Portfolio| Anne Arnbjerg Pedersen by Anne Arnbjerg

PORTFOLIO ANNE ARNBJERG PEDERSEN

â&#x20AC;&#x2DC;12-19

INFORMATION

Work experience: 2019 Tegnestuen Birthe Just 2019 Rønnow Arkitekter 2018 ByWorks 2016 Renner Hainke Wirth Architekten 2015 Kadk - Indblik

Anne Arnbjerg Pedersen Provstevej 21 2.tv | 2400 Kbh NV +45 27136522 annearnbjerg@gmail.com Computer Qualifications: Adobe Photoshop Adobe Indesign Adobe Illustrator ArchiCAD AutoCAD Revit Sketch-Up Languages: Danish English German Norwegian, understands Swedish, understands

Education: The Royal Danish Academy of Fine Arts, KADK 2016-18: Master Institute for Architecture, Art and Culture; Political Architecture: Critical Sustainability v. Dag Peterson, Niels Grønbek Supervisor; Olympia Nouska 2012-15: Bachelor Institute for Architecture, Art and Culture Supervisors; Anne Pind, Thomas Bo Jensen, Güro Sollid, Morten Meldgaard, Cort Dinesen, Jan Soendergaard, Erik Brandt Dam, Vicki Thake Rødding High Scool, 2012 Main subject_Design and innovation Supervisors; Nicolai Hygebjerg, Ask Emil Skovgaard, Jonas Hasle a.o.

Dear reader, The portfolio is an intensified collection of the work which has been paramount to me during my architectural practice. Natural forces, concerns for infrastructure and community building has been my primary points of interest. I hope to present the engagement I have along with the potential I see in creating interdependencies between architecture, politic and nature - and I look foreward to explore the fields further in my professional life ahead. A.

CONTENTS

ACADEMIC WORK Kunstakademiets Arkitektskole, Cand.arch Kunstakademiets Arkitektskole, Bachelor

p. 6 p.16

WORK IN PRACTICE RÃ¸nnow Arkitekter Tegnestuen Birthe Just Renner Hainke Wirth Architekten

p. 26 p.31 p. 32

OTHER WORK ByWorks Fieldwork Personal Projects

p. 36 p.38 p.40

#1 INVISIBLE CITY

TYPE/ AN ANTICIPATING ARCHITECTURE IN HAVANA, CUBA, 2018

The project propose an intervention which sees opportunities in understanding and performing risk. It does so in order to benefit from water, a resource that is highly sought after in Havana as well as making visible the qualities of water that cities are dependent on but rarely see, understand or celebrate. The key architectural elements of the project is an outer protective skin and a inner path for circulation. These interventions does not purely follow the logic of construction but subtracts part of an already crumbling residential structure on the cuban coastline. Invisible City departs from the Cuban conflicts of connected Local Communities and Urgent Coastal Defense, problematics that are also reflected in the UN Sustainability Goals no 11 and 13. Most of Havanas building mass is in a heavily decayed state. Impacted both of different water masses and changes in financial dynamics, the conditions on the coastline holds defense as a key question.

Our experience of risk and safety is highly affected by architecture and its states of decay. Situated in a conflict between construction and destruction, water plays an important role for buildings in Havana. While essential for agriculture, humans and cities, water is a force that we in several ways try to separate from build environments because of its destructive effects. The water is in itself not the problem, but possibly part of the solution. The premise becomes when the water comes. The attitude for sustainable coastline settlement does therefore not aim to escape decay - by either separation, rearrangement or protection. Instead the project propose an architecture that does not withstand water, but stages and desires it. It aims for a social robustness where a connection btw sea and the city during catastrophes become entry points to carve relations into the everyday.

Original advertisement, Riomar: ‘The Dream of Sea and Sky’

Waterforces in context; The image of sea and sky is different in dream and reality, strongly characterized by it’s interchangeability.

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Decayed layers of Structure

Section Aa 1:200 _ y. 2030

Section Aa 1:200 _ y. 2040

Section Aa 1:200 _ y. 2050

Disintegration

Total Collapse of Unsupported Construction

Speculation in New Programmes

A future deterioration of both form and structure is still expected and the strategy of the project allows for this latent decay. It imagines a future that does not maintain the existing but work with gradual transformation of both building and programs.

Entrance and changing rooms for the baths. Accessed by the circulation ramp, the bathhouse facilitates a cleaning of the body and also a presentation of the watercirculation. Container, central pipes and bassins are key part of this system.

Apartments from the 2nd to 6th floor house the - from 200 in 1956 - now 24 remaining households. These inhabitants are the perminent residents of Riomar and carry out the daily operation of the bathhouse. In catastrophe situations they help preparing the building to respond to impacts.

A part of the water collected in the ramp is staged in the outpour into a bassin which afterwards let it gradually down to the sea.

The Path opens up to an auditoruim typology, where the incline of the ramp offsets levels for seating and gathering. This space is used for big group talks.

The indoskeleton holds a double circulation. A universal access for people accessing different programs and routes - and for water collected and circulated by the path too.

COLUMNS The low incline of the ramp requires a separate support system, which does not rely on the crumbeling construction of the old building. The columns structurrally holds the ramp, but are morphed as they meet the programmes of the lowerfloors. Here they become a part of the spacial experence of the life around the structure.

DOUBLE CIRCULATION The new infrastructure is the main acces to important community spaces, The Gathering Room, The Common Room and Bathing Facilities. Above providing access to specifc programmes the circulation is a path in itself and an experience route accesible for all people. The path circulaties humans, but also collects and transport water. When raining the path is filled with water collecting it through a sequence of interventions to end in the water tank for use in the bathing facilities for public use.

The Common Rooms

The Gathering Room

The Fountain

The Facade

The Changing Rooms

The Basins

AN ANTICIPATING ARCHITECTURE The structure anticipates impact of decaying forces and positions itself in contact with it and prepares to recieve it. Both beneficial and not, the water is part of rythms at the coastline. Through the specific architectural elements; The Facade, The Bassins, The Fountain water is presented in new ways. SPATIAL INFRASTRUCTURE The ramp sets the structural as well as programmatic structures of Riomar. Providing acces opportunity to the important community facilities, the path also curates an experience through the building combined by impressions of the old building mass as also new programmes that attacth to the circulation. OLD TILES Reused for Bassins

New units grow from the ramp as the point of acces as also part of the construction logic. The infrastructure sets the parameters from which spaces and experiences form. The development of spaces can grow organicly and be executed in small scale using knowledge and material available along the way.

NEW TILE DESIGN Armouring the Southern Facade

ISOMETRIC DRAWING Spatial Organization and Circulation

The circulation structure paves a guided promenade through the crumbling building and ensures a universal access for everyone to the three main activities, bathing, sheltering and learning. In its circulation, the path cannot help strengthening some parts, while puncturing and weakening others. The columns upholding the ramp supports parts of the existing structure making it more rigid and resistant to deterioration and in other situations it is puncturing through climatic and structural parts determining these spaces to be more vulnerable.

The tile facade respond to rainwater and studies how the architecture tectonically perform this risk. Wrapped around the most dense parts of the activities is this protective ceramic armor. The design of the tile responds to its material qualities of protecting from water damage, but also suggest an affordable method in which to build and maintain. Structurally the tile has developed through considerations of how to guide water along the surface by slowing down, redirecting and absorbing water. Working with a 3D profile as well as giving the facade a slight sloping angle gives a greater surface for receiving the rain and effect of the guided route.

The Tile Facade Performing the Risk of Rainwater

The production of ceramic tiles follows an industrial logic aiming for a mass produced element with little individual characteristics and a line production thinking. The method of making uses the prescence and abscence of water in the clay, as its strength. By taking advantage of plasters ability to draw moist from a matter the tiles are cast with liquid clay in dry plaster forms. As minutes pass, the tile thickens from contactsurfaces. Different degrees of drying, burning and glazing are studied in order to achieve a membrane which, through its form, can guide waterflows and given its materiality absorb moist, delay drying and reflect differently. This clay armour respond well to the tropic environment and even without water present the roof-like structure connotes rain. An anticipation that makes water constantly present in the experience.

#2 WHILE WE WAIT

TYPE/ INFRASTRUCTURAL CORE, TBILISI, GEORGIA 2017

Our experience of time and space is affected by speed and modes of transport. Through time speed has equaled innovation, development and future. And the temporalities that we travel with today affect our experience of time. You enter a veichle at one place and shortly after exit in another. We trust the abstract transportation systems to carry us to our destination, but we actually know very little about how they work.

endings, connections but also offers the passengers a glimpse of the logistics behind the primary function of everyday transportation. The key theme at the station is â&#x20AC;&#x2DC;waitingâ&#x20AC;&#x2122;. While we wait we can fill out time with deliberate activities or we can be distracted. Though it is a public institution the busstation cultivates personal use of waiting time and celebrate the individual value of passengers within a collective.

This project situates itself in the urban context of Tbilisi, where the flow of the river and the main traffic arterie narrows together. Here, at Republic Square, there is a pause in the traffic flow - an underground busstation where city busses and everyday passengers meet. The busstation facilitates beginnings,

The dense traffic around Rustaveli Avenue is directed in three seperate flows allowing cars, busses and pedestrians to move in three different ways. The overground square forms a landscape for passengers and visitors

Crosssection of Republic Square Tbilisi, Presenting the two underground platforms following logics of both man and maschine

where they descend from the city scale into the underground. The square now functions as a roof, and plays a big part in allowing light and air to enter the station. The underworld is staged so that the processes of washing, cleaning and refilling the busses become an attraction - and possible distraction. Therefore pedestrians play parts as both passengers and visitors. Waiting time can be percieved as a waste of time. This feeling increases if there is no reason, no timeframe or nothing to do. The project aims to improve the possibilities of collective transport in a way that is flexible to individual choice.

PEDESTRIANS PRIVAT CARS

CITY BUS

SECTION A - a REPUBLIC SQUARE, TBILISI 1:200

SECTION B - b REPUBLIC SQUARE, TBILISI 1:200

Model Photos; Ramp, Washing, Platform

SECTION TERRAIN

SectionREPUBLIC TerrainSQUARE, TBILISI 1:5000 Republic Square, Tbilisi

Waiting time can be perceived a waste of time. It can feel almost unbearable to waste a few minutes, when there is nothing to do, if it is unjustified or shows no sign of progression. If accepted that waste can be substituted by dirt, waste is defined by anthropologist Mary Douglas in her book ‘Purity and Danger’. According to Douglas waste [dirt] is “matter out of place”. Waste is not an essence in itself but becomes so because 1 it is taken out of its circulation. Continuing with this definition waiting must be time out of circulation, a waste of time. The spectacular thing here, is that waiting as a waste of time adopts a negative connotation and in its nature strives to get back to circulation. It presupposes a strive for an absolute circulation and indicates an ideal of the frictionless society where time and space is distributed purely as functional. This paper aims to argue against the idea of pure functionalism and a circulation without friction. Perfect flows can sustain the already existing society structures, save a minute or two on the way to work, but for political potential to exist, disruptions are necessary. The two worlds of disruption and flows must not silence each other, but take part in one world where they coexist in their dissensus. It is in the tension between circulation and the disruption of circulation that the political happens.

#3 ON THE EDGE

TYPE/ INDUSTRIAL PRODUCTION, MJOLNAREHOLMEN, SWEDEN, 2015

Map drawn by hand, 190x190 cm. Accumolation as a working method.

On the Egde creates the spaces for an industrial beer production on the abandoned fleet area on the island MjĂślnareholmen. The production aims to make veterans visibile in the community and re-establish a connection to the city, while physically processing experiences too. The project allows temporary stays on the island, where returning soldiers meet the civile society in a shared industrial space. One delegetion carry out one half of the brewing cycle while handing over to the following unit.

The architectural strategy let tactile wood meet the hard rock and stonemass of the island. By transforming the old gunpowderhouse, guard housing and scouting bunker the new facilities of brewing, sleeping and reflecting are re-framed in an architecture of The solidarity is big part of what is hard to live without after a mission

Three ways of how mass and construction interact. Enclosed, attached, immersed.

Oberst Anders MĂŚrkedahl

#4 MAGIC APPLE TREE

TYPE/ COLUMN FOR AN EXHIBITION, 2014

This column takes the form of an apple tree, wich grows as it decomposes. The column examines temporality and decay, themes from field studies in former fleet cities; Venice, Karlskrona and Copenhagen. Onboard the warships were plants from all over the world, which as the ships and crew stepped on land in times of winter. The plant collection of Holmen is today a living ruin and warstory, which manages to rewrite itself.

When you plant a tree, itâ&#x20AC;&#x2122;s a promise to stay for a while

Around the base layer is a metal clamp, a machine that presses the foundation parts together. The tectonic is an extension of the method I have used to collect findings in the fleet areas. After gathering, pressing and referencing my findings they are now re-assembled in the machine. The metal clamp encapsules what has happened and sends a stroke further, out of which the stem and the fruit grows. It is important for the tree to have a flexible stem. Constructed as a clam too wherefore the less weight - the taller the tree. During an exhibition period the crown will loose weight and the tree will build itself up - by breaking itself

#5 URBAN LIVING TYPE/ HOUSING, 2014

Rayed

garden and then enters a the private house. This proces is copyed for the urban house, now in vertical movements.

The urban house deals with a compact urban context in wich both professional and personal life unfolds. As the public moves horisontal in the street level, the personal sfere increses as one moves up vertical. The house is organized this way.

The difference in apartments causes a terrainean ascent, where different hights of staricase deliveres someone at every plateau. The light passes through the vertical garden and invites light into even the small urban apartments.

The building contains four small and five minimal apartments, wich shares a common vertical garden. In the suburb you arrive through a semi-private front

#6 COLONIAL HOUSE

TYPE/ SEASONAL HOUSING, 2013

This colonial house i a shrine. During the half year of winter it will be totally sealed and when the spring announces, it can open up. Due to the seasonal outdoor living, the colonial house offers little non-heated space indoor. The real living is outdoor in nature. Therefore the house can be opened up and fully used from the outside. The colonial house does not have any windows. The natural light as weel as the artificial appears from the light intake in the roof. Instead the shrine has shutters, that if left ajar, allows sound and smell to enter the little safe spot. When it is nescesary to stay indoors the vision of nature is not priority, the feeling of nature is.

Wintertime: The house is entirely closed. As a schrine, the house now has its minimum size.

Summertime: The house can open up. The moved shutters expand the living space into nature.

#7 THE HUMAN SCALE

TYPE/ EXPLORATION OF DAWING 1:1, 2012

Since nature so created the body that its members are proportional to the whole frame, the principle of the ancients was that in buildings also the relationship of the parts should correspond to the whole Vitruvius (84 y.b.Kr)

RELATIVE POSITIONER

Kroppens udstrækning illustreres i dette projekt ved positionerne: at stå, at sidde, at ligge. Ved at anskue kroppen i plan snit og opstalt får vi et indblik i dennes proportioner og hvordan disse relaterer til hinanden.

af Anne Arnbjerg Pedersen Kunstakademiets arkitektskole #7 1. november 2012

#8 SPACIAL STORAGE

TYPE/ LOCKERS AND DEPOSITS FOR EDUCATIONAL FACILITY, PHA ROSKILDE 2019

Bygning C laves som en tilbygning til eksisterende Campus Roskilde og er for medarbejderene på stedet; undervisere tilknyttet Absalons faglige centre, FoU’erne, studievejledning, administration og ledelsen. De mere end 200 medarbejdere har ikke en fast kontorplads og behøver derfor særlig grad et privat sted til opbevaring.

Opbevaringsmulighederne er let tilgængeligt i alle situationer og fra alle arbejdspladser. Det er mulig at opbevare privat materiale, som medarbejderne ikke dagligt ønsker at bringe frem og tilbage, samt fælles fagligt materiale. Vægmøbelet disponeres med hensyntagen til de forskellige faggrupper. STUEPLAN

SEKTIONER FOR GRUNDMODULER 1:100 1690 1690

1520 1520

Center for Skole og Læring 76 pers. ca. 24 pladser

2410 2410

43 pers. ca. 12 pladser

BB C2 C2 E3 E3erstatter erstatterE1 E1 Special SpecialModul Modul CC275mm 275mm E3 E3erstatter erstatterE1 E1 BB E3 E3

E3 E3

C1 C1 Ettilpasset tilpasset Et modul modulCC-her her428mm 428mm

24 pers. ca. 12 pladser

1385 1385 2410 2410

1790 1790

1395 1395

2410 2410

2454 2454

1790 1790 C4 C4 Specialmodul SpecialmodulCC-her her350mm 350mm

3363 3363

A A

994 994

350350

88 88 BB

C4 C4 BB

2410 2410

Kobling til Bygning A

NB! NB!Mål Målerervejledende vejledendeog ogskal skalverificeres verificerespå påstedet stedet FASE: FASE:

HOVEDPROJEKT HOVEDPROJEKT

EMNE: EMNE:

VÆGMØBEL, VÆGMØBEL, Stueplan Stueplan Udsnit Udsnit

TEGN.NR: TEGN.NR:

AP(99)3.00 AP(99)3.00

FREMTIDIGE FORHOLD // Bygning C // Proffesionshøjskolen Absalon juli 2019 // RønnowFREMTIDIGE Arkitekter // FORHOLD VÆGMØBEL

Trekroner TrekronerForskerpark Forskerpark4,4,4000 4000Roskilde Roskilde

Sagsnr.: Sagsnr.:

2122046 2122046

Tegnet Tegnetaf: af:

AAP AAP

Dato: Dato:

775

RØNNOW RØNNOWARKITEKTER ARKITEKTERA/S A/S

03.06.2019 03.06.2019

Rev. Rev.dato: dato:

22.08.2019 22.08.2019

Mål: Mål:

1:100 1:100

Ny NyKongensgade Kongensgade9,9,2.2.--1472 1472Kbh KbhK.K. Tlf: Tlf:59 5944 4432 3200 00 ra@ra.dk ra@ra.dk

2124

3825

926

1701

926

775

1701

Center for Ledelse og Oplevelsesdesign

C3 C3

2410 2410

Facility Service

Faglig Ledelse Absalon Absalon PHA PHABygning BygningCC

OPSTALT 1:20

BB E3 E3erstatter erstatterE1 E1

E3 E3

C3 C3 Special SpecialModul Modul CC404mm 404mm

1790 1790

Vægmøbelet løber på begge etager som en membran omkring det fælles opholdsrum i centrum af bygningen. Skabe, skuffer og garderobe i møblet er tilgængelige på alle tidspunkter af dagen. Adgang til alle kontorer, stillepladser og flexpladser foregår gennem vægmøblet.

UDSNIT A-a

2410 2410

BB C2 C2 275 275

428 428

Center for Pædagogik

E2 E2

1490 1490

1590 1590

E2 E2

2410 2410

a a

E2,12mm E2,12mmekstra, ekstra,indskudt indskudt på påhver hverside sideafafModul ModulAA

BB BB BB BB BB BB 66 66 1524 1524 Samlet Samlettykkelse tykkelsepå på 66mm 66mmtiltilforskel forskelfra fra C1 C1 54mm 54mmsom somstandard standard

29668 29668

Formålet for vægmøbelet er at skabe opbevaring i bygningen, privat og fagligt, samt et bygningselement med en sensitiv karakter. Fokus er på brugskvalitet og designprincippet kan moduleres efter brugergruppernes ønsker.

UDFOLDET OPSTALT, VÆGMØBEL (1:20) Stueplan, udsnit A-a Eksempel på 81 af samlet møbel, hvor 24 private lockers(1), 18 fælles faglig opbevaring (2) og kontinuerlige skuffer i bunden (2-3). Derudover 3 nicher til uformelle møder, samtale, vente- og arbejdsstationer (4-7).

OPSTALT

UDFOLDET OPSTALT, VÆGMØBEL (1:20) Stueplan, udsnit A-a

PLAN PLAN 1:20 1:20

Eksempel på 81 af samlet møbel, hvor 24 private lockers(1), 18 fælles faglig opbevaring (2) og kontinuerlige skuffer i bunden (2-3). Derudover 3 nicher til uformelle møder, samtale, vente- og arbejdsstationer (4-7). B

Opstalt af ca 1/8 af det samlede vægmøbel, hvor der findes 24 private lockers (1), 18 mindre lockers til fælles faglig opbevaring (2) og kontinuerlige skuffer i bunden (2-3). Derudover 3 nicher til uformelle møder, samtaler, vente- og arbejdsstationer (4-7).

PLAN, VÆGMØBEL (1:20) Stueplan B

juli 2019 // Rønnow Arkitekter // VÆGMØBEL // Bygning C // Proffesio

PLAN, VÆGMØBEL (1:20) Stueplan

6408

2454

994

2410

1790

2410

1790

2410

1590

2410

1520

2410

1072

2052

2617

2410

5034

1449

Bygning C Fremtidige forhold Stueplan

MODUL A4-A6

MODUL A1-A3

A1 Opbevaring x6 lockers

MODUL B1-3 & C1-5

INTERAKTION, 1:20

OPBEVARING, 1:20

A2 Opbevaring, variation x 6 lockers

A4 Siddeniche - 2 personer

A3 Opbevaring, variation x 6 lockers

OPBEVARING, 1:20

A5 Siddeniche - 1 person Lockers - 2 personer

428

A6 Opslagstavle/Galleri Stående arbejdsplads - 2 personer

B1 Opbevaring x2 lockers x1 fagligt fælles

B2 Opbevaring x2 lockers x1 fagligt fælles

A: GRUNDMODUL

350

C3 Special Modul C 404mm 1stk i stue

182

C4 Specialmodul C 350mm 1stk i stue 1stk på 1.sal

C5 Specialmodul C 182mm 1stk på 1.sal

EMNE:

Sagsnr.:

2122046

Tegnet af:

VÆGMØBEL

Proffesionshøjskolen Absalon // Bygning C // VÆGMØBEL // Rønnow Arkitekter // juli 2019

Absalon PHA Bygning C

AAP

RØNNOW ARKITEKTER A/S

Dato:

03.06.2019

FASE:

HOVEDPROJEKT

EMNE:

VÆGMØBEL

Rev. dato:

22.08.2019

Mål:

Sagsnr.:

1:20

Ny Kongensgade 9, 2. - 1472 Kbh K. Tlf: 59 44 32 00

2122046

Tegnet af:

AAP

RØNNOW ARKITEKTER A/S

ra@ra.dk

TEGN.NR:

AP(99)2.21 15

Absalon PHA Bygning C

Dato:

03.06.2019

FASE:

Rev. dato:

22.08.2019

Mål:

Sagsnr.:

1:20

Ny Kongensgade 9, 2. - 1472 Kbh K. Tlf: 59 44 32 00

2122046

TEGN.NR:

AP(99)2.23

Modul B og C AAP

Tegnet af:

Dato:

03.06.2019

Rev. dato:

RØNNOW ARKITEKTER A/S

ra@ra.dk

PRINCIP FOR GRUNDMODULER A er det foretrukne grundmodul, der er materialeoptimeret og kan akkomodere for flere forskellige behov B er det smalle grundmodul, der indsættes, hvor A er for bredt. C er det speciallavede B-modul, hvor rytmen af A&B ikke kan gå op. D er modulet omkring døråbninger, med et vindue over dør. E er afstandsskiver mellem moduler. 6mm som standardtolerence mellem alle moduler og 24mm som ekstra afslutning ved kanter og hjørner.

HOVEDPROJEKT

EMNE:Arkitekter // VÆGMØBEL // Bygning C // Proffesionshøjskolen Absalon juli 2019 // Rønnow VÆGMØBEL

Trekroner Forskerpark 4, 4000 Roskilde

Modul A

Trekroner Forskerpark 4, 4000 Roskilde

Modul A

Trekroner Forskerpark 4, 4000 Roskilde

NB! Mål er vejledende og skal verificeres på stedet

NB! Mål er vejledende og skal verificeres på stedet TEGN.NR: FASE: HOVEDPROJEKT juli 2019 // Rønnow Arkitekter // VÆGMØBEL // Bygning C // Proffesionshøjskolen AP(99)2.20 Absalon

Absalon PHA Bygning C

onshøjskolen Absalon

404

C2 Special Modul C 275mm 1stk i stue 1stk på 1.sal

C: SPECIALMODUL

B: GRUNDMODUL

275

C1 Special modul C 428mm 1stk i stue

B3 Opbevaring x2 lockers x1 fagligt fælles

A: GRUNDMODUL

22.08.2019

Mål:

1:20

Ny Kongensgade 9, 2. - 1472 Kbh K. Tlf: 59 44 32 00

ra@ra.dk

MODUL D1 & E1-E4

ADGANG OG AFSTAND, 1:20

E1 Afstandsskive 6mm - Buffer. Standard skive mellem alle moduler. Kan fjernes ved justering på stedet

E2 Afstandsskive 12mm I særlige tilfælde kan indskydes 12mm i stedet for 6mm - evt. 2x6mm

E3 Afsstandsskive 24mm. Standard ved alle ender af vægmøbel, i alt 54mm; 24 er den ekstra skive, 6 afstandsskive og 24 er den første skive på det efterfølgende modul.

819 873 885

E: AFSTANDSSKIVE

Absalon PHA Bygning C

FASE:

HOVEDPROJEKT

EMNE:

VÆGMØBEL

D: DØRMODUL

Sagsnr.:

2122046

Tegnet af:

NB! Mål er vejledende og skal verificeres på stedet TEGN.NR:

AP(99)2.24

Modul D og E

Trekroner Forskerpark 4, 4000 Roskilde

D1 Dørmodul D 885mm Dørhul 910? 9M

E4 Afsstandsskive 24mm+6mm som vanlig ved afslutning. Her med møde i skrå vinkel som forlængelse af ankomstvinkel.

AAP

RØNNOW ARKITEKTER A/S

Dato:

03.06.2019

Rev. dato:

22.08.2019

Mål:

1:20

Ny Kongensgade 9, 2. - 1472 Kbh K. Tlf: 59 44 32 00

ra@ra.dk

Proffesionshøjskolen Absalon // Bygning C // VÆGMØBEL // Rønnow Arkitekter // juli 2019

428 428

6mm 6mm ++ 24mm 24mm som som afslutning afslutning mod mod ventilationshjørne ventilationshjørne 30 30 428 428

Proffesionshøjskolen Absalon // Bygning C // VÆGMØBEL // Rønnow Arkitekter // juli 2019

B B

C1 C1

B B

C1 C1

6mm 6mm ++ 24mm 24mm som som afslutning afslutning mod mod ventilationshjørne ventilationshjørne 30 30

27 Absalon Absalon PHA PHA Bygning Bygning CC

FASE: FASE:

HOVEDPROJEKT HOVEDPROJEKT

EMNE: EMNE:

VÆGMØBEL VÆGMØBEL

#9 FLOW DESIGN

TYPE/ DEVELOPMENT OF INTERIOR DESIGN AND NARRATIVE, PHA SLAGELSE 2019

Campus Slagelse ligger centralt i Slagelse by og grænser direkte op til togbanen. Tilstædeværelsen af skinner, rytme og rejsende er en stærk markør for stedet og bliver trukket med indenfor i bygningen og bevægelsen rundt på campus. Indenfor repræsenterer banen de gangarealer og åbne zoner for ophold der knytter hele studiebyen sammen.

Mangfoldigheden af studiefag og faggrupper på professionshøjskolen gøres synlige og til en del af en fælles identitet for bygningen. Banen opererer i færdselsarealerne med tre hastigheder; Bevægelse, Opbremsning og Ophlold. Bevægelse lader brugerne komme hurtigt mellem destinationer. I dette tempo færdes i gangarealer med lockers, genveje, udkig og muligheder for navitgation.

Tydelige signaturer i gadebilledet

Opbremsningen sker ved mødet med det uforudsete. Der foretages korte pauser i små ganglommer hvor der er et særligt indblik i faglokaler, omkring en faglig udstilling eller informationstavle. I dette lavere tempo kan man få en fornemmelse af ‘alt det vi tilsammen har gang i’.

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Længere ophold etableres ofte i nær relation til de fysiske stoppesteder, hvor faglokaler, studiezoner eller kaffestationer befinder sig. Her er mulighed for fysiske- og sociale relationer og fordybelse, der ofte er en destination for bevægelsen.

Bevægelsen gennem hele bygningen

B2.11 Fleksibelt uv-lokale

B2.10 Fleksibelt uv-lokale

B2.12 Fleksibelt uv-lokale

D2.10 Fleksibelt uv-lokale

D2.11 Fleksibelt uv-lokale

D2.12 Fleksibelt uv-lokale

A2.10 Fleksibelt uv-lokale

Skakt 1

A2.01 Trappe 1

B2.52 Depot

B2.62 Toi.

B2.50 Kopirum Niche, information

A2.68 Toi.

A2.62 Toi.

A2.67 Toi.

A2.61 Toi.

A2.66 Toi.

C2.10 Depot til drama/musik mm.

C2.10.1 Særlig undervisningslokale Drama/musik/teater

D2.52 EL-Tavle

D2.51 Arkiv

Tlf. boks

Viewdesk

D2.62 Toi.

D2.50 Kopirum

C2.60 Forrum

2.09 Elevator

D2.63 Toi.

D2.14 Gr. rum

D2.16 Gr. rum

Lounge

2.08 Elevator

D2.03 D-2

C2.01 Trappe 4

C2.11 Særlig undervisningslokale Drama/musik/teater

B2.03 B-2

Bænk

Skakt 5

Skakt 4 C2.64 HC toi.

B2.02 Trappe 3 B2.61 HC toi. Bænk På væggen bagved er akustikregulering

A2.65 Forrum

C2.12 Fleksibelt uv-lokale

Fleksible siddemøbler

Skakt 3

B2.60 Forrum

B2.01 Trappe 2 B2.51 Reng.

A2.63 Toi.

A2.60 Forrum

A2.12 Fleksibelt uv-lokale

A2.11 Fleksibelt uv-lokale

A2.70 HC toi.

A2.64 HC Toi.

D2.15 Gr. rum

D2.60 Forrum

Bænk

D2.01 Trappe 5

Tlf. boks

A2.21 Fleksibelt uv-lokale

A2.29 Flexrum

Tekøkken

Skakt

Lockers 40 x 60 x 50cm 13 stk

Niche, information og udstilling

A2.03 A2

Niche, udstilling

Bænk

Viewdesk

40 x 60 x 50cm 22stk inkl. stor siddeniche

Lockers

Bænk

Lounge

Stop. Studievejledningen

Viewdesk

D2.02 D-2

Bænk

EL-Tavleniche

Siddemøbel

Stop. Pædagogerne

Bænk

C2.19 Fleksibelt uv-lokale

Kontor

to store vaske

C2.02 C-2

Bord 160x80

Bænk

Viewdesk

Bænk

Viewdesk

Bænk

Udstillings- og arbejdsborde

A2.13 Uddannelsesservice

A2.24 Flexrum

A2.22 Multimedieværksted

D2.13 Møde 10 pers.

25stk inkl. stor siddeniche

Stop. Åndehullet

A2.23 Flexrum

A2.28 Flexrum

Tekøkken

Lockers 40 x 60 x 50

40 x 60 x 50 cm 21stk inkl. to små siddenicher

Stop. Socialrådgiverne

A2.50 EL-Tavle

Lockers

Niche, telefon

A2.02 A-2

Lounge

Niche, telefon

Niche, udstilling

C2.13 Værksted/Fab-lab/Depot Niche, info

Bænk

Drivhus A2.27 Flexrum

A2.25 Møde 10 pers.

C2.18 Gr. rum

Niche, information og udstilling

C2.16 Gr. rum

C2.50 Depot

C2.15 Gr. rum

Stop og opbremsningszoner Campus Slagelse, 2. sal

Bord 160x80

A2.14 Uddannelsesservice

Depot multimedie 10 m²

C2.17 Gr. rum

Evt. rulleborde

Kontor

A2.26 Flexrum

Terrasse

Niche, opbevaring og udstilling

Kontor Flexpladser

Kontor

A2.20 Kommunikation

Ekstra bord

Kontor

A2.19 Uddannelsesservice

A2.17 Uddannelsesservice

Bord 160x80

Kontor

A2.16 Uddannelsesservice

Kontor

A2.15 Uddannelsesservice

Reol 80x42

Ekstra bord

Reol 80x42

Bord 160x80

Reol 80x42

Bord 160x80

Reol 80x42

Bord 160x80

FORELØBIGT TRYK PHA Slagelse Indretning og inventar

FASE:

Skitse

NB! Mål er vejledende og skal verificeres på stedet TEGN.NR:

AP(99)3.02

Animation gennem de offentlige passager og åbne studiemiljøer på Campus Slagelse. Ved faglige miljøer markeres en søjle med særlige fliser og et skilt med faglighed. Videoen fungerer som kommunikationsredskab med bygherre.

#10 LIMITED PARKING

TYPE/ RESEARCH AND PROCESS, PHA ROSKILDE 2019

En ny parkeringsplads etableres ved Professionshøjskolen Absalon, Campus Roskilde. Facilitererne er for undervisere og ansatte, der skal have speciel adgang til pladsen. Der er sammensat en speciel løsning til åbning af bomme <-- Fortov, fra Trekroner til PHA --> med brug af detektorspole, app-godkendelse og Station nummerpladeregistrering. Både brugervenlighed, trafiksikkerhed og drift på kort og langt sigt er taget højde for i projektet. Tegning af skilt til pladsen er foretaget med udgangspunkt i registreringen af øvrig skiltning samt brug af institutionens designmaual.

RØNNOW ARKITEKTER 16.09.2019

Bomløsning til parkeringsplads

Placering af skilt

Skilte Skilte Skiltedesignet følger Absalons visuelle identitet med røde skilte med hvidt logo og tekst. Det giver markante skilte Skiltedesignet følger Absalons visuelle i bybilledet ved Absalons campusser, identitet med røde skilte med hvidt logo der ligger på hele Sjælland. og tekst. Det giver markante skilte i bybilledet ved Absalons campusser, Skiltenes opbygning: der ligger på hele Sjælland. – Stort tydeligt logo i toppen – Lokationsnavn (Campus Slagelse, Skiltenes opbygning: Campus Næstved etc.) – Stort tydeligt logo i toppen – Adresse – Lokationsnavn (Campus Slagelse, – Uddannelser på pågældende lokation. Campus Næstved etc.)

n agelse,

de lokation.

– Adresse Tilknyttede centre, EVU-områder eller – Uddannelser på pågældende lokation. lignende nævnes ikke på skiltene.

Tilknyttede centre, EVU-områder eller Der er også udviklet oversigtslignende nævnes ikke på skiltene. og henvisningsskilte.

Hovedindgang

UDBYHØJVEJ

Trekroner 4 ogForskerpark henvisningsskilte.

D1 D2 A3

Fysioterapeut Leisure Management Lærer Pædagog Socialrådgiver Sygeplejerske

Trekroner Forskerpark 4

Trekroner Forskerpark 4 Leisure Management Lærer Fysioterapeut Pædagog Leisure Management Socialrådgiver Lærer Sygeplejerske Pædagog Du står her

SLAGELSEV

B, C

Campus Roskilde Fysioterapeut

D1 D2

F A3

B B1

B3 B2

D1 E2

Hovedindgang

A2 A1

D E

A2 A1

Campus Roskilde B

CampusDer Roskilde er også udviklet oversigts-

UDBYHØJVEJ

ts-

UDBYHØJVEJ

råder eller tene.

Du står her

A2 A1

SLAGELSEV

Du står her

Detektorspole i asfalt

SLAGELSEV

Socialrådgiver Sygeplejerske

B, C

Medarbejderparkering Parkering B, C kun med tilladelse

D, E, F

Eksempler

Designguide – Professionshøjskolen Absalon

Eksempler Eksempler

Eksisterende skiltning

Pex-rør til blæsning af kabler

Underføring af kabler; 230 V og POE

Sløjfe

ns visuelle ed hvidt logo e skilte mpusser,

Aflæsning af nummerplader fra kamera monteret på bomhus

Vandalsikret antenne på tag af bomhus

Forslag 36 til skilt. Placeres ved indkørsel til parkeringsplads 36

Nyt skilt til parkering

Sløjfe

#11 CHURCH ROOF RECONSTRUCTION TYPE/ PROJECT MANAGEMENT, COPENHAGEN 2019

Tagkonstruktionen på kirkeskibet har fået alvorlige vandskader, der skal udbedres. Der er opstået råd og svamp i tømmerkonstruktionen, samt fugt i to murede hvælv, der nu ses fra kirkeskibet. Opgaven indeholder beskrivelse af projektets omfang, optegning af de fysiske forhold, udarbejdelse af udbudsmateriale, indkaldelse- og kommunikationsarbejde mellem rådgivere samt ledelse af byggesagen.

Skade 2 Skaden er rådskade i spær og bjælke. Der skal i dette område skiftes spær, bjælke, trempelstol, bræt på murkrone, isolering samt kanthugges og imprægneres for rem og spær. Alt nyt træværk i forbindelse med reparationen skal være i sådan kvalitet at det ikke forringer konstruktionens bæreevne og holdbarhed. Samlingerne med det eksisterende tømmer foretages med stående blad-samlinger og bolte som oprindeligt i konstruktionen. Kalkningen foretages i to hele fag for at bibeholde en ensartet overflade pr. sektion.

Skade 1 Skaden er en svampeskade i spær og bjælke. Der skal i det skadede område skiftes spær, bjælker, trempelstol, bræt på murkrone, isolering samt dele af rem og plankekel.

TS1 BJ1

Mellemspærfag over kirkeskib ex. SP.3

PK1 PK2

SP1: Dobbeltspær SP2:

Skade 1

SP3:

Svampeskade i spær ogTS1bjælke

SP4:

BJ1

SP5: Afkortet v. øvre rem

Mellemspærfag over kirkeskib ex. SP.3

SP6: Afkortet v. øvre rem

Skade 2

Hovedspærfag over kirkeskib ex. SP.7

Rådskade i spær og bjælke

Alle mål skal tjekkes af entreprenør på stedet. Klarlægning af tagets konstruktive deltaljer

SP7: Dobbeltspær SP8: Afkortet v. øvre rem SP9: Afkortet v. øvre rem

24/4-2019

SP10:

12/04-2019

Udg. Dato

Vandskade

Emne

Proj. Teg

SP11: Sagsnr.

Simon Peters Kirke 19002

Adresse

Kastrupsvej 155, 2300 København S

Sag

SP12: SP13: Dobbeltspær

Fase:

Spær_Kirkeskib

Mål:

27-04-2019 10-04-2019

Udg. Dato

- Tagplan

Emne

Proj. Tegn.

Birthe Just Ibstrupvænget 14 st., 2820 Gentofte ACADFILE: 190412_SIMONPETERSKIRKE_19002.DWG

Simon Peters Kirke SIMON PETERS KIRKES KONTOR Sagsnr.

Vandskade 19002

Adresse

Kastrupsvej 155, 2300 København S

Matr. nr.

3396

Sag

KV5: Fuldt kvistspær

Tegn.nr.

00.02

Emne:

KV4:

Eksisterende forhold Tagplan i perspektiv

KV3:

Fase: Mål:

ikke målfast

Format:

ARKITEKT

KV2:

Tegnestuen Birthe Just Ibstrupvænget 14, st 1, 2820 Gentofte

KV1:

Mobil: 31 33 76 26 e-mail: mail@bj-ark.dk

Skade 1

Svampeskade og bjælke Skade 1:i spær Svampeskade i spær og bjælke

Skade 2

Rådskade i spær og bjælke Skade 2: Rådskade i spær og bjælke

Beskadiget område på murede hvælv. Der renses og kalkes i det markerede område

Skade 1, Svampeskade i spær og bjælke 27-04-2019 10-04-2019

Udg. Dato

- Tagplan

Emne

Proj. Tegn.

Simon Peters Kirke SIMON PETERS KIRKES KONTOR Sagsnr.

Vandskade 19002

Adresse

Kastrupsvej 155, 2300 København S

Matr. nr.

3396

Sag

Tegn.nr.

Skade 2, Rådskade i spær og bjælke

Område for indvendige arbejder

Emne: Eksisterende forhold Tagplan i perspektiv

00.02

Fase:

Registreri

1:1

ISO FULL BLEED A3Format: (297.00 X 420.00 MM

ARKITEKT

Detalje: Stående blad - samling

Alle mål skal tjekkes af entreprenør på stedet.

01.02

Emne:

Hovedspærfag over kirkeskib ex. SP.7

ledende tegning - ikke målfast

Tegn.nr.

Matr. nr.

Mobil: 313376 e-mail: mail@bj-ark.

#12 ANBAU AA, ERFAWEG 31

TYPE/ EXTENTION FOR A DOUBLEHOUSE, OFFENBACH AM MAIN 2015

Erfawerg 31 is the southern half 1: Lowered Souterrain, making of a twinhouse from the 40s, possible for three full storeys to located in Offenbach am Main be build. A NB A U E RFAW E G 31 13 km from Frankfurt am Main. E r faweg 31 is t die s üdlic he Hälfte v on einem Doppelhaus aus The existing building consist of h am Main - 2: and a window band den 40‘er J ahr en. Das Haus liegt in O ffenbac 13 kCollumns m v on F r ank fur t am Main entfer nt. Ground Floor, Upper Floor and in the Souterrain gives transparDas B es tands gebäude bes teht aus E r dges c hos s , O ber s c hos s und einem K eller. E s gibt z wei Mietpar teien in den G ebäude. a basement with two tenants in ence to the unit and leaves the the building. Parterre hoovering. G ewüns c ht is t:

S o u t e rra i n

- ein A nbau mit z us ätz lic h dr ei Wohneinheiten. - A nbau im B es tands gebäude für die K üc he im B es tands Desired is an extention with 3: The Kanapp relates to the exgebäude, EG bes s er ungliving des Lic htqualität im Bexes tands gebäude, O G additional- Verthree units, isting roof and fullfills the criteria tention of kitchen in the existing of roofs for the area. Through A r c hitek tur - K onz ept: Ground Floor and improvement an asynchronous roof is a gal- dr ei eigens tändige ables bar e Wohnber eic he of lightening quality in Upper lery for sleeping achieved - abges enk tes S outer r ain, damit 3 Vollges c hos s e umges etz t wer den k önnen Floor of existing building - S tütz en und F ens ter band br ingen dem S outer r ain Tr ans par enz und las s en das P ar ter r e ober ir dis c h s c hweben The units are connected from - Das K anapp s teht im Relation z u dem S atteldac h des B The Architectural Erfaweg and everyone have s tands gebäudesConcept . Dur c h die s teile,adds as y nc hr one Dac hneigung wir d eine G aller ie z um s c hlafen er r eic ht three visually independent direct access to the garden or - A lle Wohneiheiten wer den v on dem E r faweg aus er s c hlos s en living units; a terrace. - dir ek ter Z ugang z u G ar ten oder Ter r as s e v om allem Wohn-

S c h w e b e n d e s P a rt e rre

einheiten

Kanapp

HA U S AA

PR O G R A M

10.05.2016

F RA NK J A LO W Y A RCHIT E K T E N

2,2

2,25

1,3

2,05

2,4

2,25

2,45

2,35

NEUE SCHNEISE

2,0

2,05

0,95

2,45

9,55

2,4

0,95

S-03 Schnitt \ 1: GSPublisherVersion 0.7.100.57

S-01 Schnitt \ 1:100 \ 11.01.2016

32 M 1: 10 0

HAUS J

11. 01. 2016 SCHNITT S-0 3

F R A N K J A L OW Y A R C H I T E K T E N M 1:100

11.01.2016

FRAN

A N B A U E R FAW E G 31 E rfaw eg 31 ist die südliche Häl f t e v on ei nem D oppel haus aus den 40‘er Jahren. D as H aus l i egt i n Off enbac h am Mai n - 13 k m von Frankfurt am M ain entfer nt .

22 11

5 28

D as B estandsgebäude besteht aus E r dges c hos s , Ober s c hos s und einem K eller. E s gibt zwei Mi et par t ei en i n den Gebäude.

S outerrain

1,6

G ew ünscht ist: - ein A nbau m it zusätzlich dr ei Wohnei nhei t en.

9,55

3,45

- A nbau im B estandsgebäude f ür di e K üc he i m B es t ands gebäude, E G

5 27

3,55

- Verbesserung des Lichtqual i t ät i m B es t ands gebäude, OG

0,95

A rchitektur-K onzept: - drei eigenständige ablesba r e Wohnber ei c he

S chw ebendes P arterre

- abgesenktes S outerrain, dami t 3 Vol l ges c hos s e umges et z t w erden können - S tützen und Fensterband br i ngen dem S out er r ai n Tr ans parenz und lassen das P arter r e ober i r di s c h s c hw eben

A-01 Ansicht \ 1:100 \ 14.06.2016

- D as K anapp steht im R elat i on z u dem S at t el dac h des B standsgebäudes. D urch die s t ei l e, as y nc hr one D ac hnei gung w ird eine G allerie zum schl af en er r ei c ht

GSPublisherVersion 0.6.100.60

- A lle Wohneiheiten w erden von dem E r f aw eg aus er s c hl os s en

HAUS AA ER FAW EG 3 1 - O F F EN BAC H

- direkter Zugang zu G arten oder Ter r as s e v om al l em Wohneinheiten K anapp

F R AN K J AL O W Y AR C H I T EKT EN

HAUS AA

PROGRAM

10.05.2016

HAUS J

FR A N K J A LOW Y A R C H I TE K TE N

OH N E MA ßS TA B

B E B A U U N GS P LA N N R : 589 S TA D T OFFE N B A C H A M MA I N

11. 01. 2016

N ASPEKT U S S C IHVE N I TT B ADU U I I P LA PER VO B NESÜ -N OGS ST P LA N N R : 589

HA S SJ J HU AU

FR A N K J A LOW Y A R C H I TE K TE N

M 1: 200

11. 11 .01. 0 1 .2016 2016

FR N KK JJA LOW R CHI F RAAN AL O WY YA ARC H IT EKT E K T EN EN

Haus AA_Wohnflächeberechnung Wohnungsnummer

Geschoss

Raumname

Gemessene Fläche

Wohnfläche

WE_01_UG UG+ UG+ UG+ UG+ UG+ UG+

Bad Bad RF Schlafen Schlafen RF Terrasse Wohnen

EG EG EG EG EG EG EG

Bad Flur Küche Schlafen Terrasse Tr.haus Wohnen

2,7 0,2 9,95 0,9 10,95 48,7

2,7 0,1 9,95 0,45 3,3 48,7

65,2 m2

WE_02_EG 7,4 4,45 7,7 12,7 7,8 6,35 11,9

7,4 4,45 7,7 12,7 2,35 0,0 11,9

46,5 m2

WE_02_OG 5

Schlafen RF Wohnen RF

0,8 0,85

EG+ EG+ EG+ EG+ EG+ EG+

Bad Flur Schlafen Terrasse Tr.haus_Ein Wohnen

7,2 7,35 10,05 15,2 2,4 41,15

0,4 0,4

Er f aweg

EG+ EG+

0,8 m2

WE_03_EG+ 7 x 0,3 x 0,15 6 5 4 3 2 1

7,2 7,35 10,05 4,55 0,0 41,15

10 x 0,2 x 0,2

4 5 6 7 8 9 10

1 2 3

6,0

3 x 0,3 x 0,15 3 2 1

4 x 0,3 x 0,2

4 3 2 1 3 x 0,3 x 0,15

Bad Terrasse Wohnen Wohnen RF Schlafen RF Schlafen RF

4,5 7,55 0,9 1,45 1,35 1,35

16,0

9 x 0,3 x 0,15

1,1

4,5 25,15 1,85 2,9 2,7 2,7

1 2 3 4 5 6 7 8

Bad Terrasse Wohnen RF Wohnen RF Schlafen RF Schlafen RF

1 2

OG OG OG OG Gallerie(OG) Gallerie(OG)

3,5

70,3 m2

WE_04_OG

17,1 m2 N eue S c hnei s e

WE_05_OG+ OG+ OG+ OG+ OG+ Gallerie(OG+) Gallerie(OG+)

3,2 8,65 23,3 1,6 1,9 2,85

3,2 2,6 23,3 0,8 0,95 1,45

32,35 m2

232,25 m2

insgesamt

HAUS J

BESTAN D S F OTOS

11 .0 1 .2 0 1 6

FR A N K JA LO W Y A R C H ITE K TE N

HAUS AA

B E S TA N D S FO TO S

10.05.2016

HAUS AA

FR A N K J A LOW Y A R C H I TE K TE N

W OH N FLÄ C H E B E R E C H N U N G

10. 05. 2016

HAUS J

FR A N K J A LOW Y A R C H I TE K TE N GSPublisherVersion 0.7.100.57

M 1: 200

Ü B E R S I C H TS P LA N

11. 01. 2016

FR A N K J A LOW Y A R CHI T EKT EN

12 6

1 4

7 8 9 10

S-03

7 8 9 10 2

Terrasse 36 m2 30%: 11 m2

3 x 0,3 x 0,15

0%:

1 6

7 8 9 10

Bad 7 m2

S-04

S-07

S-04 Entree 7 m2

Wohnen 41 m2

1,95

Bad 7 m2

1,95

S-07

S-02

S-01

S-05

S-02

S-01

S-05

S-02

S-06

WOHNUNG 1 \ SOUTERAIN \ 1:100 \ 12.01.2016

S-05

17,0

S-06

9 x 0,3 x 0,15

17,0

S-01

S-05

S-06

9 x 0,3 x 0,15

S-06

7 8 9 10 1

Tr.haus_Ein 2 m2 0 m2

Tr.haus 2 m2 0%: 0 m2

4 x 0,3 x 0,2

14 x 0,25 x 0,2

S-03

0%:

Entree 7 m2

Schlafen 10 m2 Tr.haus_Ein 7 m2 0 m2

3 x 0,3 x 0,15

x 0,2

1,1

S-07 16,0

S-02

S-07

9 x 0,3 x 0,15

16,0

S-01

S-07

S-09

S-07

162

S-04

x 0,1

Tr.haus_Ein 2 m2 0 m2 0%:

3,5

S-04

x 0,2

4 x 0,3 x 0,2

Schlafen 11 m2

x 0,2

Schlafen 13 m2

3 x 0,3 x 0,15

Wohnen 41 m2 1,1

S-07

S-03

0%: Bad 3 m2

Wohnen 49 m2

S-04

151

6 x 0,25 x 0,2

x 0,2

Tr.haus_Ein 7 m2 0 m2

3 x 0,3 x 0,15

S-03

S-04

Schlafen 11 m2

Bad 4 m2

8 9

S-09

x 0,2

3,5 3 x 0,3 x 0,15

Wohnen 37 m2

0,7

Schlafen 10 m2

Terrasse 15 m2 30%: 5 m2

1,8

Flur 4 m2

S-09

S-03

Bad 3 m2

Wohnen 49 m2

S-04

S-08 0,85

Abst.

Tr.haus 6 m2 0%: 0 m2

Schlafen 13 m2

Kochen

6,0

S-03

S-08

0,7

S-09 6 x 0,25 x 0,2

Bad 7 m2

Wohnen 12 m2 Küche 2 1,88 m

0,85 Terrasse 8 m2 30%: 2 m2

Flur 4 m2

S-09

Keller 4

Abst.

S-09

Tr.haus 6 m2 0%: 0 m2

S-09

Terrasse 8 m2 30%: 2 m2

Terrasse 11 m2 30%: 3 m2

Keller 3

Kochen

S-08

Küche 8 m2

Terrasse 11 m2 30%: 3 m2

6,0

Keller 2

S-08

Bad 7 m2

Wohnen 12 m2

7 x 0,3 x 0,15

S-08 6

Keller 1

S-08

7 x 0,3 x 0,15

S-08

S-09

S-05

S-06

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WOHNUNG 3 \ EG+ \ 1:100 \ 11.01.2016 WOHNUNG 2 \ EG \ 1:100 \ 11.01.2016

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FR A N K JA LO W Y A R C H ITE K TE N

A N S I C H T A - 01_OS T

HAUS J

S C H N I TT S - 08

11. 01. 2016

M 1: 100

11. 01. 2016

FR A N K J A LOW Y A R CHI T EKT EN

M 1: 100

11. 01. 2016

FR A N K J A LOW Y A R CHI T EKT EN

3,45

S-04

S-07

Bad 3 m2Schlafen 17 m2

5,3

S-07

S-02

S-01

S-02

S-06

S-01

S-05

5,3

S-05

S-04

Bad 3 m2

0,95

S-07

S-05

S-04

S-07

1,25

S-06

S-04

S-03

Tr.haus_Ein 5 m2 0 m2 0%:

1,25

Bad 3 m2

14 x 0,25 x 0,2

3,55

Wohnen 26 m2 14

S-03

11 11

10 10

14 14

S-09

7,0

S-03

Terrasse 36 m2 30%: 11 m2

HAUS J

M 1: 100

9,55

12 6

12 7 8 9 10

4 5

W OH N U N G 4_OB E R GE S C H OS S

Terrasse 9 m2 30%: 3 m2

Tr.haus_Ein 5 m2 0 m2

S-06

S-08

S-09

Tr.haus 2 m2 0%: 0 m2

14 x 0,25 x 0,2

x 0,2

HAUS J

x 0,2

Wohnen 26 m2

S-08

S-09

0%:

S-02

FR A N K J A LOW Y A R C H I TE K TE N

7,0

S-03

5,3

S-01

11. 01. 2016

x 0,1

Terrasse 36 m2 30%: 11 m2

x 0,2

M 1: 100

151

Tr.haus_Ein 5 m2 0 m2 1,25

S-07

W OH N U N G 3_E R D GE S C H OS S + 500M

162

Terrasse 9 m2 30%: 3 m2

0%:

S-04

7 8 9

Tr.haus 2 m2 0%: 0 m2

14 x 0,25 x 0,2

Bad 4 m2 16

Wohnen 26 m2

HAUS J

S-08 Wohnen 37 m2

S-09

FR A N K J A LOW Y A R C H I TE K TE N

S-08

151

7,0

11.01.2016

162

S-03

M 1:100

Bad 4 m2

8 9

W O H N U N G 2_E R D G E S C H O S S

Wohnen 37 m2

Terrasse 9 m2 30%: 3 m2

Schlafen 17 m2

S-08

S-09

HAUS J

1,6

11 .0 1 .2 0 1 6

7 8 9 10

M 1 :1 0 0

W OHNU N G 1 _ S OU T E R R A IN U . K E L L E R

13 13

12 12

HAUS J

A-01 Ansicht \ 1:100 \ 12.01.2016 GSPublisherVersion 0.7.100.57

WOHNUNG 5 \ OG+ \ 1:100 \ 11.01.2016 WOHNUNG 4 \ Gallerie(OG) \ 1:100 \ 11.01.2016 GSPublisherVersion 0.7.100.57

WOHNUNG 5 \ Gallerie (OG+) \ 1:100 \ 11.01.2016 GSPublisherVersion 0.7.100.57 GSPublisherVersion 0.7.100.57

HAUS J

W OHNU N G 4 _ GA L L E R IE IM D A C H B E S TA N D

M 1 :1 0 0

11 .0 1 .2 0 1 6

FR A N K JA LO W Y A R C H ITE K TE N

HAUS J

W O H N U N G 5_O B E R G E S C H O S S +500M

M 1:100

11.01.2016

FR A N K J A LOW Y A R C H I TE K TE N

HAUS J

W OH N U N G 5_GA LLE R I E

M 1: 100

11. 01. 2016

FR A N K J A LOW Y A R C H I TE K TE N

11. 01. 2016

FR A N K J A LOW Y A R C H I TE K TE N

2,4

2,2

2,25

1,3

2,05

2,4

NEUE SCHNEISE

0,9

2,0

2,35

2,05

0,95

2,4

2,45

2,25

9,5

2,4

9,55

2,4

0,95

0,5

S-03 Schnitt \ 1:100 \ 11.01.2016 GSPublisherVersion 0.7.100.57

S-01 Schnitt \ 1:100 \ 11.01.2016 S-08 Schnitt \ 1:100 \ 12.01.2016

GSPublisherVersion 0.7.100.57

S-05 Schnitt \ 1:100 \ 11.01.2016

GSPublisherVersion 0.7.100.57

SCHNITT S -0 1

M 1 :1 0 0

11 .0 1 .2 0 1 6

FR A N K JA LO W Y A R C H ITE K TE N

HAUS J

S C H N ITT S -03

M 1:100

11.01.2016

FR A N K J A LOW Y A R C H I TE K TE N

HAUS J

S C H N I TT S - 05

M 1: 100

0,95

3,55

9,55

3,45

1,6

HAUS J

A-01 Ansicht \ 1:100 \ 14.06.2016 GSPublisherVersion 0.6.100.60

H AU S AA

WO HN R A U M D E TA IL _ WO H N U N G 5

1 0 .0 5 .2 0 1 6

Wohnsituation_Perspektive \ 1:175,13 \ 14.06.2016

FR A N K J A L OW Y A R C H I TE K TE N

HAUS J

E IN G A N G S S ITU ATIO N

11.01.2016

FR A N K J A LOW Y A R C H I TE K TE N

GSPublisherVersion 0.6.100.60

HAUS J

S C H LA FZI MME R D E TA I L_W OH N U N G 1

11. 01. 2016

FR A N K J A LOW Y A R C H I TE K TE N

FRA NK JA LOW Y A RCHITE K TE N

#13 SANTOS STILWERK

TYPE/ REDRAWING OF HERITAGE WAREHOUSE, ROTTERDAM 2016

Pakos Santos is a warehouse from 1903 that lies between the Rijnhaven and the Brede Hilledijk on Katendrecht in Rotterdam. The previouly coffee warehouse has a status of national monument and is highly classified. The redevelopment from industrial storage into a design center aims to combine the treasure of history with a modern purpose and building extension. The German design department Stilwerk wishes to accommodate 20 design stores in the national monument and 22 apartments on the roof.

Beskadiget område på murede hvælv. Der renses og kalkes i det markerede område 33% 229

interior

co-working

4,325

6th floor

Stilwerk Interior Design

4,875

Foyer, Service, Café, Lounge, Kiosk

3,35

1st floor

-1,80 = +4,25 MASL Club, Wine, Ciggars, Events etc.

ground floor -0,90 level Santos Plein

Club, Wine, Ciggars, Events etc.

24,60

3,375

2nd floor

3,375

3rd floor

3,375

4th floor

Foyer, Service, Café, Lounge, Kiosk

Stilwerk Co-working Market, Cooking, Grilling, Home entertainment, Cinema

3,375

5th floor

Stilwerk Serviced apartments

Stilwerk Serviced apartments, Roofgarden, Bar, Café

3,39

7th floor

7,615

3,475

31,60 = +36,65 MASL

-0,60 streetlevel

basement

Project development in diagram, section, digital and physical modelling SECTION AA SCALE 1:250

and light to penetrade the dark base. Whereas access to the public designhouse is planned from the central old doors, the apartments on top access through side doors. Along these secondary facades are also delivery, fire-escapes, elevators and technical equipment located. The sloping roof draws maximum daylight into the dense warehouse and refines the landmark character for the harbourfront of Rotterdam, Katendrecht.

The koncept for the development was to firmly separate the addition from the existing. This two new storages is designed in a modern and light manner, placed on the firm brick base like a crown. In this way the new building draws attension but not only to itself mere than the spectacke of the old warehouse. GSPublisherVersion 0.2.100.24

The existing six floors have a free plan allowing for a staircase to slice the building vertically allowing for both people

SENSCHAFT

Inspiration Setzkasten

#14 ENERGETISHE FASSADENSANIERUNG

LAGEPLAN

1:2000

TYPE/ COMPETITION FOR A BUILDING BLOCK, 2. PRICE, HAMBURG 2015 Konzept Setzkasten Der Setzkasten ist laut Definition ein vielfach unterteilter Sortierkasten, der zum Aufbewahren von kleinen Sammlungsstücken verwendet wird. Der entwurfliche Ansatz für diesen Gestaltungswettbewerb der Gebäudehülle stellt eben diesen unterschiedlich und vielfach unterteilten Setzkasten dar, der eine hohe Individualität wiedergeben soll.

KONZEPT

Städtebau Sie Neugestaltung der 3-7 geschossigen Wohnungsbauten im Norden der Stellinger Linse und entlang der Ernst-Horn-Straße / Nieland übernimmt durch seine freundliche und warme Fassadengestaltung die Stärkung der inneren Quartiersstruktur.

ab, die durch ein von der Fassadenebne leicht abgehobenes Faschen-Raster gerahmt werden. Durch das Spiel der Farben wird jeder Wohneinheit und damit jedem Bewohner eine besondere Individualität zugesprochen, der die persönliche Bindung zu dem Gebäude, dem Ort und dem Ensemble stärken wird. Durch die maßgeschneiderte Farblösung, spiegelt sich in jeder Wohneinheit die eigene Persönlichkeit wieder.

Bestehendes Volumen

Individuell, wie in einem Setzkasten, zeichnen sich in einem freundlichen Spiel von acht warmen Fassadenfarbtönen die 63 Wohneinheiten

Auch durch die Neugestaltung der momentan eher gedrückten Eingangsbereiche sollen die Häuser zur Straße hin eine neue Erscheinung erhalten. Das Öffnen der Bestandstreppenhäuser in den neuen, vorgesetzten, zweigeschossigen verglasten Eingangsbereich verleiht den großen Häusern einen in der Proportion gerechten Hauszugangsbereich. Im inneren individuell und freundlich gestaltet, sind in die Vorbauten außen die Briefkasten-, Klingel- und Sprechanlagen integriert. Der funktionale Eingang wird zum repräsentativen Empfang umgestaltet.

+ Försterweg 36 - 42

Der Setzkasten ist laut Definition ein vielfach unterteilter Sortierkasten, der zum Aufbewahren von kleinen Sammlungsstücken verwendet wird. Der entwurfliche Ansatz für diesen Gestaltungswettbewerb der Gebäudehülle stellt eben diesen unterschiedlich und vielfach unterteilten Setzkasten dar, der eine hohe Individualität wiedergeben soll.

bestehendes Volumen

Gebäudestruktur

Inspiration Setzkasten

Gebäudestruktur

jede Wohnung ist einzigartig !

Inspiration Silodam, Amsterdam

KONZEPT

ENERGETISCHE FASSADENSANIERUNG AM MARKTPLATZ „LINSE“

RENNER HAINKE WIRTH ARCHITEKTEN

Jede Wohnung ist einzigartig!

Energetische Fassadesanierung am Marktplatz Linse Hamburg

Ernst-Horn-Straße 4 - 6, Nieland 2 - 8

02.11.2015

RENNER HAINKE WIR BERNSTORFFSTRAßE 71

Nordfassade 1 : 333

Nordfassade

Südfassade 1 : 333 Füllfelder:

Rahmenfassade:

Die farblich gestalteten, innenliegenden Füllungen der Blechfassade haben 8 Farben. Die gesamte Fläche der innen Füll-Fassade excl. Fenster ist 2.223 m². 4 Keuls mit 8 Sonderfarben mit prismatic coating.

Der große einfassende Rahmen besteht aus einer Farbe. Der Rahmen ist 25cm tief und hat auf beiden Seiten der Fassaden etwa 1.920 m Lauflänge gemäß Muster. Dazu kommen die seitlichen Abschlußwände, insgesamt; 856 m².

Nordfassade Baugenossenschaft, Bestand

R:149 G:110 B:66

R:215 G:130 B:66

R:253 G:74 B:18

R:226 G:38 B:28

R:182 G:31 B:41

R:200 G:0 B:57

R:139 G:30 B:65

R:251 G:118 B:153

Apollic Standard: DE-M7991-G30 Charcoal

Südfassade

WOHNUNGSMIX

1 : 1000

#15 DEMOCRATIC MOSAIC

TYPE/ PAVILLION FOR FOLKEMØDET, ALLINGE 2019

Every two years, thousands of plastic election posters are produced, put up

across Denmark for a few weeks only,

then taken down and left disused. The posters contain political ideas for a

short time, but quickly become a burden to their makers. Yet after their short political campaign, they could be a

valuable resource to a different political project.

As a team of architects, we are interested in employing fewer materials and resources to produce buildings. As political architects we are also focused on designing democratic processes to develop meaningful projects. The Democratic Mosaic is a pavillion for the danish political fair Folkemøde 2019. With collected disused election posters from various candidates the project is the opportunity to gather political candidates around a shared concern, a common material, and to act upon it. The pavilion will firstly bring together all represented candidates through in its bare tectonic cross-party collaboration and secondly highlight the potential of the posters as a building resource. The aim is to transform the purpose of these posters from an individual race for votes, to a collective building and practice: rather than competing against each other, the posters in this pavillion will frame discussions around what it takes to build with alternative materials and methods. Placemaking. As a working bench, sitting bench and shademaker. 2019. BY.Works: Anne Arnbjerg, Camille Filbien, Levke M. Danker, Folkemødet Olympia Nouska and Tom I. Joseph

Model and Workshop Initial tests and development for the pavillion structure at Folkemødet 2019. Here with a class of canadian architecture students.

Anne Arnbjerg, Camille Filbien, Levke M. Danker, Olympia Nouska and Tom I. Joseph

Plan. A cityscape furniture that enables debate and co-working

BY . WORKS Sustainable Cities and Communities KADK Conference 25.10.19 UN Global Goals

Workshop

By·Works is a multi-skilled design collective based in

Copenhagen, engaged in social, political issues and how

Debate

these concerns can be manifested in built form. Our work focuses on the by-products of the social and political structures of the city: By·Works.

Partners; Anne Arnbjerg, Camille Filbien, Levke Danker, Olympia Nouska and Tom Joseph. BY.Works: Anne Arnbjerg, Camille Filbien, Levke M. Danker, Olympia Nouska and Tom I. Joseph

#16 INGRUTTATI PALERMO

TYPE/ INTERNATIONAL INTERDISCIPLINARY WORKSHOP, QANAT NETWORKS, PALERMO 2018

The appearance of underground water reveals itself in the ingruttaties and qanats of Palermo. Three particular underground spaces are juxtaposed in accurate measurable drawings and in narratives making visible the variety of different purposes, spacial extensions and histories of the easily unrecognizable.

Results of the workshop are exhibited in the Crypt of the Chiesa Parrocchiale, Santa Agnese – Piazza Danisinni from July 27th to November 4th 2018 Ingruttati Palermo was established by a group of twenty from the fields of architecture, urbanism, and fine arts as a part of the Manifesta’12 art biennale in Palermo.

The qanat network is a complex system that inter-links different places and concerns in Palermo. This system of complex knots and lines is reflected in the collaborative network approach practiced by the community in Danisinni. Self-organization and a common management of resources is key to finding an alternative way of regeneration. Our work was inspired by this complex system of interlinkages. The process of investigations was based on the belief in a collective intelligence and using a network approach to interlink collaborative work and thoughts.

Practitioners: Anne Arnbjerg (Denmark) Lucas Bartholl (Germany) Fiona Campbell (England) Manolo Larrosa Calderón (Mexico) Andreas Mallouris (Cyprus) Karolina Majewska (United States) Elke Reinhuber (Singapore) Felix de Rosen (United States) Pierangelo Scravaglieri (England) Mariana Manon Sepulveda (Mexico) Deborah Westmancoat (England) UNIPA students: Dario Annolino, Chiara Buscemi, Serafina Calcaterra, Enrica Gaia Consiglio, Gabriele Lupo, Rosa Marino (Sicily)

Qanat Danissini Cappuccini is the exit from a long gallery with a length about one kilometer and a half. The water flow is always less in the summer than in other periods where the volume of water is 4 to 5 litres per second - now [July] it is half a litre per second. It is a long gallery built by hand. We don’t know who constructed the gallery, possibly it was during the Roman period (6th and 7th centuries AD) or during the Arab domination of Palermo in 10th century. Pietro Todaro, 22.07.18

The Sirocco Room is carved from limestone. The qanat was originally used for drinking water and is ancient. The Sirocco room draws in cool air from the qanat and expells warm air, leaving the space at a markedly lower temperature. We don’t know how old it is but it was abandoned in 1920. For fourty years it was unused before the mafia started using it for trafficking, for dogfighting and as a safe house. In 1980 Judge Falcone gave it to ‘Palermo 16’ Scout Group after taking it from the mafia as a way of dissolving their power in the area. Scout members from Volpe Astuta; Giulia Ingrasci (18) and Giuseppe Tagliareni (17), 25.07.18

In this place there is not just a water source but also a plant to produce drinkable water. It is not necessary for the water from the source to be cleaned because it is very clear but the water from the lake must be processed. Now we don’t have that problem because the lake is totally dry due to a long period of hot weather. The water coming from this water source, the Gabrielle Otto is pumped up to a village called Rocca. When the water reaches this plant it is perfectly drinkable and then chlorine is added before it flows through pipes into the city. The various dimensions of pipes control the litres of water received per second. This water source carries 65 litres per second and is the most powerful of the 5 sources in Palermo. Spokesperson for Water Management Plant, Gabrielle, 23.07.18

#17 POLITICAL INFRASTRUCTURE

TYPE/ HOST OF WORKSHOP FOR A ONE PERSON SHELTER, COPENHAGEN 2018

The opportunity for the workshop arose from the waste material after the municipal election in autumn 2017; the election poster. This waste is produced through the processes of representational democracy in cyclic mechanisms, on national and municipal levels, every second year and give the physical outputs that become inputs for further processes. use production

This material input holds a potential, aiming for more than merely upcycling. As an agent, involving voters in networks recycle outside the election period, the poster holds the possibility resource to reduce the distance between desire and actual execution and establish a parralelle political infrastructure. use use

use use

production production

production production direct direct re-use re-use recycle recycle resource resource

resource resource

recycle recycle

As a brief for this workshop, was a one-person shelter on the use landside of Mergelgraven in collaboration with the commuproduction nity, Fredens Havn. The structure would take advantage of direct re-use a pre-study in folding and distorting the posters to aquire selfsupport. In addition to the spacial configuration of the shelter the material recycle has a potetial for watercollection and/or resource guiding of streams. BY.Works: Anne Arnbjerg, Camille Filbien, Levke M. Danker, Olympia Nouska and Tom I. Joseph

Proces of spacializing in 1:1

Two structures for shelter

#18 INFRASTRUCTURAL IDENTITY

TYPE/ MANHOLE COVERS AS AGENTS FOR STORYTELLING, HAVANA/COPENHAGEN 2017

City identities is often represented through skylines, iconic buildings and power institutions. Differet displays of the architectural essence of an area help solve the need for spacial belonging. Our attachments to family and place of birth are loosening, while clearer it seems this story of belonging is highly important. The infrastructure of our cities has potential beyond covering holes of the urban underground. Captivated by the generous refinement of water infrastructure this project draws footprints from manhole covers in Havana and Copenhagen. This invisible underworld keeps revealing new reffined compositions as small hints to an architecture we so rarely notice and acknowledge. By analogue printing a section of the cover in 1:1 a fragment the urban is re-staged now inside the home. So does the stuctures recieve a label of the exact coordination of its existence and become part of a narrative about a particular place and time in the world colouring a geographical identity. These are platforms for complex storytelling where materiality, geometry, ways of moving merge with culture and history patterns too.

STÆREVEJ . KØBEN H AVN 55°42’10. 4” N 12°31’32. 0” E

S TOR E KANNIKE S TR Æ DE . KØB E NHAVN 5 5 ° 4 0 ’ 4 8 .4 ”N 1 2 ° 3 4 ’ 2 6 .6 ”E

HOL ST EINSGADE . KØBENHAVN 55°41’57.0”N 12°35’08.4”E

Selection of A3 posters mapping a 1:1 cutout of Copenhagen water infrastructure

EBERT SGADE . KØBENHAVN 55°39’44.2”N 12°36’06.1”E

Copenhagen in Aarhus

Copenhagen in Frederikshavn

Amager in Inner City

Nørrebro, Østerbro and Amager in Versterbro

CA L LE 3 . H A B A N A

MAL EC ON . HABANA

CALLE F . HABANA

2 3 °0 8 ’3 7 .5 ”N 8 2 °2 3 ’4 7 .1 ”W

23° 08’40.7”N 82° 23’50.1”W

23°08’03.0”N 82°23’15.7”W

23°08’35.8”N 82°23’45.7”W

Selection of posters, 1:1 manhole covers in A3, Havana.