Architecture
portfolio
ANSHUMAN JENA +91-8287806484 jena.anshuman@gmail.com
PERSONAL INFORMATION DATE OF BIRTH NATIONALITY LANGUAGE
12 May 1992 Indian English, Hindi, Odia
ADDRESS
Jhinkiria, Morada Mayurbhanj Odisha- 757020
ACADEMIC EXPERIENCE SEMESTER I
Souvenir Shop Design
Khirki Village Settlement Study
SEMESTER II
Contemporary House Design, Orchha
Measured Drawings, Cottage interior Design
SEMESTER III
Farmhouse Design, Delhi
Product design(case for linear skates)
SEMESTER IV
Resort Design, Goa
Settlement study(Betim- Fishermen’s village of Goa)
SEMESTER V
Industrial Intervention, IP Power Plant, New Delhi
Police Station Design
SEMESTER VI
IIPA Office Campus Re-design, Delhi
Energy Audit and intervention for a green campus, Facade designing
EDUCATIONAL QUALIFICATION Class 10th
2007
CBSE
JNV Mayurbhanj, Odisha
SEMESTER VII
Inclusive Housing, Hauz Khas, Delhi
Dissertation- Energy Efficient Building Facade in India
Class 12th
2009
CBSE
JNV Mayurbhanj, Odisha
SEMESTER IX
International Convention Centre, Dwarka, Delhi
Seminar- Glass Building, a New urban vernacular of India?
B. Arch
2016
Self Deemed
School of Planning and Architecture, Delhi
SEMESTER X
Architectural Thesis; Senior Secondary School Design
Thesis Research: Physical learning environments for children
AREAS OF INTERESTS Physical Model making
Virtual modeling
Lamp shade designing
Photography
Architectural rendering
Interior Design
“Currently working at Dar Al Handasah Consultancy Pvt. Ltd. as an Architect”
INTERNSHIP AND PRIVATE PROJECTS House Design
Farm House, Kerala Mr. Anand’s Residence, Gurgaon
Interior Design
Century 21 Office, Noida Indus Root Restaurant, Gurgaon Sharma Residence, Noida KD Singh Bunglow, Delhi
Landscape Design
Rajiv Sethy’s Farm House, NCR
Drawings
(Construction, Electrical, HVAC, Plumbing, Interior, Flooring, Ceiling )
Century 21, Office Anand’s Residence
Furnitures
Conference Table Design Vanity Design Sofa and Wardrobs
3D model and Renders of above mentioned and few other projects
ARCHITECTURAL THESIS
01 02INTERNATIONAL CONVENTION CENTRE 03ARCHITECTURAL SEMINAR INCLUSIVE HOUSING 04 DISSERTATION 05 06IIPA CAMPUS RE-DESIGN 07INDUSTRIAL INTERVENTION 08RIVERFRONT RESORT 09FARMHOUSE DESIGN CONTEMPORARY HOUSE 10 SETTLEMENT STUDY 11 12ART AND GRAPHICS Fifth Year
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Second Semester
Fifth Year
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First Semester
Fifth Year
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First Semester
Fourth Year
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First Semester
Fourth Year
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First Semester
Third Year
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Second Semester
Third Year
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First Semester
Second Year
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Second Semester
Second Year
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First Semester
First Year
Second Semester
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Second Year
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Second Semester
academic projects
T
he most important goal of a school is: that pupils should be able to realise fully the potential of their talents and be able to have a self-determined and fulfilled life. They should be able to communicate peacefully, understand the world and be able to protect it and work together to shape it for the future. A child from a certain age he/she sent to a place for formal education. A person spent most of his/her childhood time in school. The school is a place which not only educates him/her but it act as a platform for the development of a child over time. Here children started interacting with each other, sharing thoughts, learning things from each other, making friends etc. As they grow, they started behaving differently at different ages. A person or a child always wants to be in a place where he/she likely to be in. So the school is a place where children spend most of their time during the day. Every child consciously or unconsciously interacts with the physical environment of the building. So the physical space has to be designed so that it can help develop physical and mental condition of a child. The form, scale, texture, colour, material has to be used to design the building so that a student can relate himself/herself. The most important aspect is scale of a space which determines how comfortable you are in that space. Along with all these a school must be a playful place where a child can relax his mind and enjoy being in the space.
SHARING KNOWLEDGE
GROUP PARTICIPATION
Along with its user the school is a functional building which helps to facilitate learning environments for their students. The education system has moved from a traditional way to a progressive way where, along with formal education children are also given vocational education and training. In India many schools already have adopted the progressive way of teaching methods. So there must be some flexibility in a school design so that it can adopt things easily in this changing world. SHARING CULTURE
INTERACTION WITH PHYSICAL SPACE
“The thesis was intended to design a physical environment that enrich experience and activity of the user in a school building.�
ARCHITECTURAL THESIS SENIOR SECONDARY SCHOOL, BHUBANESWAR
01
ACTIVITY / PLAY AREAS
FORMAL EDUCATION
ENCLOSED GREENS • CREATING MICRO CLIMATIC CONDITION INSIDE THE COURTYARDS • BUILDING AS A PART OF LANDSCAPING
ROOF PARASOL • DEFINING THE BUILDING SKYLINE • GENERATING USABLE TERRACE SPACE. • PROTECTING BUILDING FROM SUN AND RAIN • INTEGRATED SOLAR PANELS TO PRODUCE ELECTRICITY • COLLECTION OF RAIN WATER
CONNECTING MASSES CENTRAL CORRIDOR
SUBTRACTIVE MASSING
• FLEXIBLE CIRCULATION CORRIDOR CONNECTING ALL THE BLOCKS • DIRECTION BY FORM
• ARTICULATE THE LONG LINEAR MASSES • GENERATES VOLUMES FOR HUMAN SCALE • OPEN TERRACES
• TO BREAK THE SCALE OF THE FORM • CREATE ENCLOSED COURTYARDS
TEMPORARY STALLS
LUXURY HOTEL
AUDITORIUM
GOLF COURSE
DIPLOMATIC ENCLAVE
The brief of the project was to design an International Convention Centre with support functions like
hotels, Office space and Commercials in a 14 ha site at Sector-24, Dwarka. The site was proposed in the master plan of Dwarka Sub city. According to the proposal the convention Centre has to be designed for maximum of 12000 population. 4 ha of the site has to be left as consolidated open green, so we had actually 10 ha of site to built out of which 6 ha is for convention and exhibition Centre, 2 ha for two Hotels (350 keys Luxury hotel & 500 keys Business hotel) and 2 ha for commercials and offices paces.
EXHIBITION HALL B
CONCOURSE
EXHIBITION HALL C
EXHIBITION HALL A
FOOD COURT SITE FOR HOTEL
INTERNATIONAL CONVENTION DWARKA, CENTRE DELHI
02
COMMERCIAL PLAZA S ES N SI L BU OTE H
RESIDENTIAL COMPONENT OPEN POCKET
OPEN POCKET
MEMBRANE ROOFING STEEL TRUSS STRUCTURE
M
CONCRETE COLUMNS
IU ITOR AUD
RESIDENTIAL COMPONENT CONVENTION HALLS
FOOD COURTS
ION
ENT CONV
UET BANQ
S
HALL
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X
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B
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BANQUET HALLS
RENTABL
E OFFICES PS
O SH
SHOPS
OFFICE SPACE
COMMERCIAL PLAZA
SECTION THROUGH COMMERCIAL AND OFFICE
SHOPS
MAIN VEHICULAR ROAD
BUSINESS HOTEL
FOOD COURT
SERVICE LANE
TRUCK/SERVICE BAYS
CONVENTION CENTRE
SECTION THROUGH CONVENTION CENTRE
CONCOURSE
DROP OFF
LUXURY HOTEL
MAIN ROAD
AU DI TO RI
EN CONV
B U S IN
OT E ESS H
CE T IO N
NTRE
UM
LU
XU
RY
HO
TE
L
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PUBLIC ACTIVITY SPACE
OF FIC E AN D CO MM ER CI AL
S
PEDESTRIAN MOVEMENT VEHICULAR MOVEMENT
PLAN AT INTERMIDIATE LEVEL
CONTINUOUS PEDESTRIAN MOVEMENT AT TWO LEVELS ENTRIES IN THE SITE HAVE BEEN DESIGNED CONSIDERING THE MOVEMENT OF THE DAILY METRO USER AS WELL AS PEDESTRIANS FROM THE NEARBY RESIDENTIAL AREAS. A CONTINUOUS PEDESTRIAN MOVEMENT IS ACHIEVED BY PROVIDING ANCHORS AND DETOURS WHICH WILL ALSO HELP BRING IN MORE PEDESTRIAN MOVEMENT INTO THE SITE.
INTERACTIVE EDGES
THE LARGE GREEN BELT OPENS ITSELF ALONG THE GOLF COURSE ROAD AND FORMS AN ENTRY INTO THE SITE THROUGH VARIOUS ENTRY POINTS ATTRACTED BY COMMERCIAL ACTIVITY AT VARIOUS POINTS
PLAN AT CONVENTION LEVEL
CONVENTION HALL
HANDLING HEAVY TRAFFIC THE LINEAR FORM OF THE CONVENTION CENTRE IS WELL EQUIPPED TO HANDEL A MAXIMUM OF 250 CARS AT ANY POINT OF TIME. THIS IS ACHIEVED BY PROVIDING A LONG DROP OFF AND ADEQUATE ROAD SPACE ALONG WITH MULTIPLE BASEMENT ENTRIES.
EXHIBITION HALL
BASEMENT PARKING
SECTION
CONCOURSE
THE CONVENTION CENTRE OPENS OUT INTO THE LARGE GREEN THROUGH A TRANSITIONAL VERANDA THROUGH WHICH PEDESTRIAN MOVEMENT IS POSSIBLE THROUGH A SEMI COVERED SPACE CREATED BY THE ROAD PASSING AT THE UPPER LEVEL.
SERVICES
URBAN VERANDA
DROP OFF
PHYSICAL MODEL
SCALE- 1:500
GURGAON
BENGALURU
The “Skin” of Controversies Glass Citadels from the West?
PUNE
The seminar is a study of office building typologies at Gurgaon, where the study aims at uncovering the factors responsible for these buildings to look like buildings designed for western countries, despite their vastly different cultural and climatic context. The seminar will look into economics, real estate as a key determinants of the building designs in these areas and as a result how this has impacted the character of urban fabric of the commercial office landscape. The impact of globalized-driven economic growth and media is discussed in order to question the lack of a distinct identity of these developments happening not only in Gurgaon but all over the country.
ANSHUMAN JENA | DIXIT SUMAN | HUZAIFA J A | W. DHANAJIT SINGH RAJIV BHAKAT | 5TH YEAR,SEC-A
ARCHITECTURAL SEMINAR ARCHITECTURE AND THE CITY
03
The “Skin” of Controversies Glass Citadels from the West?
The seminar is a study of office building typologies at Gurgaon, where the study aims at uncovering the factors responsible for these buildings to look like buildings designed for western countries, despite their vastly different cultural and climatic context. The semi-
The project brief was to design an inclusive housing society for people from various income group. We
were instructed to identify different types of housing units with its user and their economic background in Delhi. Then we compared different cases with similar typology and conclude that six kind of housing unit can be developed according to the user and area required from Lower income group to Higher income group. The site area we are given was 15 Ha, out of which we are allowed to built on 7 Ha. At the end we were able to achieve a density of 463 dwelling units per ha with 50% of ground coverage.
INCLUSIVE HOUSING HAUZ KHAS, NEW DELHI
04
REDEFINING THE CITY FABRIC
PRIORITIZING PEDESTRIAN MOVEMNET
LOW RISE HIGH DENSITY
FACILITATING MOVEMENT AROUND BUS STOPS
DEFINING EDGES HEIGHT DIAGRAM
INCREASING PERMIABILITY
MAXIMUM TERRITORIALITY
MUTUAL SHADING
SPATIAL HIERARCHY WITHIN HUMAN SCALE
INCLUSIVE STREET LIKE CHARACTER
MIXTURE OF VARIOUS INCOME GROUP
REDUCING VISUAL PERMIABILITY
TRANSIT ORIENTED
MEANDERING THE MASSING
DEFINING THE CENTRAL AXIS WITH TRIBUTARIES DISTRIBUTION OF PEDESTRIAN PATH AND GREENS
DAY TIME
ONE ROOM WITH SHARED FACILITIES
THREE BEDROOM LIVING
MIG CLUSTER
NIGHT TIME
TWO ROOM WITH SHARED FACILITIES
TWO BEDROOM LIVING
LIG CLUSTER
TWO ROOM WITH INDEPENDENT FACILITIES
ONE BEDROOM LIVING TOILET
THREE BEDROOM STUDY AND LIVING
HIGH RISE HIG CLUSTER
PHYSICAL MODEL SCALE- 1:1000
ENERGY EFFICIENT BUILDING ENVELOPE IN COMPOSITE CLIMATIC ZONE OF INDIA
INTRODUCTION
CONCLUSION
India is a country full of traditions, art and cultures. Like our culture, our architecture and styles are also unique and important to us. In an era of post modernism, today we are looking for unique looking buildings which should standout in its context. In today’s changing world the needs and demands of sustainability or energy efficiency has increased in every field. From technology to architecture, everywhere we need to save our resources. A major part of resources is being used in the construction of buildings. We as architects need to take responsibility for a sustainable development in the field of architecture. Today we are influenced by western architectural styles and slowly moving away from traditional principles which are not sustainable and in the process are creating architecture that lacks identity.
Most of the heat gain in a building penetrates through the façade or the external envelope of the building. By the use of curtain wall or fully glazed façade, a large amount of solar radiation enters inside, which eventually increases the cooling load inside the building. There are various organisation working on increasing in sustainability of a building through various design solution. They are implementing various design solutions and techniques on different building elements that can help in increasing its efficiency. Hence by proper selection of materials and construction methods, we will be able to reduce the heat transfer into the building and also to cut off the cooling or heating load inside a building in a composite climatic zone. Adding to it, the size, orientation and placement of fenestrations and shading devices could help us minimizing the lighting load of the building. According to the application of the standards mentioned in the code, now the building are being rated as ‘green rated buildings’. But does the building façade really comply prescriptively with the codes is again a question and on my dissertation is based on the same topic. Research Question: What is the façade construction in an energy efficient building? How it can be applied on conventional practices?
DISSERTATION
05
“Energy conservation code books like ECBC, GRIHA, LEED are not capable of making sustainable building” said by Dr Vinod Gupta in his interview to me. It is quite true because sustainability has become a trend today. People want their buildings to be green only to own a green rated certificate. In the race of making a building sustainable, we are forgetting about the users of that building. Along with the performance of the building, architect should be concerned about the mental aspects of the user. The design of the building should be such that it helps to increase the performance of the employee working inside it. Integration of natural lights and ventilation in a building can create a peaceful environment to experience. One of the reason for the sustainable materials not being used in conventional buildings, could be lack of skill or technology. The labour or workers needs to be trained to work with these materials. We need improvement in the field of construction and technology. The western countries are way ahead in the development of techniques and construction method which we can adopt according to our climatic conditions and demands. Code books are good source of information about the materials and construction details. Hence books like ECBC need to be revised in certain time period. The last edition of ECBC user manual was published in 2007 and many materials and construction details have been developed after that which are not mention in the book. Instead of relying on the codes, architects or consultants can develop their own details which could be actually sustainable. Also we can evolve more sustainable or recycled materials for e.g., wall with empty plastic bottles, which will provide better insulation than the commercial materials like Rockwool, polystyrene, glass wool which are non-biodegradable polymer compounds. For these, we need to experiment on materials and their construction detailing. Exposure is also required in the field of sustainability so that people can be updated with all kinds of sustainable materials and their construction details. Some architects or consultants are already working in this field and should take the lead to create awareness among young architects.
EXISTING SITE
P 10
SITE CONSTRAINTS Total Site Area= 28642 sqm or 7 Acres Total Existing Floor Area= 21543 sqm Permissible Floor Area= 34370 sqm Ground Cover= 35% = 8592.6 sqm FAR= 120 Max Height= 26 m
The brief was to demolish the existing built up in the site of IIPA campus and re design it according to the
new FAR and Ground Coverage. The site programe has two components, the convention centres and rentable office building. The convention centers includes library, classroom, meeting and seminar halls, etc., and the office space for IIPA contain some rentable office spaces to earn some revenue. Also the site needs to provide residence for the faculty, Staff and a Hostel to accommodate students from outside. The other buildings also part of the area program are the auditorium, a restaurant and a museum for public administration of India are there to encourage public interaction and activity inside the campus. The main design challenge is to design the whole site without any boundary wall in order, to emphasize the eye on the street concept and give more security to the pedestrian passing by. As one edge of the site is parallel to the ring road, our main focus of design is to responding it.
1. Rentable Office Space 2. Convention Centre 3. Museum for Public Admin. of India 4. Restaurant 5. Faculty Residences 6. Hostel 7. Staff Quarters 8. Recreation & Indoor Games 9. Amphitheater 10. Auditorium Vehicular Entry / Exit Drop Off / Pick Up Pedestrian Entry P Parking
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IIPA CAMPUS RE-DESIGN ITO, NEW DELHI
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Built along two edge and merging the green into the site with the third edge left open
A long linear building standing bold and static in front of a busy ring road in itself portrays an expression. The built form represent spaces we are familiar with. A cube shows per-
fection, and a length can be interpreted as connection on a continuous level. It is like representing a long lasting friendship, As the author describes, the familiarities of our wish can be seen on facades and buildings. We connect with them because we are willing to. Linearity, structure, details and design all speak elegantly in their own sense. My building aspires to be one of the most work-oriented centers in the context of Delhi. It has a responsibility and function. These human factors transcend it into a kind of reality. PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT
Creating a visual axis by dividing the main block into two
The view from the ring road is an important aspect of this design. To provide more visibility of the building the height of the building gets increases as the level of the flyover decreases.
Inviting and sense of entry to the building
Creating an interacting and appealing space in the center of the building by making a void in the center of it and putting plants in it for more comfort, which also creates a sense of entry into the building. Use of simple and repetitive element on the facade can create an unique expression to the building as it is nearby a fast traffic road.
PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT
Capturing the green by built-up around the site
Dividing the large green into two by a built block in between
Giving function to the built mass
UP
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UP Drop Off / Pick Up
Towards basement Parking
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Exit from basement Parking
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GROUND FLOOR PLAN VI
I. Seminar Hall II. Library III. Classrooms & Meeting rooms IV. Conference room & Staff office V. IIPA office space VI. Rentable office space
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PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT
III
6. Digital library 7. Head Librarian 8. Janitors Closet 9. Museum 10. Auditorium
PHYSICAL 3D MODEL (SCALE- 1:500)
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1. Reception Lobby 2. Toilet 3. Seminar Hall 4. Library 5. Store (library)
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Core Fire Escape
It was a rectangular block of dimension 183x27x16 laid in north south direction. The building has mainly three parts, there is the main build block which has two levels at 3 mtr distance from the ground. The west face of the building has series of large vertical windows which provide huge amount of natural lighting into the space. Another form that attached to the main building on the east face. This form has 4 levels at equal heights from ground. The construction materials are steel I-sections which is the primary structural member of the whole building. There are series of steel columns, beams, braces etc. this part of the building have some office space, control rooms etc. on the second level which is the main working floor of the building. Next to it there is another form which previously used for coal to be stored and processed for use. This also have three levels from the second level and the whole form is made out of EXISTING GROUND COVERAGE- 3000 sq.m steel structure.
The brief was to study an abandoned industrial landscape and redesign it into some public space. For
this we have taken an industry next to the ring road at IP estate earlier known as the Indraprasth thermal power plant which gets abandoned in the year 2009. All the parts present in the site was carried out, only the main building is remaining now. Our task is to study the building, the structural system, the site around the building and the context, and intervene the main building by putting a public function into it using the existing structure. Looking all the parameters I decided to transform the building into a space science museum as the building is in an institutional area and it has access from both the ring road and IP metro so it will be better to have such museum at this place where it can be easily accessible by the students and everyone else from different part of Delhi or even outside of it and can take maximum benefit of this museum
AREA STATEMENT Reception and Public convenience Administration Museum Curator Meeting Room Archives/ Libraries/ Resource center Store and Workshop Museum Shop Auditorium for 100 persons Restaurant 2nos. with kitchen
100 sq.m 200 sq.m 50 sq.m 100 sq.m 400 sq.m 500 sq.m 80 sq.m 250 sq.m 250 sq.m
EXHIBITION SPACES IMAX 3D THEATRE ASTRONOMICAL / SCIENCE PARK STUDENT EXHIBITION / TEMPORARY MARKET
WEST ELEVATION
INDUSTRIAL INTERVENTION IP ESTATE, NEW DELHI
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EAST ELEVATION
Main Entrance Drop Off / Pick Up Service Entry P Parking
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1. Reception Lobby 2. Museum Shop 3. Cloak Room 4. Information Centre 5. Temporary Exhibition 6. Toilet 7. AHU 8. Store 9. Workshop 10. Students Exhibitions 11. Conference Room 12. Souvenir 13. Auditorium 14. Services
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PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT
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Breaking the long linear form into two parts.
Creating relation between front and back side of the building.
The dome which shelter the IMAX is actually breaking the form and creating transparency below it.
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Mood Setting P 14 14 GROUND FLOOR PLAN
Creating a rectangular base to support the dome and extruded outward. This space will act as an entrance to the building. It is low height and welcoming. There will be visual connectivity through it.
NORTH ELEVATION
SECTION
1. Reception 2. Restaurant 3. Recreations 4. Luxury Cottages type I 5. Luxury Cottages type II 6. Lounge and Bar 7. Spa 8. Normal Cottages 9. Cafeteria 10. Museum 11. Library 12. Crafts Market 13. Manager’s Residence 14. Open Gallery 15. Public Parking 16. Coconut trees Plantations
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At the foot of the Reis Magos fort a vast land of 6.5 acre spread along the river Mandovi. On the other side of the site there are mountains full of greenery. A church named The Three Kings Church presents next to the site. The brief was to design a riverfront resort at the given site which responds to the different aspects around the site as well as enhance the traditions and culture of Goa. A small portion of the site is given for public activity to encourage tourist interaction which can helpg generate revenue at the samre time. Also the site and its vicinity is full of coconut trees which needs to be considered in the design decision.
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River Mandovi
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RIVERFRONTREISRESORT MAGOS, GOA
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N Reis Magos Fort
VIEW FROM THE FORT
DROP OFF
Reis Magos Fort
Public Restaurant
VIEW FROM MANDOVI
Normal Cottages
Three Kings Church Spa
River View Cottages
Luxury Cottages
SITE ELEVATION
Reis Magos Fort
Three Kings Church
Craft Market
Museum &Library
Restaurant
Lounge Bar
Recreation
CRAFT MARKET
RECEPTION INTERIOR
Luxury Cottages
SITE SECTION
POOL AND RESTAURANT
RESTAURANT
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Mr. & Mrs. Chawla wanted to build a farmhouse for their family in a 2.5 Acre of land located at Mehrauli, New Delhi. Mr. Chawla of age 79 lives like a joint family with his wife, children and grandchildren. According to the client’s brief they wanted privacy for every individual in the family but, at the same time they also wanted some congregational spaces. In response to that I design the spaces in the building. There is an integration of open and closed, private and public spaces, whole of which makes a complex for a livable space.
FARMHOUSE DESIGN MEHRAULI, NEW DELHI
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1. Drop off 2. Boutique 3. Open car Parking 4. Water body 5. Lawn 6. Servant’s quarters 7. Service yard 8. Fruit orchids
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GROUND FLOOR PLAN
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ROOF PLAN
ARIEL VIEW
1. Porch 2. Foyer 3. Drawing Room 4. Dining 5. Kitchen 6. Laundry 7. Store 8. Utility 9. Master Bedroom 10. Children’s Bedroom 11. Guest Bedroom 12. Family Room 13. Deck 14. Recreations 15. Kitchenette
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VIEW OF COURTYARD
fRONT ELEVATION
PHYSICAL MODEL
SECTION
SITE MODEL 1:200 SECTION
MODEL 1:50
SKETCHUP +PHOTOSHOP
Dining
Living Area
Kitchen
Sovana Narayan is a Kathak maestro and an out standing dancer. She is an incarnation of the great artist
and social tradition of India. One day Sovana start seeing strange images flashing in her head. She sees herself as a famous dancer of ancient Indian dwelling mesmerizing places and kothis gave her a feeling of royalty. Soon these vision became a daily event and she found out that she was seeing through the eyes of the historically famous dancer Rai Parveen. The visions started to become even clearer and reached a stage where it took control of her. She behaved not like herself, danced not like herself. It was as though she was Rai Parveen reborn. She showed desperation to go back to her home Orchha and she left as soon as possible. When she reached Orchha and saw her own kothi, she was even more desperate to reclaim it. However ASI didn’t allow but they did permit her to built herself new one near the old one. So they give a plot of 200 sqm adjacent to the old building.
CONTEMPORARY HOUSE DESIGN ORCHHA, MADHYA PRADESH
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Garage
PLAN
A section showing the relationship of the building to its present context which is the Rai Parveen’s Kothi. The dancing area in the building is so designed that she can always have a vision of the Kothi while practicing.
SECTION
Dynamic in Form Visual Connectivity
Visually Unstable
The main idea behind the form of the building is to create an identity of the building in its own. I starter with the concept to built something which is way apart from the fortress at the site which are solid, bold, static, etc. So I thought to built something which is more dynamic in its form, visually unstable and also give a clear view of the fort.
As a part of our design studio exercise we are given a settlement and the class as a whole divided into
groups and allotted different part of Goa to do a detail study and analysis of the settlement. Our group was given the fishermen’s village of Goa which is Betim. People from different parts of the country come and started settling here to earn a livelihood. Their main occupation was fishing, after many years a deck was established for the people working there for fishing purpose. Me and my group studied the settlement pattern, history, morphology, street hierarchy building typologies etc. We also felt the need to study the trawler or boat in which the fishermen spend around 15-20 days when they went for fishing into the ocean so it became a temporary shelter for them. After the site visit we put our findings and analysis of the settlement together and along with we spend around two weeks to make an installation of the area we are given for study to give an essence of different places of Goa. The interesting part while making the installation was that we have to try to use as much waste materials as possible. So we tried to make the best out of some old window frames at the junkyard of college, we removed some old flex pieces and used them to make the cabin of the boat.
SETTLEMENT STUDY BETIM (FISHERMEN’S VILLAGE), GOA
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A physical model of the settlement
The model was made out of waste materials to give an overall idea about the settlement. We used the waste thermocol pieces for the building blocks, corrugated sheets for the base and we made the trees by crushing waste papers daily produced at the stationary of the college.
1:1 scaled model of the deck and Cabin of the boat
The control room of the boat was made out of old window frame covered by flex. The frame of the deck made out of bamboo and covered by aluminum sheet. We made this model so that the visitors could actually walk on the deck and inside the cabin to get a feel of the boat
art and graphics
LAMP SHADEBANANA PAPER
LINO PRINTINK ON COLORED PASTEL SHEETS LAMP SHADETHREAD & FEVICOL
ABSTRACTPAPER CRAFTING
SCLUPTURECLEY MODELLING
ART AND GRAPHICS
COTTAGE INTERIORPAPER AND THERMOCOL MODEL
COLOUR WHEELWATERCOLOR ON PAPER
WALLPAPERINK ON PAPER
RANDERINGPENCIL ON PAPER
ABSTRACTPHOTO INK
ART AND GRAPHICS
FORM, TEXTURE AND SHADOWPENCIL ON PAPER
LOGO DESIGNPHOTOSHOP
COLOUR STUDYWATER COLOUR ON PAPER
SETTING SUN AT DELHI
EVENING AT BAHA-I TEMPLE OF WORSHIP
PHOTOGRAPHY
ARCHITECTURAL PHOTOGRAPHY- LIC BUILDING
PHYSICAL MODEL MAKING
SELF PRACTICES
RESIDENCE FRONT ELEVATION DESIGN SKETCHUP V- RAY PHOTOSHOP
FARMHOUSE DESIGN SKETCHUP V- RAY PHOTOSHOP
HOUSE DESIGNING AND MODELLING REVIT ARCHITECTURE
jena.anshuman@gmail.com +91-8287806484