Anna Korsun - Wehmut for 5 voices and ensemble

Page 1

Anna Korsun

Wehmut

M端nchen 2011


2

Instrumentation:

Picture of cover: Georgy Dorokhov (1984-2013), composer, writer, painter, friend

5 voices Violin Double bass Prepared piano

Ranges: Soprano: e1 - cis3 (high sounds have to be performed not in full voice) Voice I: fis - e1. Have to sing into kazoo Voice II: a - f3 (always full voice) Voice III: cis1 - d1 (not full voice), the rest sounds are unpiched Voice IV: d1 - b1 (not full voice), the rest sounds are whisper-tones

The idea of the piece:

Surrealistic world of co-existing parallel lives, where noise sounds are placed on the forefront, seeming thus more realistic and closer to the audience, than the melody, coming from another far illusive world. Almost all parts of voices are separate parallel lines, except duo of sopranos and quartet of sopranos, violin and piano fragments. Voice I can be treated as prolongation of Soprano, singing melody: image of radio noise. In duo of sopranos singers should react on each other. Soprano, singing melody must be hardly audible, but in duo and quartet Soprano has the same dynamics as others.

Location: Church acoustic is preferrable. Soprano must be placed far from other musicians and audience to make sound coming from afar. The best solution is to place her in front of the stage at another side of the hall.

Amplification: In case of good acoustic Soprano and Voice II are not amplified in duo and quartet fragments. In case of dry acoustic it is necessary to add reverberation. - amplified/not amplified

- sing closer to microphone


3

Additional objects: (Part of plastic bag can be performed by Soprano)

Preparation of piano:

Soprano: plastic bag, sheet of paper Voice I: kazoo Voice III: sheet of paper, empty glass bottle Voice IV: plastic bag, sheet of paper, empty glass bottle Double bass: two bags with metal stuff (screws, coins etc.) Piano: 24 bolts (screws)

place screws between following strings: controctave: b big octave: dis, e, fis, gis, a, b small octave: cis, e, gis, a, ais, b I octave: cis, dis, e, fis, g, gis, a, ais, b II octave: cis, e

Signs: voices: - sonant high sound - suck air into the mouth, pressing upper lip to teeth

- air (whisper) tone - inhale/exhale

- direction of intonation

- "constrained" sound

- gradually move from one sign to another

- "snore" strings: - "strong snore"

- Bartok pizz. - with sound of voice

- little "breathe"

- piched inhale/exhale all: - gentle whistle/rustle - "tremolo": all combinations with "rrr" are always as imitation of cat's purr - blow above bottles' neck, producing sound - "hick" - muffle kiss/smack - "sob"

- from/to silence - indication of duration - moving in different directions - 3/4 sharp - quarter sharp - quarter flat


4

Wehmut Anna Korsun - Robert Schumann Joseph von Eichendorff

steady, ascetic, equal dynamics, almost no emotions, just feel a bit nostalgic. Be inside yourself

Langsam q = 35 - 37

Soprano

    

p

 

Ich

kann



wohl manch

-

 

mal

 "rustle" Pl. b.     

Plastic bags, paper

p

  

Voice I

 

Voice II

sing into kazoo

 

 

pp

Pl. b.

kann

  

 

 

  

      Contrabass   gliss. gliss. 

 

 

 

mf

f

mf

3

gliss.

-

mal

slures mean one in- or exhalation with voice

  

    

mp

   simile    

 

  pizz.      

 

   



mp



wohl manch

mf



all arco: sul ponticello all pizz.: ordinario, soft (jazz) arco

pp

Ich

gliss. wistle or "rustle"

all arco: sul ponticello all pizz.: ordinario arco gliss. gliss.

     Violin  

mp

 Voice IV, Plastic bag

"constrained" sound imitate snore breathe in breathe out "strong snore"

 Voice III

 

p

 p

 


5

    S. 

 

4

sin

  -

gen,

als

   ob ich frö

-

  

lich sei;

 

Pl.b., p.

 

V. I

sin

  -

 

gen,

als

    ob ich frö

   -

 

   

doch heim -lich Trä - nen

  

lich sei;

    

doch heim -lich Trä - nen

very close to microphone

half closed mouth mf mp

V. II

prr

V. III



tongue at palate

trr

 



t t t t t trr

trr

            p

Vln.

Cb.

 

    

  

 mf

 





   mp

      



 

t t t trr t t t t t trru t t t rr

     

"rustle"

V. IV

mf pp

 3 3  5                                   p

     


6

     S.  8

 

  

da

wird das Herz

drin - gen,

   

 

mir

frei.

Es

        

V. I

 

drin - gen,

da

     

V. II

   

 

wird das Herz

mir

frei.

recitative, half closed mouth

      

mf p

      

V. III

V. IV

Vln.

Cb.

sharp shake by sheet of paper

p



Es

        3

   

las - sen Nach -ti -

  

mp p

free gliss. up and down

   rit.

        

    

  

     p

las - sen Nach -ti -

  



p

   

  

P.

Pl.b., p.



     

mf

3

mf

pp

   3

pp

 

    

f Voice    

  

trr


7

    S.  12

gal

-

 

V. I

gal

Vln.

-

   

 Cb. 

-

-

drau - ßen

-

       

-

drau - ßen



"sigh"

 

f

p

trr

rru

Früh - lings - luft,

der



 

 

Früh - lings - luft,

der

f   

p

       



   

mf

mp

 

arco s.p.

 

pp

gliss.

f

       rru

trr

"hiccup"

p

mp

rru

 



p

 

 

sonant high sound



      

 



mf

  

spielt

  



len,

  

V. III

V. IV



V. II

spielt

   

f

  



len,

 

Pl.b., p.



 

  gliss.

trr

ff


8

  S.   

 

15

Sehn

-



 

sucht Lied



er - schal

-

 

len

aus

       

V. I

Sehn

  -



 

sucht Lied

 

V. III

 

mf

mp

 

res Ker - kers

Pl. b.

  

 

len

aus

ih

        

 

   

-

    -

res Ker - kers

"sob"

mf

suck air

-



er - schal

         

V. II

ih

    

 

tear

Pl.b., p.

  

mf

miau

mp

mp

  

"meow"

 

mf

muffle smack

V. IV

  

trr

Vln.

    

 

pitch is veiled mp

trr

  pp

 drop little bag filled with metal stuff Cb.   

  

  

trr

   trr

 a bottle      take      trr

 


9

  S.   18

  

Gruft.

Da

 

V. I

f

 V. II

V. III

Cb.

-

le

 

Da

pensive howling, with hoarseness mf

    

prr

a au

 

 

  

Gruft.

Vln.

lau - schen al

    

    

Her - zen,

 

und al - les ist

er



Pl.b., p.

V. IV

 

lau - schen al



-

"dog's" squeak

le

playful

 

und al - les ist

er

             

   

Her - zen,

p

      prr

au

prr

prry

f

rr

trr

trr

breathe

  

 

     

    

 

p

blow into bottle, producing whistle sound (without over blowing)

 

    

mf

p

    

          

  

 

pp

pp

mf

mf

pp

      3

3

pp


10

   S.  22

freut,

   

Pl.b., p.

 

V. I

doch

V. II

V. III

V. IV

Vln.

    

   

 Cb. 

kei

  -

ner

freut,

   

  

 

 



doch

kei

 

-

ner

     fühlt die

Schmer

     fühlt die

Schmer



 

zen,

im



 

mf



arco

 

pizz.

im

 

arco

 

 

 

 

gliss.

 

  

 

zen,

    

  

gliss.

pizz.

pp

p

  mp

pizz.

 

mp

con moto q = 55 - 60 gentle

 not full voice  

gentle

  S.    

 

25

Lied das tie

V. I

V. II

V. III

Vln.

     

Lied das tie

-

-

fe

 

fe

 

pp



I

Leid.

 

Leid.

         arco        

pp

 

p

      ppp

 gentle not full voice staccato ppp

I

 





3

 


3 3                3           

   S. 

staccato

30

V. II

                                                3

3

3

3

           S. 

ppp



p

3

3

          S.  38

pp

 

3

   3   S. 



3

3

V. II

3

3

      

  S.  

V. II

3

ma

a

          3

ma

ma

3

a ma

48

3

   mal mal

       mal

mal

3    

pp         

3

3

3

pp

     

3

ma a ma a



go to half closed mouth and vice versa

3

ma a ma

3

pp

mf

ppp



p

ma

-

3                        3

3

3

ma ma ma a

   S. 

3

                 

            45

3

p

3

3

woh

ppp        

42

3

pp mf gliss. gliss.

woh о

V. II

3  3    

p

3

ann

3

p pp                                    a

V. II

3

ka

ich

3



3

34

V. II

11

3

 mal

ma

         3

3

        3

   3

mal mal

         

     mal



- mal

ppp

p

s

mal

ma ma

p

     

a ma ma ma ma manch

malmal

ma ma a

a

ma ma manch - mal pp

ma a

  

a

ppp

p

pp

si

s

ppp

mp

s

s

si

i

pp

3

ppp

 ppp

 3

     

gen gen gen gen gen gen


12

S.

V. II

p

  

pp

 gen

als

 gen

a

         3    3  3            3

3

a



 3  3  3   

3                                       3 3 3 3 3 3

o

3         S. 

ob

   

ob

 3

57

V. II

 gen

        3        3       

o

als

ppp

pp

54        S. 

V. II

p

          gen gen  gen gen 51

 

ppp

ich

p

ppp

frr

 

frr

ppp

 

p

p

frr

 

ppp

frr

ich

 

ppp

p

p

   pp

frr

p

frr

    S. 

frr

öh

59

V. II

mp

   



pp

p

frru

 frr

mp

3   S.     

mp

s

V. II

    sa

s

s

lich



3     

hei

a

      

pp

sei

-

    

do

3

sa sa s

s

s

ppp

        

sei sa sa sa s

pp

öh

 61

 -

ppp

3

 3

s

s

 3

s

 

mlich

 

 

 3 


pp 63   pp p p                         mp        S.   

13

3

do

V. II

oh

trr

                 hei

3

3

a

3

3

 

pp

mlich

trr

ä

 

p

trr

ä

drr

i

drr

  

mp

trr

nen

-

pp

-

nen

   mp    S.     66

i

     mp p

V. II

drr

 69

S.

whisper mp

 

drr

i

i

ppp

pp p

            

p

 

gen

gen gen

pp

gen gen

gen

gen

gen

gen

ppp 3

3

3

3

           

-

gen gen gen gen gen gen gen gen gen gen gen gen

 

pp

Da

wird

das

Herz

mir



mp

p



frei.

Es

las

-

whisper mp V. II

 

Da

wird

das

Herz

mp 70

S.

 sen

V. II

3



Nach

 ti

- ti



gal



-

len

 S.

 

der

Sehn

sucht

las



- sen

Nach -

p

drau - ßen

spielt

 71

Es

spielt



frei

- gal - len

 -

3



mir



Früh

drau - ßen

      

Früh

 -

 -

lings









lings

-

   

der

Sehn

sucht

Lied

er - schal - len

  aus

ih

 -

res

luft,

Lied er -schal -len aus ih - res Ker - kers Gruft

- luft,

3

mp

V. II



     Ker -kers Gruft




14

 

mp

   S.  73

da

V. II

mp

3

    Da wird das

 

 

 

   

Herz mir frei

Es

 

3

          

las - sen

Nach - ti - gal - len 3

V. II

 



 

3

   S. 

V. II

aus ih - res

Ker -kers Grru

-

pp

         

p ppp

p ppp

lau

al

i

e

accel. gliss.

 

rr

doch

gliss.

mf mp

al

pp  mp             

(like hick) (can be multiphonic)

p

     

doch

  

p ppp

Her sh

schen

p



nice,vibr.

      S.   84

ruft. a mf

Da

-

 

gliss.

Grrr mp



pp

Da

 

   

  

    gl iss. 



mf

78

mf

en

lings Luft, der Sehn sucht Lied er - schal -len

spielt drau -ßen Früh -

mp

              3

Seh 3

  

pp

3          S. 

75

   

p

3

kei

le

zen

kei

-

und sh les

    ner ner fühlt fühlt

as high as possible

pp accel.  p gliss.              mf

V. II

st

frreut

3   S.     

89

die die die

Sch

doch

    

doch

kei

kei

slight vibr.      

 -

    ner

fühlt

 fühlt

p

 

mf mp

mer

im Lieddas tie - fe

Lei



i

 i

as high as possible

V. II

 

     

die die die

 mf

 

without vibr. slight vibr.   pp               

pp

zen

im Lied das tie - fe

Lei

i


15

Tempo primo 97   S.  

big vibr.

 

Pl.b., p.

without vibr.



    

i

V. III

   

105

    

 

big vibr.

V. I

Ich kann wohl manch - mal

  

V. II

  

V. III

Cb.

Pno.



     p

breathe

Vln.



wistle or rustle

closed mouth

id

 

 

 p                          

Pl.b., p.

V. IV

   p

 

id

ppp

   S. 

 

 

slight vibr.

big vibr. ululation

big vibr.

slight vibr.

       



 without vibr.    

V. II

slight vibr. ululation

Pl. b.

          

          

   



 



  mp

  

  

   

  

sin - gen,

   

als ob ich frö

 

     

              arco      g arco   liss.   

  

  

lich

f mp

  

pp

-

   drop little bag with metal stuff

 


16

    S.   111

     

breathing, open mouth pp

la

la

la

la

  

Pl.b., p.

mp

  

V. I

sei;

doch

f

V. II

  

 

heim -lich Trä

      

Vln.

Cb.

Pno.

 

 



mf

pp

   

      p

 

wird das Herz

mir

3

       t

   

Paper

  P. shaking         

da

   

prr

sharply

V. IV

 

- nen drin - gen,

mp

 

  

V. III

    

    

f

t tt

t trr

mp

  fluctuation    

 

     pp

 

3

pp

 

 

   p

 

 






17

  S.  115

closed mouth

    

pp

Pl.b., p.

 

 

V. I

frei.

Es las

mf

 

V. II

pp

5

3

           t

trr

t t t t tr

    

  

-

 

sen Nach -ti - gal

   

-

    

len,

spielt - drau -ßen

mf         

5

t t t rr

t

t

t t

t trru

Whistle\rustle V. III

Vln.

                mf



    



arco

3

3

 



 

 

p

pp

Pno.

pizz.

pp

        Cb. 

     

 


18

   S.  119

gliss.

pp

   

V. I

   

Früh -lings - luft,

   

 

der Sehn - sucht Lied

    

    



er - schal

mf mp

V. II

  



Pl.b., p.

 

-

  

len

aus

     

   

ih

-

res Ker - kers

             

mrr

pp

V. IV

Vln.

Cb.

    

 

arco



mp

  

  

    

trr

rru

rru

f

  trr

 pizz.       mp

 gliss.  pizz.      

  

mf

  

 

Pno.

 p

mp

pp

    

 

 



V. III

   

blowing into bottle, producing whistle sound without over blowing



 


19

  S.  123

    

 

 

pp

  

Pl.b., p.

 

V. I

    

Gruft.

Da lau -schen al

mf

  

V. II

mp

f

mp

    

   

trr

V. III

mp

f

V. IV

 

   

 

le

al - les

er -

Her - zen,

f ff           

rru ru

trr

trr

und

  

ist

f

  trr

trr

muffled smack

     trr

     

  

p

            

      

p

 

p

-

 

P. irregular fluctuation

rru

    

     

 

  gliss.    

  Cb.  

     

 

  gliss.

Vln.

Pno.

 

arco

pp

arco

pp

pp

  

 


20

   S.  127

Pl.b., p.

V. I



 

 

freut,

doch

     

 kei

-

ner

fühlt die

Schmer

f mf          V. II   trr

 

  Cb.   

 

Vln.

   

  f

Pno.

  

 



 

mf

   

 

3

gliss.

playful

prr

pizz.

im

au

 

 

zen,

"dog's" squeak

a au

prr

miau

     

 

mf

 

-

pensively howling hoarsely meow

 

    p

mf


21

con moto q = 55 - 60 gentle gentle

  S.  130

  

I

  

Pl.b., p.

   

V. I

Lied das tie

   -

prr

prry

V. III

p

f

rr

trr

  

gentle staccato ppp

          trr

Vln.

Cb.

      



i

3

            3

3





 

  Paper

fe Leid.

            

V. II

V. IV



f



 

3

 


22

   S. 

3

gentle non vibr.

Pno.

   

  

staccato

                                                  3

Vln.





Pl.b., p.

V. II



pp

134

      

 

3

3

3

3

3



3

3

3



 

pp

gentle repetition

 

  pp

"floating pedal"-change

often to avoid "pad effect"

 3 3 3 3                      3           S. 

ich

V. II

ppp

ka

p                                 a

Vln.



p

138

     



 



   Pno.  

 

gliss.

3

3

3



    

 

3

3

3



vibr.

 

 

3


23 3 3               S. 

p

143

pp

ann

V. II

3     

woh

o

ooo

ppp

p

3

3

woh о



  

         pp        

       ppp   

   Vln.      Pno.    148   S. 

pp

p ss. gli

3

 

3

3



non vibr.

vibratissimo

3

             

3

 



corde (for tremolo use something metallic)

 

 

        

  



pp



p

(key)        

go to half closed mouth and vice versa

3

3

ma - a

V. II

             3

Vln.

   

V. II

3

3

      ma ma ma a

     Pno.    151    S. 

3                  

ma

a

 



 

        3

3

a

ma

3

ma

         Vln.    p  p            Pno.      

  

p

3

a

 mp 

 p

3

a

ma a

-

a

ma ma a

ma

            p  p  mp  p   

ma ma manch

    p

-

-

mal

 3                

pp

mal

  

pp

 

3

ma ma a ma a

ma

         

manch

    p

3

              a ma ma

ma ma

a

mal mal mal

 

mal

mal mal mal

  

 

   

mal


24

  S.   154

V. II

  

 mal

V. II

ppp

mal mal mal

p

s

mp

s

s

si

 

 

pp

  gen

  gen

pp

   gen

3

als

si

i

pp

 gen

ppp

 gen



    

   

3

3

3

ppp



 

  gen           

3

p

  gen

 

3

    a

3    

3  3       

3

a

3

V. II

p pp

gen gen gen gen gen gen

staccato           Vln.   non legato                   Pno.   3 3 3  159  3        3                   S. 

      

ppp

     

3

     

ppp

3

3

p

  

s

ppp

   Vln.       Pno.    157   S.    

         3

 

 

3





 

  

3

3



o

                           3

 



  

als

o

           Vln.                 Pno.   3

   

3

3

3

3

3

ob

 ppp

p

         3

3

3

 3

3

p


               

162    S. 

V. II

3

3

3

     

 

ppp

    

3

 

frr

öh

-

lich

sei

ppp

pp

frr

öh

p

 

      3

sa sa

 

mp

s

s

3

s

ss s

            3     do

     

mp

ppp

3

3

 

 

     

3

p

 

3

3

3 3 3 pp p mp                      

oh

hei a

mlich

trr

trr

             pp p                   

  

arco         

3

a

3

3

 

3

mlich

do

3

oh

 

 

 

                          Pno.   3

3

3

  

p

ppp

    

p

frr

 

pizz.

pp

ppp

frru

       

   

pp

frr

3

p

    

p

sa

            3

hei

Vln.

pp

  

do

V. II

frr

whisper

s s s

 mp

frr

       sei sa sa sa s

ppp

mp

    Vln.      Pno.    168    S. 

ppp

p

3

   S.  165

frr

  

ppp

   

  

3

p

3

V. II

 

 

   

25

ich

frr

           Pno.   

3

ob

ich

Vln.

3

3

3

3

trr trr

ä-

pp

  

ä - nen

      pp

p pp


26 p pp      S.    

 

171

- nen

V. II

drr

 mp p     drr

Vln.

i

       

drr

pp

i

-

gen

176

S.

 

 

 

corde

 

3

whisper mp

  

ppp

 

Da

Da wird das Herz mir frei

mp

p

    



wird das Herz mir frei.

   

    

Es las -sen Nach - ti - gal -len

Es

las-

   

     3

3

         3

3

   

spielt

 

 

   

3

3

   



spielt drau -ßen Früh-lings - luft,

    

3

p

     

der Sehn sucht Lied er - schal -len aus ih -res Ker

 

kers

Gruft

mp V. II



der



    

Sehn sucht Lied er -schal - len

      Vln.              Pno.   3

3

 

aus ih

  3

-



drau -ßen Früh -lings - luft,

  

mp

sen Nach -ti -gal -len

pp

gen

      

3

3

 

whisper

arco        Vln.      key       Pno.   p 3

3

ppp

gen

i gen gen gen gen gen gen

gen gen gen gen gen gen gen gen gen gen gen gen

 

V. II

        

  S.   mp

           

3

174

ppp

pp p

p

drr

3

           Pno.   

pp

p 3

 

i

3

mp

mp

res

Ker

-

            

 

     3


178

 S.

   

kers Gruft

V. II

      

 

Da wird das Herz mir frei

Es las

-

          Vln.                    Pno.   3 3 3 

    S. 

V. II

3

lings

 



pp

         S.  3

182

3

en

V. II

Vln.



Luft, der Sehn sucht

       Vln.          Pno.   3 

  



  

spielt

drau -ßen Früh -



            

3

 

Lied



er -schal

- len

arco

 3  

 

aus

   3    

3

3

  

   -

ruft.

   mp   gliss. 

      ppp



mp

Ker - kers

 

Grr

3

3



3



Da

pp 

 

  

gliss.

-

 

mp

      

 

     

mf

mp

Grrr

ih - res

    

Da

ppp

sen Nach -ti - gal -len

 

ruft.

       Pno.  

  3

27

Seh 3



        

pizz.

   

p

180

3

da

mp

  

  

mp


28

     S. 

 gliss.  

186

V. II

gliss.

pp

 

     

 

 

gliss.

pp

p



              mp

Vln.

  

gliss.

    

over pressure

               mp

   Pno.  

  p

   


29

Tempo primo

rit.

190      S. 

im Lied das p

Pl.b., p.

    

V. II

im Lied das

slight vibr.

  

 

tie - fe Lei

i

 

big vibr.

 

 

 

without vibr.

   

tie - fe

slight vibr.

 

 

Lei

i

   

without vibr.

pp

whistle\rustle

V. III

  

 V. IV

     

mp

p

        

  

trr

trr

trr

 

trr

trr

pizz.

Vln.

p

   Pno.



   

  

 

 

         

   

 

 

 

pp

 

 


30

196

 S. 

without vibr.

   

ululation

   

     

big vibr.

V. II

 

id

     

trr

trr

ppp

   

 

  

 

  

id

   

trr

 

      

 

trr

     

arco

 

slight vibr.

ululation

  

V. III

Vln.

  

ppp

  

Pl.b., p.

V. IV

slight vibr.

slight vibr.

trr

ppp

Pno.

           

 

 


Turn static files into dynamic content formats.

Create a flipbook
Issuu converts static files into: digital portfolios, online yearbooks, online catalogs, digital photo albums and more. Sign up and create your flipbook.