// July - August 2020 // DE INDIA
architecture & design magazine
On Cover
RETREAT AT HAMPI,
By INT-HAB Architecture+Design, in Hospet, Karnataka.
+
Spotlight
//A //A tribute tribute to to Ar. Ar. PRADEEP PRADEEP SACHDEVA SACHDEVA //in //in conversation conversation with with KHOSLA KHOSLA ASSOCIATES, ASSOCIATES, BANGALORE BANGALORE HIREN HIREN PATEL PATEL ARCHITECTS, ARCHITECTS,AHMEDABAD AHMEDABAD also featuring+ DE discover // INT-HAB Architecture+Design, Indi Haus. DE next // Archizi Studio, Coexist Architecture, Interstice Studio, Praveen Architects, VCJ Designs. #LetsTalkDesign
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// July - Aug 2020 // DE INDIA
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//photographer: MADHUMITA NANDI
architecture & design magazine
A TRIBUTE TO THE BELOVED,
ARCHITECT PRADEEP SACHDEVA
DESIGN ESSENTIA MAGAZINE
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// July - Aug 2020 // DE INDIA
architecture & design magazine
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“the world will emerge a better place after this crises” DE SPOTLIGHT INTERVIEW
SANDEEP KHOSLA & AMARESH ANAND, KHOSLA ASSOCIATES, BANGALORE
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// July - Aug 2020 // DE INDIA
architecture & design magazine
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DE SPOTLIGHT INTERVIEW
HIREN PATEL, HIREN PATEL ARCHITECTS, AHMEDABAD
“the city will grow horizontally, post covid”
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DE//INDIA DESIGN ESSENTIA MAGAZINE
JUL - AUG 2020 #LetsTalkDesign
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Contents (1957 - 2020)
//DE spotlight tribute
PRADEEP SACHDEVA PRINCIPAL ARCHITECT at PRADEEP SACHDEVA DESIGN ASSOCIATES,
29
New Delhi
//DE spotlight interview
SANDEEP KHOSLA & AMARESH ANAND PRINCIPAL ARCHITECTS at
KHOSLA ASSOCIATES, Bangalore
34 //DE spotlight interview
HIREN PATEL PRINCIPAL ARCHITECT at
HIREN PATEL ARCHITECTS, Ahmedabad
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page 19
INSIDE JAIPUR’S EXQUISITE BAR PALLADIO
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Showcasing various homegrown furniture & product designers promoting the Make In India campaign. The Make in India design and craft story. Let’s talk local, traditional & cultural. “Let’s go local”
DE impressions //Top trending design showcase (DE spaces)
ORGANIC INDIA PRODUCTION FACILITY
TUT HOUSE
Lucknow, India
Thoothukudi, Tamil Nadu, India
Vadodara, Gujarat, India
By Webe Design Lab
By Manoj Patel Design Studio
By Studio Lotus
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FASHION BOUTIQUE
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67 32
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ARCHITECTURE WITH INT-HAB ARCHITECTURE + DESIGN, BANGALORE
DE next
PRODUCT - LIGHTING WITH INDI HAUS STUDIO, NEW DELHI
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//Young Architects & Designers of India tell their story.
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architecture & design magazine
DESIGN ESSENTIA MAGAZINE // DE INDIA
LETTER FROM THE EDITOR ABOUT THE ISSUE With this issue Design Essentia launches its fourth edition for the year 2020. DE introduces its special made In India edition with a sole intention to put forward and promote the local talents of the country. This edition’s theme is
“Make in India”.
In this edition we focus upon the vernacular and traditional wisdom along with a sustainable and local mix in the modern design approach. Now it’s the time to go against the grain and embrace sustainability as a defining feature in design. Its the time to learn from the past to move ahead in future while harnessing the vernacular wisdom to build the future. A future that is sustainable, a future that tells our local story, a future that envisions a better tomorrow. DE spotlight includes a special tribute to one of the renowned architects of our time Architect Pradeep Sachdeva who we know as the creator of iconic Dilli Haat, sadly passed away this end of May. The sad demise of Architect Pradeep Sachdeva, who has left a legacy behind that, will continue to inspire many generations to come. DE shares the conversation with renowned architecture duo Sandeep Khosla and Amaresh Anand principal architects at Khosla Associates from Bangalore, India. Also sharing with our audience a conversation with another acclaimed Architect Hiren Patel - principal architect at Hiren Patel Architects, Ahmedabad. The architects share their thoughts on the “Make in India” concept as well as the situation in architecture post COVID-19. On Cover with Make in India highlight story involves a vernacular - traditional inspired retreat in Karnataka by Int-Hab Architecture+Design Studio from Bangalore. This edition showcases various homegrown architects & designers of the country promoting the Make In India campaign by putting forward their thoughts and works towards promoting the local in design. Let’s highlight the Make in India design and craft story. Let’s talk local, traditional and sustainable. “Let’s go local”. Stay Safe, Stay Strong & Happy Reading!! I dont think architecture is just about building physical structures, it is an art that satisfies the human eye aiming to bring the society together with a good design” “Also being an architect I believe; a good design is the one for a smart future in which mankind approaches symbiotically to nature rather than destroying it.
Lets Talk Design!!
ANIRUDH DATTA Editor in chief
www.designessentiamagazine.com
architecture & design magazine
Lets Talk Design
www.designessentiamagazine.com
harnessing traditional wisdom to build the homes of the future!! DE directions Design Essentia Magazine//DE INDIA
India was in the throes of a planning frenzy and
several smart cities were on the anvil. COVID-19 has slowed down the process but soon things might get on track we hope. The country’s property shall boom again post covid as we think, besides being hungry for sand, iron, cement and water. Today it is quickly obliterating any nuances that existed in traditional design to address the region’s climate, environment and culture. But there is a breed of Indian architects who are going against the grain and embracing sustainability as a defining feature of their work. Choosing to turn their back on green rating systems and sustainability certifications, these architects look instead towards honouring time-tested building techniques to create structures that interfere as little as possible with nature, both in design and materials used. They build to suit the local socio-environmental contexts, embrace the use of reusable and renewable materials, and harness traditional building wisdom. They show that eco-friendly does not mean shabby, dull and boring. Combining sustainability with contemporary, modern designs and a range of materials, textures, and colours, they’re making homes of the future – homes that are gaining popularity as much for their small footprint and various health benefits as for their aesthetic appeal. Spaces that reflect our culture, environment and needs rather than aping a bland Western style. Few of these architects are: (next page)
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| July - August 2020 Edition//Design Essentia//DE INDIA
Biome Environmental Solutions, Bangalore. Led by Architect Chitra Vishwanath, an expert in sustainable architecture, Biome focuses on building in response to climate, using natural resources wisely and minimising waste streams. Their emphasis is on building with renewable materials such as mud and timber using energy-efficient techniques, eliminating chemical-based paints and plasters, harvesting rainwater and solar energy, preserving local biodiversity, and promoting recycling and reuse. //Govardhan Eco Village,Wada, Palghar by Biome Environmental Solutions (right)
Few Architects of India to look upto for practicing a Vernacular & Sustainable design approach. Kamath Design Studio, New Delhi Architect Revathi Kamath of Kamath Design Studio was one of India’s most well-known proponents of earth architecture, celebrating the use of mud in all her creations. Her own house, a mud structure built on the site of an abandoned quarry, is testimony of her love for this earth-friendly material. The “Mud Pioneer” recently passed away in July and shall be rememred for her exceptional environmental and traditional work and ideology. //The Mud House, Goa by Kamath Design Studio (left)
Benny Kuriakose, Chennai Architect Benny Kuriakose is known for promoting the sustainable and vernacular architectural principles of his mentor of many years, Laurie Baker. His architectural oeuvre is highlighted by natural materials and cost-effective technologies that are also climate, environment and culture appropriate. He embraces the use of eco-friendly practices such as the use of recycled fittings and encourages making the most of the site’s natural elements – light, ventilation and greenery – using cooling clay tiled roofs, large verandahs and open courtyards. //The Wayanad House, Kerala by Benny Kuriakose. (below)
Mozaic , Goa Behind Mozaic is Architect Dean D’Cruz, well known for turning full time to sustainable building practices in 2012. He has since focused on environment-friendly, cost-effective architecture, conserving Goa’s heritage structures and reviving its local building traditions. He is also a staunch proponent of equitable design and including all stakeholders in the design and execution e of the building process. //The Beck House, Goa by Mosaic (above) July - August 2020 Edition//Design Essentia//DE INDIA |
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INSIDE JAIPUR’S
EXQUISITE BAR PALLADIO
DE directions Design Essentia Magazine//DE INDIA
designed by Marie-Anne Oudejans
B
//photo courtesy: Bar palladio, Jaipur
ar Palladio Jaipur, set within the gardens of Narain Niwas Palace Hotel. Each room itself is unique, an expression of the Palladio aestheitc of infusing both Indian and European histories. As Jaipur is famous for its rich artistic heritage we worked together with local artisans to create an entirely bespoke atmosphere. Everything was specially crafted for Bar Palladio Jaipur: from the china plates, engraved glasses, fluro block prints and pierced brass lamps to the hand carved sandstone bar, stately cushioned banquette chairs and tented ceilings.The project was designed by Marie Anne Oudejans and commissioned by Barbara Miolini. Visual identity in collaboration with Marie Lusa, Zurich.
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| July - August 2020 Edition//Design Essentia//DE INDIA
Marie Anne Oudejans Marie-Anne Oudejans has had an illustrious and extraordinary history in fashion, art and design. Her first venture into fashion resulted in the highly successful Tocca label, created and founded in New York by Marie-Anne in 1994.The label was an instant hit and in 1995 Marie-Anne won the prestigious Perry Ellis award for new talent from the CFDA, Council of Fashion Designers of America. www.cargocollective.com/ Why do we delight in fantasy? Simple, fantasy allows us to depart our reality and slip into our imagination. Bar Palladio Jaipur is that very place: a candle-lit wonderland, a floating world. As the sun dips below the horizon a series of small tented pavilions appear and doors open onto the scenes of a dream. Every night this dream deepens, coloured by the aroma of food and the spirit of conversation. To enter this enchantment is to let slip the reins of reality, drawn into a world of the fantastic, a world of beauty and delight. Bar Palladio Jaipur was born with a simple intent: present classic Italian cuisine in a beautiful setting, create an atmosphere of magic, a sense of surprise. Inspired by the iconic CaffÊ Florian and Harry’s Bar in Venice and christened after the Renaissance architect Andrea Palladio, Bar Palladio Jaipur is an ode to Italian style and cuisine, viewed through the prism of a Mughal dreamworld. Italian owner Barbara Miolini dreamed of a place where people from across the globe could share their stories, find inspiration, and unwind, letting their cares melt away. Designed by Dutch designer Marie-Anne Oudejans, Bar Palladio Jaipur is located within a daringly restored garden belvedere in the daring historic Narain Niwas Palace Hotel. With wandering peacocks, mature mango trees, and garden of tented canopies Bar Palladio Jaipur is an orientalist fantasy, a new vision for European dining in India. //photo courtesy: Bar palladio, Jaipur July - August 2020 Edition//Design Essentia//DE INDIA |
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A main intent for anyone to visit Rajasthan is its beautiful royal palaces and the traditional architecture of the state. Bar Palladio was conceptualized as a maharaja’s palace from the 1960s. The region’s tradition of wall painting can be seen to be one of the inspirations at Palladio done in white on the royal blue color palatte. Blue on white florals were hand painted by artist Vikas Soni. You can also adore furtinure and fabrics with the traditional block printing art, native to Rajasthan which is another tradtional Jaipur element.
//photo courtesy: Bar palladio, Jaipur
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| July - August 2020 Edition//Design Essentia//DE INDIA
So, if you’re in Japur for work or to grasp that touristy palace vibe, try this blue interior exquitsite bar for that Indo-Italian blended ambience. You could sample the expansive Italian menu or get too know the regular patrons who come from every corner of the world.Then wind down the day on the outdoor tented cast iron sun-beds, the perfect place to watch a desert sunset while sipping your favorite wine. Under every archway and around every corner of Bar Palladio is a new secret to discover and beauty to explore. And yes you won’t stop clicking pictures, we gaurantee you that for sure. With its air of elegance and luxury, this space will give you a taste of a simpler, yet royal era and the indulgence of a lifetime. Might be your top to go places for life. Cheers!!
//photo courtesy: Bar palladio, Jaipur July - August 2020 Edition//Design Essentia//DE INDIA |
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// Showcasing various homegrown furniture and product designers promoting the Make In India campaign. The Make in India design and craft story. Let’s talk local, traditional & cultural // Let’s go local.
architecture & design magazine
Tell us something about your studio’s design philosophy? At Tectona we aspire to design a piece that stays unique forever. Such a piece creates memories and becomes the most treasured family heirloom. Tectona Grandis is a reflection of his passion, creating 100% teak wood furniture and products to ensure a strong yet classy finish to his product.
DHRUVKANT AMIN PRINCIPAL DESIGNER
TECTONA GRANDIS (Ahmedabad, Gujarat)
With the belief towards conservation of environment, Tectona Grandis has specialized in making furniture out of “reclaimed” Teak Wood, with a concept of giving handcrafted sustainable design. The contemporary designs redefine the functionality of teak wood furniture, making furniture that ensures total comfort and flexibility than ever before.
//Oreka Center table by Tetona Grandis, Photo by Ravi Mistry (below)
//Raw Bench by Tetona Grandis, Photo by Sachin and Ritvika. (above)
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| July - August 2020 Edition//Design Essentia//DE INDIA
//Sencillo table by Tetona Grandis, Photo by Sachin and Ritvika (below)
One of your top favorite best-selling product and why? Ripple Centre table (below) has been my all-time favorite product, as not only did it become a part of the identity of Tectona Grandis Furniture but has sold many pieces along with various versions and explorations in the same design. The latest additions which are my current favorite are OREKA Coffee Table (on page 20) and Sencillo Series. (on left)
DE’s this month theme is Make In India. As a designer how important today do you think is “going local in design and construction?” Make In India is a great move for all the craftsmen of the India. The designers of India today are a great aid to the dying fraternity of the craftsmen in various fields. Not only does “Make In India” be beneficial to the designers but also at the grass root level to the craftsmen. Hand in hand the two can emerge with a promising future.
//Lunic Chair by Tetona Grandis, Photo by Sachin and Ritvika (above)
//Ripple Center table by Tetona Grandis, Photo by Sachin and Ritvika (above) The Ripple Center Table by Tectona Grandis // Residence by PVDRS Architects
July - August 2020 Edition//Design Essentia//DE INDIA |
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Dotto is an abbreviation for a dot which symbolises Bindu - the circle of life. The brand focuses on seamless transition of intangible ideas into functional objects. Dotto launched its latest "The Naari Collection". Collection"
SALONI MEHTA & VEERAM SHAH
It is a series of objects comprising of Teak Wood and Brass, inspired by curves of women and their beautiful imperfections. Eye-catching well creafted jewelry boxes, wooden bags, elegant mirrors, and Lights in Dotto’s first first collection.
PRINCIPAL DESIGNERS
DOTTO: OBJECTS OF CURIOSITY (Ahmedabad, Gujarat)
//Padma Table Lamp by Dotto.
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| July - August 2020 Edition//Design Essentia//DE INDIA
“
There is an interrelation of different art forms that we are trying to decipher and convert to a singularity "functional design".
//Beatutifully crafted jewellery box collection by Dotto; Adya (left) and Devishi (right)
Literature, art, architecture, cinema these are the essentials that we look up to when we design. This gives a certain context, a depth of ideas to the products that we want to deliver. The aim is to bring more art into lifestyle products.
�
//Dotto Mirror collection; Triguna (left) and Ekaa (right)
July - August 2020 Edition//Design Essentia//DE INDIA |
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Tell us something about your studio’s design philosophy. We design to last. Strongly believing in furniture that transcends generations and finding their place as heirloom pieces. Our approach to design and products is centered around uplifting the core skillset of artisans, with a hands-on artisan centric approach.
ABHIRUP DUTTA & DEEPTASHREE SAHA PRINCIPAL DESIGNERS
WOODLABS (Bangalore, Karnataka)
//Taleen Asandi Chair and Taleen Sandhara Table (on right); Santulita Patha Sandhara Study Table (on left);
Akhandit Sandhara Table and Khandit Asandi Chair (top) by Woodlabs.
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| July - August 2020 Edition//Design Essentia//DE INDIA
Conscious design, superior material choices and use of traditional joineries and natural finishes; allows us to have sustainable consumption and deliver pieces, that lasts for generations.
Tell us something about your current product collection. Tamoshi (darkened) our current obsession is about celebrating the grains and texture of wood in a monotone palette. The collection was approached with intent to experience timber through its tactile nuances that go beyond stereotypical color biases. The series adds monolithic character to the ambience of the designed space bringing in serene contrast with your surroundings. //Tamoshi Deepa (Lamp); Tamoshi collection by Woodlabs. (above)
DE this month theme is Make In India. DE’s As a designer how important today do you think is “going local in design and construction”? For us it has never been a concern of today, but has rather been our guiding value since the beginning. There has always been a dearth of skilled artisans in the field of carpentry and lack of modernization of the profession. Quality is limited to a few big players and carpentry still remains a relatively caste based profession. There is also a reluctance among the artisans to pass down the skill-sets to the next generations as it is perceived by them as a dishonorable profession. If woodworking can be a full-fledged means of livelihood in most western countries, then we should be able to create an ethos here to do the same.
//Tamoshi Sandhara Tamoshi collection; darkened wood table by Woodlabs.
July - August 2020 Edition//Design Essentia//DE INDIA |
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Tell us something about your studio’s design philosophy. Tanara is a bespoke luxury furniture and interior brand known for its unique design approach for premium luxury Interiors. We promote the Make in India aspect to create hybrid european ambient - traditional furniture with the essence of contemporary emotions.
KRISHNA VERMA
“When I enter a space i make sure, I listen to what the space speaks and requires for that exceptional makeover.”
PRINCIPAL DESIGNER
TANARA DESIGNS (Noida - Hapur) //Tanara accent chair, by Tanara Designs. (below)
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| July - August 2020 Edition//Design Essentia//DE INDIA
Tell us something about your current product collection. Our new line of products with the name "THE CURVES" is in progress, focused entirely on the idea of manufacturing in India based on “Make in India” concept. Within the next few months, we will launch our range of sheesham / teak wood carved floor and table lamps along with beautiful wall mirrors inspired by french architecture, crafted by a very talented artist Mr. Sehdev Kumar and his team who all are part of our design family.
//Tanara handcrafted Teak collection coming soon, //in process/manufacturing images (above)
The method of producing these products is very different and unique from our other regular products, the first step process of seasoning the wood using chemicals and techniques play an important role for the whole thing, secondly giving shapes and curves to the wood which is again a challenge for the artists. Accordingly, we pigment manufactured goods with antique paints and textures. DE’s this month theme is Make In India. As a designer how important today do you think is “going local in design and construction”? Firstly i would like to say our tradition and culture is totally different from other countries and we should embrace it. On other hand we at Tanara Designs always promote and support our local indian artisans and products including our handcrafted lamps , wall sculptures and various other products which have that local story to tell through its design and make.
//Tanara puoffe collection. (above)
“Create local & promote local” is our motto for our traditional craft collection. We believe this will also create a major impact on the indian economy somewhere which is not stable due to Covid-19, creating and purchasing local will help each and every individual of the country indirectly. July - August 2020 Edition//Design Essentia//DE INDIA |
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DE spotlight DESIGN ESSENTIA MAGAZINE//DE INDIA
DE Spotlight
//A TRIBUTE TO ARCHITECT
PRADEEP SACHDEVA (1957 - 2020)
A tribute to the creator of
Dilli Haat text by Anirudh Datta EDITOR IN CHIEF DESIGN ESSENTIA MAGAZINE//DE INDIA
Architect Pradeep Sachdeva passed away on May 31, 2020 leaving behind a timeless legacy of his creation, the iconic Dilli Haat and many other of his architecture marvels. Pradeep Sachdeva was more than just an architect who went on to make a serious contribution not only in architecture but also in urban design, hospitality, furniture design, and his favorite landscape design. It’s extremely sad to loose one of the most design talented and always cheerful architect of India. I had started my architectural career with him at PSDA (Pradeep Sachdeva Design Associates) in New Delhi. PSDA will never be the same without him and I’m glad I worked there. He always created a positive aura in the office. Everyone use to call him “boss” at office. It sounded bit strange to me in the beginning but it did have that interesting ring to it. But if you heard him talk you knew he had earned that tag.That man did knew how to design but he also knew how to sell that design pretty well. I always have this memory of him being cheerful and positive while talking to everyone. Boosting that confidence in his team. “Anirudh, looking sharp in that crisp shirt” he said to me most of the mornings.Yes, it felt good. We met a few months back. It feels like yesterday we were talking about his interview cover story. He was so happy about it. I wish I hadn’t waited this long for it.And this lockdown happened. I’ll always regret it for life. My condolences to the family and office. A huge loss to the whole architecture community. “A wonderful architect, mentor, boss, a friend, a true gentleman.You will be missed. It was a pleasure learning from you.” RIP boss!!
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| July - August 2020 Edition//Design Essentia//DE INDIA
#DEspotlight Pradeep Sachdeva the principal archect at Pradeep Sachdeva Design Associates was an award winning, New Delhi based architect well known for designing several landmarks in the country. He was considered one of India’s foremost designers of urban spaces. Dilli Haat at INA Market and Garden of Five Senses in Said-ul-Ajaib are few of his most iconic and popular contributions to the capital.
Pradeep Sachdeva an alumnus of IIT-Roorkee started PSDA (Pradeep Sachdeva Design Associates) in the early 1990s as a small design studio in Khirki, New Delhi, working mainly on domestic projects. The practice moved to new area in Ayanagar, a bustling urban village, in 2002. The building has a series of stimulating built and open spaces. Alongside the studio is an extensive library, workshops, exhibition space, a café and a lovingly-created garden with close to a 100 different species of plants and trees. Its like a green “Oasis” in the village. villag Among PSDA’s proud projects is the iconic ‘Dilli Haat’ - a food & crafts bazaar emerged as one of Delhi’s most loved urban leisure spaces. Designed to be a public space, it is a platform for showcasing regional crafts and food of India. Dilli Haat is a place of celebration; an ever-changing kaleidoscope of crafts and cuisines from different parts of India. In 2003 Dilli Haat became one of the first public places in the country to be made completely barrier-free. Another one is the the Garden of Five Senses, It is not just a park.,the project was designed to stimulate one’s sensory responses to the environment. The project developed by Delhi Tourism & Transportation Development Corporation, was conceptualized to answer to the city’s need for leisure space for the public, for 1. Architect Pradeep Sachdeva. | Photo courtesy: PSDA. people to socialize and unwind. An amalgamation of 2. Dilli Haat, INA | Photographer: Pradeep Das Gupta. colour and fragrance, texture and form evokes the 3. Garden of 5 senses, Said-ul-ajaib, Saket. | Photo courtesy: PSDA. (images from top) awareness of touch, smell, sight, sound and taste. July - August 2020 Edition//Design Essentia//DE INDIA | 31
an inspiration to all !! The sad demise of Architect Pradeep Sachdeva, who has left a legacy behind that will continue to inspire many generations to come.
“
Many others have written many glowing tributes to my friend and colleague Pradeep Sachdeva, who passed away due to multiple organ failure in Medanta on May 31st, Sunday morning and was cremated in Ayanagar, his karmabhumi. I shall confine myself to how I knew him, as one of my good friends, the father of my daughter's friend, and a friend of my wife and daughters. Pradeep was younger to me by a wi year, and his passing reminds me of my own mortality. May he reside forever in the kind of heaven they reserve for passionate and excellent architects up there, having worked in one kind of heaven that was of his own creation.
- Sanjay Prakash
(architect)
“
In my 28 years of association with boss, I have always seen him as a saint and a man with a large heart. With my slightly spiritually bent mind, I have always looked up to people who in the past have achieved superconscious state, from Gautam Buddha to new age Sadhguru. Upon listening to their teachings, I always placed boss as an equivalent. He enjoyed working on small spaces, be equivalent it a small kitchen for a gardener or a 12 feet x 10 feet house for domestic help or a residence for his masseur. He designed these with the same level of detail, interest and enthusiasm as he would for a luxury hotel or a public street.
- Madhu Shankar
“
Pradeep was without a doubt the most precious human being to me on this earth! Though a generation younger to me he was my role model of truth, creativity and gentlemanly behaviour! I really cannot imagine that this has come to pass and I know that you share all of my feelings and sadness.
- Christopher Charles Benninger
(architect)
“
Pradeep was first a dearest friend and then our architect. His going is a huge loss for me personally; and for the world which needs people to build spaces that are green but cost effective; simple but extremely beautiful. This greensense is what Pradeep embodied. His passion was to create public spaces that worked for all; inclusive and yet artistic. We needed him now more than ever. His going leaves a void and an mo irreplaceable loss. But more than all that I will miss him very much; his friendship; support and counsel.
- Sunita Narain (environmentalist) - Centre for Science and Environment (CSE)
(architect) - Associate at PSDA
“
“If you have a garden and a library, you have everything you need.” I was first introduced to this quote of Marcus Tullius Cicero by Pradeep Sachdeva. It was an ideal he tried to live by, having built two gardens, one at PSDA Studio and other at Sadhrana Bagh. He constantly added, subtracted, and made changes to the gardens, forever evolving with them. A small library, currently being built at Sadhrana Bagh was his attempt to fully realize this ideal. It is an ideal we could all be so lucky to live by.
- Vidya Tongbram 32
(architect) - Associate at PSDA
| July - August 2020 Edition//Design Essentia//DE INDIA
//(from left) Vidya Tongbram, Madhu Shankar and Pradeep Sachdeva at PSDA studio, Ayanagar, New Delhi. | photo courtesy: Madhu Shankar.
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nd food of India. The site was reclaimed by covering a storm water drain with a slab. Dilli Haat is a place of celebration; an ever-changing kaleidoscope of crafts and cuisines from different parts of India. In 2003 Dilli Haat became one of the first public places in the country to be made completely barrier-free. Another one is the the Garden of Five Senses, it is not just a park. The project, developed by Delhi Tourism & Transportation Development Corporation, was conceptualized to answer to the city’s need for leisure space for the public, for people to socialize and unwind. The project was designed to stimulate one’s sensory responses to the environment. An amalgamation of colour and fragrance, texture and form evokes the awareness of4touch, smell, sight, sound and taste.
5 1. PSDA office (the bridge), Ayanagar. 2. Meda - a 300 year old house transported from Kerala and rebuilt in Gurugram. 3. Samode Palace, Samode, Rajasthan. 4. Samode Safari Lodge, Bandhavgarh, MP. 5. Bamboo House, Gurugram Photo courtesy: Pradeep Sachdeva Design Associates (PSDA). (images from top)
Checkout these projects in detail at www.designessentiamagazine.com July - August 2020 Edition//Design Essentia//DE INDIA |
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DE spotlight DESIGN ESSENTIA MAGAZINE//DE INDIA
DE Spotlight Interview //in conversation with ARCHITECTS
SANDEEP KHOSLA & AMARESH ANAND PRINCIPAL ARCHITECTS: KHOSLA ASSOCIATES, BANGALORE
#DEspotlight Sandeep Khosla and Amaresh Anand are
one of India’s top leading Architects. They are the Principal Architects at Khosla Associates, Bangalore.
SANDEEP KHOSLA
AMARESH ANAND
(Principal Architects at Khosla Associates, Bangalore)
Design Essentia Editor in chief Anirudh Datta had a detailed interaction with the architects for the DE Spotlight interview series about the work at Khosla Associates and the post COVID scenario in architecture, along with the topic of Make in India to promote & go “local”. The Studio has a versatile body of work ranging from architecture and interiors of residences and corporate offices to retail and hospitality spaces. They have in the past 25 years of practice won over 30 National and International Awards. www.khoslaassociates.com/
DE spotlight By ANIRUDH DATTA
DESIGN ESSENTIA MAGAZINE//DEINDIA
Khosla Associates have been the ‘Education’ Category winner at the WAF/INSIDE Festival 2013 in Singapore and winner of the WAN ‘House of the Year 2017’ in London. Their distinct style of tropical residential architecture uses local materials and concepts, but reinterprets them with a unique and contemporary design sensibility. The firm’s interest in global/local trends in fashion, lifestyle and design is reflected in their varied palette of bar, restaurant, office and hotel projects across India. Few of my personal favourite works of the India studio would be the raw rustic concrete charmed Race Course House in Coimbatore and an interior design project 1Q1 Kitchen & Bar in Bangalore that defines the 1930’s exquisite Art Deco style. It was interesting talking to the duo as they shared their insights on the going local with Make in India concept as well as on the post covid situations in architecture with a need for a sustainable future.
AD : What inspired you to pursue a career in Architecture? SK : I was in a small Liberal Arts College called Bard in upstate New York where I was studying Fine Arts and economics, but was also exposed to classes in Philosophy, music and literature. In my second year I was introduced to architectural history classes which really spurred my interest in Architecture. That prompted me to transfer out into an Architecture school. I was always inclined towards Ar the Arts from the very beginning. Architecture was a great opportunity to express this inclination further. AA : As a kid I used to spend a lot of time sketching and doodling. Eventually, my mother recognised my love and affiliation for art and introduced me to the world of architecture. I soon realised that architecture combines all forms of art; engaging the mind, body and soul. Good architecture can have a positive impact on human life. July - August 2020 Edition//Design Essentia//DE INDIA |
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AD : In few words, how would you define your design process – philosophy? SK : If I had to sum up questions that drive my design thinking it would be these : Is there an honesty of material and expression in our architecture, are the basic values of light, air and ventilation fulfilled, is the design climatically sensitive, contextually rooted and conceptually relevant? Is the design alinged with the narrative of its program and its end users? And most importantly what is the happiness quotient of our spaces, do the ha spaces we design have the capability of being loved? AA : Architecture has many layers. Simply put, design should not only please one’s eyes, but actually strive to move ones soul and create a deeper connect between the built form and the user. AD : The world is now slowly realizing the seriousness about climate change. What is your take on sustainable practice in architecture today? SK : Sustainable practices in my opinion are the only way forward for architects and designers as we encounter increased global warming and a depletion of our earths resources. We have always considered designing buildings from the inside out, relying on natural light, ventilation and protection from the elements so that energy loads are fr minimized. We now have to start making responsible choices in the materials that we use and be frugal in what we consume. We must quickly adapt and move to renewable resources. Reducing ones carbon footprint is possible by thinking local with our choice of methods and materials. materials
Race Course House, Coimbatore by Khosla Associates Photographer: FABIEN CHARUAU
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AA : We have always been advocates of sustainable practice, which is an integral part of the philosophy of our design. We believe it’s our moral responsibility more so now than ever. We have made it a practise to conduct workshops with all our clients, where we introduce them to the various methods we can adopt to make the building more sustainable. This has been well appreciated by the clients and many of them have incorporated these ideas into their home design and lifestyle. I see sustainability as a personal and moral issue as well as a professional one and I have experimented with and implemented this concept in my own home as well. It is completely self-sustainable; from producing our own electricity via solar panels, to water management and sewage treatment systems, and even the choice of material.
AD : Your most proud – favourite project at Khosla Associates? SK & AA : There are many favourites but we might single out two projects in particular that stand out. The ‘DPS Kindergarten School’ in Bangalore. This won us our first major international award at the Inside/World Architecture Festival in Singapore in 2013. Our ‘Retreat in the Sahyadris’ on the Pawna lake in Maharashtra was modest in its footprint, redefined for us what a holiday home could be, and was built out of the local basalt stone found on the site. This project won us the WAN House of the Year in London in 2017. Both these projects were conceptually strong, contextually rooted, and sustainable in their thinking. thinking
DPS Kindergarten School, Bangalore by Khosla Associates. Photographer: SHAMANTH PATIL (above)
AD : What other projects are you currently working on? SK & AA : We are currently working across typologies and scale. There are a number of very interesting residences across India. There are 3 hotels in design development; A 120 room high rise tower for the Park Hotel Visakhapatnam, a 32 villa wildlife boutique resort in Kabini, Karnataka, and a 200 rooms business hotel In Bengaluru for the Green Park Hotels. Gr
(above) Retreat in the Sahyadris by Khosla Associates. Photographer: SHAMANTH PATIL
Other interesting projects on our drawing board are the Shikshalaya school in Coimbatore and a 40 acre villa development called Rama Greens in Raipur which is currently under construction. July - August 2020 Edition//Design Essentia//DE INDIA | 37
AD : DE’s this month theme is Make In India. How important today do you think is “going local in design and construction” SK : In the current pandemic and with the huge disruption in the lives of migrant workers, as architects and designers we do have the responsibility to first support our local ecosystem. At Khosla Associates over the past 2 decades, we have been supporting local materials and methods of construction. But if we look around us, there is a wealth of high quality sustainable design happening in the country and we should support that too in the interior products that we choose. AA : Our country has abundant skill and is traditionally rich in craft. We have always been advocates of using local materials and explore the crafts available in India. Today it is pertinent not only to promote the use of Indian made materials and products, but also to empower local communities and make them more financially independent. financial I do, however, believe that the world is becoming smaller and more connected. There is a lot one can learn from other cultures around the world and design ideas can have global influence and yet use local methods, materials and crafts. AD : How has Khosla Associates indulging themselves today and in the past towards the Make in India Idea? SK & AA : We will take the example of a recent hospitality project in Bangalore called the “1Q1 Kitchen and Bar”. All the elements were sourced locally from Bangalore. The red oxide ceilings are a lost craft and we were keen to revive them, the flooring is made of the local grey granite upon which the city is built, and all the furniture and decorative lighting within the space was designed by us in collaboration with local Bangalore based furniture and lighting studios. We are currently working on a 200 room business hotel in Bangalore where all the interior elements and devoloped and sourced within India. The architecture and interior industries in our country have become more and more sophisticated in the past decade, and we continue to forge alliances with top notch manufacturers across the country, so we do not feel that we are compromising in quality or design by working with local suppliers. 38 | July - August 2020 Edition//Design Essentia//DE INDIA
1Q1 Kitchen & Bar, Bangalore by Khosla Associates Photographer: SHAMANTH PATIL J.
1Q1 Kitchen & Bar, Bangalore by Khosla Associates Photographer: SHAMANTH PATIL J.
AD : In the current covid situation what you think will be the future of Architecture after COVID? How would you think this would affect the design industry? SK : I think we would all have to find ways to work more efficiently virtually and travel less. But the positive is that as designers we might be more mindful about what we are creating. The design industry might also have to make some hard choices about the relevance of what they are producing. AA : As an architect and a human being, I have come to perceive many realities of life during this COVID time. First and foremost, the time has come to distinguish between needs and wants. We can make our lives simpler, consume less and co-exist with nature. This will surely have a positive impact on environment. In the last few months since lockdowns and curbs on travel, we have experienced the impact on nature. It feels like nature is healing in just a few months.
our the all the
This goes to show that we as global citizens have a collective responsibility towards Mother Nature and if we all work together, we can correct the course for a better tomorrow. Hence the design industry has to be more responsible and the design solutions have to be as sustainable possible. This is a time to think out of the box and be innovative and original.
AD : What is your “message of HOPE� in this COVID crisis? SANDEEP KHOSLA
the world will emerge a better place after this crisis, I hope that
that humanity will want to leave a better planet for our children, that we will make responsible choices in the way that we live our lives. AMARESH ANAND A
I believe beli in the power of the human spirit to overcome challenges and emerge with
new and better systems. This is a trying time for the whole planet, but is through our trials that we experience the greatest g growth. July - August 2020 Edition//Design Essentia//DE INDIA |
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DE spotlight DESIGN ESSENTIA MAGAZINE//DE INDIA
DE Spotlight Interview //in conversation with ARCHITECT
HIREN PATEL PRINCIPAL ARCHITECT: HIREN PATEL ARCHITECTS, AHMEDABAD
#DEspotlight Hiren Patel
is one of India’s top leading Architects. The Principal Architect at Hiren Patel Architects, Ahmedabad, Gujarat. Design Essentia Editor in chief Anirudh Datta had a detailed interaction with the architect for the DE Spotlight interview series about the work at Hiren Patel Architects and about the post COVID scenario in architecture, along with the topic of Make in India to promote p & go “local”. Hiren Patel architects started out as a small firm that has grown exponentially by accepting every challenge that came its way. In my quest for excellence, “I have poured into my work passion, commitment, wholehearted enthusiasm, hope and my energy and I hope to maintain such a level of integrity and commitment in all my work as long as I live.” says architect Hiren Patel. www.hpa.co.in/
DE spotlight By ANIRUDH DATTA
DESIGN ESSENTIA MAGAZINE//DEINDIA
A journey of more than a decade with an insight into social and professional dynamics and working on projects with man, material and nature, the architect says he has learnt that there is an inbuilt harmony within these three elements. It has been my constant effort by the studio to make optimum use of these components and archive growth, excellence and perfection while contributing to the society, conserving nature and respecting tradition. “Success to me does not only mean volume of work, but also the quality and imprint it leaves behind. For us the achievement is in appreciation and recognition we gain for our projects.We constantly strive to change with time and incorporate new ideas for enriching our service for you. ” says architect Hiren Patel. It was interesting talking to Architect Hiren Patel as he shares his insights on the going local with Make in India concept as well as on the post covid situations in architecture with a need for a sustainable future.
AD : What inspired you to pursue a career in Architecture? HP : My father, a government employee, was actually a 2nd town planner of Gujarat state. And my both elder brothers were pursuing civil engineering . I saw them making models of buildings. They introduced me to the word “architect”. They Th once said - “we engineers make buildings but architects are the one who actually design them” At the same time a beautiful exposed brick work house was being built in from of our house : I saw the owner Kumar Vyas and his friend Dashrath Patel visiting site. Both were a legend at NID. I think this house indirectly inspired me to choose the field of architecture. From 10th standard I was sure to be an architect . I was a good student and could have got in to medicine or computers but I preferred architecture, which was less known at that time and that became my passion. July - August 2020 Edition//Design Essentia//DE INDIA | 41
AD : In few words, how would you define your design process – philosophy? HP : We look for a “timeless “ quality in all our projects. Nature plays a major role in it . Garden design and landscaping beyond decorations, we thrive for. I saw my father with the Love for gardening. He was so good at it and with his busy schedule of work , he wasalways devoted to his to gardens. We saw him, he never insist us to work or help him in landscaping - that was his passion. Our home garden was his soul and there was oneness in their relationship. Hope one day I can get this quality of oneness with landscaping. We work on architecture, interior design and landscape design. For us it’s one thing and we look for a senergy between all the three. Architecture teaches us the space making, interiors teaches us fine detailing and landscaping teaches us the connections to nature. At the moment we look for the quality which is beyond design. The work has to be a poetry or an Art. And that “Art” shall be artless for us. This is what we are working towards. to AD : The world is now slowly realizing the seriousness about climate change. What is your take on sustainable practice in architecture today? HP : Green and sustainable design is a experts subject. Our heritage always respected the sustainable aspect in design and living. For this we have to go backwards then forward. Our ancestors did so well in green design. We need to get their sensitivity back. I am a LEED AP (accredited proffessional). I think it’s good to have such measuring tools today to check how much sustainable your design is. At HPA we did few projects, with such green certifications. One shall try to get such certifications to get aware for green design approach.
GARDEN HOUSE by Hiren Patel Architects. (images from top) isometric view, roof plan, landscape plan Photographer: VINAY PANJWANI checkout full project on www.designessentiamagazine.com
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We all have to work in direction as someone wise once said rightly - that we are only visitors to this planet, and we shall respect and maintain it so well for the next visitors in future. With such kind of data and technology available, we can see our future well and we can rectify where ever it is needed.
AD : Your most proud – favourite project at HPA? HP : My first building, (unfortunately I do not have a details or photo of it . It was before computer was in architecture). It was a beautiful house of 3 vaults, great powerful architecture and I have it in my memories. During practice, working with real estate developers was a bit challenge . We had to work hard to convince them a do good architecture and design apart from a business of profit . We did one sample villa at one project with beautiful garden courtyards and people loved it so much. Every weekend it will be full of visitors. It was kind of a dr dream house. When you work for community, one will have another level of joy. Doing Dadamiyan Mosque, doing a Samadhi for a spiritual leader, or doing a community center for underprivileged children brings a lot more satisfaction in design as one feels that you are giving back to society which is meaningful. Revisiting such space makes you much happy , when you see people are enjoying these spaces you and your office have created. Also working on town planning is a great interest for us . I believe you can rectify the building if they could not achieve desired quality . But when one works on road lay outs it’s a final footprint on Mother Earth . It is gonna to stay for ever for years . So we love that challenge and enjoyed working on such urban projects for corporations.
Dadamiyan Mosque, Ahmedabad by Hiren Patel Architects Photo courtesy : HPA (above)
AD : What other projects are you currently working on? HP : We primarily work on buildings for living and working. We realised the nature plays a strong role in this and we try to bring our end users towards nature . The There is a project we call - Garden House , it has this philosophy to live with garden at every space of this urban house. We have established the relationship with nature and indoor spaces. Almost every spaces has a great view to garden.We created different landscaping for all different areas.
GARDEN HOUSE by Hiren Patel Architects. Photographer: VINAY PANJWANI
Also same way when we were working on an office, we thought of designing garden office. So we have complete transparency in office with floor to ceiling glass and all around is a garden for the green visual connect. July - August 2020 Edition//Design Essentia//DE INDIA | 43
AD : Outside of architecture, what are you currently interested in and how is it influencing your design thinking? HP : I believe in fitness. I love running , swimming and doing Yoga . Learning in these fields are life long. But some time one feels happy by achieving certain milestones. I did my half iron man, and I feel happy to be a fit person. Same way I love art and i paint alot of big size of watercolours. Doing watercolour helps me to be fresh and I am able to work well with my demanding professional hours. AD : DE’s this month theme is Make In India. How important today do you think is “going local in design and construction” HP : In india we have lots of local talent. Our artisans are rare & skillful. And we need to work with them and keep them busy. Most of the developed countries have gone in mass production, where as in India we still have things produced by hands. That is the thing which we should shall be taking forward with pride. We can produce work which is beautifully produced by hands and not machines. Make in India is a great initiative by government, we shall work in this direction what ever little we can contribute. Also good products, if we are not able to produce, then we shall not be ashamed to import. We too import things and learned from it. A compitition for better product is must and we shall be as good as any world class product. AD : How has HPA indulging themselves today and in the past towards the Make in India Idea? HP : Yes , we look for good products which are appropriate for our clients. In our projects we also choose certain areas to be developed with local brands and local products. We demand the high quality work and service from our local vendors and artisans. One thing we need to understand is that, using local products diesn’t not mean to use inferior products. We need to improve to get respect from the rest of the world. 44
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AMOEBA OFFICE, Surat, Gujarat by Hiren Patel Architects Photographer: VINAY PANJWANI.
AMOEBA OFFICE, Surat, Gujarat by Hiren Patel Architects Photographer: VINAY PANJWANI.
AD : You have been an architect for over three decades. How has the architecture industry evolved from what it was back then?
AD : In the current covid situation what you think will be the future of Architecture after COVID? How would you think this would affect the design industry?
HP : At the beginning of my carrier the real estate was huge but still not at all focussed for good design. It was just a platform of good profits. There was no respect of architects who worked for builders.
HP : COVID-19 has made us a better humans for sure. Now we respect nature, humans to all levels. We have become conscious about family bonding and persuading our hobbies. As a designer we will more sensitive in terms of quality design.We need to slow down. Most of us have realised that quality makes us more happy then quantity. So we all have become quality conscious. Architecture practice will not suffer like any other industry like hospitality on long run. Yes immediate financial crisis will happen but that is unavoidable and we need to fight for such situations. In Ahmedabad we had seen earthquake and we had experience similar financial crisis.
Today the scene has changed. Now a real estate developer wants best of design for his project. And they obey architects. It’s a big shift. People benefit from this hard and honest works of architects. Second now one have so much in terms of material availability and possibilities. The technology is evolving drastically. In architecture it is slow where in interior industry it has already gone to world class level. Our local manufacturing people are at par with rest of the world in quality. And year by year it is improving. I see massive shifts in using local talents v/s imported ones. Which is good. As it promotes local. It will improve the economy of country as well. But we shall always thrive for best quality, for that one can import and learn to develop d locally later. And then export again.
“City will grow g horizontally, post covid. ” AD : What is your “message of HOPE” in this COVID crisis? HIREN PATEL
Live a simple life which is much more meaningful. July - August 2020 Edition//Design Essentia//DE INDIA |
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follow us @greengazette
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DE
Impressions //take an alluring journey through the latest trendsetting architecture & interior spaces refelcting the Make in India aspect of promoting local and sustainable.
//In background project by Manoj Patel Design Studio, Vadodara. | photographer: Tejas Shah
#DEimpressions
Imbibing local to create Sustainable!! Lead Architect: Sidhartha Talwar Project Location: Lucknow, Uttar Pradesh, India Built up Area: 1,20,000 sq.ft.
ORGANIC INDIA PRODUCTION FACILITY Photographer: ANDRE J. FANTHOME
Architecture: STUDIO LOTUS
#Make In India
//The Integrated Production Facility for Organic India in Lucknow is a sprawling campus designed to support the production, processing, and administrative functions for the holistic wellness brand. Located in Chinhat, an industrial area, this upcoming industrial zone creates a verdant backdrop for the facility that has been designed to capitalize on the abundant open space to provide an atypical work environment for its factory workers and administrators alike. 48 | July - Augut 2020 Edition//Design Essentia//DE INDIA
Two sets of intersecting axes characterize the building footprint of the facility; the resulting interstitial spaces emerge as courtyards, lightwells, and lawns that provide space for interaction as well as relaxation to the facility staff. The built vocabulary of the facility has been articulated in brick and concrete, with sleek lines and planar symmetry characterizing the façade design.
The axes conceptualized for the facility’s design have been staggered to lay at an angle to the site boundaries — the resulting footprint creating large open spaces along the periphery to accommodate staff parking, heavy vehicle manoeuvring and off-loading, and recreational zones towards the east, west and north sides; the southern side of the site has been reserved for services, in tune with Vastu recommendations. To segregate worker and visitor traffic as well as pedestrian and vehicular access, however, the entrance for the Production Wing has been provided from the western flank.
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A LEED PLATINUM DESIGN The design scheme of the facility imbibes local influences to create a sustainable built environment, the primary among these being the use of bricks as the primary infill material. Left exposed, the facility’s brick shell harkens to facility the regency structures of colonial Lucknow; bricks are also locally available due to abundance of labour-intensive kilns and availability of pliable clay, lowering the carbon footprint of the campus. The fenestration strategy, in tune, has been devised to provide the optimal wall-window ratio to each zone: the processing blocks have limited ingress of light, facilitated through skylights and north lights, to prevent spoilage of goods. On the other hand, high ingress of light has been enabled in the administrative blocks, to help lower dependence on artificial means of lighting. blocks through stack effect. The abundance of open spaces and limited hardscaping also increases potential for recharging the ground water table. The design of the facility also ensures the channelling of surface run-off for reuse, as well as recycling of greywater discharge — the result has been the reduction of potable water consumption by more than half of the initial demand. The design scheme utilizes, in addition, a gamut of passive cooling techniques — such as terracotta filler slabs in the large-span spaces, and recessed openings to cut out solar glare. Over one-tenth of the material used in the construction of the facility is recycled; as a result of these interventions, among many others, the project has been awarded a LEED Platinum rating. 50
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The Integrated Production Facility for Organic India combines the production and administration sides of the wellness brand to create a campus that stands exemplar of sustainable development — not only in tangible terms of material use and energy consumption, but also through the provision of a built environment that caters to the physical and psychological wellbeing of its occupants. The expansive open spaces, permeable built fabric, focus on community and introspection, and prioritization of the workers’ safety and comfort over all else has created an architectural template for all future properties for the futu company. Photographer: ANDRE J. FANTHOME
Checkout more at www.designessentiamagazine.com July - August 2020 Edition//Design Essentia//DE INDIA |
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#DEimpressions
TUT HOUSE
Copper facade; rustic & raw !! Principal Architect: Karthikeyan Project Location: Thoothukudi, Tamil Nadu, India Project Area: 6800 sq.ft.
Photographer: KARTHIKEYAN.N, PHX2917
Architecture: WEBE DESIGN LAB
#Make In India
//TUT House, in the heart of Tuticorin has a very deciduous character which can be felt as one moves from the rustic exteri-ors to sleek finished interiors. Courtyards, greenery and rustic finishes rule the design of this Tuticorin, Tamil Nadu home. Designed as a series of courts gradually moving inwards, this home is a play in open and enclosed volumes. A copper facade at the entry reflects organic patterns and perforations; the structure seamlessly blends with the landscape around. structu 52 | July - Augut 2020 Edition//Design Essentia//DE INDIA
The layout of the built in site consciously distinguishes the inside and the outside, broken down in between three courtyard spaces the front, center and the back court. The front court which is open to the road becomes the public space to entertain guests and have chats, the central court is the core of the house with almost all the daily functions happening in that space with ease and the rear court has the sense secluded haven that is used as a recluse. The use of these courts throughout the day is an effortless symphony and has been ideated for family gatherings and togetherness. The mornings are occupied and served in the front court with the daily dose of news and tea. The afternoons and eve-nings are split in the levels of the center court with music, chatter and laughter amidst the sound of nature and water. The back court is private and is overlooked by the sleeping spaces. The perforated custom wall and ceiling in the center court giving a sense of outside makes way for light and shade that moves with the sun giving a feeling transience in the space. Throughout the day, one can trace shadows travelling from east to west through the walls of the house. The spaces in the house are layered to overlook these open spaces creating a unique feeling of inside and outside.
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The striking signature of the house is in the material that has been used - contrast of concrete, copper, brass and wood. The outdoors are characterized by the raw rustic look of concrete, stone and wood with varying textures that layers to form harmony. The landscapes are kept to minimum but enough to accentuate the raw texture of the materials used. The interiors personify a subtle richness with the use of copper and wood in the background of white marble. The textures are sleek and smooth almost making you miss the rustic exteriors. The interiors are designed with a neutral palette and are susceptible to redecoration, whereas the exterior is rustic and raw that will age gracefully with time. 54
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The metal textures gracefully changes its course throughout the house in contrast to each other. The TUT House builds a coherent flow of visual appeal which gives the house a feeling of richness and a warm tone for a family dwelling. It is a celebration of seamless juxtaposition of materials, textures and colours. Photographer: KARTHIKEYAN.N, PHX2917
Checkout more at www.designessentiamagazine.com July - August 2020 Edition//Design Essentia//DE INDIA |
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#DEimpressions
Crafted & Recycled !! Principal Architect: Manoj Patel Project Location: Vadodara, Gujarat, India Project Area: 350 sq.ft.
FASHION BOUTIQUE Photographer: TEJAS SHAH
Interior Design: MANOJ PATEL DESIGN STUDIO
#Make In India
//A finest women’s wear retail studio in Vadodara, Gujarat, India which enhances crafted elements exhibiting interiors to bring a contemporary experience throughout highlighting a unique experience. With novel outcome from the existing forms promotes, reusing of traditional and scrap materials transforms the monotonous boutique into elements of visual connectivity through compositions. 56
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The layout combines two rooms together across in graphics and material frames, giving different perspective when viewed from any edge. As a cost effective and environment responsive project makes reusing of various scrap materials ideal for designing and cladding optical interior surfaces for pleasing ambience. For the project, materials were chosen in a palette of contrasting tones: waste clay roof tiles, waste beer bottles, damaged flooring tiles, recycled window shutters, unused sample tiles, waste metal rings and mirror clad. At the same time, the quality of these materials provides longevity with aesthetics. One’s attention is captured through, the entrance gateway that wraps in two dark contrasting colors with random pattern of mosaic bubbles leading to the central display area. July - August 2020 Edition//Design Essentia//DE INDIA |
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Reusing of waste clay tile pieces adds texture with some dramatic effect resembling the floor and ceiling interiors. Custom made earthy textured patterns on varied walls, refers to Indian saree palav, ornamental toran boosts the boutique with illusion of lights. (above)
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One of the hanging areas depicts an accent wall backdrop executed by reclaiming glass bottles reflects necklace. (next page) Assigning a new function to reused shutter windows in monochrome theme adds an element of displaying inside the material selection area. A palette of varied recycled and mounted materials into new products adds to the energy of the young boutique owner while celebrating the uniqueness of the particular space. | July - August 2020 Edition//Design Essentia//DE INDIA
Checkout more at www.designessentiamagazine.com Photographer: TEJAS SHAH July - August 2020 Edition//Design Essentia//DE INDIA |
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//background image Samode Palace; design by Pradeep Sachdeva Design Associates
DE Discover //Discover an alluring journey through design while talking to some architects and designers to discover about architecture & design for the Make In India philosophy; Let’s go local.
//In background project by INT HAB Architecture+Design, photographer: Vishal Jayshankar
DE discover DESIGN ESSENTIA MAGAZINE//DEINDIA
//A vernacular retreat in Karnataka.
SACHIN SHETTY PRINCIPAL ARCHITECT
On Cover 62
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INT-HAB ARCHITECTURE+DESIGN (Bangalore, Karnataka)
Tell us something about your studio’s design philosophy.?
RETREAT AT HAMPI - NAVYA’S Tell us something about the project and its story. What was the concept relating to the Indian context that defines its traditional and local character ? This project “Retreat at Hampi” located in Hospet, Karnataka is a fusion of traditional vernacular and modern architecture along with natural finishes, amidst the existing lush vegetation, breathtaking and picturesque views.
At INT-HAB Architecture + Design studio, the design ideology revolves around the principles of Cost effectiveness, Minimalism, Sustainability, Feasibility and Functionality. We believe in maintaining a constant dialogue between all the stake holders and use latest technology trends, appropriate materials and innovative design strategies to create consumer centric designs.
The design ideology is greatly inspired by the rich cultural heritage of Hampi. Each of the cottages is designed to encapsulate the feeling of home away from home to the visiting tourists. The flora and fauna were largely retained to acknowledge and celebrate the existing lush green landscape. Locally available materials and finishes were incorporated, thereby making the project sustainable and cost effective. (continued on page 64)
//Retreat at Hampi, Hospet, Karnataka by INT HAB Architecture+Design. Photographer: VISHAL JAYSHANKAR
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The first type of cottage makes use of Coracle – also known as “Theppa” a locally available small rounded lightweight boat, as an element in the roofing. it acts as a perfect cover, due to its properties of buoyancy, cooling nature and waterproofing. (above) The facade of the second type of cottage is inspired from the smaller stone structures such as the ancient market complex found in Hampi. Elements such as steel members have replaced the stone verticals which acts as a contemporary influence on the structure. The third typology of cottage (page 65) has influence of the traditional houses found in Northern Karnataka. The design includes several elements such as a veranda “Jagali” space and the sloping roof. The roofing of the cottage is constructed using steel structure with puf sheet replacing the traditionally used pot tiles, that one can see across several of the local residences around Hampi. 64
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Cottage type 1(top most image) & Cottage type 2 (above) Retreat at Hampi, Hospet, Karnataka by INT HAB Architecture+Design. | Photographer: Vishal Jayshankar
The world is now slowly realizing the seriousness about climate change. What is your take on sustainable practice in architecture today? In my opinion sustainable architecture is the need of the hour and embracing it will help us leave a cleaner and greener earth for our future generations. Passive strategies, such as considering sun orientation and climate as well as being mindful about window placement, are best for daylighting and natural ventilation and go a long way in reducing energy requirements for the building. Use of green building materials and finishes, implementing storm water management and high efficiency electrical & plumbing goes a long way in reducing the negative environmental impact of buildings and making it more sustainable. Cottage type 3 (images above) Retreat at Hampi, Hospet, Karnataka by INT HAB Architecture+Design. Photographer: Vishal Jayshankar July - August 2020 Edition//Design Essentia//DE INDIA |
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DE’s this month theme is Make in India. As an architect, how important today do you think is “going local in design and construction”? Going local in design and construction is extremely important and it becomes all the more relevant in today’s times due to the atmosphere created by the ongoing pandemic. Going local is our use of materials, products and talent ensures we become more robust and resilient and self-sustainable. The increased cost of energy will dramatically increase transportation related costs of non local materials. That should in turn create a greater demand for locally produced materials and products for building construction. Also, buildings designed to be serviceable through a local supply of parts and labor will make it cost effective and easy to maintain. The need of the hour is to not be carried away with what is happening around us, but to understand our needs, our expectations, our roots and work towards an architecture that adapts to changing lifestyles but stays true to its values and identity; that communicates to people and shapes our society; that helps in building memories and gives us buildings and spaces that can sustain till posterity.
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Cottage type 1 roof (top) and Cottage type 2 (above) Retreat at Hampi, Hospet, Karnataka by INT HAB Architecture+Design. Photographer: Vishal Jayshankar
DE discover DESIGN ESSENTIA MAGAZINE//DEINDIA
NIKITA JAIN PRINCIPAL ARCHITECT
INDI HAUS (New Delhi) Indi Haus is a New Delhi based interior and lighting studio founded by architect Nikita Jain.
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“ Our aim is to blend modern style aesthetics with the local architecture details and use of creative materials giving a global feel. We work in collaboration with architects for lighting. Our lighting is specially customised for the client keeping in mind the space and concept. Along with this we advocate the use of local craftmenship and give them a timeless appeal. appeal ” (on left) Lighitng Design by Indi Haus at Unlocked, Gurgaon. Interior Design by Renesa Architects | Photographer: Niveditaa Gupta July - August 2020 Edition//Design Essentia//DE INDIA |
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Tell us something about your “Meraki” Collection? Our ceramic collection launched in 2019 is an amalgamation of products designed with soul, creativity and love. The concept behind it was to keep it raw and clean. Every design has a unique shape and minimal feel about it. Meraki is a very special collection for us, as we worked very closely with artisans in a small villages actually to go local and connect with Make In India aspect of design and crafts.
MERAKI Collection: A life made from Mud.
//Photograph courtesy India Haus.
DE’s this month theme is Make In India. As an architect how important today do you think is “going local in design”? The Make in India philosophy is not new to IndiHaus. As an architect I always make sure to educate our clients on local products. We promote the timeless tale of heritage with each craft and bodies. The use of local material and artisans with a global point of view has been an integral part of our design system.This process where each products tells a story of heritage and culture with a global appeal is totally timeless to us. A lot of our products are made in villages which provides employment to women which helps them to sustain their families and there craftmenship. //Local women in villages of Uttar Pradesh knit these beautifully handcrafted “Macrame” Pendant lights for Indi Haus.
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The future of architecture after COVID? Being an architect how would you think this would affect the design industry? We are at the end of a cycle, waiting for a new beginning. Our lifestyle, our habits, our homes everyhthing will gradually change. As the country is rebooting, we are already seeing a shift in our client’s thought process. They crave their space to be more personal and individualistic. People value their home, their sanctuary, even more than before as they are now spending considerable amount of time living in it. At the core of our ethos is simplicity. We see people appreciating simpler lifestyles now more than ever in a world that’s become so complex. It is a great opportunity for designers to broaden their reach and collaborate with local artisans and manufacturers. It is time we all support each other to sustain and prosper.
(above) //RETREAT 101 RENOVATION GUWAHATI , ASSAM by India Haus.
Renovation project of a cottage at Green Wood Resort, Guwahati. A cosy cottage with 2 bedroom looking out to beautiful lush green hills. The entire mood behind these rooms were to keep them fresh and reflect the outdoor greens.
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//Images 1 & 2 Lighting Design by Indi Haus at Unlocked, Gurgaon. Interior Design by Renesa Architects. //Image 3 & 4. Lighting Design by Indi Haus at Village Cafe, Moradabad. Interior Design by Portal 92. //Photographer: Niveditaa Gupta. July - August 2020 Edition//Design Essentia//DE INDIA |
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calling all young architects & designers of India. “tell your design story� www.designessentiamagazine.com
DE Next //Category for Young Architects & Designers of India to tell their story.
DE Next //DE Next introduces some of the talented young Architects and Designers of India. Discover the next generation of the design guild, as they tell their design story !!
//In background project by Praveen Architects, Hyderabad, photographer: Monika Sathe
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INTRODUCING THE YOUNG ARCHITECTS AND DESIGNERS OF INDIA
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DESIGN ESSENTIA MAGAZINE//DEINDIA
ARCHITECTS FOUNDERS
LAKSHAY KUMAR
RHEA KUMAR
ARCHIZI
GURGAON, HARYANA, INDIA
//Archizi Studio is multidisciplinary design and build practice based in New Delhi, NCR and Goa, with main office in Gurgaon.
Archizi philosophy and approach to design is about client participation and collaboration. Personalization, remaining passionate about using the art form of handmade drawings and sketches that represent personality, rather than hard lined compositions arising from typical details in the early stages of the process. Personalization “a process that defines or changes the appearance or functionality of a product to increase its personal relevance to an individual.” As a commercial design outfit, we study and attempt to create the desired customer journey of a brand, whilst maintaining absolute workability. 72
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Divo Cafe and Bar, Goa by Archizi Studio. Photo courtesy: Archizi Studio.
Tell us something about your studio’s design philosophy?
The world is now slowly realizing the seriousness about climate change. As an Architect what is your take on sustainable practice in design today? Climate change is a global environmental problem which has been receiving intense political attention both at domestic and international levels.
Divo Cafe & Bar
Our approach should focus towards creating green economy policies and projects deal with the provision of biofuels and renewable energy.
ARCHIZI STUDIO Location : Goa, India A wine and green colour palette, punctuated with a neutral grey, creates a vibrant ambiance for a cafe as well as a bar. Divo is located on the main road, a glass facade creates a seamless connection with the outdoors and conveys a feeling of openness, which is inviting for people walking past outside. Planters and artworks were chosen to create a cosy and casual feeling along with chic interiors and materiality. “The Mario Miranda wall is our personal favourite element within the café, among the many that were well thought out.”
The solution, effective green economy policies need to tackle the root causes of unsustainable development. Ensuring certain practices focusing on renewable energy creation are firmly adhered on a local level, development authorities need to create the same limitations on the use of natural resources on a larger scale as well.
Divo Cafe and Bar, Goa by Archizi Studio. Photo courtesy: Archizi Studio. July - August 2020 Edition//Design Essentia//DE INDIA |
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With the COVID spread, in terms of design, what do you think will be the future of architecture and design post lockdown? Covid-19 pandemic has had a major impact on many lives and seems to be far from over. Speed and efficiency will take over browsing, a more experiential design space tends to create flexibility which is the need of the hour. A home that is more shape shifting, more furniture that is multifunctional. A focus on comfort, good ventilation and outdoor spaces. A new culture of workspaces would be increasingly witnessed. Materiality is another aspect, copper would be replaced by stainless steel, materials with anti-microbial qualities would be given preference specially at the high touch zones. Rega Regardless, for our fraternity, we feel it’s important, before we jump to any conclusions, that we wait and watch whether its ‘eradication’ or ‘precaution’ that will take precedence in the current situation, the difference between living without or living with COVID 19 is bound to become the basis of design.
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Divo Cafe and Bar, Goa by Archizi Studio. Photo courtesy: Archizi Studio.
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INTRODUCING THE YOUNG ARCHITECTS AND DESIGNERS OF INDIA
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DESIGN ESSENTIA MAGAZINE//DEINDIA
COEXIST ABHINAYA RANGARAJAN
NANDHINI KANDAVEL
ARCHITECTURE CHENNAI, TAMIL NADU, INDIA
//Coexist Architecture is multidisciplinary design firm based out of Chennai, Tamil Nadu. It’s a brand with an emphasis on design and aesthetic philosophies that the two young founders feel very strongly about. . Tell us something about your studio’s design philosophy? As a studio we believe in prioritizing the function of a space while still running wild with enthusiasm for colors, tones & surrealist scapes. We envision our spaces as a large canvas and are always looking for opportunities to involve local artisans to weave their magic into it. And most importantly, we believe that pushing boundaries is the only way to design.
Canvas by Sketch; Chennai by Coexist Architecture Photographer: AKSHAYA VAIDYANATHAN
ARCHITECTS FOUNDERS
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The world is now slowly realizing the seriousness about climate change. As an Architect what is your take on sustainable practice in design today?
Canvas by Sketch COEXIST ARCHITECTURE Location : Chennai, Tamil Nadu, India With bright & bold Patterns, Canvas by sketch a restaurant in Chennai incorporates a maximalist tropical theme. Carefully curated, the hand painted walls with a hue of natural greens in the background paired with the clean cut furniture and metal leaf canopies were meant to establish a warm tone for the space which is further bolstered by small quirks throughout the café. Having always given preference to our local craftsmen supplemented by the encouragement from the clients, all the walls of Canvas was hand painted by a local artist hailing from Chennai. The furniture was custom made as per our color scheme from a small scale factory at Jodhpur. The larger than life metal leaf canopy that greet the customers at the entry of the restaurant were each sliced to perfection & welded by a small team of metal workers based out of Pondicherry, India. Today, Canvas by sketch truly stands as a testimony to the hard work of a conglomerate of artisans coming together to create a tiny piece of tropical paradise promoting the local design and crafts.
This pandemic has brought to light that sustainable design isn't a choice, but a necessity.The climate crisis can no longer be disregarded as a future obstacle to cross, it is here & now and it deserves our attention. As designers who have the power to shape every aspect of a space from walls, furniture to soft furnishings, it is our responsibility to include sustainability as a major factor in these design decision making processes. The onus falls on us to not only keep ourselves updated on sustainability practices that could potentially alleviate the climate situation, but also educate our clients as much as we can in order to push to incorporate these elements into the project. DE’s this month theme is Make In India. How important today do you think is “going local in design and construction”? As a studio, all of our projects so far have been proudly adhered to the 'Make in India' philosophy. Coming from a land that is known for its diverse culture & glorious heritage of design, it's impossible to not be inspired by it. The greatest inheritance that this country has offered to us is through its arts & crafts. While it's easy for any designer to be enamored by world heritage, we most often forget that the heritag best hidden gems are in our own backyard. Especially given the present trying times, it's extremely essential for us as designers to take pride in our design capabilities and protect our legacy.
Canvas by Sketch; Chennai by Coexist Architecture Photographer: AKSHAYA VAIDYANATHAN
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With the COVID spread, in terms of design, what do you think will be the future of architecture and design post lockdown? The biggest challenge that the design community would face is trying to evolve with the new reality.
Canvas by Sketch; Chennai by Coexist Architecture Photographer: AKSHAYA VAIDYANATHAN
Acco According to us, the pandemic will simply accelerate and amplify some of the design trends that were already emerging like open floor plans, preference to outdoor spaces in restaurants / bars, usage of anti-microbial materials for cladding etc. et With our homes being our haven the past few months, we envision that our consumers would have a new perspective where open/ outdoor areas would be encouraged as opposed to maximum utilization with built up areas in the residence sector. With the commercial design sector, we anticipate that a health oriented approach towards design & layout and newer contact less trends that also qualify as physically safe will emerge. All the safety & health standards that were previously discarded to increase revenue disca outcome in restaurants / bars will no longer be overlooked.
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INTRODUCING THE YOUNG ARCHITECTS AND DESIGNERS OF INDIA
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DESIGN ESSENTIA MAGAZINE//DEINDIA
THE DESIGN ARCHITECTS FOUNDERS
TAPAN SHAH
HIRAL SHAH
ATELIER
MUMBAI, MAHARASHTRA, INDIA
//The Design Atelier a Mumbai based design firm is built upon a community of people centric designers, like-minded industry veterans and passionate educators committed to design.
We at the Design Atelier believe that the design process is non linear and it requires architects to think and draw on different scales at the same time, considering each finished detail in the development de of the overall design. Embracing the use of technology and sustainable practices, our projects create exceptionally humane environments. We follow a holistic approach to the process of design. A good design is not just a requirement; it’s a deeper responsibility to the people we serve and the relationships we build.
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Romancing Art Deco Style, an apartment by The Design Atelier Photographer: HITESH SHAH.
Tell us something about your studio’s design philosophy?
The world is now slowly realizing the seriousness about climate change. As an Architect what is your take on sustainable practice in design today?
Romancing Art Deco Style THE DESIGN ATELIER Location : Mumbai, Maharashtra, India Area: 1300 sq.ft. Unabashedly bold with ever glamorous decorating style which is easily distinguishable with its glided details, rich textures and geometric patterns. This design style talks brave along with oversized statement layers. Our concept for this apartment runs around a deep corn yellow colour with generous gold detailing for a look that is chic and opulent. We emphasized the use of colour while taking a subtle approach to the precious metals and luxurious materials suiting our style. This warm shade of yellow perfectly brings out the playful side of opulence. Classical elements such as decorative moldings running along the enti living room strike its Midcentury European vintage entire inspiration contrasting the modern geometric furniture thereby making the space feel fresh and relevant to today’s taste.
Sustainability should be adapted to save the world rather than to sell the design. A recent report explains that buildings emit almost 40% of carbon dioxide within the world. It is our duty as an architect to save the world by our responsible designs and suitable materials for given space. The key to architectural sustainability is to work with, rather than against the nature, to sensitively exploit and simultaneously avoid damaging natural systems. Rather than mere use of a sustainable material we strongly believe in thorough study of behavioral science in context to the project. It proves a great tool to gauge the emotions, environment and social factors influencing for many design decisions. This approach of design makes the project submissive and sustainable to the environment. DE’s this month theme is Make In India. How important today do you think is “going local in design and construction”? India has the apt skill, talent and desire to build something by its own resources. We should give the world an opportunity to explore our potential by “make in India “movement. By adapting local designs we shall be able to build a community pride by defining homegrown values, self expressions and implementing them into our design environment. An easy platform which supports local designers and suppliers with a vision to compete with high quality design standards. It’s time to think global and buy local. Architecture is a great tool to employ the power of native ideas to set the environment up for an overall success. It will boost the local economy and uplifts a mass development.
Romancing Art Deco Style, an apartment by The Design Atelier Photographer: HITESH SHAH. July - August 2020 Edition//Design Essentia//DE INDIA |
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With the COVID spread, in terms of design, what do you think will be the future of architecture and design post lockdown? Since the world is lurching under a global crisis caused by the Covid – 19 pandemic, Architecture is an efficient tool to ignite a steady growth of economy. Other than expecting miracles from our government each of us should work towards a better health, economy and civil unrest globally to make our futu future better. Our designs shall undergo a self revolution due this pandemic outburst. Every space will be characterized with multiple uses in mind. Designed spaces shall compulsorily exhibit potential flexibility whereby to reconfigure itself depending on the time of the day. Every user will primarily expect an efficient connection of outdoor th through indoors. The merging of internal and external environment provides the impression of greater space and significantly reduces the feeling of confinement. Energy saving, low maintenance, economical and sustainable materials with self cleaning technology will be demand of every designed corner.
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Romancing Art Deco Style, an apartment by The Design Atelier Photographer: HITESH SHAH.
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INTRODUCING THE YOUNG ARCHITECTS AND DESIGNERS OF INDIA
DE next
DESIGN ESSENTIA MAGAZINE//DEINDIA
INTERSTICE ANKUR KHULLAR
SHAILESH GARG
STUDIO
NEW DELHI, INDIA
//Interstice Studio is a multi-disciplinary New Delhi based young firm established in 2017, spanning their practice from residential and commercial to hospitality projects. . Tell us something about your studio’s design philosophy? For us, the inhabitant, the user is the most substantial inspiration. The design essentially needs to be a solution, rather than just an embellishment to a space, a solution to the tangible and intangible requirements of the client. Each aspect that we designers often term as a ‘demand’ or a ‘constraint’, is an opportunity to explore and synthesize a new technique, material, finish and detail - and this is what our studio thrives thri for. Our designs are an attempt to curate and implement this intelligence through intricate details.
The Midas Touch, Faridabad by Interstice Studio Photographer: NIKITA CHAND
ARCHITECTS FOUNDERS
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The Midas Touch INTERSTICE STUDIO Location : Faridabad, Haryana, India Area: 4,100 sq.ft. The apartment is designed in a modern classical style to reflect the values, needs and comforts of the family inhabiting it. Originally a 5bhk apartment, the internal area now has been designed to create designated common areas for family, entertainment and guests separately. The planning is conceptualized in a way where maximum emphasis is on quality, status and Indian values. Walking in towards a more intimate are is the family lounge. Even though the intention behind designing this space is to provide comfort and affinity, the touch of regality is extended here as well. A wooden battened ceiling with a metallic gold hexagonal lighting fixture is use to overplay the lush design. Wood in different shades and forms has been intensively used to add a sense of warmth. One interesting feature about this space was to focus on providing quality through a vernacular approach. The entire wood work uses locally available pine wood which is then treated for desired finish. (contued on page 83)
The world is now slowly realizing the seriousness about climate change. As an Architect what is your take on sustainable practice in design today? Undoubted this is the high time, to Undoubtedly realize and act upon the dire need of sustainable solutions for the built environment. Architects and designers have critical responsibilities towards it, first of which is developing the verve in clients towards the pursuit of sustainability. Afterall, it isn’t a product sustainabilit that you can promote or sell, it is a consciousness that has to be sensitized. The next step is to make them relish this choice by ensuring that these solutions fit in their budgets as well in the frame of the project. Throughout our projects, we lay emphasis on reducing electricity load & carbon emissions and using materials which are not only sustainable but their logistics and manufacturing are also justified. Being a design consultant, where we work so intimately with the stakeholders, it comes with great sta advantage and a greater responsibility to imbibe sustainability as an inevitable aspect of our methodology. DE’s this month theme is Make In India. How important today do you think is “going local in design and construction”? With increasing globalization and technological advancements, it possible to make anything and everything locally. Not only going local is sustainable but also a great way to infuse green points to our economy eventually benefiting out of it. Time and again we have convinced our clients to go for locally manufactured materials which are no less in quality or design. The word local has been misjudged for over a long time now, quite often something local isn’t considered luxurious or rich. But when one looks at the design and art interventions carried out in India from over centuries, it is all about grandeur and regality. Even in the contemporary context, Indian industries contempora and brands are pacing and have a wide variety to offer.
The Midas Touch, Faridabad by Interstice Studio Photographer: NIKITA CHAND
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As Indian architects, we consciously are vocal for local.
The Midas Touch, Faridabad by Interstice Studio Photographer: NIKITA CHAND
With the COVID spread, in terms of design, what do you think will be the future of architecture and design post lockdown? One thing that this COVID crisis has testified is that our cities, built structures, even our homes need to be much more resilient. With the evident shortage in built infrastructure for healthcare and failed social distancing in public spaces, we need to critically think about functional flexibility and adaptability of spaces. Emb Embracing this 'new normal', design practices will have to be enhanced not only for public areas but also residential architecture. While they shall require controlled access to different areas, the more tangled strand will be consorting of an efficient work environment, personal space and family recreational space, all under one roof. For public areas, the complexity will come when we have to design spaces to celebrate the spirit of togetherness yet subconsciously infuse social distancing.
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Gold is a synonym to luxury and grandeur, which is highlighted in the aesthetic throughout the apartment. As one enters the waiting lounge, an intricately designed gold partition in geometric pattern and a set of velvet teal seaters add a striking and royal color palette to the setup. setu The drawing room essentially acts as a main formal space with Statuario highlight wall and bespoke furniture and lighting fixtures. To promote local artisans and brands, white Statuario tiles were brought in from Gujarat which were placed to appear as a seamless marble piece. Typical of modern classical style, the walls are treated with minimal mouldings and pastel shades. One of the key points kept in mind before designing the apartment was to focus on opulence and sophistication in the public areas, thus making it more vivid and celebrating. ‘THE MIDAS TOUCH’ is a celebration of luxury and grandeur, a home which is welcoming for outsiders yet so intimate and private.
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INTRODUCING THE YOUNG ARCHITECTS AND DESIGNERS OF INDIA
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DESIGN ESSENTIA MAGAZINE//DEINDIA
ARCHITECT FOUNDER
PRAVEEN KUMAR
PRAVEEN ARCHITECTS HYDERABAD, ANDHRA PRADESH, INDIA
//Praveen Architects is a Hyderabad based design firm. A group of young architects and associates challenging the conventional methodologies and creating out of the box spatial experiences.
At Praveen Architets our philosophy and vision is to create an holistic and a simpler approach towards the complicated process of designing and executing a space, which in turn would help us as humans to connect and reciprocate to our build environments in uncomplicated way.
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The Coffee Cup, Hyderabad by Praveen Architects. Photographer: MONIKA SATHE.
Tell us something about your studio’s design philosophy?
The world is now slowly realizing the seriousness about climate change. As an Architect what is your take on sustainable practice in design today?
The Coffee Cup PRAVEEN ARCHITECTS Location : Hyderabad, Andhra Pradesh, India Area: 1300 sq.ft. The Coffee Cup is a journey of intricate restoration and rebuilding process, every brick ,every stone carefully crafted and positioned, exposed concrete beams, restored railings and windows from jodhpur, DC comics, exposed brick work, stone arches, central MS staircase everything resonating to create this beautiful café. Café has been composed on two levels with various flexible seating options for both closed and semi open seating, openings are strategically placed to flood the space with natural light and vegetation planned on every opening to reduce the heat and noise from abutting road and to create privacy at both the levels. The MS staircase with hardwood tread is located in the heart of café by cutting the slab and connecting both the levels internally, and the stair well is crowned with custom made chandelier which is a 100 odd year old fisherman boat procured all the way from Kerala, hanged inverted from the slab and filaments hanged in it to create a perfect piece of surprise and attraction for the customers. (continued on page 86)
Sustainability cannot be achieved only by changing the building materials and using high rated services , but it has to come from the everyday practice and lifestyle of every individual, we as designer are not only suppose to create beautiful space but to uplift lifestyle and make a move towards better and sustainable future. to DE’s this month theme is Make In India. How important today do you think is “going local in design and construction”? Going local in design and construction will undoubtedly boost our economy and create employment opportunities to masses , but it also will help us revive our lost art forms and craftsmanship , it will give us (architects and designer) and our clients more control over customization and product p quality. With the COVID spread, in terms of design, what do you think will be the future of architecture and design post lockdown? This pandemic is a very difficult phase for us humans , its high time we rethink our responsibilities towards the nature and understand the basics of human life , its also time to understand our age old practices of hygiene and architecture that catered to those practices.
The Coffee Cup, Hyderabad by Praveen Architects. Photographer: MONIKA SATHE. July - August 2020 Edition//Design Essentia//DE INDIA |
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The windows and the railings are all procured from jodhpur, restored and installed on site, exposed brick walls with stone arches add the rustic flavor to space keeping it super true to the material pallet, comics printed on metal plates have been splashed on the walls keep the users engaged, also we had to cater to, ceiling have been done in simple white hand plaster finish to balance the dark floor and exposed brick work, handmade paper lamps with filaments bulbs are used to add warm light to the space making it super cozy. From the very entrance of the cafÊ to any corner it’s a roller coaster experience of various materials in their purest forms, and elements of surprise scattered through out the space to keep every single user engaged and intrigued, rustic yet cozy vibe is achieved in a very unconventional format. The Coffee Cup, Hyderabad by Praveen Architects. Photographer: MONIKA SATHE.
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INTRODUCING THE YOUNG ARCHITECTS AND DESIGNERS OF INDIA
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DESIGN ESSENTIA MAGAZINE//DEINDIA
FOUNDER
VASUDHA JALAN
VCJ DESIGNS KOLKATA, WEST BENGAL, INDIA
//VCJ Designs is a Kolkata based design firm that strives to create functional, livable spaces that are timelessly relevant and effortlessly luxurious. Tell us something about your studio’s design philosophy? We at VCJ Designs, strive to create functional , livable spaces that are timelessly relevant and effortlessly luxurious. We believe in simplicity and functionality in design with a touch of sophistication and panache . We swear by the mantra “ Less is More “.
Lodha Fiorenza, Mumbai an apartment by VCJ Designs. Photographer: KUNAL BHATIA.
INTERIOR DESIGNER
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Lodha Fiorenza VCJ DESIGNS Location : Mumbai, Maharashtra, India Area: 2,200 sq.ft. The design language of this 2200 Sqft apartment in Mumbai was seeded in equal parts minimalism and contemporary modern. We strove to achieve a space that is functional , modern and which would serve as a sanctuary to a family in the midst of the concrete urban jungle that is Mumbai. The apartment exemplifies downtown living as casual and inviting while remaining sophisticated and modern. The idea was to cr create an inviting environment which suited the urbane lifestyle of the clients , something that was relaxed yet had a touch of elegance to it. The entrance foyer opens into a wide solid teal blue coloured wall of the living and dining area. This sets the mood for the entire space, adding a touch of drama. This is complimented by large windows on both sides letting in a lot of natural light.
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The world is now slowly realizing the seriousness about climate change. As a Designer what is your take on sustainable practice in design today? Sustainability is not an academic pursuit or even a professional activity: it is a way of life affecting everything an individual does. Knowing what kind of a relationship we want to have with the global and local environment is the first consideration Sustainability is the need for the hour and it has taken us a pandemic to realise this. Sustainability in interior design comes down to judicious use of materials. We need to continuously try to reduce wastage at our sites, use good quality material which is long lasting , use locally sourced materials. We can further reduce energy consumption by giving the due importance to natural daylight and cross ventilation.
DE this month theme is Make DE’s In India. How important today do you think is “going local in design and construction”? The There has been a big tectonic shift in consumer behaviour because of this pandemic. There is a renewed interest in sustainability, local crafts and people are now more thoughtful about their consumption. Going local and supporting our local designers, furniture studios and labourers is the need of the hour. People have realised that they cannot depend on China and Italy for their work. All businesses have been hit and there are budget constraints,and going local will be another aspect which will help in curtailing costs. Supporting our local businesses and design studios will help us revive and save this industry. We have great talent in our country and this is a great time for the design industry in India to get more organised and compete with International brands. Go local has to be the mantra going forward, if we want to save our local craftsmen, our workers, small enterprises. Lodha Fiorenza, Mumbai an apartment by VCJ Designs. Photographer: KUNAL BHATIA.
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Lodha Fiorenza, Mumbai an apartment by VCJ Designs. Photographer: KUNAL BHATIA.
With the COVID spread, in terms of design, what do you think will be the future of architecture and design post lockdown? The There will be a fundamental change in how we experience spaces. Spaces will have to be designed keeping in mind minimum human contact while maintaining a certain expectation of the space. Hotels, restaurants which once thrived on social interaction will become inclusive, small intimate spaces which will give the user a sense of security will be the way forward. Residential design is also seeing a big shift with work from home becoming the norm. The concept of private spaces amongst family and working couples will be paramount so as to balance work and home lilifestyles. People have spent more time in their homes than ever before and this has made them aware of the importance of well designed -functional spaces. I also see a big shift of bringing in more outdoors to your homes especially amongst the city especial dwellers. Terraced gardens, vertical gardens- any kind of natural sanctuary will be a must going forward.
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Adding to contrasts across the interior, a clean tan leather couch offsets the bright wall along with Mid century style arm chairs and stools along side contemporary furnishings in muted shades of powder blue and grey. A tufted leather ottoman serves as a coffee cof table, completing the look. The materials palette has been kept very simple. Black matt finished veneer has been used judiciously in the common areas, coupled with accented pieces of furniture.The master bedroom comprises a minimal Art Deco headboard along with a contemporary daybed and sumptuous accessories. Each piece of furniture in the home was customised for the family. Pastel colours along with minimalistic veneer in matt finish lends a fresh and serene feel to the space despite the bold accent and the location of the property, a busy locale in Mumbai.
Checkout more at www.designessentiamagazine.com July - August 2020 Edition//Design Essentia//DE INDIA |
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