsberg Konrad Wolf was his lifesaver in 2015. There he delved into side streams of film making. Six years and two kids later he climbed out of the animation dungeon, glady gasping for air: His first movie was finished! It is examplary for his special interest: achieving analogue styles with digital means.

Godina je 1975. Novo tisućljeće sve je bliže i grad se transformira ne bi li spreman dočekao novu eru. Rođen 1995., NICOLAS VERDIER je redatelj animiranih filmova. Diplomirao je na École Estienne u Parizu 2016. godine, a nastavio studij na Gobelinsu, prije nego što se pridružio školi La Poudrière. Godine 2021. završio je studij, gdje je režirao Petit Noctambule (jednominutni film), Le Potatoboggan za Espoirs de l’Animation (emitiran na francuskom TV kanalu Gulli) i svoj diplomski film Ostaci budućnosti.

It is the year 1975. The new millenium ever closer, and the city is transforming in order to be ready to enter the new era. Born in 1995, NICOLAS VERDIER is an animation film director. He graduated from the École Estienne in Paris in 2016, and continued his studies at Gobelins, before joining La Poudrière. In 2021 he completed his course where he directed Petit Noctambule (one-minute film), Le Potatoboggan for the Espoirs de l’Animation (broadcast on the French TV channel Gulli), and his graduation film Remains of the Future.

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SEININE SUZE THE SEINE’S TEARS LES LARMES DE LA SEINE

U SOBI IZNAD IN THE UPPER ROOM

YANIS BELAID, ELIOTT BENARD, ALICE LETAILLEUR, NICOLAS MAYEUR, ETIENNE MOULIN, HADRIEN PINOT, PHILIPPINE SINGER, LISA VICENTE FRANCUSKA / FRANCE, DCP, 2021, 8’49”

ALEXANDER GRATZER AUSTRIJA, MAĐARSKA / AUSTRIA, HUNGARY, DCP, 2022, 8’

17. listopada 1961. godine alžirski radnici stupaju ulicama u znak protesta protiv policijskog sata koji je nametnula policijska prefektura.

17 October 1961, Algerian workers march down the streets in protest against the mandatory curfew imposed by the Police prefecture.

YANIS BELAID, ELIOTT BENARD, ALICE LETAILLEUR, NICOLAS MAYEUR, ETIENNE MOULIN, HADRIEN PINOT, PHILIPPINE SINGER i LISA VICENTE završili su školu animacije Pôle 3D u Roubaixu. Zajedno su režirali film Seinine suze (2021.).

YANIS BELAID, ELIOTT BENARD, ALICE LETAILLEUR, NICOLAS MAYEUR, ETIENNE MOULIN, HADRIEN PINOT, PHILIPPINE SINGER and LISA VICENTE graduated from PÔLE 3D Digital & Creative School in Roubaix. Together, they directed the film The Seine’s Tears (2021).

Svake sezone mlada krtica posjećuje svog slijepog djeda, koji živi ispod zemlje u udobno namještenoj jazbini. S godinama se njihov odnos produbljuje i otvaraju se važna pitanja.

Every season a young mole visits his blind grandfather, who lives deep underground in a comfortably decorated burrow. As the two grow older their relationship becomes more intense and important questions arise.

ALEXANDER GRATZER (1993., Hallein/Salzburg) studira na Sveučilištu za primijenjene umjetnosti u Beču od 2012. Godine 2017. proveo je semestar na Odsjeku za animaciju na Sveučilištu Moholy-Nagy u Budimpešti. Autor je filmova Geht immer (2017.), Animateur (2017.), Angelique (2017.), Axel (2017.), Tischtennis im Wald (2017.), Espresso (2016.), Museumswärter (2016.), Beauty (2016.), Im Wohnzimmer (2015.), Geht’s noch? (2015.), Im Gespräch (2015.).

ALEXANDER GRATZER (1993, Hallein/Salzburg) has been studying painting at the University of Applied Arts Vienna since 2012. In 2017, he spent a semester at the MoholyNagy University in Budapest, Animation Department. His films are: Geht immer (2017), Animateur (2017), Angelique (2017), Axel (2017), Tischtennis im Wald (2017), Espresso (2016), Museumswärter (2016), Beauty (2016), Im Wohnzimmer (2015), Geht’s noch? (2015), Im Gespräch (2015).

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TEHNIKA / TECHNIQUE PIKSILACIJA, KLASIČNA ANIMACIJA / PIXILATION, CLASSICAL HAND DRAWING BEZ DIJALOGA / NO DIALOGUE REŽIJA, SCENARIJ, ANIMACIJA, MONTAŽA, KNJIGA SNIMANJA / DIRECTOR, SCREENPLAY, ANIMATION, EDITING, STORYBOARD ANJA PATERNOSTER KAMERA / CAMERA JAN ŠUŠTER, ANJA PATERNOSTER LAYOUT, KOMPOZITING / LAYOUT, COMPOSITING ANJA PATERNOSTER, ANA PREBIL MASKA / MASK LEA BOLE GLAZBA, ZVUK / MUSIC, SOUND SAŠO KALAN, ANDREJ FON PRODUCENTI / PRODUCERS BOŠTJAN POTOKAR, ROK GOVEDNIK OBRAZOVNA USTANOVA / EDUCATIONAL INSTITUTION UNIVERSITY OF NOVA GORICA SCHOOL OF ARTS, WWW.UNG.SI PRODUKCIJA, DISTRIBUCIJA / PRODUCTION, DISTRIBUTION UNIVERSITY OF NOVA GORICA SCHOOL OF ARTS, WWW.UNG.SI

ILLUMINATED

BIJELA, CRNA I PRAVA LJUBAV WHITE, BLACK AND TRUE LOVE BELA, ČRNA IN PRAVA LJUBEZEN

MORANA MARIJA VULIĆ HRVATSKA / CROATIA, DCP, 2021, 6’2”

ANJA PATERNOSTER SLOVENIJA / SLOVENIA, DCP, 2021, 5’

Nisu sve ljubavne priče iste. Neke su tragične, druge su divne. Ali uvijek ima nade, čak i nakon što film završi. ANJA PATERNOSTER završava preddiplomski studij na Umjetničkoj akademiji Sveučilišta u Novoj Gorici u Sloveniji. Oduvijek je voljela istraživati umjetnost i poigravati se različitim animacijskim tehnikama. Obožava crtati, slikati i stvarati stop-animaciju. S lakoćom priča priče, no još više uživa u istraživanju preobrazbi „animiranog“.

Not every love story is the same. Some are tragic, others stunning. But there is always hope, even when the movie ends. ANJA PATERNOSTER is finishing BA at UNG School of Arts, Slovenia. She has always loved exploring the field of art and playing with different animation techniques. She loves to draw, paint, and create stop-motion animation. She expresses stories easily but enjoys even more exploring transformations of ‘the animated’.

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TEHNIKA / TECHNIQUE RAČUNALNA 2D-ANIMACIJA, ROTOSKOPIJA, SLIKANJE / 2D DIGITAL, ROTOSCOPING, PAINTING BEZ DIJALOGA / NO DIALOGUE REŽIJA, ANIMACIJA, PRODUCENTICA / DIRECTOR, ANIMATION, PRODUCER TSZ WING HO GLAZBA / MUSIC MADS LINDGREN OBRAZOVNA USTANOVA / EDUCATIONAL INSTITUTION SCHOOL OF CREATIVE MEDIA, CITY UNIVERSITY OF HONG KONG, WWW.SCM.CITYU.EDU.HK DISTRIBUCIJA / DISTRIBUTION TSZ WING HO, WWW.WING12381.MYPORTFOLIO.COM

CURIOSA

RUKA HAND

TESSA MOULT-MILEWSKA UJEDINJENO KRALJEVSTVO / UNITED KINGDOM, DCP, 2022, 11’

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TSZ WING HO HONG KONG, DCP, 2021, 5’15”

Nakon što otkrije da je njezin dečko uklonio sve svoje stvari iz svog stana, vođena znatiželjom, mlada Mary ulazi u njegov um u potrazi za objašnjenjem. Nakon što kroz vrata kroči u njegov um, ondje otkrije njegovu naklonost prema njoj, ali daljnjom istragom otkrije prošlost zbog koje ga više neće moći gledati na isti način. TESSA MOULT-MILEWSKA trenutačno radi na razvoju animiranog dugometražnog filma za poljski studio Animoon. U filmu se radi o bezbrižnoj dvanaestogodišnjakinji koja odlazi u pakao kako bi vratila svog oca. Zasnovan je na scenariju koji je počela pisati 2019. godine zahvaljujući stipendiji, a sad i fondu za razvoj Poljskog filmskog instituta. Osim toga, razvija i TV-seriju uz podršku Potprograma Media Kreativne Europe koju želi predstaviti međunarodnoj animacijskoj producentskoj publici.

After discovering that her boyfriend’s flat had been stripped bare of all personal belongings, curiosity leads young Mary into his mind in search of answers. After entering through a door in his head, she discovers his affection for her, but then starts digging deeper until she discovers a past that will make it impossible for her to see him the same way.

Radi se o apstraktnoj 2D-animaciji popraćenoj pjesmom Sekktortjek Ft. Tone, koju je skladao Mads Lindgren. Ideja djela jest da predstavi uvrnutu ljepotu stvorenja načinjenih gestama ruku, geometrijskim oblicima i apstraktnim uzorcima, a sve kako bi se publiku odvelo na nadrealno putovanje. Stvorenja prolaze razne preobrazbe kao u fenakistoskopu, sinkronizirana s glazbom.

It is a 2D abstract animation which is accompanied by the song, Sekktortjek Ft. Tone composed by Mads Lindgren. The idea of the work is to present the weird beauty of hand creatures composed of gestures, geometric shapes and abstract patterns in order to create a surreal journey for the audience. The creatures undergo different transformations such as phenakistoscopes in synchrony with the music.

TESSA MOULT-MILEWSKA is currently developing an animated feature film with the Polish studio Animoon. It’s the story of a happy go lucky 12-year-old who travels to Hell, to bring back her father. It’s based on a script she started writing in 2019 thanks to a scholarship and now development fund from the Polish Film Institute. She also has a kids TV series that has been developed with support from the Europe Media programme that she’d like to pitch to international animation producers.

HO TSZ WING je animatorica i ilustratorica koja je rođena i živi u Hong Kongu. Ima bakalaureat iz kreativnih medija sa Škole kreativnih medija na Gradskom sveučilištu u Hong Kongu iz 2019. godine. Njezina umjetnička djela nagrađena su nagradama Vimeo Staff Pick 2020., nagradom mladog žirija za studentski film na Međunarodnom festivalu animiranog filma u Annecyju 2020. godine te 2019 Adobe Design Achievement Awards – Top Talent. Njezina animirana djela prikazana su na više međunarodnih festivala, uključujući Međunarodni festival animacije u Ottawi 2019., 65. Međunarodni festival kratkog filma u Oberhausenu itd. Trenutačno pohađa diplomski studij (MA) iz kreativnih medija na Gradskom sveučilištu u Hong Kongu.

Born and currently residing in Hong Kong, HO TSZ WING is an animator and illustrator. She obtained a Bachelor of Arts in Creative Media from the School of Creative Media, City University of Hong Kong in 2019. Her works of art were awarded a Vimeo Staff Pick in 2020, the Junior Jury Award for a Graduation Film at 2020 Annecy International Animated Film Festival and the 2019 Adobe Design Achievement Awards – Top Talent. Her animation works have been featured at a number of international film festivals including 2019 Ottawa International Animation Festival, the 65th International Short Film Festival Oberhausen, etc. Currently, she is studying Master of Fine Arts in Creative Media at City University of Hong Kong.

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TEHNIKA / TECHNIQUE CRTEŽ / HAND-DRAWN JEZIK / LANGUAGE NIZOZEMSKI / DUTCH REŽIJA, SCENARIJ, ANIMACIJA, KAMERA, MONTAŽA, LAYOUT, MODELIRANJE, KOMPOZITING, RAČUNALNA GRAFIKA, KNJIGA SNIMANJA, PRODUCENT / DIRECTOR, SCREENPLAY, ANIMATION, CAMERA, EDITING, LAYOUT, MODELLING, COMPOSITING, COMPUTER GRAPHICS, STORYBOARD, PRODUCER STAN LIEVENS GLAZBA / MUSIC ALEX LIEVENS ZVUK / SOUND ELIAS VERVECKEN OBRAZOVNA USTANOVA / EDUCATIONAL INSTITUTION KASK HOGENT, WWW.SCHOOLOFARTSGENT.BE PRODUKCIJA, DISTRIBUCIJA / PRODUCTION, DISTRIBUTION STANIMATION, WWW.STANLIEVENS.WIXSITE.COM/WEBSITE

MAMA, ŠTO JE PSU? MOM, WHAT’S UP WITH THE DOG? MAMAN, IL A QUOI LE CHIEN?

KRAK

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STAN LIEVENS BELGIJA / BELGIUM, DCP, 2021, 5’20”

LOLA LEFÈVRE FRANCUSKA / FRANCE, DCP, 2021, 7’

Gwen je djevojčica koja je upravo navršila 11 godina. Živi sa svojim roditeljima i psom. Vrlo je znatiželjna predadolescentica, pogotovo što se tiče seksualnosti. Gwen osjeća promjene kroz koje njezino tijelo prolazi: rastu joj stidne dlake, njezino tijelo izlučuje nove tekućine, a fantazije joj se motaju po mislima. Ponašanje njezina psa također se osjetno mijenja. Jedne noći iznenadi ga svojim smijehom. Što ako njih dvoje i nisu toliko različiti?

Gwen is a young girl who just turned 11. She lives with her parents and her dog. She is a very curious pre-teen, especially when it comes to sexuality. Gwen feels that her body is going through changes: her pubic hair is growing, new liquids are coming out of her body and fantasies are manifesting in her mind. Her dog’s behaviour has also quite changed. One night, she surprises him laughing. What if they were not so different from each other?

LOLA LEFÈVRE diplomirala je na školi Atelier Supérieur d'Animation u Atelier de Sèvres 2021. Mama, što je psu? (2021) njezin je diplomski film.

LOLA LEFÈVRE graduated from the Atelier Supérieur d'Animation at the Atelier de Sèvres in 2021. Mom, What's Up with The Dog? (2021) is her graduation film.

Muškarac ispuže iz banane te objašnjava kako se našao u tom voću. Istovremeno, riba kontemplira vlastitu ljepotu. Ove dvije priče promatramo i raščlanjujemo, čime dolazi do reakcije koja razbija gledateljsku stvarnost. STAN LIEVENS je friško diplomirani student kojega zanima kako se riba osjeća i kako banana razmišlja.

A man crawls out of a banana and explains how he found himself in that fruit. Meanwhile a fish is contemplating her own beauty. These two stories are observed and dissected, causing a reaction that cracks the reality the observer occupies. STAN LIEVENS is a freshly graduated student who wonders how a fish feels and how a banana thinks.

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TEHNIKA / TECHNIQUE RAČUNALNA ANIMACIJA U TVPAINTU / TRADITIONAL DIGITAL TVPAINT BEZ DIJALOGA / NO DIALOGUE REŽIJA / DIRECTOR ACHILLE THIEBAUX OBRAZOVNA USTANOVA / EDUCATIONAL INSTITUTION EMCA – ECOLE DES MÉTIERS DU CINÉMA D’ANIMATION, WWW.ANGOULEME-EMCA.FR DISTRIBUCIJA / DISTRIBUTION EMCA – ECOLE DES MÉTIERS DU CINÉMA D’ANIMATION, WWW.ANGOULEME-EMCA.FR

TEHNIKA / TECHNIQUE KLASIČNA ANIMACIJA / CEL ANIMATION BEZ DIJALOGA / NO DIALOGUE REŽIJA, PRODUCENTICA / DIRECTOR, PRODUCER SE-YOUNG OK OBRAZOVNA USTANOVA / EDUCATIONAL INSTITUTION KOREA NATIONAL UNIVERSITY OF ARTS, WWW.KARTS.AC.KR DISTRIBUCIJA / DISTRIBUTION KIAFA ANISEED, WWW.KIAFA.ORG

BOLONJEZ BOLOGNESE BOLOGNAISE

SJEĆANJA KOJA IZMIČU FLOATING MEMORIES

ACHILLE THIEBAUX FRANCUSKA / FRANCE, DCP, 2021, 5’50”

SE-YOUNG OK JUŽNA KOREJA / SOUTH KOREA, DCP, 2021, 4’12”

U distopijskom svijetu u kojemu više ne jedemo da bismo živjeli, nego živimo kako bismo jeli, meso je jedina preostala hrana. Pratimo svakodnevicu jednoga građanina koji radi kao blagajnik u supermarketu. Kao i svi ostali, i on jede meso… no na koncu izgrize vlastite prste. Potom ode u najbližu bolnicu… ACHILLE THIÉBAUX (1995.) mladi je entuzijast čiji je put počeo u ilustraciji, stripovima i grafici. Tek je mnogo kasnije razvio velik interes za animirani film i upisao školu animiranog filma EMCA u rujnu 2018. godine.

In a dystopian world where we no longer eat to live but where we only live to eat, meat has become the one and only food available. We follow the daily life of one of the citizens of this world who works as a cashier in a supermarket. Like everyone else, he eats meat... but ends up biting his fingers. He then goes to the nearest hospital... ACHILLE THIÉBAUX (1995) is a young enthusiast who first passed through illustration, comics and graphics. It wasn’t until much later that he began to develop a strong interest in animated filmmaking and eventually joined EMCA in September 2018.

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Prozirne slike se preklapaju, pojavljujući se i nestajući uz pratnju glazbe.

Transparent images overlap each other, appearing and disappearing to the music.

SE-YOUNG OK rođena je 1992. u gradu Geoje u Južnoj Koreji. Ima BFA iz likovnih umjetnosti s Korejskog narodnog umjetničkog sveučilišta (2016.) te MFA iz animacije (2021.). Trenutačno proširuje svoje polje djelovanja prikazivanjem svojih filmova i izložbama svojih radova.

SE-YOUNG OK was born 1992 in Geoje, South Korea. She graduated from Korea National University of Arts with BFA in Fine arts (2016) and MFA in Animation (2021). She is currently expanding her world of work by screening and exhibiting her works.

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TEHNIKA / TECHNIQUE STOP-ANIMACIJA, 2D/3D-ANIMACIJA / STOP-MOTION, 2D/3D ANIMATION BEZ DIJALOGA / NO DIALOGUE REŽIJA, STOP-ANIMACIJA, MONTAŽA, PRODUCENT / DIRECTOR, STOP-MOTION ANIMATION, EDITING, PRODUCER JONATAN SCHWENK 2D-ANIMACIJA / 2D ANIMATION MARTA MAGNUSKA, JONATAN SCHWENK SCENARIJ / SCREENPLAY JONATAN SCHWENK, MERLIN FLÜGEL LUTKE / PUPPETS ANNE BREYMANN, HÉLÈNE TRAGESSER, JONATAN SCHWENK GLAZBA, ZVUK / MUSIC, SOUND DAVID KAMP PRODUKCIJA / PRODUCTION JONATAN SCHWENK, WWW.JONATAN-SCHWENK.COM OBRAZOVNA USTANOVA / EDUCATIONAL INSTITUTION HFG OFFENBACH, WWW.HFG-OFFENBACH.DE DISTRIBUCIJA / DISTRIBUTION MIYU DISTRIBUTION, WWW.MIYU.FR

TEHNIKA / TECHNIQUE 2D-LUTKE / 2D PUPPETS BEZ DIJALOGA / NO DIALOGUE REŽIJA, SCENARIJ, ANIMACIJA, LAYOUT, KOMPOZITING, KNJIGA SNIMANJA / DIRECTOR, SCREENPLAY, ANIMATION, LAYOUT, COMPOSITING, STORYBOARD SUNČANA BRKULJ MONTAŽA / EDITING IVA KRALJEVIĆ GLAZBA / MUSIC SAMUEL MAHONEY, NATKO STIPANIČEV MENTOR DANIEL ŠULJIĆ KOMENTOR / CO-MENTOR DARKO MASNEC PRODUCENT / PRODUCER TOMISLAV BUNTAK OBRAZOVNA USTANOVA / EDUCATIONAL INSTITUTION AKADEMIJA LIKOVNIH UMJETNOSTI, WWW.ALU.UNIZG.HR DISTRIBUCIJA / DISTRIBUTION SUNČANA BRKULJ, WWW.INSTAGRAM.COM/SUNCANABR

ZOON

STINKY U MRAČNOJ ŠUMI STINKY IN THE DARK FOREST

JONATAN SCHWENK NJEMAČKA / GERMANY, DCP, 2021, 4’25”

SUNČANA BRKULJ HRVATSKA / CROATIA, DCP, 2022, 10’52”

U mračnoj močvari duboko u noćnoj šumi, grupa aksolotla zaokupljena je svojim pohotnim igrama. Stvorenja uživaju u međusobnom njuškanju i grickanju ekstremiteta svojih partnera.

Residing in a dark swamp at the bottom of a nocturnal forest, a group of gleaming axolotls pursue their lustful games. The creatures relish in nuzzling one another and nibbling their companions’ limbs.

Stinky se rađa iz cvijeta usred Mračne šume. On istražuje šumu i raste. Kad se nađe odgovoran za brigu za drugo biće, suočava se s činjenicom da život nije samo zabava i kapric.

JONATAN SCHWENK, rođen u Göttingenu u Njemačkoj 1987. godine, nezavisni je filmaš i animator. Studira vizualne komunikacije na Sveučilištu za umjetnost i dizajn u Offenbachu na Majni. Od 2014. gostujući je student animacije na Umjetničkoj akademiji u Kasselu.

JONATAN SCHWENK, born in Göttingen (Germany) in 1987, is an independent filmmaker and animator. He is studying visual communication at the University of Art and Design in Offenbach. Since 2014 he is a guest student at the Kunsthochschule Kassel in the animation class.

SUNČANA BRKULJ rođena je 1997. u Zadru. Godine 2016. upisala je Akademiju likovnih umjetnosti u Zagrebu, gdje je diplomirala 2019., a trenutačno pohađa magistarski studij iz animacije. Radila je na nekoliko animiranih projekata kao glavna ili pomoćna animatorica. Njezin animirani prvijenac, Osjetljivi princ, premijerno je prikazan 2018., a otada je primljen na nekoliko festivala, među kojima je i Pula. Osim animacijom, Sunčana se bavi ilustracijom i stripovima, a izlagala je na nekoliko samostalnih i skupnih izložbi.

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TEHNIKA / TECHNIQUE 2D-ANIMACIJA / 2D ANIMATION JEZIK / LANGUAGE ENGLESKI / ENGLISH REŽIJA, ANIMACIJA / DIRECTOR, ANIMATION COLINE DURTSCHI-GUILLEMOT ZVUK / SOUND THIBAUD PFENDER PRODUCENT / PRODUCER JEAN-PIERRE DENÈVE OBRAZOVNA USTANOVA / EDUCATIONAL INSTITUTION E.S.A.A.T ECOLE SUPÉRIEURE ARTS APPLIQUÉS ET TEXTILE, WWW.ESAAT-ROUBAIX.COM DISTRIBUCIJA / DISTRIBUTION COLINE DURTSCHI-GUILLEMOT, DURTSCHI@YAHOO.FR

TEHNIKA / TECHNIQUE ROTOSKOPIJA, 2D-ANIMACIJA, SLIKANJE NA STAKLU / ROTOSCOPING, 2D ANIMATION, PAINT ON GLASS JEZIK / LANGUAGE ENGLESKI / ENGLISH REŽIJA, SCENARIJ, ANIMACIJA, MONTAŽA, KNJIGA SNIMANJA, PRODUCENTICA / DIRECTOR, SCREENPLAY, ANIMATION, EDITING, STORYBOARD, PRODUCER PAOLA SORRENTINO GLAZBA, ZVUK / MUSIC, SOUND DANIELE CECILIOT OBRAZOVNA USTANOVA / EDUCATIONAL INSTITUTION ISIA URBINO, WWW.ISIAURBINO.NET DISTRIBUCIJA / DISTRIBUTION PAOLA SORRENTINO, PAO9433@GMAIL.COM

“OH BABE, IT’S A WILD WORLD”

CURE RAZGOVARAJU O NOGOMETU GIRLS TALK ABOUT FOOTBALL

COLINE DURTSCHI-GUILLEMOT FRANCUSKA / FRANCE, DCP, 2021, 7’23”

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PAOLA SORRENTINO ITALIJA / ITALY, DCP, 2021, 7’22”

Nestanak djevojčice izaziva razdor u ruralnom gradiću. Dok vrijeme postupno briše taj događaj iz svijesti ljudi, njezina obitelj pokušava se nositi s nadom u njezin pronalazak i tugom zbog njezina gubitka.

The disappearance of a child causes disruption in a rural town. As time gradually erases the event, the family will have to deal with the constant hope of finding her, and the grief of her loss.

Nakon dvije godine naukovanja u animaciji u Lilleu (Francuska), COLINE svoj život dijeli između studijskih ugovorenih radova i završavanja svog diplomskog filma, na kojemu radi samostalno. Drago joj je što ga je najzad privela kraju. Gledajte samo kako će u budućnosti ispuniti svoju filmografiju…

After two years of animation training in Lille (France) COLINE divides her life between studio contracts and finishing her graduation film solo. She’s glad she finished it. See how, in the future, she will fill out her biography...

Kakav je osjećaj biti djevojka u svijetu u kojem dominiraju dečki? Šest djevojaka priča svoja iskustva iz ženskog nogometa, tog sporta kojim dominiraju muškarci. Njihove priče prikazane su različitim animacijskim tehnikama, koje istražuju njihove narativne potencijale.

What is it like to be a girl in a boys’ world? Six girls share their own experiences playing women’s football in a male-dominated sport. Their stories are told by different animation techniques to explore various narrative possibilities.

PAOLA SORRENTINO je ilustratorica i animatorica iz Apulije u Italiji. Magistrirala je ilustraciju i animaciju na institutu ISIA Urbino. Voli raditi olovkom, tušem, bojama, uljanim bojicama, ma čime god da se može zaprljati od glave do pete. Često se svađa sa svojim računalom, ali na kraju se uvijek pomire. 2020. godine snimila je svoj prvi kratki film, Ligne rouge et ligne noir (2020.), nakon čega je uslijedio Cure razgovaraju o nogometu (2021.).

PAOLA SORRENTINO is an illustrator and animator from Puglia, Italy. She is a graduate of ISIA Urbino’s MA in Illustration and animations. She likes to work with pens, ink, paint, oil pastels, or in general any object that can make her hands, clothes and everything around her dirty. She has a computer that she often fights with, but they always make peace in the end. In 2020 she made her first short film Ligne rouge et ligne noir (2020) followed by Girls Talk about Football (2021).

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TEHNIKA / TECHNIQUE RAČUNALNA 3D-ANIMACIJA / 3D COMPUTER BEZ DIJALOGA / NO DIALOGUE REŽIJA / DIRECTOR JONAS BIENZ PRODUCENT / PRODUCER GERD GOCKELL OBRAZOVNA USTANOVA / EDUCATIONAL INSTITUTION HOCHSCHULE LUZERN – DESIGN & KUNST, WWW.HSLU.CH DISTRIBUCIJA / DISTRIBUTION JONAS BIENZ, WWW.TSCHOUNAES.GITHUB.IO/PORTFOLIO/#

TEHNIKA / TECHNIQUE 3D/2D-ANIMACIJA / 3D/2D ANIMATION JEZIK / LANGUAGE HEBREJSKI / HEBREW REŽIJA / DIRECTORS SARAI ABERGEL, NOY FRIMAN, GUY LIVNAT SCENARIJ, MONTAŽA, LAYOUT, KOMPOZITING, PRODUCENTICA / SCREENPLAY, EDITING, LAYOUT, COMPOSITING, PRODUCER SARAI ABERGEL ANIMACIJA / ANIMATION SARAI ABERGEL, NOY FRIMAN, ANAT WEISS MODELIRANJE / MODELLING GUY LIVNAT, SARAI ABERGEL KNJIGA SNIMANJA / STORYBOARD NOY FRIMAN GLAZBA / MUSIC GEVA HASON ZVUK / SOUND OMRI COHEN GLASOVI / VOICES AVIA SPITZER, DORI ENGEL, DANIA LANDSBERG OBRAZOVNA USTANOVA / EDUCATIONAL INSTITUTION SCHOOL OF AUDIO AND VISUAL ARTS, SAPIR COLLEGE, WWW.SAPIR.AC.IL/EN/BA/CINEMA DISTRIBUCIJA / DISTRIBUTION SARAI ABERGEL, SARAI.ABERGEL@GMAIL.COM

TIJELOSEJA BODDYSSEY

LAŽU KO PAS LET SLEEPING DOGS LIE

‫לשקר יש ארבע רגליים‬

JONAS BIENZ ŠVICARSKA / SWITZERLAND, DCP, 2022, 4’29”

SARAI ABERGEL, NOY FRIMAN, GUY LIVNAT IZRAEL / ISRAEL, DCP, 2021, 9’40”

Tijeloseja je putovanje nadrealnim krajolikom prekrivenim ljudskom kožom. Procesi rađanja i rasta, smrti i raspadanja prikazuju raspad neobičnog ekosustava. JONAS ALEXANDER BIENZ (1993., Winterthur, Švicarska) studirao je animaciju na Fakultetu umjetnosti i dizajna u Luzernu. Specijalnost mu je računalna 3D-grafika. Fokus njegova rada je proceduralno modeliranje, prototipi i simulacije. Njegova djela obično naginju prema nadrealizmu. Nakon diplome, godinu dana radio je na svom prvom filmu, Tijeloseja.

Boddyssey is a journey through a surreal landscape covered with human skin. Processes of birth and growth, death and decay show the downfall of a curious ecosystem. JONAS ALEXANDER BIENZ (1993, Winterthur, CH) studied Animation at Hochschule Luzern – Design und Kunst. He’s specialised in 3D computer graphics. In this field he focuses on procedural modeling, prototyping and simulations. His personal work usually has a slope to surrealism. After his graduation he worked for one more year at home to finish his first film, Boddyssey.

Lud kratki animirani film pun crnog humora. Priča je to o Ofri, četverogodišnjoj djevojčici koja pokušava pronaći voljenog psa Rexyja i vratiti ga doma. Rexyja su slučajno autom pregazili Ofrijini roditelji, što od nje kriju. Roditelji nižu jednu laž za drugom, jer boje se djetetu reći istinu... SARAI ABERGEL diplomirala je animaciju na Školi za audiovizualne umjetnosti pri Akademiji Sapir. Trenutačno radi kao 3D-montažerka na TV-serijama, a u slobodno vrijeme razvija buduće vlastite projekte. NOY FRIMAN diplomirala je animaciju na Školi za audiovizualne umjetnosti pri Akademiji Sapir. Noy vrsno djeluje u nekoliko umjetničkih medija, a već dva desetljeća specijalizira se za tradicionalnu i digitalnu umjetnost, primjenjujući razne tehnike. GUY LIVNAT diplomirao je animaciju na Školi za audiovizualne umjetnosti pri Akademiji Sapir. Dvije godine pohađao je studij industrijskog dizajna, nakon čega se prebacio na studij animacije kako bi mogao ostvariti svoju najveću strast.

A wild animated short, overflowing with dark humor. The short tells the story of Ofri, a four year old girl, and her struggles as she strives to find her beloved dog Rexy, and return him home. Unknown to her, Rexy was accidently run over by her parents. Working in unison, the parents tell lie after lie for fear of confronting her with the truth… SARAI ABERGEL is an animation graduate of the School of Audio and Visual Arts, Sapir College. She currently works as a 3D rigging artist for TV series, and in her spare time is developing her next projects. NOY FRIMAN is an animation graduate of the School of Audio and Visual Arts, Sapir College. Noy is a skilled artist in several mediums, specializing in traditional and digital art for almost two decades using different techniques. GUY LIVNAT is an animation graduate of the School of Audio and Visual Arts, Sapir College. He studied for two years for a degree in industrial design, but then chose to move on to study animation in order to realize his true passion.

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TEHNIKA / TECHNIQUE STOP-ANIMACIJA, 2D-ANIMACIJA / STOP-MOTION, 2D ANIMATION JEZIK / LANGUAGE ENGLESKI / ENGLISH REŽIJA, ANIMACIJA / DIRECTOR, ANIMATION IDA MELUM SCENARIJ / SCREENPLAY LAURA JAYNE TURNBRIDGE, HANNA KELSO KAMERA / CAMERA CHARLIE JENKINS MONTAŽA / EDITING LESLEY POSSO GLAZBA / MUSIC JOE STEVENSON ZVUK / SOUND MILES SULLIVAN GLASOVI / VOICES JESSICA DENNIS, STEPHEN FRY, ROMY HAYHURST PRODUCENTICA / PRODUCER DANIELLE GOFF OBRAZOVNA USTANOVA / EDUCATIONAL INSTITUTION NATIONAL FILM AND TELEVISION SCHOOL, WWW.NFTS.CO.UK DISTRIBUCIJA / DISTRIBUTION NATIONAL FILM AND TELEVISION SCHOOL, WWW.NFTS.CO.UK

TEHNIKA / TECHNIQUE 2D-ANIMACIJA, CRTEŽ NA PAPIRU / 2D ANIMATION, DRAWING ON PAPER JEZIK / LANGUAGE FRANCUSKI / FRENCH REŽIJA, SCENARIJ, ANIMACIJA, MONTAŽA / DIRECTORS, SCREENPLAY, ANIMATION, EDITING CHLOÉ FARR, GABRIELLE SELNET, ADAM SILLARD GLAZBA / MUSIC ANNA CORDONNIER, AMANDINE ROBILLARD ZVUK / SOUND CLÉMENT NALINE PRODUCENTICA / PRODUCER MOÏRA MARGUIN OBRAZOVNA USTANOVA / EDUCATIONAL INSTITUTION GOBELINS, L’ÉCOLE DE L’IMAGE, WWW.GOBELINS.FR DISTRIBUCIJA / DISTRIBUTION MIYU DISTRIBUTION, WWW.MIYU.FR

NOĆ ŽIVIH UŽASA NIGHT OF THE LIVING DREAD

DOVIĐENJA, JÉRÔME! GOODBYE JÉRÔME! AU REVOIR JÉRÔME!

IDA MELUM UJEDINJENO KRALJEVSTVO / UNITED KINGDOM, DCP, 2021, 11’27”

CHLOÉ FARR, GABRIELLE SELNET, ADAM SILLARD FRANCUSKA / FRANCE, DCP, 2021, 7’44”

Ruby ima problema sa spavanjem, ali kad nestanak struje poremeti njezinu detaljno isplaniranu noćnu rutinu, jedna besana noć prerasta u labirint užasa kroz koji je progone nepozvani posjetitelji u njezinoj maloj garsonijeri. Stjerana u kut, Ruby je prisiljena suočiti se sa svojim najvećim strahovima, koliko god da bili zastrašujući ili pak neugodni. Nakon što je diplomirala glumu u Norveškoj, IDA je stekla bakalaureat iz animiranog filma na Sveučilištu Middlesex u Londonu. Radila je kao stop-animatorica na filmovima poput dobitnika BAFTA-e Poles Apart te Facing It, nakon čega je upisala diplomski studij iz režije animiranog filma na Nacionalnoj školi filma i televizije. Za studija na NFTS-u snimila je filmove Shopped i Ovary-Acting, kao i svoj diplomski film, Noć živih užasa. Inspiracija su joj ljudski karakteri i svakodnevica te mali i veliki izazovi koje joj oni predstavljaju. Njezini stop-animirani filmovi prikazani su na nekoliko festivala, a osvojila je i nagradu žirija za film Abducted by Aliens, snimljen za BBC-jevu kampanju za TV-pretplatu.

Ruby can’t sleep at the best of times, but when a power cut ravages her meticulous nightly routine, her sleepless night descends into a horror-fuelled labyrinth where she is haunted by some unwanted visitors in her tiny studio flat. With no place to escape, Ruby is forced to confront her darkest fears, however terrifying or embarrassing they may be. After receiving her acting diploma in Norway, IDA earned her BA in Animation at Middlesex University, London. She worked as a stop motion animator on films such as the BAFTA winning Poles Apart, and Facing It, before deciding to get her master’s degree in Directing Animation at the National Film and Television School. During her time at the NFTS, she made films such as Shopped and Ovary-Acting and her graduation film; Night of the Living Dread. She is inspired by characters and everyday life, and the small and big challenges they bring. Her stop motion films have been screened at several festivals, and she won the Jury Award for her film Abducted by Aliens for the BBC TV-Licensing Campaign.

Netom pristigavši u raj, Jérôme kreće u potragu za svojom suprugom Maryline. U potrazi, on tone u nadrealan i šarolik svijet u kojemu kao da mu nitko ne može pomoći. CHLOÉ FARR diplomirala je animaciju na Gobelinsu. Slijedi joj studij režije na školi La Poudrière. Nakon studija animacije na Gobelinsu, GABRIELLE SELNET planira studij filmske režije na školi La Poudrière. ADAM SILLARD diplomirao je animaciju na Gobelinsu.

Having just arrived in paradise, Jérôme sets out to find his wife Maryline. In the course of his search, he sinks into a surreal and colourful world in which no one seems to be able to help him. CHLOÉ FARR graduated from the Gobelins animation section. She will study directing at La Poudrière school. After studying animation at Gobelins, GABRIELLE will learn movie direction at La Poudrière. ADAM SILLARD graduated from Gobelins animation section.

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TEHNIKA / TECHNIQUE RAČUNALNA 2D-ANIMACIJA, FOTOGRAFIJE, KOMBINIRANE TEHNIKE, CIJANOTIPIJA / 2D COMPUTER, PHOTOGRAPHY, MIXED MEDIA, CYANOTYPE TECHNIQUE JEZIK / LANGUAGE ENGLESKI / ENGLISH REŽIJA / DIRECTOR BIANCA SCALI MONTAŽA / EDITING REVAN SARIKAYA KOMPOZITING / COMPOSITING JOHANNES LÜBKE GLAZBA / MUSIC VF MUSIQUE, LILI LOUISE MUSIQUE PRODUCENTICA / PRODUCER PAULINA LARSON OBRAZOVNA USTANOVA / EDUCATIONAL INSTITUTION FILMAKADEMIE BADEN-WÜRTTEMBERG, WWW.FILMAKADEMIE.DE PRODUKCIJA, DISTRIBUCIJA / PRODUCTION, DISTRIBUTION FILMAKADEMIE BADEN-WÜRTTEMBERG GMBH, WWW.FILMAKADEMIE.DE

NESIGURAN SNIJEG THE UNCERTAIN SNOW LA NEIGE INCERTAINE

HOW MANY BIANCA SCALI NJEMAČKA / GERMANY, DCP, 2021, 2’54”

MARION BOISROND, MARIE-LIESSE COUMAU, ADA HERNAEZ, GWENDOLINE LEGENDRE, ROMANE TISSEAU FRANCUSKA / FRANCE, DCP, 2021, 6’56”

U potrazi za polarnim medvjedima na Arktiku, fotografkinja uviđa da je propustila više od kadra.

On the lookout for polar bears in the Arctic, a wildlife photographer realizes she may have missed more than a shot.

MARION je diplomirala na École Emile Cohl 2017. te na Gobelinsu 2021. godine. Strasna je pripovjedačica, a priča riječima ili slikama.

MARION graduated from École Emile Cohl in 2017 and from Gobelins in 2021. She is passionate about storytelling, using either words or images.

MARIE-LIESSE studirala je ilustraciju prije negoli je upisala Gobelins, gdje se prvenstveno bavila animacijom i knjigama snimanja.

MARIE-LIESSE studied illustration before getting in Gobelins school, where she was particulary interested in animation and storyboarding.

ADA je diplomirala na Gobelinsu 2021. godine. Voli pričati priče vizualima.

ADA graduated from Gobelins in 2021. She loves telling stories through visuals.

GWENDOLINE je bila samouka prije negoli je upisala Gobelins za licencu i magisterij iz animacije. Prvenstveno ju je zanimala 2D-animacija, boje, layout te dizajn likova.

GWENDOLINE was self-taught before entering Gobelins for a license and a master in Animation. She took a particular interest for 2D animation, colors, layout and character design.

ROMANE je pohađala nekoliko škola prije negoli je upisala magisterij iz umjetnosti na Gobelinsu. Specijalnost su joj 2D-animacija i layout, a voli i vizualni razvoj.

ROMANE went to several different schools before getting into Gobelins for a master of arts. She specializes in 2D animation and layout, and also likes visual development.

Mathieua muče mnogi problemi. Prepušta se tuzi, i kišne kapi postaju njegove suze, a njegove suze kišom. Sjedinjuje se sa svojom tugom. Došlo je vrijeme da zapleše, a suze su mu pratnja. BIANCA SCALI, rođena u Francuskoj 1998. godine, studira animaciju od 2017. godine na Filmskoj akademiji Baden-Württemberg.

Mathieu is weighed down by many questions which put him in a heavy state. But as he gives in to his sadness, the rain becomes tears and his tears become rain. He becomes one with his sadness. It’s his time to dance, and the tears accompany him. BIANCA SCALI, born in France in 1998, studies animation since 2017 at the Filmakademie Baden-Württemberg.

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PENTOLA

NE HRANITE GOLUBOVE DO NOT FEED THE PIGEONS

LEO ČERNIC ITALIJA / ITALY, DCP, 2022, 7’12”

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ANTONIN NICLASS UJEDINJENO KRALJEVSTVO / UNITED KINGDOM, DCP, 2021, 8’40”

„Nije lako biti junak. Ali ti, Pentola… ti si moj superjunak.“ LEO ČERNIC je redatelj i scenarist koji je radio na filmovima Kikibio in žerjav (2017.), Ples ljubezni (2018.) i Vojna besed ali spoštljiva tišina (2020.). Studirao je animaciju na Centro Sperimentale di Cinematografia, ogranak Pijemont 2021. Pentola je njegov završni rad.

“It’s not so easy to be a hero. But you, Pentola... You are my superhero.” LEO ČERNIC is a director and screenwriter, who worked on Kikibio in žerjav (2017), Ples ljubezni (2018) and Vojna besed ali spoštljiva tišina (2020). He studied animation at Centro Sperimentale di Cinematografia, sede Piemonte in 2021. Pentola is his graduation project.

Dva su sata ujutro na prosječnoj jadnoj autobusnoj postaji. Skupina umornih i usamljenih putnika čeka posljednji bus. Nekako, u tom hladnom i deprimantnom prostoru, golubovi koji su se ondje nastanili uspijevaju na jedan krasan trenutak stvoriti čarobnu vezu među njima.

It’s 2 am in a sad coach station like any other. A collection of tired and lonely travellers are waiting for the last coach. Somehow, in that cold and depressing place, the resident pigeons manage to create a magical connection between them for a beautiful instant.

ANTONIN je švicarsko-francuski redatelj animiranih filmova. Nabasao je na filmsku industriju radeći kao asistent kamere na nekoliko kratkih filmova i TV-serija u Švicarskoj. Preselio se u Belgiju 2011. godine kako bi studirao film. Diplomirao je na Institut des arts de diffusion kratkim filmom Panda. Nakon studija radio je kao pomoćnik redatelja na glazbenim spotovima u Bruxellesu, snimio je i brojne kratke animirane filmove za Tataki, digitalni ogranak švicarske televizije, u kojima je kombinirao razne vizuale i tehnike. Potom je odlučio slijediti svoju strast prema animaciji i upisao je Nacionalnu školu filma i televizije kraj Londona kako bi režirao svoj postdiplomski film Ne hranite golubove.

ANTONIN is a Swiss and French animation director. He discovered the film industry by working as a camera assistant on several short films and TV series in Switzerland. In 2011, he moved to Belgium to study Filmmaking and then graduated from the Institut des Arts de Diffusion with his short film Panda. Whilst working as an assistant director on music videos in Brussels, he produced many very short animation films for Tataki, the digital branch of Swiss television, mixing various visuals and techniques. He then pursued his passion for animation and joined the National Film and Television School near London to direct his post-graduate film Do Not Feed the Pigeons.

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TEHNIKA / TECHNIQUE CRTEŽ NA PAPIRU / DRAWINGS ON PAPER JEZIK / LANGUAGE FRANCUSKI / FRENCH REŽIJA, SCENARIJ, ANIMACIJA, MONTAŽA / DIRECTOR, SCREENPLAY, ANIMATION, EDITING SHIH-YEN HUANG GLAZBA / MUSIC GUSTAVE CARÈNE ZVUK / SOUND XAVIER DROUAULT, THÉO SERRER GLAS / VOICE YI-HAN JEN PRODUCENTICE / PRODUCERS JULIETTE COURTILLIER; SHIH-YEN HUANG PRODUKCIJA / PRODUCTION ENSAD; SHIH-YEN HUANG OBRAZOVNA USTANOVA / EDUCATIONAL INSTITUTION ENSAD – ÉCOLE NATIONALE SUPÉRIEURE DES ARTS DÉCORATIFS, WWW.ENSAD.FR DISTRIBUCIJA / DISTRIBUTION MIYU DISTRIBUTION, WWW.MIYU.FR

HIJEROFANIJA HIEROPHANY HIEROFANIA

DŽEM OD LEPTIRA BUTTERFLY JAM LA CONFITURE DE PAPILLONS

MARIA NITEK POLJSKA / POLAND, DCP, 2021, 4’

SHIH-YEN HUANG FRANCUSKA, TAJVAN / FRANCE, TAIWAN, DCP, 2021, 6’19”

Ništavilo puca i oslobađa se nešto. Iz mračne mase nalik katranu izranjaju bespolna bića u repetitivnim, besciljnim pokretima. Sve se mijenja kad jedno od njih u sebi otkrije n e š t o. Iz sebe izvlači crvenu loptu. Lopta smjesta počinje rasti, mijenja svoj oblik i hipnotizira sva bića. Sva se bića ujedinjuju u ekstatičnom, ritualnom plesu – javlja se ideja iz koje se oblikuje zajednica. Bića se gube, guta ih jaz supstance koja nalikuje vulkanskoj lavi. Iz kultiviranog objekta vaginalnog oblika rađa se nov život, život drugačiji od onoga koji mu je prethodio – živopisan, raznolik i rodno obilježen. MARIA NITEK rođena je u Varšavi 1996. godine. Diplomirala je medijsku umjetnost na Akademiji likovnih umjetnosti u Varšavi (2018.). Trenutačno studira animirani film i specijalne efekte na Poljskoj nacionalnoj školi za film, televiziju i kazalište u Łódźu.

Nothingness bursts, and lets out something. From a dark, tarry mass beings emerge – genderless, looped and alone in repetitive, aimless motions. Everything changes, when one of them discovers s o m e t h i n g in itself. It extracts a red ball from within itself. Immediately, the ball starts getting bigger, shifting in shape and hypnotising all of the beings. They all unite in an ecstatic, ritual dance – an idea forms a community. The beings lose themselves and are engulfed by the abyss of the substance which resembles volcanic lava. From a cultivated object of vaginal shape, a new life is born, a life which differs from the one that existed before – a colourful, diverse and gendered life. MARIA NITEK was born in 1996 in Warsaw. In 2018, she graduated Media Art at the Academy of Fine Arts in Warsaw. Currently a student of the Animated Film and Special Effects at the Polish National Film, Television and Theater School in Lodz.

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Mlada žena opisuje svog oca i njegov odnos s brojnim kućnim ljubimcima, za koje se nikad nije bio u stanju brinuti. Životinje sustavno ugibaju jedna za drugom u kontekstu obitelji u razdoru. Ovo je priča o nespretnim ljudima čiji izljevi ljubavi bez takta na koncu otuđuju njihove voljene.

A young woman describes her father and his relationship to his many pets that he never managed to take care of. The animals consistently die one after the other in a context of a family being torn apart. This is a story of those clumsy people whose tactless expressions of love end up pushing away their loved ones.

SHIH-YEN HUANG rođena je 1990. na Tajvanu. Živi i radi u Francuskoj. S više od deset godina iskustva i istraživanja umjetničkih videoinstalacija i ulja na platnu, primarno se bavi tragovima sjećanja u predmetima i prostoru kroz crtanje i animaciju.

SHIH-YEN HUANG was born in 1990 in Taiwan. She lives and works in France. With more than ten years of experience and research in Art Video and in oil painting, she focuses on the marks of memory in objects and space through drawing and animation.

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TEHNIKA / TECHNIQUE 2D/3D-ANIMACIJA / 2D/3D ANIMATION JEZIK / LANGUAGE ENGLESKI / ENGLISH REŽIJA, SCENARIJ, ANIMACIJA, MONTAŽA, KOMPOZITING, KNJIGA SNIMANJA, GLAZBA, PRODUCENT / DIRECTOR, SCREENPLAY, ANIMATION, EDITING, COMPOSITING, STORYBOARD, MUSIC, PRODUCER MICHAEL BOHNENSTINGL LAYOUT JULIA SKALA ZVUK / SOUND PERSCHYA CHERHARHZI, STEFAN ERSCHIG GLASOVI / VOICES BOBBY CONN, ELLIE GOFFE, MICHAEL BOHNENSTINGL, GRANT MASTERS, MATT FARLEY, CLARA DEITMAR OBRAZOVNA USTANOVA / EDUCATIONAL INSTITUTION FILMAKADEMIE BADEN-WÜRTTEMBERG, WWW.FILMAKADEMIE.DE DISTRIBUCIJA / DISTRIBUTION AG ANIMATIONSFILM, WWW.AG-ANIMATIONSFILM.COM

SAUNA

ZABUŠANT SLOUCH

LARA PERREN, ANNA LENA SPRING ŠVICARSKA / SWITZERLAND, DCP, 2021, 4’19”

MICHAEL BOHNENSTINGL NJEMAČKA / GERMANY, DCP, 2022, 17’54”

Ava prvi put posjećuje saunu. Pod dojmom je golotinje, svojih misli i tjelesnih osjeta. Ostali posjetitelji slijede svoje rutine. S porastom temperature, Ava se počinje opuštati. Konačno, otapa se i rastvara u potpunoj ekstazi. LARA PERREN rođena je 1998. godine u Thunu u Švicarskoj. Obrazovanje: PreCollege of Art and Design, Bern (2018.), bakalaureat iz animacije s HSLU-a (Sveučilište primijenjenih znanosti i umjetnosti u Luzernu, 2021.). ANNA LENA SPRING rođena je 1997. godine u Bernu u Švicarskoj. Obrazovanje: PreCollege of Art and Design, Bern (2018.), bakalaureat iz animacije s HSLU-a (Sveučilište primijenjenih znanosti i umjetnosti u Luzernu, 2021.).

Ava enters the Sauna for the first time. She is overwhelmed by the nudity, her thoughts, and the physical sensations. The other guests go about their routines. With the rising heat Ava starts to relax. Finally, she melts away and dissolves into complete ecstasy. LARA PERREN was born 1998 in Thun, Switzerland. Education: PreCollege of Art and Design in Bern (2018), Bachelor in Animation from HSLU (Lucerne University of Applied Sciences and Arts; 2021). ANNA LENA SPRING was born 1997 in Bern, Switzerland. Education: PreCollege of Art and Design in Bern (2018), Bachelor in Animation from HSLU (Lucerne University of Applied Sciences and Arts; 2021).

Nazoviglazbenu legendu Sloucha njegov tekstopisni demon Nuffti nagoni na uranjanje u najmračnije emocije, dok njegova trudna djevojka Lisa želi da se on posveti harmoničnom obiteljskom životu…

Wannabe musical legend Slouch is pushed by his song-writing-demon Nuffti to deep dive into his darkest emotions, while his girlfriend Lisa is pregnant and wants him to transition into a harmonic family life...

MICHAEL BOHNENSTINGL je redatelj i scenarist koji se fokusira na priče u animaciji orijentirane na likove. Radio je na dječjim serijama sa Studiom Soi. Stvara smiješne i, nada se, dirljive kratke filmove. Povremeno organizira i vodi večeri alternativnog filma Noć srama, na kojima filmaši prikazuju svoje najgore filmove.

MICHAEL BOHNENSTINGL is a director and writer, focusing on character-based stories in animation. He worked on kids-series with Studio Soi and makes somewhat funny and hopefully touching short films. Occasionally he hosts the alternative film event Night of Shame in which filmmakers show their most terrible films.

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TEHNIKA / TECHNIQUE 2D-ANIMACIJA, PLASTELIN / 2D, CLAY ANIMATION JEZIK / LANGUAGE JAPANSKI / JAPANESE REŽIJA, SCENARIJ, ANIMACIJA, KAMERA, MONTAŽA, LAYOUT, KOMPOZITING, KNJIGA SNIMANJA / DIRECTOR, SCREENPLAY, ANIMATION, CAMERA, EDITING, LAYOUT, COMPOSITING, STORYBOARD SHIIKA OKADA GLAZBA / MUSIC SAMAYU KUROYANAGI ZVUK / SOUND KOHEI ISEKI GLASOVI / VOICES MAMI KAWAGUCHI, KOHEI ISEKI, MAYUKO SUZUKI, SHIIKA OKADA, KANNA NAZUKA, KAZUNE OKADA, CHIKA MASUDA, MIREI SUMIYOSHI, MIZUKI OKADA, FUKA SUSUKI, TAKUMI TSUBATA PRODUCENTICA / PRODUCER MITSUKO OKAMOTO OBRAZOVNA USTANOVA / EDUCATIONAL INSTITUTION TOKYO UNIVERSITY OF THE ARTS, WWW.GEIDAI.AC.JP PRODUKCIJA, DISTRIBUCIJA / PRODUCTION, DISTRIBUTION SHIIKA OKADA, WWW.SHIIKAOKADA.COM

KAKO LI JE BITI PACIFIČKI LOSOS TO BE A PACIFIC SALMON

BUĐENJE MAJČINSTVA MATERNAL AWAKENING 母性の目覚め

JULIA CHIEN SJEDINJENE DRŽAVE / UNITED STATES, DCP, 2021, 2’13”

Kako li bi bilo? Znate, kao biti pacifički losos? Životni ciklus pacifičkog lososa tragičan je ali i nadahnjujući. Pun snage, ustrajnosti i prihvaćanja neizbježnog, život je to vrijedan razmatranja. Ovaj film najprije je izrađen u Blenderu, nakon čega je isprintan na rizograf. JULIA CHIEN je tajvanska Amerikanka, studira film, animaciju i video na Školi za dizajn u Rhode Islandu. Materijalnost joj je od izrazite važnosti i istražuje ju u svim svojim djelima. U svojim filmovima često se bavi temama odrastanja, identiteta i veza.

SHIIKA OKADA JAPAN, DCP, 2021, 5’10”

What would it be like? You know, like, to be a pacific salmon? The life cycle of a pacific salmon is a tragic, but inspiring one. Filled with strength, perseverance, and acceptance of the inevitable, it is a life worth discussing. This film was created in blender originally, then printed out through a risograph. JULIA CHIEN a Taiwanese American studying film, animation, and video at the Rhode Island School of Design. Materiality is extremely important to her and is explored in all of her work. She often explores themes of adolescence, identity, and relationships in her films.

Snimila sam ovaj film kombinirajući deset godina svojih uspomena s glasovima iz intervjua mojih prijatelja, koji bilježe buđenje mojih majčinskih osjećaja. Htjela sam snimiti zabavan i nestrukturiran film, u kojemu bi svaka scena odavala drugačije impresije. Brinula me posljednja scena filma. Pravi majčinski osjećaji su mi strani, jer nemam djece. Moje mišljenje o majčinstvu jako se promijenilo tijekom snimanja ovoga filma, donekle zrcaleći deset godina pokušaja i pogrešaka počinjenih kroz iskustvo snimanja svih mojih filmova. Zbog toga kraj filma je takav da svaki gledatelj može steći vlastite dojmove o majčinstvu i djeci. SHIIKA OKADA (1996., Tokio) diplomirala je na Odsjeku za intermedijsku umjetnost Sveučilišta likovnih umjetnosti u Tokiju 2018. Osim animacije, bavi se glazbom i piše scenarije. Od 2019. studira na Odsjeku za animaciju Visoke škole filma i novih medija Sveučilišta likovnih umjetnosti u Tokiju.

I made this film by combining 10 years worth of my memories and voices from interviews of my friends that trace my maternal awakening. I wanted to make this film enjoyable and extemporaneous, giving a different impression to each scene. I was worried about the last scene of the film. I am unfamiliar with true maternal feelings because I have no children. My opinion about it has changed a lot in the making of my film, mirroring the 10 years of trial and error in the process of making my films. That is why I made the ending so that each viewer can find their answers about motherhood and children. SHIIKA OKADA (1996, Tokyo, Japan) graduated from the Department of Intermedia Art, Tokyo University of the Arts in 2018. In addition to making animation, she also creates music and writes scripts. As of 2019, she is studying at the Department of Animation at Tokyo University of the Arts Graduate School of Film and New Media.

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TEHNIKA / TECHNIQUE LUTKA-FILM, PIKSILACIJA, 2D-ANIMACIJA / PUPPET ANIMATION, PIXILATION, 2D ANIMATION JEZIK / LANGUAGE POLJSKI / POLISH REŽIJA, SCENARIJ, ANIMACIJA, KAMERA, LAYOUT, KOMPOZITING, KNJIGA SNIMANJA / DIRECTOR, SCREENPLAY, ANIMATION, CAMERA, LAYOUT, COMPOSITING, STORYBOARD JULIA ORLIK MONTAŽA / EDITING ALEKSANDRA ROSSET GLAZBA / MUSIC BARTŁOMIEJ ORLIK ZVUK / SOUND BOGDAN KLAT GLASOVI / VOICES JULIA ORLIK, BARTŁOMIEJ ORLIK, KATARZYNA ORLIK, ARKADIUSZ ORLIK PRODUCENTICA / PRODUCER AGATA GOLAŃSKA OBRAZOVNA USTANOVA / EDUCATIONAL INSTITUTION POLISH NATIONAL FILM SCHOOL IN ŁÓDŹ, WWW.FILMSCHOOL.LODZ.PL PRODUKCIJA, DISTRIBUCIJA / PRODUCTION, DISTRIBUTION POLISH NATIONAL FILM SCHOOL IN ŁÓDŹ, WWW.FILMSCHOOL.LODZ.PL

O TITI N PRO

I J E A C ION T

JULIA ORLIK (1996), a student at the Polish National Film School in Łódź, specializes in animated film and special effects.

A R G

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M NATJ E

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JULIA ORLIK (1996.) studira na Poljskoj državnoj školi filma u Łódźu, a uža specijalnost su joj animacija i specijalni efekti.

A tale of a girl who studied animation and spent four years without a day of vacation. An animated short about a film school student who is working on her graduation film.

V R A N I N COMPE M

ELJSKI T P CA

Priča o djevojci koja studira animaciju i provodi četiri godine bez ijednog slobodnog dana. Kratki animirani film o polaznici filmske škole koja snima svoj završni film.

JULIA ORLIK POLJSKA / POLAND, DCP, 2022, 8’

TO NEĆE BITI FESTIVALSKI FILM THIS WILL NOT BE A FESTIVAL FILM TO NIE BĘDZIE FILM FESTIWALOWY

E J C T A N A N N I A M A R T V

NATJECANJE STUDENTSKOG FILMA STUDENT FILM COMPETITION 4

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TEHNIKA / TECHNIQUE FOTOGRAMETRIJA / PHOTOGRAMMETRY REŽIJA, ANIMACIJA, ZVUK / DIRECTOR, ANIMATION, SOUND MAARTEN ISAÄK DE HEER PRODUCENTICA / PRODUCER EVELYN BRANCARD PRODUKCIJA, DISTRIBUCIJA / PRODUCTION, DISTRIBUTION MENETEKEL FILM, WWW.MENETEKEL.ART

TEHNIKA / TECHNIQUE 3D-ANIMACIJA, MOCAP, KLASIČNA ANIMACIJA / 3D ANIMATION, MOCAP, TRADITIONAL ANIMATION REŽIJA, SCENARIJ, ANIMACIJA / DIRECTORS, SCREENPLAY, ANIMATION AMIR ADMONI, FABITO RYCHTER ULOGE / CAST ALICE BRAGA, LOUIS OZAWA PRODUCENT / PRODUCER FABITO RYCHTER PRODUKCIJA, DISTRIBUCIJA / PRODUCTION, DISTRIBUTION DELIRIUM XR, WWW.DELIRIUMXR.COM.BR

JATO SWARM SCHWARM

LAVRYNTHOS

157

AMIR ADMONI, FABITO RYCHTER PERU, BRAZIL, QUEST 2, 2021, 20’

MAARTEN ISAÄK DE HEER NJEMAČKA / GERMANY, HTC VIVE, 2022, 14'

Male ptice migriraju preko distopijskog krajolika. Lete u jatu preko Njemačke i Alpa do Sredozemnog mora. Crvendaći, sjenice i vrapci obično ne migriraju toliko daleko, no možda hoće u bliskoj budućnosti. Jato iz ptičje perspektive nudi pogled na trodimenzionalne fotokolaže europskih krajolika pogođenih klimatskim promjenama. Živopisno perje na putovanju preko iscijeđenog i eksploatiranog okoliša.

Small birds are migrating over dystopian landscapes. They fly in flock as they travel from Germany, over the Alps, to the Mediterranean Sea. Robins, tits and sparrows do not usually migrate this far, but in a near future, they might. Swarm offers a bird’s eye’s view over landscapes of threedimensional photocollages that show a part of Europe after climate change. Colourful feathers on a journey over an exhausted and exploited environment.

Lavrynthos nas smješta u središte labirinta na Kreti kako bi nam ispričao priču o neočekivanom prijateljstvu između Minotaura i njegova sljedećeg obroka – djevojke Core. Suvremena je to grčka tragedija koja odaje počast kolijevci moderne dramske teorije, istovremeno je podrivajući. Lavrynthos humoristično pristupa 3000 godina starom mitu, osuvremenjujući ga danas relevantnim temama.

Lavrynthos places you at the heart of the labyrinth of Crete to tell you a story of an unlikely relationship between the Minotaur and his next meal, a girl named Cora. A contemporary Greek tragedy paying homage to the cradle of modern dramatic theory while challenging it at the same time. Lavrynthos is a humorous take on a 3000-year-old myth, updating it with themes and topics relevant in this day and age.

MAARTEN ISAÄK DE HEER animator je koji živi i radi u Berlinu. Uz ugovoreni rad, svake 2-3 godine producira jedno nenamjensko animirano djelo. Njegova djela istražuju nove oblike, poput instalacija i animiranog slikarstva, 360°, fulldome projekcije, virtualne stvarnosti (VR), lentikularnog tiska i animiranog dokumentarnog filma o prirodi. 2020. godine osnovao je Menetekel film, produkcijsku kompaniju s fokusom na loše znamenje.

MAARTEN ISAÄK DE HEER is a Berlin-based animation artist. Besides his commissioned work, every 2-3 years he produces one piece of free animation. His works explore new forms such as installations of animated paintings, 360°, Fulldome, VR, lenticular print and animated wildlife documentary. In 2020 he started Menetekel Film; a production company focusing on bad omens.

AMIR ADMONI radio je za MTV, Disney, Nickelodeon, Comedy Central, Netflix i brojne druge, a njegova djela imaju globalnu publiku. Režirao je šest kratkih animiranih filmova, koji su prikazivani na festivalima širom svijeta, osvojivši više od 120 nagrada. Surađuje s Fabitom na serijama Gravity VR, Linear i Mario Marionete.

AMIR ADMONI has worked for MTV, Disney, Nickelodeon, Comedy Central, Netflix among others and has had his personal work featured worldwide. He has directed 6 animated short films that were screened around the world, achieving more than 120 awards. He has partnered with Fabito in the Gravity VR, Linear and Mario Marionete series.

FABITO RYCHTER radi kao televizijski scenarist već 17 godina, i radio je na nekim od najpoznatijih brazilskih produkcija, koje imaju tjednu gledanost od deset milijuna ljudi. 2016. godine osnovao je produkcijsku kuću za VRprojekte DeliriumXR.

FABITO RYCHTER has worked as a TV scriptwriter for 17 years and contributed to some of Brazil’s most famous shows, reaching more than 10 millions weekly viewers. In 2016 started the DeliriumXR Virtual Reality production company.

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TEHNIKA / TECHNIQUE 3D-ANIMACIJA / 3D ANIMATION REŽIJA / DIRECTOR RAUMKAPSEL SCENARIJ / SCREENPLAY JAN RIESENBECK, DENNIS STEIN-SCHOMBURG ANIMACIJA / ANIMATION FIONA DIETZ, AARON FARKAS, YANNICK STARK MODELIRANJE / MODELING FIONA DIETZ, AARON FARKAS, MARLON GERLAND, REGINA KHARISOVA, YANNICK STARK GLAZBA / MUSIC THOMAS HÖHL PRODUCENTI / PRODUCERS DENNIS STEIN-SCHOMBURG, MARTIN SCHMIDT PRODUKCIJA, DISTRIBUCIJA / PRODUCTION, DISTRIBUTION RAUMKAPSEL, WWW.RAUMKAPSEL.SPACE/DE

REŽIJA, SCENARIJ, ANIMACIJA / DIRECTOR, SCREENPLAY, ANIMATION ANTONIN NICLASS GLAZBA / MUSIC FABIO AMURRI ULOGA / CAST MIRIAM MARGOLYES PRODUCENT / PRODUCER JORDI MORERA PRODUKCIJA / PRODUCTION 2020 FILMS LTD, JMC.JORDI@GMAIL.COM DISTRIBUCIJA / DISTRIBUTION ANTONIN NICLASS, ANTONIN.NICLASS@GMAIL.COM

DÉJÀ-VU VR

PONOĆNA PRIČA MIDNIGHT STORY

RAUMKAPSEL NJEMAČKA / GERMANY, HTC VIVE, 2021, 15’

159

ANTONIN NICLASS UJEDINJENO KRALJEVSTVO / UNITED KINGDOM, QUEST 2, 2022, 12’

U gradu Evia nekoliko građana zaraženo je svjetlošću. Djevojčica otkrije jednoga od nositelja. Sprijatelji se s njim, hrani ga i udomi. Nailazi na neodobravanje drugih građana, koji žele protjerati nositelja. Progon počinje… RAUMKAPSEL je novi animacijski studio iz Kassela u Njemačkoj. Njihovi animirani filmovi osvojili su brojne nagrade i prikazani su na međunarodnim filmskim festivalima poput Berlinalea i Cannesa. Studio se bavi i komercijalnom djelatnošću, produkcijom serija, VR iskustava i instalacija.

In the city of “Evia” several residents are infected with light. A girl discovers what appears to be the host. She befriends it, feeds it and houses it, to the disapproval of the other residents. They want to drive the host away. A persecution begins… RAUMKAPSEL is a young animation studio in Kassel, Germany. Their animated films have won numerous awards and were screened at international film festivals such as Berlinale and Festival de Cannes. The studio also realises commercial works, series productions, VR experiences and installations.

Starica čeka na posljednji bus na otužnoj stanici. Za razonodu promatra druge usamljene putnike. Iznenada golubovi uspiju stvoriti poveznicu između svih putnika. ANTONIN je švicarsko-francuski redatelj animiranog filma. Počeo je karijeru kao pomoćnik snimatelja u Švicarskoj, nakon čega je u Belgiji upisao studij filma. Za vrijeme studija producirao je brojne animirane videe za Tataki, digitalni odjel švicarske televizije. Kasnije je upisao studij animacije na NFTS-u, gdje je režirao film Ne hranite golubove, koji je nominiran za nagradu BAFTA. Za vrijeme studija dosta je eksperimentirao s VR-animacijom, s čime je nastavio kroz nekoliko projekata i nakon diplome.

An old lady is waiting for the last coach in a sad-looking station. To distract herself, she observes the lonely travellers. Suddenly, pigeons manage to create a connection between them all. ANTONIN is a Swiss and French animation director. He started as a camera assistant in Switzerland before moving to Belgium to study filmmaking. At the time, he produced numerous animation clips for Tataki, the digital branch of Swiss television. He further pursued his passion for animation by joining the National Film & Television School in the UK where he directed his BAFTA nominated film Do Not Feed the Pigeons. During his studies, he experimented a lot with VR and decided to continue developing a few projects in this field after graduation.

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NATJECANJE VR ANIMACIJE VR ANIMATION COMPETITION

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NATJECANJE VR ANIMACIJE VR ANIMATION COMPETITION

TEHNIKA / TECHNIQUE 3D-ANIMACIJA / 3D ANIMATION REŽIJA, SCENARIJ, KAMERA, MONTAŽA, ANIMACIJA / DIRECTOR, SCREENPLAY, CAMERA, EDITING, ANIMATION KEISUKE ITOH ZVUK / SOUND MASATO USHIJIMA, MISAKI HASUO GLAZBA / MUSIC YUI MORISHITA PRODUCENTI / PRODUCERS HIROKO FUJIOKA, KATSUTOSHI MACHIBA, TETSUYA OHASHI PRODUKCIJA / PRODUCTION WOWOW INC, WWW.CORPORATE.WOWOW.CO.JP/EN; CINEMALEAP INC., WWW.CINEMALEAP.COM DISTRIBUCIJA / DISTRIBUTION CINEMALEAP INC., WWW.CINEMALEAP.COM

TEHNIKA / TECHNIQUE INTERAKTIVNA ANIMACIJA / INTERACTIVE ANIMATION REŽIJA / DIRECTOR JAMES A. CASTILLO SCENARIJ / SCREENPLAY LYDIA RYNNE ANIMACIJA / ANIMATION AZIZ KOCANAOGULLARI KNJIGA SNIMANJA / STORYBOARD JUANPE ARROYO, MRIGANKA BHUYAN, CARLOS LINARES-RIVAS RODRÍGUEZ GLAZBA / MUSIC CARLOS RODRIGUEZ RODRIGUEZ ULOGE / CAST GODELIV VAN DER BRANDT, FERNANDO GUILLÉN CUERVO PRODUCENTI / PRODUCERS CRAIG SKERRY, CORENTIN LAMBOT, DASH SPIEGELMAN & KYE DORRICOTT PRODUKCIJA / PRODUCTION ATLASV & NO GHOST DISTRIBUCIJA / DISTRIBUTION ASTREA

PLJESAK CLAP

MADRID NOIR

161

JAMES A. CASTILLO FRANCUSKA / FRANCE, QUEST 2, 2021, 42’

KEISUKE ITOH JAPAN, QUEST 2, 2021, 13’

Protagonist „čovjek-nit“ nema samopouzdanja i vodi ništavnu egzistenciju. Jednog kišnog dana čovjek-nit šeće ulicom, kad prazna limenka padne pred njega. Nataknuvši limenku na stopalo, počne plesati ne bi li reproducirao zvuk limenke u padu. Ubrzo se oko njega skupi publika, zvuk pljeska se pojačava, a s njime raste i pritisak. Zašto se čovjek-nit boji aplauza? Kad ga aplauz dosegne, označava početak krasnog zvuka. KEISUKE ITOH redatelj je animiranog VR-filma. Diplomirao je na odsjeku za grafički dizajn Umjetničkog sveučilišta Tama. Radio je kao grafički dizajner u industrijskom pogonu, a 2012. godine počeo se honorarno baviti računalno generiranim slikama. 2019. godine njegovo djelo Pero premijerno je prikazano u studentskoj selekciji na 76. Venecijanskom filmskom festivalu, kao prvi japanski film u kategoriji VR-a. 2020. i 2021. godine njegova djela Ritam i Pljesak nominirana su u natjecateljskom programu Bijenala. Njegova djela prikazana su na brojnim filmskim festivalima, uključujući Berlinski međunarodni filmski festival, Međunarodni filmski festival u Busanu i SIGGRAPH.

The protagonist "Thread man" lacks self-confidence and has shrunk to a thread-like existence. One rainy day, he is walking down an alley when an empty can falls in front of him. By wearing the can on his foot, he starts to dance to create the sound. Soon a crowd of people gather around him, and the sound of applause is getting loud - why does the sound of clapping scare him?

Nakon što njezina ujaka s kojim više nije u kontaktu proglase mrtvim, apatetična mlada djevojka dolazi u Madrid kako bi ispraznila stan u kojemu je ujak živio. Lola ubrzo uranja u sjećanja, kroz koja pokušava posložiti slagalicu ujakove prošlosti. Snimljen u duhu zapanjujuće kazališne predstave, ovaj šarmantni misterij razrješava se diljem noćnog Madrida koji je pregazilo vrijeme.

KEISUKE ITOH is a VR animation director. He graduated from Tama Art University's Department of Graphic Design. After working as a graphic designer for a manufacturing company, he became a freelance CGI artist in 2012. In 2019, his VR animation Feather premiered at the 76th Mostra in Venice in the Biennale College Selection as the first Japanese film in the VR category. In 2020 and 2021, his Beat and Clap were nominated in the competition section of the same festival. His works have been screened at numerous film festivals, including Berlinale, Busan International Film Festival, and SIGGRAPH.

JAMES A. CASTILLO redatelj je i dizajner likova iz Madrida. Njegov rad u dizajnu obilježio je brojne velike produkcijske kuće poput Paramount Picturesa i Sony Animationa. Njegov jedinstven stil daje Madrid Noiru šarmantan izgled koji ga izdvaja iz drugih djela u VR-u. Počeo se zanimati za VR narative dok je radio kao umjetnički direktor na Meliti, VR iskustvu u produkciji Oculus Studios, koji je pokupio nekoliko festivalskih nagrada i priznanja, uključujući Venecijanski filmski festival i Sitges.

After her estranged uncle is declared dead, a disenchanted young woman arrives in Madrid to empty the apartment that he left behind. Lola is soon compelled to dig into her memories, where she’ll pick up her uncle’s shadowy trail and attempt to piece together the puzzles of the past. Staged as an awe-inspiring theatre production, this charming mystery unfolds across a city that lives in the night, a Madrid now lost to time. JAMES A. CASTILLO is a Director and Character Designer hailing from Madrid. His design work has been central to major production companies including Paramount Pictures and Sony Animation, among others. His unique style gives Madrid Noir its charming look that marks it out from other VR offerings. He developed an interest in creating VR narratives while working as an art director on Melita, a VR experience by Oculus Studios which amounted to half a dozen awards and recognitions, including at the Venice Film Festival and Sitges.

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TEHNIKA / TECHNIQUE 3D-ANIMACIJA / 3D ANIMATION REŽIJA, KNJIGA SNIMANJA, SCENARIJ / DIRECTOR, STORYBOARD, SCREENPLAY HSIN-CHIEN HUANG RAČUNALNA GRAFIKA / COMPUTER GRAPHICS WEI-CHIEH CHIU, HUA-LUN WU, CHUN-YEN YU, PEI-YANG YEH MODELIRANJE / MODELING GUAN-YI LI, ZU-WEI CHEN GLAZBA / MUSIC JASON BINNICK VODITELJ PROJEKTA / PROJECT MANAGER CHUNG-HSIEN CHEN ULOGE / CAST SHENG-FANG HSU, SU YANG, FRANCESCA LO RUSSO, YAN-LING LIN PRODUKCIJA, DISTRIBUCIJA / PRODUCTION, DISTRIBUTION VIRTUAL AND PHYSICAL MEDIA INTEGRATION ASSOCIATION OF TAIWAN

TEHNIKA / TECHNIQUE 3D-ANIMACIJA / 3D ANIMATION REŽIJA / DIRECTOR BENJAMIN STEIGER LEVINE SCENARIJ / SCREENPLAY GREGORY KAUFMAN, BENJAMIN STEIGER LEVINE PRODUCENTI / PRODUCERS AUDREY PACART, PAUL-E. AUDET, PIERRE EVEN, ALAIN-GILLES VIELLEVOYE PRODUKCIJA / PRODUCTION ITEM 7, WWW.ITEM7.CA/EN; BELGA PRODUCTIONS, WWW.BELGAPRODUCTIONS.BE DISTRIBUCIJA / DISTRIBUTION DIVERSION CINEMA, WWW.DIVERSIONCINEMA.COM

SAMSARA

MARCO & POLO GO ROUND

輪迴

163

BENJAMIN STEIGER LEVINE KANADA, BELGIJA / CANADA, BELGIUM, HTC VIVE, 2021, 14’

HSIN-CHIEN HUANG TAJVAN / TAIWAN, HTC VIVE, 2021, 21’

U skoroj budućnosti ljudski rod potpuno je uništio Zemljin okoliš. Prisiljeni smo napustiti Zemlju u potrazi za novim domom u svemiru. Kroz stotine godina traganja svemirom, uspjeli smo rekombinirati DNK i na umjetan način evoluirati u drugi oblik. Skočili smo kroz svemirsku singularnost i otkrili novi planet na kojemu se možemo naseliti. Mnogo godina kasnije uviđamo da nismo dosegli novi planet, nego smo se vratili na Zemlju u drugo vrijeme kao drugi oblik života, te da smo plijen svojim precima.

In the near future, the Earth's environment is completely destroyed by the human race. We must abandon it and find a new home in space. After hundred years of space travel, we have re-engineered our DNA and artificially evolved into a new form. We jumped through the space singularity and found a new planet to settle. Many years go by before we realize that we didn't reach a new world but returned to Earth in another time as a different life form, and our ancestors are now our predators.

HSIN-CHIEN HUANG, rođen u Taipeiju, vičan je kombinaciji VR-a, interaktivnih instalacija i izvedbenih umjetnosti u svrhu istraživanja viših sposobnosti ljudskog roda kroz tehnologiju. Posljednjih godina, Huangova revolucionarna djela u VR-animaciji privukla su međunarodnu pažnju i osvojila niz nagrada. Dugometražni VR-animirani film La Camera Insabbiata u suradnji s Laurie Anderson osvojio je Grand prix za najbolje VR imerzivno djelo na 74. Venecijanskoj Mostri. Sa sljedećim filmovima Bodyless (2019) i Samsara (2021) nastavio je nizati uspjehe.

HSIN-CHIEN HUANG, born in Taipei City, is adept at combining VR, interactive installations, and performing arts to explore greater possibilities for human life through technology. In recent years, Huang's revolutionary VR works have attracted international attention and won a variety of awards. His VR feature film La Camera Insabbiata, made in collaboration with Laurie Anderson, won the Best VR Experience Award at the 74th Venice Film Festival. He went on to garner acclaim for his films Bodyless (2019) and Samsara (2021).

Marco & Polo Go Round ljubavna je komedija s izrazito nadrealnim obratom. Par se suočava s poteškoćama u vezi dok se sila gravitacije izvrće a svijet oko njih doslovno raspada.

Marco & Polo Go Round is a comedic love story with a very surreal twist. A couple confronts the difficulties in their relationship as gravity turns on its head and their world literally falls apart around them.

BENOV rad uvršten je u Boards Magazine, Shots Magazine, Stash Magazine, Creativity Magazine, Motionographer i u brojne druge blogove i festivale diljem svijeta. Osvojio je nagradu za najboljeg mladog redatelja na Cannes Lions International Advertising Festivalu u sklopu programa Saatchi and Saatchi New Directors' Showcase te nagradu Young Gun ADC-ja. Njegov promotivni video za grupu Beast nominiran je za najbolji kratki glazbeni spot na nagradama Grammy. Njegova kampanja za Samsung osvojila je nagradu Cannes Lion, a nedavno je preko mreže Wieden and Kennedy režirao VR iskustvo za Samsung. Radio je s klijentima poput Coca-Cole, Spritea, Googlea, Kellogg'sa, Samsunga, Unilevera i Nintenda.

BEN’S work has been featured in Boards Magazine, Shots Magazine, Stash Magazine, Creativity Magazine, Motionographer, and on countless blogs and festivals around the world. Ben was featured as a Best New Director at the Cannes Lions International Advertising Festival as part of the Saatchi and Saatchi New Directors’ Showcase, and named a Young Gun by the ADC. His promo for the band Beast was nominated for Best Music Video at the Grammys. His holiday Campaign for Samsung garnered a Cannes Lion and he recently directed a VR experience through Wieden and Kennedy for Samsung. He has worked for clients such as Coca-Cola, Sprite, Google, Kellogg’s, Samsung, Unilever and Nintendo to name a few.

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TEHNIKA / TECHNIQUE CRTEŽ OLOVKOM NA PROZIRNOM PAPIRU, OBRAĐEN NA RAČUNALU / DRAWINGS WITH PENCIL ON TRACING PAPER, EDITED ON A COMPUTER BEZ DIJALOGA / NO DIALOGUE REŽIJA, ANIMACIJA, KNJIGA SNIMANJA, GLAZBA, ZVUK / DIRECTOR, ANIMATION, STORYBOARD, MUSIC, SOUND HAYATO NOVE MONTAŽA / EDITING TOMOKO NOVE PRODUCENTI / PRODUCERS HAYATO NOVE, TOMOKO NOVE PRODUKCIJA, DISTRIBUCIJA / PRODUCTION, DISTRIBUTION BREATH PIECE, WWW.BREATHPIECE.COM

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TEHNIKA / TECHNIQUE 2D-ANIMACIJA / 2D ANIMATION JEZIK / LANGUAGE ENGLESKI / ENGLISH REŽIJA, SCENARIJ, ANIMACIJA, MONTAŽA, PRODUCENTICA / DIRECTOR, SCREENPLAY, ANIMATION, EDITING, PRODUCER FAN SISSOKO GLAZBA / MUSIC TARIQH AKONI (RED WAGON MUSIC; SKLADATELJ / COMPOSER); HAFDÍS BJARNADÓTTIR (TERENSKO SNIMANJE / FIELD RECORDINGS) ZVUK / SOUND ARNAR GUÐJONSSON GLAS / VOICE ENID MBABAZI PRODUKCIJA / PRODUCTION FAN SISSOKO, WWW.INSTAGRAM.COM/WHATFANDOES; ART WITH IMPACT, WWW.ARTWITHIMPACT.ORG DISTRIBUCIJA / DISTRIBUTION SUDU CONNEXION, WWW.SUDU.FILM

TEHNIKA / TECHNIQUE CRTEŽ / DRAWING ANIMATION BEZ DIJALOGA / NO DIALOGUE REŽIJA, SCENARIJ, LAYOUT, KOMPOZITING, KNJIGA SNIMANJA, PRODUCENT / DIRECTOR, SCREENPLAY, LAYOUT, COMPOSITING, STORYBOARD, PRODUCER KRISTJAN HOLM ANIMACIJA / ANIMATION HETA JÄÄLINOJA, KRISTJAN HOLM MONTAŽA / EDITING IVA KRALJEVIĆ GLAZBA / MUSIC KASPAR JANCIS ZVUK / SOUND HORRET KUUS PRODUKCIJA, DISTRIBUCIJA / PRODUCTION, DISTRIBUTION KARABANA, WWW.KARABANA.COM

TEHNIKA / TECHNIQUE 2D/3D-ANIMACIJA, ROTOSKOPIJA / 2D/3D ANIMATION, ROTOSCOPING REŽIJA, ANIMACIJA, PRODUCENT / DIRECTOR, ANIMATION, PRODUCER YURI YEFANOV KAMERA / CAMERA SLAVA TSVETKOV, YURI YEFANOV ZVUK / SOUND YURI YEFANOV, ALINA MURAKHINA GLASOVI / VOICES DMITRIY AVKSENTIEV, ANASTASIA MALTSEVA, NICK LITVIN, EUGENE SAVOISKIY, YURI YEFANOV PRODUKCIJA, DISTRIBUCIJA / PRODUCTION, DISTRIBUTION DИVNO, WWW.YURIYEFANOV.COM

PARALAKSA PARALLAX

NA POVRŠINI ON THE SURFACE

EPIDEMIJA EPIDEMIA

VJEROJATNO VJETAR THE WIND PROBABLY

HAYATO NOVE JAPAN, DCP, 2021, 33’

FAN SISSOKO ISLAND, SJEDINJENE DRŽAVE, MALI / ICELAND, UNITED STATES, MALI, DCP, 2021, 4’

KRISTJAN HOLM ESTONIJA / ESTONIA, DCP, 2021, 10’

YURI YEFANOV UKRAJINA / UKRAINE, DCP, 2021, 11’

Paralaksa postoji između desnog i lijevog oka među svim ljudskim bićima. Pogled se mijenja ovisno o različitim pozadinama. I taj će pogled, ako ne interferira s drugim, uvijek ostati paralelan. Prihvaćanje paralakse naših susjeda i udaljenih ljudi, uključujući i onu koja postoji između jučerašnjeg i današnjeg jastva, svima može pomoći da istraže njezinu sposobnost povezivanja.

Mlada crnkinja kupa se u Islandskom moru i promišlja o svojem iskustvu odgajanja djeteta u zemlji koja nimalo ne nalikuje na dom. Dok ulazi u ledenu vodu, prisjeća se svoje traumatične trudnoće. Boravak u divljini i suočavanje sa svojim strahovima pomaže joj iscijeliti.

Kamera prati događaje koji se zbivaju nakon što dvoje djece pronađe kutiju šibica i odluči skuhati jaje.

Čovjek promatra napuštene ulice svog rodnog grada na rubu apokalipse. Svijet je na ivici da ga apsorbira crna rupa. Poznata mjesta u ruševinama teško je prepoznati i teško je pronaći tragove za razumijevanje je li to stvarnost ili san. U pokušajima da usmjeri stvarnost koja se raspada, jedina s kojom može razgovarati o tome što se događa je umjetna inteligencija.

HAYATO NOVE proveo je pet godina radeći u nekoliko dizajnerskih ureda kao grafički dizajner i ilustrator. Nakon toga radi kao nezavisni dizajner i ilustrator. Od 2007. stvara kratke animirane radove i druga umjetnička djela. Autor je filmova Affordance (2016.) i Paralaksa (2021.). It exists between the right and the left eye amongst all human beings. The view changes depending on different backgrounds. And that view, unless interferes with another, will always remain parallel. Acceptance of our neighbour's and far away people's parallax, including the one which exists between yesterday and today's self, will help everyone explore its connectivity.

FAN SISSOKO je francusko-malijska umjetnica i filmašica iz Reykjavika s obrazovanjem u dizajnu za društvene promjene. Njezin rad istražuje teme migracija, majčinstva, drugosti i neuroraznolikosti. Njezin kratki animirani film Na površini prikazan je na festivalima diljem svijeta, primjerice u Clermont-Ferrandu, Ottawi i na Encountersu te osvojio nekoliko nagrada. A young Black woman goes swimming in the Icelandic sea and reflects on her experience of raising a child in a country that feels nothing like home. As she enters the freezing water, she relives her traumatic pregnancy. Being in the wild and facing her fears is helping her heal.

FAN SISSOKO is a French-Malian artist and filmmaker based in Reykjavik, with a background in design for social change. Her work explores themes of migration, motherhood, HAYATO NOVE spent 5 years working in several design otherhood and neurodiversity. Her animated short film On offices as a graphic designer and illustrator. After that he the Surface was awarded a grant from Art With Impact, and became a freelance designer and illustrator. He began to screened at festivals around the world, including Clermontcreate short animation works and other art works from 2007. Author of films Affordance (2016) and Parallax (2021). Ferrand, Encounters or Ottawa winning several awards.

KRISTJAN HOLM (1976.) diplomirao je 1999. unutrašnje uređenje na Estonskoj umjetničkoj akademiji. Bavio se javnim interijerima, godine 2004. sudjelovao je na Bijenalu arhitekture u Veneciji s radom Zahod trojanskog konja, proveo je razne prostorne eksperimente, ali spoznaja da je prostorija ograničena s četiri zida još uvijek ga muči. Godine 2007. upisao je magisterij na Odsjeku za animaciju Estonske umjetničke akademije i napravio svoj prvi film, Kućica (2009.), nakon kojeg je uslijedila Velika kuća (2011.).

JURIJ JEFANOV je umjetnik i redatelj koji živi u Kijevu u Ukrajini. Rođen je u Zaporožju 1990., odrastao je na Krimu u Hurzufu, a diplomirao na Fakultetu filmske i TV-režije Kijevskog sveučilišta za kulturu i umjetnost. Sudionik je međunarodnih festivala i izložbi eksperimentalnog filma u Europi i SAD-u.

A human is observing the deserted streets of his hometown on the edge of the Apocalypse. The world is on the verge of being absorbed by the Black Hole. Familiar places in the KRISTJAN HOLM (1976) graduated in interior design from ruins are difficult to recognize and it’s hard to understand the Estonian Academy of Arts in 1999. He designed public is it a reality or dream. In a person’s attempts to orientate interior spaces, participated in Venice Architectural Biennale the disintegrating reality, the only one with whom he can as ambassador of Trojan Horse Toilet in 2004, performed discuss what is happening is artificial intelligence. different spatial experiments, but the understanding that YURI YEFANOV is an artist and filmmaker based in Kyiv, a room is limited with four walls still troubled him. He Ukraine. Born in Zaporizhzhya in 1990. Grew up in Crimea, enrolled in the MA studies at the Estonian Academy of Arts Animation Department in 2007 and made his first film in Hurzuf. Graduated from the Kyiv University of Culture and Arts, Faculty of Film and TV Directing. A participant of Small House (2009), followed by Big House (2011). international experimental film festivals and exhibitions in Europe and the USA. Camera is following the events that happen after two kids find a box of matches and decide to boil an egg.

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TEHNIKA / TECHNIQUE 2D-ANIMACIJA / 2D ANIMATION JEZIK / LANGUAGE ENGLESKI / ENGLISH REŽIJA / DIRECTOR INEZ SKILLING SCENARIJ / SCREENPLAY GERONIMO BENNINGTON-POULTER ANIMACIJA / ANIMATION INEZ SKILLING, BEN SPYBEY, PAOLO RUSSO GLAZBA / MUSIC DAN POLLARD ZVUK / SOUND JONNY CREW GLAS / VOICE DANNY KIRRANE PRODUCENTICA / PRODUCER EMMA LAZENBY PRODUKCIJA, DISTRIBUCIJA / PRODUCTION, DISTRIBUTION INEZ SKILLING, INEZSKILLING@GMAIL.COM

ZAŠTO SE MESNICE ZATVARAJU TAKO RANO? WHY DO BUTCHERS CLOSE SO EARLY?

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TEHNIKA / TECHNIQUE CRTEŽ / DRAWN ANIMATION BEZ DIJALOGA / NO DIALOGUE REŽIJA, SCENARIJ, ANIMACIJA / DIRECTOR, SCREENPLAY, ANIMATION JULIE ENGAAS MONTAŽA / EDITING JULIE ENGAAS, CECILIE BJØRNARAA RAČUNALNA GRAFIKA / COMPUTER GRAPHICS FREDRIK HARRESCHOU GLAZBA / MUSIC OLA FLØTTUM ZVUK / SOUND GISLE TVEITO PRODUCENTICA / PRODUCER CECILIE BJØRNARAA PRODUKCIJA, DISTRIBUCIJA / PRODUCTION, DISTRIBUTION TRUE FICTION AS, WWW.TRUEFICTION.NO

TEHNIKA / TECHNIQUE RAČUNALNA 2D-ANIMACIJA, CRTEŽ RUKOM / 2D COMPUTER, HAND DRAWING JEZIK / LANGUAGE ENGLESKI / ENGLISH REŽIJA, SCENARIJ, LAYOUT, KNJIGA SNIMANJA / DIRECTOR, SCREENPLAY, LAYOUT, STORYBOARD BOYOUNG KIM ANIMACIJA / ANIMATION BOYOUNG KIM, HYUN KIM, NAYOUNG KIM MONTAŽA, KOMPOZITING / EDITING, COMPOSITING HYUN KIM, BOYOUNG KIM GLASOVI / VOICES ELLIE HAN, EUNYOUNG LEE, TAE LEE PRODUCENTICA / PRODUCER NAYOUNG KIM PRODUKCIJA, DISTRIBUCIJA / PRODUCTION, DISTRIBUTION MOTION-K, STUDIO.MOTIONK@GMAIL.COM

TEHNIKA / TECHNIQUE STOP-ANIMACIJA / STOP-MOTION JEZIK / LANGUAGE ENGLESKI / ENGLISH REŽIJA, ANIMACIJA, MONTAŽA, LAYOUT, MODELIRANJE, KOMPOZITING, RAČUNALNA GRAFIKA, KNJIGA SNIMANJA, ZVUK / DIRECTOR, ANIMATION, EDITING, LAYOUT, MODELLING, COMPOSITING, COMPUTER GRAPHICS, STORYBOARD, SOUND ARVIN MEDGHALCHI SCENARIJ / SCREENPLAY ARVIN MEDGHALCHI, TANYA GURYEL KAMERA / CAMERA ALI AZHARI GLAZBA / MUSIC ALI AZHARI, NIMA DELNAVAZI GLAS / VOICE BATU GUNDAL PRODUCENT / PRODUCER ARVIN MEDGHALCHI PRODUKCIJA / PRODUCTION ARUCAD, WWW.PROSPECTIVE.ARUCAD.EDU.TR DISTRIBUCIJA / DISTRIBUTION ARVIN MEDGHALCHI, ARVINMEDGHALCHI@YAHOO.COM

BEZ NAS WITHOUT US UTEN OSS

GITARA U TORBI A GUITAR IN THE BUCKET 버킷

LUTKA G. ZECA MR. RABBIT’S DOLL

U svijetu u kojem možete unajmiti sve što vam treba iz ogromnih automata, djevojka želi biti gitaristica, ali ljudi očekuju da bude nešto drugo.

Lutka je gospodinu Zecu bila jedino društvo u usamljenim noćima koje su njegovu šansu da pronađe pravu ljubav pretvorile u katastrofu.

BOYOUNG KIM je korejska animatorica, grafička dizajnerica i nezavisna filmašica. Snimila je niz kratkih animiranih filmova, među kojima su Replacement, Impersonation, Prey i Ručke. Osvojila je 10 nagrada za tri filma od 2013. godine.

ARVIN MEDGHALCHI (1983.) iranski je redatelj animiranih filmova, ilustrator i grafički dizajner. Diplomirao je i magistrirao vizualne umjetnosti i dizajn vizualnih komunikacija, a specijalizirao se za 2D- i stop-animaciju. Snimio je mnoge kratke animacije od 2006. godine, koje su ušle u uži izbor mnogih domaćih i međunarodnih filmskih festivala, gdje su i nagrađivane. Također su njegove grafike i ilustracije nagrađivane i izlagane na međunarodnim natječajima. Trenutačno je predavač na ciparskom ARUCAD-u (Arkin University of Creative Arts and Design).

JULIE ENGAAS NORVEŠKA / NORWAY, DCP, 2022, 9’

INEZ SKILLING UJEDINJENO KRALJEVSTVO / UNITED KINGDOM, DCP, 2021, 4’

Zašto se mesnice zatvaraju tako rano? film je koji je napisao Geronimo Bennington-Poulter, a režirala Inez Skilling. Ispričana 2D-animacijom, priča je to o mesaru kojeg je svladao užas njegova zanata. No može li se iz zlokobnog monologa izvući drukčija, možda još i više uznemirujuća priča? INEZ SKILLING je animatorica i ilustratorica sa sjedištem u Londonu. Radeći uglavnom u 2D-animaciji, iskazuje empatično pripovijedanje u raznim temama. Inez je nedavno radila za ForMed Films, BFI, BBC i AHRC. Why Do Butchers Close So Early? is a film written by Geronimo Bennington-Poulter and directed by Inez Skilling. Told through 2D animation, it is the story of a butcher consumed by the horror of his trade. Yet, through the sinister monologue, can a different, perhaps even more unsettling tale be unpicked? INEZ SKILLING is an animator and illustrator based in London. Mainly working in 2D Animation, she demonstrates empathic storytelling throughout a variety of subjects. Recently Inez has worked for ForMed Films, the BFI, the BBC and the AHRC.

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Što bi se dogodilo da iznenada nestanemo, da sva ljudska bića samo nestanu s lica zemlje? Kako bi priroda reagirala kad bi se iznenada oslobodila našeg stalnog pritiska? Kako bi svijet izgledao bez nas? JULIE ENGAAS (1968.) studirala je na National College of Arts u Oslu i animaciju na Volda University Collegeu, gdje je diplomirala 1998. Otad je režirala nekoliko kratkih animiranih filmova, animiranih dokumentaraca poput Zvučnih sjena (2008.) i Blame It on the Seagull (2013.), oba prikazana na mnogim međunarodnim festivalima i prodana TV-mrežama. What would happen if we suddenly disappear, if all human beings just vanish from the face of the Earth? How would nature react if it were suddenly relieved from our constant pressure? What would the world look like without us? JULIE ENGAAS (1968) studied at the National College of the Arts in Oslo, Norway, as well as studies in animation at Volda University College where she graduated in 1998. Since then she has directed several animated shorts, as well as the animated documentaries Sound-Shadows (2008) and Blame It on the Seagull (2013), both screened at numerous international festivals and sold to several TV-networks.

BOYOUNG KIM JUŽNA KOREJA / SOUTH KOREA, DCP, 2021, 15’

In a world where you can rent everything you need from huge vending machines, a girl wants to be a guitarist but people choose her to be something else. BOYOUNG KIM is a Korean animator, graphic designer, and independent filmmaker. She has made a number of short animated films, including Replacement, Impersonation, Prey and The Levers. She has won 10 awards for 3 films since 2013.

ARVIN MEDGHALCHI CIPAR, IRAN / CYPRUS, IRAN, DCP, 2021, 12’

The doll was the only companion of Mr. Rabbit’s lonely nights which turned his chance of finding true love into a disaster. ARVIN MEDGHALCHI (1983) is an Iranian animated filmmaker, illustrator, and graphic designer. He got his BFA and MFA both in Visual Arts and Visual Communication Design and is specialized in 2D and stop-motion animation. He has made many short animations since 2006 which were shortlisted and awarded in many local and international film festivals. Also, his graphics and illustrations have been awarded and exhibited in international competitions. Currently, he is a lecturer at Arkin University of Creative Arts and Design located in Cyprus.

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TEHNIKA / TECHNIQUE KOMBINIRANE TEHNIKE, 2D-ANIMACIJA, KOLAŽ, CRTEŽ / MIXED MEDIA, 2D, COLLAGE ANIMATION, DRAWING BEZ DIJALOGA / NO DIALOGUE REŽIJA, SCENARIJ, ANIMACIJA / DIRECTOR, SCREENPLAY, ANIMATION IVAN STOJKOVIĆ GLAZBA, ZVUK / MUSIC, SOUND ISRAEL BAÑUELOS PRODUCENT / PRODUCER MILAN MILOSAVLJEVIĆ PRODUKCIJA, DISTRIBUCIJA / PRODUCTION, DISTRIBUTION VORKY TEAM/KINEMATIKA, KINEMATIKA.PRODUKCIJA@GMAIL.COM

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TEHNIKA / TECHNIQUE RAČUNALNA 3D-ANIMACIJA, ANIMIRANI VR-CRTEŽ / 3D COMPUTER ANIMATION, ANIMATED VR DRAWINGS BEZ DIJALOGA / NO DIALOGUE REŽIJA, ANIMACIJA / DIRECTOR, ANIMATION GERHARD FUNK GLAZBA / MUSIC TOBIAS SCHNEIDER ZVUK / SOUND THOMAS SUESSMAIR PRODUCENT / PRODUCER KARSTEN MATERN PRODUKCIJA / PRODUCTION KARSTEN MATERN FILMPRODUKTION DISTRIBUCIJA / DISTRIBUTION GERHARD FUNK, WWW.GERHARDFUNK.NET

TEHNIKA / TECHNIQUE 2D-ANIMACIJA, PASTELE NA PAPIRU / 2D ANIMATION, PASTELS ON PAPER BEZ DIJALOGA / NO DIALOGUE REŽIJA / DIRECTOR KEREN KARASIK POZADINE / BACKGROUNDS SERGEY ISAKOV GLAZBA, ZVUK / MUSIC, SOUND AMIT BUIUM PRODUKCIJA, DISTRIBUCIJA / PRODUCTION, DISTRIBUTION BEZALEL ACADEMY OF ARTS & DESIGN, WWW.BEZALEL.AC.IL

TEHNIKA / TECHNIQUE 2D/3D-ANIMACIJA / 2D/3D ANIMATION BEZ DIJALOGA / NO DIALOGUE REŽIJA, MONTAŽA, KOMPOZITING, KNJIGA SNIMANJA / DIRECTOR, EDITING, COMPOSITING, STORYBOARD THOMAS STELLMACH SCENARIJ / SCREENPLAY PAUL DRIESSEN, THOMAS STELLMACH ANIMACIJA / ANIMATION NANCY BENS, KRIS VAN ALPHEN RAČUNALNA GRAFIKA / COMPUTER GRAPHICS MARTIN SCHMIDT, RAUMKAPSEL GBR GLAZBA / MUSIC BEO BROCKHAUSEN ZVUK / SOUND CHRISTIAN WITTMOSER PRODUCENTI / PRODUCERS THOMAS STELLMACH, IGNACE COLLIN PRODUKCIJA, DISTRIBUCIJA / PRODUCTION, DISTRIBUTION THOMAS STELLMACH ANIMATION, WWW.STELLMACH.COM

LINIJE LINES

KOZJI UROK A GOAT’S SPELL

ZLATNA MARGARITA GOLDEN MARGARITE

KOBASICE U TRKU THE SAUSAGE RUN

IVAN STOJKOVIĆ SRBIJA / SERBIA, DCP, 2021, 6’

GERHARD FUNK NJEMAČKA / GERMANY, DCP, 2022, 9’

KEREN KARASIK IZRAEL / ISRAEL, DCP, 2021, 7’

THOMAS STELLMACH NJEMAČKA, BELGIJA / GERMANY, BELGIUM, DCP, 2021, 10’

Eksperimentalna vizualizacija osobnog dnevnika koji govori o teškom djetinjstvu i mladosti pretvara se u priču o obitelji, generacijama i svim linijama koje ih spajaju.

Dijete i njegov dan. Osvajanje prije doručka, zbunjena koza ispred kuće, nekoliko obećavajućih aviona visoko na nebu. Potom se sve počinje raspadati. Čini se da je koza poveznica, ako je uopće išta povezano.

Film dokumentira kratke trenutke iz svakodnevnog života troje tinejdžera te dinamiku s okruženjem u kojem žive. Pust grad nije prazan, već se čini otuđenim. Jedina „živa“ buka nisu zvukovi iz susjedstva i ljudi, nego „zvukovi“ zgrada, električnih stupova i dimnjaka – sve to prati mlade tinejdžere tijekom dana.

Kratki animirani film koji, uz pomoć više zoetropa, priča tragičnu priču o janjetu, labavo temeljen na bajci o Crvenkapici. Obitelj Crvenkapice čine majka ovca, janje (Crvenkapica) i djed ovca. Šumar i njegova supruga su psi koji su slabi na kobasice. Vuk, mesar, je čovjek s ozbiljnim problemom – ostao je bez mesa.

KEREN KARASIK, diplomantica Bezalela 2021., voli jarke boje i animacije od nedigitalnih materijala, poput pande/akrila/ markera na papiru. Film Zlatna margarita diplomski je film koji je snimila u sklopu studija animacije na Akademiji za umjetnost i dizajn Bezalel.

THOMAS STELLMACH (1965., Straubing, Njemačka) je redatelj animiranog filma, producent, autor i animator. Među mnogim međunarodnim nagradama za svoje nezavisne produkcije, 1997. osvojio je Oscara za stop-animacijski film Potraga. Studirao je animaciju na Umjetničkoj akademiji u Kasselu.

The film documents brief moments in the daily lives of three teens, and the dynamics with the environment in which they live. The desolate city is not empty but feels alienated. The only “live” noise is not the sounds of the neighborhood and the people, but the “sounds” of the buildings, power poles, and chimneys – all of which accompany the young teens throughout the day.

An animated short film which, with the help of multiple Zoetropes, tells the tragic story of a little lamb, loosely based on the Little Red Riding Hood fairy tale. Little Red Riding Hood’s family consists of the mother sheep, the lamb (Little Red Riding Hood) and a grandfather sheep. The forester and his wife are dogs with a soft spot for sausages. The wolf, a butcher, is a man with a serious problem – he has run out of meat.

IVAN STOJKOVIĆ srpski je animator i strip-crtač. Studirao je grafički dizajn na Fakultetu primijenjenih umjetnosti u Nišu i animaciju na Fakultetu primijenjenih umjetnosti u Beogradu. Njegovi stripovi objavljeni su u Srbiji i Francuskoj (Linije fronta, System comics, 2017.; Duge noći, crne zastave, System comics, 2018.; L’Ombre d’antan, izdanja Inukshuk, 2017.), a njegove animacije prikazane su na više međunarodnih festivala animacije (Balkanima, Beograd, 2011.; Animafest Zagreb, 2012.; Annecy, Francuska, 2016.). An experimental visualization of a personal diary that talks about struggling childhood and youth turns into a story about family, generations and all the lines they hold. IVAN STOJKOVIĆ is a Serbian animator and comic book artist. He studied graphic design at the Faculty of Applied Arts in Niš and animation at the Faculty of Applied Arts in Belgrade. His comic books are published in both Serbia and France (Linije fronta, System comics, 2017; Duge noći, crne zastave, System comics, 2018; L’Ombre d’Antan, Inukshuk editions, 2017) and his animations were shown in multiple international animation festivals (Balkanima, Belgrade, 2011; Animafest Zagreb, 2012; Annecy, France, 2016).

GERHARD FUNK (1981., Južni Ural, Rusija) živi u Njemačkoj od 1995. Nakon što je 2011. diplomirao medijsku umjetnost i dizajn na Akademiji likovnih umjetnosti Saarske (Saarbrücken, Njemačka), zaposlio se na raznim poslovima u kreativnoj industriji, kao što su 3D-animator, umjetnik pokretne grafike i nezavisni vizualni umjetnik. Godine 2020. postao je umjetnički suradnik na Akademiji likovnih umjetnosti Burg Giebichenstein (Halle, Njemačka). A child and its day. A conquest before breakfast, a clueless goat outside the house, a couple of promising aeroplanes up high in the sky. Then everything starts falling to pieces. The goat seems to be the link, if anything is linked at all. GERHARD FUNK (1981, South Ural, Russia) has been residing in Germany since 1995. Having graduated from Media Arts & Design at the Academy of Fine Arts Saar (Saarbrücken, Germany) in 2011, he took various jobs in the creative industry such as 3D Animator, Motion Graphics Artist and Freelance Visual Artist. In 2020 he became an Artistic Associate at Burg Giebichenstein Fine Art Academy (Halle, Germany).

KEREN KARASIK, a graduate of Bezalel 2021, loves bright colors and animation from non-digital materials, such as panda/acrylic/markers on paper. The film Golden Margarite is the graduation film she made as part of her animation studies at the Bezalel Academy of Art and Design.

THOMAS STELLMACH (1965, Straubing, Germany) is an animation director, producer, author and animator. Amongst many international awards for his independent productions, in 1997 he received the Academy Award for the stop-motion film Quest. He studied animation at the Kassel Academy of Arts.

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10/06 PET FRI 22:00 TEATAR &TD 08/06 SRI WED 11:00 KINO SC

TEHNIKA / TECHNIQUE 2D-ANIMACIJA / 2D ANIMATION BEZ DIJALOGA / NO DIALOGUE REŽIJA / DIRECTOR ANNA BUDANOVA ANIMACIJA / ANIMATION ANNA BUDANOVA, ANASTASIA MELIKHOVA, SVETLANA FILIPPOVA GLAZBA / MUSIC EVGUENI GALPERINE PRODUCENTICA / PRODUCER GALINA GUINE PRODUKCIJA, DISTRIBUCIJA / PRODUCTION, DISTRIBUTION IMAKA FILMS, GALINA.GUINE@IMAKAFILMS.COM

TEHNIKA / TECHNIQUE CRTEŽ, RAČUNALNA 2D-ANIMACIJA, KOLAŽ / DRAWINGS, 2D COMPUTER AND CUT-OUTS JEZIK / LANGUAGE FRANCUSKI / FRENCH REŽIJA, SCENARIJ / DIRECTOR, SCREENPLAY ERIC LEDUNE ANIMACIJA / ANIMATION ERIC LEDUNE, NINA HECKEL, DANIELLA SCHNITZER, LOUISE DELATTRE, ALEXANDRE DUFRASNE KAMERA, PRODUCENT / CAMERA, PRODUCER MARC BOYER MONTAŽA / EDITING MARC BOYER, ERIC LEDUNE GLAZBA / MUSIC MICHEL DUPREZ ZVUK / SOUND ADAM WOLNY GLASOVI / VOICES LOUISE VIVIER, BENOIT FINAUT, NATASHA HENRY PRODUKCIJA / PRODUCTION LARDUX FILMS, WWW.LARDUX.NET; GOT! OH MY GOT, WWW.PLOUMPLOUM.NET; MIDRALGAR, WWW.MIDRALGAR.FR; LUNA BLUE, WWW.LUNABLUEFILM.NET DISTRIBUCIJA / DISTRIBUTION MIKHAL BAK, WWW.STUDIO-WASIA.COM

DVIJE SESTRE TWO SISTERS DEUX SŒURS ANNA BUDANOVA FRANCUSKA / FRANCE, DCP, 2021, 14’

Sestre blizanke sinkronizirano žive na periferiji neprijateljske šume, kojoj se boje prići. No znatiželja prevlada. ANNA BUDANOVA je ruska redateljica i grafičarka. Rođena je u Jekaterinburgu, studirala je na Odsjeku za grafiku i animaciju Uralske državne akademije za arhitekturu i umjetnost te radila kao umjetnica i animatorica sudjelujući u snimanju raznih filmova. Godine 2013. snimila je svoj prvi profesionalni film, pod nazivom Ljutnja, koji je osvojio više od 20 međunarodnih nagrada, među kojima posebne nagrade Annecyja i Hirošime. Twin sisters in synchronicity live on the outskirts of a hostile forest which they are afraid to approach. But curiosity prevails. ANNA BUDANOVA is a Russian filmmaker and graphic artist. She was born in Ekaterinburg, she studied at the Graphics and Animation Department at the Ural State Architecture and Arts Academy and worked as an artist and animator, taking part in the making of various films. In 2013 she made her first professional film called The Wound which went on to win more than 20 international awards including Annecy and Hiroshima special prizes.

CAMILLE ERIC LEDUNE FRANCUSKA, BELGIJA / FRANCE, BELGIUM, DCP, 2022, 18’

Camille naivno i buntovno gleda svojeg oca, trgovca koji sanja da bude Vuk s Wall Streeta. Od lakog novca do prezira prema najsiromašnijima, ona iskreno promatra ekscese kapitalističkog društva usred krize koja će njezinog dragog tatu odvesti iz dostojanstva u dekadenciju... ERIC LEDUNE studirao je ilustraciju na umjetničkoj školi ESAPV u Monsu, gdje je diplomirao 1989. Režirao je nekoliko kratkih animiranih filmova za koje je nagrađivan na brojnim festivalima. Kao grafički dizajner radio je na različitim umjetničkim djelima i izrađivao plakate za nastupe uživo. Predaje umjetnost u dvije belgijske umjetničke škole, u Monsu i u Braine-l’Alleudu. Camille takes a naive and rebellious look at her dad, a trader who dreams of being the Wolf of Wall Street. From easy money to contempt for the poorest, she candidly observes the excesses of a capitalist society in the midst of a crisis that will take her dear dad from greatness to decadence... ERIC LEDUNE studied illustration at ESAPV art school in Mons, where he graduated in 1989. He directed several animated short films for which he has received awards at numerous festivals. As a graphic designer, he worked for different artistic creations and made posters for live performances. He teaches art in two Belgian art schools, in Mons and in Braine-l’Alleud.

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SVJETSKA PANORAMA WORLD PANORAMA 3

TEHNIKA / TECHNIQUE RUČNO CRTANA RAČUNALNA 2D-ANIMACIJA / 2D DIGITAL HAND-DRAWN ANIMATION BEZ DIJALOGA / NO DIALOGUE REŽIJA, SCENARIJ, ANIMACIJA, MONTAŽA, KOMPOZITING, KNJIGA SNIMANJA, PRODUCENTICA / DIRECTOR, SCREENPLAY, ANIMATION, EDITING, COMPOSITING, STORYBOARD, PRODUCER CLIONA NOONAN GLAZBA / MUSIC PREDICTION ZVUK / SOUND EOIN KELLY PRODUKCIJA, DISTRIBUCIJA / PRODUCTION, DISTRIBUTION CLIONA NOONAN, WWW.CLIONANOONAN.COM

TEHNIKA / TECHNIQUE CRTEŽ NA PAPIRU / DRAWING ON PAPER BEZ DIJALOGA / NO DIALOGUE REŽIJA, SCENARIJ, ANIMACIJA, KAMERA, MONTAŽA, LAYOUT, KOMPOZITING, KNJIGA SNIMANJA, ZVUK / DIRECTOR, SCREENPLAY, ANIMATION, CAMERA, EDITING, LAYOUT, COMPOSITING, STORYBOARD, SOUND NICOLAS PIRET PRODUCENT / PRODUCER VINCENT GILOT PRODUKCIJA, DISTRIBUCIJA / PRODUCTION, DISTRIBUTION ATELIER DE PRODUCTION LA CAMBRE, WWW.CINEMAENATELIER.BE

MEKO TKIVO SOFT TISSUE

UZICA THE DOG’S LEASH LA BRIDE

CLIONA NOONAN IRSKA / IRELAND, DCP, 2021, 8’30”

Otac poduzima očajničke mjere u nadi da će spasiti svog sina, ali ga njegovi postupci ubrzo odvraćaju od onoga što mu je najvažnije. CLIONA NOONAN irska je animatorica i redateljica. Diplomirala je animaciju na Nacionalnoj filmskoj školi Irske, nakon što je režirala svoj diplomski film, Tuna. Njezini radovi prikazivali su se na međunarodnim filmskim festivalima. Godine 2020. režirala je Wet & Soppy, a Meko tkivo njezin je najnoviji kratki film. A father takes desperate measures in the hopes of saving his son, but his actions soon become a distraction from what matters to him most. CLIONA NOONAN is an Irish animator and filmmaker. She graduated from the National Film School of Ireland with a BA in Animation, having directed her graduation film Tuna. Her work has screened at film festivals internationally. In 2020 she directed Wet & Soppy, and Soft Tissue is her latest short film.

NICOLAS PIRET BELGIJA / BELGIUM, DCP, 2021, 4’

Zvono na zvoniku zazvoni, i ptice odlete. Na rubu sela pas vezan vrlo dugačkom uzicom promatra ih kako nestaju na horizontu. Vrijeme mu je da krene, da skakuće po poljima. Koliko daleko će mu njegovo uže dopustiti da ide? Nakon što je stekao diplomu iz crtanja na Kraljevskoj akademiji likovnih umjetnosti u Bruxellesu te studirao strip i video na Školi za grafička istraživanja (ERG), NICOLAS PIRET nastavio je studij na magisteriju iz animacije na ENSAV La Cambre, gdje je režirao svoj prvi kratki animirani film, Uzica. The bell tower rings and the birds fly away. In the countryside on the outskirts of a small village, a dog tied to a very long rope, watches them disappear in the horizon. It’s time for him to go, prance across fields. How far will his rope allow him to go? After obtaining a bachelor’s degree in drawing at The Royal Academy of Fine Arts of Brussels, and a stint at The School of Graphic Research (ERG) in Comics / Videos, NICOLAS PIRET continued his studies with a Master’s Degree in animation cinema at ENSAV La Cambre, where he directed his first short animated movie, La bride.

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SVJETSKA PANORAMA WORLD PANORAMA 3

TEHNIKA / TECHNIQUE RAČUNALNA 2D-ANIMACIJA / 2D COMPUTER JEZIK / LANGUAGE JAPANSKI / JAPANESE REŽIJA / DIRECTOR SAWAKO KABUKI ANIMACIJA / ANIMATION ZHOU XIAOLIN, IKUMI UMEBAYASHI, HARUKA SHIMIZU MONTAŽA / EDITING ALBANE DU PLESSIX GLAZBA / MUSIC HIKARIKO PRODUCENTI / PRODUCERS EMMANUEL-ALAIN RAYNAL, PIERRE BAUSSARON, NOBUAKI DOI PRODUKCIJA / PRODUCTION MIYU PRODUCTIONS, WWW.MIYU.FR; NEW DEER, WWW.NEWDEER.NET/PRODUCTION DISTRIBUCIJA / DISTRIBUTION MIYU DISTRIBUTION, WWW.MIYU.FR

KASNI MI I’M LATE SAWAKO KABUKI FRANCUSKA, JAPAN / FRANCE, JAPAN, DCP, 2021, 11’

Je li vama ili vašoj partnerici ikada izostala menstruacija ili je „kasnila“? SAWAKO KABUKI (1990., Tokio) je nakon završetka studija grafičkog dizajna radila za tvrtku koja producira pornofilmove. Nedavno je diplomirala na Umjetničkom sveučilištu Tama. Have you or your partner ever had an experience where you missed your period or been “late”? SAWAKO KABUKI (1990, Tokyo) after obtaining a BA in graphic design, worked for a porn-video company. She has just graduated from Tama Art University.

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SVJETSKA PANORAMA WORLD PANORAMA 3

TEHNIKA / TECHNIQUE RAČUNALNA 2D-ANIMACIJA / 2D COMPUTER BEZ DIJALOGA / NO DIALOGUE REŽIJA, SCENARIJ, ANIMACIJA, MONTAŽA, KOMPOZITING / DIRECTOR, SCREENPLAY, ANIMATION, EDITING, COMPOSITING IVAN BONDARENKO GLAZBA / MUSIC SRETENSKY MONASTERY CHOIR NOT FOR ME ZVUK / SOUND ALEXEI PROSVIRNIN PRODUCENTI / PRODUCERS ANDREY KHRZHANOVSKY, NIKOLAY MAKOVSKY PRODUKCIJA, DISTRIBUCIJA / PRODUCTION, DISTRIBUTION SCHOOL-STUDIO “SHAR”, WWW.SHARSTUDIO.COM

TEHNIKA / TECHNIQUE SLIKANJE, CRTEŽ / PAINTING AND DRAWING JEZIK / LANGUAGE FRANCUSKI / FRENCH REŽIJA, ANIMACIJA / DIRECTOR, ANIMATION BHOPAL ZVUK / SOUND THÉOPHANE BERTUIT PRODUCENT / PRODUCER YVES BOUVERET PRODUKCIJA / PRODUCTION AM STRAM GRAM DISTRIBUCIJA / DISTRIBUTION HADRIEN BERTUIT, HADRIENBERTUIT@GMAIL.COM

TEHNIKA / TECHNIQUE RAČUNALNA 2D-ANIMACIJA / 2D COMPUTER ANIMATION BEZ DIJALOGA / NO DIALOGUE REŽIJA, SCENARIJ / DIRECTORS, SCREENPLAY AMIT COHEN, IDO SHAPIRA ANIMACIJA / ANIMATION AMIT COHEN, IDO SHAPIRA, DANIELLA BOKOR KOMPOZITING / COMPOSITING AVIV ZIV GLAZBA / MUSIC ORI KADISHAY, EYAL SAMSON, CÉCILE SCHOTT ZVUK / SOUND ORI KADISHAY PRODUCENT / PRODUCER IDO SHAPIRA PRODUKCIJA, DISTRIBUCIJA / PRODUCTION, DISTRIBUTION IDO SHAPIRA, WWW.IDOSHAPIRAART.COM

NE ZA MENE NOT FOR ME NE DLYA MENYA

POSLJEDNJI SAN LIFE UNFOLDED LE DERNIER SONGE

TVOJE ZLE ŽIVOTINJE YOUR BAD ANIMALS ‫דור העץ‬

IVAN BONDARENKO DCP, 2022, 8’

BHOPAL FRANCUSKA / FRANCE, DCP, 2021, 10’

AMIT COHEN, IDO SHAPIRA IZRAEL / ISRAEL, DCP, 2021, 11’

Junak filma odlazi na selo skupljati gljive. U (prigradskom) vlaku susreće mladu djevojku. Ovaj prolazni susret ostavlja na njega dubok dojam. U određenom trenutku njezina suptilna, neuhvatljiva slika uvlači ga u čarobnu avanturu.

Događanja iz života, u sjećanjima i tragovima koje ostavljaju u našim mislima. Od rođenja do smrti sjećanja se urezuju u naš mozak. Iskustva i senzacije akumuliraju se i oblikuju ono što jesmo, uspostavljaju naša sjećanja.

IVAN BONDARENKO (1988., Moskva) diplomirao je 2014. na Državnom institutu za poslovanje, gdje je studirao marketing. Radio je različite poslove, ali mu se njegov rad činio previše dosadnim. Pisao je pjesme, slikao, studirao umjetnost, smatrajući sve to svojim hobijem. S 27 godina odlučio je studirati animaciju i otišao u Scream School. U 2017. odlazi na režijski odjel Škole-studija „ŠAR“.

BHOPAL (1981.) je započeo svoj umjetnički rad radeći stripove u djetinjstvu. Otad je isprobavao različite medije – pisanje, slikanje, rap, gradske zidine – sve do 2008. godine, kada je počeo raditi s videom i zvukom, nakon čega je ubrzo uslijedila animacija. Otad eksperimentira s različitim tehnikama i novim potencijalima koji su mu dostupni, privržen neovisnosti i „ručnom radu“.

Rachel, buntovna mlada mišica, živi sama sa svojom depresivnom majkom u jazbini. Njezina jedina veza s vanjskim svijetom je aplikacija nalik Tinderu, gdje može gledati životinje koje žive u gradu iznad nje. Kad se Rachelin telefon utopi u kadi nakon nezgode s masturbacijom, ona se neočekivano otisne od kuće i izlazi s najopasnijim životinjama u gradu.

The hero of the film is going to the country to gather mushrooms. On board the (suburban) train he meets a young girl. This fleeting meeting makes a deep impression on him. At a certain moment her subtle elusive image engages him into a magical adventure.

Life as it unfolds, through the memories and traces left in our minds. From birth to death, memories are engraved in our brains. Experiences and sensations amass and form who we are, establish our memories. This is how a life story unfolds, through memories, from childhood through to adulthood.

IVAN BONDARENKO (1988, Moscow) graduated in 2014 from the National Institute of Business where he studied marketing. He worked in different spheres but his work seemed too dull. He wrote poems, drew pictures, studied art, considering it all as his hobby. At the age of 27 he made up his mind to study animation and went to Scream School. In 2017 he went to the directing department of the Shar School.

BHOPAL (1981) began his work as an artist creating comics during childhood. From there he trialled different mediums – writing, painting, rap, city walls – until 2008 when he started working with video and sound arrangement, quickly followed by animation. Since then he has been experimenting with the different techniques and new potential available to him, with a strong adherence to independence and the “handmade”.

Redateljski dvojac IDO SHAPIRA i AMIT COHEN diplomci su Akademije za umjetnost i dizajn Bezalel. Njihov diplomski film, Hounds, prikazan je na brojnim festivalima i osvojio je osam međunarodnih nagrada. Film Tvoje zle životinje osvojio je tri najveća izraelska fonda za animaciju i pobijedio na radionici Annecyja u Jeruzalemu. Rachel, rebellious young mouse, lives alone with her depressive mother in a burrow. Her only connection to the outside world is a Tinder like app, where she can watch the animals living in the city above her. When Rachel’s phone drowns in a bath after a masturbation accident, Rachel embarks on a journey where she goes out with the most dangerous animals in town. IDO SHAPIRA and AMIT COHEN are directors duo, graduates of Bezalel Academy of Art and Design. Their thesis film, Hounds, was screened at numerous festivals and won eight international awards. Your Bad Animals has won three of Israel’s major animation funds, and won the Annecy workshop in Jerusalem.

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MAJSTORI ANIMACIJE / MASTERS OF ANIMATION NEDELJKO DRAGIĆ

REŽIJA, SCENARIJ, CRTEŽ, ANIMACIJA, SCENOGRAFIJA / DIRECTOR, SCREENPLAY, DRAWING, ANIMATION, BACKGROUNDS NEDELJKO DRAGIĆ GLAZBA / MUSIC TOMICA SIMOVIĆ MONTAŽA / EDITING TEA BRUNŠMID PRODUKCIJA, DISTRIBUCIJA / PRODUCTION, DISTRIBUTION USTANOVA ZAGREB FILM, WWW.ZAGREBFILM.HR

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MAJSTORI ANIMACIJE / MASTERS OF ANIMATION NEDELJKO DRAGIĆ

REŽIJA / DIRECTOR NEDELJKO DRAGIĆ SCENARIJ / SCREENPLAY VATROSLAV MIMICA ANIMACIJA / ANIMATION VLADIMIR JUTRIŠA SCENOGRAFIJA / BACKGROUNDS ZLATKO BOUREK MONTAŽA / EDITING TEA BRUNŠMID GLAZBA / MUSIC TOMICA SIMOVIĆ PRODUKCIJA, DISTRIBUCIJA / PRODUCTION, DISTRIBUTION USTANOVA ZAGREB FILM, WWW.ZAGREBFILM.HR

REŽIJA, SCENARIJ / DIRECTOR, SCREENPLAY NEDELJKO DRAGIĆ ANIMACIJA / ANIMATION VLADIMIR JUTRIŠA SCENOGRAFIJA / BACKGROUNDS ZLATKO BOUREK KAMERA / CAMERA FRANJO MALOGORSKI MONTAŽA / EDITING TEA BRUNŠMID GLAZBA / MUSIC TOMICA SIMOVIĆ PRODUKCIJA, DISTRIBUCIJA / PRODUCTION, DISTRIBUTION USTANOVA ZAGREB FILM, WWW.ZAGREBFILM.HR

REŽIJA, SCENARIJ, ANIMACIJA, SCENOGRAFIJA / DIRECTOR, SCREENPLAY, ANIMATION, BACKGROUNDS NEDELJKO DRAGIĆ PRODUKCIJA, DISTRIBUCIJA / PRODUCTION, DISTRIBUTION USTANOVA ZAGREB FILM, WWW.ZAGREBFILM.HR

ELEGIJA ELEGY

KROTITELJ DIVLJIH KONJA TAMER OF WILD HORSES

MOŽDA DIOGEN DIOGENES PERHAPS

PER ASPERA AD ASTRA

NEDELJKO DRAGIĆ JUGOSLAVIJA/HRVATSKA / YUGOSLAVIA/CROATIA, FORMAT, 1965, 4’

NEDELJKO DRAGIĆ JUGOSLAVIJA/HRVATSKA / YUGOSLAVIA/CROATIA, FORMAT, 1966, 8’

NEDELJKO DRAGIĆ JUGOSLAVIJA/HRVATSKA / YUGOSLAVIA/CROATIA, FORMAT, 1967, 10’

Veliki zid. Na jednom prozorčiću iza rešetaka rezignirano gleda čovjek. U podnožju zida raste crveni cvijet. Zatvorenik ga promatra žudeći da ga dohvatiti, no nemoguće je. I tako prolaze godine, sve dok jednoga dana zatvorenik ne izađe na slobodu…

Krotitelj divljih konja naiđe na metalno čudovište u obliku konja. Kada ga pokuša pokrenuti, konj se pretvara u mehaniziranu nakazu koja prijeti općim uništenjem. No, kada pokrene pravu polugu, to čudo tehnike raširi krila i ponese čovjeka u svemir.

Jedan osamljeni čovjek luta apsurdnim svijetom u potrazi za srećom. Možda je to Diogen, a možda nije.

A man stares despondently from behind the bars of a small window on a large wall. A red flower grows at the foot of the wall. The prisoner watches the flower, longing to touch it, but for him, it is unreachable. The years pass by, until one day the prisoner is set free…

A tamer of wild horses encounters a metal monster in the form of a horse. When he tries to activate it, the horse transforms into a mechanised beast, threatening to destroy everything. But when he pulls the right lever, the miracle of technology spreads its wings and carries the man into space.

TNO DJELO

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TIME ACHIEV

O ŽIV

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AGRADA ZA

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A lonely man roams around an absurd world in pursuit of happiness. Perhaps it’s Diogenes, perhaps not.

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NEDELJKO DRAGIĆ JUGOSLAVIJA/HRVATSKA / YUGOSLAVIA/CROATIA, FORMAT, 1969, 1’

Dragićev humorni mini-film u kojem se čovjeku koji pokušava izaći iz zahodske školjke s nebesa pruža ruka spasa. A humorous mini-film about a man struggling to get out of a toilet bowl, and who gets a helping hand from the heavens.

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MAJSTORI ANIMACIJE / MASTERS OF ANIMATION NEDELJKO DRAGIĆ

REŽIJA, SCENARIJ, ANIMACIJA / DIRECTOR, SCREENPLAY, ANIMATION NEDELJKO DRAGIĆ KAMERA / CAMERA ZLATKO SAČER SCENOGRAFIJA / BACKGROUNDS RUDOLF BOROŠAK GLAZBA / MUSIC TOMICA SIMOVIĆ PRODUKCIJA / PRODUCTION USTANOVA ZAGREB FILM, CORONA CINEMATOGRAFICA ROMA DISTRIBUCIJA / DISTRIBUTION USTANOVA ZAGREB FILM, WWW.ZAGREBFILM.HR

IDU DANI PASSING DAYS NEDELJKO DRAGIĆ JUGOSLAVIJA/HRVATSKA / YUGOSLAVIA/CROATIA, 1969, FORMAT, 10’

Priča o čovjeku kojem svijet oko njega ne dopušta da živi svoj mali jednostavni život. A story about a man whose attempts to lead a simple life are constantly disrupted by the world around him.

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MAJSTORI ANIMACIJE / MASTERS OF ANIMATION NEDELJKO DRAGIĆ

REŽIJA, SCENARIJ, ANIMACIJA, SCENOGRAFIJA / DIRECTOR, SCRIPT, ANIMATION, BACKGROUNDS NEDELJKO DRAGIĆ KAMERA / CAMERA ZLATKO SAČER GLAZBA / MUSIC TOMICA SIMOVIĆ PRODUKCIJA, DISTRIBUCIJA / PRODUCTION, DISTRIBUTION USTANOVA ZAGREB FILM, WWW.ZAGREBFILM.HR

REŽIJA, SCENARIJ, SCENOGRAFIJA / DIRECTOR, SCRIPT, BACKGROUNDS NEDELJKO DRAGIĆ ANIMACIJA / ANIMATION BRANISLAV TESLIĆ, RADOVAN DEVLIĆ, NEDELJKO DRAGIĆ, ZVONIMIR DELAČ KAMERA / CAMERA IVAN HERCIGONJA MONTAŽA / EDITING TEA BRUNŠMID GLAZBA / MUSIC TOMICA SIMOVIĆ PRODUKCIJA, DISTRIBUCIJA / PRODUCTION, DISTRIBUTION USTANOVA ZAGREB FILM, WWW.ZAGREBFILM.HR

REŽIJA, SCENARIJ, ANIMACIJA, SCENOGRAFIJA / DIRECTOR, SCRIPT, ANIMATION, BACKGROUNDS NEDELJKO DRAGIĆ KAMERA / CAMERA FRANJO MALOGORSKI MONTAŽA / EDITING ZLATA REIĆ GLAZBA / MUSIC TOMICA SIMOVIĆ PRODUKCIJA, DISTRIBUCIJA / PRODUCTION, DISTRIBUTION USTANOVA ZAGREB FILM, WWW.ZAGREBFILM.HR

TUP-TUP

DNEVNIK DIARY

DAN KAD SAM PRESTAO PUŠITI THE DAY I STOPPED SMOKING

NEDELJKO DRAGIĆ JUGOSLAVIJA/HRVATSKA / YUGOSLAVIA/CROATIA, FORMAT, 1972, 9’42”

Prebrzi tempo života u zagađenim gradovima čini ljude bolesnima. Neuroze su svakodnevna pojava. Prenapučenost, zagađenost i buka neprijatelji su br. 1. Što se može dogoditi čovjeku kojeg nekakav zvuk iritira dok želi mirno pročitati svoje novine, tema je ovog filma. Miran, običan čovjek izložen stalnom bombardiranju zvuka postaje opasan. U stanju je rušiti i razarati. No, možda je sve to samo jedna bajka, jer svatko od nas nosi sve ono što se u njemu gomila u tom kratkom ljudskom vijeku. The hectic lifestyle in polluted cities makes people ill. Neuroses are a common occurrence. Overpopulation, pollution, and noise are the enemy no. 1. This film shows what can happen to a man irritated by a sound while he is trying to quietly read his newspaper. A peaceful, ordinary man can turn dangerous when exposed to constant attacks on his ears. He is ready to wreak havoc. But maybe all that is just a fairy tale, as each one of carries everything that has accumulated within us during our brief life spans.

NEDELJKO DRAGIĆ JUGOSLAVIJA/HRVATSKA / YUGOSLAVIA/CROATIA, FORMAT, 1974, 9’

NEDELJKO DRAGIĆ JUGOSLAVIJA/HRVATSKA / YUGOSLAVIA/CROATIA, FORMAT, 1982, 9’36”

Naslov filma samo je banalni povod za priču o Uspomene, sjećanja, nostalgija, otuđenost i prolaznost usamljenosti, otuđenosti, strahu i nervozi suvremenog teme su ovog animiranog dnevnika. Film je rađen mimo uobičajenih formi (scenarij, knjiga snimanja), a nastao je u čovjeka. trenutku kada je autor sjeo za crtaći stol i počeo animirati. The title of the film is merely a dull excuse to tell a story An animated diary dealing with the themes of memories, about loneliness, alienation, fear, and anxiety of the modern man. nostalgia, alienation, and transience. The conventional devices (screenplay, storyboard) were skipped in the making of this film, which came to life at the exact moment the writer sat at his desk and started animating.

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MAJSTORI ANIMACIJE / MASTERS OF ANIMATION NEDELJKO DRAGIĆ

REŽIJA, SCENARIJ, SCENOGRAFIJA / DIRECTOR, SCRIPT, BACKGROUNDS NEDELJKO DRAGIĆ ANIMACIJA / ANIMATION ZLATKO PAVLINIĆ KAMERA / CAMERA FRANJO MALOGORSKI MONTAŽA / EDITING TEA BRUNŠMID GLAZBA / MUSIC OZREN DEPOLO PRODUKCIJA, DISTRIBUCIJA / PRODUCTION, DISTRIBUTION USTANOVA ZAGREB FILM, WWW.ZAGREBFILM.HR

REŽIJA, SCENARIJ, ANIMACIJA, SCENOGRAFIJA / DIRECTOR, SCRIPT, ANIMATION, BACKGROUNDS NEDELJKO DRAGIĆ KAMERA / CAMERA RADE PAŽAMETA MONTAŽA / EDITING TEA BRUNŠMID GLAZBA / MUSIC TOMICA SIMOVIĆ PRODUKCIJA, DISTRIBUCIJA / PRODUCTION, DISTRIBUTION USTANOVA ZAGREB FILM, WWW.ZAGREBFILM.HR

PUT K SUSJEDU WAY TO YOUR NEIGHBOUR

SLIKE IZ SJEĆANJA PICTURES FROM MEMORY

NEDELJKO DRAGIĆ JUGOSLAVIJA/HRVATSKA / YUGOSLAVIA/CROATIA, FORMAT, 1982, 2’

NEDELJKO DRAGIĆ JUGOSLAVIJA/HRVATSKA / YUGOSLAVIA/CROATIA, FORMAT, 1989, 12’

Film je autorovo cinično reagiranje na aktualnu svjetsku političku situaciju.

Brzom i dinamičnom izmjenom slika i ugođaja, umjetnik predstavlja priču svoje obitelji kroz dvadeseto stoljeće.

This film represents the author’s cynical reaction to contemporary world politics.

With fast-changing visuals and moods, the artist recounts his family’s story throughout the 20th century.

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MAJSTORI ANIMACIJE / MASTERS OF ANIMATION IZ MAJSTORSKIH RADIONICA / TIME FOR THE MASTERS

TEHNIKA / TECHNIQUE 2D-ANIMACIJA / 2D ANIMATION BEZ DIJALOGA / NO DIALOGUE PRODUKCIJA / PRODUCTION MASTER-FILM, WWW.MASTERFILM.RU DISTRIBUCIJA / DISTRIBUTION IVAN MAKSIMOV, WWW.IVANMAXIMOV.RU

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MAJSTORI ANIMACIJE / MASTERS OF ANIMATION IZ MAJSTORSKIH RADIONICA / TIME FOR THE MASTERS

TEHNIKA / TECHNIQUE CRTEŽ NA PAPIRU NAČINJEN BEZ GLEDANJA, KORISTEĆI SE SAMO DODIROM / DRAWINGS ON PAPER MADE BLINDFOLDED, USING ONLY TACTILE CUES JEZIK / LANGUAGE FRANCUSKI / FRENCH PRODUKCIJA, DISTRIBUCIJA / PRODUCTION, DISTRIBUTION GEORGES SIFIANOS, SIFIANOS@GMAIL.COM

TEHNIKA / TECHNIQUE 2D/3D-ANIMACIJA, PIKSILACIJA, ROTOSKOPIJA / 2D/3D ANIMATION, PIXILATION, ROTOSCOPING JEZIK / LANGUAGE ENGLESKI / ENGLISH PRODUKCIJA / PRODUCTION NIKITA DIAKUR, WWW.NIKITADIAKUR.COM; MIYU PRODUCTIONS, WWW.MIYU.FR DISTRIBUCIJA / DISTRIBUTION MIYU DISTRIBUTION, WWW.MIYU.FR

TEHNIKA / TECHNIQUE STOP-ANIMACIJA / STOP-MOTION BEZ DIJALOGA / NO DIALOGUE PRODUKCIJA / PRODUCTION PISTA B, LUCASENGELC@GMAIL.COM; DILUVIO, WWW.DILUVIO.CL DISTRIBUCIJA / DISTRIBUTION PISTA B, LUCASENGELC@GMAIL.COM

O NE! OH NO! О-НЕЕТ!

SLIJEPI PISAC THE BLIND WRITER L’ÉCRIVAIN AVEUGLE

SALTO BACKFLIP

KOSTI THE BONES LOS HUESOS

IVAN MAKSIMOV DCP, 2021, 5’36”

GEORGES SIFIANOS FRANCUSKA, GRČKA / FRANCE, GREECE, DCP, 2021, 9’50”

Ponekad se nešto nepoželjno dogodi iznenada, nepredviđena nezgoda i eto nevolje!

Crteži za ovaj film načinjeni su bez gledanja, to jest, bez da ih se gleda dok se crta, koristeći se samo dodirom. Taj izazov odražava autorove dileme naspram ideoloških sigurnosti. U svijetu komunikacije, gdje se konstruiraju uobičajene slike i mišljenja, kako razlučiti bitno? Što je gledanje uopće? Odgovaraju li pojave stvarnosti?

Pokušavanje salta nije baš posve sigurno. Možete slomiti vrat ili sletjeti na glavu, ili se loše dočekati na zapešća. Stoga sam pustio svojeg avatara da nauči trik. Vježba na 6-jezgrenom procesoru uz pomoć strojnog učenja. Upornost i pogreške dio su koda, a on ne osjeća bol. Hoće li to biti dovoljno?

GEORGES SIFIANOS je professor emeritus animacije pri pariškom ENSAD-u. Uz proizvodnju animiranih filmova razvijao je znanstvenu karijeru, baveći se estetikom animacije, kognitivnom znanošću i umjetnom inteligencijom.

NIKITA DIAKUR filmski je autor rodom iz Rusije koji živi i radi u Mainzu. Nakon završetka studija na Kraljevskom umjetničkom koledžu u Londonu (RCA) radi kao nezavisni filmski autor i bavi se dinamičnim simulacijama i kratkim eksperimentalnim filmovima.

The drawings of this film were made blindfolded, that is, without looking at them while drawing but using only tactile cues. This challenge reflects the writer’s dilemmas facing ideological certainties. In a world of communication, where custom images and opinions are constructed, how can one discern the essential? What is seeing anyway? Appearances, do they correspond to reality?

Attempting a backflip is not exactly safe. You can break your neck, or land on your head, or land badly on your wrists. So, I let my avatar learn the trick. He practices on a 6-core processor with the help of Machine Learning. Persistence and mistakes are part of the code, and he doesn’t feel pain. Will it be enough?

IVAN MAKSIMOV (1958., Moskva) je ilustrator, karikaturist i redatelj animiranih filmova s obrazovanjem iz fizike i tehničkih znanosti. U svojoj karijeri proizveo je uspješne animirane filmove i videoigre, a predaje animaciju i filmsku režiju. Sometimes something suddenly seems annoyingly unacceptable, a failure comes and a bummer happens. IVAN MAKSIMOV (1958, Moscow) is an illustrator and animation director, with background in physics and technics. He makes animation films, video games and teaches animation and film directing.

GEORGES SIFIANOS is professor emeritus of animation at ENSAD in Paris. He has made animation films and pursued his career as a researcher with interest in animation aesthetics, cognitive sciences, and artificial intelligence.

NIKITA DIAKUR NJEMAČKA, FRANCUSKA / GERMANY, FRANCE, DCP, 2022, 12’

NIKITA DIAKUR is a Russian-born filmmaker based in Mainz, Germany. He graduated from the Royal College of Art in London. Since then, he has been working as an independent filmmaker, focusing on dynamic simulations and experimental short films.

JOAQUÍN COCIÑA, CRISTÓBAL LEÓN ČILE / CHILE, DCP, 2021, 14’22”

Kosti su fiktivni prikaz prvog stop-animiranog filma na svijetu. Datiran iz 1901. godine i iskopan 2021., dok Čile izrađuje nacrt novog ustava, materijal dokumentira ritual koji izvodi djevojka za koju se čini da se koristi ljudskim truplima. U ritualu se pojavljuju Diego Portales i Jaime Guzmán, središnje figure u izgradnji autoritarnog i oligarhijskog Čilea. CRISTÓBAL LEÓN i JOAQUÍN COCIÑA (1980., Čile) rade zajedno od 2007. U produkciji svojih filmova kombiniraju različite tehnike poput fotografije, crteža, skulpture, plesa i performansa. Los huesos is a fictitious account of the world’s first stopmotion animated film. Dated 1901 and excavated in 2021 as Chile drafts a new Constitution, the footage documents a ritual performed by a girl who appears to use human corpses. Emerging in the ritual are Diego Portales and Jaime Guzmán, central figures in the construction of authoritarian and oligarchic Chile. CRISTÓBAL LEÓN and JOAQUÍN COCIÑA (1980, Chile) have been working together since 2007. For the production of their films they combine different techniques such as photography, drawing, sculpture, dance and performance.

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MAJSTORI ANIMACIJE / MASTERS OF ANIMATION IZ MAJSTORSKIH RADIONICA / TIME FOR THE MASTERS

TEHNIKA / TECHNIQUE CRTEŽ, RAČUNALNA 2D-ANIMACIJA, LUTKA-FILM / DRAWN ANIMATION, 2D COMPUTER, PUPPETS JEZIK / LANGUAGE ENGLESKI / ENGLISH PRODUKCIJA, DISTRIBUCIJA / PRODUCTION, DISTRIBUTION GRATZFILM, WWW.JOANGRATZ.COM

RETENCIJSKI ODJEL TRAJNE ISCRPLJENOSTI RETENTION DEPARTMENT OF PERMANENT EXHAUSTION

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MAJSTORI ANIMACIJE / MASTERS OF ANIMATION IZ MAJSTORSKIH RADIONICA / TIME FOR THE MASTERS

TEHNIKA / TECHNIQUE KLASIČNA ANIMACIJA / 2D CEL ANIMATION BEZ DIJALOGA / NO DIALOGUE PRODUKCIJA, DISTRIBUCIJA / PRODUCTION, DISTRIBUTION BODDAH, ZSOFI@DAAZO.COM

TEHNIKA / TECHNIQUE 2D-ANIMACIJA / 2D ANIMATION BEZ DIJALOGA / NO DIALOGUE PRODUKCIJA / PRODUCTION MIYU PRODUCTIONS, WWW.MIYU.FR; NEW DEER, WWW.NEWDEER.NET/PRODUCTION DISTRIBUCIJA / DISTRIBUTION MIYU DISTRIBUTION, WWW.MIYU.FR

TEHNIKA / TECHNIQUE RAČUNALNA 2D-ANIMACIJA / 2D COMPUTER BEZ DIJALOGA / NO DIALOGUE PRODUKCIJA / PRODUCTION MIYU PRODUCTIONS, WWW.MIYU.FR; ANIKEY, WWW.ANIKEY.NL DISTRIBUCIJA / DISTRIBUTION MIYU DISTRIBUTION, WWW.MIYU.FR

STANKA INTERMISSION

PTICA NA POLUOTOKU BIRD IN THE PENINSULA

RÉKA BUCSI MAĐARSKA / HUNGARY, DCP, 2022, 5’

ATSUSHI WADA FRANCUSKA, JAPAN / FRANCE, JAPAN, DCP, 2022, 15’

2 CIPELE THE 2 SHOES LES 2 SOULIERS

Repetitivan, miran pokret, istraživanje vizualne slike radi nje same. Od jednostavnog čina crtanja linije do zamršenog pokreta i složene animacijske strukture koja se može sama generirati.

Djeca plešu uz glazbu pod nadzorom učitelja. Mlada djevojka dolazi na scenu i poremeti njihov ritual.

Dijete, mladić, odrasla osoba i starac hodaju naizmjence u propast, nalazeći na putu dvije sjajne cipele.

ATSUSHI WADA (1980.) diplomirao je na Sveučilištu Kyoiku u Osaki, Institutu Image Forum i Umjetničkom sveučilištu u Tokiju. U animiranim filmovima koje radi izrazito ga zanima japanski tradicionalni koncept „ma“, naziv za napetost koja se javlja između pokreta.

PAUL DRIESSEN (1940., Nizozemska) je umjetnik, redatelj animiranih filmova i profesor. Za svoj rad primio je više od 70 međunarodnih nagrada, a film 3 gospođice (2000.) bio je nominiran i za nagradu Oscar. Holivudska ASIFA uručila mu je Nagradu Annie za izniman doprinos umjetnosti animacije (1987.), a međunarodna ASIFA (1994.) i Animafest Zagreb (2002.) nagrade za životno djelo.

JOAN GRATZ KANADA, SAD / CANADA, USA, DCP, 2022, 12’10”

Šestero redatelja zamišljaju Odjel trajne iscrpljenosti. Redatelji koji sudjeluju su Chris Hinton, Jim Blashfield, Marv Newland, Martin Cooper, Chel White i ja kao producentica i redateljica. Film je inspiriran mojim pružateljem internetskih usluga, koji ima takav odjel. To je krajnje utočište kada nema nade i nikada rješenja. JOAN GRATZ je oskarovka i redateljica animiranih filmova i reklama. Pionirka je tehnike „plastelinskog slikarstva“ (claypainting), a sadržaj oblikuje slikarskim izrazima poezije, improviziranom apstrakcijom i animiranom socijalnom dokumentaristikom. Six directors independently imagine the Department of Perpetual Exhaustion. The participating directors are Chris Hinton, Jim Blashfield, Marv Newland, Martin Cooper, Chel White, and myself as producer/director. The film was inspired by my internet service provider who has such a department. It is a place of last resort when there is no hope and never a solution.

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RÉKA BUCSI je mađarska redateljica animiranih filmova. Diplomirala je na Sveučilištu za umjetnost i dizajn MoholyNagy 2013. Diplomski film Simfonija br. 42 ušao je u uži izbor za Oscara 2014, a filmovi su joj prikazani na filmskim festivalima poput Berlinalea, Sundancea, Ottawe, AFI Festa, BFI London Film Festivala i SXSW-a. Film Ljubav nominiran je za najbolji kratki film na EFA-i, a Solar Walk je osvojio nagradu Audi Short Film Award na Berlinaleu 2018. Repetitive still standing movement, an exploration of the visual image for its own sake.From the simple act of drawing a line, to the intricate movement and complex structure of animation that is able to self-generate.

RÉKA BUCSI is a Hungarian animation filmmaker. She graduated from Moholy-Nagy University of Art and Design in 2013. Her graduation film Symphony no. 42 was JOAN GRATZ is an Academy Award winning director of animated short films and commercials. Her films range shortlisted for the Oscars in 2014, and her films were screened at Berlinale, Sundance, Ottawa, AFI Fest, BFI in content through painterly expressions of poetry, improvised abstraction, and animated social documentary. London Film Festival and SXSW. Film Love was nominated for Best Short Film at the EFA. Her film Solar Walk won the The technique she pioneered is “claypainting.” Audi Short Film Award at the Berlinale 2018.

Children dance to music under the supervision of their teacher. A young girl attends the scene and comes to disturb their ritual. ATSUSHI WADA (1980) graduated from the Osaka Kyoiku University, Image Forum Institute of Moving Image and Tokyo University of the Arts. In his work he is highly interested in the Japanese traditional concept called “Ma”, the tension produced between movements.

PAUL DRIESSEN FRANCUSKA, NIZOZEMSKA / FRANCE, NETHERLANDS, DCP, 2021, 5’

A child, a young man, an adult, and an old man walk alternately to doom, finding two shiny shoes on their way. PAUL DRIESSEN (1940, The Netherlands) is an artist, animation director and professor. He has won over 70 international awards for his work, and 3 Misses (2000) earned him an Oscar nomination. ASIFA Hollywood awarded him with the Annie Award, ASIFA International (1994) and Animafest Zagreb (2002) with Lifetime Achievement Awards.

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MAJSTORI ANIMACIJE / MASTERS OF ANIMATION IZ MAJSTORSKIH RADIONICA / TIME FOR THE MASTERS

TEHNIKA / TECHNIQUE CRTEŽ / HAND-DRAWN JEZIK / LANGUAGE ENGLESKI / ENGLISH PRODUKCIJA, DISTRIBUCIJA / PRODUCTION, DISTRIBUTION PETER MILLARD, WWW.HELLOPETERMILLARD.COM

TEHNIKA / TECHNIQUE GVAŠ I KOLAŽ ANIMIRANI NEPOSREDNO ISPOD KAMERE / ANIMATED DIRECTLY UNDER THE CAMERA IN GOUACHE PAINT AND COLLAGE BEZ DIJALOGA / NO DIALOGUE PRODUKCIJA / PRODUCTION NATIONAL FILM BOARD OF CANADA, WWW.NFB.CA; LYNN SMITH, WWW.GREATWOMENANIMATORS.COM/LYNN-SMITH DISTRIBUCIJA / DISTRIBUTION NATIONAL FILM BOARD OF CANADA, WWW.NFB.CA

TEHNIKA / TECHNIQUE PIKSILACIJA, STOP-ANIMACIJA / PIXILATION, STOP-MOTION BEZ DIJALOGA / NO DIALOGUE PRODUKCIJA / PRODUCTION KABINETT AD CO., WWW.KABINETTADCO.AT DISTRIBUCIJA / DISTRIBUTION SIXPACKFILM, WWW.SIXPACKFILM.COM

STARI PRDONJA GUFF MATURITY

ŠTO SE RIMUJE S TOKSIČNO WHAT RHYMES WITH TOXIC

PETER MILLARD UJEDINJENO KRALJEVSTVO / UNITED KINGDOM, DCP, 2022, 1’

LYNN SMITH KANADA / CANADA, DCP, 2022, 5’

Znaš, došao sam u godine kad se želim smiriti i prestati skakati iz veze u vezu svakih nekoliko tjedana, ali sve koje sretnem, toliko su nezrele, a mislio sam da sad to više neće biti slučaj. Znaš na što mislim? Čime se baviš? A, ma daj! Volim animaciju! Kako zanimljivo! Nešto što sam vidjela? Uvijek sam se pitala kako bi to bilo biti animator! Sigurno je zabavno. Mislim da mi je Pixar najdraži, onaj film s autima je baš smiješan! I Shrek! Jel’ radiš takve stvari? Mogu li vidjeti?

Još jedno toksično izlijevanje je za nadležnog gradskog vijećnika samo velika smetnja i mora trpjeti medijske kritike dok kriza ne prođe. Međutim, za stvorenja u jezeru to je katastrofa i u pitanju je puno više od samog jezera. Animirajući izravno pod kamerom, Lynn Smith koristila se bojom i kolažem te proizvela duhovit ali smrtno ozbiljan film i jasan podsjetnik da smo svi međusobno povezani.

PETER MILLARD samostalni je britanski umjetnik i animator koji se bavi podučavanjem i različitim honorarnim poslovima kako bi financirao svoju umjetnost. You know, I’ve got to the age where I want to settle down and stop jumping from relationship to relationship every few weeks, but everyone I meet is so immature which I thought wouldn’t be the case now. Know what I mean? What do you do for a job? Ah no way! I love animation! That’s so interesting! Anything I’ve seen? I’ve always wondered what it would be like to be an animator! Bet it’s so fun. I think Pixar is my favourite, that film with the cars is just so dam funny! And Shrek! Is that the sort of stuff you do? Can I see? PETER MILLARD is a self-funded British animation artist who relies on teaching and various part time jobs to make his films.

Veteranka redateljica animiranih filmova LYNN SMITH radi inovativne, nagrađivane filmove od 1969. Mentorica mlađim generacijama, predavala je animaciju na Odsjeku za film na Sveučilištu Concordia gotovo 20 godina, a mnogi od njezinih studenata postali su nagrađivani režiseri animacije. There’s been another toxic spill. For the city councillor responsible, it’s just a big nuisance, having to endure media scrutiny until the crisis has passed. For the creatures in the lake it’s a catastrophe, and there’s more at stake than just the lake. Animated directly under the camera by Lynn Smith using paint and collage, this film is both funny and deadly serious, and a sharp reminder that we are all interconnected. Veteran animation filmmaker LYNN SMITH has been making innovative, award-winning films since 1969. A mentor to younger generations, she has taught animation at the Concordia University for close to 20 years, and many of her students have gone on to direct their own award-winning animation.

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PAUL WENNINGER AUSTRIJA, FRANCUSKA / AUSTRIA, FRANCE, DCP, 2021, 5’38”

Stop motion – plesač kao filmaš suzdržava se od suvišnog kretanja u vili u Bretanji, ustupajući mjesto individualnom, ali i društvenom stanju koje je francuski filozof Paul Virilio opisao kao „polarnu inerciju“. Sličicu po sličicu po sličicu, Paul Wenninger obilazi prostoriju stojeći mirno, s leđima neprestano okrenutim prema zidovima i prema prozorima: čini se da olujno vrijeme prolijeće dok se odnos između vanjskog i unutrašnjeg komeša. (Claus Philipp) PAUL WENNINGER (1966., Beč) je samostalni plesač, koreograf i filmski autor. Bavi se piksilacijom i animacijom. Od 1999. umjetnički je direktor platforme Kabinett ad Co. za interdisciplinarne projekte. Stop Motion – a dancer as filmmaker refrains from superfluous movement in a villa in Brittany, giving way to an individual as well as social state described by the French philosopher Paul Virilio as “polar inertia”. Frame by frame by frame, Paul Wenninger makes the rounds standing still, with his back perpetually turned to the walls and to the windows: a stormy time seems to fly by while the relationship between outside and inside gets shaken up. (Claus Philipp) PAUL WENNINGER (1966, Vienna) is a freelance dancer, choreographer and filmmaker with a focus on pixilation and animation. Since 1999 he has been the artistic director of Kabinett ad Co., a working platform for interdisciplinary projects.

MAJSTORI ANIMACIJE / MASTERS OF ANIMATION IZ MAJSTORSKIH RADIONICA / TIME FOR THE MASTERS

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TEMA: ANIMAFEST ZAGREB – 50 GODINA THEME: ANIMAFEST ZAGREB – 50 YEARS

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TEMA: ANIMAFEST ZAGREB – 50 GODINA Ovogodišnji tematski program posvećen je onima zbog kojih ovaj festival postoji, i to već jubilarnih pedeset godina! To su iz godine u godinu, desetljeća u desetljeće, najvažniji sudionici: autori i publika! Svjetski uspjesi velikana Zagrebačke škole crtanog filma doveli su do osnutka Festivala – kao svojevrsna nagrada njihovu radu. U tom dijelu tematskog programa pripremili smo vam pet projekcija. Projekcije posvećene zlatnim godinama šezdesetih i sedamdesetih donose klasike zagrebačke škole, filmove koji su nam svima dobro znani. Ipak, smatram da je baš te filmove potrebno periodično prikazivati u onom okruženju za koje su rađeni – u kinodvoranama. Zato da se svi zajedno podsjetimo na njihovu ljepotu ali i zato da onim mlađim naraštajima, srednjoškolcima i studentima, damo priliku upoznati se, na velikom platnu, s tim remek-djelima, koja su neizostavan dio kulturnog nasljeđa grada Zagreba i države Hrvatske, a i šire. Također, jedna od projekcija posvećena je filmovima za djecu, koji su također bili redovno producirani u studijima Zagreb filma od strane najvećih imena. Preostale dvije projekcije su posebne! „Bonjour Cannes 1958“ rekreira legendarnu projekciju iz 1958. s Festivala u Cannesu i prikazuje upravo onih sedam veličanstvenih filmova koji su smjesta podigli prašinu i upoznali svijet sa svježim idejama iz Zagreba. Kanadski redatelj Norman McLaren, nazočan na toj projekciji, zaključio je: „oni otkrivaju nešto novo i veliko“. Nakon te projekcije ugledni francuski povjesničar filmske umjetnosti Georges Sadoul i filmski kritičar Andre Martin utemeljuju nov pojam u svjetskom animiranom filmu – „Zagrebačka škola crtanog filma“. Posljednji program, ili bolje rečeno prvi, posvećen je počecima animacije u Zagrebu, onim filmovima koji su udarili temelje, onim ljudima koji su donijeli animaciju u Zagreb i započeli s njenim razvijanjem. Nažalost, mnogi od tih filmova, u početku pretežno namjenskih, nisu sačuvani. U suradnji s Hrvatskim državnim arhivom napravili smo izbor iz onoga što je sačuvano. Iako smo čitali o tome u povijesnim tekstovima, nije puno nas u stvari vidjelo ta djela, i ovo će biti prilika. Uz neke rijetke uratke nastale prije Drugog svjetskog rata, kao što je najstariji sačuvani autorski fragment Viktora Rybaka ili neki fragmenti s vrlo kratkim animacijama nastalim u okviru edukativnih filmova Škole narodnog zdravlja „Andrija Štampar“, u ovom programu nalazi se i Veliki miting (1951.), koji iako nije – suprotno ponekim tvrdnjama – ni prvi autorski ni prvi profesionalni animirani film nastao kod nas, definitivno je najznačajniji film dotadašnje produkcije i kolijevka onoga što se nedugo potom razvilo u Zagrebu. U tom je programu i nekoliko slavnih reklamnjaka iz sredine pedesetih koji su

imali odlučujuću ulogu u razvoju limitirane animacije, koja je jedno od obilježja zagrebačke škole. Zbog nedostatka i skupoće celova i ostalih materijala autori (npr. Vukotić) su morali pribjeći crtanju što manjeg broja crteža. Tu se dešava i poznata skoro pa anegdota – autori su prali celove kad bi završili neku narudžbu da bi ih ponovo mogli iskoristiti za novu reklamu. Program zaokružuju neki od filmova nastalih netom nakon Velikog mitinga, na razmeđu između „neugebauerovskog“, što znači diznijevskog stila i samih početaka razvoja kasnijih stilizacija i redukcija. Legendarni Borivoj Dovniković Bordo uvijek mi je govorio da je Festival osnovan s idejom da su autori u fokusu i sa željom da autori jedni drugima prikazuju svoje najnovije filmove, da ih procjenjuju i ističu one najbolje među sobom. Autori su uvijek bili, i ostat će, u centru pažnje Festivala, ali još je jedna skupina ljudi apsolutno presudna za ovoliku dugovječnost – publika! Drugi dio svečarskog tematskog programa posvećen je jednoj od najatraktivnijih nagrada – nagradi publike. Kao poklon vjernim posjetiocima, donosimo izbor kroz razne dekade festivala. Mi u Zagrebu možemo se smatrati sretnima što je očito da publika ovdje razumije animaciju kao rijetko gdje. Čak su četiri puta Grand prixevi međunarodnih žirija Festivala dodijeljeni filmovima koji bi te godine osvojili i nagradu publike! Satiemania, Oh Willy..., Usvajanje odobreno i Kisela kiša. Da ne govorimo o tome da filmovi nagrađeni od publike gotovo u pravilu, ako ne Grand prix, osvoje neku od nagrada iz drugih kategorija, također dodijeljenih od međunarodnih žirija. Umjetnost nije tu da bi podilazila širokim masama, da bi isključivo zabavljala. Umjetnost je filozofija drugim sredstvima, promišljanje o svijetu, o čovjeku, o bitku, o budućnosti i sadašnjosti. Kada bi podilazila i pokorila se zakonu zarade, izgubila bi oštricu, postala bi nebitna zabava. Ne bi bili mogući hrabri eksperimenti i vizionarstvo koje ponekad drugi ljudi shvate tek nakon godina, ili desetljeća, toliko budu ispred svog vremena. Jasno je da ne može svaki eksperiment uspjeti – neki će vam eksplodirati u lice, ali dok god umjetnici mogu istraživati, isprobavati, intuitivno nešto čeprkati dok ne iščeprkaju i dok ljudi oko njih imaju priliku to primijetiti, cijeniti i voljeti, dotle smo na ispravnom kursu prema sretnijem i tolerantnijem društvu. A kako smo već maloprije ustvrdili, zagrebačka publika zna prepoznati dobru umjetnost i dobar animirani film. Viva la animación! DANIEL ŠULJIĆ

TEMA: ANIMAFEST ZAGREB – 50 GODINA THEME: ANIMAFEST ZAGREB – 50 YEARS

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THEME: ANIMAFEST ZAGREB – 50 YEARS This year’s theme programme is dedicated to those for whom this festival exists, and for the celebratory fifty years! These are, year after year, decade after decade, the most important participants: the authors and the audience! The global success stories of the greats of the Zagreb School of Animation led to the festival’s establishment – as a kind of reward for their work. In this part of the theme section, we have prepared five screenings for you. Screenings dedicated to the golden years of the 1960s and 1970s feature the classics of the Zagreb School, films well known to all of us. However, I think that it is precisely these films that need to be shown periodically in the environment for which they were made – in cinemas. So that we can all remind ourselves of their beauty, but also to give those younger generations, high school and university students a chance to get acquainted, on the big screen, with the masterpieces which are an integral part of the cultural heritage of Zagreb and Croatia and beyond. Also, one of the screenings is dedicated to films for children, which were also regularly produced in the studios of Zagreb Film by the biggest names. The other two screenings are special! “Bonjour Cannes 1958” recreates the legendary screening from 1958 from the Cannes Film Festival and shows exactly those seven magnificent films that immediately stirred things up and introduced the world to fresh ideas from Zagreb. Canadian director Norman McLaren, present at the screening, concluded “they are discovering something new and big”. After that screening, the acclaimed French film art historian Georges Sadoul and film critic Andre Martin founded a new concept in world animated film – the ‘Zagreb School of Animated Film’. The last segment, or rather the first, is dedicated to the beginnings of animation in Zagreb, those films that laid the foundations, those people who brought animation to Zagreb and began to develop it. Unfortunately, many of these films, initially mostly commissioned, have not been preserved. In collaboration with the Croatian State Archives, we made a selection from what has been preserved. Although we have read about them in historical texts, not many of us have actually seen these works, and this will be an opportunity to do so. Along with some rare works made before the Second World War, e.g. the oldest preserved authorial fragment by Viktor Rybak or some short animation fragments for educational films at the Andrija Štampar School of Public Health, this section also includes The Great Meeting, which, although it is neither – contrary to some claims – the first auteur nor the first professional film made in our country – it is definitely the most important film of its production and breeding soil for what evolved in Zagreb shortly afterwards. The line-up also includes several famous commercials

from the mid-fifties which played a decisive role in the development of limited animation, which is one of the characteristics of the Zagreb School. Due to the shortcomings and costliness of cels and other materials, the authors (e.g. Vukotić) had to resort to drawing as few drawings as possible. There is also a well-known anecdote of sorts – the authors washed the cels when they completed an order so that they could use them again for a new commercial. The segment is rounded off by some of the films made just after The Great Meeting, at the crossroads between Neugebauerian, which means Disney style, and the very beginnings of the development of later stylizations and reductions. The legendary Borivoj Dovniković Bordo always told me that the festival was established with the idea that the authors are in focus and with the desire that the authors show each other their latest films, to evaluate them and highlight the best among themselves. Authors have always been, and will remain, the centre of attention of the festival, but another group of people is absolutely crucial for such longevity – the audience! The second half of the festive theme programme is dedicated to one of the most attractive awards – the Audience Award. As our gift to our loyal visitors, we feature a selection through the various decades of the festival. We in Zagreb can consider ourselves happy that the audience here understands animation as only rare people do. As many as four times the Grand Prix of the festival has been awarded by international juries to films that would win the Audience Award that year! Satiemania, Oh Willy, Adoption Approved and Acid Rain. Not to mention that films awarded by the audience almost as a rule, if not the Grand Prix, win some of the awards from other categories, also decided by international juries. Art is not here to please the masses, to entertain exclusively. Art is philosophy by other means, an examination of the world, of the man, of existence, of the future and the present. If it would surrender and obey the law of profit, it would lose its razor-sharpness, it would become irrelevant entertainment. It would not be possible to have bold experiments and visionary things that sometimes other people only comprehend after many years, or decades, so much ahead of their time. Clearly, not every experimentation can always succeed – some will explode in your face, but as long as artists explore, experiment, intuitively poke until they poke something out and while people around them have a chance to notice, appreciate and love it, we are on the right track towards a happier and more tolerant society. And as we have already said, Zagreb’s audience can recognise good art and good animation. Viva la animación! DANIEL ŠULJIĆ

07/06 UTO TUE 20:00 TEATAR &TD 11/06 SUB SAT 11:30 KINO SC

TEMA: ANIMAFEST ZAGREB – 50 GODINA THEME: ANIMAFEST ZAGREB – 50 YEARS ZAGREBAČKA ŠKOLA / ZAGREB SCHOOL 1 POČECI / THE BEGINNINGS

PRODUKCIJA / PRODUCTION ŠKOLA NARODNOG ZDRAVLJA “ANDRIJA ŠTAMPAR” IZVOR / SOURCE HRVATSKI DRŽAVNI ARHIV / CROATIAN STATE ARCHIVES, LZORE@ARHIV.HR

FRAGMENT ŠPICE ZA ŠKOLU NARODNOG ZDRAVLJA “ANDRIJA ŠTAMPAR” ANDRIJA ŠTAMPAR SCHOOL OF PUBLIC HEALTH (TRAILER, FRAGMENT) STANISLAV NOWORYTA JUGOSLAVIJA/HRVATSKA / YUGOSLAVIA/CROATIA, HD VIDEO, 1928, 1’

Špica Škole narodnog zdravlja. Trailer for the School of Public Health.

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TEMA: ANIMAFEST ZAGREB – 50 GODINA THEME: ANIMAFEST ZAGREB – 50 YEARS ZAGREBAČKA ŠKOLA / ZAGREB SCHOOL 1 POČECI / THE BEGINNINGS

PRODUKCIJA / PRODUCTION VIKTOR RYBAK IZVOR / SOURCE HRVATSKI DRŽAVNI ARHIV / CROATIAN STATE ARCHIVES, LZORE@ARHIV.HR

PRODUKCIJA / PRODUCTION ŠKOLA NARODNOG ZDRAVLJA “ANDRIJA ŠTAMPAR” IZVOR / SOURCE HRVATSKI DRŽAVNI ARHIV / CROATIAN STATE ARCHIVES, LZORE@ARHIV.HR

EKSPERIMENTALNI FRAGMENT EXPERIMENTAL FRAGMENT

MALARIJA (FRAGMENT) MALARIA (FRAGMENT)

ZABORAVLJIV ČOVJEK!

VIKTOR RYBAK, MIROSLAV MODIC JUGOSLAVIJA/HRVATSKA / YUGOSLAVIA/CROATIA, HD VIDEO, 1932, 0’15”

Autor mnogih filmskih reportaža i dokumentaraca u razdoblju 1923-1930., Viktor Rybak, osnovao je 1931. vlastito poduzeće za izradu i laboratorijsku obradu filmova. Ovaj eksperimentalni fragment nastao je kao plod Rybakova intimnog amaterskog entuzijazma: ostvaren je bez pretenzija za javnim prikazivanjem i komercijalnom eksploatacijom. Bez naslova i “špice”, film je, prema Rybakovim riječima, realiziran uz suradnju namještenika njegova poduzeća. Upamtio je i ime crtača: bio je to Miroslav Modic. Koliko je poznato, ovo je prva sačuvana filmska vrpca s animiranim crtežima izrađenima u Zagrebu. (R. Munitić) Viktor Rybak, author of many film reports and documentaries in the period 1923-1930, founded his own company for the production and film lab processing in 1931. This experimental fragment was created because of Rybak’s intimate amateur enthusiasm: it was made without pretensions to public display and commercial exploitation. According to Rybak, without the title and “trailer”, the film was made in cooperation with employees of his company. He also remembered the name of the cartoonist: Miroslav Modic. This is the first preserved film strip with animated drawings made in Zagreb. (R. Munitić)

KOLEKTIV ŠNZAŠ, DRAGO CHLOUPEK JUGOSLAVIJA/HRVATSKA / YUGOSLAVIA/CROATIA, HD VIDEO, 1933, 1’

Škola narodnog zdravlja od 1928. organizira vlastitu kino-službu, koja počinje izrađivati filmove pristupačne i razumljive selu. Ovo je animirani fragment iz znanstvenopropagandnog filma o malariji, nastao u foto-filmskom laboratoriju. Film je snimio je inženjer Aleksandar Gerasimov, rukovodilac laboratorija, obradu je napravio dr. Dragutin Chloupek, a crtač je bio akademski slikar Vilko Šeferov. Since 1928, the School of Public Health has been organizing its own film service, which started producing films aimed to educate the village. This is an animated fragment from an educational-propaganda film about malaria, created in photo-film laboratory. The film was shot by engineer Aleksandar Gerasimov, head of the laboratory, edited by dr. Dragutin Chloupek, and the cartoonist was academic painter Vilko Šeferov.

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HANS FISCHERKOESEN HD VIDEO, 1938, 3’

Reklamni crtani film za zubnu pastu Kalodont. Ta je reklama vjerojatno rađena vani pa prerađena za domaće tržište umetanjem hrvatskih natpisa. Odlučili smo je prikazati kao primjer animacije koju su građani mogli tih godina vidjeti što je vjerojatno doprinijelo širenju animacije. Advertising cartoon for toothpaste Kalodont. This advertisement was probably made abroad and then reworked for the local market by inserting Croatian inscriptions. We decided to present it as an example of animation that citizens could see in those years, which possibly contributed to the expansion of animation.

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TEMA: ANIMAFEST ZAGREB – 50 GODINA THEME: ANIMAFEST ZAGREB – 50 YEARS ZAGREBAČKA ŠKOLA / ZAGREB SCHOOL 1 POČECI / THE BEGINNINGS

PRODUKCIJA / PRODUCTION FILMSKO PODUZEĆE - DIREKCIJA ZA HRVATSKU IZVOR / SOURCE HRVATSKI DRŽAVNI ARHIV / CROATIAN STATE ARCHIVES, LZORE@ARHIV.HR

SVI NA IZBORE (NAROD ODLUČUJE) LET EVERYBODY VOTE NORBERT NEUGEBAUER JUGOSLAVIJA/HRVATSKA / YUGOSLAVIA/CROATIA, HD VIDEO, 1945, 1’30”

Kratki propagandni crtani film o glasačkom pravu u kojemu je crtež napravio Walter Neugebauer, a snimio ga je Frano Vodopivec. A short propaganda cartoon about the voting right. Drawings were made by Walter Neugebauer and it was shot by Frano Vodopivec.

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TEMA: ANIMAFEST ZAGREB – 50 GODINA THEME: ANIMAFEST ZAGREB – 50 YEARS ZAGREBAČKA ŠKOLA / ZAGREB SCHOOL 1 POČECI / THE BEGINNINGS

PRODUKCIJA / PRODUCTION NASTAVNI FILM IZVOR / SOURCE HRVATSKI DRŽAVNI ARHIV / CROATIAN STATE ARCHIVES, LZORE@ARHIV.HR

PRODUKCIJA / PRODUCTION KEREMPUHOV STUDIO ZA CRTANI FILM IZVOR / SOURCE USTANOVA ZAGREB FILM, WWW.ZAGREBFILM.HR

PRODUKCIJA / PRODUCTION DUGA FILM IZVOR / SOURCE USTANOVA ZAGREB FILM, WWW.ZAGREBFILM.HR

NAŠI ZUBI (FRAGMENT) OUR TEETH (FRAGMENT)

VELIKI MITING THE BIG MEETING

KAKO SE RODIO KIĆO HOW KIĆO WAS BORN

STJEPAN VELIĆ JUGOSLAVIJA/HRVATSKA / YUGOSLAVIA/CROATIA, HD VIDEO, 1951, 1’

NORBERT NEUGEBAUER JUGOSLAVIJA/HRVATSKA / YUGOSLAVIA/CROATIA, HD VIDEO, 1951, 20’

JOSIP SUDAR, DUŠAN VUKOTIĆ JUGOSLAVIJA/HRVATSKA / YUGOSLAVIA/CROATIA, HD VIDEO, 1951, 6’12”

Crtani propagandni film Naši zubi (1951) režisera Stjepana Velića, koji je sam napisao i scenarij, snimio je Zdravko Mihelčić, pozadine je nacrtao Miroslav Bobuš, a Bogoslav Petanjek radio je kao glavni crtač i animator — i još jednom dokazao svoju vještinu i iskustvo. U pojedinim sekvencama tog filma na slikovit je način prikazana borba bijelih krvnih tjelešaca s crnim bakterijama koje poput organizirane armije prodiru u organizam kroz oštećene zube. Treba međutim napomenuti da su crtana rješenja za Naše zube ostvarena u velikoj mjeri pod direktnim utjecajem filma Vaccination Walta Disneyja, koji sadrži dosta sličnih prizora. (R. Munitić)

Bio jednom jedan novinar, koji u želji da podigne zanimanje za list svog gazde – objavi vijest o fantastičnoj šarenoj ptici, više sličnoj papigi nego kokoši, a manje noju nego labudu. Nitko nije mogao odgonetnuti podrijetlo te čudne ptice, pa se oko nje ubrzo isplela senzacija, koja se rasprsla onog časa kad se saznalo da je domišljati novinar prebojio običnu patku. Od tog se vremena svaka novinska laž naziva novinarskom patkom. Crtač i glavni animator bio je Walter Neugebauer, snimanje olovke vodio je Oto Hohnjec, dok sliku snima Frano Vodopivec. Na animaciji rade Ismet Voljevica, Borivoj Dovniković, Ivan Pušak, Vladimir Delač.

Kako se rodio Kićo prvi je pokušaj da se ostvari stalni lik u našem crtanom filmu. Vukotić je zamislio čitavu seriju s istim junakom. Već u prvom filmu Vukotić se pokušava odvojiti od Disneyjevih principa i shema. Film je nastao u režiji inženjera Josipa Sudara i snimljen je prema Vukotićevu scenariju, koji preuzima i ulogu glavnog crtača i animatora. Scenografiju je izradio Boris Maričić, a glazbu skladatelj Vladimir Kraus-Rajterić. (R. Munitić)

A promotional film Naši zubi (Our Teeth, 1951) was directed and written by Stjepan Velić, shot by Zdravko Mihelčić, backgrounds were drawn by Miroslav Bobuš, and Bogoslav Petanjek as the main cartoonist and animator. Some sequences of this film depict struggle of white blood cells with black bacteria, which, like an organized army, penetrate the body through damaged teeth. Some solutions for this film were made largely under the direct influence of Walt Disney’s film Vaccination, which features quite a few similar scenes. (R. Munitić)

Once upon a time there lived a journalist. Eager to spark interest in his boss's newspaper, he published news of a colourful bird, more like a parrot than a chicken, less like an ostrich than a swan. No one could work out the origin of this strange bird and a web of sensational stories soon spun, but it burst the moment it came out that the witty journalist repainted an ordinary duck. From that moment on every lie journalists tell is called a 'canard'. Drawings were made by Walter Neugebauer, who was also the main animator, and animation was made by Ismet Voljevica, Borivoj Dovniković, Ivan Pušak, Vladimir Delač.

How Kićo Was Born is the first attempt to create a repeating character in our animated film - Vukotić imagined the whole series with the same hero. Already in the first film, Vukotić tries to separate himself from Disney's principles and schemes. The film was directed by engineer Josip Sudar and was shot according to Vukotić's script, which also takes on the role of chief cartoonist and animator. The scenography was created by Boris Maričić, and the music by composer Vladimir Kraus-Rajterić. (R. Munitić)

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TEMA: ANIMAFEST ZAGREB – 50 GODINA THEME: ANIMAFEST ZAGREB – 50 YEARS ZAGREBAČKA ŠKOLA / ZAGREB SCHOOL 1 POČECI / THE BEGINNINGS

PRODUKCIJA / PRODUCTION DUGA FILM IZVOR / SOURCE HRVATSKI DRŽAVNI ARHIV / CROATIAN STATE ARCHIVES, LZORE@ARHIV.HR

GOOL! GOAL! NORBERT NEUGEBAUER JUGOSLAVIJA/HRVATSKA / YUGOSLAVIA/CROATIA, HD VIDEO, 1952, 7’30”

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TEMA: ANIMAFEST ZAGREB – 50 GODINA THEME: ANIMAFEST ZAGREB – 50 YEARS ZAGREBAČKA ŠKOLA / ZAGREB SCHOOL 1 POČECI / THE BEGINNINGS

PRODUKCIJA / PRODUCTION DUGA FILM IZVOR / SOURCE USTANOVA ZAGREB FILM, WWW.ZAGREBFILM.HR

PRODUKCIJA / PRODUCTION ZORA FILM IZVOR / SOURCE HRVATSKI DRŽAVNI ARHIV / CROATIAN STATE ARCHIVES, LZORE@ARHIV.HR

PRODUKCIJA / PRODUCTION ZAGREB FILM IZVOR / SOURCE USTANOVA ZAGREB FILM, WWW.ZAGREBFILM.HR

ZAČARANI DVORAC U DUDINCIMA THE ENCHANTED CASTLE AT DUDINCI

CRVENKAPICA LITTLE RED RIDING HOOD

IZBOR REKLAMA ZAGREB FILMA 1954/1955. ZAGREB FILM COMMERCIALS (SELECTION 1954/55)

NIKOLA KOSTELAC, ALEKSANDAR MARKS JUGOSLAVIJA/HRVATSKA / YUGOSLAVIA/CROATIA, HD VIDEO, 1954, 13’19”

DUŠAN VUKOTIĆ JUGOSLAVIJA/HRVATSKA / YUGOSLAVIA/CROATIA, HD VIDEO, 1952, 10’34”

Gool! je duhovita satira na nogomet i strasti koje se razbuktavaju oko tog sporta. I ovdje se kao likovi javljaju personificirane životinje: afinitet prema Disneyjevu svijetu ponovno dominira. Scenarij je napisao Norbert Neugebauer, a on je vodio i režiju. Dovniković obavlja poslove glavnog crtača i animatora, a kao njegovi pomoćnici rade Zlatko Grgić, Turido Pauš, Vjekoslav Radilović i Branko Karabajić. Scenografiju je izradio Oto Reisinger, a glazbu Milutin Vandekar. (R. Munitić) Goal! is a witty satire on football and the passion that flares up around that sport. Personified animals appear as characters in this film: an affinity for Disney's world dominates again. The screenplay was written by Norbert Neugebauer, and he was also director. Dovniković works as the main cartoonist and animator, and his assistants are Zlatko Grgić, Turido Pauš, Vjekoslav Radilović and Branko Karabajić. Scenography was created by Oto Reisinger, and music by Milutin Vandekar. (R. Munitić)

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Projekt iz serije о Kići: Začarani dvorac u Čačincima, kasnije je naslov preinačen u Začarani dvorac u Dudincima, jer su Čačinci pronađeni na geografskoj karti, a Vukotiću je bilo potrebno imaginarno ime mjesta radnje. Scenarij je napisao Fadil Hadžić, glavni crtač i animator je Vukotić, scenografiju (možda najbolju u svojoj karijeri) kreira Ismet Voljevica. Glazbu je skladao Vladimir KrausRajterić. Kao pomoćnik glavnog crtača pojavljuje se Nikola Kostelac, a kao pomoćnik za animaciju Vilim Firšt. Asistent režije je Irena Vrkljan. (R. Munitić) A project from the Kićo series: The Enchanted Castle in Čačinci, later changed to The Enchanted Castle in Dudinci - Čačinci was found on a map, and Vukotić needed an imaginary name of the place. Screenplay was written by Fadil Hadžić, main cartoonist and animator is Vukotić, scenography (perhaps the best in his career) is created by Ismet Voljevica. Music was composed by Vladimir Kraus-Rajterić. Nikola Kostelac appears as the assistant to the main cartoonist, and Vilim Firšt as the assistant for animation. Assistant director is Irena Vrkljan.

DUŠAN VUKOTIĆ JUGOSLAVIJA/HRVATSKA / YUGOSLAVIA/CROATIA, HD VIDEO, 1955, 5’14”

Crvenkapica je prvi crtani kolor film realiziran u Jugoslaviji te prvi nagrađeni crtani film jugoslavenske kinematografije, i to diplomom na festivalu u Berlinu. Pišući prikaz Crvenkapice u Narodnom listu (9. IV. 1955), Nenad Turkalj duhovito primjećuje: „Od gradiva na kojemu bi Disney zasnovao čitav (epizodarno razvučeni) cjelovečernji film, naši su umjetnici načinili duhovitu predigru, koja kratkoćom pogoduje za obje svoje namjene: i kao sugestivan pričani kroki za dječju maštu, i kao zabavan kolorirani spektakl za odrasle gledaoce, koji će se nasmijati brojnim dobro zamišljenim dosjetkama.“ (R. Munitić) Little Red Riding Hood is the first color cartoon made in Yugoslavia and the first award-winning cartoon of Yugoslav cinema, with a diploma at the Berlin Film Festival. Writing a review of the Little Red Riding Hood in the Narodni list (April 9, 1955), Nenad Turkalj humorously remarks: "From the material on which Disney would base the entire (episodically stretched) feature film, our artists have made a witty foreplay, which is suitable for both its purposes: as a suggestive storyline for children's imagination, and as a funny coloured spectacle for adult viewers who will laugh at many jokes." (R. Munitić)

Izbor reklama: Posjet iz svemira (za list Hrvatska revija), Kod zubara (za tvornicu „Nikola Vetnić" iz Osijeka), Slijepi miš (Frank), Dva odijela (Varteks), Dječja radost (Kraš), Velika trka (Varteks). U realizaciji serije sudjelovali su: Dušan Vukotić (pisac scenarija i režiser), Nikola Kostelac (pomoćnik režije), Aleksandar Marks (glavni crtač), Vladimir Jutriša i Vjekoslav Kostanjšek (glavni animatori), Boris Kolar i Zlatko Bourek (scenografi). Glazba je arhivska, a snimatelji su bili Vladimir Svenda, Nikola Kostelac i Jaroslav Zadražil. A selection of advertisements: Posjet iz svemira (for the newspaper Hrvatska revija), Kod zubara (for the factory “Nikola Vetnić” from Osijek), Slijepi miš (Frank), Dva odijela (Varteks), Dječja radost (Kraš), Velika trka (Varteks). Participants in realization of the series: Dušan Vukotić (screenwriter and director), Nikola Kostelac (assistant director), Aleksandar Marks (main cartoonist), Vladimir Jutriša and Vjekoslav Kostanjšek (main animators), Boris Kolar and Zlatko Bourek (set designers). Music is archival, and cameramen were Vladimir Svenda, Nikola Kostelac and Jaroslav Zadražil.

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COWBOY JIMMY

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PRODUKCIJA, DISTRIBUCIJA / PRODUCTION, DISTRIBUTION ZAGREB FILM, WWW.ZAGREBFILM.HR

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PREMIJERA OPENING NIGHT

SAMAC ALONE

ABRAKADABRA ABRACADABRA

NIKOLA KOSTELAC JUGOSLAVIJA/HRVATSKA / YUGOSLAVIA/CROATIA, HD FILE, 1957, 9’48”

VATROSLAV MIMICA JUGOSLAVIJA/HRVATSKA / YUGOSLAVIA/CROATIA, HD VIDEO, 1958, 12’

DUŠAN VUKOTIĆ JUGOSLAVIJA/HRVATSKA / YUGOSLAVIA/CROATIA, HD FILE, 1957, 12’8”

Vestern o revolverašu Jimmyju, junaku Divljeg zapada, i djeci koja gledaju njegove filmove, dive se njegovim podvizima i oponašaju ga, sve dok u jednom trenutku kauboj Jimmy ne padne s filmskog ekrana u stvarni svijet.

Plakat najavljuje premijeru opere. Skupina snobova, takozvanih ljubitelja glazbe juri unutra. Tenor, svjestan svoje veličanstvenosti, ima malih problema u garderobi s gumbom koji odbija stati u ovratnik.

Izmučen od dana, on uvečer bježi od ljudi i grada. Uvlači se u svoju malu sobu da bi spavao. San mu donosi beskrajne i tihe prostore samoće. Konačno je sam i slobodan. Ali samoća produbljuje strah.

Čarobnjak iz stare, prašnjave knjige s police je oživio i s jednim se dječakom otisne na fantastično putovanje razlikama starog i novog svijeta.

A western about a gunslinger Jimmy, a Wild West hero, and children who watch his films, admire his stunts and imitate him, until cowboy Jimmy falls off the screen into the real world.

A poster announcing the opening night of an opera. A crowd of snobs, so called "music lovers" rushes in. The tenor, well aware of his magnificence, has some troubles in his wardrobe with his button refusing to fit in his collar.

Harassed by the day, he runs away in the evening from people and town. He crawls into his little room to sleep. The dream is bringing him the limitless and quiet spaces of solitude. At last, he is alone and free. But the solitude engenders the fear.

DUŠAN VUKOTIĆ JUGOSLAVIJA/HRVATSKA / YUGOSLAVIA/CROATIA, HD FILE, 1957, 13’25”

A magician from the old, dusty book from the shelf comes to life and with one boy embarks on a fantastic journey between the old and new world.

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TEMA: ANIMAFEST ZAGREB – 50 GODINA THEME: ANIMAFEST ZAGREB – 50 YEARS ZAGREBAČKA ŠKOLA / ZAGREB SCHOOL 2 BONJOUR CANNES 1958

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STRAŠILO SCARECROW

NA LIVADI ON THE MEADOW

HAPPY END

VATROSLAV MIMICA JUGOSLAVIJA/HRVATSKA / YUGOSLAVIA/CROATIA, HD VIDEO, 1957, 9’47”

NIKOLA KOSTELAC JUGOSLAVIJA/HRVATSKA / YUGOSLAVIA/CROATIA, HD FILE, 1957, 7’42”

Usamljeno strašilo ima veliku želju biti prijatelj pticama, no one ga ignoriraju. Njegova će hrabrost u određenom trenutku u potpunosti izmijeniti ptičju perspektivu.

Dvojica na livadi bore se za jedan cvijet.

The lone scarecrow has a great desire to befriend birds, but they ignore him. His courage at a certain point completely changed the bird's perspective.

Two men on the meadow fight for one flower.

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VATROSLAV MIMICA JUGOSLAVIJA/HRVATSKA / YUGOSLAVIA/CROATIA, HD VIDEO, 1958, 9’42”

Nakon što je svijet totalno razoren, život na Zemlji pomalo se obnavlja. Jedno biće ponovno pronalazi svoj stari dom. After the world is totally destroyed, life on Earth is slowly being renewed. One being finds its old home again.

TEMA: ANIMAFEST ZAGREB – 50 GODINA THEME: ANIMAFEST ZAGREB – 50 YEARS ZAGREBAČKA ŠKOLA / ZAGREB SCHOOL 2 BONJOUR CANNES 1958

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PRODUKCIJA, DISTRIBUCIJA / PRODUCTION, DISTRIBUTION ZAGREB FILM, WWW.ZAGREBFILM.HR, SANJA.BORCIC@ZAGREBFILM.HR

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INSPEKTOR SE VRATIO KUĆI! ČOVJEK I SJENA THE INSPECTOR THE MAN AND HIS SHADOW DRAGUTIN VUNAK RETURNED HOME! JUGOSLAVIJA/HRVATSKA / YUGOSLAVIA/CROATIA, HD FILE, 1960,

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PRODUKCIJA, DISTRIBUCIJA / PRODUCTION, DISTRIBUTION ZAGREB FILM, WWW.ZAGREBFILM.HR

SUROGAT ERSATZ (THE SUBSTITUTE)

DON KIHOT DON QUIXOTE VLADO KRISTL JUGOSLAVIJA/HRVATSKA / YUGOSLAVIA/CROATIA, HD FILE, 1961, 10’42”

Film prikazuje Don Kihota i njegova slugu Sanča Pansu u njihovim pustolovinama. Hrabri vitez bori se s policajcima, čitavom naoružanom vojskom, a onda ih sve natjera u panični bijeg potukavši se sa svojim starim neprijateljem – vjetrenjačom.

VATROSLAV MIMICA JUGOSLAVIJA/HRVATSKA / YUGOSLAVIA/CROATIA, HD FILE, 1959, 11’34”

9’31”

DUŠAN VUKOTIĆ JUGOSLAVIJA/HRVATSKA / YUGOSLAVIA/CROATIA, HD FILE, 1961, 9’36”

Inspektor oprezno prolazi ulicama grada, izbjegavajući „opasnosti“. Dolazi kući. Pere noge i čita novine. Odjednom ugleda otisak prsta koji naglo počne bježati. Inspektor ga slijedi... Niz duhovitih situacija, komičnih detalja sadrži ova crtana filmska satira na jednu fantaziju opterećenu željom za doživljajem nečeg tajanstvenog, napetog i dinamičnog.

Ono što čovjek želi i ono što čini nije uvijek identično. Želja i mašta nemaju oštrih kontura, sjena koja se lomi na bridovima i nestaje ili klizi pločnikom. Moglo bi se dogoditi da se čovjek posvađa sa svojom sjenom, da je se želi osloboditi, pobjeći od nje ili je uništiti ali ostavši bez svog drugog ja, on će biti jednostran.

Na morskoj plaži turist napuhuje i stvara čitav kamp od plastične mase. U ovom šarenom napuhanom ambijentu za sve postoji surogat od plastike, pa i za osjećaje. Na plaži se rađa jedna zanosna ljubav, ljubomora i osveta, te na kraju tragedija. Sve se ispuhalo i splasnulo kada se u događaje umiješao jedan obični mali, realni čavlić.

The inspector cautiously walks the city streets avoiding “dangers”. He comes home, washes his feet and reads newspapers. Suddenly he sees a fingerprint that makes a run for it. The inspector follows it… A series of funny situations, comic details characterise this animated satire about a fantasy burdened by a desire to experience something mysterious, thrilling and dynamic.

What man wants and what he does is not always the same. Desire and imagination have no sharp contours, a shadow that breaks on the edges and disappears or slides down the sidewalk. It could be that a man goes into the fight with his shadow, that he wants to get rid of it, run away from it or destroy it, but left without his other self, he will be one-sided.

On a beach at the seaside, a tourist is blowing up and creating an entire camp out of plastic. In this colourful inflatable environment, there is a plastic surrogate for everything, even feelings. The beach sees the birth of a thrilling love, jealousy, revenge, and finally tragedy. Everything deflated and came down with the appearance of one small realistic nail.

The film portrays Don Quixote and his sidekick Sancho Panza in their adventures. The brave knight fights police officers, an entire armed military, forcing them all to make a run for it so that he may engage in a battle with his old enemy – a windmill.

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PRODUKCIJA, DISTRIBUCIJA / PRODUCTION, DISTRIBUTION USTANOVA ZAGREB FILM, WWW.ZAGREBFILM.HR

MUHA THE FLY

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PRODUKCIJA, DISTRIBUCIJA / PRODUCTION, DISTRIBUTION USTANOVA ZAGREB FILM, WWW.ZAGREBFILM.HR

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ZNATIŽELJA CURIOSITY

MASKA CRVENE SMRTI MASQUE OF THE RED DEATH

MAXI CAT: RUČAK MAXI CAT: THE LUNCH

ALEKSANDAR MARKS, VLADIMIR JUTRIŠA BORIVOJ DOVNIKOVIĆ BORDO JUGOSLAVIJA/HRVATSKA / YUGOSLAVIA/CROATIA, 35 MM, 1966, 8’40” JUGOSLAVIJA/HRVATSKA / YUGOSLAVIA/CROATIA, 35 MM, 1966, 8’30”

PAVAO ŠTALTER, BRANKO RANITOVIĆ JUGOSLAVIJA/HRVATSKA, SJEDINJENE DRŽAVE / YUGOSLAVIA/ CROATIA, UNITED STATES, SD FILE, 1969, 9’42”

ZLATKO GRGIĆ JUGOSLAVIJA/HRVATSKA / YUGOSLAVIA/CROATIA, HD VIDEO, 1973, 1’

Priča o odnosu između čovjeka i muhe u kojem čovjek gubi izglede za svoj dignitet. Jedini izlaz je kompromis.

Animirani film o ljudskoj znatiželji – bolesti za koju do danas nije pronađen lijek.

Čudnovati špageti Maxi Cata.

A story about the relationship between a man and a fly in which the man loses chances for dignity. The only way out is a compromise.

An animated film about curiosity – a sickness for which even to this day no cure has been found.

Prema istoimenoj priči Edgara Allana Poea. Kuga hara čitavim svijetom. Knez Prospero sa svojim dekadentnim društvom zatvara se u dvorac u kojem nastavlja orgije. No dvorski ples prekinut će zavodljiva dama koja mami kneza sve dalje kroz raskošne dvorane dvorca. Na kraju, u strasnom zagrljaju Prospero otkriva da je tajanstvena gošća zapravo kuga, koja tako uništava i njegov život i brižljivo čuvani dvorac. An animated version of Edgar Allan Poe's short story. It tells of Prince Prospero who, determined to keep the plague that is ravaging the countryside away, barricades himself and his court in his castle. Though his subjects are dying, he gives a ball and there he meets a beautiful woman. Following her through the castle, he finally catches up with her and finds her to be the Red Death that he was so anxious to avoid.

Maxi Cat's strange spaghetti.

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PRODUKCIJA, DISTRIBUCIJA / PRODUCTION, DISTRIBUTION USTANOVA ZAGREB FILM, WWW.ZAGREBFILM.HR

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MAXI CAT: RIBOLOV MAXI CAT: FISHING

MAXI CAT: VRATA MAXI CAT: THE DOOR

TUP-TUP

ZLATKO GRGIĆ JUGOSLAVIJA/HRVATSKA / YUGOSLAVIA/CROATIA, HD VIDEO, 1973, 1’

ZLATKO GRGIĆ JUGOSLAVIJA/HRVATSKA / YUGOSLAVIA/CROATIA, SD VIDEO, 1973, 1’

ČOVJEK KOJI JE MORAO PJEVATI MAN WHO HAD TO SING

Neobično mjesto za ribolov po mjeri Maxi Cata.

U koji prostor vode ova vrata?

An unexpected place for Maxi Cat tailor-made fishing.

Where will these doors take me?

NEDELJKO DRAGIĆ JUGOSLAVIJA/HRVATSKA, ITALIJA / YUGOSLAVIA/CROATIA, ITALY, HD FILE, 1972, 9’42”

MILAN BLAŽEKOVIĆ JUGOSLAVIJA/HRVATSKA / YUGOSLAVIA/CROATIA, HD VIDEO, 1970, 9’36”

Već je u rodilištu počeo pjevati svoju pjesmu. I tako nastavlja cijeli život. Pjesma nije ružna, glas nije neprijatan, ali je sve konstantno isto. On se pokušava uklopiti u sredinu, ali uvijek sve završi negodovanjem, izbacivanjem, udarcima, surovim reakcijama. Ipak, on ne popušta. Still in the delivery room, he started singing his song. And on he went his entire life. The song is not ugly, the voice is not unpleasant, but everything is constantly the same. He is trying to blend in, but it always ends in disapproval, kicking out, beating, harsh reaction. Nevertheless, he didn’t give up.

Prebrzi tempo života u zagađenim gradovima stvara od ljudi bolesnike. Neuroze su svakodnevna pojava. Prenapučenost, zagađenost i buka neprijatelji su br. 1. Što se može dogoditi čovjeku kojeg nekakav zvuk iritira dok želi mirno pročitati svoje novine, tema je ovog filma. Od mirnog svakodnevnog čovjeka izloženog stalnom bombardiranju zvuka, čovjek postaje opasan. On je u stanju rušiti i razarati. Ali možda je sve to samo jedna bajka, jer svatko od nas nosi sve ono što se u njemu gomila u kratkom ljudskom vijeku. The fast-paced lifestyle in polluted cities makes people ill. Neuroses are quite common. Overpopulation, pollution, and noise are number one enemies. This film focuses on what can happen to a man irritated by a sound while he just wants to quietly read his newspaper. A peaceful ordinary man can turn dangerous if exposed to constant sound. But maybe this is just a fairy tale, as each and every one of us carries inside all that piles up during our brief life spans.

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PRODUKCIJA, DISTRIBUCIJA / PRODUCTION, DISTRIBUTION USTANOVA ZAGREB FILM, WWW.ZAGREBFILM.HR

MAČKA THE CAT

ŠKOLA HODANJA LEARNING TO WALK

SATIEMANIA

RIBLJE OKO FISHEYE

ZLATKO BOUREK JUGOSLAVIJA/HRVATSKA, ITALIJA / YUGOSLAVIA/CROATIA, ITALY, HD FILE, 1971, 10’10”

BORIVOJ DOVNIKOVIĆ BORDO JUGOSLAVIJA/HRVATSKA / YUGOSLAVIA/CROATIA, FORMAT, 1978, 8’24”

Kao u drevnoj Ezopovoj basni, mladi pjesnik samuje sa svojom umjetnošću sve dok mu boginja Venera ne pokloni društvo pretvorivši njegovu mačku u prekrasnu djevojku.

Priča je to o Svojislavu, koji je umio hodati kako ga je majka naučila, ali kojega su nakanili svaki svojem hodu naučiti Tržislav, Nogovuk, Vratoljub i Stupan. Jer svaki je od njih tvrdio da je njegov korak najispravniji. Na jedvite jade Svojislav se riješio „spasitelja“ i nastavio hodati kao prije: svojim materinjim korakom.

This is the story of Svojislav who was accustomed to walking the way he was taught by his mother. However his four friends each try to teach him their style of walking convinced that theirs is the best way. Svojislav has a hard time getting away from his "redeemers" but having done so, he continues walking the way he always has.

The fauna of the megalopolis, the jungle of the supermarket, the bedlam of brothels and bars, the effect of the bars in the fog, the swaying ears of corn, the swaying of men hanging from the gallows, the ripple of water – seen by the eye of the animator in harmony and conflict and accompanied by the satirical, mocking, but sometimes pure lyrical music of Eric Satie.

It is based on an old Aesop fable: a young poet is lonesome until Venus provides him with company, transforming his cat into a wonderful girl.

ZDENKO GAŠPAROVIĆ JUGOSLAVIJA/HRVATSKA / YUGOSLAVIA/CROATIA, HD VIDEO, 1978, 13’47”

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JOŠKO MARUŠIĆ JUGOSLAVIJA/HRVATSKA / YUGOSLAVIA/CROATIA, HD FILE, 1979, 9’6”

U malom ribarskom mjestu generacije žive po ustaljenom ritmu. Život ljudi tek je malo iznad života krajolika u kome se nalaze. Sve što imaju i što ih identificira kao ljude dobivaju od mora. Ali jedne noći, red stvari se poremećuje… jutro donosi sumnju: da li je sve to bila fikcija ili metafora koja opominje da se nikad nećemo udaljiti od prirode i da to držimo na umu? In a small fishing village generations live in a monotonous rhythm. The life of people is only a bit above the life of the landscape they live in. all they have and all that identifies them as people comes from the sea. But one night, the order of things is disturbed… The morning brings suspicion: was it all just fiction or a cautionary metaphor telling us that we can never step away from nature and should keep that in mind?

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TEMA: ANIMAFEST ZAGREB – 50 GODINA THEME: ANIMAFEST ZAGREB – 50 YEARS ZAGREBAČKA ŠKOLA / ZAGREB SCHOOL 5 CRTIĆI! / CARTOONS!

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ALBUM

KRAVA NA MJESECU THE COW ON THE MOON

IGRA A GAME

DUŠAN VUKOTIĆ JUGOSLAVIJA/HRVATSKA / YUGOSLAVIA/CROATIA, SD VIDEO, 1959, 10’15”

DUŠAN VUKOTIĆ JUGOSLAVIJA/HRVATSKA / YUGOSLAVIA/CROATIA, HD FILE, 1962, 12’12”

Omiljena generacijama koji je se sjećaju kao nezaobilaznog dijela djetinjstva, Krava na Mjesecu, iz zlatnog razdoblja Zagrebačke škole i prve faze stvaralaštva oskarovca Dušana Vukotića, doživljava se prije svega kao humorna priča o domišljatosti djevojčice koja zavarava jednog klipana.

U ovoj dječjoj igri dječak i djevojčica, snimljeni „uživo“ crtaju svaki svoje likove i nadmeću se u tome. Djevojčica nacrta cvijet, a dječak kravu koja ga pojede. Zatim nacrtani lav progoni nacrtanu djevojčicu, sve dok to na kraju ne postane ozbiljno, pretvorivši se u pravi suvremeni rat. To nije ozbiljno među djecom, ali moglo bi postati među odraslima. To je skrivena poruka ovog dječjeg filma.

KREŠIMIR ZIMONIĆ JUGOSLAVIJA/HRVATSKA / YUGOSLAVIA/CROATIA, FORMAT, 1982, 10’42”

Mlada djevojka prelistava album s obiteljskim fotografijama. Uspomene iz djetinjstva oživljavaju, statične slike se pokreću. Sjećanje se transformira u metaforičnu storiju o prošlosti i konačno prelazi u maštanje o budućnosti. A young girl is glancing through a family photo album. Childhood memories come to life, still pictures start moving. Souvenirs become a metaphorical imaginary story about past and future.

TEMA: ANIMAFEST ZAGREB – 50 GODINA THEME: ANIMAFEST ZAGREB – 50 YEARS ZAGREBAČKA ŠKOLA / ZAGREB SCHOOL 4 ZLATNO DOBA / GOLDEN AGE 2

Beloved by the generations that remember it as an essential part of childhood, Cow on the Moon was made during the golden age of the Zagreb School of Animation and represents the first creative phase of the Oscarwinning author Dušan Vukotić. The film is primarily regarded as a humorous story about the wit and ingenuity of a little girl who gets the better of a ruffian.

In this child play, a boy and a girl, filmed ‘live’, draw characters and compete whose is better. The girl draws a flower, and the boy draws a cow who eats it. Then a drawn lion chases a drawn girl, all until this becomes serious and turns into a real modern-day war. This is not serious among children but could become serious among adults – this is the hidden moral of this children’s film.

10/06 PET FRI 17:00 TUŠKANAC

PRODUKCIJA, DISTRIBUCIJA / PRODUCTION, DISTRIBUTION USTANOVA ZAGREB FILM, WWW.ZAGREBFILM.HR

TEMA: ANIMAFEST ZAGREB – 50 GODINA THEME: ANIMAFEST ZAGREB – 50 YEARS ZAGREBAČKA ŠKOLA / ZAGREB SCHOOL 5 CRTIĆI! / CARTOONS!

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POSJET IZ SVEMIRA A VISIT FROM THE SPACE

VAU, VAU! WOOF, WOOF!

ZLATKO GRGIĆ JUGOSLAVIJA/HRVATSKA / YUGOSLAVIA/CROATIA, SD VIDEO, 1964, 11’

BORIS KOLAR JUGOSLAVIJA/HRVATSKA / YUGOSLAVIA/CROATIA, SD VIDEO, 1964, 9’15”

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TEMA: ANIMAFEST ZAGREB – 50 GODINA THEME: ANIMAFEST ZAGREB – 50 YEARS ZAGREBAČKA ŠKOLA / ZAGREB SCHOOL 5 CRTIĆI! / CARTOONS!

TEMA: ANIMAFEST ZAGREB – 50 GODINA THEME: ANIMAFEST ZAGREB – 50 YEARS NAGRADE PUBLIKE / AUDIENCE AWARD 1

PRODUKCIJA, DISTRIBUCIJA / PRODUCTION, DISTRIBUTION USTANOVA ZAGREB FILM, WWW.ZAGREBFILM.HR

PRODUKCIJA, DISTRIBUCIJA / PRODUCTION, DISTRIBUTION STRETCH FILMS, WWW.STRETCHFILMS.COM

PROFESOR BALTAZAR: HANIBALOVE ALPE PROFESSOR BALTHAZAR: LIGHTHOUSE KEEPING

PTIČKICA THE DIRDY BIRDY

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JOHN R. DILWORTH SJEDINJENE DRŽAVE / UNITED STATES, DCP, 1993, 7’

ZLATKO GRGIĆ, BORIS KOLAR, ANTE ZANINOVIĆ JUGOSLAVIJA/HRVATSKA / YUGOSLAVIA/CROATIA, SD VIDEO, 1969, 9’23”

Crtana dječja priča koja u formi slikovnice opisuje doživljaje jedne djevojčice i njezin susret sa stanovnikom udaljenog planeta. Fantastika u ovom filmu bazira se na suvremenom svijetu dječje mašte koji se sve više usmjerava ka čudesnim svjetovima svemira. In a form of a picture book, this children's tale represents the adventures of a little girl and meeting with an inhabitant of a distant planet. Fantasy in this film is based on the modern world child's imagination, always more and more inspired by the new world — space.

Jedan pas, obijestan u svijesti o svojoj snazi, terorizira ostale životinje koje put slučajno nanese kraj njega: ptičicu, ježa, puža i bahato uživa u strahu koji kod svakoga od njih izaziva njegov neočekivani lavež iz busije... One dog, well aware of his physical strength, mischievously bullies animals that run into him accidentally – birdy, hedgehog, and snail. Arrogantly he enjoys frightening them and barking at them from ambush...

Baltazar odlazi u Alpe i upoznaje čovjeka koji čitav život jodla premda ga u tome ometaju snježne lavine. Uskoro na južnom moru nalazi svjetioničara koji nikako ne može pojesti sladoled jer se ovaj topi. Na kraju će obojica zamijeniti mjesta, pa će prvi do mile volje jodlati na svom otočiću, a drugi u Alpama jesti sladoled zajedno sa svojim prijateljem kitom Hanibalom. Balthazar goes to the Alps and meets a man who has been yodeling all his life, although he is hindered by avalanches. Soon he finds a lighthouse keeper on the South Sea who can't eat ice cream because it melts. Eventually, they will swap places, so the former will be happy to yodel on his islet, and the latter in the Alps will eat ice cream along with his friend Whale Hannibal.

Ptičkica Redux je postmoderna ljubavna priča između emocionalno hladne mačke i emocionalno zahtjevne ptice. The Dirdy Birdy Redux is a post modern love story between an emotionally remote cat and an emotionally demanding bird.

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TEMA: ANIMAFEST ZAGREB – 50 GODINA THEME: ANIMAFEST ZAGREB – 50 YEARS NAGRADE PUBLIKE / AUDIENCE AWARD 1

PRODUKCIJA / PRODUCTION FORUM TV PRODUCTION DISTRIBUCIJA / DISTRIBUTION JOANNA QUINN, WWW.BERYLPRODUCTIONS.CO.UK

BRITANIJA BRITANNIA JOANNA QUINN UJEDINJENO KRALJEVSTVO / UNITED KINGDOM, HD VIDEO, 1993, 5’

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PRODUKCIJA / PRODUCTION CAMERA MAGICA DISTRIBUCIJA / DISTRIBUTION NORWEGIAN FILM INSTITUTE, WWW.NFI.NO

PRODUKCIJA / PRODUCTION GESAMTHOCHSCHULE KASSEL (GHK) (KASSEL), HOCHSCHULE FÜR BILDENDE KÜNSTE (HFBK) (HAMBURG); STUDIO LAUENSTEIN DISTRIBUCIJA / DISTRIBUTION STUDIO LAUENSTEIN, WWW.LAUENSTEIN.TV

PRODUKCIJA, DISTRIBUCIJA / PRODUCTION, DISTRIBUTION NATIONAL FILM BORD OF CANADA, WWW.NFB.CA

GODINA DUŽ NAPUŠTENE CESTE A YEAR ALONG THE ABANDONED ROAD ÅRET GJENNOM BØRFJORD

RAVNOTEŽA BALANCE

VRATILA SE MACA THE CAT CAME BACK

CHRISTOPH LAUENSTEIN, WOLFGANG LAUENSTEIN NJEMAČKA / GERMANY, HD VIDEO, 1989, 12’

CORDELL BARKER KANADA / CANADA, DCP, 1988, 7’

Pet likova kreće se po plutajućoj platformi koja ostaje u ravnoteži jedino onda kada se težina raspodijeli jednoliko. Kada započne igra, ravnoteža je u opasnosti i na vidjelo izlazi koliko jedni ovise o drugima.

Ova urnebesna animacija nominirana za Oscara temelji se na istoimenoj stoljetnoj narodnoj pjesmi. Stari gospodin Johnson čini sve maničnije pokušaje da se riješi male žute mačke koja jednostavno ne želi otići... Film je 1989. osvojio Nagradu Genie za najbolji animirani kratki film.

MORTEN SKALLERUD NORVEŠKA / NORWAY, DCP, 1991, 12’

Satirična pljuska karakteru Britanaca koja pokazuje kako je u potrazi za bogatstvom i moći drugim narodima pokrao ponos i nacionalno bogatstvo. Film je 1994. na Animafestu osvojio nagradu za najbolji film ispod 5 minuta i nagradu publike. A satirical swipe at the British character that shows how, in the pursuit of wealth and power, it has robbed other nations of their pride and national wealth. Film won Audience Award and Best Film under 5 minutes at Animafest in 1994.

Veći dio godine selo Børfjord je prazno, dok hladne kuće prekriva netaknuti snijeg. Ljudi se pojavljuju samo u vrijeme kratke i užurbane ljetne sezone. No prirodni ciklusi odvijaju se kao uvijek, posve neovisno o ljudskim radnjama. Ovaj 12-minutni kratki film sniman je 70-milimetarskim Super Panavisionom tijekom 105 dana, uz pomoć posebno razvijene tehnike „animacije prirode”. Most of the year, the village of Børfjord lies empty with virgin snow between cold houses. People only show up during a short and hectic summer season. But the cycles of nature go on as they have always done, totally independent of what people might do. This 12-minute short film was filmed in 70mm Super Panavision over a period of 105 days, using a specially developed “nature animation” technique.

Five figures move upon a floating platform. It can only be kept in balance when all persons apportion their weight on the platform evenly. A game begins during which the balance is in constant danger and it becomes evident how the figures depend on each other.

This hilarious Oscar®-nominated animation is based on the century-old folk song of the same name. Old Mr. Johnson makes increasingly manic attempts to rid himself of a little yellow cat that just won’t stay away... Also won the 1989 Genie Award for best animated short film.

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TEMA: ANIMAFEST ZAGREB – 50 GODINA THEME: ANIMAFEST ZAGREB – 50 YEARS NAGRADE PUBLIKE / AUDIENCE AWARD 1

PRODUKCIJA / PRODUCTION STEPHEN QUAY, TIMOTHY QUAY DISTRIBUCIJA / DISTRIBUTION BRITISH FILM INSTITUTE, GEORGE.WATSON@BFI.ORG.UK

PRODUKCIJA, DISTRIBUCIJA / PRODUCTION, DISTRIBUTION USTANOVA ZAGREB FILM, WWW.ZAGREBFILM.HR

ULICA KROKODILA STREET OF CROCODILES

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RIBLJE OKO FISHEYE

QUAY BROTHERS JOŠKO MARUŠIĆ UJEDINJENO KRALJEVSTVO / UNITED KINGDOM, 35 MM, 1986, 20’30” JUGOSLAVIJA/HRVATSKA / YUGOSLAVIA/CROATIA, HD VIDEO, 1980, 9’

Remek-djelo braće Quay Ulica krokodila adaptacija je kratke priče poljskog pisca Bruna Schulza i ujedno njihov prvi film snimljen na 35 mm. Čuvar muzeja pljune u okular prastarog peep-showa i time pokreće ustajali stroj, gurajući gledatelja u noćnu moru podzemlja i bizarnih rituala lutaka među prljavštinom. The Quays’ masterpiece, Street of Crocodiles is adapted from a short story by Polish writer Bruno Schulz, and was their first film shot on 35mm. A museum keeper spits into the eyepiece of an ancient peep-show and sets the musty machine in motion, plunging the viewer into a nightmarish netherworld of bizarre puppet rituals among the dirt and grime.

U malom ribarskom mjestu generacije žive po ustaljenom ritmu. Život ljudi tek je malo iznad života krajolika u kojem se nalaze. Sve što imaju i što ih identificira kao ljude dobivaju od mora. Ali jedne noći, red stvari se poremećuje… jutro donosi sumnju: da li je sve to bila fikcija ili metafora koja opominje da se nikad nećemo udaljiti od prirode i da to držimo na umu? In a small fishing village generations live in a monotonous rhythm. The life of people is only a bit above the life of the landscape they live in. all they have and all that identifies them as people comes from the sea. But one night, the order of things is disturbed… The morning brings suspicion: was it all just fiction or a cautionary metaphor telling us that we can never step away from nature and should keep that in mind?

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TEMA: ANIMAFEST ZAGREB – 50 GODINA THEME: ANIMAFEST ZAGREB – 50 YEARS NAGRADE PUBLIKE / AUDIENCE AWARD 2

PRODUKCIJA, DISTRIBUCIJA / PRODUCTION, DISTRIBUTION USTANOVA ZAGREB FILM, WWW.ZAGREBFILM.HR

PRODUKCIJA / PRODUCTION SACREBLEU PRODUCTION DISTRIBUCIJA / DISTRIBUTION AUTOUR DE MINUIT, WWW.AUTOURDEMINUIT.COM

SATIEMANIA

NEDJELJNI RUČAK SUNDAY LUNCH LE REPAS DOMINICAL

ZDENKO GAŠPAROVIĆ JUGOSLAVIJA/HRVATSKA / YUGOSLAVIA/CROATIA, HD VIDEO, 1978, 14’15”

CÉLINE DEVAUX FRANCUSKA / FRANCE, DCP, 2015, 13’50”

Fauna megalopolisa, džungla supermarketa, umobolnica javnih kuća i barova, efekt barova u magli, lelujavi klipovi kukuruza, njihanje tijela s vješala, mreškanje vode – iz perspektive animatora, u skladu i sukobu, te uz pratnju satirične, podrugljive, ali katkad i čisto lirske glazbe Erica Satiea. The fauna of the megalopolis, the jungle of the supermarket, the bedlam of brothels and bars, the effect of the bars in the fog, the swaying ears of corn, the swaying of men hanging from the gallows, the ripple of water – seen by the eye of the animator in harmony and conflict and accompanied by the satirical, mocking, but sometimes pure lyrical music of Eric Satie.

Nedjelja. Za ručkom James promatra svoju obitelj. Postavljaju mu pitanja, no ne slušaju odgovore, daju mu savjete, ali sami ih se ne drže, maze ga i šamaraju, no nema veze, ovo je nedjeljni ručak. Sunday. At lunch, James observes his family. They ask him questions and don’t listen to his answers, they give advice but don’t follow it, they stroke him and slap him, but it’s ok, it is the Sunday lunch.

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TEMA: ANIMAFEST ZAGREB – 50 GODINA THEME: ANIMAFEST ZAGREB – 50 YEARS NAGRADE PUBLIKE / AUDIENCE AWARD 2

PRODUKCIJA, DISTRIBUCIJA / PRODUCTION, DISTRIBUTION PUNKROBOT ANIMATION STUDIO, WWW.PUNKROBOT.CL

PRIČA O MEDVJEDU BEAR STORY HISTORIA DE UN OSO

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PRODUKCIJA / PRODUCTION NO HISTORY - CONTEMPORARY ARTS INSTITUTE; HUPEFILM DISTRIBUCIJA / DISTRIBUTION FINTA, WWW.FINTA.SI

PRODUKCIJA / PRODUCTION BEAST ANIMATION, VIVEMENT LUNDI!, POLARIS FILM PRODUCTIONS, IL LUSTER FILMS DISTRIBUCIJA / DISTRIBUTION LUMIÈRE, WWW.LUMIERE.BE

PRODUKCIJA / PRODUCTION TREPHINE PRODUCTIONS DISTRIBUCIJA / DISTRIBUTION PETER CORNWELL, PETECORNFILM@HOTMAIL.COM

BOLES

OH WILLY…

ŠPELA ČADEŽ NJEMAČKA, SLOVENIJA / GERMANY, SLOVENIA, DCP, 2013, 12’30”

EMMA DE SWAEF, MARC JAMES ROELS BELGIJA, FRANCUSKA, NIZOZEMSKA / BELGIUM, FRANCE, NETHERLANDS, DCP, 2011, 17’

ODJEL 13 WARD 13

Dežmekast i zlovoljan pedesetogodišnjak Willy vraća se u nudističku zajednicu u kojoj je odrastao da bi vidio svoju majku na umoru. Posjet u njemu budi uspomene, ne nužno ugodne, koje se pretvaraju u emocionalnu krizu kada majka premine.

GABRIEL OSORIO ČILE / CHILE, DCP, 2014, 10’14”

Stari medvjed svaki dan odlazi na prometan ugao ulice. Koristeći se kazalištem limenih marioneta koje je sam stvorio, medvjed će nam ispričati priču o svom životu.

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An old bear goes out every day to a busy street corner. Using a tin marionette theater of his own making, the bear will tell us his life story. Filip lives in a poor neighbourhood. He dreams of writer’s glory and luxurious lifestyle in a more prosperous part of town. One day Filip gets a knock on the door. His neighbour Tereza, an older prostitute that Filip tries to avoid, asks him to write a letter for her fiancé.

Fifty-something Willy, plump and ill-at-ease, returns to the naturist community where he grew up to visit his dying mother. This brings back memories, not all of them pleasant, which build into an emotional crisis when his mother finally passes away.

PETER CORNWELL AUSTRALIJA / AUSTRALIA, HD VIDEO, 2003, 14’37”

Kojom biste cijenom platili svoje zdravlje? Ben će upravo saznati... Najnoviji pacijent na Odjelu 13 suočen je s medicinskom pažnjom neželjene vrste – nema tih jabuka koje će otjerati ovakve doktore. What price would you put on your health? Ben is about to find out... Ward 13’s newest admission faces medical attention of an unwanted kind — and no apples will keep these doctors away.

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TEMA: ANIMAFEST ZAGREB – 50 GODINA THEME: ANIMAFEST ZAGREB – 50 YEARS NAGRADE PUBLIKE / AUDIENCE AWARD 3

PRODUKCIJA / PRODUCTION CALAVERA FILMS DISTRIBUCIJA / DISTRIBUTION IMCINE, WWW.IMCINE.GOB.MX

PRODUKCIJA, DISTRIBUCIJA / PRODUCTION, DISTRIBUTION EESTI JOONISFILM, WWW.JOONISFILM.EE

DO KOSTI DOWN TO THE BONE HASTA LOS HUESOS

RODA THE STORK TOONEKURG

RENÉ CASTILLO MEKSIKO / MEXICO, HD VIDEO, 2001, 12’

LUCIJA MRZLJAK, MORTEN TŠINAKOV ESTONIJA / ESTONIA, DCP, 2020, 16’

Film je motiviran meksičkom tradicijom slavljenja smrti. Ekstravagantni kosturi koji se pojavljuju u filmu počast su umjetnosti Joséa Guadalupea Posade, proslavljenoga meksičkog kipara iz prošlog stoljeća.

Dok mirno puši na balkonu, građanin Roda doživi trenutak nevjerojatne spoznaje i shvati da zapravo nije čovjek, nego ptica. U isto vrijeme muškarac i žena ručaju. Kad kukavica izleti iz sata, čovjek naglo istrči iz stana. Žena i roda se susreću...

The film is motivated by the Mexican tradition of celebrating death. Fancy skeletons that appear in the film are tribute to the art of José Guadalupe Posada, famous Mexican plastic artist from last century.

While smoking on the balcony, Citizen Stork is struck by a moment of clarity, in which he realises that he is not a person, but rather a bird. At the same time, a man and a woman are eating lunch. When a cuckoo jumps out of the clock, the man leaves the apartment in a hurry. The woman and the stork meet...

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PRODUKCIJA, DISTRIBUCIJA / PRODUCTION, DISTRIBUTION NATIONAL FILM BOARD OF CANADA, WWW.NFB.CA

PRODUKCIJA, DISTRIBUCIJA / PRODUCTION, DISTRIBUTION ANIMOON, WWW.ANIMOON.PL

FIZIKA TUGE THE PHYSICS OF SORROW

KISELA KIŠA ACID RAIN

THEODORE USHEV KANADA / CANADA, DCP, 2019, 27’

TOMEK POPAKUL POLJSKA / POLAND, DCP, 2019, 26’

Svi smo mi imigranti. Neki napuštaju gradove i zemlje, no svi napuštamo svoja djetinjstva. Poput mitskog Minotaura lutamo osobnim labirintima, noseći sa sobom kovčeg sjećanja, prijenosnu vremensku kapsulu ispunjenu uspomenama na prošlost koju više ne možemo dosegnuti. Fizika tuge prvi je animirani film u potpunosti izveden u tehnici enkaustike. Inspiriran romanom bugarskog pisca Georgija Gospodinova, film slijedi obrise života nepoznata čovjeka dok prebire po sjećanjima na cirkuse, omote žvakaćih guma, prve simpatije, vojnu službu u komunističkoj Bugarskoj i odrasli život u Kanadi, obilježen melankolijom, lutanjima i potragom za domom, obitelji i samim sobom.

Negdje u istočnoj Europi, djevojka bježi iz depresivnog rodnog grada. Njezin početni entuzijazam o autostopiranju se urušava kada se nađe u predgrađu u gluho doba noći. Na mostu susreće priliku koja tetura na ogradi i tako upoznaje Skinnyja – nestabilnog čudaka. Skinny živi u prikolici iz koje obavlja svoje ne uvijek legalne poslove. Zajedno kreću na put bez odredišta tijekom kojeg se među njima rađaju posebni osjećaji.

We are all immigrants. Some leave cities or countries, all of us leave our childhoods. Like the mythic Minotaur, we roam our personal labyrinths, carrying nothing but a suitcase of memories, a portable time capsule filled with assorted mementoes from a past we can no longer reach. The first fully animated film made using the encaustic-painting technique, The Physics of Sorrow was inspired by the novel by Bulgarian writer Georgi Gospodinov. It tracks the outlines of an unknown man’s life as he sifts through memories of circuses, bubble-gum wrappers, first crushes, army service in communist Bulgaria, and an increasingly rootless and melancholic adulthood in Canada – all the while struggling to find home, family and self.

Somewhere in the Eastern Europe. A girl runs away from her depressing hometown. Her early enthusiasm about the hitch-hike falls when she finds herself in the city outskirts in the middle of the night. At the bridge she meets a figure balancing unsafely on the guardrail. That’s how she meets Skinny – a kind of unstable weirdo. Skinny lives in a camping van, which he uses to run his not-so-legal job errands. Together with him, she sets on a journey with no destination. As the ride continues a particular affection grows between the two of them.

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TEMA: ANIMAFEST ZAGREB – 50 GODINA THEME: ANIMAFEST ZAGREB – 50 YEARS NAGRADE PUBLIKE / AUDIENCE AWARD 4

PRODUKCIJA / PRODUCTION ANIMAIS AVPL, VIVEMENT LUNDI!, UM SEGUNDO FILMES DISTRIBUCIJA / DISTRIBUTION AGÊNCIA – PORTUGUESE SHORT FILM AGENCY, WWW.CURTAS.PT

PRODUKCIJA, DISTRIBUCIJA / PRODUCTION, DISTRIBUTION MIKHAIL ALDASHIN, MISHKA1958@MAIL.RU

IZMEĐU SJENA BETWEEN THE SHADOWS ENTRE SOMBRAS

O IVANU LUDOM ABOUT IVAN THE FOOL ПРО ИВАНА-ДУРАКА

ALICE GUIMARÃES, MÓNICA SANTOS PORTUGAL, FRANCUSKA / PORTUGAL, FRANCE, DCP, 2018, 13’25”

MIKHAIL ALDASHIN, OLEG UZHINOV HD VIDEO, 2004, 14’

Zaglavljena u monotoniji napornog posla, Natália se angažira u potrazi za ukradenim srcem. U svijetu gdje se srca mogu pohraniti u banku, junakinja se nađe pred dvojbom: predati svoje srce ili ga sačuvati?

Film prema motivima starih ruskih bajki. Siromašni seljak Ivan Ludi odlazi u grad prodati kozu, susretne se s medvjedom, izgubi psa, a na kraju oženi carevnu.

Trapped in a tedious job, Natália engages in a search for a stolen heart. In a world where hearts can be deposited in a bank, the protagonist faces a dilemma: give her heart or keep it to herself.

The film is based on the old Russian fairy tales motives. A poor peasant Ivan the Fool goes to the city to sell a goat, he meets a bear, loses a dog and eventually marries the princess.

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PRODUKCIJA, DISTRIBUCIJA / PRODUCTION, DISTRIBUTION STUDIO AKA LTD, WWW.STUDIOAKA.CO.UK

PRODUKCIJA, DISTRIBUCIJA / PRODUCTION, DISTRIBUTION NATIONAL FILM BOARD OF CANADA, WWW.NFB.CA; BONOBOSTUDIO, WWW.BONOBOSTUDIO.HR

LOST AND FOUND IZGUBLJENO I NAĐENO

JEŽEVA KUĆA HEDGEHOG’S HOME

PHILIP HUNT UJEDINJENO KRALJEVSTVO / UNITED KINGDOM, HD VIDEO, 2008, 24’

EVA CVIJANOVIĆ KANADA, HRVATSKA / CANADA, CROATIA, DCP, 2017, 10’

Čarobna priča o usamljenosti i prijateljstvu prema nagrađenoj knjizi Olivera Jeffersa. Jednoga dana dječak na kućnom pragu pronalazi pingvina i odlučuje ga vratiti kući – čak i ako to znači veslati sve do Južnog pola! Ovaj prekrasan film dobitnik je BAFTA-e na dodjeli nagrada Britanske akademije za filmove za djecu (2009), koja nagrađuje izvrsnost umjetničkih formi namijenjenih dječjoj publici.

U bujnoj i raskošnoj šumi živi jež kojemu se ostale šumske životinje dive, ali mu i zavide. Međutim, Ježurkina nepokolebljiva odanost svome domu nervira četiri nezasitne zvijeri koje kreću u pohod prema Ježurkinu domu gdje dolazi do napetog i bodljikavog obračuna. Snimljena prema klasičnoj poemi Branka Ćopića, Ježeva kuća je topla i univerzalna priča za mlade i stare koja nas podsjeća da uistinu nema mjesta kao što je dom.

A magical tale of loneliness and friendship based on the award-winning book by Oliver Jeffers. One day, a boy finds a penguin on his doorstep and decides to take it home - even if that means rowing all the way to the South Pole! This beautiful film was awarded the BAFTA for children’s animation at the 2009 British Academy Children’s Awards which celebrate excellence in the art forms of the moving image for children.

A hedgehog lives in a luscious forest. All the other animals admire but also envy him. However, Hedgehog’s resilient loyalty to his home irritates four insatiable beasts who set out to attack Hedgehog’s home. A thrilling prickly showdown follows. Based on Branko Ćopić’s classic poem, Hedgehog’s Home is a heart-warming universal tale for all the generations reminding us that, indeed, there is no place like home.

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NACIONALNA ŠKOLA FILMA I TELEVIZIJE NATIONAL FILM AND TELEVISION SCHOOL - NFTS NFTS je dom jednog od najjedinstvenijih smjerova animacije na svijetu – MA režije animacije. Kombinirajući filozofiju umjetničke škole s najsuvremenijim sadržajima filmske škole, NFTS daje studentima resurse, podršku i slobodu da izraze svoju kreativnost i inventivnost. Rezultat je nevjerojatna raznolikost radova kakvu bi bilo teško realizirati bilo gdje drugdje. Naš je cilj pomoći studentima u stvaranju filmova koji će usmjeriti industriju animacije u novim i uzbudljivim smjerovima. Prva godina prepuna je inspirativnih radionica koje vode svjetski poznati filmaši, poput Caroline Leaf i Paula Busha. Predmeti su primjerice razvoj animacijskih vještina, pisanje zanimljivih priča i razvijanje novih pristupa dizajnu i tehnikama. Suradnja je ključ uspjeha u svijetu animacije, a također je u središtu etosa NFTS-a. Stoga je većina radionica povezana s drugim disciplinama diljem Škole, što omogućuje redateljima animacije da bolje razumiju ulogu svakog člana ekipe i razviju stručnost u cijelom proizvodnom procesu.

The NFTS is home to one of the world’s most unique animation courses – MA in Directing Animation. Combining art school philosophy with state-of-the-art film school facilities gives the students the resources, support, and freedom to express their creativity and inventiveness. The result is a fantastic array of work that would be hard to realise anywhere else. Our aim is to help students create films that will steer the animation industry in new and exciting directions. The first year is packed full of inspiring workshops led by world-renowned filmmakers such as Caroline Leaf and Paul Bush. Subjects include developing animation skills, writing engaging narratives and developing fresh approaches to design and techniques.

S više od 500 nagrada za animaciju, među kojima je šest nominacija za Oscara i šest dobitnika BAFTA-e u posljednjih devet godina, NFTS Animation proizvodi talente svjetske klase. Njegovi alumni nagrađivani su redatelji poput tvoraca Wallacea i Gromita, Nicka Parka, i Peppe Pig, Marka Bakera.

With over 500 animation awards, including six Oscar nominations and six BAFTA winners in the last nine years, NFTS Animation produces world-class talent. Alumni include award-winning directors like Wallace and Gromit creator Nick Park and Peppa Pig’s creator Mark Baker.

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These skills and collaborations are brought together in the second year, with the animation students directing a complete production team to bring their vision to life. Working with their producer, they pitch their ideas to the School for budget, space and other School resources such as the Model Making department.

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TEHNIKA / TECHNIQUE CEL-ANIMACIJA / CEL ANIMATION PRODUKCIJA / PRODUCTION NATIONAL FILM AND TELEVISION SCHOOL – NFTS, WWW.NFTS.CO.UK

ŠIRI POGLED THE BIGGER PICTURE

KUĆNI MIŠ HOMEBIRD

DAISY JACOBS UJEDINJENO KRALJEVSTVO / UNITED KINGDOM, DCP, 2014, 7’30”

EWA SMYK UJEDINJENO KRALJEVSTVO / UNITED KINGDOM, DCP, 2021, 10’10”

Širi pogled animirani je film u nadnaravnoj veličini, nesmiljena i crnohumorna priča o brizi za ostarjelog roditelja.

Boreći se da uspije u velikom gradu, mlada umjetnica počne se povlačiti u ružičasta sjećanja na selo koje je ostavila za sobom.

The Bigger Picture is a larger than life-size animated film that tells the stark and darkly humorous tale of caring for an elderly parent.

Struggling to make it in a big city, a young artist finds herself retreating into the rose-tinted memories of the village she left behind.

Collaboration is the key to succeeding in the world of animation, and it is also central to the ethos of the NFTS. Therefore, most workshops are with other disciplines across the School, enabling the animation directors to better understand each crew member’s role and develop expertise across the whole production process.

Ove vještine i suradnje povezuju se na drugoj godini, a studenti animacije vode cijeli produkcijski tim kako bi oživili svoju viziju. Radeći sa svojim producentom, predstavljaju svoje ideje Školi za proračun, prostor i druge resurse, poput Odsjeka za modeliranje.

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TEHNIKA / TECHNIQUE STOP-ANIMACIJA / STOP-MOTION PRODUKCIJA / PRODUCTION NATIONAL FILM AND TELEVISION SCHOOL – NFTS, WWW.NFTS.CO.UK

TLAK U KABINI CABIN PRESSURE

MORSKO DIJETE SEA CHILD

1:1

MATTHEW LEE UJEDINJENO KRALJEVSTVO / UNITED KINGDOM, DCP, 2017, 3’14”

MIN-HA KIM UJEDINJENO KRALJEVSTVO / UNITED KINGDOM, DCP, 2015, 7’27”

PJESMA O IZGUBLJENOM DJEČAKU THE SONG OF A LOST BOY

Opsesivac o sigurnosti i propisima prisiljen je preispitati stvari kada rutinski let naiđe na poteškoće. Radionički film.

Sora je djevojka na pragu da postane žena. Jedne noći bude je noćne more i ona odluči otići u grad za skupinom muškaraca u nadi da će pronaći svoju majku.

A safety and regulations obsessive is forced to reevaluate things when a routine flight runs into difficulties. Workshop Film.

On the verge of becoming a woman Sora is woken by a nightmare and decides to follow a group of men into the city in the hope of finding her mom.

WIEP TEEUWISSE UJEDINJENO KRALJEVSTVO / UNITED KINGDOM, DCP, 2019, 1’17”

DANIEL QUIRKE UJEDINJENO KRALJEVSTVO / UNITED KINGDOM, DCP, 2020, 9’50"

Nakon što mu glas pukne usred solo izvedbe, mladi član zbora Ben zapadne u krizu vjere i odluči pobjeći iz svoje zajednice. Naiđe na skupinu nomada koji ga prihvate, ali od njih krije svoj pravi identitet. Uskoro će morati odlučiti što učiniti s istinom. Ben, a young choir boy who, after his voice breaks mid solo, has a crisis of faith, decides to run away from his community. He happens upon a group of nomads who take him in, though Ben hides the secret about who he really is, and must decide what to do with it.

Iz obrisa britanskog Ordnance Surveya vrebaju čudna bića i čudesne zemlje. Radionički film. Lurking within contours of British Ordnance Survey maps are strange creatures and magical lands. Workshop Film.

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TEHNIKA / TECHNIQUE 2D-ANIMACIJA, IGRANO / 2D ANIMATION, LIVE ACTION PRODUKCIJA / PRODUCTION NATIONAL FILM AND TELEVISION SCHOOL – NFTS, WWW.NFTS.CO.UK

TEHNIKA / TECHNIQUE PIKSILACIJA, IGRANO, PLASTELIN / PIXILATION, LIVE ACTION, CLAYMATION PRODUKCIJA / PRODUCTION NATIONAL FILM AND TELEVISION SCHOOL – NFTS, WWW.NFTS.CO.UK

TOPLINSKI VAL HEATWAVE

FILM O PUDINGU A FILM ABOUT A PUDDING

SUOČAVANJE FACING IT

FOKION XENOS UJEDINJENO KRALJEVSTVO / UNITED KINGDOM, DCP, 2019, 7’

ROEL VAN BEEK UJEDINJENO KRALJEVSTVO / UNITED KINGDOM, DCP, 2021, 9’20”

SAM GAINSBOROUGH UJEDINJENO KRALJEVSTVO / UNITED KINGDOM, DCP, 2018, 8’30”

U jeku žestokog i luđačkog toplinskog vala, dvoje djece pronalazi način da se svi ohlade!

Nakon što Ronin propusti počistiti namirnice koje su joj ispale, one se počnu miješati i napuhivati, pretvarajući se u mali puding. Iako joj se to u početku čini čudno, Ronin to glatko zanemari. U sljedećih nekoliko dana puding postaje sve veći i veći.

Dok nervozno iščekuje sastanak u lokalnom pubu, Sean je primoran suočiti se s nesretnim sjećanjima i vezama. Večer koja slijedi zauvijek će ga promijeniti.

In the midst of a searing heatwave of madness two little children find a way to cool everyone down!

After Ronin neglects to clear up her dropped groceries, they start to mix and bubble, transforming into a small pudding. Whilst this initially seems odd, for Ronin, it is easily ignorable. Over the next few days, the pudding grows bigger and bigger.

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As Sean anxiously awaits a meeting at the local pub, he is forced to explore his own unhappy memories and relationships in an evening that will leave him changed forever.

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Preddiplomski i diplomski studij animiranog filma na Novom bugarskom sveučilištu u Sofiji je među najpoželjnijim studijskim programima u polju animacije.

Animation studies, both Bachelor's and Master's degree, in New Bulgarian University, Sofia is amongst the most desired programs in the field of Animation.

Program ujedinjuje profesore, umjetnike i znanstvenike iz dramaturgije, produkcije animiranog filma, scenografije, likovne umjetnosti i fotografije. Naši predavači imaju široko stručno znanje i neki su od najprominentnijih ličnosti na bugarskoj suvremenoj umjetničkoj i kulturnoj sceni. U posljednjih nekoliko godina uz podršku struke razvili smo Animation Lab, u kojemu studenti mogu raditi na svojim filmovima od izrade koncepta do produkcije.

We bring together professors, artists and scholars in the fields of dramaturgy, animation production, film design, fine arts and photography. Our tutors have a diverse professional background and represent some of the most prominent figures of Bulgarian contemporary, artistic and cultural scenes. Over the last few years we have developed a professional facilitated Animation Lab, where students can work on their films from concept to production.

Odabrani program uključuje 12 studentskih filmova iz posljednjih 10 godina koji predstavljaju raznolikost tema i tehnika kojima se naši studenti bave. Neki od filmova su jednostavne vježbe, drugi su pak diplomske produkcije koje su prikazivane i nagrađivane na međunarodnim festivalima. Program je odabrala i predstavlja ga Vessela Dantcheva.

The selected program includes 12 student films from the past 10 years, which represent the diverse themes and techniques our students choose. Some of the films are a simple exercise, whereas others are graduation productions, screened and awarded at international festivals. The program is curated and presented by Vessela Dantcheva.

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STANIŠTE HABITAT

KRV THE BLOOD

INA GEORGIEVA BUGARSKA / BULGARIA, DCP, 2013, 4’22”

VELISLAVA GOSPODINOVA BUGARSKA / BULGARIA, DCP, 2012, 6’15”

U staništu se rađa novi čovjek. S obzirom na to da su ga ostali izbacili, kreće novim smjerom. Koliko će daleko stići?

Film je apel društvu protiv terora i rata, protiv svih oblika nasilja. Priča dinamično i dramatično razotkriva vezu između života, smrti i njihove vječne pratiteljice – krvi.

A new man is born in the habitat. Kicked out by the others he follows a new direction. How far will he go?

An appeal to society against terror and war, against violence in any of its forms. In a dynamic and dramatic way, the story exposes the connection between life, death and their eternal companion - The Blood.

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ETNO ETHNO

NAĐIMO SE JUČER LET’S MEET YESTERDAY

KUTIJA ŠIBICA THE MATCHBOX

ZIMSKE NOĆI WINTER NIGHTS

ELISA KOSTADINOVA BUGARSKA / BULGARIA, DCP, 2016, 2’3”

IVA TOKMAKCHIEVA BUGARSKA / BULGARIA, DCP, 2019, 6’20”

TANYA BOZHINOVA BUGARSKA / BULGARIA, DCP, 2021, 3’36”

GERGANA SIMEONOVA BUGARSKA / BULGARIA, DCP, 2021, 7’

Dio životnog ciklusa, od rođenja do tjelesne smrti, simbolično sastavljen od izlaska do zalaska sunca u jednom danu, kratkom poput ljudskog života u vječnom ciklusu vremena i prostora, u pitoresknom selu kroz poopćene slike idilične ruralne svakodnevice, obilježene folklornom tradicijom.

Dvoje stranaca pustolovno se upušta u vezu. Na naizgled jedan čas, njihovi životi su posve usklađeni. Razvijaju prekrasnu vezu, no ubrzo se sve počinje raspadati.

Znatiželja kutije šibica vodi u bezbrižnu i destruktivnu pustolovinu punu strasti, opijenosti i opasnog užitka.

Animirana noćna šetnja poetskim univerzumom bugarskog pjesnika Hrista Smirnenskog. Upoznavanje poetskog krajolika, osjećaja i djece čiji duh je slomljen bijedom svakodnevice.

Part of the life cycle, from birth to physical death, symbolically collected from sunrise to sunset in a day, as short as human life is short in the eternal circle of time and space, in a picturesque village, through a generalized picture of the idyllic rural lifestyle of their everyday life, marked by folk tradition.

Two people, initially strangers, decide to embark on the adventure to be together. For what feels like one tiny moment, their lives are fully synchronised. They develop a beautiful relationship, but shortly after that everything starts to fall apart.

The curiosity of a box of matches leads to a carefree and destructive adventure marked by passion, intoxication, and dangerous pleasure.

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A night time animated walk within the poetic universe of Bulgarian poet Hristo Smirnenski. Getting in touch with the poetic environment, emotion and the kids whose spirits are broken by the misery of everyday life.

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TEHNIKA / TECHNIQUE KOMBINIRANE TEHNIKE / MIXED TECHNIQUES PRODUKCIJA / PRODUCTION NEW BULGARIAN UNIVERSITY, WWW.NBU.BG

TEHNIKA / TECHNIQUE 2D-ANIMACIJA / 2D ANIMATION PRODUKCIJA / PRODUCTION NEW BULGARIAN UNIVERSITY, WWW.NBU.BG

KRUŠKA THE PEAR

OCEANIJA OCEANIA

KROMONI CHROMONES

MIRAŽ MIRAGE

PETKO MODEV BUGARSKA / BULGARIA, DCP, 2015, 7’47”

STEFAN VOIVODOV BUGARSKA / BULGARIA, DCP, 2021, 5’

INA NIKOLOVA, RAINA ATANASOVA BUGARSKA / BULGARIA, DCP, 2011, 3’34”

TEODORA GEORGIEVA BUGARSKA / BULGARIA, DCP, 2021, 4’50”

Prinuđen iskoračiti iz svoje učmale komfornosti, čovjek ponekad postane drugom čovjeku vuk, pa i za nešto sitno i trivijalno poput voćnog ploda.

Film o osobnosti kao prirodnom fenomenu i o instinktu pojedinca. Odlučnost i sudbina ribe izvan svoje plove.

Šarolika metafora o ljudskim strahovima i opsesijama. Osjećaj kontrole glavnog lika jasno se ispoljava u njegovim svakodnevnim aktivnostima, dok ne zazvoni zvono na vratima.

Labirint sjećanja – iskušenje svih zaljubljenih.

Forced to leave his stunted comfort zone, sometimes a man becomes a wolf for the other man, even for something small and trivial like a piece of fruit.

A film about the personality as a natural phenomenon and the individual’s instinct. The determination and the fate of a fish out of its school.

A colourful metaphor of our human fears and obsessions. The main character's sense of control manifests generously in his daily activities, until the doorbell rings.

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The labyrinth of memories – temptation for anyone in love.

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TEHNIKA / TECHNIQUE STOP-ANIMACIJA / STOP MOTION PRODUKCIJA / PRODUCTION NEW BULGARIAN UNIVERSITY, WWW.NBU.BG

TEHNIKA / TECHNIQUE AFTER EFFECTS BEZ DIJALOGA / NO DIALOGUE PRODUKCIJA, DISTRIBUCIJA / PRODUCTION, DISTRIBUTION SMALL BOSS, SMALLBOSSPRODUCTION@GMAIL.COM

TEHNIKA / TECHNIQUE 2D-ANIMACIJA, PIJESAK, ROTOSKOPIJA / 2D ANIMATION, SAND, ROTOSCOPING JEZIK / LANGUAGE RUSKI / RUSSIAN PRODUKCIJA / PRODUCTION BFILM, WWW.BFILM.SK; ANIMA-POL, WWWANIMAPOL.PL; PLACKARTNYJ, WWW.PLACKARTNYJ.COM; EC1 ŁÓDŹ, WWW.EC1LODZ.PL; TELEWIZIJA POLSKA, WWW.TVP.PL; ROZHLAS A TELEVÍZIA SLOVENSKA, WWW.RTVS.SK DISTRIBUCIJA / DISTRIBUTION MIYU DISTRIBUTION, WWW.MIYU.FR

PONOĆNA ELEGIJA MIDNIGHT ELEGY

BOGOVI PLAŽE BEACH GODS

TKO, ŠTO I KADA? WHO, WHAT AND WHEN?

SILVIA IVANOVA BUGARSKA / BULGARIA, DCP, 2017, 8’48”

YOANA ALEXANDROVA, INA NIKOLOVA BUGARSKA / BULGARIA, DCP, 2013, 3’43”

FRANCESCO VECCHI ITALIJA, FRANCUSKA, BELGIJA / ITALY, FRANCE, BELGIUM, DCP, 2021, 14’

BILO JEDNOM JEDNO MORE… ONCE THERE WAS A SEA... BOLO RAZ JEDNO MORE...

Besana noć. Siva prostorija. Žena obamrlo leži na krevetu i promatra strop. Brige, sjećanja i snovi prelamaju se kroz odraz u zrcalu. Nakon ovakve noći, što nam donosi jutro?

Neobična pretpovijesna priča o poznatom načelu pravde „oko za oko“. Film Bogovi plaže tematizira hranu, prekrasne plaže i apsurdnu inačicu zakona džungle.

A sleepless night. A gray room. A woman lies numb in her bed with eyes inspecting the ceiling. Worries, memories, dreams, refracted through the reflection in the mirror... After night like this, what does the morning bring us?

An unusual prehistoric tale about the well-known 'eye for an eye' principle of justice. Beach Gods revolves around food, beautiful beaches and an absurd take on the law of the jungle.

Deset godina nakon neuspjele revolucije na Trgu Tahrir u Egiptu, Al-Sisijev režim nastavlja s prisilnim nestancima, zatvaranjem bez suđenja, mučenjem. Shaimaa i Ahmed, aktivisti u egzilu, i Mohamed Lotfy, koji i dalje živi u Kairu, nastavljaju se boriti da prokažu sadašnju vladu i one koji je naoružavaju i financiraju. Ten years after the failed revolution of Tahrir Square in Egypt, Al-Sisi’s regime continues to practice forced disappearance, imprisonment without trial, torture. Shaimaa and Ahmed, activists in exile, and Mohamed Lotfy, who still lives in Cairo, continue to fight to denounce the current government and those who arm and finance it.

JOANNA KOZUCH SLOVAČKA, POLJSKA / SLOVAKIA, POLAND, DCP, 2021, 16’40”

Jednom davno, bijaše jedno more… Aralsko more. More koje je nestalo. S njime je nestao priobalni život i rad. Ovdje je ostalo samo mrtvo, pustinjsko područje i olupine golemih ribarskih brodova koje leže u pijesku… i ljudi koji godinama žive na obalama suhih luka, sanjajući plime i žudeći za tim da barem još jednom zaplove. Bilo jednom jedno more… film je o posljedicama ljudskih odluka i djelovanja i kako su one utjecale na svakodnevicu uzbečkog grada i njegovih stanovnika. Kako navodi publicist Ryszard Kapuściński: „Ne postoji takva glupost koju ljudski um ne bi mogao izmisliti.“ Once upon a time there was a sea... Aral Sea. The sea that has vanished. And along with the sea, seaside life and work disappeared. Only the dead desert terrain remained here, and wrecks of huge fishing boats lying in the sand... and people who have been living on the shores of the dry port for years, dreaming of high water and longing to sail at least once again. Once There Was a Sea... is a film about consequences of human decisions and actions, how they can affect daily life of one Uzbek town and its inhabitants. As the reporter Ryszard Kapuściński states: “There is no such a nonsense human mind could not invent.”

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ANIMIRANI DOKUMENTARCI

TEHNIKA / TECHNIQUE STOP-ANIMACIJA, 3D-ANIMACIJA / STOP-MOTION, 3D ANIMATION JEZIK / LANGUAGE ENGLESKI / ENGLISH PRODUKCIJA, DISTRIBUCIJA / PRODUCTION, DISTRIBUTION NATIONAL FILM BOARD OF CANADA, WWW.NFB.CA

MENEATH: SKRIVENI OTOK ETIKE MENEATH: THE HIDDEN ISLAND OF ETHICS TERRIL CALDER KANADA / CANADA, DCP, 2021, 19’22”

Meneath: Skriveni otok etike zaranja duboko u urođene suprotnosti između sedam smrtnih grijeha (bludnost, neumjerenost u jelu i piću, škrtost, lijenost, srdžba, oholost i zavist) i sedam svetih učenja (ljubav, poštovanje, mudrost, hrabrost, istina, poštenje i poniznost) kako ih živi jedna mala, napredna Metišanka. Oživljen mračno lijepom stop-animacijom Terril Calder, unutarnji nemir Djevojčice razotkriva se s hrabrom iskrenošću. Uvjerenoj da je okaljana i predodređena za Pakao, Djevojčici Nokomis predaje učenja plemena Anishinaabe, koja je ispunjavaju snagom i ponosom i podupiru put k iscjeljenju. Calderičin tour de force otkriva svijet pun nade koji rasvjetljava predrasude kolonijalnih sustava.

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TEHNIKA / TECHNIQUE CRTEŽ, STOP-ANIMACIJA / HAND-DRAWN, STOP-MOTION ANIMATION JEZIK / LANGUAGE SLOVENSKI / SLOVENIAN PRODUKCIJA / PRODUCTION FILM FACTORY, WWW.FILMFACTORY.SI DISTRIBUCIJA / DISTRIBUTION BONOBOSTUDIO, WWW.BONOBOSTUDIO.HR

TEHNIKA / TECHNIQUE 2D-ANIMACIJA, ANIMACIJA SLIČICU PO SLIČICU / 2D ANIMATION, FRAME BY FRAME JEZIK / LANGUAGE ARAPSKI / ARABIC PRODUKCIJA / PRODUCTION LA MALETA FILMS, WWW.LAMALETAFILMS.COM DISTRIBUCIJA / DISTRIBUTION FREAK AGENCY, WWW.AGENCIAFREAK.COM

TEHNIKA / TECHNIQUE RAČUNALNA 2D-ANIMACIJA / 2D COMPUTER JEZIK / LANGUAGE SLOVENSKI / SLOVENIAN PRODUKCIJA / PRODUCTION STUDIO VIRC, WWW.STUDIO-VIRC.COM; IKKI FILMS, WWW.IKKIFILMS.COM; OLIVIER CATHERIN DISTRIBUCIJA / DISTRIBUTION VARICOLOURED, WWW.VARICOLOURED.EU

TA PROKLETA OČEVA KAMERA! MY FATHER'S DAMN CAMERA! TA PRESNETA OČETOVA KAMERA!

VISINE THE HEIGHTS LAS ALTURAS

BAKIN SEKSUALNI ŽIVOT GRANNY'S SEXUAL LIFE BABIČINO SEKSUALNO ŽIVLJENJE

MILOŠ TOMIĆ SLOVENIJA / SLOVENIA, DCP, 2021, 6’40”

Vragolasti dječak gotovo se očajnički i na pomalo problematičan način trsi zadobiti pažnju oca fotografa. Kreativni kaos i očeva opsjednutost životom u slikama ono su s čime se dječak u svom odrastanju mora nositi, ali naposljetku će se pokazati kao ključan oslonac odnosa oca i sina. Ispreplećući tehnikom kolaža ručno crtanu i stop-animaciju, autor nas vodi na putovanje arhivom slovenskog fotografa Dragiše Modrinjaka, crpeći i iz vlastita redateljskog i roditeljskog iskustva.

A reckless boy in an almost desperate and therefore troublesome way persistently seeks the attention of his father – a photographer. Being confronted with his father’s artistic chaos and his obsessive fascination Meneath: The Hidden Island of Ethics dives deeply into with photography-life, on his path of growing up these elements eventually become essential for strengthening the innate contrast between the Seven Deadly Sins (Lust, their father-son bond. In a story that intertwines handGluttony, Greed, Sloth, Wrath, Pride and Envy) and the drawn and stop animation in collage technique, the Seven Sacred Teachings (Love, Respect, Wisdom, Courage, author takes his audience on a ride through the archive Truth, Honesty and Humility), as embodied in the life of a precocious Métis baby. Brought to life by Terril Calder’s of Slovenian photographer Dragiša Modrinjak, and at the same time draws from personal experience as a darkly beautiful stop-motion animation, Baby Girl’s inner turmoil is laid bare with unflinching honesty. Convinced she’s filmmaker and father. soiled and destined for Hell, Baby Girl receives Anishinaabe Teachings from Nokomis that fill her with strength and pride, and affirm a path towards healing. Calder’s tour-de-force unearths world that illuminates the bias of colonial systems.

ALEJANDRO SALGADO ŠPANJOLSKA / SPAIN, DCP, 2022, 16’

Visine opisuju repetitivno hodočašće koje stotine nosačica svakodnevno provode na granicama Ceute i Melille, promišljajući o nadilaženju bremena, nemogućnosti postizanja boljeg života i rezignaciji. The Heights depicts the repetitive pilgrimage that hundreds of female porters carry out every day on the borders of Ceuta and Melilla, pondering over the transcendence of the burden, the impossibility of achieving a better life and resignation.

URŠKA DJUKIĆ, ÉMILIE PIGEARD SLOVENIJA, FRANCUSKA / SLOVENIA, FRANCE, DCP, 2021, 14’

Četiri starice sjećaju se starih vremena, kad su bile mlade, i koliko su tada bili drukčiji odnosi između muškaraca i žena. Njihovi se glasovi stapaju u jedan jedini glas, glas bake Vere, koja vrlo detaljno priča svoju priču. Izlet u bakinu mladost i sjećanja na njezin intimni život ocrtavaju položaj slovenske žene u prvoj polovici 20. stoljeća. Four old women reflect on their memories of old times when they were young and how different the relationships between men and women were back then. Their voices merge into one single voice, that of the grandmother Vera, who tells her story in proper detail. A trip into grandmother’s youth and the memories of her intimate life illustrate the status of Slovenian women in the first half of the 20th century.

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ANIMATION FESTIVAL NETWORK Mreža festivala animacije (Animation Festival Network/AFN) okuplja pet najvažnijih festivala Srednje i Istočne Europe posvećenih animiranom filmu: Svjetski festival animiranog filma – Animafest Zagreb kao koordinatorom mreže s međunarodnim festivalima animacije Anifilmom (Češka), Fest Ančom (Slovačka), Animestom (Rumunjska) i Animatekom (Slovenija) kao članovima mreže. Mreža je formalno osnovana 2020. godine i pod imenom CEE Animation Festival Network podržao ju je Potprogram MEDIA Kreativne Europe na Pilot-pozivu za festivalske mreže, i to kao jedinu mrežu festivala posvećenih isključivo animaciji. Naš je rad organski nastavak dugogodišnje i plodne suradnje svih partnera ujedinjenih u postizanju zajedničkih ciljeva - promicanje umjetničke animacije, širenje publike, razvoj inicijativa i obrazovnih programa koji će koristiti cjelokupnoj animacijskoj industriji te jačanje vlastitih kapaciteta u razmjeni uspješnih praksi i iskustava. Za slavljeničko izdanje festivala pozvali smo partnere da se predstave izborom iz svojih programa i rezultat su četiri vrhunska programa u kojima će zagrebačka publika sigurno uživati. Nakon dvije godine uspješne suradnje spremni smo za novu fazu, izazove i uzbuđenja koje nam nosi budućnost te smo se uvjerili u istinitost našeg slogana: Festivals that play together, stay together! www.animationfestivalnetwork.eu

Animation Festival Network (AFN) gathers five most important festivals from Central and Eastern Europe dedicated to animation: World Festival of Animated Film – Animafest Zagreb as the coordinator with Anifilm International Festival of Animated Films (Czech Republic), Fest Anča International Animation Festival (Slovakia), Animest International Animation Film Festival (Romania) and Animateka International Animated Film Festival (Slovenia) as the network´s members. Formally established in 2020 and supported by the Creative Europe MEDIA pilot Call for Festival Networks under the name CEE Animation Festival Network as the only network of festivals dedicated exclusively to animation, our cooperation is an organic extension of a long-term and fruitful collaboration of all partners united in achieving common goals promotion of artistic animation, wider audience outreach, development of initiatives and educational programs benefiting the entire animation industry and strengthening of our capacities through the exchange of successful practices and experiences. For our anniversary edition, we have invited our partners to present themselves with a selection from their programs. The result is four top programs that the Zagreb audience will surely enjoy. After two years of successful cooperation, we are ready for a new phase, challenges, and excitement that the future brings us, and we are even more convinced in our motto: Festivals that play together, stay together! www.animationfestivalnetwork.eu

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ANIMATION FESTIVAL NETWORK: ANIMATEKA (SI)

IZVOR / SOURCE GIANLUIGI TOCCAFONDO, GIANLUIGITOCCAFONDO@LIBERO.IT

MALA RUSIJA LITTLE RUSSIA LA PICCOLA RUSSIA

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ANIMATION FESTIVAL NETWORK: ANIMATEKA (SI)

IZVOR / SOURCE MICHAELA MÜLLER, FRIFIF@GMX.NET

IZVOR / SOURCE IVANA LAUČÍKOVÁ

IZVOR / SOURCE FINTA, TINA@FINTA.SI

MIRAMARE

POSLJEDNJI AUTOBUS THE LAST BUS POSLEDNÝ AUTOBUS

BOLES

MICHAELA MÜLLER HRVATSKA, ŠVICARSKA / CROATIA, SWITZERLAND, DCP, 2009, 8’

GIANLUIGI TOCCAFONDO ITALIJA, FRANCUSKA / ITALY, FRANCE, HD VIDEO, 2004, 16’

Mladi ubojice, otac zec, mama mjesec, mali plešući pas, gospođa puž, sestre policajke... Likovi su izmišljeni, Mala Rusija je stvarna. The young assassins, papa rabbit, mama lunar, a little dancing dog, the snail lady, sister cops... The characters are imaginary, Little Russia is real.

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ŠPELA ČADEŽ SLOVENIJA, NJEMAČKA / SLOVENIA, GERMANY, DCP, 2013, 12’30”

IVANA LAUČÍKOVÁ, MARTIN SNOPEK SLOVAČKA / SLOVAKIA, DCP, 2011, 15’20”

Pogled na život na sredozemnim granicama Europe, gdje se turisti žele opustiti, a „ilegalni” useljenici zgrabiti priliku za bolji život. Kada prijeđu granice strogo turističke zone, dvoje malih Švicaraca ubrzo uviđaju da stvarnost izgleda mnogo drukčije od otmjenog života u njihovu kampu. Na obalu se spušta oluja i briše gotovo sve razlike između bogatih i siromašnih. A look at the life on the Mediterranean borders of Europe, where tourists try to relax while "illegal" immigrants struggle for a chance of a better life. Breaking out of a strictly confined tourist zone, two Swiss children experience quickly that reality here has very little to do with the posh life in their camping site. A storm hits the shore and washes away almost all distinctions between the rich and the poor.

Početak je sezone lova. Šumske životinje ukrcavaju se u omanji autobus i bježe na sigurno. Kada usred noći jedan lovac zaustavi autobus, njegovi putnici otkriju svoju pravu prirodu u strahu za vlastiti život. It is the beginning of the hunting season. The forest animals board a small bus and flee to safety. When hunters stop the bus in the middle of the night, its passengers reveal their true natures in fear for their lives.

Filip živi u siromašnoj četvrti. Sanja o spisateljskoj slavi i luksuznom životu u bogatijem dijelu grada. Jednoga dana netko pokuca na Filipova vrata. Njegova susjeda Tereza, postarija prostitutka koju Filip pod svaku cijenu pokušava zaobići, zamoli ga da napiše pismo za njezina zaručnika. Filip pristaje. Sve bi bilo dobro kada se sljedećeg tjedna Tereza ne bi opet pojavila na njegovim vratima s molbom da napiše odgovor na prethodno pismo. Filip lives in a poor neighbourhood. He dreams of writer’s glory and luxurious lifestyle in a more prosperous part of town. One day Filip gets a knock on the door. His neighbour Tereza, an older prostitute that Filip tries to avoid by all means, asks him to write a letter for her fiancé. Filip agrees. And it would all end up fine if a week later Tereza did not show up at his doorstep again, asking him to write an answer to the previous letter.

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ANIMATION FESTIVAL NETWORK: ANIMATEKA (SI)

IZVOR / SOURCE KFF SALES & PROMOTION, MACIEJ.REGULA@KFF.COM.PL

III MARTA PAJEK POLJSKA / POLAND, DCP, 2018, 12’

III je portret žene u mučnoj i iscrpljujućoj vezi s muškarcem koji je istovremeno privlači i odbija. Treći dio triptiha Nemoguće figure i druge priče. III is a portrait of a woman staying in an uneasy and exhausting relationship with a man, which allures her and repulses her at the same time. The film is the third part of the triptych Impossible Figures and other stories.

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ANIMATION FESTIVAL NETWORK: FEST ANČA (SK)

IZVOR / SOURCE MIYU DISTRIBUTION, FESTIVAL@MIYU.FR

IZVOR / SOURCE BFILM, BFILM@BFILM.SK

IZVOR / SOURCE IVA SEBESTOVA, SEBESTOVA@YAHOO.CO

PROSJEČNA SREĆA AVERAGE HAPPINESS

39 TJEDANA, 6 DANA 39 WEEKS, 6 DAYS 39 TÝŽDŇOV, 6 DNÍ

ŽUTA YELLOW ŽLTÁ

JOANNA KOZUCH, BORIS ŠIMA SLOVAČKA / SLOVAKIA, HD VIDEO, 2017, 8’

IVANA ŠEBESTOVÁ SLOVAČKA / SLOVAKIA, HD VIDEO, 2019, 7’

Usred prezentacije u PowerPointu statistički grafovi kidaju okove svojih koordinata i počne putovanje u čulni svijet statistike. Tortni grafikoni se tope, strelični dijagrami svijaju, raspršeni grafikoni, stupčasti prikazi i burzovne krivulje združuju se do zajedničkog vrhunca.

39 tjedana, 6 dana je umjetnički eksperiment, animirani dnevnik i osobni dokumentarac koji prikazuje animirane autoportrete žene i muškarca, bračnog para i koautora, tijekom 40 tjedana trudnoće. Svaki od redatelja/supružnika ovo je razdoblje doživljavao na drukčiji i jedinstven način.

Žuta je priča o opernoj pjevačici i mnogima od nas. Žuta je boja sunca i priziva osjećaj njegove topline, koja nas mami da se predamo i uživamo.

During a PowerPoint presentation, statistical diagrams are breaking free from the straitjackets of their coordinates. A trip into the sensual world of statistics begins. Pie charts are melting, arrow diagrams twisting, scatter plots, bar graphs and stock market curves join in a collective climax.

39 weeks, 6 days is an artistic experiment, animated diary and personal documentary showing animated self-portraits of woman and man, married couple and co-authors during 40 weeks of the gravidity. Each of the directors/husbands perceived this period in different and unique way.

MAJA GEHRIG ŠVICARSKA / SWITZERLAND, DCP, 2019, 7’

Yellow is the story of an opera singer and many of us. Yellow is the colour of sun and evokes the sensation of its warmth tempting us to surrender and enjoy.

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ANIMATION FESTIVAL NETWORK: FEST ANČA (SK)

IZVOR / SOURCE BFILM, BFILM@BFILM.SK

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IZVOR / SOURCE BFILM, BFILM@BFILM.SK

IZVOR / SOURCE VŠMU, FESTIVALS@VSMU.SK

NINA

FIFI FATALE

POETIKA ANIMA

VERONIKA OBERTOVÁ, MICHAELA ČOPÍKOVÁ SLOVAČKA / SLOVAKIA, HD VIDEO, 2014, 17’

MÁRIA KRALOVIČ SLOVAČKA / SLOVAKIA, HD VIDEO, 2018, 14’

ČILI CHILLI

Priča o plahom dječaku i šumskoj djevojčici koje povezuje i razdvaja strah. Razvijaju snažnu vezu koja postaje svemoćna u njihovu svijetu mašte. No kako se prijateljstvo pretvara u ljubav, budi se strah u neočekivanom obliku. Prevladati strah i pronaći zajednički put neće biti lako. Bit će teško.

Bolje je ne zaljubiti se… Njezina ljepota oduzima dah, a način na koji pleše i kreće se proganjat će vas u snovima. U malom zaboravljenom lokalu večeri pripadaju njoj i samo njoj. Barmen je očajnički zaljubljen u nju, posjetitelji su opčinjeni. Sve dok se ne pojavi gost iznenađenja – mladić koji je otkrio tajnu njezinih moći.

A story of a timid boy and woodland girl who are both connected and separated by fear. They develop a strong bond which becomes almighty in their fantasy world. But as friendship turns to love, fear arrives, and has an unexpected form. Overcoming fear and finding a common journey will not be easy. It will be difficult.

It’s better not fall in love… Her beauty is breathtaking, and the way she dances and moves will haunt your dreams. In a tiny forgotten bar, the evenings belong to her and her only. The bartender is desperately in love with her, the patrons are mesmerized. That is until a surprise guest turns up – a young man who uncovered the secret of her powers.

MARTINA MIKUŠOVÁ SLOVAČKA / SLOVAKIA, HD VIDEO, 2016, 8’

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KRISS SAGAN SLOVAČKA / SLOVAKIA, HD VIDEO, 2018, 5’

Film o agresivnosti, strasti i nerazumijevanju u vezi. Animacija i vizuali temelje se na naivnoj umjetnosti, dubokim snovima i podsvijesti.

Poetika Anima je animirana lirska pjesma o ženi koja mijenja svoje malodušje unutar fluidnog prostorvremena.

A film about aggression, passion and misunderstanding in a relationship. Animation and visuals are inspired by naive art, deep dreams and unconscious mind.

Poetika Anima is an animated lyrical poem about a woman transforming her disheartenment within the ﬂuid spacetime.

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IZVOR / SOURCE BFILM, BFILM@BFILM.SK

IZVOR / SOURCE NORWEGIAN FILM INSTITUTE, ARNA-MARIE.BERSAAS@NFI.NO

IZVOR / SOURCE WALDEMAR SCHUUR, WALDEMARSCHUUR@NEKROTHERIUM.COM

SH_T HAPPENS

FARSA FARCE FARSE

DIVLJA DOLINA SMRTI SAVAGE DEATH VALLEY

MICHAELA MIHÁLYI, DAVID ŠTUMPF SLOVAČKA, ČEŠKA / SLOVAKIA, CZECH REPUBLIC, 2019, 13’

ANIMATION FESTIVAL NETWORK: FEST ANČA (SK)

ROBIN JENSEN NORVEŠKA / NORWAY, HD VIDEO, 2019, 11’

Stambena zgrada puna egocentričnih stanara. Krajnje iscrpljen kućepazitelj i njegova seksualno frustrirana žena. Jelen udovac utapa tugu u gomili alkohola… Pokušavajući se nositi s problemima, nađu se u zamršenom ljubavnom trokutu i traže apsurdna i iracionalna rješenja. Posljedice lako mogu postati trajne, ponekad i previše trajne. Film je okvirna adaptacija poznate biblijske priče, koju pretvara u suvremenu, ironičnu pripovijest o tome kako svijet ponekad funkcionira. An apartment building full of self-centered inhabitants. Utterly exhausted caretaker and his sexually frustrated wife. Widowed deer drowning his sorrows in loads of alcohol... While trying to cope with their problems, they find themselves in a hard to solve triangle asking for absurd and irrational solutions. The consequences can easily become permanent, sometimes maybe too permanent. The film is a loose adaptation of a well-known biblical story while transforming it into a contemporary ironic narrative about how the world sometimes works.

WALDEMAR SCHUUR NIZOZEMSKA / THE NETHERLANDS, HD VIDEO, 2019, 23’

Muškarac, žena i stroj za mljevenje mesa. Ljubav je Dvije špiljske žene pokušavaju preživjeti u opasnoj gadna. Laponac završi u pohlepnim i dekadentnim pustoši, gdje vladaju ogromne zvijeri. Hoće li se probiti kandžama dok pokušava spasiti svoje stado sobova i ženu kroz ovu pretpovijesnu fantastičnu avanturu? koju želi. Užasna bajka o fatalnoj strasti. Two cavewomen try and survive in a perilous wasteland, A man, a woman and a meat grinder. Love is messy. A where gargantuan beasts rule. Will they fight their way Sami man ends up in greedy and decadent claws as he through in this prehistoric fantasy adventure? tries to save both his reindeer herd and the woman he desires. An awful fable about fatal passion.

09/06 ČET THU 23:00 CAFÉ &TD

ANIMATION FESTIVAL NETWORK: ANIMEST (RO)

IZVOR / SOURCE LUKE BACCI, LUKEBACCI@GMAIL.COM

THE CUTIE PATOOTIE OF HUGSVILLE LUKE BACCI AUSTRALIJA / AUSTRALIA, HD VIDEO, 2020, 8’

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IZVOR / SOURCE INFO@TIGHE-MEARNS-SMITH.COM

IZVOR / SOURCE KFF SALES & PROMOTION, MACIEJ.REGULA@KFF.COM.PL

IZVOR / SOURCE BÁRA ANNA STEJSKALOVÁ, BARAANNA.STEJSKALOVA@GMAIL.COM

THE MENTAL ONE TWO

FURIJA FURY FURIA

LJUBAV JE SMRTNO BLIZU LOVE IS JUST A DEATH AWAY

DR. DEATH (KANE & JESSICA TIGHE-MEARNS-SMITH) UJEDINJENO KRALJEVSTVO / UNITED KINGDOM, HD VIDEO, 2020, 3’41”

JULIA SIUDA POLJSKA / POLAND, HD VIDEO, 2021, 5’30”

Grupa vanzemaljaca ubija skladatelja Rossinija kako bi ukrali i proglasili njegovu glazbu svojom. Niti za slavu niti za bogatstvo, čak ni za zagrljaje i poljupce. Ne, samo za tjesteninu. Međutim brzo ih se omete što dovodi do još više ometanja, koje zatim prerasta u eskalaciju ometanja.

The Mental One Two je početak soundtracka The Era of Redemption. Vodimo vas na potpuno imerzivno vizualno i auditivno putovanje kako bismo probudili vatru iz dubina vašeg uma, dok ponovno rađamo 32.000 godina star drevni šamanski duh: Dr. Death.

A group of Aliens murder the composer Rossini to steal and claim his music as their own. Not for fame nor fortune not even for hugs and kisses. No, only for pasta. However, they are quickly distracted which leads to more distraction which then cascades into an escalation of distraction.

The Mental One Two is an insight into the beginning of the soundtrack of The Era of Redemption. Let us take you on an all immersive visual and auditory journey to awaken the fire from the depths of your mind, as we rebirth the 32,000 year old ancient shamanic spirit: Dr. Death.

BÁRA ANNA STEJSKALOVÁ ČEŠKA / CZECH REPUBLIC, HD VIDEO, 2020, 11’30”

Film se bavi problemom rastuće ljutnje, frustracije i agresije koja traži ispušni ventil. Junakinja filma je osoba koja gubi kontrolu nad svojim bijesom. Gubeći se u emocijama ne može podnijeti napetost.

Ponekad život za nekoga počinje nakon smrti. Na primjer, za malog parazita. On hoda s trulećim truplom mrtvog psa po starom deponiju. Zarobljen u njegovu neukusnom tijelu pokušava pronaći ljubav i prijateljstvo.

The film deals with the problem of growing anger, frustration and aggression that seeks an outlet. The heroine of the film is a person who loses control of her anger. Losing herself in emotions, she cannot stand the tension.

Sometimes life starts after death for someone. Like for a little parasite, who walks with a rotting corpse of a dead dog around an old landfill. Trapped in his unpalatable body he tries to find love and friendship.

09/06 ČET THU 23:00 CAFÉ &TD

ANIMATION FESTIVAL NETWORK: ANIMEST (RO)

IZVOR / SOURCE PISTA B, LUCASENGELC@GMAIL.COM

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IZVOR / SOURCE MIYU DISTRIBUTION, FESTIVAL@MIYU.FR

IZVOR / SOURCE KAMIL WÓJCIK, KULCIK@GMAIL.COM

IZVOR / SOURCE STEPHEN IRWIN, STEPHEN@SMALLTIMEINC.COM

KOSTI THE BONES LOS HUESOS

RASTAPANJE DISSOLUTION ONTBINDING

LUDILO DELINSKIH DELINSKY'S MADNESS SZALEŃSTWO DELIŃSKICH

DIJETE-DRVO I SKRIVENA ŠUMSKA MAJKA WOOD CHILD AND HIDDEN FOREST MOTHER

CRISTÓBAL LEÓN, JOAQUÍN COCIÑA ČILE / CHILE, HD VIDEO, 2021, 14’19”

DRIES BOGAERT BELGIJA / BELGIUM, HD VIDEO, 2020, 8’10”

KAMIL WÓJCIK POLJSKA / POLAND, HD VIDEO, 2020, 3’24”

STEPHEN IRWIN UJEDINJENO KRALJEVSTVO / UNITED KINGDOM, HD VIDEO, 2020, 10’

Društvo ružičastih stvorenja živi u miru na vrhu tornja uz jedno nepisano pravilo: „Čekaj svoj red u redu za vrh“. No sve se počne kvariti kad jedan građanin ne postupi u skladu s takvim načinom života.

Kažu da čovjek puca, ali vrag kontrolira metke. Ili je obrnuto?

Duboko u šumi lovac nailazi na čudesno stvorenje koje ne može ubiti.

They say that a man is shooting but devil controls the bullets. Or is it the other way round?

Deep in the forest, a hunter encounters a strange creature he cannot kill.

Los huesos is a fictitious account of the world’s first stopmotion animated film. Dated 1901 and excavated in 2021 as Chile drafts a new Constitution, the footage documents a ritual performed by a girl who appears to use human corpses. Emerging in the ritual are Diego Portales and Jaime Guzmán, central figures in the construction of authoritarian and oligarchic Chile.

A society of pink creatures live on top of a tower in peace under one unwritten rule, ‘Wait your turn in line to the top’. But this all suddenly gets undermined when a citizen does not comply with this way of living.

11/06 SUB SAT 15:30 TUŠKANAC

ANIMATION FESTIVAL NETWORK: ANIFILM (CZ)

IZVOR / SOURCE FAMU, ALEXANDRA.HRONCOVA@FAMU.CZ

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IZVOR / SOURCE UTB, GREGOR@UTB.CZ

IZVOR / SOURCE UMPRUM, MREZOV@UMPRUM.CZ

IZVOR / SOURCE UTB, GREGOR@UTB.CZ

NOVA VRSTA THE NEW SPECIES NOVÝ DRUH

DOM THE HOUSE DOMEK

NEZASITNIK INSATIABLE OTESÁNEK

OBLAČNO CLOUDY POD MRAKEM

KATEŘINA KARHÁNKOVÁ ČEŠKA / CZECH REPUBLIC, HD VIDEO, 2013, 6’18”

VERONIKA ZACHAROVÁ ČEŠKA / CZECH REPUBLIC, DCP, 2016, 5’

LINDA RETTEROVÁ ČEŠKA / CZECH REPUBLIC, HD VIDEO, 2017, 5’

FILIP DIVIAK, ZUZANA ČUPOVÁ ČEŠKA / CZECH REPUBLIC, DCP, 2018, 5’

Troje djece pronalazi neobičnu kost. Put ih vodi u potragu za bićem kojemu je ta kost pripadala.

Kratki animirani film iz svijeta koji je sličan našem, a opet malo drukčiji. Sve počinje kada obitelj napusti svoju malu kuću u predgrađu. Međutim on se ne može s time pomiriti.

U izvornoj priči Otesánek jede što vidi - čak i ljude. Ali vremena se mijenjaju i njegov se apetit znatno povećao. Nakon što je „pojeo svoju mamu, pojeo svoga tatu“, naš lutak Otesánek odlazi u svijet (napravljen gotovo isključivo od tekstila) pronaći nešto za jelo.

Gospodin Patuljak se sunča u vrtu, no uto jedan oblačak prekrije sunce. Gospodin Patuljak poprilično se razljuti, no nasreću točno zna što učiniti s takvim malim oblacima.

This is a story about three kids who find a mysterious bone and their journey in trying to find the creature, that the bone belonged to.

Short animated movie from a world that is similar to ours, and yet a little bit different. Everything begins when the family leaves their tiny house in the suburbs. He however, can't just let it go.

In the original story, Otesánek eats what he sees – even people. But times are changing and his appetite has significantly increased. After he “ate his mummy, ate his daddy,” our puppet Otesánek sets out into the world (made almost exclusively from textile materials) to find something to eat.

Mr Gnome is sunbathing in his garden when suddenly a small cloud hides the sun. Mr Gnome is pretty annoyed, but fortunately he knows precisely what to do with such clouds.

11/06 SUB SAT 15:30 TUŠKANAC

ANIMATION FESTIVAL NETWORK: ANIFILM (CZ)

IZVOR / SOURCE FAMU, ALEXANDRA.HRONCOVA@FAMU.CZ

POGREŠKA MISTAKE PETR MISCHINGER ČEŠKA / CZECH REPUBLIC, DCP, 2019, 1’

Jedno ispucavanje. Život ili smrt? Stvarnost ili san? Izravan pogodak... ili kobna pogreška? One shot. Life or death? Reality or a dream? Direct hit... or a fatal mistake?

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ANIMATION FESTIVAL NETWORK: ANIFILM (CZ)

IZVOR / SOURCE FAMU, ALEXANDRA.HRONCOVA@FAMU.CZ

IZVOR / SOURCE UTB, GREGOR@UTB.CZ

HOPUS

BETONSKA DŽUNGLA THE CONCRETE JUNGLE BETONOVÁ DŽUNGLE

ZGODA IZ ZOOLOŠKOG VRTA ZOO STORY

LUCIE KOKOLIOVÁ ČEŠKA / CZECH REPUBLIC, DCP, 2019, 4’

MARIE URBÁNKOVÁ ČEŠKA / CZECH REPUBLIC, DCP, 2019, 7’33”

Kratki film o natjecanju životinja u skijaškim skokovima. Short movie about animals’ ski jump competition.

Uzbudljiva priča o malom dječaku u stambenom naselju u kojem se može dogoditi i najveća avantura na svijetu. The thrilling story of a little boy in a housing estate, where even the world's greatest adventure can take place.

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VERONIKA ZACHAROVÁ ČEŠKA / CZECH REPUBLIC, DCP, 2015, 4’

Kratka priča o znatiželjnoj djevojčici, koja je s mamom u zoološkom vrtu. Kakav li će plan osmisliti druželjubiva djevojčica kad upozna usamljenu gorilu, dok je mama zauzeta poslovnim pozivima? Short story about a curious girl, who is in the zoo with her mom. What plan will a friendly girl devise, when she meets lonely gorilla and her mom is busy with business calls?

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ANIMATION FESTIVAL NETWORK: ANIFILM (CZ)

IZVOR / SOURCE UTB, GREGOR@UTB.CZ

IZVOR / SOURCE FAMU, ALEXANDRA.HRONCOVA@FAMU.CZ

MOČVARA THROUGH THE MARSH BAŽINOU

PUCANJ SHOOT

ZMAJ THE KITE ŠARKAN

KRYŠTOF ULBERT ČEŠKA / CZECH REPUBLIC, DCP, 2017, 6’

Danas je djevojčici prvi dan škole. No ona ipak ondje ne želi ići - put vodi kroz sluzavu močvaru i mračnu šumu punu zastrašujućih životinja. Štoviše, njezina oca oteo je vodeni duh, a djevojčica se mora ohrabriti, spasiti tatu i uz njegovu pomoć riješiti se duha. I, konačno, stići u školu. Today it is the little girl's first day of school. She doesn't want to go there though - the way leads through a slimy marsh and a dark forest full of terrifying animals. Moreover, her father is kidnapped by a water sprite, the girl must take heart, save her daddy, and with his help get rid of the sprite. And at last, get to school.

EMA MLYNARČÍKOVÁ ČEŠKA / CZECH REPUBLIC, HD VIDEO, 2020, 3’

Život u šumi je miran sve dok se ne pojavi lovac amater. Iako ima svu opremu, muči se s lovom na jelena koji ne želi ni bježati. Life in the forest is peaceful until an amateur hunter appears. Even though he has all the equipment, he's struggling to hunt down a deer, that doesn't even want to run.

11/06 SUB SAT 15:30 TUŠKANAC

MARTIN SMATANA POLJSKA, ČEŠKA, SLOVAČKA / POLAND, CZECH REPUBLIC, SLOVAKIA, DCP, 2019, 13’

Pričom o malenom dječaku i njegovu djedu, film se na jednostavan i simboličan način bavi temom smrti. Objašnjava da nitko ne živi zauvijek i da sva živa stvorenja naposljetku umiru istovremeno sugerirajući da smrt nije nužno kraj našeg putovanja. The film deals with the subject of death in a simple and symbolic way, by telling a story about a little boy and his grandpa. It explains that none of us are here forever and that all living creatures must die, at the same time suggesting that death doesn’t mean the end of our journey.

ANIMATION FESTIVAL NETWORK: ANIFILM (CZ)

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14/05 SUB SAT ALU

ANIMATION FESTIVAL NETWORK: ZMAJ LUTALICA / WANDERING KITE

PRODUKCIJA, DISTRIBUCIJA / PRODUCTION, DISTRIBUTION ZVVIKS, WWW.ZVVIKS.NET

PRODUKCIJA, DISTRIBUCIJA / PRODUCTION, DISTRIBUTION IGNAS FILMS, IGNAS.MEILUNAS@GMAIL.COM

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KOYAA – NEUHVATLJIVI PAPIR GOSPODIN NOĆ IMA KOYAA – ELUSIVE PAPER SLOBODAN DAN MR. NIGHT KOYAA – IZMUZLJIVI PAPIR HAS A DAY OFF PONO KOLJA SAKSIDA NAKTIES LAISVADIENIS SLOVENIJA / SLOVENIA, HD VIDEO, 2019, 3’ IGNAS MEILŪNAS LITVA / LITHUANIA, HD VIDEO, 2016, 2’

Dok Gosp. Gavran gradi ptičju kućicu od kartona, Koyaa se priprema slikati. Uzima kist u ruke, no platno se počne svijati i preklapati samo od sebe te se konačno pretvori u papirnati avion i uzleti. Koyaa će trebati smisliti poseban plan kako bi nadmudrio dovitljivi papir. While Mr Raven is crafting a cardboard birdhouse, Koyaa is preparing to paint. As he grabs his brush, the canvass starts folding all by itself, turns into a paper airplane, and flies off. Koyaa will need a special plan to outsmart the tricky paper sheet.

Zašto noć zamjenjuje dan? Ako ti se nešto ne sviđa, promijeni. Why is the night changing the day? When you don't like something, you change it.

14/05 SUB SAT ALU

ANIMATION FESTIVAL NETWORK: ZMAJ LUTALICA / WANDERING KITE

PRODUKCIJA, DISTRIBUCIJA / PRODUCTION, DISTRIBUTION BFILM, WWW.BFILM.SK

PRODUKCIJA, DISTRIBUCIJA / PRODUCTION, DISTRIBUTION IGUBUKA, WWW.IGUBUKA.HR

ZMAJ THE KITE ŠARKAN

KUC-KUC KNOCK KNOCK

MARTIN SMATANA ČEŠKA, SLOVAČKA, POLJSKA / CZECH REPUBLIC, SLOVAKIA, POLAND, HD VIDEO, 2019, 13’

Kroz priču o malenom dječaku i njegovu djedu, film se na jednostavan i simboličan način bavi temom smrti. Objašnjava da nitko ne živi zauvijek i da sva živa stvorenja naposljetku umiru, istovremeno sugerirajući da smrt nije nužno kraj našeg putovanja. The film deals with the subject of death in a simple and symbolic way, by telling a story about a little boy and his grandpa. It explains that none of us are here forever and that all living creatures must die, at the same time suggesting that death doesn’t mean the end of our journey.

IVANA GULJAŠEVIĆ HRVATSKA / CROATIA, HD VIDEO, 2018, 4’

Žuta podmornica roni morem. Yellow submarine under the sea.

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ANIMATION FESTIVAL NETWORK: ZMAJ LUTALICA / WANDERING KITE

PRODUKCIJA, DISTRIBUCIJA / PRODUCTION, DISTRIBUTION KEDD ANIMATION STUDIO, WWW.KEDDSTUDIO.COM

PRODUKCIJA / PRODUCTION TOMAS BATA UNIVERSITY IN ZLÍN, GREGOR@FMK.UTB.CZ

PRODUKCIJA / PRODUCTION OZOR ANIMATIONS, WWW.OZOR.SI

MITCH-MATCH: 6. EPIZODA MITCH-MATCH: EPISODE 6 MITCH-MATCH SOROZAT HATODIK EPIZÓD

OBLAČNO CLOUDY POD MRAKEM

PRINC KI-KI-DO: BJEGUNAC PRINCE KI-KI-DO: ON THE RUN PRINC KI-KI-DO: BEGUNEC

ZUZANA ČUPOVÁ, FILIP DIVIAK ČEŠKA / CZECH REPUBLIC, 2018, HD VIDEO, 5’

GÉZA M. TÓTH MAĐARSKA / HUNGARY, HD VIDEO, 2020, 2’

U kutijici je još jedna šibica. Taj štapić, ta svakodnevna stvarčica je protagonistica serije Mitch-Match. Šibica se u svakoj epizodi otisne na putovanje i na kraju se uvijek vrati u kutiju. Ova obična stvar omogućuje neograničene, živahne i maštovite pustolovine koje prizivaju svijet mašte. There’s only one matchstick left in the box. This stick, this ordinary thing is the protagonist of the Mitch-Match series. The character embarks on a journey in every episode and always returns to the box. This ordinary thing is an opportunity for endless playful and imaginative adventures evoking everyone’s fantasy world.

14/05 SUB SAT ALU

GREGA MASTNAK SLOVENIJA / SLOVENIA, 2018, HD VIDEO, 5’

Gospodin Patuljak se sunča u vrtu, no uto jedan oblačak prekrije sunce. Gospodin Patuljak poprilično se razljuti, no nasreću točno zna što učiniti s takvim malim oblacima. Mr Gnome is sunbathing inhis garden when suddenly a small cloud hides the sun. Mr Gnome is pretty annoyed, but fortunatelyhe knows precisely what to do with such clouds.

U Ki-Ki-Doovoj šumi pred bezobzirnim lovcem skriva se čudno biće – prestrašeni dugovrati Noj. Kako Prasica Rozi ne uspije obraniti Noja pred Lovcem, nužno je posredovanje Princa Ki-Ki-Doa! No Ki-Ki-Do je pogođen iz puške za uspavljivanje i slatko zaspi. Sve se čini da će Noj ostatak života provesti iza rešetaka… In Ki-Ki-Do's forest, a strange creature – a frightened long-necked Ostrich – is on the run from a ruthless hunter. As Rosalia the Pig fails to protect Ostrich, Prince Ki-Ki-Do is called to action! But Ki-Ki-Do has been hit by a tranquilizer gun and is sleeping like a baby. Ostrich seems to be doomed to spending the rest of its life behind bars...

ANIMATION FESTIVAL NETWORK: ZMAJ LUTALICA / WANDERING KITE

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PROGRAM ZA DJECU I MLADE CHILDREN AND YOUTH PROGRAM

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NATJECANJE FILMOVA ZA DJECU FILMS FOR CHILDREN COMPETITION Nova stvaralačka godina donijela je niz zadivljujućih animiranih filmova za djecu. Priče u svoja središta stavljaju djecu te je nadahnjuju, ohrabruju i postavljaju pred izazove koje ona spretno, zabavno i s puno truda i snalažljivosti rješavaju. To su bajke, legende i glazbene priče koje donose bitne poruke sa svih strana svijeta. To su priče o životinjama iz davnih kultura, ali i aktualne teme brige za okoliš i očuvanja ljudskih prava. Puno je priča o tome kako djeca i mladi traže svoj glas i pokret, kako razmišljaju o osjećajima, odnosima u obiteljima i među prijateljima, o putovima sazrijevanja i odrastanja. Mnogo je jakih ženskih likova i djece kojoj nedostaje pozornost roditelja pa traže svoje svjetove sreće i mira. Gledali smo začuđujuće puno stop-animacije koja upotrebljava razne materijale: od nježnog filca do recikliranog otpadnog materijala. Godina je donijela i dosta distopijskih filmova za mlade o svjetovima nasilja, cenzure i propagande. Sve je to ogledalo svijeta i vremena u kojem živimo. Animatori i umjetnici traže i pronalaze način da izraze što vide, čuju i osjećaju, a mi, gledatelji, u sebe upijamo njihove priče te ih ispreplećemo s vlastitim osjećajima, mislima i doživljajima. Krug umjetnosti animacije tako se vrti i donosi ljepotu, čaroliju i razmišljanje o svemu što nas okružuje, a ponajprije o tome tko smo mi sami. PROGRAM ZA PREDŠKOLSKU DJECU (3–6 GODINA) Ovogodišnji program za najmlađe predvode djevojčice koje bude sunce, pobjeđuju strahove i stvaraju jaka prijateljstva. Životinjske priče donose slasne juhe, drage medvjediće i čudovišta koja sliče slonovima i putuju u novi svijet. I tu je ponovo sushi koji s prijateljima doživi neobičnu proslavu rođendana. Puno radosti, hrabrosti i čarolije, kao i raznovrsne animacijske tehnike krijepit će estetske osjećaje malih gledatelja. PROGRAM ZA MLAĐE ŠKOLARCE (7–10 GODINA) Program slavi odnose koji nam obogaćuju život. Brat i sestra otkrivaju značenje riječi „molim“, a drugi par likova odlazi avionom u ljepši život. Djed unuku izgradi kućicu, djevojčica i tigar pozdrave se jedno od drugoga kad tigar namiriše divljinu, a dva miša zajedničkim snagama prevare mačku. Djevojčica pronađe čudnovat skriveni vrt stare gospođe, a prekrasna je i ljubavna priča zaljubljenih ptičica. Svi su nadahnjujući filmovi u kojima će svatko pronaći dio sebe.

PROGRAM ZA STARIJE ŠKOLARCE (11–14 GODINA) Glavni likovi filmova, poput tinejdžera, traže svoj put i mjesto pod suncem. Igra triju sestara osjećajni je vihor, vatrogasac čeka pravi požar, a snjegović pronađe ružu. Zrcala lako promijene čovjeka, a ponekad lakše vidimo sebe kad se s nekim pogledamo oči u oči, poput dječaka s kacigom. Predmeti u galeriji pričaju priče iz prošlosti, a otok pun smeća opominje nas na budućnost. Ponekad se pak samo treba poigrati riječima ili slikama da nastane film koji nas osupne. S takvim filmovima neće nedostajati tema za razgovore. PROGRAM ZA MLADE ODRASLE (15+) Program čini puno animacijski raznovrsnih i sadržajno prštećih kratkih filmova. Kako zvuči animirana pjesma? Kako izgledaju stare legende u novom animacijskom ruhu? U filmovima se otkrivaju tajne, neke nježne, a druge potresne, no sve u sebi nose bitne poruke. U nekoliko se filmova lovi mladenački duh i pokušava mu se približiti: od napetih znanstvenofantastičnih ili tek bljeskova promišljanja – baš svi su filmovi odabrani za zahtjevnu mladu publiku. Odabir je ovdje, načinjen sa svom brigom, stručnošću i predanošću animaciji: toj važnoj i nadahnjujućoj umjetničkoj vrsti. Nudi vam široku i tajanstvenu dubinu animacije za djecu i mlade te vas mami da uronite u nju, a ne ostanete samo na površini. Udahnite, otvorite oči, uši i srce te dopustite da vas priče dirnu. Priuštite si gledanje i priuštite ga mladim gledateljima. Iz kina ćete izaći promijenjeni i... sretni! Uživajte u gledanju! MARTINA PEŠTAJ, MEDIJSKA PSIHOLOGINJA

PROGRAM ZA DJECU I MLADE CHILDREN AND YOUTH PROGRAM A new production year has brought us an array of impressive animated films for children. The films put children at the heart their stories, inspiring and encouraging children and challenging them to solve them in a deft, fun and resourceful way with a lot of effort. The programme offers fairy tales, legends and musical stories from around the world with important lessons to learn. They’re tales of animals from ancient cultures, but also current topics from environment to human rights protection. There are many stories about children and youth looking for their voices and movements, about how they approach feelings, family relations and friendships, about coming of age and growing up. There are many strong female characters and children who, lacking their parents’ attention, seek out their own worlds of happiness and peace. We have watched a surprisingly large number of stop-animation films that uses various materials: from soft felt to recycled waste. This year also offers us quite a few dystopian children’s films about worlds of violence, censorship and propaganda. All this is a reflection of the world we live in. Animators and artists seek to discover ways to express their observations and feelings, and we the audience absorb their stories and weave them with our own feelings, thoughts and experiences. The spindle of the art of animation thus spins, creating a thread made of beauty, magic and contemplation about everything surrounding us, but principally about ourselves. FILMS FOR CHILDREN COMPETITION 1: PRESCHOOLERS (AGE 3-6) This year’s programme for the youngest is led by girls who awaken the sun, overcome their fears and form strong friendships. Animal tales bring us delicious soups, endearing bear cubs, and elephant-like monsters travelling to the new world. Joining us again is a rice ball who experiences an unusual birthday celebration with friends. Joyful, courageous, magical and with an array of animation techniques, the programme will satisfy the aesthetic appetite of the young audience. FILMS FOR CHILDREN COMPETITION 2: PRIMARY SCHOOLERS (AGE 7-10) The programme celebrates relationships that enrich our lives. A brother and sister discover the meaning of the word “please”, while another pair of characters flies on a plane toward a more beautiful life. A grandfather builds his grandson a little house, a girl and a tiger say their goodbyes as the tiger senses the wilderness close by, and two mice manage to dupe a cat by presenting a united front. A girl discovers a strange, hidden garden belonging to an old lady, and there’s a wonderful love

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story between two enamoured birds. All are inspiring films, each with something for us to identify with. FILMS FOR CHILDREN COMPETITION 3: MIDDLE SCHOOLERS (AGE 11-14) The protagonists of these films, much like teenagers, are looking for their paths and their places in the sun. A game of three sisters is an emotional whirlwind, a fireman is waiting for a real fire, and a snowman finds a rose. Mirrors can easily change a person, and sometimes it’s easier to find ourselves when we look into somebody else’s eyes, much like the boy with the helmet. Objects in a gallery tell stories about history, and an island overrun with garbage gives us a warning about the future. Sometimes a play with words or pictures is enough to make a mesmerising film. With films like these, we won’t lack for conversation topics. FILMS FOR CHILDREN COMPETITION 4: YOUNG ADULTS (15+ YEARS) The short film programme consists of a wide variety of animation techniques and topics. What does animated song sound like? What do old legends look like in new animated clothes? The films reveal secrets, some of them sweet, others shocking, all of them with important messages. Several films try to capture the spirit of youth and try to approach it: from the suspenseful Sci-Fi to flash deliberations – all the films have been selected to cater to our demanding young adult audience. The selection has been made with utter care, expertise and dedication to animation – this important and inspiring art form. It offers a wide and mysterious range of animated films for children and young adults, enticing you to dive in, and not merely linger on the surface. Take a deep breath, open your eyes and ears and your heart, and allow the stories to move you. Allow yourselves and the young viewers to watch. You’ll be leaving the cinema a changed and… happy person! Enjoy the show! MARTINA PEŠTAJ, MEDIA PSYCHOLOGIST

07/06 UTO TUE 09:30 TUŠKANAC 10/06 PET FRI 11:30 TUŠKANAC 11/06 SUB SAT 10:00 TUŠKANAC

NATJECANJE FILMOVA ZA DJECU FILMS FOR CHILDREN COMPETITION 1 (3–6 GOD/YRS)

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07/06 UTO TUE 09:30 TUŠKANAC 10/06 PET FRI 11:30 TUŠKANAC 11/06 SUB SAT 10:00 TUŠKANAC

NATJECANJE FILMOVA ZA DJECU FILMS FOR CHILDREN COMPETITION 1 (3–6 GOD/YRS)

TEHNIKA / TECHNIQUE RAČUNALNA 2D-ANIMACIJA / 2D COMPUTER JEZIK / LANGUAGE FRANCUSKI / FRENCH REŽIJA / DIRECTOR MAŠA AVRAMOVIĆ SCENARIJ / SCREENPLAY MAŠA AVRAMOVIĆ (INSPIRIRANO PJESMOM ANDRÉE CHEDID / FREELY INSPIRED BY ANDREE CHEDID’S POEM "EPREUVES DU MATIN") MONTAŽA / EDITING THOMAS GRANDREMY GLAZBA / MUSIC YAN VOLSY MIKSANJE ZVUKA / MIX AYMERIC DUPAS MONTAŽA ZVUKA / SOUND EDITING KEVIN FEILDEL GLAS / VOICE ANNA CHEDID PRODUCENTI / PRODUCERS DELPHINE MAURY, EMMANUEL RYZ PRODUKCIJA, DISTRIBUCIJA / PRODUCTION, DISTRIBUTION TANT MIEUX PROD, WWW.TANTMIEUXPROD.NET

TEHNIKA / TECHNIQUE RAČUNALNA 2D-ANIMACIJA, KOLAŽ / 2D COMPUTER, CUT-OUT JEZIK / LANGUAGE FARSI REŽIJA / DIRECTORS REYHANE KAVOSH, ALI RAEIS SCENARIJ / SCREENPLAY HAMZE ALIREZAEI ANIMACIJA / ANIMATION NEGAR ZANJANI MONTAŽA, PRODUCENT / EDITING, PRODUCER ALI RAEIS LAYOUT, KNJIGA SNIMANJA / LAYOUT, STORYBOARD REYHANE KAVOSH RAČUNALNA GRAFIKA / COMPUTER GRAPHICS ZAHRA SAFI GLAZBA / MUSIC MAHDI GHASHGHAEI ZVUK / SOUND MANSOUREH HONARMAND GLASOVI / VOICES MARJAN KHAJEKAZEROUNI, MARYAM YOUSEFI, ZAHRA KHADIBI PRODUKCIJA, DISTRIBUCIJA / PRODUCTION, DISTRIBUTION SOLH & SALAM INSTITUTE, WWW.SOLHART.IR

TRAGOVI JUTRA TRAILS OF THE MORNING ÉPREUVES DU MATIN

NE BOJIM SE I’M NOT AFRAID NEMITARSAM NEMITARSAM

MAŠA AVRAMOVIĆ FRANCUSKA / FRANCE, DCP, 2021, 3’

REYHANE KAVOSH, ALI RAEIS IRAN, DCP, 2022, 6’39”

Evo malene djevojčice koja je više jutarnji tip od samoga Jutra... i koja nam daje nježan i dirljiv portret prijateljstva. MAŠA AVRAMOVIĆ rođena je 1994. godine u Beogradu. Studirala je animirani film na Fakultetu primenjenih umetnosti u Beogradu, a potom i na školi La Poudrière u Valenceu u Francuskoj. Voli eksperimentirati komadićima papira, tradicionalnom i digitalnom 2D-animacijom.

Here comes a little girl who’s more of a morning person than Morning itself... and offers us a tender and touching portrait of friendship. MAŠA AVRAMOVIĆ was born in 1994 in Belgrade, Serbia. She studied animation at the Faculty of Applied Arts in Belgrade and then at La Poudriere in Valence, France. She enjoys experimenting with paper cutouts, traditional and digital 2D animation.

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Terme ne može zaspati, pa potraži nekoga za igru. Deseti zec predloži joj da zove roditelje i kaže im da ju je strah. Ali Terme se ne boji ničega, bar dok ne začuje čudne zvukove…

Terme cannot fall asleep and she is looking for someone to play with. The tenth rabbit suggests she calls her parents and tells them that she is afraid. But Termeh is not afraid of anything until suddenly strange noises are heard...

REYHANE KAVOSH (1984.) studirala je grafički dizajn na Konzervatoriju za likovnu umjetnost i nastavila studij digitalnih umjetnosti na Školi za radio i televiziju. Režirala je nekoliko radova, od kojih je animirana serija Tisuću i jedna priča najvažnija. Tu seriju producirao je i surežirao Ali Raeis i od 2010. godine napravljeno je više od 80 epizoda.

REYHANE KAVOSH (1984) studied graphic design at the Conservatory of Fine Arts and continued her studies in the field of digital arts at the School of Radio and Television. She has directed several works and One Thousand & One Tales animations series is the most important one. This series is produced and co-directed by Ali Raeis and since 2010 more than 80 episodes have been made.

ALI RAEIS ima magisterij iz dramskih umjetnosti s Islamskog sveučilišta Azad i BA iz produkcije s Iranskog sveučilišta za radioteleviziju. Suproducirao je i surežirao više od 100 animiranih filmova za djecu. Voditelj je SolhArta (Umjetničko-kulturni institut Solh & Salam) od 2014. godine. Čast mu je što su mu filmovi prikazani u natjecateljskim programima na prestižnim festivalima u Teheranu, Zagrebu, Hirošimi i na Giffoni Experienceu.

ALI RAEIS holds a master’s degree in dramatic literature from Azad University and a bachelor’s degree in production from the Radio and Television University of Iran. He has co-produced and co-directed more than 100 animations for children. He has been managing Solh & Salam Artistic-Cultural Institute (SolhArt) since 2014. The produced works have been honored to enter the official competitions from prestigious festivals such as those in Tehran, Zagreb, Hiroshima, or at Giffoni Experience.

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NATJECANJE FILMOVA ZA DJECU FILMS FOR CHILDREN COMPETITION 1 (3–6 GOD/YRS)

TEHNIKA / TECHNIQUE STOP-ANIMACIJA / STOP-MOTION BEZ DIJALOGA / NO DIALOGUE REŽIJA, SCENARIJ, RAČUNALNA GRAFIKA / DIRECTOR, SCREENPLAY, COMPUTER GRAPHICS ANA CHUBINIDZE ANIMACIJA / ANIMATION CHAITANE CONVERSAT, LORELEI PALIES, SOPHIE ROZE, IULA VOITOVA KAMERA / CAMERA SARA SPONGA MONTAŽA / EDITING ANTOINE RODET SCENOGRAFIJA / SETS ELENE CHICHASHVILI, ANA CHUBINIDZE, ERIC EGLENE, KHATIA IATASHVILI KOMPOZITING / COMPOSITING CHRISTOPHE GAUTRY GLAZBA / MUSIC EREKLE GESTADZE, ZVIAD MGEBRY ZVUK / SOUND BESO KACHARAVA, GEORGE MURGULIA, BIKO GOGALADZE MIKSANJE / MIX GIORGI LEKISHVILI PRODUCENT / PRODUCER REGINALD DE GUILLEBON PRODUKCIJA / PRODUCTION FOLIMAGE, WWW.FOLIMAGE.FR; POCKET STUDIO DISTRIBUCIJA / DISTRIBUTION FOLIMAGE, WWW.FOLIMAGE.FR

TEHNIKA / TECHNIQUE STOP-ANIMACIJA / STOP-MOTION BEZ DIJALOGA / NO DIALOGUE REŽIJA, SCENARIJ, ANIMACIJA, KOMPOZITING, KNJIGA SNIMANJA / DIRECTOR, SCREENPLAY, ANIMATION, COMPOSITING, STORYBOARD MARI MIYAZAWA MONTAŽA / EDITING ETSUKO KIMURA GLAZBA, ZVUK / MUSIC, SOUND OYATSU NO JIKAN PRODUCENTICA / PRODUCER IZUMI NAKAZAWA PRODUKCIJA / PRODUCTION NHK ENTERPRISES, INC., WWW.NHK-EP.CO.JP DISTRIBUCIJA / DISTRIBUTION MARI MIYAZAWA, MARI@4MIYAZAWA.COM

FRANZYJINA ČAROBNA JUHA FRANZY’S SOUP-KITCHEN LA SOUPE DE FRANZY

KONIGIRI-KUNOV SUNCOBRAN KONIGIRI-KUN PARASOL

ANA CHUBINIDZE FRANCUSKA, GRUZIJA / FRANCE, GEORGIA, DCP, 2021, 8’30”

MARI MIYAZAWA JAPAN, DCP, 2021, 5’

Usamljena izvanzemaljska kuharica Franzy otkrije da je njezina posebna ružičasta juha, uz to što je jako ukusna, još i čarobna, kad je podijeli s izgladnjelim stvorenjima neobičnog planeta. ANA CHUBINIDZE je književnica, ilustratorica i animatorica. Kao ilustratorica i dizajnerica knjiga radila je za nekoliko gruzijskih izdavača, a održavala je i radionice za djecu i odrasle o tehnikama trodimenzionalnih knjiga. Bila je članica Centra za knjigu i umjetnost u Tbilisiju te je surađivala na organizaciji festivala Tbilisi Book Days. Svoj prvi animirani film, Čovjek iz džepa, režirala je 2016. u sklopu umjetničke rezidencije na Folimageu.

Lonely alien Chef Franzy discovers that her special pink soup is not just delicious, but also magical, when she shares it with starving creatures living on a strange planet. ANA CHUBINIDZE is an author, illustrator and animation filmmaker. She worked in several Georgian publishing houses as an illustrator and pop-up book designer. She has done various workshops for children and adults about pop-up book techniques. Ana was a member of the Book Art Center Tbilisi and worked as an organiser and curator of Tbilisi Book Days Festival. She directed her first animation short film The Pocket Man in 2016, at an artists residence in Folimage.

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Konigiri-kun živahan je dječak rižina okruglica, trokutasta tijela i glave od slanog sezama. Konigiri-kun odlazi na rođendansku proslavu svog prijatelja Male Rajčice. Vjerovali ili ne, njegov dom je na vrhu nebodera! Smjesta uskaču u gondolu i idu u vožnju! Pa za boga miloga! Krov susjedne zgrade odnosi vjetar! Gđica Tori (ptica) očajnički pokušava zaštititi djecu, ali ni kiša ni vjetar ne posustaju. Ali sve je u redu, jer Konigiri-kun sa svojim suncobranom tu je da priskoči u pomoć!

Konigiri-kun is an energetic rice ball boy, with a triangular body and a sesame salt head. He goes to the birthday party of his friend, Mini Tomato. Believe it or not, his home is the highest point of a high-rise apartment! They get straight into a gondola and head off! Good heavens! The roof next door has been blown away by the winds! Ms. Tori (bird) desperately tries to protect her children, but neither the rain, nor the wind are stopping. But everything’s okay because Konigiri-kun is coming with his parasol to help!

MARI MIYAZAWA diplomirala je na Odsjeku likovnih umjetnosti Umjetničke škole Sveučilišta Nihon (1983.) te na Visokoj školi za film i nove medije Umjetničkog sveučilišta u Tokiju (2014.). Do 2000. radila je kao grafička dizajnerica na videoigrama, a od 2002. izlaže svoje oekaki bento radove (kyaraben), u kojima propituje food art. Samostalno je izlagala u Tokiju (Ginza) i Osaki (Umeda). Od 2007. bavi se režiranjem kratkih animiranih filmova u kojima se koristi hranom kao materijalom, a koje prikazuje J:COM (najveći japanski kablovski kanal).

MARI MIYAZAWA graduated from Nihon University, College of Art, Department of Fine Arts (1983), and from the Tokyo University of the Arts, Graduate School of Film and New Media (2014). She worked as graphic designer for computer games until 2000. Since 2002, she presents her “oekaki bento” (kyaraben) works as an exploration of “food art”. She had solo exhibitions in Ginza (Tokyo) and Umeda (Osaka). From 2007, she directs short animated films using food as material, aired on J:COM (Japan’s largest CATV channel).

07/06 UTO TUE 09:30 TUŠKANAC 10/06 PET FRI 11:30 TUŠKANAC 11/06 SUB SAT 10:00 TUŠKANAC

NATJECANJE FILMOVA ZA DJECU FILMS FOR CHILDREN COMPETITION 1 (3–6 GOD/YRS)

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NATJECANJE FILMOVA ZA DJECU FILMS FOR CHILDREN COMPETITION 1 (3–6 GOD/YRS)

TEHNIKA / TECHNIQUE RAČUNALNA ANIMACIJA / CGI BEZ DIJALOGA / NO DIALOGUE REŽIJA, SCENARIJ / DIRECTOR, SCREENPLAY TED SIEGER ANIMACIJA / ANIMATION WOUTER DIERICKX LAYOUT, MODELIRANJE / LAYOUT, MODELLING YK ANIMATION BERNE KOMPOZITING / COMPOSITING WOLFRAM SPÄTH RAČUNALNA GRAFIKA / COMPUTER GRAPHICS RAMON SCHOCH KNJIGA SNIMANJA / STORYBOARD MARINA ROSSET GLAZBA / MUSIC CHRISTOPH UTZINGER ZVUK / SOUND THOMAS GASSMANN PRODUCENT / PRODUCER JOSEF BURRI PRODUKCIJA / PRODUCTION LITTLE MONSTER GMBH, WWW.MOLLYMONSTER.CH DISTRIBUCIJA / DISTRIBUTION MAGNETFILM GMBH, WWW.MAGNETFILM.DE

TEHNIKA / TECHNIQUE CRTEŽ NA PAPIRU / DRAWING ON PAPER BEZ DIJALOGA / NO DIALOGUE REŽIJA, SCENARIJ, ANIMACIJA, KNJIGA SNIMANJA / DIRECTOR, SCREENPLAY, ANIMATION, STORYBOARD ALŽBETA MAČÁKOVÁ MIŠEJKOVÁ MONTAŽA / EDITING ALEXANDER KASHCHEEV, LUCIE HECHT GLAZBA / MUSIC MAGDALÉNA MIŠEJKOVÁ ZVUK / SOUND TOMÁŠ KOZELKA PRODUCENTI / PRODUCERS MARTIN VANDAS, JIŘÍ PECINOVSKÝ, TOMÁŠ ŠIMON PRODUKCIJA / PRODUCTION MAUR FILM, WWW.MAURFILM.COM; FAMU – FILM AND TV SCHOOL OF THE ACADEMY OF PERFORMING ARTS, WWW.FAMU.CZ DISTRIBUCIJA / DISTRIBUTION FAMU – FILM AND TV SCHOOL OF THE ACADEMY OF PERFORMING ARTS, WWW.FAMU.CZ

POVRATAK ŠMRKOLEĐANA! THE SMORTLYBACKS COME BACK!

OPROSTI FORGIVE ODPUSŤ

TED SIEGER ŠVICARSKA / SWITZERLAND, DCP, 2022, 8’15”

ALŽBETA MAČÁKOVÁ MIŠEJKOVÁ ČEŠKA / CZECH REPUBLIC, DCP, 2022, 8’18”

U jalovom svijetu, TamLin od Malih Ljudi putuje sa svojim krdom prekrasnih šmrkoleđana u potrazi za zelenijim pašnjacima. Pritišće ih strah i završavaju nasukani na obali oceana. Uz neočekivanu pomoć divne sirene i njezinih šmrkopasa prelaze ocean i pronalaze svoj sretni kraj. TED SIEGER (1958.) odrastao je u Čileu, Peruu, Australiji i Švicarskoj. Prije nego što se počeo baviti filmovima, putovao je i radio razne poslove, poput brojenja jaja u tvornici i plovidbe na trgovačkom brodu za Afriku. Stvara, oblikuje, piše, režira i producira animirane kratke filmove, TV-serije, a uskoro i jedan dugometražni film. Živi u Švicarskoj i nedavno je kupio par novih skija.

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In a barren world TamLin of the Little People travels with his herd of splendid smortlybacks in search of greener pastures. They struggle with fear and find themselves stranded on the shore of the ocean. With unlikely help of TamSin a wonderful mermaid and her disrespectful smortlysharks they cross the ocean and find a happy end.

Dvije djevojčice igraju se loptom. Nakon sitničave svađe, naljute se jedna na drugu. Svaka od njih osjeća se uvrijeđeno, te se obje napušu poput balona i odlebde visoko u oblake. Djevojčice ondje zapnu, ne znajući kako se osloboditi i spustiti kako bi spasile svoje mače, koje je zapelo na stablu.

Two little girls are playing with a ball. But after a petty quarrel, they get angry with each other and take offense. Their umbrage makes them inflate like balloons, they fly all the way up to the clouds. Girls get stuck up there, with no idea how to get down and save their kitten stuck in the tree.

TED SIEGER (1958) grew up in Chile, Peru, Australia and Switzerland. Before he started making films he travelled extensively and worked in all kinds of strange jobs, the best were counting eggs in an egg factory and sailing with a merchant ship to Africa. He creates, designs, writes, directs and produces animation (shorts, TV Series and soon a feature). He lives in Switzerland and has just bought new skis.

ALŽBETA MAČÁKOVÁ MIŠEJKOVÁ pohađala je Umjetničku školu Václava Hollara, gdje je nastavila školovanje iz interaktivne animacije. Mačáková Mišejková diplomirala je animaciju na FAMU-u u Pragu. Trenutačno je na porodiljnom dopustu s dvoje djece.

ALŽBETA MAČÁKOVÁ MIŠEJKOVÁ studied at art high school of Václav Hollar, where she continued with interactive animation studies. Mačáková Mišejková is a graduate of animation at the FAMU in Prague. Currently, she is on maternity leave with two children.

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281 NATJECANJE FILMOVA ZA DJECU FILMS FOR CHILDREN COMPETITION 2 (7–10 GOD/YRS)

TEHNIKA / TECHNIQUE VUNENI KOLAŽ NA STAKLU / WOOL CUT-OUTS ON THE GLASS JEZIK / LANGUAGE LATVIJSKI / LATVIAN REŽIJA, SCENARIJ / DIRECTOR, SCREENPLAY MĀRA LINIŅA ANIMACIJA / ANIMATION MARTIŅŠ DŪMIŅŠ, LĪVA PITERĀNE, KRISTĪNE ZVIRBULE MONTAŽA, KNJIGA SNIMANJA / EDITING, STORYBOARD EDMUNDS JANSONS LAYOUT ŪNA LAUKMANE KOMPOZITING / COMPOSITING RŪDOLFS KĀRLIS DEMME GLAZBA / MUSIC JĒKABS NĪMANIS ZVUK / SOUND ĢIRTS BIŠS GLASOVI / VOICES KRISTĪNE ZADOVSKA AND ANDRIS KEIŠS (PJESMA / SONG) PRODUCENTICE / PRODUCERS IEVA VAICKOVSKA, SABINE ANDERSONE PRODUKCIJA, DISTRIBUCIJA / PRODUCTION, DISTRIBUTION ATOM ART, WWW.ATOMART.LV

TEHNIKA / TECHNIQUE STOP-ANIMACIJA / STOP-MOTION JEZIK / LANGUAGE ENGLESKI / ENGLISH REŽIJA, ANIMACIJA, MONTAŽA, LAYOUT, KNJIGA SNIMANJA / DIRECTOR, ANIMATION, EDITING, LAYOUT, STORYBOARD ROBERT SCHEFFNER SCENARIJ / SCREENPLAY KRISTIAN WOLFF KAMERA / CAMERA CONSTANZE WERNEBURG KOMPOZITING / COMPOSITING JOCHEN BRAUN GLAZBA / MUSIC MORITZ LASSMANN ZVUK / SOUND KLANGBEZIRK WIESBADEN PRODUCENT / PRODUCER SEBASTIAN SIMON PRODUKCIJA, DISTRIBUCIJA / PRODUCTION, DISTRIBUTION PIXELPEC GMBH, WWW.PIXELPEC.DE

TIHO BUDI, MALI MEDO HUSH HUSH LITTLE BEAR ČUČI ČUČI

MORTIMER I NESTALE STVARI MORTIMER AND THE VANISHINGS MORTIMER UND DIE VERSCHWUNDENEN DINGE

MĀRA LINIŅA LATVIJA / LATVIA, DCP, 2022, 4’40”

Dok su roditelji medvjedi u potrazi za bobicama i medom, mali medvjedići ostaju kod kuće s ovčicama. Medvjedići se zabavljaju igrajući se klupkom vune, no ubrzo se zapetljaju i sve se izokrene! Srećom, tu su ovce da im pomognu ponovno uspostaviti red. Film je zasnovan na latvijskoj uspavanki „Tiho budi, mali medo“ (‘Aijā, žūžū, lāča bērni’). MĀRA LINIŅA (Riga, 1971.) studirala je filmsku režiju i scenski govor na Latvijskoj akademiji za kulturu. Od 1998. godine Māra predaje dikciju i glumu na nekoliko visokoobrazovnih institucija te radi kao direktorica castinga za latvijske i međunarodne filmske projekte. Režirala je i kazališne predstave u Latvijskom lutkarskom kazalištu i s nezavisnom kazališnom grupom Skatuve. Māra Liniņa počela je karijeru u animiranom filmu u 90-ima, radeći kao izvršna umjetnica u studiju Dauka Animation. Ubrzo je počela režirati vlastite kratke animirane filmove. Māra veli da je za nju rad na vlastitim projektima prilika da vodi dijalog sa svijetom, pripovijeda avanture i iskustva na filmskom jeziku.

ROBERT SCHEFFNER NJEMAČKA / GERMANY, DCP, 2022, 14’22”

While the bear parents are away looking for berries and honey, the baby bears stay at home with the sheep. The bear cubs have a good time playing merrily with a ball of yarn, but soon enough the cubs find themselves all tangled up and everything is turned upside down! Luckily the sheep help them put everything in order again. The film is based on the traditional Latvian lullaby “Hush Hush Little Bear” (‘Aijā, žūžū, lāča bērni’). MĀRA LINIŅA (Riga, 1971) studied Film Direction and Stage Speech at the Latvian Academy of Culture. Since 1998 Māra teaches elocution and acting at various higher educational establishments and works as a casting director for Latvian and international film projects. She also has staged productions at the Latvian Puppet Theatre and independent Theatre Company Skatuve. Māra Liniņa has begun her career in animation in the 90s working as executive artist at Dauka Animation studio. However, soon she started to direct her own animation short films. Māra has said that working on her own animation films means for her to be in dialogue with the world, to tell adventures, and experiences in the language of cinema.

Urednog Mortimera zanima zašto u posljednje vrijeme stvari nestaju u njegovoj ulici. Kad i njegova dosadna mlađa sestra nestane dok je on pazi, Mortimer krene u avanturu kako bi je spasio iz Dimenzije izgubljenih stvari. Mortimerov je neprijatelj vrijeme – mora pronaći sestru prije negoli im se roditelji vrate kući. ROBERT SCHEFFNER studirao je na Akademiji vizualnih umjetnosti u Frankfurtu (2005.–2009.), gdje od 2014. godine radi kao režiser animacije i profesor animiranog filma i tehnologije. 2020. godine bio je stažist i pripravnik u studiju za animaciju Scopas Medien. Od 2012. do 2015. godine predavao je klasični animirani film na Sveučilištu primijenjenih znanosti u Darmstadtu.

The orderly Mortimer wants to know why things have been disappearing all over his street lately. When even his annoying little sister Emma disappears while he’s taking care of her, Mortimer embarks on an adventurous journey to rescue her from the Lost-Things-Dimension. Time is Mortimer’s enemy: he must find his sister before his parents return home. ROBERT SCHEFFNER studied at the Academy of Visual Arts Frankfurt (2005–2009), where he is now employed as animation director and lecturer in Animated Film and Technology (since 2014). In 2010 he was an intern and trainee at the animation studio Scopas Medien. Between 2012 and 2015 he was teaching classical animation at Darmstadt University of Applied Sciences.

08/06 SRI WED 09:30 TUŠKANAC 09/06 ČET THU 11:30 TUŠKANAC 11/06 SUB SAT 11:00 TUŠKANAC

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283 NATJECANJE FILMOVA ZA DJECU FILMS FOR CHILDREN COMPETITION 2 (7–10 GOD/YRS)

TEHNIKA / TECHNIQUE RAČUNALNA 2D-ANIMACIJA / 2D COMPUTER JEZIK / LANGUAGE FRANCUSKI / FRENCH REŽIJA / DIRECTOR HUGO FRASSETTO SCENARIJ / SCREENPLAY ARNAUD DEMUYNCK, HUGO FRASSETTO ANIMACIJA / ANIMATION HUGO FRASSETTO, EMILIE PIGEARD, FABRICE LUANG-VIJA MONTAŽA / EDITING FABRICE LUANG-VIJA GLAZBA, ZVUK / MUSIC, SOUND YAN VOLSY MIKSANJE / MIX JONATHAN VANNESTE GLASOVI / VOICES JEAN-MARC GALERA, ARTHUR PONSOT, PAUL HOCQUET PRODUCENT / PRODUCER ARNAUD DEMUYNCK PRODUKCIJA, DISTRIBUCIJA / PRODUCTION, DISTRIBUTION LES FILMS DU NORD, WWW.LESFILMSDUNORD.COM

TEHNIKA / TECHNIQUE STOP-ANIMACIJA / STOP-MOTION BEZ DIJALOGA / NO DIALOGUE REŽIJA, SCENARIJ / DIRECTOR, SCREENPLAY LEON GOLTERMAN ANIMACIJA / ANIMATION RAYMON WITTENBERG, EVA SCHETS KAMERA / CAMERA TOM ENZLER GLAZBA / MUSIC AREND BRUIJN ZVUK / SOUND STEFAN MEUTSTEGE GLASOVI / VOICES BELINDA VAN DER STOEP, YOOTHA WONG-LOI-SING, RAYMOND THIRY PRODUCENT / PRODUCER PAUL MATHOT PRODUKCIJA / PRODUCTION PEDRI ANIMATION, WWW.PEDRI-ANIMATION.COM DISTRIBUCIJA / DISTRIBUTION KABOOM DISTRIBUTION, WWW.KABOOMFESTIVAL.NL

PREMALA KOLIBA THIS HUT IS TOO SMALL! LA TROP PETITE CABANE

AERONAUT LEON GOLTERMAN NIZOZEMSKA / NETHERLANDS, DCP, 2021, 2’15”

HUGO FRASSETTO FRANCUSKA / FRANCE, DCP, 2021, 6’30”

Djed zakucava posljednji čavao u slatku malu kolibu koju je izgradio za svog unuka. No unuku je kućica premalena i, bljak!!, u njoj je čak i crv! „Idi po jednog od naših pilića“, kaže djedica uz smijeh. „On će brzo riješiti taj problem!“ HUGO FRASSETTO diplomirao je na Školi likovnih umjetnosti u Clermont-Ferrandu (ESACM), nakon čega je nastavio studij na filmskoj školi La Poudrière u Bourg-lès-Valenceu. U svom diplomskom filmu Traverser istražio je animaciju pijeskom. Od 2009. radio je kao animator na animiranim filmovima Sous un coin de ciel bleu Arnauda Demuyncka i Cecilije Marreiros Marum i Vasco Sébastiena Laudenbacha (animacija pijeskom), kao i na TV-serijama poput Bingo Bongo i Miru Miru. Radio je i na knjizi snimanja za dokumentarni film D-Day Pascala Vuonga (2013.).

Gramps knocks the last nail into a cute little hut he has made for his grandson. But the youngster finds it a bit too small, and ugh!! There’s even a worm inside! “Go and fetch one of our chicks” chuckles the old man. “He’ll take care of it!”

Kratki stop-animirani film o desetogodišnjem Kevinu, čiji je san postati pilot, kako bi on i njegova sestra Jaimy mogli pobjeći od oca tiranina. Ali kad se Jaimy dohvati bratove nove novcate makete aviona, veza između brata i sestre stavljena je na kušnju.

A stop-motion animated film about ten-year-old Kevin, who dreams of becoming a pilot so he and his sister Jaimy can escape from their tyrannical father. But when Jaimy gets her hands on her brother’s brand new model airplane, the bond between the two children is put to the test.

After graduating from the Clermont-Ferrand School of Fine Arts, HUGO FRASSETTO continued his studies at the La Poudrière animated film school in Bourg-lèsValence. He explored sand animation in his thesis film Traverser. Since 2009, he has worked as an animator on several animation films: Sous un coin de ciel bleu (by A. Demuynck and C. Marreiros Marum), Vasco (animated sand, dir. S. Laudenbach), as well as TV series like Bingo Bongo and Miru Miru. He also worked on the storyboard for documentary film D-Day by P. Vuong (2013).

LEON GOLTERMAN redatelj je filmova, televizijskih programa i reklama. Njegovi filmovi nagrađivani su na festivalima širom svijeta i prikazani na Go Short Nijmegen, festivalu kratkog filma s akreditacijom za kvalifikaciju za nagradu Oscar. Njegov scenarij Sons of Sam osvojio je prvu nagradu profesionalnog žirija na natjecanju UCLA Extensiona za scenariste. Trenutačno radi kao član spisateljskog tima na NBBVARA-i, prije čega je isto radio na RTL-u. Njegov najrecentniji pilot Phantom razvijen je za europsku platformu za streaming Videoland. Osim filma i televizije, radi i sadržaje za klijente poput Heinekena i Mercedes-Benza.

LEON GOLTERMAN is a director for film, television and commercials. His films have been awarded at film festivals worldwide and screened at Go Short Nijmegen, an Oscar-qualifying short film festival. His script Sons of Sam was awarded first place in UCLA Extension’s writing competition by a jury of industry professionals. He is currently a staff writer at BNNVARA, a former staff writer at RTL, while his most recent pilot Phantom is in development at European streaming service Videoland. In addition to film and television, he creates content for clients such as Heineken and Mercedes-Benz.

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TEHNIKA / TECHNIQUE 2D-ANIMACIJA, CRTEŽ / 2D ANIMATION, DRAWING BEZ DIJALOGA / NO DIALOGUE REŽIJA / DIRECTOR TATIANA KISELEVA SCENARIJ / SCREENPLAY TATIANA KISELEVA, TATIANA PANKRATOVA ANIMACIJA / ANIMATION ANDREY PARYGIN, TATIANA KISELEVA, IGOR MAKUSHEV, EVGENY IVANOV GLAZBA / MUSIC ARTEM VASSILIEV ZVUK / SOUND MARGARITA BASENKO PRODUCENT / PRODUCER BORIS MASHKOVTSEV PRODUKCIJA, DISTRIBUCIJA / PRODUCTION, DISTRIBUTION SMF ANIMATION, WWW.SOUZMULT.RU

MIŠJA KUĆA MOUSE HOUSE MIŠJA HIŠA

MOJ PRIJATELJ TIGAR MY FRIEND TIGER МОЙ ДРУГ ТИГР

TIMON LEDER SLOVENIJA, HRVATSKA / SLOVENIA, CROATIA, DCP, 2021, 8’30”

TATIANA KISELEVA DCP, 2021, 7’

TIMON LEDER (1986.) bavi se animacijom i pedagogijom. Svoje fakultetsko znanje usavršavao je na studiju režije u animaciji u Francuskoj (La Poudrière). Tijekom studija njegov animirani prvijenac, Work (s Urbanom Breznikom), obišao je više od 25 festivala. Također za vrijeme studija, Timon je režirao devet kratkih animiranih filmova i animirao niz drugih, napisao je diplomski rad o dječjem razumijevanju filmskog jezika te surađivao na stvaranju prvog priručnika za animaciju za škole i vrtiće. Njegov je prvi profesionalni kratki animirani film Lasica (2016.).

Djevojčica i Tigar voze se biciklom kroz gradić po svježa peciva jednog proljetnog dana. Najbolji su prijatelji, odrasli su zajedno, igraju se skupa, uživaju u životu, dok jednog dana jedno od njih ne preraste svoj gradić.

A girl and Tiger ride their bicycle through a springtime town to get fresh buns. They are best friends, growing up together, playing together, enjoying their lives till one day, one of them finds the city too small.

TATJANA KISELJOVA (1978., Puškino) završila je školu animiranog filma, a 2007. godine diplomirala je na Odsjeku za umjetnost Ruske državne akademije za filmske umjetnosti (VGIK). Od 1998. godine radi kao animatorica u raznim moskovskim animacijskim studijima. Sudjelovala je u stvaranju više od 20 animiranih filmova, uključujući i dugometražne The New Bremens’, Prince Vladimir, Ku! KinDza-Dza, Peter i Fevronia. Osvojila je 2011., 2012. i 2013. godine nagrade za najbolje animirane filmove na Festivalu ruskog animiranog filma Suzdal.

TATIANA KISELEVA (1978, Pushkino) graduated the Lyceum of animation cinematography, and in 2007 she graduated from the Art department of the Institute of Cinematography (VGIK). Since 1998 she works as an animator in different Moscow animation studios. She took part in the creation of more than 20 animated films, including feature-length The New Bremens’, Prince Vladimir, Ku! Kin-Dza-Dza, Peter and Fevronia. In 2011, 2012 and 2013 she received prizes for the best animation art at All Russian Animation Film Festival Suzdal.

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TEHNIKA / TECHNIQUE SLIKANJE NA STAKLU / PAINTING ON GLASS JEZIK / LANGUAGE ENGLESKI / ENGLISH REŽIJA, SCENARIJ, ANIMACIJA, LAYOUT, KNJIGA SNIMANJA / DIRECTOR, SCREENPLAY, ANIMATION, LAYOUT, STORYBOARD LUCIE SUNKOVÁ KAMERA / CAMERA JAROSLAV FIŠER MONTAŽA / EDITING ANNA RYNDOVÁ GLAZBA / MUSIC ALIAKSANDR YASINSKI ZVUK / SOUND MARTIN VEČEŘA PRODUCENTI / PRODUCERS MARTIN VANDAS, MARCELA VRÁTILOVÁ, SIMONA HRUŠOVSKÁ PRODUKCIJA / PRODUCTION MAUR FILM, WWW.MAURFILM.COM; SUPER FILM, WWW.SUPERFILM.ME DISTRIBUCIJA / DISTRIBUTION MAUR FILM, WWW.MAURFILM.COM

TEHNIKA / TECHNIQUE 2D-ANIMACIJA, DIGITALNI CRTEŽ / 2D DIGITAL DRAWING BEZ DIJALOGA / NO DIALOGUE REŽIJA, ANIMACIJA, MONTAŽA, LAYOUT, KOMPOZITING, KNJIGA SNIMANJA, PRODUCENTICA / DIRECTOR, ANIMATION, EDITING, LAYOUT, COMPOSITING, STORYBOARD, PRODUCER MIYOUNG BAEK GLAZBA / MUSIC HYUNSUH LEE ZVUK / SOUND ILJIN JUNG PRODUKCIJA, DISTRIBUCIJA / PRODUCTION, DISTRIBUTION MIYOUNG BAEK, WWW.ANIBAEK.COM

SUZI U VRTU SUZIE IN THE GARDEN ZUZA V ZAHRADÁCH

PIROPIRO MIYOUNG BAEK JUŽNA KOREJA / SOUTH KOREA, DCP, 2021, 9’34”

LUCIE SUNKOVÁ ČEŠKA, SLOVAČKA / CZECH REPUBLIC, SLOVAKIA, DCP, 2022, 13’19”

Suzi je mala plavokosa djevojčica koja s ocem i majkom posjećuje ladanje izvan grada. Jednog dana ondje upozna crnog psa i otkrije zagonetni vrt. Tko li ondje živi? Suzi je pomalo strah. Ali što činiti kad se nekoga bojite, a pronađete njihov ključ na puteljku?

Suzie is a little blond girl who goes with her mother and dad to an allotment outside the city. One day she meets a black dog and discovers a mysterious garden. Who is it that lives there? Suzie is a little afraid. But what to do when you are afraid of someone, but you find their key on the path?

LUCIE SUNKOVÁ rođena je 1974. godine u Pragu, gdje je pohađala Umjetničku srednju školu Václava Hollara i FAMU (Filmsku i televizijsku akademiju). Lucie Sunková je scenaristica, umjetnica, redateljica i animatorica. Primarno radi u animacijskoj tehnici slikanja uljanim bojama na staklu pod kamerom. Piše i ilustrira dječje slikovnice.

LUCIE SUNKOVÁ (1974) was born in Prague, Czechia, where she studied at Václav Hollar School of Art and FAMU (Film and TV Academy). Lucie Sunková is a scriptwriter, artist, director and animator. She focuses mainly on one animation technique: painting with oil paints on glass under the camera. She writes and illustrates books for children.

Priča o dvije ptice. Piropiro je iz šume, a Dalle iz cvjećarnice u gradu. Nađu se pred cvjećarnicom s malim stanom, a Piropiro želi da zajedno odlete u šumu. MIYOUNG BAEK studirala je animirani film na Sveučilištu za umjetnost i dizajn u Kaywonu (2005.–2007.). Nastavila je studij na EMCA-i (École des métiers du cinéma d’animation) u Angoulêmeu u Francuskoj (2008.–2011.), gdje je stekla BA. Provela je još dvije godine u Angoulêmeu na umjetničkoj rezidenciji. Kasnije je stekla MA iz vizualnog dizajna na Seulskom sveučilištu (2016.–2018.).

A story of two birds. Piropiro from the forest and Dalle at the flower shop in the town. They can meet in front of the flower shop with a small flat, and Piropiro wants to fly together to the forest. MIYOUNG BAEK studied animation at Kaywon University of Art and Design (2005–2007). She continued her studies at EMCA (Ecole des Métiers du Cinéma d’Animation) in Angoulême, France (2008–2011), where she obtained a BA degree. Spent two more years in Angoulême on an artist residency. Later she obtained an MA in visual design from Seoul National University (2016–2018).

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TEHNIKA / TECHNIQUE CRTEŽ, KLASIČNA ANIMACIJA / DRAWN ANIMATION, FRAME BY FRAME BEZ DIJALOGA / NO DIALOGUE REŽIJA, PRODUCENTICA / DIRECTOR, PRODUCER ANTJE HEYN ANIMACIJA / ANIMATION ALEXANDER ISERT LAYOUT JOHANNA HOCHHOLZER GLAZBA / MUSIC PEER KLEINSCHMIDT ZVUK / SOUND MORITZ BUSCH PRODUKCIJA, DISTRIBUCIJA / PRODUCTION, DISTRIBUTION PROTOPLANET STUDIO, WWW.PROTOPLANET-STUDIO.DE

TEHNIKA / TECHNIQUE LUTKA-FILM / PUPPET STOP-MOTION BEZ DIJALOGA / NO DIALOGUE REŽIJA, SCENARIJ, ANIMACIJA, KAMERA, MONTAŽA, LAYOUT, MODELIRANJE, KOMPOZITING, RAČUNALNA GRAFIKA, KNJIGA SNIMANJA, PRODUCENTICA / DIRECTOR, SCREENPLAY, ANIMATION, CAMERA, EDITING, LAYOUT, MODELLING, COMPOSITING, COMPUTER GRAPHICS, STORYBOARD, PRODUCER ANASTASIA PAPADOPOULOU GLAZBA / MUSIC JOHN KIRITSIS ZVUK / SOUND GIULIANO ANZANI PRODUKCIJA / PRODUCTION UNIVERSITY OF WEST ATTICA, MOURYE@UNIWA.GR DISTRIBUCIJA / DISTRIBUTION ANASTASIA PAPADOPOULOU; WWW.ANASTASIAPAPADOPOULOU.COM

META

SAMI U DIZALU ELEVATOR ALONE

ANTJE HEYN NJEMAČKA / GERMANY, DCP, 2022, 3’36”

ANASTASIA PAPADOPOULOU GRČKA / GREECE, DCP, 2021, 3’38”

Meta je animirani film koji zaigrano pristupa temama kao što su promjena, prolaznost, ciklusi, veze i interakcija. Cilj je pokazati da se sve sastoji od brojnih dijelova i da smo, na koncu, svi međusobno povezani. ANTJE HEYN redateljica je animiranih filmova koja živi i radi u Berlinu. Studirala je vizualne komunikacije na Sveučilištu za umjetnost Berlin Weißensee, sa specijalizacijom iz animacije. Osim što obožava kreirati likove i oživljavati ih, vodi Protoplanet Studio i radionice te predaje animaciju na umjetničkim akademijama.

Meta is an animated film that takes up topics such as change, transience, cycles, connection, and interaction in a playful way. The aim is to show that everything consists of many parts and that in the end we are all connected with each other. ANTJE HEYN is a Berlin-based animation director. She studied visual communications at University of the Arts Berlin Weißensee, focus on animation. Besides setting her heart on creating characters and bringing them to life, she is running the Protoplanet Studio and conducting workshops, as well as teaching animation at art academies.

Četvero ljudi i vrijeme koje provode u dizalu. Film je inspiriran svakodnevicom i razlikama u ponašanju ljudi kad su sami u usporedbi s društveno prihvatljivim ponašanjem koje pojedinci usvajaju kad se nalaze u javnom prostoru, a pogotovo u skučenim prostorima poput uvijek nelagodnog dizala.

Four people and the time they spend in an elevator. Inspired by everyday life and by the difference in people’s behavior when they are alone, in contrast to the socially acceptable behavior that individuals adopt when in public space and especially in the confined and always awkward setting of an elevator.

ANASTASIA je redateljica, animatorica i modelarka stopanimacijskih lutaka. Živi i radi u Ujedinjenom Kraljevstvu i Grčkoj. Nedavno je dovršila svoje prvo autorsko djelo, Sami u dizalu, diplomski kratki stop-animirani film, koji je napisala, režirala, animirala i za koji je izradila scenografiju i lutke. Njezin opus uključuje i glazbene spotove za Wild World Cata Stevensa, Locomondov Star, TV-reklamu I’m Here za Klinex, u svojstvu animatorice ili modelarke. Radila je kao umjetnička direktorica te je izradila lutke za kratki stop-animirani film Effie Pape In Between, koji bi trebao biti dovršen 2022. godine.

ANASTASIA is a director, stop motion model maker and animator based in the UK and Greece. She has recently completed her first personal work Elevator Alone, a graduation short stop motion film which she wrote, directed, animated and constructed the sets and puppets. Her work includes Cat Stevens’ Wild World music clip, Locomondo’s Star music clip, I’m Here TV commercial for Klinex as either a set/puppet maker or animator. She worked as art director/model maker for Effie Papa’s In Between short stop motion animation movie, expected to be completed in 2022.

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TEHNIKA / TECHNIQUE RAČUNALNA 2D-ANIMACIJA / 2D COMPUTER BEZ DIJALOGA / NO DIALOGUE REŽIJA / DIRECTOR YULIA ARONOVA ANIMACIJA / ANIMATION EUGENE BOITSOV, YULIA ARONOVA, IULIA VOITOVA KOMPOZITING / COMPOSITING EUGENE BOITSOV GLAZBA / MUSIC LEV SLEPNER PRODUCENTICA / PRODUCER GALINA GUINE PRODUKCIJA, DISTRIBUCIJA / PRODUCTION, DISTRIBUTION IMAKA FILMS, WWW.IMAKAFILMS.COM

TEHNIKA / TECHNIQUE STOP-ANIMACIJA / STOP-MOTION BEZ DIJALOGA / NO DIALOGUE REŽIJA, SCENARIJ / DIRECTOR, SCREENPLAY JAN GADERMANN ANIMACIJA / ANIMATION JAN GADERMANN, SEBASTIAN GADOW, CORNELIUS KOCH KAMERA / CAMERA GEORG MEYER, VINCENT ENGEL MONTAŽA / EDITING MARTIN HEROLD, JAN GADERMANN ZVUK / SOUND AZADEH ZANDIEH, SEBASTIAN SÁNCHEZ PRODUCENT / PRODUCER JOHANNES SCHUBERT PRODUKCIJA / PRODUCTION FILM UNIVERSITY BABELSBERG KONRAD WOLF, WWW.FILMUNIVERSITAET.DE DISTRIBUCIJA / DISTRIBUTION NEW EUROPE FILM SALES, WWW.NEWEUROPEFILMSALES.COM

VATROGASAC FIREFIGHTER POMPIER

LAJKA I NEMO LAIKA & NEMO

YULIA ARONOVA FRANCUSKA / FRANCE, DCP, 2021, 9’

JAN GADERMANN NJEMAČKA / GERMANY, DCP, 2022, 15’

Na vrhu svog vatrogasnog tornja, vatrogasac promatra grad, spreman suočiti se sa svim opasnostima. Ali ulice su mirne, ovdje nikad nema požara. U očaju, razmišlja o otkazu. No jednog dana upozna ženu koja izgara od ljubavi prema njemu.

Climbed on his watchtower, a firefighter scans the city, ready to brave all dangers. However, the streets are peaceful, there is never a fire here. Desperate, the firefighter is ready to give up his job. But one day, he meets a woman who burns with love for him.

JULIJA ARONOVA režiju u animaciji studirala je na Filmskom institutu Gerasimov u Moskvi, gdje je učila i scenaristiku. Režira filmove u tradicionalnim tehnikama animacije te stop-animaciji. Njezini su joj brojni talenti pomogli da oblikuje izrazito osoban i lako prepoznatljiv stil. Redovito piše scenarije za animirane filmove.

YULIA ARONOVA learned to direct animation films at the Gerasimov Institute of Cinematography in Moscow. She was also trained in screenwriting there. She directs films using traditional animation techniques as well as stop-motion. Her many talents, in graphics, animation and illustration have bestowed upon her a highly personal and easily recognisable style. She does screenwriting for animation films on a regular basis.

Nemo je drugačiji. Nitko drugi ne nosi ronilačko odijelo i tako veliku kacigu. Ali onda upozna Lajku, astronautkinju.

Nemo looks different. Nobody else wears a diving suit and such a huge helmet. But then he meets Laika, an astronaut.

JAN GADERMANN rođen je 1986. godine. Studirao je filmologiju i animaciju. Napisao je i režirao dva kratka filma i suautor je serijala slikovnica. S filmom Lajka i Nemo magistrirao je režiju animiranog filma na Filmskom sveučilištu Babelsberg Konrad Wolf.

JAN GADERMANN, born in 1986, studied Film Studies and Animation. He has written and directed two short films and is co-creator of a board book series. With Laika & Nemo he graduated from Film University Babelsberg Konrad Wolf with a master’s degree in Directing Animation.

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TEHNIKA / TECHNIQUE CRTEŽ NA FILMSKOJ VRPCI, KOMBINIRANE TEHNIKE, SLIKANJE, ROTOSKOPIJA / DRAWN ON FILM, MIXED MEDIA, PAINTING, ROTOSCOPING BEZ DIJALOGA / NO DIALOGUE REŽIJA, SCENARIJ, KAMERA, MONTAŽA / DIRECTOR, SCREENPLAY, CAMERA, EDITING EDU GLEZ ANIMACIJA / ANIMATION EDU GLEZ, DANIEL ZAPATA GLAZBA / MUSIC OSKAR BENAS ZVUK / SOUND EDU GLEZ, OSKAR BENAS GLUMICA / CAST ALICIA EGUIA PRODUCENT / PRODUCER TXABI ANUZITA PRODUKCIJA / PRODUCTION TROPOFILMS, WWW.TROPOFILMS.COM DISTRIBUCIJA / DISTRIBUTION FREAK AGENCY, WWW.AGENCIAFREAK.COM

TEHNIKA / TECHNIQUE RUČNO CRTANA 2D-ANIMACIJA, STOP-ANIMACIJA / 2D HAND-DRAWN ANIMATION, STOP-MOTION JEZIK / LANGUAGE SLOVENSKI, HRVATSKI / SLOVENIAN, CROATIAN REŽIJA, PRODUCENTICA / DIRECTOR, PRODUCER SARA BOŽANIĆ SCENARIJ / SCREENPLAY DORA VAGIĆ ANIMACIJA / ANIMATION TIMON LEDER KOMPOZITING / COMPOSITING IGOR ŠTIKIĆ GLAZBA, ZVUK / MUSIC, SOUND MATEJ KONČAN GLASOVI / VOICES DALIBOR KAZIJA, NINA CIGÜT PRODUKCIJA / PRODUCTION AEON, WWW.AEONPRODUCTION.COM; MINYA FILM I ANIMACIJA, WWW.MINYA.EU; SPARKLE ANIMATION, WWW.SPARKLE-ANIMATION.COM; INSTITUTE FOR TRANSMEDIA DESIGN, WWW.TRANSMEDIA-DESIGN.ME DISTRIBUCIJA / DISTRIBUTION INSTITUTE FOR TRANSMEDIA DESIGN, WWW.TRANSMEDIA-DESIGN.ME

LOV NA VAL PACKING A WAVE

PRAVA PEPELJUGA CINDA REAL PRAVA PEPELKA

EDU GLEZ ŠPANJOLSKA / SPAIN, DCP, 2021, 7’48”

SARA BOŽANIĆ SLOVENIJA, PORTUGAL, BOSNA I HERCEGOVINA, HRVATSKA / SLOVENIA, PORTUGAL, BOSNIA AND HERZEGOVINA, CROATIA, DCP, 2022, 17’29”

Djevojčica nakon brodoloma završi u nesvijesti na napuštenom, naizgled rajskom otoku. Nakon što se vrati k svijesti, istražuje otok i otkriva da se nalazi na otpadu. Plima nanosi tone plastike na obalu, zagađujući staništa bića koja nastanjuju otok, što ih košta života. Ali djevojčica nema namjeru ignorirati problem.

A young shipwreck arrives unconscious to an apparently paradisiacal desert island. After waking up she explores the island and discovers that it is a landfill. The tide is dragging tons of plastic to the shore, contaminating the habitat of their species and ending with the life of all of them. But the young girl is not going to turn a blind eye.

EDU GLEZ ima više od 20 godina iskustva u audio-vizualnom svijetu. Redovito radi u umjetničkim direkcijama filmskih produkcija kao grafički dizajner.

EDU GLEZ has more than 20 years of experience in the audiovisual world. He works regularly in the art departments of cinematographic productions as a graphic designer.

Prava Pepeljuga priča je o djevojčici kojoj se izruguju jer ima samo jednu nogu, a želi ići na ples, „samo želi plesati“. Od samoga začetka, ovaj film je razvijen i izrađen doprinosima djece i njihovih roditelja. Fokus različitih participativnih projekata SARE BOŽANIĆ jest na obrazovanju i angažiranosti. Ideje nastanjuju razne medije i platforme kao sredstvo za ostvarenje angažmana, pri čemu je koprodukcija oblik kolektivnog djelovanja koje potiče kritičko razmišljanje i kreativni rad kod publike.

Cinda Real, a story about a girl who is laughed at for having only one leg and her intention to come to a dance, “only to dance”. This film was from the outset, developed and executed through contributions from both children and their parents. SARA BOŽANIĆ’s wide-ranging participatory projects center on education and engagement. Ideas inhabit varied media and platforms as a vehicle for engagement, using coproduction as a form of collective action that encourages diverse audiences to think critically and act creatively.

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TEHNIKA / TECHNIQUE RUČNO CRTANA 2D-ANIMACIJA / 2D HAND-DRAWN ANIMATION BEZ DIJALOGA / NO DIALOGUE REŽIJA, SCENARIJ, KNJIGA SNIMANJA / DIRECTOR, SCREENPLAY, STORYBOARD SANNA DE VRIES ANIMACIJA / ANIMATION SANNA DE VRIES, DAMIËT ANIJS MONTAŽA / EDITING DIEDE DE VREE, DARIO VAN VREE GLAZBA / MUSIC NIK PHELPS ZVUK / SOUND MARIA KRAMER GLAS / VOICE SUSANNE EDAM PRODUCENTICA / PRODUCER TÜNDE VOLLENBROEK PRODUKCIJA / PRODUCTION STUDIO PUPIL, WWW.STUDIOPUPIL.COM DISTRIBUCIJA / DISTRIBUTION KABOOM DISTRIBUTION, WWW.KABOOMFESTIVAL.NL

TEHNIKA / TECHNIQUE RAČUNALNA 2D-ANIMACIJA / 2D COMPUTER BEZ DIJALOGA / NO DIALOGUE REŽIJA, SCENARIJ / DIRECTOR, SCREENPLAY EKATERINA OGORODNIKOVA ANIMACIJA / ANIMATION STUDIO SCRIBBLEQUIBBLE GLAZBA / MUSIC TIMOTHY HOSMAN ZVUK / SOUND JASON DOWNER PRODUCENTICE / PRODUCERS EKATERINA OGORODNIKOVA, AUDREY HOSMAN PRODUKCIJA / PRODUCTION EKATERINA OGORODNIKOVA, WWW.EKATERINAOGORODNIKOVA.ART DISTRIBUCIJA / DISTRIBUTION FESTAGENT, WWW.FESTAGENT.COM; EKATERINA OGORODNIKOVA, WWW.EKATERINAOGORODNIKOVA.ART

ODRAZI REFLECTION SPIEGELING

KUUMBA UMBO EKATERINA OGORODNIKOVA BELGIJA, SJEDINJENE DRŽAVE / BELGIUM, UNITED STATES, DCP, 2021, 6’39”

SANNA DE VRIES NIZOZEMSKA / NETHERLANDS, DCP, 2021, 4’

Zrcala pokrivaju sve površine Fiepine malene kuće. Dok pilji u svoj odraz, Fiep se tako intenzivno usredotočuje na svoje mane da one narastu do enormne veličine… i pretvore je u svojevrsnu mutanticu sastavljenu od svojih nesavršenosti. Preplavljena dojmom tog prizora, Fiep se probije kroz vanjska vrata i kroči u brutalni zimski krajolik koji okružuje njezin dom – i trči što je dalje noge nose... SANNA DE VRIES (Dordrecht, 1998.) stvara emocionalne animirane filmove sa živopisnim likovima i analognim pozadinama. Njezin diplomski kratki film, Huilbui, osvojio je 2019. nagradu Wildcard, najveću nizozemsku nagradu za animirane radove mladih umjetnika. Rukom crtani Odraz njezin je profesionalni debi.

Mirrors cover every inch of Fiep’s little house. As she stares at her own reflection, Fiep focuses on her flaws so intensely that they literally grow gigantic... and turn her into some kind of mutation of all her imperfections. Overwhelmed with this sight of herself, Fiep fights her way through the door, into the ferocious winter landscape that surrounds her home – running away as far as possible... SANNA DE VRIES (Dordrecht, 1998) creates emotional animation with vivid characters and analogue backgrounds. Her graduation short Huilbui won her the 2019 Wildcard, the Netherlands’ main animation talent prize. The handdrawn Reflection marks her professional debut.

Rođenje forme rođenje je svijeta. Od svoga ranog djetinjstva do svog zadnjeg daha, kao ljudi učimo o svijetu oko sebe i pokušavamo pronaći svoje mjesto u svijetu. Jedna afrička maska otkriva cijeli spektar ljudske kulture, njezinih izvora i preobrazbi do kojih dolazi u proizvodnji umjetnosti koja ukrašava muzeje širom svijeta.

The birth of form is the birth of the world. From our early childhood to our last breath, we as humans learn about the world around us and try to find our place in it. One African mask can reveal a whole spectrum of human culture, its origins and the transformation that takes place to produce the art that decorates the museums of the world.

EKATERINA je rođena u Rusiji. Umjetnica je i nezavisna redateljica animiranih filmova. Diplomirala je na Odsjeku za monumentalnu i dekorativnu umjetnost na Petrogradskoj akademiji umjetnosti i dizajna. Izradila je brojna monumentalna djela u Rusiji i u drugim zemljama. Pohađala je satove režije i animiranog filma na Petrogradskom narodnom sveučilištu za film i televiziju. Snimila je svoj debitantski animirani film, Love Pray Fight (2016.), za izložbu indijske umjetnosti u Bruxellesu u Belgiji. Osnovala je animacijski studio DAR za svog najmlađeg sina, što je i njega inspiriralo da se bavi filmom.

EKATERINA was born in Russia. She is an artist and an independent director of animation films. She graduated from St. Petersburg State Academy of Arts, Department of Monumental and Decorative Art. She created many different monumental works in Russia and other countries. She attended classes for directing and animating at GIKIT cinema university in St. Petersburg. She made her debut animated film Love Pray Fight (2016) for the exhibition of Indian art in Brussels, Belgium. She founded the animation studio DAR for her youngest son and that was an inspiration for his films.

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TEHNIKA / TECHNIQUE 2D-ANIMACIJA / 2D ANIMATION JEZIK / LANGUAGE HEBREJSKI / HEBREW REŽIJA, SCENARIJ, ANIMACIJA, MONTAŽA, KOMPOZITING, KNJIGA SNIMANJA, PRODUCENTICA / DIRECTOR, SCREENPLAY, ANIMATION, EDITING, COMPOSITING, STORYBOARD, PRODUCER TAMAR DADON-RAVEH GLAZBA, ZVUK / MUSIC, SOUND DANIEL SHEMER GLASOVI / VOICES ARIEL ZOHARI, NOA BUZAGLO, GEFEN SHELLY PRODUKCIJA, DISTRIBUCIJA / PRODUCTION, DISTRIBUTION BEZALEL ACADEMY OF ARTS AND DESIGN, WWW.BEZALEL.AC.IL

TEHNIKA / TECHNIQUE STOP-ANIMACIJA / STOP-MOTION JEZIK / LANGUAGE ČEŠKI / CZECH REŽIJA, ANIMACIJA, LAYOUT, KOMPOZITING, KNJIGA SNIMANJA / DIRECTOR, ANIMATION, LAYOUT, COMPOSITING, STORYBOARD MARIE URBÁNKOVÁ SCENARIJ / SCREENPLAY MARIE URBÁNKOVÁ, DAVID DVOŘÁK KAMERA / CAMERA MARIE URBÁNKOVÁ, JAROSLAV FIŠER MONTAŽA / EDITING JURAJ ONDRUŠ GLAZBA / MUSIC KATEŘINA KOUTNÁ KAT ZVUK / SOUND MARTIN VEČEŘA PRODUCENTI / PRODUCERS MARTIN VANDAS, MÁRIA MOŤOVSKÁ PRODUKCIJA, DISTRIBUCIJA / PRODUCTION, DISTRIBUTION MAUR FILM, WWW.MAURFILM.COM

MITAPOLIS ILI VELIKA PUSTOLOVINA ROMI, DASI I ABIGAIL MITAPOLIS OR ROMY, DASI AND ABIGAIL’S GREAT ADVENTURE

MAMA JE UVIJEK U PRAVU MOM IS ALWAYS RIGHT MÁMA MÁ VŽDYCKY PRAVDU

‫ או ההרפתקה הגדולה של רומי דסי ואביגיל‬- ‫מיטהפוליס‬ TAMAR DADON-RAVEH IZRAEL / ISRAEL, DCP, 2021, 7’48”

Romy i njezine dvije mlađe sestre kreću u morsku pustolovinu na madracu na napuhavanje. U potrazi za blagom, nailaze na razne dijelove svoje kuće: dnevna soba postala je laguna puna sirena, a njihov otac preobrazio se u diva.

Romy, along with her two younger sisters, embarks on a maritime quest aboard a floating bed. While looking for a treasure, they come across different components of their house: the living room has turned into a siren-filled lagoon, and their dad into a giant.

TAMAR DADON-RAVEH diplomirala je na Bezalelu 2020. godine. U svojim djelima istražuje dječji svijet kao sudionik-promatrač. Mitapolis je njezin diplomski film na odsjeku za animaciju Akademije umjetnosti i dizajna Bezalel u Jeruzalemu.

TAMAR DADON-RAVEH, Bezalel graduate of 2020. In her work she explores the world of children as a participant observer. Mitapolis is her graduation film in animation at the animation department of Bezalel Academy of Arts and Design in Jerusalem.

MARIE URBÁNKOVÁ ČEŠKA / CZECH REPUBLIC, DCP, 2022, 7’39”

Mirek ima ogroman trbuh, a nitko ne zna zašto. Dijete i intenzivna tjelovježba ne pomažu. Njegov veliki trbuh izaziva brojne komplikacije. Jednostavna radnja poput oblačenja čarapa prerasta u misiju iz pakla. Pratimo priče nekoliko junaka, a svakoga od njih muče neobične tegobe. Odakle li potječu?

Mirek has a huge belly and nobody knows why. Diets and strenuous exercise don’t help. His big belly causes many complications. The simple act of putting on socks turns into a hellish mission. We follow the stories of several heroes, each with unusual troubles. Where do they stem from?

MARIE URBÁNKOVÁ rođena je 1995. godine. Nakon što je maturirala scenografiju u Srednjoj školi za primijenjenu umjetnost (SUPŠ), Marie je upisala UMPRUM, Akademiju umjetnosti, arhitekture i dizajna u Pragu, gdje je trenutačno na diplomskom studiju u klasi Jakuba Ziche. Stalna je ilustratorica u časopisu Raketa. Objavila je nekoliko knjiga i stoji iza animirane serije Kosmix (2019.), snimane za Češku televiziju. Osim ilustracija knjiga, voli i animirani film. Snimila je svoj debitantski animirani film Bazén (Bazen) 2016. godine. Za završni rad na preddiplomskom studiju na UMPRUM-u snimila je kratki film The Concrete Jungle (Betonska džungla, 2019.) u koprodukciji s kućom MAUR film.

MARIE URBÁNKOVÁ was born in 1995. After graduating in Scenography from the Secondary School of Applied Arts (SUPŠ), Marie was accepted at UMPRUM, Academy of Arts, Architecture and Design in Prague, where she currently studies in a Masters degree programme led by Jakub Zicha. She is one of the permanent illustrators of the Raketa magazine. She’s had several books published and became the artist of the animated series Kosmix (2019) for Czech Television. Apart from illustrating books she loves animated film. She made her animated film debut Bazén (Swimming Pool) in 2016. For her Bachelors degree project at UMPRUM she made her short movie The Concrete Jungle (2019), co-produced with MAUR film.

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TEHNIKA / TECHNIQUE 2D-ANIMACIJA / 2D ANIMATION JEZIK / LANGUAGE ENGLESKI / ENGLISH REŽIJA / DIRECTOR NINA BISYARINA PRODUCENT / PRODUCER BORIS MASHKOVTSEV PRODUKCIJA, DISTRIBUCIJA / PRODUCTION, DISTRIBUTION SMF ANIMATION, WWW.SOUZMULT.RU

TEHNIKA / TECHNIQUE 2D-ANIMACIJA, STOP-ANIMACIJA / 2D ANIMATION, STOP-MOTION JEZIK / LANGUAGE ENGLESKI / ENGLISH REŽIJA, SCENARIJ, ANIMACIJA / DIRECTOR, SCREENPLAY, ANIMATION LIZA SKVORTSOVA KNJIGA SNIMANJA / STORYBOARD LIZA SKVORTSOVA, MARK SKVORTSOV GLAZBA / MUSIC MARK SKVORTSOV ZVUK / SOUND ARTEM FADEEV PRODUCENT / PRODUCER BORIS MASHKOVTSEV PRODUKCIJA, DISTRIBUCIJA / PRODUCTION, DISTRIBUTION SMF ANIMATION, WWW.SOUZMULT.RU

PADA SNIJEG SNOW IS FALLING СНЕГ ИДЁТ

MALENI OBLACI LITTLE CLOUDS ТУЧКИНЫ ШТУЧКИ

NINA BISYARINA DCP, 2022, 2’

LIZA SKVORTSOVA DCP, 2021, 2’

Nina Bisjarina na velikom platnu utjelovljuje snijegom prekriveni svijet iz pjesme „Pada snijeg“ Borisa Pasternaka.

Nina Bisyarina embodies on the screen the snow-covered world from Boris Pasternak’s poem “Snow is falling.”

Godine 1995. NINA BISJARINA završila je Prvu umjetničku školu u Novouralsku, a 2004. diplomirala je dizajn u industriji zabave na Državnoj uralskoj akademiji arhitekture i likovnih umjetnosti. Radi u dječjem umjetničkom studiju Tabby cat, a od 2005. surađuje s filmskom kućom SNEGA.

In 1995 NINA BISYARINA graduated from Art School № 1, Novouralsk. In 2004 she graduated from the Ural State Academy of Architecture and Art, specialising in entertainment design. Working in the children’s art studio Tabby cat. Since 2005, she works for the film company SNEGA.

Glazbena fantazija zasnovana na pjesmi Vladimira Majakovskog. U našem životu sve se mijenja, kao i oblik oblaka. LIZA SKVORTSOVA (Moskva, 1978.) završila je umjetničku školu i VGIK – Sveruski državni kinematografski institut, Fakultet likovnih umjetnosti (Odsjek računalne grafike i animacije). Za vrijeme studija na VGIK-u snimila je tri djela: Kiša (1998.), 7-40 (1998.) i Bolje da pričekaš (2002.).

Musical fantasy based on Vladimir Mayakovsky’s poem. Everything changes in our life, like the shape of clouds. LIZA SKVORTSOVA (Moscow, 1978) graduated from the Art School and VGIK – All-Russian State Institute of Cinematography, Fine Art Faculty (Department of computer graphic and animation). While studying in the All-Russian State Institute of Cinematography she realized 3 academic works: Rain (1998), 7-40 (1998) and You’ll Better Wait (2002).

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TEHNIKA / TECHNIQUE KOMBINIRANE TEHNIKE, STOP-ANIMACIJA / MIXED MEDIA, STOP-MOTION BEZ DIJALOGA / NO DIALOGUE REŽIJA, SCENARIJ, ANIMACIJA, KAMERA, MONTAŽA, RAČUNALNA GRAFIKA, GLAZBA, ZVUK, PRODUCENT / DIRECTOR, SCREENPLAY, ANIMATION, CAMERA, EDITING, COMPUTER GRAPHICS, MUSIC, SOUND, PRODUCER EVAN BODE PRODUKCIJA, DISTRIBUCIJA / PRODUCTION, DISTRIBUTION EVAN BODE, WWW.EVANBODE.WIXSITE.COM/EVANBODE

TEHNIKA / TECHNIQUE RAČUNALNA 2D-ANIMACIJA S RUČNO OSLIKANIM POZADINAMA / 2D DIGITAL ANIMATION WITH HAND-PAINTED BACKGROUNDS BEZ DIJALOGA / NO DIALOGUE REŽIJA / DIRECTOR SAMANTHA MOORE ANIMACIJA / ANIMATION SAMANTHA MOORE, ROSA BEIROA GLAZBA, ZVUK / MUSIC, SOUND ELIZABETH PURNELL, PETER JOHNSON PRODUCENTICA / PRODUCER ABIGAIL ADDISON PRODUKCIJA, DISTRIBUCIJA / PRODUCTION, DISTRIBUTION ANIMATE PROJECTS, WWW.ANIMATEPROJECTS.ORG

SEBE SAMA THINE OWN SELF

BLAGO TREASURE

EVAN BODE SJEDINJENE DRŽAVE / UNITED STATES, DCP, 2021, 6’

SAMANTHA MOORE UJEDINJENO KRALJEVSTVO / UNITED KINGDOM, DCP, 2021, 8’

Nakon što ih iz njihova doma otme nebeska ruka, raznobojni duhovi bore se protiv tiranskog binarnog u ovom nadrealnom animiranom filmu s kombiniranim tehnikama bez riječi, o prirodi autentičnog sebstva. Poluapstraktnim vizualima u kombinaciji s originalnom glazbom, nadam se da ću uspjeti prenijeti otpor rigidnim konstrukcijama roda te izraziti želju za kolektivnim oslobođenjem od ograničavajućeg razumijevanja identiteta.

Torn from their home by a hand in the sky, colorful spirits struggle against a tyrannical binary in this surreal, wordless mixed-media animation about the nature of authentic selfhood. Through semi-abstract visuals in combination with original music, I hope to communicate resistance to rigid constructions of gender, expressing a desire for collective liberation from restrictive understandings of identity.

EVAN BODE nagrađivan je pisac, glazbenik, umjetnik i filmaš koji gaji strast prema suosjećajnom pripovijedanju. Nedavno je s pohvalama završio preddiplomski studij komunikacije, uz dodatni studij sociologije, engleskog jezika i filmologije, na Državnom sveučilištu Colorado. Evan je trenutačno student magistarskog filmskog programa Sveučilišta Syracuse.

EVAN BODE is an award-winning writer, musician, artist, and filmmaker with a passion for compassionate storytelling. He recently graduated with honors from Colorado State University with a B.A. in Communication Studies and minors in Sociology, English, and Film Studies. Currently, Evan is an MFA candidate in the Film program at Syracuse University.

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Traganje detektorom metala močvarama u Shropshireu rezultira otkrićem spektakularnog zlatnog remekdjela i vođe koja ga žrtvuje za dobrobit svog djeteta. Spektakularna animirana avantura koju je inspiriralo otkriće Shropshireskog sunčanog privjeska.

A metal detectorist’s quest through the Shropshire Marches leads us to a spectacular gold masterpiece, and the leader who sacrifices it for the sake of her child. A glorious animated adventure inspired by the discovery of the Shropshire sun pendant.

SAMANTHA MOORE nagrađivana je autorica animiranih filmova. Obožava zaigranu i eklektičnu prirodu animacije. Animacija nikome nije zastrašujuća, a opet može angažirati široku publiku složenim i izazovnim idejama. Sam je radila filmove o raznim temama, od kompetitivnog uzgoja ukrasnog graška, najnovijih spoznaja u mikrobiologiji, do vlastitog iskustva poroda blizanaca. U njezinu nedavnom filmu Bloomers (2019.) radi se o tvornici gaćica u Manchesteru, a osvojio je nekoliko nagrada, uključujući Nagradu za najbolji britanski film na Londonskom međunarodnom festivalu animiranog filma, te je bio nominiran za Britansku nagradu za animirani film.

SAMANTHA MOORE is an award winning animated documentary maker. She loves the joyfulness and eclectic nature of animation. No one ever finds animation intimidating, and yet it can convey complex or challenging ideas to a wide audience in an engaging way. Sam has made work on diverse subjects, from competitive sweet pea growing, to cutting edge microbiology, and her own experience of having twins. Her recent film Bloomers (2019) was about a knicker factory in Manchester and has won several awards including Best British Film at London International Animation Festival and was nominated for a British Animation Award.

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TEHNIKA / TECHNIQUE RAČUNALNA 2D-ANIMACIJA / 2D COMPUTER JEZIK / LANGUAGE FRANCUSKI / FRENCH REŽIJA / DIRECTOR SALOMÉ HAMMANN SCENARIJ / SCREENPLAY SALOMÉ HAMMANN (INSPIRIRANO PJESMOM ANDRÉE CHEDID / FREELY INSPIRED BY ANDRÉE CHEDID’S POEM "BRICOLAGE") MONTAŽA / EDITING THOMAS GRANDREMY GLAZBA / MUSIC YAN VOLSY ŠUMOVI / FOLEY GREGORY VINCENT MIKSANJE / MIX AYMERIC DUPAS MONTAŽA ZVUKA / SOUND EDITING KEVIN FEILDEL GLAS / VOICE ÉMILIE CHEDID PRODUCENTI / PRODUCERS DELPHINE MAURY, EMMANUEL RYZ PRODUKCIJA, DISTRIBUCIJA / PRODUCTION, DISTRIBUTION TANT MIEUX PROD, WWW.TANTMIEUXPROD.NET

TEHNIKA / TECHNIQUE STOP-ANIMACIJA / STOP-MOTION JEZIK / LANGUAGE ŠPANJOLSKI / SPANISH REŽIJA, SCENARIJ, MONTAŽA, PRODUCENT / DIRECTOR, SCREENPLAY, EDITING, PRODUCER JOSÉ LUIS SATURNO ANIMACIJA, KAMERA / ANIMATION, CAMERA SYLVIE TROUVÉ MODELIRANJE / MODELLING LAURENT CANICCIONI KOMPOZITING / COMPOSITING JACK CARR KNJIGA SNIMANJA / STORYBOARD YANN BEN ALLUCH GLAZBA, ZVUK / MUSIC, SOUND ROBIN SERVANT GLAS / VOICE GABRIEL CHAVEZ PRODUKCIJA, DISTRIBUCIJA / PRODUCTION, DISTRIBUTION ENJAMBRE HEXAGONAL, WWW.ENJAMBREHEXAGONAL.COM

BRICOLAGE TINKERING

POPLAVNA MELODIJA THE TORRENTIAL MELODY LA MELODÍA TORRENCIAL

SALOMÉ HAMMANN FRANCUSKA / FRANCE, DCP, 2021, 3’

JOSÉ LUIS SATURNO MEKSIKO / MEXICO, DCP, 2022, 7’

Ah, kako se slučaj i ljubav moraju poklopiti da bi se rodilo dijete. Budući roditelji zamišljaju to velebno ostvarenje.

Oh, how chance and love must meet so a child can be born. Future parents picture this grand handiwork.

SALOMÉ HAMMANN rođena je 1997. godine u Strasbourgu. Od tad crta smiješne životinje a naučila je i kako nagnati slike da se kreću. Svoj diplomski film, The Zozolympics, režirala je nakon tri godine studija na Superior Animation Workshopu. Voli ilustracije za djecu i pripovijedati priče iz dječje perspektive.

SALOMÉ HAMMANN was born in 1997 in Strasbourg. Since then, she draws funny animals and even learned how to make her pictures move. Her graduation film, The Zozolympics was directed after 3 years of studies at the Superior Animation Workshop. She likes illustration for children and to tell stories from children’s point of view.

Glasine o čovjeku koji može zazvati kišu svojom harmonikom ulijevaju nadu selu koje je pogodila duga suša. Glazbenik im nudi rješenje, koje se, kao ni posljedice suprotstavljanja volji prirode, ne može opozvati. JOSÉ LUIS SATURNO meksički je filmaš. Osnovao je Enjambre Hexagonal. Diplomirao je animirani film na Sveučilištu Concordia u Montréalu. Njegova mlada karijera oscilira između animiranog i igranog filma, a život između Kanade i Meksika. Sa svojim djelima sudjelovao je na više od 70 filmskih festivala u barem 20 zemalja.

Rumors of a man, capable of summoning rain with the music of his accordion, give hope to a village suffering a long drought. The musician offers a solution that, like the consequences of going against nature’s will, cannot be undone. JOSÉ LUIS SATURNO is a Mexican filmmaker. Founder of Enjambre Hexagonal. He majored in Film Animation at Concordia University, Montreal. His young career oscillates between animation and live-action, and his life is between Canada and Mexico. With his filmography, he has participated in over 70 film festivals in at least 20 countries.

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TEHNIKA / TECHNIQUE LUTKA-FILM / PUPPETS JEZIK / LANGUAGE FRANCUSKI / FRENCH REŽIJA / DIRECTOR HELOISE FERLAY SCENARIJ / SCREENPLAY HELOISE FERLAY (INSPIRIRANO PJESMOM ANDRÉE CHEDID / FREELY INSPIRED BY ANDRÉE CHEDID’S POEM “LES FILLES DU VENT”) MONTAŽA / EDITING THOMAS GRANDREMY GLAZBA / MUSIC JULIEN DIVISIA ŠUMOVI / FOLEY GREGORY VINCENT MIKSANJE / MIX AYMERIC DUPAS MONTAŽA ZVUKA / SOUND EDITING KEVIN FEILDEL GLAS / VOICE BILLIE CHEDID PRODUCENTI / PRODUCERS DELPHINE MAURY, EMMANUEL RYZ PRODUKCIJA, DISTRIBUCIJA / PRODUCTION, DISTRIBUTION TANT MIEUX PROD, WWW.TANTMIEUXPROD.NET

TEHNIKA / TECHNIQUE RAČUNALNA 2D-ANIMACIJA / 2D COMPUTER JEZIK / LANGUAGE ARMENSKI / ARMENIAN REŽIJA / DIRECTOR LILIT ALTUNYAN SCENARIJ / SCREENPLAY LILIT ALTUNYAN, ARMINE ANDA ANIMACIJA / ANIMATION MINA CONVERS MONTAŽA / EDITING KAREN BAGHINYAN GLAZBA / MUSIC MIQAYEL VOSKANYAN GLAS, PRODUCENTICA / VOICE, PRODUCER ARMINE ANDA PRODUKCIJA / PRODUCTION HOSHKEE FILM, WWW.HOSHKEE.COM DISTRIBUCIJA / DISTRIBUTION HOSHKEE FILM, WWW.HOSHKEE.COM; FOLIMAGE, WWW.FOLIMAGE.FR

KĆERI VJETRA THE GIRLS OF THE WIND LES FILLES DU VENT

KAD SAM TUŽNA WHEN I AM SAD ERB ES TKHUR EM

HELOISE FERLAY FRANCUSKA / FRANCE, DCP, 2021, 3’

LILIT ALTUNYAN ARMENIJA, FRANCUSKA / ARMENIA, FRANCE, DCP, 2021, 6’30”

U potrazi za neovisnošću, mladu djevojku neočekivano posjete kćeri vjetra. Daju joj nadu i snagu da ustraje. Nova zora sviće.

Searching for independence, a young girl receives an unexpected visit from the Daughters of Wind. They give her hope and momentum to grow. A new day is dawning.

HELOISE FERLAY odrasla je u Savoji, a potom se preselila u Pariz, gdje je diplomirala na École nationale supérieure des Arts Décoratifs. Kratki film Geôlier bio je njezin prvi eksperiment u stop-animaciji, nakon čega je režirala film Yola, rađen animiranim bojama. Njezin diplomski film, À la mer poussière, putuje svijetom i osvojio je više od 30 nagrada na festivalima.

HELOISE FERLAY grew up in Savoy, and then moved to Paris where she graduated at the Parisian art school École nationale supérieure des Arts Décoratifs. Her short film Geôlier was her first stop motion experiment, and then she directed Yola with animated paint. Produced in stop motion, her graduation film To the Dusty Sea is travelling around the world and was awarded more than 30 times in festivals.

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Osmijeh putuje svijetom tuge, koji misli i emocije preobražavaju…

A smile travels through the world of sadness being transformed by emotions and thoughts...

LILIT ALTUNYAN održala je lokalne i međunarodne izložbe kao vizualna umjetnica. Kao autorica i ilustratorica objavila je slikovnice Plava lisica i Glazbeno čudovište. 2019. godine postala je laureatkinja Armenskog natječaja za dječje pisce i ilustratore, osvojivši dvije nagrade. 2020. godine uvrštena je u IBBY Honour List. Njezin debitantski projekt, Kad sam tužna, uvršten je u službenu selekciju festivala Animation du Monde Reanimania 2018. i osvojio je Folimageovu koprodukcijsku nagradu u programu MIFA Pitches Međunarodnog festivala animiranog filma u Annecyju 2019. godine.

LILIT ALTUNYAN had local and international exhibitions as a visual artist. As an author-illustrator she published The Blue Fox and The Musician Monster picture books. In 2019 she became a laureate of Children’s Writers and Illustrators’ Competition Armenia receiving two prizes. In 2020 she was included in IBBY Honour list. A debut project When I Am Sad by Lilit Altunyan was selected by Animation du Monde in Reanimania IAFF 2018 and won Folimage Co-production Award in MIFA Pitches, Annecy IAFF 2019. The film premiered in the official competition of Anim’Est in October 2021.

07/06 UTO TUE 11:30 TUŠKANAC 10/06 PET FRI 09:30 TUŠKANAC

NATJECANJE FILMOVA ZA DJECU FILMS FOR CHILDREN COMPETITION 4 (15+ GOD/YRS)

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TEHNIKA / TECHNIQUE 2D-ANIMACIJA, KOLAŽ / 2D ANIMATION, CUT-OUT REŽIJA, SCENARIJ, ANIMACIJA, MONTAŽA, LAYOUT, KOMPOZITING, KNJIGA SNIMANJA, PRODUCENTICA / DIRECTOR, SCREENPLAY, ANIMATION, EDITING, LAYOUT, COMPOSITING, STORYBOARD, PRODUCER JULIA TRACHTENBERG GLAZBA / MUSIC NIKI SEMENOV ZVUK / SOUND LIOR WAITZMAN GLAS / VOICE ANNA KOSTINA PRODUKCIJA / PRODUCTION SAPIR ACADEMIC COLLEGE, WWW.SAPIR.AC.IL DISTRIBUCIJA / DISTRIBUTION COSTANZA FILM DISTRIBUTION, WWW.COSTANZA-FILMS.COM

TEHNIKA / TECHNIQUE 3D-ANIMACIJA / 3D ANIMATION BEZ DIJALOGA / NO DIALOGUE REŽIJA, SCENARIJ, ANIMACIJA, MONTAŽA, LAYOUT, MODELIRANJE, KOMPOZITING, RAČUNALNA GRAFIKA, KNJIGA SNIMANJA, ZVUK / DIRECTOR, SCREENPLAY, ANIMATION, EDITING, LAYOUT, MODELLING, COMPOSITING, COMPUTER GRAPHICS, STORYBOARD, SOUND VIOLETTE TALALAEFF GLAZBA / MUSIC TITOUAN GRAMAIN PRODUKCIJA, DISTRIBUCIJA / PRODUCTION, DISTRIBUTION ÉCOLE MOPA, WWW.ECOLE-MOPA .FR

KRUŠKE PEARS AGASIM

ZAPELO STUCK

JULIA TRACHTENBERG IZRAEL / ISRAEL, DCP, 2022, 5’37”

VIOLETTE TALALAEFF FRANCUSKA / FRANCE, DCP, 2021, 1’47”

Jana je žudjela za ljubavi, ali njezina majka umjela ju je izraziti samo na jedan način, kroz bol.

Yana was longing for love, but her mother had only one way of showing it, through pain.

JULIA TRACHTENBERG, 30 godina. Umjetnost je oduvijek dio mog života, sa studijem animiranog filma to je samo postalo službeno. Na studiju sam voljela raditi na svojoj „ruskosti“. Trenutačno radim kao ilustratorica i animatorica u tvrtci za videoigre.

JULIA TRACHTENBERG, 30. Art has always been a part of my life, in animation studies it became official. I have always loved working with my “Russianness” over the years in school. Currently working as an illustrator and animator at a gaming company.

Čovjek može zaustaviti i ponovno pokrenuti vrijeme puckanjem prstima… sve do trenutka kad se vrijeme ne prestane ponovno pokretati. VIOLETTE je studentica četvrte godine na MOPA-i na jugu Francuske. Režirala je svoj prvi kratki animirani film, Zapelo, na trećoj godini studija, a trenutačno radi na svom diplomskom filmu, koji bi trebala prikazati u lipnju 2023. godine.

A man can stop and restart time with a snap of his fingers... until time doesn’t restart anymore. VIOLETTE is a fourth year student at MOPA in the south of France. She directed her first animated short film Stuck during her third year at MOPA, and is currently working on her graduation film, due June 2023.

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TEHNIKA / TECHNIQUE 2D-ANIMACIJA, KOLAŽ / 2D ANIMATION, COLLAGES JEZIK / LANGUAGE FRANCUSKI / FRENCH REŽIJA / DIRECTOR THÉO HOLLANDO SIGOT GLAZBA / MUSIC YACINE SYNAPSAS DODATNA ANIMACIJA / ADDITIONAL ANIMATION LAURA CHRISTIN, ANTOINE DEROUET, MORGAN CURT PRODUKCIJA, DISTRIBUCIJA / PRODUCTION, DISTRIBUTION EMCA, CPROUST@ANGOULEME-EMCA.FR

TEHNIKA / TECHNIQUE GLINA / CLAYMATION BEZ DIJALOGA / NO DIALOGUE REŽIJA, ANIMACIJA, ZVUK / DIRECTOR, ANIMATION, SOUND AGATA WOJTAŚ UMJETNIČKA SUPERVIZIJA / ARTISTIC SUPERVISORS ROBERT SOWA, EWA GRZESIAK, EDYTA MĄSIOR, AGNIESZKA SZUŚCIK PRODUCENT / PRODUCER ANIMATED FILM STUDIO – JAN MATEJKO ACADEMY OF FINE ART IN KRAKOW PRODUKCIJA / PRODUCTION JAN MATEJKO ACADEMY OF FINE ART IN KRAKOW, WWW.ASP.KRAKOW.PL DISTRIBUCIJA / DISTRIBUTION AGATA WOJTAŚ, AGA2WOJ987@GMAIL.COM

LA DECH’

SLAVUJ THE NIGHTINGALE SŁOWIK

THÉO HOLLANDO SIGOT FRANCUSKA / FRANCE, DCP, 2021, 13’20”

AGATA WOJTAŚ POLJSKA / POLAND, DCP, 2022, 2’37”

Anksiozni tinejdžer Otto dobije pismo od svoje djevojke Anne. Njegova žudnja materijalizira se stvaranjem dvojnika, koji ga spopadaju. Iako se isprva čine komičnima, njegove kopije ubrzo se pokazuju nepodnošljivima. Otto će ih nekako morati obuzdati ako ne želi da mu upropaste spoj s Annom.

Otto, an anxious teenager, receives a letter from his girlfriend Anna. His desires materialize as his doubles who invade him. While at first they appear funny, his copies prove themselves infernal. Otto will have to contain them if he doesn’t want to see his date turn into a disaster.

THÉO HOLLANDO SIGOT rođen je na Haitiju 1998. godine. Nakon STD2A bakalaureata u Orléansu, pet godina studirao je animirani film i nada se da će postati redatelj animiranih filmova. Za vrijeme studija na EMCA-i snimio je nekoliko filmova: Mots doux (2018.), BAS (2019.), Zeitgeist (2020.) i La Dech’ (2021.).

THÉO HOLLANDO SIGOT was born in Haiti in 1998. After an STD2A baccalaureate in Orléans, he studied animation for 5 years and aspires to become an animated film director. During his 4-year course at EMCA he made several films: Mots doux in 2018, BAS in 2019, Zeitgeist in 2020, La Dech’ in 2021.

Interpretacija Slavuja Hansa Christiana Andersena. AGATA WOJTAŚ na drugoj je godini studija slikarstva na Akademiji likovnih umjetnosti Jana Matejka u Krakovu.

An interpretation of Hans Christian Andersen’s The Nightingale. AGATA WOJTAŚ is a second year painting department student in Jan Matejko Academy of Fine Art in Krakow.

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TEHNIKA / TECHNIQUE RAČUNALNA 2D-ANIMACIJA / 2D COMPUTER BEZ DIJALOGA / NO DIALOGUE REŽIJA / DIRECTOR MOR ISRAELI SCENARIJ / SCREENPLAY TAMAR SUROVICH, MOR ISRAELI ANIMACIJA / ANIMATION ALEX KHLEBNIKOV, OMER SHARON, SHAHAR SHYIA, MATHILDE ROY, GUILLAUME BOURRACHOT, MOR ISRAELI MONTAŽA / EDITING EFRAT BERGER GLAZBA, PRODUCENTICA / MUSIC, PRODUCER TAMAR SUROVICH ZVUK / SOUND AVIV ALDEMA PRODUKCIJA, DISTRIBUCIJA / PRODUCTION, DISTRIBUTION SU ART PRODUCTIONS, WWW.SUARTPRODUCTION.COM

ŽOHARI COCKROACHES KAKERLAKKENE

PUTOVANJE S MOJIM TATOM A JOURNEY WITH MY DAD VOYAGE AVEC MON PÈRE

ADEL KHAN FAROOQ NORVEŠKA / NORWAY, DCP, 2022, 9’44”

MOR ISRAELI IZRAEL / ISRAEL, DCP, 2022, 10’30”

Na što ste sve spremni u potrazi za prihvaćanjem? U distopijskom gradu na rubu propasti, nakon što su žohari preuzeli vlast, bratstvo šalje 17-godišnjeg Tima u spasonosnu misiju da raznese gnijezdo žohara. Ali nakon susreta sa strancem, Tim počne preispitivati svoju percepciju stvarnosti. Film Žohari animirana je basna o isključivosti i ekstremizmu koja pokazuje da potraga za prihvaćanjem nekad ima kobne posljedice.

ADEL KHAN FAROOQ norveški je redatelj, autor i novinar poznat po filmovima i tekstovima na temu alijenacije, radikalizacije i ekstremizma. Njegov dokumentarni film Norwegian Islamist (2017.) bio je izrazito hvaljen, a trenutačno je posvećen svom dugometražnom igranom prvijencu. Žohari su Farooqov prvi izlet u animirani film.

Petogodišnja Tamar prvi put ide s tatom u hotel, u kojemu gosti izgledaju malo čudno… Krećemo na nadrealno putovanje iz dječje perspektive. Tamar će na koncu otkriti očevu tajnu, dio njegova života o kojemu nije znala ništa. MOR ISRAELI je ilustratorica i nekadašnja profesionalna plivačica. Animaciju je otkrila kroz strast prema glumi, filmu i crtanju, a nadahnjuju je fotografija i pokret. Diplomirala je na Odsjeku filmskih umjetnosti Akademije za umjetnost i dizajn Bezalel.

For the first time, Tamar (5 years old) accompanies her dad in a hotel where vacationers look a bit strange... Through the eyes of the child then begins a journey tinged with surrealism. Tamar will eventually discover the hidden story of her father, a part of his life that she does not know... MOR ISRAELI is an illustrator and a former professional swimmer. She discovered the animation field through her passion for acting, cinema and drawing and is inspired by photography and movement. She graduated from the Screen-based Arts Department at the Bezalel Academy of Art and Design.

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TEHNIKA / TECHNIQUE RAČUNALNA 2D-ANIMACIJA / 2D COMPUTER JEZIK / LANGUAGE FRANCUSKI / FRENCH REŽIJA / DIRECTOR MITCHELLE TAMARIZ SCENARIJ / SCREENPLAY MITCHELLE TAMARIZ (INSPIRIRANO PJESMOM ANDRÉE CHEDID / FREELY INSPIRED BY ANDRÉE CHEDID’S POEM "INTERVALLES") MONTAŽA / EDITING THOMAS GRANDREMY GLAZBA / MUSIC JULIEN DIVISIA, FRÉDÉRIC MARCHAND, PABLO PICO, YAN VOLSY ŠUMOVI / FOLEY GREGORY VINCENT MIKSANJE / MIX AYMERIC DUPAS MONTAŽA ZVUKA / SOUND EDITING KEVIN FEILDEL GLAS / VOICE ÉMILIE CHEDID PRODUCENTI / PRODUCERS DELPHINE MAURY, EMMANUEL RYZ PRODUKCIJA, DISTRIBUCIJA / PRODUCTION, DISTRIBUTION TANT MIEUX PROD, WWW.TANTMIEUXPROD.NET

TEHNIKA / TECHNIQUE RAČUNALNA 2D-ANIMACIJA, OBJEKTI, DIGITALNI KOLAŽ, STOP-ANIMACIJA / 2D COMPUTER ANIMATION, OBJECT ANIMATION, DIGITAL CUT-OUT ANIMATION, STOP-MOTION ANIMATION JEZIK / LANGUAGE MANDARINSKI KINESKI / MANDARIN CHINESE REŽIJA, SCENARIJ, KAMERA, MONTAŽA, LAYOUT, MODELIRANJE, KOMPOZITING, RAČUNALNA GRAFIKA, KNJIGA SNIMANJA, PRODUCENTICA / DIRECTOR, SCREENPLAY, CAMERA, EDITING, LAYOUT, MODELLING, COMPOSITING, COMPUTER GRAPHICS, STORYBOARD, PRODUCER WU-CHING CHANG ANIMACIJA / ANIMATION WU-CHING CHANG, LOK YI TSOI, BOUCHRA FADIL GLAZBA / MUSIC JEN-SHUO CHEN, NAHUM STRICKLAND ZVUK / SOUND WU-CHING CHANG, CHUAN-CHI LIN, MARKUS ANDREAS, ALSTON HSU, JIN-DE LIN, SHU-YU CHEN GLASOVI / VOICES YUNG-YU CHANG, YU-LIN CHANG, YU-CHIN CHANG, YU-JAN CHANG PRODUKCIJA, DISTRIBUCIJA / PRODUCTION, DISTRIBUTION ACO CREATIVE LTD., WWW.WUCHINGCHANG.COM

INTERVALI INTERVALS INTERVALLES

MOJA BAKA JE JAJE MY GRANDMOTHER IS AN EGG 我的阿婆是一顆蛋

MITCHELLE TAMARIZ FRANCUSKA / FRANCE, DCP, 2021, 3’

WU-CHING CHANG TAJVAN, UJEDINJENO KRALJEVSTVO / TAIWAN, UNITED KINGDOM, DCP, 2021, 8’

Pekarica među pekarima, naša junakinja mora biti stroga i precizna. Ali nezgoda u kuhinji podsjeti je na čisti užitak pečenja torte samostalno, samo za sebe…

Woman baker among men bakers, our heroine has to be rigorous and precise. But a mishap reminds her of the sheer pleasure of a cake made by oneself, for oneself...

MITCHELLE TAMARIZ (1991., Cancún, Meksiko) redateljica je animiranih filmova. Diplomirala je digitalnu umjetnost, s naglaskom na fotografiju i videoprodukciju, na CEDIM-u u Monterreyu u Meksiku. Tradicionalnu animaciju otkrila je za vrijeme međunarodne studentske razmjene na Akademiji za umjetnost, arhitekturu i dizajn u Pragu. Režiju u animaciji upisala je na školi La Poudrière u francuskom gradu Valenceu, a diplomirala je 2019., nakon što je režirala filmove Noche (jednominutni film u tehnici stop-animacije), Vous avez vu mes jambes? (koji je prikazala francuska TVpostaja Gulli) i svoj diplomski film, Kada odemo. Trenutačno živi u Lyonu.

Born in Cancun in Mexico in 1991, MITCHELLE TAMARIZ is an animation director. She graduated from CEDIM in Monterrey in Mexico where she studied digital art, focusing on photography and video production. She discovered traditional animation during an international student exchange program at The Academy of Arts, Architecture and Design of Prague in the Czech Republic. She joined La Poudrière in Valence, in France, to study animated film directing, and graduated in 2019 having directed Noche (a one-minute stop-motion film), Vous avez vu mes jambes? (broadcast on the French TV channel Gulli) and her graduation film When We Leave. She is currently living in Lyon in France.

Moja baka bila je T’ung-yang-hsi, dijete nevjesta. Ispunila je svoju sudbinu. Tradicija ugovorenog braka nalaže prodaju male djevojčice drugoj obitelji, koja je onda odgaja kao buduću snahu, podučavajući je za njezinu buduću ulogu. Usredotočivši se na ženska pitanja, cilj filma jest razmatranje opresije žena i njihove borbe za slobodu. U pokušaju da ostane vjerna povijesnom kontekstu Tajvana, naracija je zasnovana na intervjuima s djecom redateljičine bake i na istraživanju feminizma.

My grandmother was a T’ung-yang-hsi. She has lived up to her fate. It is the tradition of pre-arranged marriage, selling a young girl to another family to be raised as a future daughter-in-law in productive roles. Focusing on female issues, the film aims to reflect upon women’s oppression and struggle for freedom. Trying to be true to the historical context in Taiwan, the narration is based on interviews with the director’s grandmother’s children and research in feminism.

Rođena u Tajvanu, WU-CHING CHANG redateljica je animiranih filmova koja je magistrirala animirani film na Kraljevskoj školi za umjetnost (RCA). Osnivačica je kuće Aco Creative Ltd. Radi komercijalne i nezavisne animirane filmove, ilustracije i konceptualnu umjetnost od 2014. Stvara filmove istraživanjem osobnih iskustava i ženskih pitanja. Njezini filmovi često su zasnovani na kulturnom kontekstu, što postiže intervjuima, i sadrže razne eksperimentalne umjetničke prakse.

Born in Taiwan, WU-CHING CHANG is an animation director who earned MA Animation at Royal College of Art. She is the founder of Aco Creative Ltd. She has worked on commercial and independent animation, illustration, and concept arts since 2014. She creates films by exploring personal experiences and female issues. Her films are often based on cultural context by doing interviews and contain multiple experimental artistic practices.

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TEHNIKA / TECHNIQUE RAČUNALNA 2D-ANIMACIJA / 2D COMPUTER JEZIK / LANGUAGE FRANCUSKI / FRENCH REŽIJA / DIRECTOR EMILIE MEREGHETTI SCENARIJ / SCREENPLAY EMILIE MEREGHETTI (INSPIRIRANO PJESMOM ANDRÉE CHEDID / FREELY INSPIRED BY ANDRÉE CHEDID’S POEM “VITALITÉ”) MONTAŽA / EDITING THOMAS GRANDREMY GLAZBA / MUSIC FREDERIC MARCHAND ŠUMOVI / FOLEY GREGORY VINCENT MIKSANJE / MIX AYMERIC DUPAS MONTAŽA ZVUKA / SOUND EDITING KEVIN FEILDEL GLAS / VOICE ANNA CHEDID PRODUCENTI / PRODUCERS DELPHINE MAURY, EMMANUEL RYZ PRODUKCIJA, DISTRIBUCIJA / PRODUCTION, DISTRIBUTION TANT MIEUX PROD, WWW.TANTMIEUXPROD.NET

VITALNOST VITALITY VITALITÉ EMILIE MEREGHETTI FRANCUSKA / FRANCE, DCP, 2021, 3’

Zaštićena ali skučena, mlada žena želi procvasti. Kad propusti glazbu i svjetlost izvana u svoju čahuru, polako se prepušta slobodi i joie de vivreu.

Protected but cramped, a young woman wishes to blossom. When she lets the outside music and light in her cocoon, she will slowly deploy her “joie de vivre” and freedom.

EMILIE MEREGHETTI studirala je animirani film na Umjetničkoj školi Duperré i u srednjoj školi René Descartes de Cournon-d’Auvergne. Diplomirala je na pariškoj École nationale supérieure des arts décoratifs 2018. godine diplomskim filmom Dobro došli u zemlju divova. 2019. godine radila je kao asistentica Florence Miailhe na njezinu dugometražnom animiranom filmu Prijelaz.

EMILIE MEREGHETTI studied animation at Duperré Art School and at the high school René Descartes de Cournon-d’Auvergne. She graduated from the Parisian school École Nationale Supérieure des Arts Décoratifs in 2018, with her graduation film Welcome in the World of Giants. In 2019, she worked as the assistant of Florence Miailhe on her animated feature film The Crossing.

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OBITELJSKI PROGRAM / FAMILY PROGRAM 1 5+ GOD / YRS

TEHNIKA / TECHNIQUE RAČUNALNA 2D-ANIMACIJA / 2D COMPUTER JEZIK / LANGUAGE FRANCUSKI S ENGLESKIM I HRVATSKIM PODNASLOVIMA / FRENCH WITH ENGLISH AND CROATIAN SUBTITLES PRODUKCIJA / PRODUCTION NADASDY FILM, WWW.NADASDYFILM.CH; LES FILMS DU NORD, WWW.LESFILMSDUNORD.COM; RTS RADIO TÉLÉVISION SUISSE DISTRIBUCIJA / DISTRIBUTION NADASDY FILM, WWW.NADASDYFILM.CH

GIUSEPPE ISABELLE FAVEZ ŠVICARSKA, FRANCUSKA / SWITZERLAND, FRANCE, DCP, 2022, 26’

Giuseppe je mali jež koji ne želi usnuti zimski san, jer ima samo jednu želju – vidjeti snijeg. Ali oprez! Kad stigne hladnoća, čuvaj se Zimskog Duha! Kažu da silazi sa svojih planina kako bi uhvatio male ježeve koji ne žele hibernirati… Giuseppe is a little hedgehog with a single dream, to see the snow. But watch out, when the cold comes, beware the Winter Ghost! It is said that it emerges from its mountains to catch small hedgehogs not wanting to hibernate...

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OBITELJSKI PROGRAM / FAMILY PROGRAM 2 5+ GOD / YRS

TEHNIKA / TECHNIQUE 3D-ANIMACIJA / 3D ANIMATION JEZIK / LANGUAGE FRANCUSKI S ENGLESKIM I HRVATSKIM PODNASLOVIMA / FRENCH WITH ENGLISH AND CROATIAN SUBTITLES PRODUKCIJA / PRODUCTION AUTOUR DE MINUIT, WWW.BLOG.AUTOURDEMINUIT.COM; BARDAF!, WWW.BARDAFPRODUCTIONS.BE DISTRIBUCIJA / DISTRIBUTION MIKHAL BAK, WWW.STUDIO-WASIA.COM

TEHNIKA / TECHNIQUE RAČUNALNA 2D-ANIMACIJA / 2D COMPUTER ANIMATION JEZIK / LANGUAGE BUGARSKI S ENGLESKIM I HRVATSKIM PODNASLOVIMA / BULGARIAN WITH ENGLISH AND CROATIAN SUBTITLES PRODUKCIJA, DISTRIBUCIJA / PRODUCTION, DISTRIBUTION MIRAMAR FILM, WWW.MIRAMARFILM.COM

TEHNIKA / TECHNIQUE RAČUNALNA 2D-ANIMACIJA / 2D COMPUTER ANIMATION JEZIK / LANGUAGE FRANCUSKI S ENGLESKIM I HRVATSKIM PODNASLOVIMA / FRENCH WITH ENGLISH AND CROATIAN SUBTITLES PRODUKCIJA / PRODUCTION FOLIMAGE, WWW.FOLIMAGE.FR; LUNANIME, WWW.LUNANIME.BE DISTRIBUCIJA / DISTRIBUTION MIKHAL BAK, WWW.STUDIO-WASIA.COM

NE-NE U SVEMIRU NO-NO GOES TO SPACE NON-NON DANS L’ESPACE

NEBESKI ANRI ANRY IN THE SKY НЕБЕСНИЯ АНРИ

OPERACIJA DJED MRAZ LOOKING FOR SANTA OPÉRATION PÈRE NOËL

WASSIM BOUTALEB JOUTEI FRANCUSKA, BELGIJA / FRANCE, BELGIUM, DCP, 2022, 26’

MIROSLAVA ARNAUDOVA BUGARSKA / BULGARIA, DCP, 2021, 24’

MARC ROBINET FRANCUSKA, BELGIJA / FRANCE, BELGIUM, DCP, 2021, 26’

Tri... dva... jedan... kreni! Kraj odbrojavanja, vrijeme je za postavljanje zastave Underwood Springsa na Mjesec! U oblaku dima i iskri, Bigtoothova raketa napušta Zemljinu orbitu. Lebdeći u svemiru, Ne-Ne, Magaïveur i njihovi prijatelji jedva da imaju vremena za divljenje krajolicima prije nego što ih kiša meteora skrene s prvobitnog kursa i pošalje izravno na... nepoznat planet! Njihov susret s Ribbitom, malim zelenim stvorenjem, pretvorit će ovu svemirsku avanturu u međuplanetarnu priču o prijateljstvu.

Dva zečića otkrivaju veliku očevu tajnu. Niz pustolovina vodi ih do skrivenog mjesta gdje je skrivena tajna – avion koji ne može letjeti. Zečići daju sve od sebe i konačno ostvare očev san tako što će zajedno letjeti u nebo.

Osmogodišnji William navikao je dobiti sve što želi. Za svoj božićni poklon zahtijeva samog Djeda Mraza, pa njegov otac angažira poznatog lovca. Hoće li Williamov zahtjev okončati čaroliju Božića?

Two little bunnies reveal their father's big secret. A series of adventures leads them straight to the hidden place where the secret is hidden - a plane that can not fly. The little bunnies do their best and finally make their father's dream come true by flying together in the sky.

William, eight years old, is used to getting anything he wants. He demands Santa himself as his Christmas present, so his father hires a famous hunter. Will William’s demand bring an end to the magic of Christmas?

Three...Two...One...Go! End of the countdown, it’s time to plant Underwood Springs’ flag on the Moon! In a cloud of smoke and sparks, Bigtooth’s rocket leaves the Earth’s orbit. Floating in space, No-No, Magaïveur and their friends barely have time to admire the landscapes before a meteor shower veers them off their initial course and sends them directly… to an unknown planet! Their meeting with Ribbit, a little green creature, will transform this space adventure into an interplanetary story of friendship.

10/06 PET FRI 15:30 TUŠKANAC

318 OBITELJSKI PROGRAM / FAMILY PROGRAM 3 BEST OF VAFI & RAFI 2021 INTERNACIONALNI FESTIVAL ANIMIRANOG FILMA DJECE I MLADIH / INTERNATIONAL CHILDREN AND YOUTH ANIMATION FILM FESTIVAL

10/06 PET FRI 15:30 TUŠKANAC

319 OBITELJSKI PROGRAM / FAMILY PROGRAM 3 BEST OF VAFI & RAFI 2021 INTERNACIONALNI FESTIVAL ANIMIRANOG FILMA DJECE I MLADIH / INTERNATIONAL CHILDREN AND YOUTH ANIMATION FILM FESTIVAL

PRODUKCIJA / PRODUCTION FKVK ZAPREŠIĆ

PRODUKCIJA / PRODUCTION CAMERA-ETC

PRODUKCIJA / PRODUCTION BACAČI SJENKI

PRODUKCIJA / PRODUCTION CAMERA-ETC

U PABLOVOM SVIJETU IN PABLO'S WORLD

MEGA MEGA MEGA MEGA PARTY

SNOVI NA KVADRAT DREAMS SQUARED

MALO BOŽIĆNO DRVCE THE SMALL CHRISTMAS TREE

GRUPA AUTORA / GROUP OF AUTHORS HRVATSKA / CROATIA, HD VIDEO, 2019, 2’28”

GRUPA AUTORA / GROUP OF AUTHORS BELGIJA / BELGIUM, HD VIDEO, 2020, 7’ ILI 4’

GRUPA AUTORA / GROUP OF AUTHORS HRVATSKA / CROATIA, HD VIDEO, 2020, 3’2”

GRUPA AUTORA / GROUP OF AUTHORS BELGIJA / BELGIUM, HD VIDEO, 2020, 4’55”

Umoran od teškog, ljetnog dana, dječak Pablo malo prilegne na trosjed i oči mu se, same od sebe, na trenutak sklope. Kad ih otvori otkriva kako se našao u nekom sasvim drugačijem svijetu. Na kraju ga mama ipak budi iz noćne more. Ili možda ne.

Priče uvijek počinju na praznoj stranici...

Nakon što je sanjao plavu ovcu, naš se junak našao u gnijezdu noćne more. Postoji izlaz, ali hoće li ga uspjeti pronaći? Tko je ovdje špijun, a tko pravi čovjek?

Kako se bliži Božić, sva se stabla u šumi sijeku osim jednog: malog Benjamina. Tužan što ostaje sam, odlučuje potražiti obitelj koja bi ga mogla posvojiti...

After he dreamt of blue sheep, our hero finds himself in a nightmare’s nest. There is a way out, but will he be able to find it? Who is the spy here, and who is the real human?

As Christmas approaches, all the trees are cut down in the forest, all except one: Benjamin the little tree. Sad to be on his own, he decides to look for a family who could adopt him...

Tired of a heavy, summery day, the boy Pablo lay down a little on the couch and his eyes closed, just for a moment. When he opens them, he discovers that he has found himself in a completely different world. Eventually his mom wakes him up from a nightmare. Or maybe not.

Stories always start on a blank page…

10/06 PET FRI 15:30 TUŠKANAC

320 OBITELJSKI PROGRAM / FAMILY PROGRAM 3 BEST OF VAFI & RAFI 2021 INTERNACIONALNI FESTIVAL ANIMIRANOG FILMA DJECE I MLADIH / INTERNATIONAL CHILDREN AND YOUTH ANIMATION FILM FESTIVAL

10/06 PET FRI 15:30 TUŠKANAC

321 OBITELJSKI PROGRAM / FAMILY PROGRAM 3 BEST OF VAFI & RAFI 2021 INTERNACIONALNI FESTIVAL ANIMIRANOG FILMA DJECE I MLADIH / INTERNATIONAL CHILDREN AND YOUTH ANIMATION FILM FESTIVAL

PRODUKCIJA / PRODUCTION WILD KIDS ANIMATION STUDIO

PRODUKCIJA / PRODUCTION STUDIO DOM

PRODUKCIJA / PRODUCTION PATRICK WEAVER

PRODUKCIJA / PRODUCTION IVANA ŠERIĆ

LISTANJE STARIH KNJIGA LEAFING THROUGH OLD BOOKS

OVDJE TREBA NAPRAVITI MALO REDA WE NEED TO MAKE SOME ORDER HERE

PTICA BIRD

ZA LITNJEGA MROKA SUMMER DARK

GRUPA AUTORA / GROUP OF AUTHORS IZRAEL / ISRAEL, HD VIDEO, 2020, 3’

JAKOV POPOV SRBIJA / SERBIA, HD VIDEO, 2020, 8’46”

PATRICK WEAVER SJEDINJENE DRŽAVE / UNITED STATES, HD VIDEO, 2020, 1’32”

IVANA ŠERIĆ HRVATSKA / CROATIA, HD VIDEO, 2021, 2’27”

Prvi put u životu tinejdžeri (15–18 godina) bili su zaključani u kućama gotovo tri mjeseca. Pokušavali su održati vezu s vanjskim svijetom sanjajući prošlost, sadašnjost i budućnost.

Film podiže ekološku svijest kod djece i prikazuje ulogu svakog pojedinca u očuvanju planeta.

Ptica je priča o dječaku, ptici i lošem izboru. Mnogo šutnje može reći više od riječi, pogotovo kada govori... o žaljenju.

Ribari idu na more loviti ribu tradicionalnim ribarskim alatima i metodama.

The film brings environmental awareness in children and shows the role of every individual in the planetpreserving.

Bird is a story of a boy, a bird, and a bad choice. Lots of silence can say more than words, especially when it says... remorse.

Fishermen go out to the sea to catch fish by using a traditional method.

For the first time in their life, teenagers (15 – 18 years old) were locked at home for almost 3 months. They were trying to keep the connection with the outside world by dreaming of past, present and future.

10/06 PET FRI 15:30 TUŠKANAC

322 OBITELJSKI PROGRAM / FAMILY PROGRAM 3 BEST OF VAFI & RAFI 2021 INTERNACIONALNI FESTIVAL ANIMIRANOG FILMA DJECE I MLADIH / INTERNATIONAL CHILDREN AND YOUTH ANIMATION FILM FESTIVAL

10/06 PET FRI 15:30 TUŠKANAC

323 OBITELJSKI PROGRAM / FAMILY PROGRAM 3 BEST OF VAFI & RAFI 2021 INTERNACIONALNI FESTIVAL ANIMIRANOG FILMA DJECE I MLADIH / INTERNATIONAL CHILDREN AND YOUTH ANIMATION FILM FESTIVAL

PRODUKCIJA / PRODUCTION REKKER ANIMATION STUDIO

PRODUKCIJA / PRODUCTION CHILDREN FILM STUDIO "POISK"

PRODUKCIJA / PRODUCTION TOON CLUB

PRODUKCIJA / PRODUCTION STUDIO DA

TEŠKO PUTOVANJE A TOUGH JOURNEY!

HLADNA PTICA I HLADNJAK COLDBIRD AND REFRIGERATOR

NESRETNE POSLOVICE PESKY PROVERBS

KOVAČ KUDAJ BAHSI THE BLACKSMITH KUDAY BAKHSY

GRUPA AUTORA / GROUP OF AUTHORS BELGIJA / BELGIUM, HD VIDEO, 2020, 3’20”

Prepuni kruzer polazi na svjetsko putovanje. Putnici se smještaju što udobnije, ali ne očekuju glomaznog suputnika. A crowded cruise ship departs on a world trip. The passengers make themselves as comfortable as possible, but that’s not including a bulky fellow traveler.

SASHA ABDULLAEVA HD VIDEO, 2020, 2’

Crtani film o prijateljskoj obitelji, ljubaznom hladnjaku i prekrasnoj ptici Holodrigi. Cartoon about a friendly family, a kind refrigerator and a beautiful bird Holodryga.

GRUPA AUTORA / GROUP OF AUTHORS INDIJA / INDIA, HD VIDEO, 2020, 1’40”

GRUPA AUTORA / GROUP OF AUTHORS HD VIDEO, 2020, 2’57”

Svaka sekvenca vizualna je interpretacija uobičajene poslovice. Pogledajmo prepoznajete li ove poslovice koje se u filmu otkrivaju jedna za drugom.

Ovaj crtani film nastao je u Republici Jakutiji-Sahi. Osoba koja nas vodi u svijet jakutskih tradicija bio je kovač Kudaj Bahsi. Je li bio kovač ili demijurg?

Each sequence is a visual interpretation of a commonly used proverb. Let’s see if you recognize these proverbs as they are revealed one after another in this film.

This cartoon was created in the Republic of YakutiaSakha. The person who leads us into the world of Yakut traditions was a blacksmith Kuday Bakhsy. Was he a blacksmith or a demiurge?

10/06 PET FRI 15:30 TUŠKANAC

324 OBITELJSKI PROGRAM / FAMILY PROGRAM 3 BEST OF VAFI & RAFI 2021 INTERNACIONALNI FESTIVAL ANIMIRANOG FILMA DJECE I MLADIH / INTERNATIONAL CHILDREN AND YOUTH ANIMATION FILM FESTIVAL

10/06 PET FRI 15:30 TUŠKANAC

PRODUKCIJA / PRODUCTION SRGF STUDIO

PRODUKCIJA / PRODUCTION OŠ GORNJA RADGONA

PRODUKCIJA / PRODUCTION GABRIELLA HSU

SISTEMSKA GREŠKA SYSTEM ERROR

ROBOTSKE PRIČE ROBOT STORIES

NASTAVI DISATI KEEP BREATHING

PIOTR KAŹMIERCZAK POLJSKA / POLAND, HD VIDEO, 2020, 4’34”

TJAN ROZMARIČ SLOVENIJA / SLOVENIA, HD VIDEO, 2021, 1’9”

GABRIELLA HSU SAMOSTALNA AUTORICA / INDEPENDENT AUTHOR SJEDINJENE DRŽAVE / UNITED STATES, HD VIDEO, 2019, 2’57”

Standardizirano društvo živi u standardiziranom svijetu – sve je u ritmu, radi kao sat. Povremeno se pojave neusklađene jedinice, „greške savršenog sustava“, koje se brzo otklanjaju i bacaju u „otpad“.

Tri kratke animacije o robotima.

Plesna animacija Nastavi disati govori o suicidalnoj plesačici koja je opterećena svojim neuspjesima, društvenim pritiskom i očekivanjima. No ona pronalazi snagu u snažnoj i inspirativnoj ljepoti prirode, a ne u uspjehu ili postignućima. Uči da je važna jer diše, jer bira disati i jer nastavlja disati i truditi se.

A standarized society lives in the standarized world – everything goes in one rhythm, works like clockwork. Occasionally, there are mismatched units, such “errors of perfect system” that are quickly eliminated, thrown into “waste”.

Three short animations about robots.

Keep Breathing, a dance animation, is about a suicidal dancer who is bagged down with her failures, societal pressure, and expectations. However, she finds strength not in success or accomplishments, but in the powerful and inspiring beauty of nature. She learns that she matters because she breathes, because she chooses to breathe, and because she keeps breathing and keeps trying.

325 OBITELJSKI PROGRAM / FAMILY PROGRAM 3 BEST OF VAFI & RAFI 2021 INTERNACIONALNI FESTIVAL ANIMIRANOG FILMA DJECE I MLADIH / INTERNATIONAL CHILDREN AND YOUTH ANIMATION FILM FESTIVAL

10/06 PET FRI 15:30 LJETNO KINO BAČVICE SPLIT 10/06 PET FRI 15:30 ART-KINO CROATIA RIJEKA

OBITELJSKI PROGRAM / FAMILY PROGRAM 4 6+ GOD / YRS

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TEHNIKA / TECHNIQUE STOP-ANIMACIJA, 3D-ANIMACIJA / STOP-MOTION, 3D ANIMATION JEZIK / LANGUAGE JEZIK PRODUKCIJA / PRODUCTION FRESH FILMS, WWW.FRESHFILMS.CZ; LES FILMS DU CYGNE, WWW.SWANFRANCE.COM/LESFILMSDUCYGNE; CINEMART, WWW.CINEMART.SK; ANIMOON, WWW.ANIMOON.PL DISTRIBUCIJA / DISTRIBUTION RADAR, MARKO.PEKIC@RADAR.COM.HR

I MIŠEVI IDU U RAJ EVEN MICE BELONG IN HEAVEN MYŠI PATŘÍ DO NEBE JAN BUBENÍČEK, DENISA GRIMMOVÁ FRANCUSKA, ČEŠKA, POLJSKA, SLOVAČKA / FRANCE, CZECH REPUBLIC, POLAND, SLOVAKIA, DCP, 2021, 87’

OBITELJSKI PROGRAM / FAMILY PROGRAM

ANIMAFEST U VAŠEM KVARTU ANIMAFEST IN YOUR NEIGHBOURHOOD NARODNO SVEUČILIŠTE DUBRAVA CERSKA 1

04/06 SUB SAT 11:00 NATJECANJE FILMOVA ZA DJECU 1 FILMS FOR CHILDREN COMPETITION 1 05/06 NED SUN 11:00 OBITELJSKI PROGRAM 1 FAMILY PROGRAM 1 11/06 SUB SAT 11:00 NATJECANJE FILMOVA ZA DJECU 2 FILMS FOR CHILDREN COMPETITION 2 12/06 NED SUN 11:00 OBITELJSKI PROGRAM 2 FAMILY PROGRAM 2

Film o dva smrtna neprijatelja – malom mišu i lisici, koji se nakon nesretne nezgode susreću u životinjskom raju. Gube svoje prirodne instinkte i postaju najbolji prijatelji. Ostvaruje im se želja da ostanu zajedno nakon što se vrate na zemlju, ali se ponovno rađaju u suprotnim ulogama. Zahvaljujući snazi prijateljstva mogu nadvladati i ono što se čini nemogućim.

A film about two mortal enemies – a little mouse and fox, who after an unfortunate accident, meet in animal heaven. They lose their natural instincts and become best friends. Their wish to stay together after they return to earth comes true, but they are reborn into opposite roles. Thanks to the power of friendship they can even overcome what seems to be impossible.

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NARODNO SVEUČILIŠTE SESVETE

TRG DRAGUTINA DOMJANIĆA 6 10360 SESVETE 12/06 NED SUN 11:00 OBITELJSKI PROGRAM 2 FAMILY PROGRAM 2

CENTAR ZA KULTURU I INFORMACIJE MAKSIMIR ŠVARCOVA 18

05/06 NED SUN 19:30 OBITELJSKI PROGRAM 1 FAMILY PROGRAM 1

CENTAR KNAP IVANIĆGRADSKA ULICA 41 A

11/06 SUB SAT 20:00 NATJECANJE FILMOVA ZA DJECU 1 FILMS FOR CHILDREN COMPETITION 1

KUC TRAVNO

ULICA BOŽIDARA MAGOVCA 17 11/06 SUB SAT 11:00 OBITELJSKI PROGRAM 1 FAMILY PROGRAM 1

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ANIMAFEST SCANNER IX

As the worldwide animation studies are rapidly growing and evolving in recent years, catching up with the increasing field of animated films, ANIMAFEST SCANNER symposium is again at the frontline of the discourse and the interaction of theoretical and practical approaches to animation. The ninth edition of the Symposium for Contemporary Animation Studies ANIMAFEST SCANNER IX aims again to create synergy of theoretical and practical discourses, and stimulate exchange between filmmakers and scholars.

from tricks in live action film to fully animated films (e.g. in the book Puppetry, Puppet Animation and the Digital Age). Present in many animation platforms and forums, Rolf Giesen is one of the beacons both for today’s animation studies and for the coming generations. (Nikica Gilić)

ANIMAFEST SCANNER IX SIMPOZIJ O SUVREMENOJ ANIMACIJI SYMPOSIUM FOR CONTEMPORARY ANIMATION STUDIES 07 – 08/06 UTO-SRI TUE-WED 10:00 – 17:00 H TEATAR &TD NA ENGLESKOM JEZIKU, ULAZ BESPLATAN IN ENGLISH, OPEN TO PUBLIC I dok proučavanje animacije diljem svijeta posljednjih godina rapidno raste i razvija se, obuhvaćajući sve veće područje animiranih filmova, simpozij ANIMAFEST SCANNER opet je lučonoša diskursa i interakcije teorijskih i praktičnih pristupa animaciji. Cilj devetog izdanja Simpozija o suvremenoj animaciji ANIMAFEST SCANNER IX je stvaranje sinergije teorijskih i praktičnih diskursa te poticanje razmjene između filmskih autora i znanstvenika. Simpozij se održava u suradnji sa Svjetskim festivalom animiranog filma – Animafestom Zagreb. Tijekom svoje pedesetogodišnje povijesti, festival je predstavio različite animirane forme i formate u konkurencijama i izvan njih, prikazujući svjetski izbor iz autorske, eksperimentalne i mainstream animacije u raznim programima. Predavači će se posvetiti sljedećim temama: SVJETSKA ANIMACIJA I NJEZINA POVIJEST - POSVETA GIANNALBERTU BENDAZZIJU, STANJE U SUVREMENOJ EUROPSKOJ ANIMACIJI I NJEZINA BUDUĆNOST, ROD I RAZLIČITOST. Ovogodišnji glavni predavač dobitnik je Animafestove NAGRADE ZA IZNIMAN DOPRINOS PROUČAVANJU ANIMACIJE 2022, kritičar i znanstvenik veoma širokih vidika, jedan od najvažnijih svjetskih poznavalaca animacije, ali i važan proučavatelj srodnih stvaralačkih mogućnosti ljudske mašte, kao što su filmski specijalni efekti, ili žanrova fantastike i horora, ROLF GIESEN. Sjajan je poznavatelj i zagrebačkih doprinosa nastanku i prikazivanju svjetskih vrhunaca animiranog filma, a svoja je znanja sa svijetom dijelio kroz brojna sveučilišna i javna predavanja, kroz muzejske i kinotečne izložbe i programe te kroz monografske, historiografske i leksikonske knjige. Surađivao je i na obrazovno-edukativnim filmovima i emisijama, no ponajprije je u svojim tekstovima i knjigama, objavljenima na njemačkom i na engleskom jeziku, uspješno obradio probleme kao što je filmska edukacija u digitalnoj eri. U svijetu animacije veoma su zapaženi njegovi doprinosi znanju o gradnji likova i glumi u animiranom filmu, potom o animaciji u doba nacističke Njemačke te o velikim temama kao što su kineska animacija (primjerice u knjizi Kineska animacija. Povijest i filmografija 1922.–2012. / Chinese Animation: A History and Filmography, 1922-2012) i lutkarstvo u animaciji – u rasponu od povijesnih uzora do digitalne revolucije, od trikova u igranom filmu do potpuno animiranih filmova (primjerice u knjizi Lutkarstvo, animacija lutaka i digitalna era / Puppetry, Puppet Animation and the Digital Age). Prisutan na brojnim animacijskim platformama i

forumima, Rolf Giesen predstavlja jedan od svjetionika i za današnje proučavanje animacije i za naraštaje koji dolaze na scenu. (Nikica Gilić) ORGANIZATORI: SVJETSKI FESTIVAL ANIMIRANOG FILMA – ANIMAFEST ZAGREB ASIFA AUSTRIJE HULAHOP D.O.O. ORGANIZACIJSKI ODBOR: MAG. ART. DANIEL ŠULJIĆ, SVJETSKI FESTIVAL ANIMIRANOG FILMA – ANIMAFEST ZAGREB DR. FRANZISKA BRUCKNER, SVEUČILIŠTE PRIMIJENJENIH ZNANOSTI ST. PÖLTEN / AG ANIMATION VIENNA DR. SC. NIKICA GILIĆ, REDOVITI PROFESOR, FILOZOFSKI FAKULTET, SVEUČILIŠTE U ZAGREBU PROF. HOLGER LANG, SVEUČILIŠTE WEBSTER PROF. DR. HRVOJE TURKOVIĆ, UMIROVLJENI PROFESOR, AKADEMIJA DRAMSKE UMJETNOSTI, SVEUČILIŠTE U ZAGREBU ANDRIJANA RUŽIĆ, NEZAVISNA ZNANSTVENICA, UNIVERSITÀ STATALE DI MILANO PODRŽALI: GRAD ZAGREB TURISTIČKA ZAJEDNICA GRADA ZAGREBA HRVATSKI AUDIOVIZUALNI CENTAR DRUŠTVO HRVATSKIH FILMSKIH REDATELJA AUSTRIJSKI KULTURNI FORUM U ZAGREBU AG ANIMATION DRUŠTVA ZA MEDIJSKE STUDIJE SVEUČILIŠTE PRIMIJENJENIH ZNANOSTI ST. PÖLTEN

The symposium is held in association with the WORLD FESTIVAL OF ANIMATED FILM - ANIMAFEST ZAGREB. Over the course of its fifty-year history, the festival has given a stage to different animation forms and formats in competition and non-competition environments, presenting a worldwide selection of auteur, experimental and mainstream animated films in various programs. The speakers will focus on the following subjects: GLOBAL ANIMATION AND ITS HISTORY - TRIBUTE TO GIANNALBERTO BENDAZZI, THE STATE OF CONTEMPORARY EUROPEAN ANIMATION AND ITS FUTURE, GENDER AND DIVERSITy. This year’s keynote speaker is the recipient of the ANIMAFEST ZAGREB AWARD FOR OUTSTANDING CONTRIBUTIONS TO ANIMATION STUDIES FOR 2022, a critic and scholar of very broad horizons, one of the most important global experts in animation and a significant researcher of similar creative possibilities of human imagination, such as special film effects (where animation is very much used), or fantasy and horror genres, ROLF GIESEN. A magnificent connoisseur also of Zagreb’s contribution to the making and screening of the finest international animation, he shared his knowledge with the world through numerous university and public lectures, museum and cinematheque exhibitions and shows, in monographic, historiographic and lexicographic books. He collaborated on educational films and shows, but first and foremost in his texts and books published in German and English he successfully covered the issues such as film education in the digital era. His contributions to the insight regarding character building and acting in animation, as well as animation in Nazi Germany, big subjects such as Chinese animation (e.g. in the book Chinese Animation: A History and Filmography, 1922-2012) and puppetry in animation – ranging from historical sources to digital revolution,

Historical and current trends, numerous perspectives, new findings in the fast-growing field of animation studies, paired with exciting speakers – all this and more awaits you at the ANIMAFEST SCANNER IX SYMPOSIUM, in the context of screenings and other events organized by ANIMAFEST ZAGREB 2022. ORGANIZERS: WORLD FESTIVAL OF ANIMATED FILM - ANIMAFEST ZAGREB ASIFA AUSTRIA HULAHOP FILM & ART PRODUCTION ORGANIZING COMMITTEE: DANIEL ŠULJIĆ, MA, WORLD FESTIVAL OF ANIMATED FILM - ANIMAFEST ZAGREB FRANZISKA BRUCKNER, PHD ST. PÖLTEN UNIVERSITY OF APPLIED SCIENCES / AG ANIMATION VIENNA NIKICA GILIĆ, PHD, PROF., FACULTY OF HUMANITIES AND SOCIAL SCIENCES, UNIVERSITY OF ZAGREB PROF. HOLGER LANG, WEBSTER UNIVERSITY PROF. HRVOJE TURKOVIĆ, PHD, PROF. IN RETIREMENT, ACADEMY OF DRAMATIC ARTS, UNIVERSITY OF ZAGREB ANDRIJANA RUŽIĆ, INDEPENDENT SCHOLAR, UNIVERSITÀ STATALE DI MILANO WITH SUPPORT OF: CITY OF ZAGREB ZAGREB TOURIST BOARD CROATIAN AUDIOVISUAL CENTRE CROATIAN FILM DIRECTORS’ GUILD AUSTRIAN CULTURAL FORUM IN ZAGREB AG ANIMATION / SOCIETY FOR MEDIA STUDIES ST. PÖLTEN UNIVERSITY OF APPLIED SCIENCES

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ANIMAFEST SCANNER IX

10:00 – Welcome & Introduction

16:25 – 16:55 ANIMATED INSTALLATIONS IN HOSPITAL ENVIRONMENT: APPLIED ANIMATION IN THE SERVICE OF HEALTHCARE LEA VIDAKOVIĆ AND MELINDA ŠEFČIĆ (Croatia)

08/06 WEDNESDAY

PANEL 1 – GLOBAL ANIMATION AND ITS HISTORY - TRIBUTE TO GIANNALBERTO BENDAZZI

PANEL 2 - THE STATE OF CONTEMPORARY EUROPEAN ANIMATION AND ITS FUTURE

Moderator: HRVOJE TURKOVIĆ

Moderator: ANDRIJANA RUŽIĆ

10:00 Introduction

11:00 – 11:30 EARMARKED FOR COLLISION – A BRIEF TRACING 10:10 – 10:40 EXCAVATING THE FRAME: THE ANIMATED OF COLLAGE ANIMATION STILL IMAGE OF SUSANA DE SOUSA DIAS CHRIS ROBINSON (Canada) PEDRO SERRAZINA (Portugal) 11:45 – 12:15 A REASON FOR EXTINCTION. AN ECOCRITICAL READING OF ANIMATED DINOSAURS MARCO BELLANO (Italy)

10:45 – 11:15 PUTIN, PUTOUT. WAR AND PROPAGANDA IN ANIMATION AND OTHER ART FORMS JENS MEINRENKEN (Germany)

12:20 – 12:50 ROCKY AND BULLWINKLE AND PROPAGANDA DEREK G. LARSON (United States)

11:20 – 11:50 TRADITIONAL ANIMATION IN THE DIGITAL ERA PABLO NICOLÁS MARTÍNEZ BALLARÍN (Spain)

14:30 – 15:00 PAULUS HECTOR MAIR'S "DE ARTE ATHLETICA" AS PRE-CINEMATIC ANIMATION CHARALAMBOS MARGARITIS (Cyprus)

PANEL 3 - GENDER AND DIVERSITY

15:05 – 15:35 THE MODERNIST AESTHETICS OF THE BULGARIAN ANIMATION SCHOOL IN 1960S AND ITS COLLAGE CUT-OUT USE THROUGH THE INFLUENCE OF THE MODERN GRAPHIC AND POSTER DESIGN VELISLAVA GOSPODINOVA (Bulgaria)

14:00 – 14:30 "I'M NOT A FEMINIST, I'M A CARTOONIST" (VISUAL HUMOR AS A MEANS OF ARTICULATING THE DEMAND FOR EQUALITY) MIDHAT AJANOVIĆ (Sweden)

Moderator: NIKICA GILIĆ 15:50 – 16:20 ARTIFICIAL INTELLIGENCE AND THE CRISIS OF CINEMATOGRAPHIC NATURALISM: FROM COPYING REALITY TO TRANSLATING REALITY - A CRITICAL APPROACH GEORGES SIFIANOS (France)

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06-08/06 PON-SRI MON-WED 09:00-17:30 MM CENTAR

10:10 – 10:55 KEYNOTE: CAUGHT BETWEEN TWO STOOLS: STAR WARS VS. THE ART OF ANIMATION Rolf Giesen (Animafest Award for Outstanding Contribution to Animation Studies)

PANEL 2 - THE STATE OF CONTEMPORARY EUROPEAN ANIMATION AND ITS FUTURE

RISE & SHINE 2022

RASPORED SCHEDULE 07/06 TUESDAY

ANIMAFEST PRO

Moderator: HOLGER LANG

14:35 – 15:05 OTHERNESS IN MUSIC AS SOUND AS MUSIC REPRESENTATION IRENA PAULUS (Croatia) 15:20 – 15:50 HOLES: TOUCHING THE VOID BIRGITTA HOSEA (United Kingdom) 15:55 – 16:25 TWISTED TALES - ANIMATED FAIRY TALES WITH A TWIST FOR THE CHILDREN OF THE PRESENT SARA BOŽANIć (Slovenia/Croatia)

RISE & SHINE novi je program za razvoj i predstavljanje kratkih animiranih filmova mladih talentiranih filmaša koji organizira CEE Animation u suradnji s Animafestom Zagreb i ljubljanskom Animatekom. Ovaj program svojim sudionicima, osim znanja i vještina nužnih za prezentiranje vlastitog rada, nudi priliku da svoje projekte izravno predstave širokoj profesionalnoj međunarodnoj publici.

RISE & SHINE is a new animation pitching lab for young talents, organized as a collaboration between CEE Animation, Animafest Zagreb and Animateka IAFF, aimed for short films in development. Participants will benefit from training their skills and networking, as well as having the opportunity to introduce their project to a wider international professional audience connected to both festivals.

MENTORI

MENTORS

JOANNA QUINN otkrila je animaciju na Middlesex Universityju u London dok je studirala grafički dizajn. Njezin diplomski film, Ženski provod, briljantno jednostavan i duhovit odgovor na mačizam i slavlje nesputane ženske seksualnosti, koji je publiku upoznao s likom Beryl, lansirao je Joanninu karijeru animacije osvojivši 3 glavne nagrade u Annecyju. Nezaboravna Beryl postala je fokus još triju filmova Body Beautiful, Snovi i želje – obiteljske veze i nedavno Umjetnička posla. Politika roda i opresije, uz Joanninu opsesivnu fascinaciju i oduševljenje istraživanjem ekscentričnosti ljudskog tijela, posebice ženskog, postali su središnje teme njezina rada. Njezino remekdjelo je Britanija, nemilosrdna optužnica britanskog imperijalizma. Joannini filmovi osvojili su mnoge međunarodne nagrade, uključujući Bafte, Emmyje i 3 nominacije za Oscara. Joanna je predana pedagoginja i počasna je suradnica na londonskom Royal College

JOANNA QUINN discovered animation at Middlesex University London while studying for a BA degree in Graphic Design. Her graduation film Girls Night Out, a brilliantly simple and humorous riposte to machismo and a celebration of uninhibited female sexuality, which introduced audiences to the character of Beryl and kick started Joanna’s animation career by winning 3 major awards at Annecy. The uniquely memorable character of Beryl became the focus for three more films Body Beautiful, Dreams and Desires - Family Ties and most recently Affairs of the Art. The politics of gender and oppression together with Joanna’s obsessive fascination and delight with exploring the eccentricities of the human body, in particular the female form, became the central themes of her work. Her masterpiece is Britannia, a savage indictment of British imperialism. Joanna’s films have won many international awards, including Baftas, Emmys and received 3 Oscar nominations. Joanna is a

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of Artu i Sveučilištu Wales te počasna doktorica na Middlesex Universityju i University of Wolverhampton. Joanna predaje na glavnim fakultetima i sveučilištima diljem svijeta.

committed educator and is an Honorary Fellow at the Royal College of Art, London and University of Wales and Honorary Doctor at Middlesex University, London and the University of Wolverhampton. Joanna lectures in major Colleges and Universities throughout the world.

LES MILLS je studirao likovnu umjetnost na Cardiff Art Collegeu, Goldsmiths College Universityju u Londonu i Sveučilištu Rutgers u SAD-u, gdje je završio magisterij iz likovne umjetnosti i povijesti. Njegovo je iskustvo poučavanja intenzivno; u početku je predavao umjetnost i dizajn, ali se postupno sve više zanimao za dokumentarni film i animaciju, što ga je dovelo do predavanja osnova animacije na sveučilištima Middlesex i Cardiff, gdje je bio koordinator Radionice nezavisnog filma. Također je postao nositelj kolegija Filmske škole na Sveučilištu Wales u Newportu. Njegova prva kreativna suradnja s Joannom Quinn bila je na njezinu diplomskom filmu Ženski provod na Middlesexu i otad blisko surađuju, osnovavši tvrtku Beryl Productions International 1988. Napisao je i producirao sljedeći film o Beryl, Body Beautiful, i producirao Wife of Bath iz serijala Canterburyjske priče, koji je osvojio BAFTA-u, tri Emmyja i nominaciju za Oscara. Napisao je i producirao još dva filma o Beryl, Snovi i želje – obiteljske veze i Umjetnička posla, koji su osvojili 80 međunarodnih nagrada, dvije nominacije za BAFTA-u i nominaciju za Oscara. Les je 2022. osvojio Writers Award na dodjeli British Animation Awards. PEDRO RIVERO (Bilbao, 1969.) je scenarist, redatelj i producent animiranih filmova. Dobitnik je dvije Goye za kratki film Birdboy (2012.) i dugometražni film Psiconautas los niños olvidados (Psihonauti, zaboravljena djeca, 2017.), a autor je prvog španjolskog animiranog filma u Flashu puštenog u komercijalnim kinima, La crisis carnívora (2008.). Bio je koscenarist dugometražnog igranog filma The Platform (2019.) u režiji Galdera Gaztelu-Urrutia, koji je nagrađen na festivalima u Sitgesu i Torontu i jedan je od najgledanijih filmova u povijesti platforme Netflix. Umjetnički je direktor Bilbao International Animation Community Festivala - Animakom Fest, a sudjelovao je kao član žirija i predavač na brojnim festivalima animiranog filma. Bio je predsjednik Profesionalnog udruženja scenarista Baskije između 2002. i 2008. i član Upravnog odbora od njegova osnutka 1997. Rivero je autor stripova i kazališnih tekstova, predavao je pisanje scenarija za film u nekoliko centara i akademija više od dvadeset godina. ANNA VÁŠOVÁ je spisateljica, urednica scenarija i predavačica te stručnjakinja za međunarodnu suradnju. Studirala je dramaturgiju i scenarij na praškom DAMU-u. Ubrzo nakon diplome predavala je dramaturgiju i kazališnu režiju na akademiji i pisala scenarije – u početku za radio i TV. Krajem devedesetih Anna je vodila

LES MILLS studied Fine Art at Cardiff Art College, Goldsmiths College University of London and at Rutgers University in the USA, where he completed a Master’s Degree in fine art and history. His teaching experience is extensive, initially teaching Art and Design but gradually becoming more interested in documentary filmmaking and animation which resulted in him teaching basic animation at Middlesex University, Independent Film Production at Cardiff University and he was the Co-ordinator of Chapter Independent Film Workshop in Cardiff. His teaching experience culminated in him becoming Course Director of the Film School at the University of Wales, Newport. His first creative collaboration with Joanna Quinn was on her Graduation film Girls Night Out at Middlesex and since then the two have worked very closely together forming their company Beryl Productions International in 1988. He wrote and produced the next Beryl film Body Beautiful and produced Wife of Bath one of the Canterbury Tales series, which won a BAFTA, 3 Emmys and received an Oscar nomination. He went on to write and produce 2 more Beryl films Dreams and Desires – Family Ties and Affairs of the Art which have won 80 international awards between them including 2 BAFTA nominations and an Oscar nomination. Les won the Writers Award at the 2022 British Animation Awards. PEDRO RIVERO (Bilbao, 1969) is a screenwriter, director and producer of animated films. He has won two Goya Awards for the short film Birdboy (2012) and the feature film Psiconautas los niños olvidados (Birdboy, the Forgotten Children, 2017), and is author of the first Spanish Flash animation film released in commercial theatres, La crisis carnívora (Animal Crisis, 2008). He was co-screenwriter of the live action feature film The Platform (2019), directed by Galder Gaztelu-Urrutia, which was awarded at the Sitges and Toronto festivals and is one of the most watched films in the history of the Netflix platform. He is artistic director of the Bilbao International Animation Community Festival Animakom Fest, and has participated as a jury member and lecturer at numerous animation film festivals. He was president of the Professional Association of Scriptwriters of the Basque Country between 2002 and 2008 and a member of the Board of Directors since its foundation in 1997. Rivero is author of comics and theatrical texts, he has taught scriptwriting for film at several centres and academies for more than twenty years.

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produkciju i distribuciju studija Barrandov, a poslije je postala direktorica programa na Češkoj televiziji. Bila je dio Savjetodavnog odbora direktora Češke televizije (2013.-2019.) i Kreativnog odbora FAMU-a (2017.-2020.). Anna se 1998. preselila na Euroviziju/EBU u Ženevu. Ondje je tijekom 15 godina vodila različite programske sektore i više od 50 međunarodnih koprodukcija svih žanrova s 86 nacionalnih TV kuća iz 56 različitih zemalja. Godine 2014. Anna se vratila u Prag i nastavila svoj međunarodni rad s Visegrad Animation Forumom (sadašnji CEE Animation), povezujući Srednju i Istočnu Europu i pomažući u izgradnji snažne industrije animacije u regiji. Radi kao mentorica i moderatorica na događanjima za profesionalce (Animateka, ASAF, Central European Project FAMU International) i stručnjakinja je za Creative Europe MEDIA. U 2018. s producenticom Karolínom Davidovom osniva tvrtku za proizvodnju animacije 13ka (13ka.eu).

ANNA VÁŠOVÁ is a writer, script editor and lecturer as well as an expert on international cooperation. She studied dramaturgy and scriptwriting at the Theatre Faculty of the Academy of Performing Arts. Shortly after graduation, she lectured dramaturgy and stage directing at the Academy and wrote scripts – in the beginning for radio and TV. In the late nineties Anna headed the production and distribution arm of Barrandov studios and later became Director of Programs at the Czech Television. She was part of the Czech Television Director’s Advisory Board (2013-19) and of FAMU Creative Board (2017-2020). Anna moved in 1998 to Eurovision/EBU in Geneva. During her 15 years there, she led various program sectors and managed over 50 international co-productions of all genres across 86 national broadcasters from 56 different countries. In 2014 Anna returned to Prague and continued her international work with Visegrad Animation Forum (now CEE Animation), connecting Central and Eastern Europe and helping to build a strong animation industry in the region. She works as a tutor and moderator at industry events (Animateka, ASAF, Central European Project FAMU International) and is an expert for Creative Europe MEDIA. In 2018 she and producer Karolína Davidová set up the animation production company 13ka (13ka.eu).

MATTHIEU DARRAS osmislio je i vodi nekolicinu programa za razvoj filma i talenata koji su aktivni diljem svijeta, posebice First Cut Lab, Pop Up Film Residency i Full Circle Lab. Osnovao je i upravljao Europskom mrežom filmskih udruga mladih Nisi Masa, pisao za filmski časopis Positif i bio umjetnički direktor TorinoFilmLaba. Matthieu je radio za velike filmske festivale u Europi kao programer za La Semaine de la Critique kanskog festivala, konzultant za Venecijanski filmski festival i delegat za filmski festival u San Sebastianu. Vodio je i Bratislavski filmski festival.

MATTHIEU DARRAS has designed and leads several programs for film and talent development that are active worldwide, notably the First Cut Lab, the Pop Up Film Residency, and the Full Circle Lab. Previously, he founded and directed the European Network of Young Cinema Nisi Masa, wrote for the film magazine Positif, and was artistic director of the TorinoFilmLab. Matthieu worked for major film festivals in Europe: as a programmer for the Cannes Critics’ Week, a consultant for the Venice Film Festival, and a delegate for the San Sebastian Film Festival. He also directed the Bratislava Film Festival.

PROJEKTI PROJECTS 1. BERESHEET, Ala Nunu, Bruno Isaac Grade Caetano, Portugal, Poland 2. A VISUALIZATION OF A CUT, Claudia Munksgaard Palmqvist, Lana Tankosa Nikolic, Denmark 3. MR JOHN DANIEL, Kinga Syrek, Rafał Sakowski, Poland 4. THE BRIGHT DESCENDANT, Tamara Maksimović, Mladen Đukić, Bosnia and Herzegovina 5. FUR, Miha Reja, Kolja Saksida, Slovenia 6. UROSH, Mato Uljarević, Danilo Vujačić, Montenegro 7. OFFSIDE, Sander Joon, Aurelia Aasa, Estonia 8. RUN, Ina Nikolova, Vessela Dantcheva, Bulgaria 9. NIGHTBLOOM, Kata Gugić, Vanja Andrijević, Croatia 10. OPENING, Dalija Dozet, Tina Tišljar, Petra Zlonoga, Croatia

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PREDAVANJA, PREZENTACIJE / TALKS, MASTERCLASSES

MASTERCLASS PEDRO RIVERO

PREDAVANJE / LECTURE JELENA POPOVIĆ: THE ROLE OF A CREATIVE PRODUCER

06/06 PON MON 16:00 MM CENTAR

07/06 UTO TUE 11:30 MM CENTAR

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MASTERCLASS JOANNA QUINN & MASTERCLASS LES MILLS: FROM IDEA TO SCREEN MICHAEL DUDOK – CREATING AND DEVELOPING DE WIT: CREATIVITY THEIR SHORT ANIMATED FILMS 08/06 SRI WED 16:00 MM CENTAR 07/06 UTO TUE 16:00 MM CENTAR

Nastajanje i razvijanje kratkih filmova - uvid u metode pripreme i konstruiranja kratkih animiranih filmova s Joannom Quinn i Lesom Millsom, uključujući pisanje scenarija, izradu knjige snimanja i animatika. Evolving and developing short films - an insight into methods of preparing and constructing their short animated films with Joanna Quinn & Les Mills, including Scripting, Storyboarding and Animatics.

Masterclass Creativity pokriva suptilne, neuhvatljive teme kao što su intuicija, nesvjesno, simboli i značenje te kako njegovati i poboljšati kreativnost. Masterclass Creativity covers the subtle, elusive subjects like intuition, the unconscious, symbols and meaning, and how to nurture and enhance creativity.

ANIMAFEST PRO

PREDAVANJA, PREZENTACIJE / TALKS, MASTERCLASSES

PANEL QUEER CREATIVE VOICES: THE EVOLUTION OF DIVERSITY AND INCLUSION WITHIN THE ANIMATION INDUSTRY ASIFA - HOLLYWOOD, PRISM COMICS

PREDAVANJE / LECTURE ANASTASIYA VERLINSKA: REVISING UKRAINIAN ANIMATION 2004-2021

09/06 ČET THU 18:00 MM CENTAR

Na ovom panelu govorit će se o perspektivama o održavanju autentičnosti, uspostavljanju veza i pronalaženju zajednice unutar industrije animacije. Sudionici: Rebecca Sugar, Taneka Stotts, Sam King, Alonso Ramirez Ramos; moderator: Cort Lane. This panel will share perspectives on maintaining authenticity, making connections, and finding community within the animation industry. Participants: Rebecca Sugar, Taneka Stotts, Sam King, Alonso Ramirez Ramos with the moderator Cort Lane.

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PREDAVANJE / LECTURE ŠPELA ČADEŽ: STOPMOTION IN FOCUS

PREDAVANJE / LECTURE JUAN PABLO ZARAMELLA: CREATIVE PROCESSES

10/06 PET FRI 11:30 TEATAR &TD

10/06 PET FRI 12:30 TEATAR &TD

Špela Čadež predstavit će svoj redateljski, animatorski i producentski rad. U stop-animaciji istražuje multiplansku kolažnu tehniku, koja nudi raznolika vizualna rješenja. Baveći se temama kao što su ovisnost, alkoholizam i verbalno nasilje, njezini filmovi često pretvaraju intimne priče u univerzalne, prelazeći između unutarnjih stanja, osjećaja i stvarnosti.

Na predavanju "Kreativni procesi" Zaramella će govoriti o razvojnim mogućnostima kratkih filmova, videospotova i serija u animaciji.

10/06 PET FRI 10:30 TEATAR &TD

Glavne točke formiranja industrije animacije u Ukrajini tijekom posljednjih 18 godina. Razgovor o studijima, autorima, događanjima, podršci i o tome kako je politička situacija utjecala na njezin razvoj. Važno je objasniti ukrajinski kontekst u kojemu se živi i kreira današnji sadržaj. Highlighting main forming points of the animation industry in Ukraine during the last 18 years. A talk about studios, authors, events, support and how the political situation influenced its development. It's of great importance to show the Ukrainian context of living and creating the content today.

Špela Čadež will present her work as a director, animator and producer. Within analogue stop-motion animation she explores the multiplane cut-out technique, which offers diverse visual solutions. Dealing with themes as addiction, alcoholism and verbal violence, her films often transform intimate stories into universal, transitioning between inner states, feelings and reality.

Lecture "Creative processes" takes us on a journey through the development possibilities of short films, video clips, and series in animation.

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PREDAVANJA, PREZENTACIJE / TALKS, MASTERCLASSES

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CASE STUDY VELJKO I MILIVOJ MASTERCLASS POPOVIĆ: "THE LOKALS" AYA SUZUKI 11/06 SUB SAT 10:00 TEATAR &TD 5000 NFTS COLLECTION & ANIMATED FILM

PREDAVANJE / LECTURE MASTERCLASS MARTA PAJEK: IMPOSSIBLE PAUL DRIESSEN FIGURES AND OTHER STORIES 11/06 SUB SAT 12:00 TEATAR &TD – WRITING A TRIPTYCH

10/06 PET FRI 13:30 TEATAR &TD

11/06 SUB SAT 11:00 TEATAR &TD

Čuli ste za NFT milijun puta i još uvijek ga ne razumijete? Što je to, dovraga, i kako nam može koristiti u produkciji animiranih filmova?! Hoće li ubiti naš okoliš? Ponzijeva shema!? Pridružite se Prime Render Studiosu i braći Popović u raspravi o ovim i mnogim drugim pitanjima vezanima uz zagonetne riječi NFT i Crypto te predstavljanju animiranog projekta iz stvarnog svijeta "The Lokals" koji se njima koristi. Heard the word NFT a million times and you still don't get it? What the heck is it and how can it be used in the production of animated films?! Will it kill our environment? Ponzi scheme!? Join Prime Render Studios and Popović brothers as we discuss these and many other questions surrounding the mysterious word of NFT and Crypto as well as present a real-world animation project "The Lokals" which uses them.

Kako ostati i preživjeti u industriji - od dalekoistočne anime do Hollywooda, u istovremeno neovisnoj i mainstream animaciji. How to remain and survive in the industry from the far east Anime to Hollywood, from independent and mainstream simultaneously.

Proces pisanja triptiha Nemoguće figure i druge priče od prve ideje do razvoja konačnog koncepta. Process of writing the Impossible Figures and Other Stories triptych - from the first idea to developing the final concept.

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Paul Driessen će publici predstaviti svoj rad analizirajući filmove Air!, Sunny Side Up, 2d Or Not 2d, The Boy Who Saw the Iceberg, Cat Meets Dog i The Origin of Sound. Paul Driessen will present the audience his work analysing films Air!, Sunny Side Up, 2d Or Not 2d, The Boy Who Saw the Iceberg, Cat Meets Dog and The Origin of Sound.

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PREZENTACIJE KNJIGA / BOOK PRESENTATIONS

MIDHAT AJANOVIĆ AJAN: SLIKE KOJE PRIČAJU NEDELJKO DRAGIĆ: VUČKO

PEDESET GODINA SVJETSKOG FESTIVALA ANIMIRANOG FILMA - ANIMAFESTA ZAGREB (1972–2022) FIFTY YEARS OF WORLD FESTIVAL OF ANIMATED FILM – ANIMAFEST ZAGREB (1972–2022)

07/06 UTO TUE 17:00 DVORANA SEK

10/06 PET FRI 14:30 MM CENTAR

MILEN ALEMPIJEVIĆ: THE LAST TURN AT ALBUQUERQUE CHRIS ROBINSON: MAD EYED MISFITS. WRITINGS ON INDIE ANIMATION TIMO VILJAKAINEN: BEHIND THE EYES THE WORLD 07/06 UTO TUE 17:00 DVORANA SEK

ANIMAFEST PRO

RADIONICE ANIMACIJE ZA DJECU ANIMATION WORKSHOPS FOR CHILDREN 06-10/06 PON-PET MON-FRI KINO TUŠKANAC MALA DVORANA SMALL HALL 10:00-14:00 ANIMATION POETRY ZA REGISTRIRANE SUDIONIKE FOR REGISTERED PARTICIPANTS 11/06 SUBOTA SATURDAY MEDIJATEKA FRANCUSKOG INSTITUTA 10:00-17:00 MITCHELLE TAMARIZ: RADIONICA ANIMIRANOG FILMA ZA DJECU ANIMATION WORKSHOP FOR CHILDREN

RADIONICE ANIMACIJE ZA DJECU / ANIMATION WORKSHOPS FOR CHILDREN

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IZLOŽBE / EXHIBITIONS

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ANIMAFEST ZAGREB 1972–2022 MUZEJ SUVREMENE UMJETNOSTI MUSEUM OF CONTEMPORARY ART 12/05 – 12/06 UTO–PET TUE–FRI 11:00-19:00 SUB–NED SAT–SUN 10:00-18:00 Izložba Animafest Zagreb 1972.–2022. sažima polustoljetnu povijest toga festivala. Obuhvaća izbor iz nagrađenih animiranih filmova i predstavlja njihove autore, a pokazuje i festivalske špice, nagrade, publikacije, plakate, crteže, dokumentarnu građu i fotografije. U tri glavne cjeline prikazuje se kako je Svjetski festival animiranog filma stavio Zagreb u središte svjetske animacije, pratio suvremene trendove i razvoj te vrste umjetnosti, kako se programski prilagođavao i mijenjao, povezivao autore iz različitih umjetničkih područja. (V. Meštrić)

The exhibition Animafest Zagreb 1972 – 2022 summarizes the half a century long history of the festival. It includes a selection of award-winning animated films and introduces their authors, as well as festival trailers, awards, publications, posters, drawings, documentary materials and photographs. The three main sections show how the World Festival of Animated Film put Zagreb at the centre of world animation, followed contemporary trends and the development of this type of art, how it programmatically adapted and changed, connected authors from different artistic fields. (V. Meštrić)

NEDELJKO DRAGIĆ: KROTITELJ LINIJE NEDELJKO DRAGIĆ: THE LINE TAMER MUZEJ SUVREMENE UMJETNOSTI MUSEUM OF CONTEMPORARY ART 12/05 – 12/06 UTO–PET TUE–FRI 11:00-19:00 SUB–NED SAT–SUN 10:00-18:00 IZLOŽBA DOBITNIKA ANIMAFESTOVE NAGRADE ZA ŽIVOTNO DJELO

EXHIBITION OF THE WINNER OF THE ANIMAFEST LIFETIME ACHIEVEMENT AWARD

Nedeljko Dragić, jedan od najistaknutijih autora Zagrebačke škole crtanog filma, kao iznimno talentiran crtač, od početka je zaokupljen temama svakodnevice, otuđenja i ljudske osamljenosti. Debitirao je Elegijom 1965. godine, a potom nastaje impresivan opus višestruko nagrađivanih filmova. Izlažu se njegova ključna ostvarenja u području animacije te knjige snimanja, crteži, celovi, nagrade i druga arhivska građa koja svjedoči o radu iznimnog ilustratora, strip-autora, karikaturista i grafičkog dizajnera. (V. Meštrić)

Nedeljko Dragić, one of the most prominent authors of the Zagreb School of Animation, as an extremely talented cartoonist, has always been preoccupied with everyday life topics, alienation and human loneliness. He made his debut with Elegy in 1965, and then created an impressive opus of multi-award winning films. Displayed are his key achievements in the field of animation, as well as storyboards, drawings, cels, awards and other archival material that testifies to the work of an exceptional illustrator, comic book author, cartoonist and graphic designer. (V. Meštrić)

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IZLOŽBE / EXHIBITIONS

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IZA KULISA BEHIND THE SCENES 4 MUZEJ SUVREMENE UMJETNOSTI MUSEUM OF CONTEMPORARY ART 12/05 – 12/06 UTO–PET TUE–FRI 11:00-19:00 SUB–NED SAT–SUN 10:00-18:00 Želeći razotkriti opsežan kreativan proces i sve ono što stoji u pozadini samog nastanka animiranog filma, Animafest Zagreb predstavlja četvrto izdanje grupne izložbe radova autora čiji su filmovi ušli u Veliko natjecanje kratkometražog filma i Natjecanje studentskog filma. 54 autoroa izlaže klasične slike, skice, crteže, grafike i kolaže, lutke i dijelove scenografije te specifične instalacije i multimediju.

Wanting to expose the extensive creative incubation process and everything behind the scenes of an animated film, Animafest Zagreb presents the fourth edition of a group exhibition by authors whose films have entered the prestigious Grand Competition Short Film and Student Film Competition. From paintings, sketches, drawings, graphics and collages, through puppets and scenography, to specific installations and multimedia by 54 authors are on display.

PAUL DRIESSEN: PODRIJETLO ZVUKA THE ORIGIN OF SOUND MUZEJ SUVREMENE UMJETNOSTI MUSEUM OF CONTEMPORARY ART 12/05 – 12/06 UTO–PET TUE–FRI 11:00-19:00 SUB–NED SAT–SUN 10:00-18:00 Umjetnik, redatelj animiranih filmova i profesor Paul Driessen (1940.) predstavlja 22 lista iz knjige snimanja filmskog scenarija o pikseliziranom božanskom Montažeru zvuka koji tjera svoja dva podređena lutka-lika na razne bizarne situacije.

An artist, animation director and professor Paul Driessen (1940) is presenting 22 storyboards of the film’s scenario about a pixilated God-like Sound-editor who makes his two subordinate puppet-characters act out some bizarre situations.

TIMO VILJAKAINEN: BEHIND THE EYES THE WORLD IZA OČIJU SVIJETA MUZEJ SUVREMENE UMJETNOSTI MUSEUM OF CONTEMPORARY ART 12/05 – 12/06 UTO–PET TUE–FRI 11:00-19:00 SUB–NED SAT–SUN 10:00-18:00 Ciklus fotografija Behind the Eyes the World finskog fotografa Tima Viljakainena projekt je na kojemu radi još od ranih 90-ih godina. U fokusu njegova aparata su redatelji animiranog filma koje fotografira u trenutku kad zatvore oči. Prvi portreti bili su oni Priita Pärna, Gerrita van Dijka i braće Quay. Kako je broj portreta rastao, tako je putovala i izložba te se postavljala na festivalima u Utrechtu, Badenu, Annecyju, Ottawi, Turkuu i drugdje.

The cycle of photographs Behind the Eyes the World by Finnish photographer Tim Viljakainen is a project he has been working on since 1990s. He is focusing on the idea of capturing the moment when his subjects are closing theirs eyes – and they are animation film directors. First portraits included makers Priit Pärn, Gerrit van Dijk and Quay Brothers. As the number of photographs was growing, the exhibition was subsequently shown at several animation festivals, such as Utrecht, Baden, Annecy, Ottawa, Turku and others.

POPRATNA DOGAĐANJA / SIDE EVENTS

PERFORMANS / PERFORMANCE

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POPRATNA DOGAĐANJA / SIDE EVENTS

PERFORMANS / PERFORMANCE

PETRA BALEKIĆ, THOMAS JOHNSON VOLDA: SEEDS AND WOUNDS

ALU AR – APLIKACIJA PROŠIRENE STVARNOSTI AUGMENTED REALITY APP

DVORANA SEK 10/06 PET FRI 10:00-22:00

KINO SC PREDVORJE FOYER 06 – 11/06 PON–SUB MON-SAT 10:00 – 22:00

Seeds and Wounds je 12-satni eksperimentalni animacijski performans, koji na sudjelovanje poziva i festivalske goste. Petra na paus-papiru crta animacijske loopove, igrajući se s linijom i ženskim tijelom kao glavnim subjektom. Te projicirane monokromatske animacije plesat će i komunicirati s Thomasom i njegovim animiranim lutkom. Animacijski performans uživo prikazuje impulzivnu i reflektirajuću cikličku prirodu života, a dvoje animatora stvaraju kombiniranu, neuravnoteženu slikovnost.

Seeds and Wounds is a 12-hour experimental performance animation, with the welcomed participation of Animafest festival guests. Petra creates hand drawn animation loops on tracing paper, playing with line and the female body as the main subject. These projected monochromatic animations will dance and commune with Thomas and his animated puppet self. The live performance animation depicts the cyclical nature of life, both impulsive and reflective the two animators creating a combined imagery askew.

ANIMAFEST & ALU CASH & CARRY NAGRAĐENI STUDENTSKI FILMOVI STUDENT FILM AWARDS AKADEMIJA LIKOVNIH UMJETNOSTI ACADEMY OF FINE ARTS ZAGREB JABUKOVAC 10 14/05 SUB SAT 10:00-21:00 ROJENJE SWARMING Joni Männistö, FI, 2011, 7'18" ANALNI SOK ANAL JUKE – ANAL JUICE Sawako Kabuki, JP, 2013, 3' ONO U ŠTO VJERUJU WHAT THEY BELIEVE Shoko Hara, DE, 2016, 10'20" OVDJE SAM I'M HERE Julia Orlik, PL, 2021, 15' O TOM POTOM AFTER Matouš Valchář, CZ, 2018, 5'25" MOLIM TE, UZMI ME TAKE ME PLEASE Oliver Hegyi, HU, 2017, 14' NAKED GOLI Kirill Khachaturov, 2019, 14'40" PUSSY MAČKICA Renata Gąsiorowska, PL, 2016, 8'22"

ALU AR projekt je Odsjeka za animirani film i nove medije Akademije likovnih umjetnosti u Zagrebu nastao pod pokroviteljstvom i u suradnji s tvrtkom Mašinerija. Izveden je u okviru nastave na kolegiju Multimedijske vježbe u animiranom filmu na 1. godini diplomskog studija animacije. Pronađite naljepnice s ilustracijama na festivalskim lokacijama, skinite aplikaciju, skenirajte QRkod, pokrenite animacije i skupite sve četiri! AUTORICE MORANA MARIJA VULIĆ: Tenzija NIKA BELC: Točka – crta – ploha – boja BRUNA ERCEGOVAC: More, more, more DORA KLANAC: Odaberi jednu

APPLE APP STORE

349

ALU AR is a project of the Department of Animated Film and New Media of the Academy of Fine Arts in Zagreb, sponsored and created in collaboration with digital agency Mašinerija. It was implemented as part of the first-year course “Multimedia Exercises and Techniques in Animated Film” offered in the first year of the graduate program of Animation. Find the stickers with the illustrations around festival venues, download the app, scan the QR code, start the animations and collect all 4 of them! AUTHORS MORANA MARIJA VULIĆ: Tenzija NIKA BELC: Točka – crta – ploha – boja BRUNA ERCEGOVAC: More, more, more DORA KLANAC: Odaberi jednu

ANDROID APP GOOGLE STORE

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INDEKS REDATELJA INDEX OF DIRECTORS A Abdullaeva, Sasha 322 Abergel, Sarai 141 Achour, Lotfi 49 Admoni, Amir 157 Aldashin, Mikhail 224 Alexandrova, Yoana 240 Alipour, Pejman 78 Al-Sawaf, Sahar 38 Altunyan, Lilit 305 An, Xu 69 Andersson, Lars Henrik 54 Arnaudova, Miroslava 317 Aronova, Yulia 290 Atanasova, Raina 239 Avramović, Maša 274 B Bacci, Luke 256 Baek, Miyoung 287 Bakhurin, Andrey 55 Barker, Cordell 217 Beek, Roel van 232 Belaid, Yanis 126 Benard, Eliott 126 Berman-Herzberg, Noa 81 Bernat, Sara 107 Bhopal 175 Bienz, Jonas 140 Bird, Daniel 37 Bisyarina, Nina 298 Blažeković, Milan 209 Bode, Evan 300 Bogaert, Dries 258 Bohnenstingl, Michael 151 Boisrond, Marion 144 Bondarenko, Ivan 174 Bošnjak, Ivana 105 Bourek, Zlatko 210 Boutaleb Joutei, Wassim 316 Bozhinova, Tanya 237 Božanić, Sara 293 Brkulj, Sunčana 110, 137 Bubeníček, Jan 326 Bucsi, Réka 186 Budanova, Anna 172 Büttner, Christoph 124 Bužančić, Lucija 94

C Calder, Emma 72 Calder, Terril 242 Cantin, Samuel 68 Castillo, James A. 161 Castillo, René 222 Chang, Wu-Ching 313 Chen, Xi 69 Chien, Julia 152 Chloupek, Drago 195 Chubinidze, Ana 276 Clément, Stéphanie 46 Cociña, Joaquín 185, 258 Cohen, Amit 175 Cornwell, Peter 221 Corriveau, Thomas 62 Coumau, Marie-Liesse 144 Covarrubias, Hugo 77 Cvijanović, Eva 225

Ferlay, Heloise 304 Fischerkoesen, Hans 195 Frassetto, Hugo 282 Friman, Noy 141 Funk, Gerhard 170

Č Čadež, Špela 39, 220, 249, 339 Černic, Leo 146 Čopíková, Michaela 252 Čupová, Zuzana 261, 268

G Gadermann, Jan 291 Gainsborough, Sam 233 Gąsiorowska, Renata 348 Gašparović, Zdenko 211, 219 Gehrig, Maja 250 Genthial, Florian 122 Georgieva, Ina 235 Georgieva, Teodora 239 Glez, Edu 292 Golterman, Leon 283 Gonçalves, Laura 60 Gospodinova, Velislava 235 Gratz, Joan 186 Gratzer, Alexander 127 Grgić, Zlatko 207, 208, 214 Grimmová, Denisa 326 Guimarães, Alice 224 Guljašević, Ivana 267

D Dadon-Raveh, Tamar 296 Degoutte, Emma 70 Devaux, Céline 219 Dexter, Adrian 45 Diakur, Nikita 185 Dilworth, John R. 215 Diviak, Filip 261, 268 Djukić, Urška 243 Doutel, David 76 Dovniković, Borivoj Bordo 206, 210 Dr. Death (Kane & Jessica TigheMearns-Smith) 256 Dragić, Nedeljko 176-182, 209, 246 Driessen, Paul 187, 341, 347 Durszewicz, Natalia 118 Durtschi-Guillemot, Coline 138

H Hammann, Salomé 302 Hara, Shoko 348 Heer, Maarten Isaäk de 156 Hegyi, Oliver 348 Helman, Thomas 38 Hérissé, Joachim 41 Hernaez, Ada 144 Heyn, Antje 288 Ho, Tsz Wing 131 Holm, Kristjan 167 Horesnyi, Máté 117 Hosoda, Mamoru 87 Hsu, Gabriella 325 Huang, Hsin-Chien 162 Huang, Shih-Yen 149 Hunt, Philip 225

E Engaas, Julie 168

I Iglesias Rodríguez, Kevin 63 Irwin, Stephen 259 Israeli, Mor 311 Itoh, Keisuke 160 Ivanova, Silvia 240

F Farac, Branko 79, 96 Farr, Chloé 143 Favez, Isabelle 316

363 J Jacobs, Daisy 229 Jensen, Robin 255 Jevremović, Vuk 108 Johnson Volda, Thomas 105 Joung, Yumi 42 Jutriša, Vladimir 206 K Kabuki, Sawako 174 Kantor, Tal 64 Karasik, Keren 171 Karhánková, Kateřina 260 Kavosh, Reyhane 275 Kaźmierczak, Piotr 324 Khachaturov, Kirill 348 Khan Farooq, Adel 73 Kim, Boyoung 169 Kim, Min-ha 230 Kiseleva, Tatiana 285 Kjaer, Pernille 45 Koca, Ekin 120 Koko Gate, Sophie 75 Kokoliová, Lucie 262 Kolar, Boris 214, 215 Kolektiv ŠNZAŠ 195 Kostadinova, Elisa 236 Kostelac, Nikola 199, 200, 202 Kozuch, Joanna 241 Kralovič, Mária 252 Kristl, Vlado 205 L Laučíková, Ivana 249 Lauenstein, Christoph 217 Lauenstein, Wolfgang217 Leder, Timon 101 Ledune, Eric 172 Lee, Florence Yuk Ki 119 Lee, Matthew 230 Lefèvre, Lola 132 Legendre, Gwendoline 144 León, Cristóbal 185, 258 Letailleur, Alice 126 Lievens, Stan 133 Lin, Yi-Xiang 123 Liniņa, Māra 348 Livnat, Guy 141 Luyet, Claude 52 M Mačáková Mišejková, Alžbeta 279 Makaryan, Liana 57 Maksimov, Ivan 184 Männistö, Joni 348

Maragkos, Aristotelis 91 Marks, Aleksandar 199, 206 Martinović, Laura 66, 95 Maru 71 Marušić, Joško 211, 218 Masnec, Darko 40 Mastnak, Grega 269 Mayeur, Nicolas 126 Medghalchi, Arvin 169 Meilunas, Ignas 266 Melum, Ida 142 Mereghetti, Emilie 314 Miailhe, Florence 90 Mihályi, Michaela 254 Mikušová, Martina 253 Millard, Peter 188 Mimica, Vatroslav 201, 202, 204 Mischinger, Petr 262 Miyazawa, Mari 277 Mizushiri, Yoriko 65 Mlynarčíková, Ema 264 Modev, Petko 238 Modic, Miroslav 194 Molinié, Flora 70 Moon, Sujin 114 Moore, Samantha 301 Moulin, Etienne 126 Moult-Milewska, Tessa 130 Mrzljak, Lucija 222 Müller, Michaela 248 Mulloy, Philip 56 Murata, Akane 59 N Neugebauer, Norbert 196, 198 Niclass, Antonin 147 Nieto 80 Nikolova, Ina 239, 240 Nitek, Maria 148 Noonan, Cliona 173 Nove, Hayato 166 Noworyta, Stanislav 194 O Obertová, Veronika 252 Ognjanovac, Ivana 97 Ogorodnikova, Ekaterina 295 Ok, Se-young 135 Okada, Shiika 153 Orlik, Julia 154 Oroz, Jelena 103 Osorio, Gabriel 220

P Pajek, Marta 58, 250, 341 Papadopoulou, Anastasia 289 Paternoster, Anja 129 Pavlátová, Michaela 89 Pendragon, Lachlan 116 Perren, Lara 150 Pigeard, Émilie 243 Pinot, Hadrien 126 Piret, Nicolas 173 Pisačić, Noa 100 Plucińska, Izabela 47 Popakul, Tomek 223 Popov, Jakov 320 Q Quinn, Joanna 216, 337 Quirke, Daniel 231 Quay, Stephen 218 Quay, Timothy 218 R Raeis, Ali 275 Rak, Alessandro 92 Ranitović, Branko 207 Raumkapsel 158 Regnard, Julien 67 Retterová, Linda 261 Riba, Marc 83 Rivero, Pedro 63, 336 Robinet, Marc 317 Roels, Marc James 221 Rozmarič, Tjan 324 Rybak, Viktor 194 Rychter, Fabito 157 Rydberg, Lisa 54 S Sá, Vasco 76 Sadegh Asadi, Shiva 74 Sagan, Kriss 253 Saksida, Kolja 266 Salgado, Alejandro 243 Santos, Mónica 224 Saturno, José Luis 303 Scali, Bianca 145 Scheffner, Robert 281 Schuur, Waldemar 255 Schwenk, Jonatan 136 Seidel, Robert 50 Selnet, Gabrielle 143 Shapira, Ido 175 Sieger, Ted 278 Sifianos, Georges 184 Sigot, Théo Hollando 308

364 Sillard, Adam 143 Simeonova, Gergana 237 Singer, Philippine 126 Sissoko, Fan 166 Siuda, Julia 257 Siwiński, Tomasz 99 Skallerud, Morten 216 Skilling, Inez 168 Skvortsova, Liza 299 Smatana, Martin 265 Smith, Lynn 188 Smyk, Ewa 229 Snopek, Martin 249 Sodeikaité, Biruté 109 Solanas, Anna 83 Song, Yungsung 51 Sorrentino, Paola 139 Spring, Anna Lena 150 Steiger Levine, Benjamin 163 Stein, Malte 48 Stejskalová, Bára Anna 257 Stellmach, Thomas 171 Stojković, Ivan 170 Stolz, Raphaëlle 44 Sudar, Josip 197 Sunková, Lucie 286 Swaef, Emma De 221 Szelesová, Andrea 121 Š Šebestová, Ivana 251 Šerić, Ivana 321 Šima, Boris 251 Štalter, Pavao 207 Štumpf, David 254 Šuljak, Mare 97 Šumberac, Manuel 102 T Talalaeff, Violette 307 Tamariz, Mitchelle 312 Teeuwisse, Wiep 231 Thiebaux, Achille 134 Tintor, Hana 104 Tisseau, Romane 144 Toccafondo, Gianluigi 248 Tokmakchieva, Iva 348 Tomas, Sara 106 Tomić, Miloš 242 Tóth, Géza M. 268 Trachtenberg, Julia 306 Tšinakov, Morten 222 U

Ulbert, Kryštof 264 Urbánková, Marie 263 Ushev, Theodore 223 Uzhinov, Oleg 224 V Valchář, Matouš 348 Vasof, Anna 82 Vecchi, Francesco 241 Velić, Stjepan 196 Verdier, Nicolas 125 Vicente, Lisa 126 Voivodov, Stefan 238 Vries, Sanna de 294 Vukotić, Dušan 197, 198, 200, 205, 213 Vulić, Isidora 115 Vulić, Morana Marija 98, 128 Vunak, Dragutin 204 W Wada, Atsushi 187 Wald, Osi 81 Weaver, Patrick 321 Wenninger, Paul 189 Wójcik, Kamil 259 Wojtaś, Agata 309 Wolski, Tomasz 86 Wu, Bo-Yi 123 X Xenos, Fokion 232 Y Yamamura, Koji 88 Yefanov, Yuri 167 Yoon, Jina 53 Z Zacharová, Veronika 252 ZALESKY'S 61 Zaninović, Ante 215 Zanovello, Augusto 44 Zaramella, Juan Pablo 43 Zhan, Renee 113 Zimonić, Krešimir 212

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INDEKS FILMOVA (ENGLESKI NASLOV) INDEX OF FILMS (ENGLISH TITLE) * III 250 1:1 231 10 Days of Lovid 66, 95 11 108 1970 86 39 Weeks, 6 Days 251 98 kg 47 A A Film about a Pudding 232 A Game 213 A Goat's Spell 170 A Guitar in the Bucket 169 A Journey with My Dad 311 A Long Protracted Scene of An Accident 54 A Tough Journey! 322 A Visit From Space 214 A Year Along the Abandoned Road 216 About Ivan the Fool 224 Abracadabra 201 Acid Rain 223 Aeronaut 283 After 348 Album 212 Alone 201 Amazon Woman 82 An Ostrich Told Me the World is Fake and I Think I Believe It 116 Anal Juke – Anal Juice 348 Andrija Štampar School of Public Health (trailer, fragment) 194 Anry in the Sky 317 Anxious Body 65 Au cas où le corps exulte 122 Average Happiness 250 B Backflip 185 Balance 217 Beach Gods 240 Bear Story 220 Beasts Among Us 118 Belle 87 Bestia 77 Between the Shadows 224 Beware of Trains 72 Bird 231 Bird in the Peninsula 187

Blind Spot 49 Boddyssey 140 Boles 220, 249 Bolognese 134 Britannia 216 Butterfly Jam 149

Fisheye 211, 218 Floating Memories 135 Forgive 279 Fortress 61 Franzy's Soup-Kitchen 276 Fury 257

C Cabin Pressure 230 Camille 172 Chilli 253 Chromones 239 Cinda Real 293 Clap 160 Cloudy 261, 268 Cockroaches 73, 310 Coldbird and Refrigerator 322 Cow on the Moon 213 Cowboy Jimmy 200 Curiosa 130 Curiosity 206

G Garrano 76 Girls Talk About Football 139 Giuseppe 316 Goal! 198 Golden Margarite 171 Goodbye Jerome! 143 Granny's Sexual Life 243 Guff Maturity 188

D Déjà-vu VR 158 DeLinsky's Madness 259 Diary 181 Dies Irae 71 Diogenes Perhaps 179 Diptych 186 Dissolution 258 Do Not Feed the Pigeons 147 Don Quixote 205 Down to the Bone 222 Dozens of Norths 88 Dreams Squared 319 E Elegy 178 Elena 109 Elephant in Castle 119 Elevator Alone 289 Epidemia 167 Ethno Even Mice Belong in Heaven 326 Experimental Fragment 194 F Facing It 233 Farce 255 Fifi Fatale 252 Firefighter 290

H Habitat 235 Hand 131 Happily Ever After 56 Happy End 203 Heatwave 232 Hedgehog's Home 225 Hierophany 148 Holy Holocaust 81 Homebird 229 Hopus 262 Hotel Kalura 75 House of Existence 42 How Kićo Was Born 197 How Many 145 Hush Hush Little Bear 280 Hysteresis 50 I Illuminated 98 I'm Here 348 I'm Late 174 I'm Not Afraid 275 Impossible Figures and Other Stories I 58 In his Mercy 124 In Pablo's World 318 In the Upper Room 127 Insatiable 261 Intermission 186 Intervals 312

366 K Katarza 100 Keep Breathing 325 King Fjord! 107 Knock Knock 267 Konigiri-Kun Parasol 277 Koyaa – Elusive Paper 266 Krak 133 Kuumba Umbo 295 L La Dech' 308 Laika & Nemo 291 Lavrynthos 157 Leafing Through Old Books 320 Learning to Walk 210 Lesser of Two Evils 117 Let Everybody Vote 196 Let Sleeping Dogs Lie 141 Let's Meet Yesterday 236 Letter to a Pig 64 Letters From the Edge of the Forest 103 Life Unfolded 175 Lines 170 Little Clouds 299 Little Red Riding Hood 199 Little Russia 248 Looking For Santa 317 Lost and Found 225 Love in Times of Coal-based Economy 99 Love Is Just a Death Away 257 Lucky Man 52 M Madrid Noir 161 Malaria (fragment) 195 Man Who Had to Sing 209 Marco & Polo Go Round 163 Masque of the Red Death 207 Maternal Awakening 153 Maxi Cat: Door 208 Maxi Cat: Fishing 208 Maxi Cat: Lunch 207 Mega Mega Mega Mega Party 318 Meneath: The Hidden Island of Ethics 242 Meta 288 Midnight Elegy 240 Midnight Story 159 Miracasas 43 Mirage 239 Miramare 248 Mistake 262

Mitapolis or Romy, Dasi and Abigail's Great Adventure 296 Mitch-Match: Episode 6 268 Mom Is Always Right 297 Mom, What's Up with the Dog? 132 Mortimer and the Vanishings 281 Mouse House 284 Mr. Night Has a Day Off 266 Mr. Rabbit's Doll 169 Mr. Xifró's Morning 83 My Father's Damn Camera! 242 My Friend Tiger 285 My Grandmother Is an Egg 313 My Sunny Maad 89 N Naked 348 Our Teeth (fragment) 196 Naughty 70 Night of the Living Dread 142 Nina 252 No-No Goes to Space 316 Not for Me 174 Not My Bread 55 O O 189 Oceania 238 "Oh Babe, It's a Wild World" 138 Oh no! 184 Oh Willy... 221 On the Meadow 202 On the Surface 166 Once There Was a Sea... 241 Open One's Mouth 59 Opening Night 200 Orange Peel 115 Our 2 51 P Pachyderm 46 Packing a Wave 292 Parallax 166 Passenger 43 Passing Days 180 Pears 306 Pentola 146 Per aspera ad astra 179 Persona 114 Pesky Proverbs 323 Pictures from Memory 182 Pink Stories 97 Piropiro 287 Poetika Anima 253 Prince Ki-Ki-Do: On the Run 269

Professor Balthazar: Lighthouse Keeping 215 Psychographic 79, 96 Pussy 348 R Reflection 294 Remains of the Future 125 Retention Department of Permanent Exhaustion 186 Robot Stories 324 Run for Life 123 S Salute to the Sun 40 Samsara 162 Satiemania 211, 219 Saturation 94 Sauna 150 Savage Death Valley 255 Scarecrow 202 Sea Child 230 Sensor Ship 53 Sh_t Happens 254 Shadow of Paradise 38 Shoot 264 Sisters 121 Skinned 41 Slouch 151 Snow is Falling 298 Soft Animals 113 Soft Tissue 173 Somebody Ask Us 37 Stain 74 Steakhouse 39 Stinky in The Dark Forest 110, 137 Street of Crocodiles 218 Stuck 307 Sugar Show 57 Summer Dark 321 Sunday Lunch 219 Suzie in the Garden 286 Swallow the Universe 80 Swarm 156 Swarming 348 System Error 324 T Take Me Please 348 Tamer of Wild Horses 178 Terra Incognita 45 The 2 Shoes 187 The Big Meeting 197 The Bigger Picture 229 The Blacksmith Kuday Bakhsy 323

367 The Blind Writer 184 The Blood 235 The Bones 258 The Cat 210 The Cat Came Back 217 The Concrete Jungle 263 The Crossing 90 The Cutie Patootie of Hugsville 256 The Day I Stopped Smoking 181 The Days That (Never) Were 63 The Dirdy Birdy 215 The Dog's Leash 173 The Enchanted Castle at Dudinci 198 The Fly 206 The Garbage Man 60 The Girls of the Wind 304 The Heights 243 The House 260 The Immoral 120 The Inspector Returned Home! 204 The Kite 265, 267 The Last Bus 249 The Loach 69 The Man and His Shadow 204 The Matchbox 237 The Mental One Two 256 The New Species 260 The Night Watch 67 The Nightingale 309 The Pear 238 The Physics of Sorrow 223 The Sausage Run 171 The Sea of Thoughts 104 The Seine's Tears 126 The Small Christmas Tree 319 The Smortlybacks Come Back! 278 The Song of a Lost Boy 231 The Sphere 102 The Stork 222 The Substitute (Ersatz) 305 The Timekeepers of Eternity 91 The Torrential Melody 303 The Turtle Syndrome 68 The Uncertain Snow 144 The Wind Probably 167 They Dance with Their Heads 62 Thine Own Self 300 Thing 48 This Hut is Too Small! 282 This Will Not Be a Festival Film 154 Through the Marsh 264 Tinkering 302 To Be a Pacific Salmon 152 Trails of the Morning 274 Treasure 301

Tup-tup 180 Two Sisters 172 V Vitality 314 W Ward 13 221 Way to Your Neighbour 182 We Need to Make Some Order Here 320 What Rhymes with Toxic 188 What They Believe 348 When I am Sad 305 Where the Winds Die 78 White, Black and True Love 129 Who, What and When? 241 Why Didn't This Body Decompose? 105 Why Do Butchers Close So Early? 168 Winter Nights 237 Without Us 168 Wood Child and Hidden Forest Mother 259 Woof, Woof! 214 Y Yaya e Lennie – The Walking Liberty 92 Yellow 251 Your Bad Animals 175 Z Zaboravljiv čovjek! 195 Zagreb film commercials 1954/55 199 Zoo Story 263 Zoon 136

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INDEKS FILMOVA (HRVATSKI NASLOV) INDEX OF FILMS (CROATIAN TITLE) * III 250 1:1 231 10 dana Lovida 66, 95 11 108 1970 86 2 cipele 187 39 tjedana, 6 dana 251 98 kg 47 A Abrakadabra 201 Aeronaut 283 Album 212 Amazonka 82 Analni sok 348 B Bakin seksualni život 243 Belle 87 Bestia 77 Betonska džungla 263 Bez nas 168 Bijela, crna i prava ljubav 129 Bilo jednom jedno more... 241 Blago 301 Bogovi plaže 240 Boles 220, 249 Bolonjez 134 Bricolage 302 Britanija 216 Buđenje majčinstva 153 C Camille 172 Cowboy Jimmy 200 Crvenkapica 199 Cure razgovaraju o nogometu 139 Curiosa 130 Č Čili 253 Čovjek i sjena 204 Čovjek koji je morao pjevati 209 Čuvajte se vlakova 72 Čuvari vječnosti 91 D Dan kad sam prestao pušiti 181 Dani koji (ni)su prošli 63 Debelokožac 46

Déjà-vu VR 158 Deseci sjevera 88 Dies Irae 71 Dijete-drvo i skrivena šumska majka 259 Diptih 186 Divlja Dolina smrti 255 Dnevnik 181 Do kosti 222 Dom 260 Don Kihot 205 Doviđenja, Jérôme! 143 Duga razvučena nesreća 54 Dvije sestre 172 DŽ Džem od leptira 149 E Eksperimentalni fragment 194 Elegija 178 Elena 109 Epidemija 167 Etno 236 F Farsa 255 Fifi Fatale 252 Film o pudingu 232 Fizika tuge 223 Fragment špice za Školu narodnog zdravlja "Andrija Štampar" 194 Franzyjina čarobna juha 276 Furija 257 G Garrano 76 Gitara u torbi 169 Giuseppe 316 Godina duž napuštene ceste 216 Goli 348 Gool! 198 Gospodin Noć ima slobodan dan 266 H Happy End 203 Hijerofanija 148 Histereza 50 Hladna ptica i hladnjak 322 Hopus 262 Hotel Kalura 75 How Many 145

I I miševi idu u raj 326 Idu dani 180 Igra 213 Illuminated 98 Inspektor se vratio kući! 204 Intervali 312 Izbor reklama Zagreb filma 1954./1955. 199 Izgubljeno i nađeno 225 Između sjena 224 J Jato 156 Ježeva kuća 225 Jutro gospodina Xifróa 83 K Kad sam tužna 305 Kako li je biti pacifički losos 152 Kako se rodio Kićo 197 Kasni mi 174 Katarza 100 Kćeri vjetra 304 Kisela kiša 223 Kobasice u trku 171 Konigiri-kunov suncobran 277 Kosti 258 Kovač Kudaj Bahsi 323 Koyaa – Neuhvatljivi papir 266 Kozji urok 170 Krak 133 Kralj Fjord! 107 Krava na Mjesecu 213 Kromoni 239 Krotitelj divljih konja 178 Kruška 238 Kruške 306 Krv 235 Kuc-kuc 267 Kuća postojanja 42 Kućni miš 229 Kutija šibica 237 Kuumba Umbo 295 L La Dech' 308 Lajka i Nemo 291 Lavrynthos 157 Lažu ko pas 141 Linije 170

369 Listanje starih knjiga 320 Lov na val 292 Ludilo DeLinskih 259 Lutka g. Zeca 169 LJ Ljubav je smrtno blizu 257 Ljubav u doba ekonomije bazirane na ugljenu 99 M Maad, moje sunce 89 Mačka 210 Mačkica 348 Madrid Noir 161 Mala Rusija 248 Malarija (fragment) 195 Maleni oblaci 299 Malo božićno drvce 319 Mama je uvijek u pravu 297 Mama, što je psu? 132 Manje zlo 117 Marco & Polo Go Round 163 Maska crvene smrti 207 Maxi Cat: Ribolov 208 Maxi Cat: Ručak 207 Maxi Cat: Vrata 208 Mega Mega Mega Mega Party 318 Meke životinje 113 Meko tkivo 173 Meneath: Skriveni otok etike 242 Meta 288 Miracasas 43 Miramare 248 Miraž 239 Mišja kuća 284 Mitapolis ili Velika pustolovina Romy, Dasi i Abigail 296 Mitch-match: 6. epizoda 268 Močvara 264 Moj prijatelj Tigar 285 Moja baka je jaje 313 Molim te, uzmi me 348 More misli 104 Morsko dijete 230 Mortimer i nestale stvari 281 Možda Diogen 179 Mrlja 74 Mrtvi kut 49 Muha 206 N Na livadi 202 Na površini 166 Nađimo se jučer 236

Narančina kora 115 Nastavi disati 325 Naša dvojka 51 Naši zubi (fragment) 196 Ne bojim se 275 Ne hranite golubove 147 Ne za mene 174 Nebeski Anri 317 Nedjeljni ručak 219 Neka nas netko pita 37 Nemoguće figure i druge priče I 58 Nemoralan 120 Ne-Ne u svemiru 316 Nesiguran snijeg 144 Nesretne poslovice 323 Nezasitnik 261 Nina 252 Noć živih užasa 142 Noćna straža 67 Noj mi je rekao da je svijet lažan i mislim da mu vjerujem 116 Nova vrsta 260 Njihove glave plešu 62 O O 189 O Ivanu Ludom 224 O ne! 184 O tom potom Oblačno 261, 268 Oceanija 238 Oderana 41 Odjel 13 221 Odrazi 294 "Oh Babe, It's a Wild World" 138 Oh Willy... 221 Ono u što vjeruju 348 Operacija Djed Mraz 317 Oprosti 279 Ostaci budućnosti 125 Otvori usta 59 Ovdje sam 348 Ovdje treba napraviti malo reda 320 P Pada snijeg 298 Paklara 69 Paralaksa 166 Pentola 146 Per aspera ad astra 179 Persona 114 Piropiro 287 Pisma na kraju šume 103 Pismo prascu 64 Pjesma o izgubljenom dječaku 231

Pljesak 160 Poetika Anima 253 Pogreška 262 Ponoćna elegija 240 Ponoćna priča 159 Poplavna melodija 303 Posjet iz svemira 214 Posljednji autobus 249 Posljednji san 175 Povratak Šmrkoleđana! 278 Pozdrav suncu 40 Prava Pepeljuga 293 Premala koliba 282 Premijera 200 Priča o medvjedu 220 Prijelaz 90 Princ Ki-Ki-Do: Bjegunac 269 Profesor Baltazar: Hanibalove Alpe 215 Progutati svemir 80 Prosječna sreća 250 Psychographic 79, 96 Ptica 321 Ptica na poluotoku 187 Ptičkica 215 Pucanj 264 Put k susjedu 182 Putnik 43 Putovanje s mojim tatom 311 R Rastapanje 258 Ravnoteža 217 Retencijski odjel trajne iscrpljenosti 186 Riblje oko 211, 218 Robotske priče 324 Roda 222 Rojenje 348 Roze priče 97 Ruka 131 S Salto 185 Samac 201 Sami u dizalu 289 Samsara 162 Satiemania 211, 219 Sauna 150 Sebe sama 300 Seinine suze 126 Senzura 53 Sestre 121 Sfera 102 Sh_t Happens 254 Sindrom kornjače 68

370 Sistemska greška 324 Sjećanja koja izmiču 135 Sjena raja 38 Slavuj 309 Slijepi pisac 184 Slike iz sjećanja 182 Slon u dvorcu 119 Smetlar 60 Snovi na kvadrat 319 Srećković 52 Stanište 235 Stanka 186 Stari prdonja 188 Steakhouse 39 Stinky u Mračnoj šumi 110, 137 Strašilo 202 Stvar 48 Suočavanje 233 Surogat 305 Suzi u vrtu 286 Sveti holokaust 81 Svi na izbore (Narod odlučuje) 196 Š Šećerni šou 57 Širi pogled 229 Škola hodanja 210 Što se rimuje s toksično 188 T Ta prokleta očeva kamera! 242 Tamo gdje umiru vjetrovi 78 Terra incognita 45 Teško putovanje 322 The Cutie Patootie of Hugsville 256 The Mental One Two 256 Tiho budi, mali medo 280 Tijeloseja 140 Tjeskobno tijelo 65 Tko, što i kada? 241 Tlak u kabini 230 To neće biti festivalski film 154 Toplinski val 232 Tragovi jutra 274 Trči ako ti je do života stalo 123 Tuđi kruh 55 Tup-tup 180 Tvoje zle životinje 175 Tvrđava 61 U U njegovoj milosti 124 U Pablovom svijetu 318 U slučaju tjelesne uzbuđenosti 122 U sobi iznad 127

Ulica krokodila 218 Uzica 173 V Vatrogasac 290 Vau, vau! 214 Veliki miting 197 Visine 243 Vitalnost 314 Vjerojatno vjetar 167 Vratila se maca 217 Y Yaya i Lennie – hodajuća sloboda 92 Z Za litnjega mroka 321 Zaboravljiv čovjek! 195 Zabušant 151 Začarani dvorac u Dudincima 198 Zapelo 307 Zasićenje 94 Zašto se mesnice zatvaraju tako rano? 168 Zašto se ovo tijelo nije razgradilo? 105 Zauvijek sretni 56 Zgoda iz zoološkog vrta 263 Zimske noći 237 Zlatna margarita 171 Zlikovci 70 Zmaj 265, 267 Znatiželja 206 Zoon 136 Zvijeri među nama 118 Ž Žohari 73, 310 Žuta 251

371

POPIS FILMOVA PO ZEMLJAMA FILM LIST BY COUNTRY ARGENTINA Passenger 43 ARMENIA When I am Sad 305 AUSTRALIA An Ostrich Told Me the World is Fake and I Think I Believe It 116 Dies Irae 71 The Cutie Patootie of Hugsville 256 Ward 13 221 AUSTRIA Amazon Woman 82 In the Upper Room 127 O 189 BELGIUM A Tough Journey! 322 Camille 172 Dissolution 258 Krak 133 Kuumba Umbo 295 Looking For Santa 317 Marco & Polo Go Round 163 Mega Mega Mega Mega Party 318 No-No Goes to Space 316 Oh Willy... 221 The Dog's Leash 173 The Night Watch 67 The Sausage Run 171 The Small Christmas Tree 319 Who, What and When? 241 BOSNIA AND HERZEGOVINA Cinda Real 293 BRAZIL Lavrynthos 157

BULGARIA Anry in the Sky 317 Beach Gods 240 Chromones 239 Ethno 236 Habitat 235 Let's Meet Yesterday 236 Midnight Elegy 240 Mirage 239 Oceania 238 The Blood 235 The Matchbox 237 The Pear 238 Winter Nights 237

Diogenes Perhaps 179 Diptych 106 Don Quixote 205 Dreams Squared 319 Elegy 178 Elena 109 Experimental Fragment 194 Fisheye 211, 218 Goal! 198 Happy End 203 Hedgehog's Home 225 How Kićo Was Born 197 Illuminated 98, 128 In Pablo's World 318 Katarza 100 CANADA King Fjord! 107 Hedgehog's Home 225 Knock Knock 267 Impossible Figures and Other Stories I 58 Learning to Walk 210 Marco & Polo Go Round 163 Let Everybody Vote 196 Meneath: The Hidden Island of Ethics 242 Letters From the Edge of the Forest 103 Retention Department of Permanent Little Red Riding Hood 199 Exhaustion 186 Love in Times of Coal-based Sensor Ship 53 Economy 99 The Cat Came Back 217 Malaria (fragment) 195 The Physics of Sorrow 223 Man Who Had to Sing 209 The Turtle Syndrome 68 Masque of the Red Death 207 They Dance with Their Heads 62 Maxi Cat: Door 208 What Rhymes with Toxic 188 Maxi Cat: Fishing 208 Maxi Cat: Lunch 207 CHILE Miramare 248 Bear Story 220 Mouse House 101, 284 Bestia 77 Our Teeth (fragment) 196 The Bones 185, 258 On the Meadow 202 Opening Night 200 CHINA Passing Days 180 The Loach 69 Per aspera ad astra 179 Pictures from Memory 182 CROATIA Pink Stories 97 10 Days of Lovid 95 Professor Balthazar: Lighthouse 11 108 Keeping 215 A Game 213 Psychographic 79 A Visit from Space 214 Salute to the Sun 40, 111 Abracadabra 201 Satiemania 211, 219 Album 212 Saturation 94 Alone 201 Scarecrow 202 Andrija Štampar School of Public Stinky in the Dark Forest 110, 137 Health (trailer, fragment) 194 Summer Dark 321 Cinda Real 293 Tamer of Wild Horses 178 Cowboy Jimmy 200 The Big Meeting 197 Curiosity 206 The Cat 210 Diary 181 The Cow on the Moon 213

372 The Day I Stopped Smoking 181 The Enchanted Castle at Dudinci 198 The Fly 206 The Inspector Returned Home 204 The Man and His Shadow 204 The Sea of Thoughts 104 The Sphere 102 The Substitute (Ersatz) 205 Tup-tup 180, 209 Way to Your Neighbour 182 Why Didn't This Body Decompose? 105 Woof, Woof! 214 Zaboravljiv čovjek! 195 Zagreb film commercials 1954/55 199 CYPRUS Mr. Rabbit's Doll 169 CZECH REPUBLIC After 348 Cloudy 261, 268 Even Mice Belong in Heaven 326 Forgive 279 Hopus 262 Insatiable 261 Love Is Just a Death Away 257 Mistake 262 Mom Is Always Right 297 My Sunny Maad 89 Sh_t Happens 254 Shoot 264 Sisters 121 Somebody Ask Us 37 Suzie in the Garden 286 The Concrete Jungle 263 The Crossing 90 The House 260 The Kite 264, 267 The New Species 260 Through the Marsh 264 ZOO Story 263 DENMARK Terra Incognita 45 ESTONIA Epidemia 167 The Stork 222 FINLAND Swarming 348

FRANCE Anxious Body 65 Au cas où le corps exulte 122 Backflip 185 Between the Shadows 224 Bird in the Peninsula 187 Blind Spot 49 Bolognese 134 Butterfly Jam 149 Camille 172 Dozens of Norths 88 Elena 109 Even Mice Belong in Heaven 326 Firefighter 290 Franzy's Soup-Kitchen 276 Giuseppe 316 Goodbye Jerome! 143 Granny's Sexual Life 243 I'm Late 174 Intervals 312 La Dech' 388 Letter to a Pig 64 Life Unfolded 175 Little Russia 248 Looking For Santa 317 Madrid Noir 161 Miracasas 43 Mom, What's Up With the Dog? 132 My Sunny Maad 89 Naughty 70 No-No Goes to Space 316 O 189 "Oh Babe, It's a Wild World" 138 Oh Willy… 221 Pachyderm 46 Remains of the Future 125 Skinned 41 Steakhouse 39 Stuck 385 Sunday Lunch 219 Swallow the Universe 80 Terra Incognita 45 The 2 Shoes 187 The Blind Writer 184 The Crossing 90 The Girls of the Wind 384 The Immoral 120 The Night Watch 67 The Seine's Tears 126 The Uncertain Snow 144 This Hut Is Too Small! 282 Tinkering 382 Trails of the Morning 274 Two Sisters 172 Vitality 314

373

When I am Sad 385 Who, What and When? 241

IRELAND Soft Tissue 173

GEORGIA Franzy's Soup-Kitchen 276

ISRAEL A Journey with My Dad 311 Golden Margarite 171 Holy Holocaust 81 Leafing Through Old Books 320 Let Sleeping Dogs Lie 141 Letter to a Pig 64 Mitapolis or Romy, Dasi and Abigail's Great Adventure 296 Pears 386 Your Bad Animals 175

GERMANY A Goat's Spell 170 Backflip 185 Balance 217 Boles 220, 249 Déjà-vu VR 158 How Many 145 Hysteresis 50 In his Mercy 124 Laika & Nemo 291 Meta 288 Mortimer and the Vanishings 281 Slouch 151 Steakhouse 39 Swarm 156 The Crossing 90 The Sausage Run 171 Thing 48 What They Believe 348 Zoon 136 GREECE Elevator Alone 289 The Blind Writer 184 The Timekeepers of Eternity 91 HONG KONG Elephant in Castle 119 Hand 131 HUNGARY In the Upper Room 127 Intermission 186 Lesser of Two Evils 117 Mitch-Match: Episode 6 268 Take Me Please 348 ICELAND On the Surface 166 INDIA Pesky Proverbs 323 IRAN I'm Not Afraid 275 Mr. Rabbit's Doll 169 Stain 74 Where the Winds Die 78

ITALY Girls Talk About Football 139 Little Russia 248 Our 2 51 Pentola 146 The Cat 210 Tup-tup 209 Who, What and When? 241 Yaya e Lennie – The Walking Liberty 92 JAPAN Anal Juke – Anal Juice 348 Anxious Body 65 Belle 87 Bird in the Peninsula 187 Clap 160 Dozens of Norths 88 I'm Late 174 Konigiri-Kun Parasol 277 Maternal Awakening 153 Open One's Mouth 59 Our 2 51 Parallax 166 LATVIA Hush Hush Little Bear 280 LITHUANIA Elena 109 Garrano 76 Mr. Night Has a Day Off 266 MALI On the Surface 166 MEXICO Down to the Bone 222 The Torrential Melody 303

THE NETHERLANDS 10 Days of Lovid 66, 95 Aeronaut 283 Oh Willy… 221 Reflection 294 Savage Death Valley 255 The 2 Shoes 187 NORWAY A Year Along the Abandoned Road 216 Cockroaches 73, 310 Farce 255 Without Us 168 PERU Lavrynthos 157 POLAND III 250 1970 86 98 kg 47 Acid Rain 223 Beasts Among Us 118 DeLinsky's Madness 259 Even Mice Belong in Heaven 326 Fortress 61 Fury 257 Hierophany 148 I'm Here 348 Impossible Figures and Other Stories I 58 Love in Times of Coal-based Economy 99 Once There Was a Sea... 241 Pussy 348 System Error 324 The Kite 265, 267 The Nightingale 309 This Will Not Be a Festival Film 154 PORTUGAL Between the Shadows 224 Cinda Real 293 Garrano 76 The Garbage Man 60 SERBIA Lines 170 Orange Peel 115 We Need to Make Some Order Here 320

SLOVAKIA 39 weeks, 6 days 251 Chilli 253 Even Mice Belong in Heaven 326 Fifi Fatale 252 My Sunny Maad 89 Nina 252 Once There Was a Sea... 241 Poetika Anima 253 Sh_t Happens 254 Suzie in the Garden 286 The Kite 265, 267 The Last Bus 249 Yellow 251 SLOVENIA Boles 220 Cinda Real 293 Granny's Sexual Life 243 Koyaa – Elusive Paper 266 Mouse House 101, 284 My Father's Damn Camera! 242 Prince Ki-Ki-Do: On the Run 269 Robot Stories 324 Steakhouse 39 White, Black and True Love 129 SOUTH KOREA A Guitar in the Bucket 169 Floating Memories 135 House of Existence 42 Our 2 51 Persona 114 Piropiro 287 Sensor Ship 53 SPAIN Mr. Xifró's Morning 83 Packing a Wave 292 The Days That (Never) Were 63 The Heights 243 SWEDEN A Long Protracted Scene of an Accident 54

374 SWITZERLAND Average Happiness 250 Boddyssey 140 Giuseppe 316 Lucky Man 52 Miracasas 44 Miramare 248 Sauna 150 The Smortlybacks Come Back! 278 The Sphere 102 TAIWAN Butterfly Jam 149 My Grandmother Is an Egg 313 Run for Life 123 Samsara 162 TUNISIA Blind Spot 49 UKRAINE The Wind Probably 167 UNITED KINGDOM 1:1 231 A Film about a Pudding 232 Beware of Trains 72 Britannia 216 Cabin Pressure 230 Curiosa 130 Do Not Feed the Pigeons 147 Facing It 233 Guff Maturity 188 Happily Ever After 56 Heatwave 232 Homebird 229 Hotel Kalura 75 Lost and Found 225 Midnight Story 159 My Grandmother Is an Egg 313 Night of the Living Dread 142 Sea Child 230 Soft Animals 113 Street of Crocodiles 218 The Bigger Picture 229 The Mental One Two 256 The Song of a Lost Boy 231 Treasure 301 Why Do Butchers Close So Early? 168 Wood Child and Hidden Forest Mother 259

UNITED STATES OF AMERICA Bird 321 Keep Breathing 325 Kuumba Umbo 295 Masque of the Red Death 205 On the Surface 166 Retention Department of Permanent Exhaustion 186 Sensor Ship 53 Shadow of Paradise 38 The Dirdy Birdy 215 Thine Own Self 300 To Be a Pacific Salmon 152 Why Didn't This Body Decompose? 105

375

ANIMAFEST ZAGREB ZAHVALJUJE ANIMAFEST ZAGREB WOULD LIKE TO THANK Ksenija Andri Danijela Andrijašević Wittine Yuri Atelier LiPP Lea Babić Saša Bach Leon Begić Arna Marie Bersaas, Norwegian Film Institute Sanja Borčić, Tomislav Gregl – Ustanova Zagreb film Elizabeta Brozičević Sandra Cvetko Marin Čavlina Kamila Dohnalová Miroslav Dominović Leslie Ezeh Romana Fičko Helga Fodorean Frank Gladstone Geert van Goethem, S.O.I.L. Productions Milan Gostimir Sandra Grković Shoko Hara Oliver Hegyi Dennis Hekker Katja Hohler Pavel Horáček Goranka Horvat Bajko Hromalić Marta Jallageas Matea Jalšovec Maria José Homem Gordana Josipović Maja Jurić Ivoš Sawako Kabuki Ana Katalinić Kirill Khachaturov Melita Klinčić Branimir Kolar Jelena Stare Koški Alen Kovačić Mario Kozina Karolina Kržina Anja Liker

Ida Mahečić Bajović Joni Männistö Martina Matešić Iva Matković Mihai Mitrica Dragutin Najman Sydney Neter Zvjezdana Novak Romana Omrčen Sanja Paprenjak Hrvoje Pepelko Martina Petrović Igor Prassel Danijel Radek Marko Rojnić Hrvoje Ryznar Tina Sarajlić Thomas Schnabel Elia Skazlić Iva Stipanov Lovro Strmoli Ivana Sujová Joško Šantić Davorin Šišmanović Matouš Valchar Danielle Viau, NFB Canada George Watson, BFI Lucija Zore, Hrvatski državni arhiv – Hrvatska kinoteka Gordana Žarak Natalia Županić

Natjecateljski program Competition Program

Majstori animacije Masters of Animation Posebni programi Special Programs

Popratna događanja Side Events

Animafest Pro Svjetska panorama World Panorama

Mreža festivala animacije Animation Festival Network Ulaz besplatan Free admission

Program za djecu i mlade Children and Youth Program Primjereno djeci Suitable for children

20:00 Svečano otvorenje Opening Ceremony (invitation only)

MSU

9:00 – 16:00 Rise&Shine (participants only)

KINO SC

15:30

Svjetska pano rama 2 World Panorama 2 73’

Nagrade publike 3 Audience Award 3 72’

Zagrebačka Škola Zagreb School: Bonjour Cannes 1958 72’

17:00

DVORANA SEK

NFTS National Film and Television School

18:30 Kratki 5 Shorts 5 75’

Kratki 2 Shorts 2 74’ Q&A

Zagrebačka škola: Počeci Zagreb School: The Beginnings 78’

1970 70’

21:00

Čuvari vječnosti The Timekeepers of Eternity 62’ Q&A

Svjetska panorama 1 World Panorama 1 71’ Q&A

22:00

11.6. SUb SAt

Belle 120’

Predstavljanje knjiga Book presentation: Midhat Ajanović, Nedeljko Dragić

17:30 Studentski 1 Students 1 73’ Q&A

Studentski 3 Students 3 73’

20:00 Yaya i Lennie – hodajuća sloboda Yaya e Lennie – The Walking Liberty 99’

19:00

10.6. PET FRI

Kratki 1 Shorts 1 74’ Q&A

Masterclass Joanna Quinn & Les Mills: From Idea to Screen

16:00

15:25–16:45 Animafest Scanner IX: Panel 2

11:30 –12:30 Jelena Popović: The Role of a Creative Producer

11:30 Filmovi za djecu 4 Films for Children 4 (15+) 93’ Q&A

13:00

10:00–15:25 Animafest Scanner IX: Keynote & Panel 1

(participants only)

9:00 –16:00 Rise&Shine

MM CENtAR

11:00 9:30 Filmovi za djecu 1 Films for Children 1 (3–6) 44’ Q&A

9:00 KINO tUŠKANAC

tEAtAR &tD

8.6. SRI WED 12:00 – 20:00 Natjecanje VR animacije VR Animation Competition

7.6. UtORAK tUESDAy

DVORANA SEK

7.6. UtO tUE

9.6. ČET tHU

16:00 – 17:30 Lecture: Pedro Rivero

16:00

NAtjECANjE VR ANIMACIjE VR ANIMAtION COMPEtItION

KINO SC

MM CENtAR

9:00

6.6. PONEDjELjAK MONDAy 22:00

19:30 Obiteljski program 1 Family Program 1 52’

CKI MAKSIMIR

20:00

11:00 Obiteljski program 1 Family Program 1 52’

NS DUbRAVA

NS DUbRAVA 11:00 Filmovi za djecu 1 Films for Children 1 (3–6) 44’

5.6. NEDjELjA SUNDAy

Petra Balekić & Thomas Johnson: Seeds and Wounds – animacijski performans live animation performance

4.6. SUbOtA SAtURDAy

10.6. PET FRI DVORANA SEK SC 10:00 –22:00

ALU AR

Nedeljko Dragić: Krotitelj linije The Line Tamer

Animafest Zagreb 1972–2022

Paul Driessen: Podrijetlo zvuka The Origin of Sound

Timo Viljakainen: Iza očiju svijet Behind the Eyes the World

Iza kulisa 4 Behind the Scenes 4 – Grupna izložba autora Velikog natjecanja kratkometražnog i studentskog filma Group Exhibition of Grand Competition Short and Student Film Authors

6.-11.06. KINO SC PREDVORJE FOYER 10:00 – 22:00

MUZEj SUVREMENE UMjEtNOStI ZAGREb uto–pet Tue–Fri: 11:00 – 19:00 sub–ned Sat–Sun: 11:00 – 18:00

12.5. ČET tHU – 12.6. NED SUN

IZLOŽBE I PERFORMANSI EXHIBITIONS AND PERFORMANCES

Tema: Animafest Zagreb 50 godina Theme: Animafest Zagreb 50 Years

RASPORED SCHEDULE

Natjecateljski program Competition Program

Filmovi za djecu 3 Films for Children 3 (11–14) 85’ Q&A

DVORANA SEK

KINO SC

tEAtAR &tD

MM CENtAR

KINO tUŠKANAC

Studentski 1 Students 1 73’

Špela Čadež: Stopmotion in Focus

Filmovi za djecu 1 Films for Children 1 (3–6) 44’ Q&A

18:30

Kratki 1 Shorts 1 71’

1970 70’

Kratki 3 Shorts 3 72’ Q&A

Zagrebačka škola: Zlatno doba 2 Zagreb School: Golden Age 2 72’

Nagrade publike 1 Audience Award 1 83’