Anjana HCE075BAR036Kunwar PRACTICUM REPORT
2Anjana Kunwar /
ACKNOWLEDGMENT
I would like to express my very deep gratitude to Ar. Rajani Shrestha, and Bikash Sakhya co-owners of the Ja:Studio , for granting me an opportunity to assist as the trainee ar chitect. I’ve learn much more about practical knowledges in architectural field.
I would like to express my great appreciation to Ar. Rajani Shrestha for her continuous help and guidance throughout my internship period without whom, i wouldn’t be able to com plete my task. I can never forget her inspiring and friendly behavior. I am very grateful to have her as a mentor during my internship period.
I deeply acknowledge my gratitude to my Internship Supervi sor, Ar. Yam Prasad Rai for his insights and valuable guid ance during the internship.
It was a great gratification to be a part of Ja:Studio for the past few months. An individual effort can never be sufficient and noteworthy to complete any type of task. Therefore the credit of my achievements in this internship period definitely goes to firm itself. First of all, I would like to express my special appreciation to the firm for providing the working environ ment there.
This few months of internship period has been my most pro lific period of the architectural course. Here i experienced the practical know-how of architecture. For my successful and fruitful completion of internship period, there were supportive mentors and supervisor providing feedbacks and knowledg es,without these i would have never been able to learn about the practical aspects of the architecture.
knowledge cannot be completely fulfilled until and unless going through the practical realization of the architectural knowhow. So, internship is a platform where the architectural students are acquainted with the practical knowledge of architecture, a real world, where the design projects being prepared in the imagination and the paper results into the real form.
matter of the report consists of three parts. The first part of the report included introduction to internship, its objectives, reason behind selecting the firm and company profile. The second part included my experience during internship period which explains the each day learning and experiencing the professional field. In the third part there is detailed description of the projects in which i was completely or partially involved including photographs, drawings and sketches. In conclusion, this report provides framework for the work experience, projects done, with the objectives and scope .
3 / Internship report 2022 PROLOGUE
Practical knowledge is the most essential factor in understanding the real architectural world as architecture is a unique academic discipline, which extends beyond the theoretical knowledge and course study. An individual can only have a better understanding of anything when he/she has completely experienced that thing. One can acquaint the knowledge more easily and effectively by experiencing practically rather than mere going through the theory Theoreticalknowledge.
Internship course, one full semester program of five year program of Architecture, is included in fourth Year/1st part in architecture faculty in Himalaya College of Engineering according to the syllabus of Tribhuwan University. This course is intended to help the students to face the actual problems that arise in the practical field, the procedure of performing the actual practice and even gives the idea of running an architectural firm.
Along with the architects, many other allied professionals are involved in the creation of any structure. Hence, internship teaches us the team spirit to work in coordination with those personals. Moreover,the ethical norms like the essence of endeavor, commitment and enthusiasm in our work, are all learn during this Theinternship.content
OBJECTIVES
• It develops the feeling of duty and responsibility.
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• It aids in enhancing our working skill and widens our practical knowledge.
• It influences us to be involved in social activities and to visualize architecture in depth.
• It enables us to handle different type of project and to learn how to maintain the standard of the firm.
• It enhances the skill of working in team & professionalism.
An architect after completing his studies has two optionseither joining an already established consulting firm or setting up his or her own firm. In have the knowledge of tacking the problems of organization, staffing, quality service and resulting better outputs. Hence the main objective of internship is to enable the student of architecture to competent in the real world of Similarly,architecture.theothermain
objectives of the internship are :-
Internship enables an individual to tackle all the professional tasks whenever necessary as this is the period in which he/ she gets the opportunity to explore the practical experience of different projects as well as the firm itself. It helps to understand the process of handling a project, dealing with the client, overcoming the conflicts, misunderstandings, dealing with the different professionals, adequate design solutions within time constraints.
An Architecture and Design Studio based in Pokhara that inspires to become a design discourse and experimentation hub bringing together artist, architects and designers, students and design enthusiasts.
Architects and designers
1. Ar. Rojana Joshi (Senior Architect)
“We Believe that design should be more that what we see. Space we feel for, nature we enjoy, the feeling of belongingness, and something that motivate us to do good and become better is what our design aims to propagate.”
Ja: Studio
4. Bikash Shakya (Graphic Communicator)
Location: Nayabazzar, Pokhara Email:Contact:jastudio.np@gmail.com9818911031Estd:2019
2. Ar. Rajani Shrestha (Architect)
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3. Ar. Sunita Gurung (Architect)
Ja: Studio is one of the few emerging young firms of Nepal, working to bring about change while respecting our country’s culture and identity. Ja: Studio has worked on a range of local and national projects of all types. The studio-centric approach of this company makes it one of Nepal’s most original firms.
Its young and enthusiastic team of architects and artists collaborate nicely, as do I with my design concepts. It aims to solve the current architectural style’s ambiguous situation by using innovative ideas and methodologies. The friendly environment and constantly supportive culture help newcomers overcome design problems and seek new innovative ideas from each other.
STUDIO?JA:WHY
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RESIDENCE
7 / Internship report 2022 CONTENTS
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INTERIORS Salon Interior Kids Clothing
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RESORT Harness Resort Holiday Homes
• KajipokharI House Srijanachwok House Verandah House 1X4 House
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• Jewish Museum
MATERIAL STUDY
ARCHITECTURE
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3D VISUALIZATION
• Capsule Tower
• Mini Apartment
• Debedo Francis Kere
ARCHITECTS
• AD House
Kajipokhari House is 3 storey residential building in kajipokhari. This building is built in traditional way using bricks and traditional wooden windows.
KAJIPOKHARI01
TASK INVOLVED:
This was the first project i was involved during my internship. In this project, i was involved in planning of kitchen and dining, detail drawings for beam and slab, internal wall dimensions, washroom details ,site visit, designing detail window grills.
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HOUSE
Kajipokhari , Pokhara I 6007 sq. ft
11 / Internship report 2022 ENTRANCE LIVING ROOM DINING HALL STOREKITCHENROOM GRAND PARENTS' BEDROOM CHOWK A B C D 123 123 A B C D MD D2 CD1D1 D2 BD CD2 W4 V2 V1 W3 W3 W2 W1 W1 W8 ENTRANCE LIVING ROOM GRAND PARENTS' BEDROOM CHOWK DININGKITCHENHALL STORE ROOM V4 V1 A B C D 123 123 A B C D UP initial ground floor plan final ground floor plan
DINNING&KITCHENPLANNING:
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As a result, the storeroom and washroom had to be positioned in a symmetrical way so that the storeroom and washroom were positioned in a symmetrical way so that the initial concept of design could be carried out throughout the procedure.
as a source of light in the corridor in the new plan. To maintain the initial design concept throughout the procedure, the space had to be planned symmetrically.
At this phase, I had to design the kitchen and dining room based on Vastu principles, since the client wanted a kitchen in the north direction. In the original design, the washroom and kitchen were positioned on the south side of the structure. After switching the positioning of the spaces, the false window on the north side of the structure, which had been utilised as a design feature, was able to be utilised as a kitchen window. Similarly, the source of light in the corridor of the original kitchen design could be utilised
13 / Internship report 2022 123 WEST ELEVATION V1 BD CD2 CD2 D2V3 D1 W5 13 2 west elevationDESIGNFACADE
15 / Internship report 2022 ENTRANCE GRAND PARENTS' BEDROOM CHOWK DININGKITCHENHALL STORE ROOM V4 V1 L1 L2 L3 L4 L5 L7 L6 L9 L11 L8 L10 L12 ENTRANCE GRAND PARENTS' BEDROOM CHOWK DININGKITCHENHALL STORE ROOM V4 V1 1'-7" 2'-3" 4' 4' 5'-3" 4'-1" 4'-1" 4'-4"2'-2" 2'-6" 2'-6" 3'-11" 2'-3" 3'-4" 3'-6" 3'-6" 3'-4" 2'-9" 3'-6" 3'-6" 2'-4" 2'-2" 1'-6" 1'-10"3'-1"5'-11" 4' 2'-3" 5'-2" 6' 4'2'-3" 1'-3"5'-9" 4'-5" 4' 6'-2"1'-8" 2'1'-7" 6'-3" 3'-1" 1'-11" 2'-1" 2'-1" 3'-4" 3'-6" 3'-6" 3'-4" 3'-7" 3'-1"4'-2"6' 5'-5" 3' 1' 3'-6" 7'-3" 3'-1" 1'-9"2'-3"2'-3"2'-3"1'-4" 2'-10" 3' 3' 2'-10" 2'-2"2'-9"2'-9"2'-2" 2'-9"2'-9"3'3' 2'-9" SYMBOL DESCRIPTION OF THE SYMBOLSS.N.1 P2P12 2'-0' ABOVE FLOOR ENTRANCE GRAND PARENTS' BEDROOM CHOWK DININGKITCHENHALL STORE ROOM V4 V1 4' ABOVE FLOORP1 P1 P2P1P1 P1 P2 P1 P1P2P2 P1 P1 P2 DRAWINGSELECTRICAL
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I had to design both doors and windows for this project. Instead of using a market grill that didn’t match the traditional ambiance of the home, I created my own grill designs. The grills on the doors are depicted in the sketch and are attached to the door’s swing so that they may be opened without disturbing the visual axis between the interior and exterior of the establishment. Grills for the windows, on the other hand, are pictured and swung separately.
DESIGNWINDOWANDDOORS
17 / Internship report 2022 01 02 05 0304 06 VISITSITE
07 08
In addition, electrical connections are established at the slab with nails at this level. Because this wall lies on the boundary, which prevents seepage and protects against efflorescence, shear walls can also be erected using distribution rods.
During my site visit, I learned a lot about the structure. In the first photograph, we can see the column, which has rods extending at two different heights, the sill level and the lintel level. The honeycomb defect, which reduces column strength due to lack of compression, is also pictured. Thus, when filling a column, one must be careful not to compress excessively.
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Similarly, the distribution rods are depicted as they would be installed in a real site, with wires running across them.
When i began working on this project, the groundwork was the only aspect that had been established. Therefore, i was able to work on working drawings and visit the site to see how it was put into practice.
The subsequent three photos demonstrate the form work and supports in action. The wires are shown as they would appear in real life.
09
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SRIJANACHWOK02 HOUSE
TASK INVOLVED
Srijanachwok house is 6 storey residence cum commercial building. First two floors are for commercial purpose and remaining floors as residential space. For this building structural design was already done and our firm was responsible for front facade, interiors and other detail drawings. For this building client wanted it to have minimal designs so the theme color for this project was set as wood and whites .
Srijanachwok, Pokhara I 2194 sq. ft
In this project i was involved in detailed drawings, sanitary drawings, furni ture details, designing interiors, renders and site supervision
21 / Internship report 2022 INTERIOR&DRAWINGDETAIL
22Anjana Kunwar / 5'-6" 5'-3"7'-6" B 3214 B 56 A 43215 A 6 1010"3'11"2'-2"4'-1"1 1021 921 2'11'2'21'-8" 2' 8'-3" 7' 3'-6" 9'-6" 8'-101'-5"4'1" 1 3'-522'-7"1"2'1" 1 4'-8"2'-3"211'-4"11'-2"15'-6"19'-3" 3'1'-10"8'-2"1'-4"8'1'-8"13'-10"1'-8"9'-6"1'-8"9'-7"1'-10"6'-5"68'-6" 20'-9" 10" 20'-11" 10" 22'-7" 1'-6"9'-11"1'-8"2'-3"2'5'-3"1'-8"13'-10"1'-8"8'1'-4"8'-2"1'-10"3' 9'-9"9'-6"15'-6"11'-2"11'-6" 62'-1" [V1] 20'-11" 7'-9" 3'-6" 9'-10" 1'-6" 22'-7" 2'8'-8" 1'-1"11"1'-6" 1'-10"1'1'-4"2'-1"
For this project, colors were already decided as client wanted minimal and elegant interior. We decided on woods and whites for colors and interior is done in minimal and this color scheme. As we can see on plans, we have columns of different sizes, so in order to hide those and minimize the waste of spaces we provided cabinets in between as well as we projected the walls in and out to give interesting looks rather that just a plain wall.
Similarly we used these design elements to cover the pipelines that passes through walls. Also i designed portion wall. The purpose was to allow light pass through it and yet to make it aesthetically pleasing.
23 / Internship report 2022 INTERIOR&DRAWINGDETAIL
For master bedroom, the same color scheme was used. Rather than plain ceiling and walls, client wanted something interesting, so we connected ceiling and wall components. Providing lights.
24Anjana Kunwar / GUEST BEDROOM 1 10'-9" X 11'-3" GUEST BEDROOM 2 10'-9" X 11'-0" WALK-IN-CLOSET8'-9"x9'-8"ATT.T/B8'-9"x6'-0" MASTER11'-11"x17'-6"BEDROOM B 3214 B 65 A 32154 A 6 3' 8' 5'-5" 10" 8'-4" 9" 11'-8" 9" 9" 7'-9" 3'-3" 9'-10" 1'-6" 2'-11'-8"9'-11"1'-6" 1 2'2"5'-4 1 3'-81'-8"2 1 2"3'1'-10"8'-2"1'-4"8'1'-8"2"6'-5"1'-10"9'-7"1'-8"9'-6"1'-8"13'-10"1'-8"2'2'1'-4"8'-2"1'-10"3'4' 20'-8" 9'-9"9'-1"15'-11"11'-2"11'-6" 20'-6" 15'-6"9'-6"9'-9"11'-2"11'-4"71'-6" 22'-4" 3' 65'-1" 3' 22'-4" 3'-11"
25 / Internship report 2022 option 1 option 2 INTERIORROOMGUEST
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Guestroom has small space. so in this space i had to design TV wall. This TV wall is of 8’ excluding door. Client wanted dressing table, some drawer spaces and TV unit. So as client wanted the minimal design, i tried avoiding many elements and used horizontal lines and developed it according to the needs providing dressing space and drawers. And the color scheme is wood texture and whites.
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INTERIORROOMKIDS
28Anjana Kunwar /
KID BEDROOM 2 10'-9" X 11'-3"
I was involved throughout the whole process, from planning to completion, with 2 options for this Kids room. Client wanted a minimalist design and requested a bed, closet, study desk, television wall, and flow and child anthropometry.
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• For this project, the main challenge was to penetrate light in different space cause the site was sandwiched between two buildings
Learnings
• As client requirement was minimal design in every spaces.
• Enhancing the space and material selection with minimal design.
• How building services can affect on our design.
• As site of Pokhara is mostly narrowed and there it was provided a void to penetrate sky light from top to basement.
• Improvement in 3d and visualization.
• I learned the relation of false ceiling with beam line , lights, and floor finishes.
Challenges
In this particular project i was involved in sanitary, electrical, & elevation drawings.
In first figure, we can see how partition walls are constructed in site. They use thread to make a straight line which denotes the
In fourth picture, we can see the hole made in slab, this is made to pass the soil pipe and waste pipe through the floors and then it is connected to safety tank at ground.
central line and wall is made according to this reference line.
31 / Internship report 2022 01 03 02 04VISITSITE
Site visit helped me to understand it more throughly about how drawings are implemented in real life.
In second & third picture, we can see electrical layouts as well as water pipe layouts. As we can see in figure, both electrical and water pipes run through wall.
I had an opportunity to visit site during different phases. Where i learned more of practical knowledge and know-hows of how site works are carried out.
In seventh picture, we can see stairs cast which is done to shape the stairs.
Inworks.ninth
picture, the form works are taken out after 21 days .
32Anjana Kunwar / 05 07 06 08
In eighth we have shoring, which is temporary construction that is used later on for facade
Similarly in sixth picture, we can see ac pipes connection. These pipes are connected between AC and the exhaust which will be kept outside the building.
Since I had opportunity to visit site on different phases, i learned many things about how works are carried out during each phases of construction.
Similarly, to know the electrical points on slab, nails are kept as to locate the electrical point in slab which will be helpful during light fixation.
In fifth picture, how later on the soil waste pipe are concerted and passed through that hole from upper level to lower level. In this design, 45 angled pipe and 90 angled pips are fitted below the slab as client did not want his bathroom to be at 9”” from ground level. So pipes are fitted below the slab which will be later on covered with false ceiling.
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1x4 house is a residential building located at Nadipur, Pokhara. The project is under construction phase.
TASK INVOLVED:
in this project i was involved in sanitary drawings, interiors and furniture details
1x4 HOUSE
Nadipur, Pokhara I 2194 sq. ft
35 / Internship report 2022 INTERIORBEDROOMMASTER
To begin with, I made mood boards to establish a tone. Since this room is a walkin closet with a washroom attached, I used warm colors. Instead of mirrors, I included floating shelves that were connected to the pillars. I went with a minimal look rather than using too many elements..
36Anjana Kunwar / M. 13'-8"BEDROOMX11'-7" ATT. WC4'-4" X 8'-1" STORE ROOM4'-8" X 8'-3" 4'-6"KITCHEN/DINING13'-1"X22'-4"LIVINGROOM13'-1"X15'-9"BALCONYX13'-10" DN UP 4'-1"WCX10'-5"BALCONY3'-0"X11'-3" FIRST FLOOR PLAN Area:1258.10 sq.ft. 1342513425 A B A B CCW5 V1 V2 M.D. D1 W1 D2 D1 D3 D3 D3 W4 D3W6V3
37 / Internship report 2022 INTERIORBEDROOM
I began this assignment using mood boards. For the master bedroom, I utilized moodboard of pale green and white hues. The client required a dressing area and cupboards for this location, so I created a dressing area and cupboards out of green and white palette.
38Anjana Kunwar / M. 13'-8"BEDROOMX11'-7" ATT. WC4'-4" X 4'-8"WC8'-1"X8'-3" LIVINGKITCHEN/DINING10'-3"BEDROOMX11'-10"13'-4"X14'-10"ROOM13'-1"X14'-9" STORE ROOM4'-4" X 3'-7" ENTRANCELOWERFLAT ENTRANCEUPPERFLAT GROUND FLOOR PLAN Area:1257.14 sq.ft 1342513425 A B A B CCW3 V1 V2 D1 W1 D2 D2 D1 D3 M.D. D2 D3 D3 W4 3'-6" 8'-0"
Pame, Pokhara I 2194 sq. ft
VERANDA02 HOUSE
Veranda house is located near Fewa Lake of Pokhara, the house is a home for a family with series of veranda spaces embracing the lush green garden in the site and overlooking the lake. The semi shaped patios and veranda are the signature of the house connecting indoor with outdoors while countering the summer heat and rains of Pokhara.
TASK INVOLVED:
In this project i was involved in sanitary drawings, interiors and furniture details
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41 / Internship report 2022 PLAN 8'-4" 10'-1" 4'-2"2'-6"3'-7" 2'-1" 2' 1'-6 1 2" 2'1" 1'-0 1 2" 2' 1'-9" 1'2'3' 1'-03'12" 1'' TILE FINISHDETAILSKITCHEN
EAST WALL
42Anjana Kunwar / WOODEN FINISH OPEN SHELF MICROREFRIGERATOROVEN1'' TILE FINISH FALSE CEILING 12'' WOODEN PROJECTION 1' 1" 2'-9" 1'-3" 1' 1' 1' 1' 1'-3" 2'-5" 1'-10" 1'-10" 11"2'-9" 1" 1'-5" 1"1'-11" 2'-6" 2" 2'-5" 1" 1' 13'-3" 8'-9" 3" 10' 1' 3''TILE FINISH 1'-3" 1'-6" 1'-6" 2'-6" 3'-6" 1" FALSE CEILING 2' 3" 2' SOUTH WALL 10'-6" 15' 1'-2" 1'-3" 2' 1'-6" 1'-7" 2' 1'-9" 2'-9" 1'-5"1'-4" 1'-5"1'-4" 1'-012" 1'-4" 1'-10" 3' 1'-1012" 1' 1'-5" 1'-6" 1'-6" 1'-6" 1'-6" 1' 2'2"2'-3"1"2'-10"1'-5"2'-6"2'-6"2'7'-6" 3" 3' TILE FINISH 1'' TILE FINISH FALSE CEILING 2'-6"2' NORTH WALL 10' 10'-3"14'-3" 2' 1' 1' 1'-6" 1'-6" 1'-6" 1'-6" 1'-3" 1' 2'3" 2" 2'-9"2'-3"1"2'1"1'-4"1" 1'-3"1'-6"1'-5"1'-11"2'-6"1"1"1'2'-9" 1'1'-3"1'8'1'-3"1'-9" 1'-6" 3'-3" 15'-7" 10' FALSE CEILING 3'' TILE FINISH 1'' TILE FINISH2' WIDTH 1' WIDTH1' WIDTH 1'WIDTH 21 '' PROJECTION 1'WIDTH 21 '' PROJECTION
43 / Internship report 2022 FIRST FLOOR PLAN Area:1371.73 sq.ft A B C D 123 123 A B C D FAMILY ROOM BEDROOM 1 BEDROOMMASTER2 BEDROOM UP S S S S S S S W W W W W W W W W W W W W S S S S S W OD 2'' PVC RAIN WATER STACK OD 6'' PVC SOIL STACK OD 3'' PVC WASTE STACK OD 2'' PVC RAIN WATER STACK OD 6'' PVC SOIL STACK OD 3'' PVC WASTE STACK 28'-9"LIVINGX25'-3" GUEST13'-1"BEDROOMX11'-4" ENTRANCE PORCH 13'-8"KITCHENX14'-3"13'-6"DININGX10'-6" PORCH GROUND FLOOR PLAN 1346.87 SQ.FT BAR/ STUDY A B C D A B C D 14321432 OD 2'' PVC RAIN WATER STACKOD 2'' PVC RAIN WATER STACK OD 2'' PVC RAIN WATER STACK CWCW WW W W S S OD 6'' PVC SOIL STACK OD 3'' PVC WASTE STACK CPVC PIPE (HOT WATER) CPVC PIPE (COLD WATER) OD 3'' PVC WASTE STACK OD 6'' PVC SOIL STACK CPVC PIPE (COLD WATER) CPVC PIPE (HOT WATER) SEPTIC TANK WM SM WMWWWWW SSS WWWWWWWW W SM WM SSS W W W W W W W WWWW WWWWS S S S S S S S CW WWWWWW OD 3'' PVC WASTE STACK CPVC PIPE (COLD WATER) CPVC PIPE (HOT WATER) OD 2'' PVC RAIN WATER STACK OD 2'' PVC RAIN WATER STACK SM WM W W W W W W W W W W W W W W W W W W W W W W SOAKW PIT OD 2'' PVC RAIN WATER STACK OD 3'' PVC WASTE STACK OD 6'' PVC SOIL STACK CPVC PIPE (COLD WATER) CPVC PIPE (HOT WATER) W W W WWWWWWWW W WW RAIN WATER TO PUBLIC DRAIN DRAWINGSSANITARY
While working on sanitary drawings, I learned about different standards, dimensions required for proper drainage and waste and water supply, among other things. Furthermore, I learned about market standards, sanitary fittings technologies, and procedures.
44Anjana Kunwar / LOWER TERRACE UPPER TERRACE ROOF PLAN TERRACE OD 2'' PVC RAIN WATER STACK B C D 23 23RW RW RW RW RW RW RW RW OD 2'' PVC RAIN WATER STACK B C D BEDROOM 3 LAUNDRY ROOM T/B TERRACE DN PUJA ROOM TERRACE B C D 23 23 B C D CD4 CW3 D1D2 D2 D1 D1 D1 V1 W6 V3 W7W7 SECOND FLOOR PLAN Area:586.56 sq.ft OD 2'' PVC RAIN WATER STACK RW W W W W W W W W W W W W W W S S S RW OD 2'' PVC RAIN WATER STACK OD 6'' PVC SOIL STACK OD 3'' PVC WASTE STACK OD 2'' PVC RAIN WATER STACK OD 6'' PVC SOIL STACK OD 3'' PVC WASTE STACK
TASK INVOLVED:
HARNESS04RESORT
In this project i was involved in hall design, entrance design, sauna and changing part of the main building. For this project i was mainly involved in designing process of different components of the resort.
Kusma, Parbat I sq. ft
Harness resort is located in Kusma, Parbat.
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47 / Internship report 2022 PHASECONCEPTUAL
48Anjana Kunwar / ENTRANCE1. PARKING2. BLOCKMAIN3. 'A'ACCOMODATION4. 'B'ACCOMODATION5. 'C'ACCOMODATION6. POND7. BRIDGE8. PAVILION9. AREACHILDREN'S10. DININGOUTDOOR11. POINTSELFIE12. POOLSWIMMING13. TOILET14. AREASPORT'S15. HOUSEGUARD16. PLAZARAFTING17. DECKDININGOUTDOOR18. ±0.000LVL -0.300LVL +4.000 +2.000LVL+3.000LVL +2.500 ±0.000 -1.000 -1.000 ±0.000 -1.000 -2.000 -2.000-2.000 -2.000 -1.000 -1.000 -2.000 -2.000 -2.000 -3.500 -3.000 -1.000 -1.000 -0.850-0.500±0.000 ±0.000 -4.000 1 3 5 6 6 4 7 8 10 11 11 11 12 13 14 15 16 17 18 6
utilization. The level of road and entry point was 1500mm apart, so I put the message board at the highest point to ensure that it would appear from the street, the gate, and the road. To make the entrance for this project, I did the following: I kept the message board at a high level so that it would appear from the highway, the entry, and the gate.
49 / Internship report 2022 DESIGNENTRANCE
During the design phase, I was also involved. Initially, the entry region was bigger, and the entrance was designed with that in mind. Afterwards, a disruption among the landowners caused the entry region to shrink, which required us to redesign the doorway. We can see in Figure 2 how the space was used in the beginning and the new line of the entrance. In order to utilize all those wasted spaces, I created irregular landscaping designs by maximizing their
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hall is a two-story structure consisting of a ground level hall and a first floor dormitory. Because client later wanted three different rooms, this area was converted into three bedroom suites with bunker beds. Balconies were included in each bedroom after the change.
The position of this hall was altered after the project commenced. Because we didn’t have room elsewhere, the hall was positioned immediately after the entrance. Other walls faced the street or were outside the boundary. Because client didn’t require meeting and seminar spaces during the design phase, this element was included as a last minute addition after the construction work was completed. This
DESIGNENTRANCE
51 / Internship report 2022 300 300 2480 300 1000 300 3840 300 5080 5080 3100 4140 17700 300230300300247029001000443027707500 75002770443030027003002470300 3003840300280030047803004780300 5080 5080 3100 4140 17700 BA C D E 1 BA C D E 350 900 1000 350 122 33 900 1500 300 500 710500 500 350 1200 5001000 350 50 1460 1250600 1290 1800 1800 1430 D1 D1 D2D2 D2 V1 V3V3 1000501000501000501000 W2 1000 500 2320 980 2000 500 500300 500500 900 W2W2W2W2 W2 W2 W2 W2 Y X X Y Consultant:Client:2.July Art and Design Studio Birauta, contact:jastudio.np@gmail.comPokhara9849577846 Address: JA: STUDIO Ar. Rajani ShresthaRevision:BlockDrawingArchitect:Title:Type:SheetNo.:NECRedg.No.:2380"Architecture" "A" category Redg. 17103/077/078No.MunicipalRedg. No.: 17-32-2241 A EB C D A B C 1 D E 32 132
HOLIDAY04HOMES
In this project i was involved in electrical drawing, planning and 3d of resi dential unit, interior of the master bedroom, lobby and lighting of landscape
Namobuddha , Kathmandu I sq. ft
Holiday homes is a resort located in Namobuddha , Kathmandu. The main purpose of the project is to create space for spending holidays. Client want ed this project to be multipurpose. they wanted to make it as their holiday home and when not in used it could be available for rent.
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TASK INVOLVED:
The Holiday Home is a holiday station made by the group of investors. This proposal was to create a place to spend their time away from home. They envisioned it as a getaway cottage where customers could go to relax if they didn’t have anything to do.
A comparison of the site context and the topography was undertaken in order to design this project. Because the terrain is steep, we did not want to change the topography or disturb it in any way. Every slope allows house roofs to drop down the hill, offering more open and uninterrupted views. The residential units are positioned as they appear in the conceptual drawing, so that the terrace of the lower unit may be used as an interactive area. We also want to return nature what we take by installing a green roof.
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The floating effect is achieved on each floor by lifting the balcony portion only. The initial design divided the balcony into two parts and emphasized the entrance, but the client wanted a single division later. Therefore, we changed it from three-dimensional to two-dimensional. For the exterior material, they wanted a natural look, so we used wood and concrete textures.
57 / Internship report 2022 GROUND FLOOR PLAN 82.447m2 A B C D A B C D 1 1 2 1 LIVING/DINING ROOM DECK 4375BEDROOMMASTERX5950 MD W3 W4 W4 W5 W5 W6 FIRST FLOOR 83.776m2PLAND1 A B C D A B C D 3232 UNITRESIDENTIAL
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The client wanted a contemporary and sophisticated look for the master bedroom of this house. Because the client owns Shera, I used it for this project. There were two interior designs, the first was rather dark. For the light grey, black, and wood interiors, I used grey, black, and wood planks for the walls. A floating television cabinet was designed for the grey-coloured wall and wood. For the lobby, lights were used on a table and mirror.
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GROUND FLOOR PLAN 82.447m2 A B C D A B C D 1 1 2 1 option 1
INTERIOR VISUALIZATION
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For this project, I developed two designs, one being a light-themed design. To create a modern, sleek environment using Shera products, I employed them. The colours are light in tone, resulting in a comfortable interior ambiance. On the TV wall, I kept things simple and minimally adorned. Since the wall had so many elements and mirrors, I decided to keep things simple.
INTERIOR VISUALIZATION
62Anjana Kunwar / option 2 GROUND FLOOR PLAN 82.447m2 A B C D A B C D 1 1 2 1
Project Type: Interior
BRIEF:
Location: Lakeside, Pokhara
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For this interior project, i was involved through whole process,From site measurement to final 3d. So for this project i was involved in: Site Visit Site Measurement Site Draft Planning Conceptual 3D
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An interior project, salon at lakeside was requested by client to design the spaces following the same character of its already existing salon at Kathmandu. So the space has been developed as per client carrying the same essence and Chinese theme as per existing one.
Task Involved:
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66Anjana Kunwar / OFFICE /WALLPHOTOAREADISPLAY /WALLPHOTOAREADISPLAY ENTRANCE DISPLAYRECEPTIONWALL FUTUREEXPANSION AREABEDAREADISPLAY
We only had a week to plan and create this 3D model, so we had to make sure that the design matched the one in Kathmandu. The client wanted the same colour scheme and design details, so we used the same colours and ornamentations while making our 3D model. The pictures below are the reference photos we were given, and we reproduced them in 3D.
68Anjana Kunwar / A B C A B C 12345671234567 1'-6" 13'-1" 1'-6" 8'-3" 1'-6" 14'-7" 9'-9" 2'-6" 1'-3"2'-6"10'-6"5'-6"7'-6"2'-6"1'-6"14'-4"15'-7"12'-11"13'-10"14'-0" 2'-6" 2'-6" 2'-6"2'-6"1'-3" 2'-6" 2'-6" 3'-0" 2'-6"1'-3"1'-3"2'-6"2'-6" 3'-9" 14'-0" 1'-6"6"11'-10"2'-6"13'-0"2'-6"10'-7"11'-3"2'-6" 9'-6"9'-6"2'-6"1'-6" 3'-0"2'-6"8'-0"2'-6"11'-10" 1'-6" 1'-11" 4'-3" 5'-7" 6'-11" 3'-6" 1'-6" 3'-0" 2'-6"2'-6"1'-3"4'-0"2'-6"3'-1"3'-5" 1'-3"2'-6"2'-6" POSITION/ HT.S.N. SYMBOL DESCRIPTION LEGEND 1.2. DECORATIVE CEILING LIGHT CEILING CONCEALED LIGHT CEILING
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BRIEF:
Project Type: Interior
Kids shop is a clothing store located at Siddhartha chowk, Pokhara near at trade mall. For this project client gave us requirements and we carried out the design process. For this project i was involved since conceptual phase to final development.
For this interior project, i was involved through whole process,From site measurement to final 3d. So for this project i was involved in: Site Visit Site Measurement Site Draft Planning 3D Furniture details
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Location: Siddharthachowk, Pokhara
Task Involved:
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• Conceptual
So, as clients request, we designed it providing maximum display area, mirrors of characters. I tried to insert some elements such as scale at the door of changing room, providing walls having niches. Since west wall had glass facade, we decided to hang cloths only on upper portion as not to discolor cloths due to exposer.
71 / Internship report 2022 ROOMCHANGING LAYOUT MIRRORCLOTHES CLOTHES CLOTHES CLOTHESSECTIONBOYRECEPTION SECTIONGIRL SEAT 11"2" 3'-2" 3'-10" 3'-10" 3'-11" 10'-11"1'-5" 8"6" 1'-4" 9" 1'-2" 3'-8" 1'-8" 9"2'-11" KIDS PLANSHOPLAYOUTSSCALE:1:40 PLANNING&CONCEPTUALINITIAL
While designing the interior of kids shop, we had some requirements from client. Requirements of clients were:
• Open display
• Tile as it is
• Mirror as character
• Avoiding false ceiling as much as possible
• Toddlers to 10yrs
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Before starting with 3d de velopment i did reference for interiors of children .Af ter that while developing 3d, i started with mood boards. As it was kids shop, i used pastel tones with wood texture. I also sepa rated boys and girls section with colors. At the place where columns were locat
ed,i made that place for mirrors with various char acters which adds interest ing point for the interiors. I also developed wall niches which arranged circular niches in abstract mickey with different shapes as in figure.
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After completion of conceptual 3D, we had client meeting. We showed our design to client . Even though client loved the design, they had certain budget allocated to interior so we had to redo it. So we tried minimal design. We used only wood and white as color scheme and provided maximum display spaces. We kept character mirrors and some elements and redesigned whole space, After this is the final design and we did further detailed design of furniture and so on.
74Anjana Kunwar / 1' 1' 1' 1' 1' 1' 8" 2'-5" 8" 1' 1' 1' 1' 1' 1' 3'-2"4'-3"6'-8"2'-5"6'-8"3'-2"1'-1" 3'-2" 2" 2'-10" 2" 24'-3" 9'-6"7'-6"2'1'-9" 3"1' 1'-2" 1'-2" 3"6" 2'-7"2'-4"2'-1"1'1'-5"11"11"11"11"1' 2'-10" 6'-6" 2'-2" 1'-2"1'-1" 1'' THICK WOODEN PANEL 1' PROJECTION 15'-9"9'' PROJECTED FALSE WALL 9''1'WIDTHWIDTH 1'4''WIDTH 9'' WIDTH 1' WIDTH GIRL SECTION BOYS SECTION BOYS SECTION 1' PROJECTION 1' PROJECTION 1' PROJECTION GIRL SECTION
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• Triangulation method while site measurement
Learning
• Design development process
• Minimizing the cost with enhancing the minimal design and materials, colors.
• Different types of elements relating with child physiology and activities
Challenges
• To avoid the maximum glare and sun radiation through the east opening in order to avoid the cloth damages.
• For this project, challenge was to design the spaces with minimum budget having maximum displaying area with reception and storage spaces.
Location: Ranipauwa, Pokhara
Total Area: 1380.49 Sq.ft
Project type: Residence
AD house is a residential building located at Ranipauwa, Pokhara. In this project I was involved in conceptual facade design. For facade design I tried the box style house with some geometrical planes intersection and balancing it.
Brief
Client: Mr. Ashok Palikhe
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option 1
LINE OF SET BACK BED ROOM BED ROOM SECONDDN FLOOR PLAN TERRACE
LINEOFSETBACK
LINEOFSETBACK
LINE OF SET BACK
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For the 3d development of this residence, i started with sketches and then started models and some changes weer made according to the functions too. i tried two types of option for this residence. As client wanted to have box type of house, we tried these options. While designing i tried to incorporate between internal and exterior of the building. As in figure and model, at 1st floor we can see the vertical element which divides the balcony into 2 parts. This was done to for privacy.
option 2
81 / Internship report 2022 well lift R450 MASTER BED ROOM 4070 x 2787 1592 x 2787 STORE 1653 x 2372 PUJA 3707 x 3832 LIVING ROOM 4633 x 3408 KITCHEN/DINING 1650 x 2320 TOILET 1025 x 3433 BALCONY UP. GROUND FLOOR PLAN WITH SITE PLAN 1047 A A 14751200 230 75 LIVING ROOM 3710 x 3837 entrance balconyKIT/DINING 3000 x 3221 balcony MASTER BED ROOM 3282 x 2865 TOILET 1500 x 2157 TOILET 1650 x 2418 BED ROOM 3468 x 3040 lift 2995 x5204 1288 STORE 1477 x 2323 1475 1200 PUJA 1535 x 1168 DN.UP. TYPICAL FLOOR PLAN A A STORE ROOM 3645 x 2547 FOURTH FLOOR PLAN A A Project type: Apartment Location: Kathmandu
This apartment is located in Kathmandu. It is 5 storey apartment .For this apartment i was involved in 3d development.
Brief
82Anjana Kunwar /
The Nakagin Capsule Tower, created by architect Kisho Kurokawa in 1972, was the first capsule architecture design. The module was designed to accommodate traveling businessmen who worked in central Tokyo. This design demonstrates the importance of sustainable architecture and material recycleability, as each capsule can be plugged into the central core and replaced as necessary.
The 140 stacked and rotating capsules at Kurokawa’s Ginza development stand 14-stories tall and are located in Tokyo. Kurokawa developed a technology that permits each capsule to be installed to the concrete core with only four high-tension bolts, allowing for easy replacement. Each capsule is 4 x 2.5 metres, big enough to accommodate a single person. The interior of a capsule may be altered by connecting it to other capsules. The pods’ components were fabricated in Shiga Prefecture and then transported to the location by truck. The pre-assembled interior includes a circular window, a bed and bathroom, and a TV, radio, and alarm clock. A crane lifted the capsules into the shipping containers, which were then fastened to a concrete core shaft. The Metabolism architecture movement, which emphasized adaptable, expanding, and interchangeable design for apartment and high-rise buildings in Tokyo, is a terrific example of the concept first proposed at the 1960 World Design Conference.
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Nakagin Capsule Tower
ARCHITECTURE
In 1987, the German government organized a competition to expand and upgrade the Baroque Liebeskind Jewish Museum in Berlin’s courtsburg district. The competition was won by architect Daniel Liebeskind, who chose to utilise the original structure as a portal, while the abrupt zinc-clad extension sits detached and juxtaposed with its setting as a representation of Jewish existence in Germany. As part of the museum’s introduction, visitors descend into the Baroque structure, and after this initial descent, three symbolic paths are established, which intersect and delineate separate architectural experiences that follow the narrative of a hidden Jewish identity.
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The museum’s entrance is from within the baroque building, and it has three symbolic paths that intersect. They follow the narrative of a hidden Jewish identity. The first axis leads to the Holocaust Tower the 24-metre-tall concrete void the space unconditioned through the seasons has a single light source from a small opening in its roof. The second axis connects the museum to the garden of exile with its tilted foundation and grid of 49 pillars the experience is meant to disorient and help the visitor understand the plight of being uprooted during the Second World War from within the labyrinth a feeling of solitude predominates views of the fractured facade or maintained but visitors are confined to the gardens and must leave by the way in which they entered. The final axis connects the submerged paths to the exhibition above a continuum of Jewish history is presented within a series of disjointed spaces along the zigzagging structure. details of Jewish life and prosperity are presented as well as reactions against discrimination throughout history. In this way the visitor leaves with a fairly comprehensive understanding an impression of the tumultuous history of Jewish life within Germany and beyond.
Jewish Museum by Daniel Libiskind
Diebedo Francis Kere
Can an architect truly help bring change to society?
In 2001, he built his first project and this was the Gando Primary school. It was a building built by and for the people of Gando. Locals offered their input, labour and resources from conception to completion, crafting nearly every part of the school by hand, guided by the Kere’s inventive forms of indigenous materials and modern engineering. His design was geared to combat extreme heat and poor lighting conditions with limited resources. As he said “Good architecture in Burkina Faso is a classroom where you can sit, have a light that is filtered, entering the way that you want to use it, across a blackboard or on a desk. How can we take away the heat coming from the sun, but use the light to our benefit? Creating climate conditions to give basic comfort allows for true teaching, learning and excitement.” Indigenous clay was fortified with cement to form bricks with bioclimatic thermal mass, retaining cooler air inside while allowing heat to escape through a brick ceiling and wide, overhanging, elevated roof, resulting in ventilation without the mechanical intervention of air conditioning.
Can the quality of built space make the lives of people better?
How do his structures connect with the lives of people and of communities?
In a world in crisis, amidst changing values and generations, he reminds us of what has been, and will undoubtedly continue to be the cornerstone of architectural practice a sense of community and narrative quality, which he himself is so able to recount with compassion and pride. In this, he provides a narrative in which architecture can become a source of continued and lasting happiness and joy.
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Gando School
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Gando Library
Serpentine Pavilion
Sarbale Ke Pavilion
Lycee Schorage Secondary School
Color scape
87 / Internship report 2022 GypsumPlywoodParquetsLaminatesLippingboardSTUDYMATERIAL
‘Theory must be put into practice to have any value.’. To sum up my 90 days at Ja: Studio as a trainee architect, it was full of knowledge, inspiration, aspiration, design works, deadlines, laughter, fun, games, and most importantly love. Architecture has become my family during my internship at Ja: Studio. I will continue to learn from them either directly or indirectly.
I have acquired a great deal of knowledge from Kajipokhari residence and Srijanachwok residence projects, which I will keep with me forever. I came to know a new architectural approach and journey. The time I spent at the studio taught me far more than just about architecture; it educated me about life. Through my internship, I’ve become a different person than I was before. I have also become a different kind of architecture student than before, and I hope to achieve great things from the education and guidance I have received from my family, Ja: Studio.
EPILOGUE
anjanakunwar47@gmail.com