Portfolio
Annelies Crone Drawings
not to scale
836261
ENVS10004 Semester 2 2016
1
PEDESTRIAN CYCLIST 9AM 12PM 9PM
Action - Site Intensities Upon
analysis of concrete lawn it was evident that the
most crowded areas tend to be entrances to buildings such as
Union House
9am
5pm.
and the
MSD. This
map conveys
Empty -> Crowded
Site Analysis
of
Concrete Lawn
By
surveying
9pm,
it was clear to see the areas
between the
the areas of intensity over an eight hour period from till
Movement & Edge -
Concrete Lawn hours of 9am and
which were most accessible for people, cyclists and vehicles.
Annelies Crone Drawings
not to scale
836261
ENVS10004 Semester 2 2016
2
With
a
teselating decrease this
focus
shapes
on
to
wastage,
composition
plays with a void of internal
spaces.
transparancy
of
The this
frame system is defined by the ways in which
singular elements meet at angled junctions.
Section
Plan Spatial Composition
Annelies Crone Drawings
not to scale
836261
ENVS10004 Semester 2 2016
3
Section
Exerimenting with the entirety of landforms, this
composition uses tilting and cutting to create a
predominantly subtracted landscape that
plays on ways
in which man has cut into nature through processes such as mining.
Landform
Annelies Crone Drawings
not to scale
836261
Plan
ENVS10004 Semester 2 2016
4
Section By
blending
the
elements
of landform into the above structure, a dynamic harmony is created in the form of smoothing.
This
snake-like
arrangement
presents an organic design with minimal resistance.
Assemblage
Annelies Crone Drawings
not to scale
836261
Plan
ENVS10004 Semester 2 2016
5
INVASION So
peaceful, so composed.
Undisturbed. We
frolic in the crisp open air
until our heart’s content,
Spirits
soar with the wind
in this void of joy
living in a land of dreams.
angelic silence now
They came like monsters, giants. Together we marched against them But they trampled us Leaving an imprint of disorder.
bustling
husting engines
in full speed towards industrialization
What horrors lie beyond my eyes? Greenhouse chimneys frying our land, soulless creatures consuming
Disturbed. There
was no hope;
outsized
outnumbered outdone
They seized our land. Left to join as
we melted away in the land of dreams
Spatio-Temporal Narrative
Annelies Crone Drawings
not to scale
836261
ENVS10004 Semester 2 2016
6
This method of superimposition was adopted in order to create a final
plan that reflected my spatiotemporal
narrative
justly.
The
geometric shapes provided by the superimposition became a successful representation of industrialisation
that i have developed in the final project.
Superimposition
Annelies Crone Drawings
not to scale
836261
ENVS10004 Semester 2 2016
7
Using
concret
e as the main sou of mate rce rial, Th e compo sition a to crea ims te an o rdered y et explo scene sie that d emonstr ates t invasive he nature o f industr ia In plan, it lisation . is eviden t that th is an o ere rderly rhythm to the design, conveyin g the direct and structu red way in which pe ople buil d on a grid-like system.
Plan
Final Project - Invasion
Annelies Crone Drawings
not to scale
836261
ENVS10004 Semester 2 2016
8
When
viewing the design in section, the concept of
an industrialised explosion is most clear.
The
design
creates possibilities for human interaction throughout the whole site, effectively allowing people to occupy the area.
The
tilting forms throughout the design can
be occupied beneath or used as ramps to occupy the spaces above.
Partial Section
Full Section
Final Project - Invasion
Annelies Crone Drawings
not to scale
836261
ENVS10004 Semester 2 2016
9
Final Project - Model Photography
Annelies Crone Drawings
not to scale
836261
ENVS10004 Semester 2 2016
10
Final Project - Invasion
drawings not to scale
Annelies Crone Drawings
not to scale
836261
ENVS10004 Semester 2 2016
11