selected works
A R C H I T E C T U R E A N S H U M I D H I N G R A PORTFOL O
ABOUT ME
Ph: +1 513 827-5688
E: dhingran@mail.uc.edu
L: English, Hindi, French (basic)
I am an Architecture Masters student at DAAP, University of Cincinnati. I am looking for opportunities to strengthen my design mannerism through practical and research methodologies. I am fascinated by tectonics, details, geometry and materiality. Aspiring to continue thinking ‘Out of the BOX’...I entertain myself with sketching, reading, writing and travelling around the world.
My key design tactics include research, diagramming, conceptualizing, detailing, abstraction....
Research Thesis Link:
https://issuu.com/anshumidhingra/docs/thesis -prefinal_draft25th_dec -upload
A N S H U M I D H I N G R A
EDUCATION
Present-2023 Masters in Architecture, DAAP, University of Cincinnati, USA
Present-2023 Urban Design Graduate Certificate, DAAP, University of Cincinnati, USA
2014-2019 Bachelor of Interior Design, CEPT University, India
2012-2014 HSC, A.G. High School, Ahmedabad, India
2011-2012 SSC, St.Kabir School , Ahmedabad, India
WORK EXPERIENCE
_Architecture Spring 2022 COOP Architectural Intern at GBBN Architects, Cincinnati, USA
_Fall 2021 Part-time Architectural Intern at City Studios
Architecture, Cincinnati, USA
Architecture Summer 2021 COOP at City Studios
Architecture, Cincinnati, USA
_JAN 2021 – DEC 2021 (Duration: 1 year) Graduate Assistant , DAAP Equity and Inclusion, Univ Of Cincinnati
_ 2020- 2019 (Duration: 1.5 year) Teaching Associate, CEPT University for M Des B P S program
_ 2019 (Duration 1 month) Internship at CARBSE (Center for Advanced Research in Building Science and Energy), CEPT University
_ 2017 (Duration: 7 months) Internship at Balkrishna
Doshi’s firm ‘Vastu Shilpa Consultants’ -Sangath, India
OPPORTUNITIES I ADHERED
Served as a STUDENT VOLUNTEER in an Education Fair as a CEPT UNIVERSITY REPRESENTATIVE
Performed as a CAMPUS GUIDE for the ‘ARCHIPRIX’ event at CEPT (YEAR 2017)
SKILLS REVIT
ArchiCAD 2D/ 3D
AutoCAD 2D/ 3D
McNeel Rhinoceros 3D
Grasshopper 3D
Sketch up
3ds Max
Adobe Photoshop
Adobe In design
Adobe Illustrator
Microsoft Office Suite
Sketching
Working with Clay & Wood
ACADEMIC EXPOSURES
Urban Design Studio
Material Research Studio
(Masonry Institute)
Structure I & II
Building Design Research Studio
Construction Technology 1& 2
Advanced Building Design Studio
Design Visualization 1,2, & 3
Institutional Studio
Residential Studio
Furniture Design
REFRENCES
AUXILIARY EXPERIENCES
Wood Workshop
Deployable Systems
Exploring Natural Dyes
Marbelling in Clay
Landscape + Urbanism
Green Cities
_Vincent Sansalone (sansalvf@ucmail.uc.edu)
Director M.Arch, Associate Professor, DAAP, University of Cincinnati
_Deanna Heil (dheil@citystudiosarch.com)
Principal Architect, City Studios Architecture, Cincinnati -OH, USA
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4 TABLE OF CONTENTS 01 Adaptive Re-use 03 Form Explorations 02 Urban Design Studio 04 Research Thesis
5 05 Residential Studio 07 COOP Works 08 Miscellaneous 06 Exhibition Design
1 Equestrian Club [ ADAPTIVE REUSE ]
The site was an old Haveli, in Bhavnagar. The project aimed at adaptive reusing ,the Haveli into a club/retreat for horse riders, horse lovers and vacationists. This Club , would also be a go to place for the ones who want to experience living in a village setting. The club would primarily be an important spot, for horse riders , as it would host activities like Horse Shows, Horse riding, learning sessions for the same, & horse related sports. In addition , the club would also cater to wildlife enthusiasts giving them a place to observe and be around horses.
The site was an old Haveli, in Bhavnagar. The project aimed at adaptive reusing ,the Haveli into a club/retreat for horse riders, horse lovers and vacationists. This Club , would also be a go to place iders , as it would host activities like Horse Shows, Horse riding, learning sessions for the same, & horse related sports. In addition , the club would also cater to wildlife enthusiasts giving them a place to observe and be around horses.
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UNDERSTANDING THE SITE
Site: Dared Haveli, Bhavnagar, India
-Dared, is a smalll village near Bhavnagar. The kind of architecture prevalent in the village, has a lot of cultural impacts that signifies the ways of living in villages.
-The typology of the houses in the village, is very evident. The character of the spaces being majorly similar amongst houses, somehow weaves the village together.
-The site also has a very prominent character. The haveli is- one of the kind- in the whole village, this is the reason why the villagers look upon these huge builds - Haveli, with reverence and excitement.
-The Haveli has massive fort walls, grand entrance ornamented with Jharokhas , colonnade spaces formed with old style columns & railings , crafted openings with walls having similar decorating element., two courtyards shaded with huge trees on site, and view of the river from the top.
SITE IMAGES AND CHARACTERISTICS
Since the site contained many ancient construction methods, this style of marking door and window lintels were observed throughout
Craftsmanship was observed at elemental levels. The elevations had ornamented railings, columns and column capitals along with articulated base.
The material palatte observed at the site was also very traditional. From excessive wood used in the construction, the unique flooring and plastered walls added to the environmental benefits along with aesthetics.
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Prominent Facade Typology , giving hints of the culture in the city . The character of design elements such as Doors, Windows Railings, Columns etc maintains the language through out
The Fort Walls surrounding the whole haveli, helps the architecture to stand out in comparison to the builts around Apart from its function it is an important visual factor of the site
The Entrance has its own grandeur & scale The archs , jarokha above with crafted columns are only attractive elements in the front facade
Most of the elevations at the site, are Rythmic and ordered This threshold space with crafted columns at equal distance opening up in the courtyards marks the need of the people rightly adhering the climate
Decoding the initial ‘SITE SECTION’
Site Plan- Ground Floor (left), Roof Plan (right)
Site (in red) and Context
-Highlighted Lintels
-Elevation from the Courtyard
-Material Characters
concept | contrast between old & new | a discord
‘Alteration is more like a duet than solo. It is about an art of response as much as it is an art of individual genius; it sets out to make a concord between the new and the exsisting, or even a DISCORD.’
_from the book ‘On Altering Architecture’
Design Intent
-Can the old & new work side by side, and still stand separate ? Can they have a clean visual demarcation but also a subtle connection ?
-The idea is, to keep the prominence & grandeur of the Haveli intact. The haveli has all the nuances to be called a heritage built. My aim is to insert the new in a way that it contrats with the old, creating a visual and spatial juxtaposition amongst the two. This juxtaposition will create a spatial tension between the functions, experiences and character of spaces.
-A dynamic balance between the old and new. The new and old , are to be orchestrated into one another through contrast, disjunction, juxtaposition, resistance , tension and related keywords , as the drivers of the design decisions.
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Conceptual Diagrams- Explorations to create flux between the old and the new
Concept translated on to the ‘Site’ The yellow zones are the intended additions that can create both visual and experiential DISCORD
PROGRAME: Equestrian Club
-The aim is to create a destination retreat for horse riders, horse lovers, and leisure seekers. This club would also be a go to place for the ones, who want to experience leisure living in a village setting.
-The club would primarily be an important spot, for all the Horse Riders as it will host-some Horse related sports, courses for learning Horse riding, Horse safaris & shows.
-The club in addition to these activities would also cater to wildlife enthusiasts , who would come to observe and be around horses.
Structural Alteration Layout
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STREET UP UP UP LVL 0 0 LVL 150 LVL 1200 UP DN UP UP O ENTRY O S O S DN DN DN UP Demolished Added N CAVALIER S CLUB GROUND FLOOR PLAN STRUCTURAL CHANGES 1 100 SCALE ANSHUMI DHINGRA UI0514 FD-UGID ADVANCE INTERIOR DESIGN -STUDIO V ADAPTIVE REUSE SITE DARED HAVELI STREET LVL 4900 LVL 4000 LVL 4000 UP O S O T O S O LVL 4000 LVL 4000 LVL 4000 DN DN Demolished Added N CAVALIER S CLUB FIRST FLOOR PLAN STRUCTURAL CHANGES 1 100 SCALE ANSHUMI DHINGRA UI0514 FD-UGID ADVANCE INTERIOR DESIGN -STUDIO V ADAPTIVE REUSE SITE DARED HAVELI STREET UP UP UP UP LVL 0 LVL 750 LVL + 900 LVL 150 LVL 150 LVL 1200 0 0 LVL ± 0 LVL + 1200 LVL 1200 LVL 0 0 UP DN UP UP UP O T S ENTRY 2 UP O T S LVL + 1200 LVL 150 DN DN DN LVL 1200 LVL + 1200 LVL 1200 UP UP UP UP Demolished Added N CAVALIER'S CLUB GROUND FLOOR PLAN STRUCTURAL CHANGES 1 100 SCALE ANSHUMI DHINGRA UI0514 FD-UGID ADVANCE INTERIOR DESIGN -STUDIO V ADAPTIVE REUSE SITE: DARED HAVELI STREET LVL 4000 LVL + 4000 LVL 4900 LVL 4000 LVL 4000 UP LVL + 2400 O T S O T S O T S O T S LVL 4000 LVL + 4000 LVL 4000 LVL 4000 LVL 4000 LVL 4000 DN DN DN DN Demolished Added N CAVALIER'S CLUB FIRST FLOOR PLAN STRUCTURAL CHANGES 1 100 SCALE ANSHUMI UI0514 FD-UGID ADVANCE INTERIOR DESIGN -STUDIO V ADAPTIVE REUSE SITE DARED HAVELI
Sectional Render, showing the spatial expression of the built
Image showing the NEW INSERT
10 01 01 04 04 05 05 LVL 750 LVL 150 LVL 1200 LVL 0 0 LVL ± O ENTRY O S LVL 1200 Security cabin RECEPTION ADMINISTRATION OFFICE LVL 1200 LVL 1200 LVL 1200 DN DN LVL ± LVL -1400 LVL 1200 Staff Area Arrival space Bathing Space Sand Bath Paddock Paddock LVL 0 0 LVL -1400 150 Equipements Storage Medical O O O LVL 0 0 LVL 150 LVL 150 LVL 450 LVL 450 150 LVL 150 LVL 250 350 LVL 150 LVL 1200 space LVL ± O T S LVL ± O S Swimming Pool Cafe Dining Dining Dining Storage Space LVL -1400 N ADVANCE INTERIOR DESIGN -STUDIO V ADAPTIVE REUSE SITE DARED HAVELI CAVALIER S CLUB GROUND FLOOR PLAN 1 100 SCALE ANSHUMI DHINGRA UI0514 FD-UGID Ground Floor
Plan
SECTION 03
Section through the ‘Entrance’ (marked with red lines)
Section through the ‘Courtyard’ (marked with red lines)
11 02 02 03 03 04 04 05 05 EMPTY PLOT LVL 4000 LVL 4000 LVL 4900 LVL 4000 4000 UP UP O T S O T S O T S O T S LVL 4000 LVL 4000 DN LVL 4000 LVL 4600 Heritage Suit Heritage Heritage Suit Heritage Suit Heritage Suit Heritage Suit space Recreational space Passage Passage Passage STREET N ADVANCE INTERIOR DESIGN -STUDIO V ADAPTIVE REUSE SITE DARED HAVELI CAVALIER'S CLUB FIRST FLOOR PLAN 1 100 SCALE ANSHUMI DHINGRA UI0514 FD-UGID First Floor Plan
SECTION 03 SECTION 04
Construction Details of the NEW INSERT
Part Render of the NEW INSERT
Inviting the River: Convington River Development [Urban Design Studio]
The studio focused on proposing a design for the Covington Riverfront in Cincinnati, Ohio -proposing a mixed-use development and looking into possible expansion of the Northern Kentucky Convention Center.
The major parcel was a 23 acre site that belongs to the city of Covington but the site area to be designed runs and includes the Brent Spence Bridge on the western edge of the site and runs east to the Roebling Suspension Bridge. The northern boundary is the Ohio River. The site includes parking, a public plaza, and a levee park.
This urban design project focused on exploring neighbourhood connections, sustainable urban systems, water management on site (proximity to the ohio river) and strategies to learn from the existing urban context.
(Project done in group of 2)
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2
INTENT- Form Development
The site given to us was a 23 acre land across Ohio river, situated in Covington, Kentucky. Studying the neighbourhood there are some prominent buildings on the periphery of the given site. It was very crucial for us to understand the adjacent fabric near the site with respect to the placement of these important buildings, the city grid, the distribution of public spaces and the important business centres.
In the proposed design project for the given site, there were two primary intentions defining our design. The first one was to treat the Ohio river as leading the fabric of the proposed city.
The intention is to not make the new development hinder the connection and interaction of the surrounding buildings with the Ohio river.
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1_The initial intent started with creating PEELS from the site area. These PEELS curve upwards creating the new skyline of the proposed redevelopment. The conceptual video 1 shows the intial form formation of the PEELS. The idea was to create distinct forms and curve heights from the PEELS.
2_The second conceptual process was about scaling the PEELS to the actual site and creating voids, river inserts, transportation routes, pedestrian walk and outdoor plaza spaces. At this stage, it was also crucial to think of green spaces, ratio of hard scapes versus green scapes. This process helped us to reach the pre-final stage of finalizing PEEL height and curves.
The Site: Covington Riverfront
MASTER PLAN - Covington Riverfront
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MASTER PLAN -SITE DESIGN STRATEGIES
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VEHICULAR CIRCULATION -Covington Riverfront
WATER CANALS + SWAILS -Covington Riverfront
PEDESTRIAN WALKS + PUBLIC SQUARES -Covington Riverfront
WATER INSERTS -Covington Riverfront (Inviting the river into the site)
Defining Spaces (Section Perspective)
The prominent building form in our design is constructed to be mutative and to be flexible to house functions at different times. The curved peels are designed to appear emerging from the ground. They are similar in visual character with varying widths providing freedom to house dynamic/ evolving functions.
With the character of these curves, the result is a peculiar distinct skyine of buildings. Additionally, the voids serve as a great outdoor formal + informal + semi-formal gathering space.
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Section perspective drawing -Covington Riverfront Showing structure and character of spaces -inside and outside of the building PEELS
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Side View (physical MODEL): Proposed design for the Covington Riverfront
Designing Voids/ Outdoor Spaces
The design concept houses void spaces between the building peels. The void spaces are informal zones in the formal urban fabric of the site. These spaces are open to public interpretation amidst of the predefined building peels. The location of these voids allows them to define their own way of use.
These void areas between the PEELS create the visual aesthetic showing upward movement -enhanced by the curves in the building peels.
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Render showing the view from the Ohio River -Covington Riverfront
Front view (From the Ohio River) proposed Covington Riverfront Design -Phyiscal Model
COVINGTON RIVERFRONT
19 SITE MODEL
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Render showing WETLAND DETAIL: Covington Riverfront Design With an intention to make the site sustainable -locations where the river intersected with the site was designed as a wetland.
Part Section Model: Covington Riverfront Design Scaled up model showing details of the proposed riverfront design with major roads, pedestrian walking paths (in brown), greenscapes and white peels as buildings.
Render showing view from the 4th Street (adjacent to the site): Covington Riverfront Design This is how the proposed design merges with the surrounding urban context. This is the edge junction of the proposed design.
Render showing GREENROOF DETAIL: Covington Riverfront Design Another gesture to add to the greenscape percentage and create a distinct variety of open spacesGreen roof were proposed on the top of the peels at various locations.
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3 Form Explorations [Civic Context Grad Studio]
The studio focused on deriving a form from a precdent and explore the form with various model making processes. The form was derived by tweaking a base structure. The 3d processes that we learned in this studio was Laser cutting, CNC printing and 3D printing.
Each model making technique was studied to be able to update the form as per each technique. A series of form transformation as we move from each process is shown with a final concept visualization by combining two form types.
This project helped to learn a lot of digita softwares and techniques of making complex geometries into physcal model.
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INTENT- Form Development
Form development through Precedent. I selected to work with a cellular vault structure and developed my own combinations to derive a new form out of it. Below I show few explorations -one of them is enhancing the shell like character of the precendent and the other is about filling the voids to make a solid precedent exploration.
Both of these processes where intended to highlight the varied form characters obtained from the same precedent.
23 Cellular Vault Precedent 1 01 Precedent 1 02 Precedent 1 03 Precedent 1 04 Precedent 1 GSPublisherEngine Cellular Vault Precedent 2 01 Precedent 2 02 Precedent 2 03 Precedent 2 04 Precedent 2
Laser Cut Process
Here-the idea was to section the solid form geometry into layers. These layers were three planes sectioning and cutting through each other joining to result into forming the whole form.
The solid form was converted into this laser cut model-highlighting Red, Blue and Green planes. There were set of rules that we followed to get the end result -the model. While deciding precedent characteristic for the laser cut model -the crucial part was to avoid any depth and corner formation to acheive a good end output.
The final form had various junctions where different kind of planes joined to form thos entire model.
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CELLULAR VAULT 12" x 12" x 12"
TOP VIEW CELLULAR VAULT 12" x 12" x 12"
ELEVATION CELLULAR VAULT 12 x 12" x 12"
AXONOMETRIC CELLULAR VAULT 12" x 12" x 12" Axonometric
Image showing the physical laser cut model (left, right)
CNC Process
The precedent form showing the CNC model formation. Making models from CNC -here unlike Laser cutting you can have bigger or smaller pockets. The CNC process allows to have more freedome with the form depths and heights.
The idea was to explore the form designing depths. The processes provided the freedom of doing so. The form has a geometry that is extruded downward cutting through a square-forming negatives of the cellular vaults.
25 GSPublisherEngine
12"
12"
12"
CELLULAR VAULT
x
x
TOP VIEW CELLULAR VAULT 12" x 12" x 12" SECTION CELLULAR VAULT 12" x 12" x 12" AXONOMETRIC CELLULAR VAULT 12" x 12" x 12" DIAGRAM
Image showing the physical CNC cut model (left, right)
3D Printing
The final one fo the three processes was 3D printing. This processes had maximum freedom with respect to form design. Therefore, the form design was an outcome of scripting in Grasshopper -exploring complex junctions in the form.
The continued transformation is showed with a series of plan drawings below. When considering the 3D printing process -the making time is crucial. Also, the solids that are formed should be a closed polysurfaces in Rhino. Few of these technicalities were learned while deriving forms for each processes.
26 CELLULAR VAULT 12" x 12" x 12" TOP VIEW GSPublisherEngine CELLULAR VAULT 12" x 12" x 12" TOP VIEW 1 GSPublisherEngine CELLULAR VAULT 12" x 12" x 12" TOP VIEW 2 GSPublisherEngine 0.0.100.100 CELLULAR VAULT 12" x 12" x 12" TOP VIEW 3
Image showing the Rhino model for 3D printing (left, right)
Conceptualizing the form
Final step was to combine the forms of any two processes from the three. I chosed to combine the Laser Cut and the CNC. The end result looks like someting shown below.
The combined form should then be conceptualized into a space, or concept, or a working/ functional theme. I imagined this form to be a small city and detailed it out further based on the character the combined form provided.
The image to the right shows- various connections, patterns, junctions formed by combing the two forms .
27 CELLULAR VAULT 12" x 12" x 12" ELEVATION 1 CELLULAR VAULT 12" x 12" x 12" ELEVATION 2 GSPublisherEngine CELLULAR VAULT 12" x 12" x 12 AXONOMETRIC CELLULAR VAULT 12" x 12" x 12" AXONOMETRIC GSPublisherEngine 0.0.100.100 CELLULAR VAULT 12" x 12" x 12" AXONOMETRIC
Image showing the rendered final view of the combined form -imagined as a SMALL VERTICAL CITY
Defining Housing Units
Due to the many square spaces the form had-I worked on desogning housing units as a form of LEGO blocks. The unit sizes changes as per the no. of people and affordability. I wanted to break free from the concept of having identical houses in a CITY or in a cluster. These modules are stacked over each other having their own parking spaces (shown in the right image).
Parking and Transitions from home to highway
The housing units each had a parking garage and a pathway extending out of it -connecting the cars to the major roadways. There are few offsets that has been designed for the pathway connection on each floor to avoid traffic conjestion.
These sub roadways than further branch out to connect the larger highways (shown in the image on the next page).
28 1x Solo Living 3x Single Family Unit 4x Large Family Unit L Module 2x Small Family Living 4x Large Family Unit Square Module
The Vertical City (conceptual)
The image shows how one CITY blocks connects to the other CITY blocks . The roadways further extend out to connect to the highways.
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I undertook a research project under guidance of the University Faculty as my Under-graduate Capstone Project. The thesis reiterated the idea of DETAILING as a spatial phenomenon, where it plays a significant role in constructing spaces (interior/ architectural).
This research project, elevated my ability to deal with constant flux between theories, concepts, appropriate case studies and final deriving a framework to reach the conclusion.
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‘Expression of Details’ as a key phenomenon in ‘ The Construction of Space’
[ RESEARCH THESIS]
INTENT
The idea is to study the expression of details and to decode the degree of its role in generating the essence of a space. Apart from the various definitions of detail –here, ‘detail’ is termed as the junction or the joint between numerous parts.
The intent also is to realize the significance of small details in buildings, concluding that a space at the end is an amalgamation of various parts coming together, and that these parts are the major constituents of a space.
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5 Living Grounded _residence for Parsis [ RESIDENTIAL STUDIO ]
This Space Planning Studio focused on designing a residence for a PARSI FAMILY , with the site being a Row House in Ahmedabad, India. Introduction of live--approachable clients and accessible sites simulated a real time experience. The core intention is to understand the transformation of spaces and the evolution of spatial theme while catering to the cultural, physical and emotional needs of the individuals as well as needs of the entire family .
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ACTIVITY MAPPING AND SITE ANALYSIS
Understanding Clients: The Medora’s are a Parsi family residing in Ahmedabad since 40 years. They are a family of 5 people and a Labrador named Simba. Our studio aims at designing a residence for them.
Family Tree Representation
Site Analysis. The typology of the our Row house site was very prominent due to the staggering modules. Interesting voids where formed in the front and back of the house.
CONCEPT AND MATERIAL PALETTE
Correlational Membrane for Interiors:
-Every interior space creates reponse which has the bearing of the outscape. These responses comes into existence as technological, visual, continuity and of contrast.
-Correlational membrane in the residential interiors, establishes relationships among the element and space concept.
-Hence a dialogue between exterior and interior or also between interior and interior is created.
Ref. (The definition is taken from a research thesis at the School of Interior Design CEPT)
CONCEPT:
Comparing WABI-SABI and Correlational Membrane
-Visual Correlation = bold character or impression in an inetrior space.
-Contrast Correlation = colors or material pallatte or textures in wabi sabi.
-Correlation through continuity = spaces creating similar languages.
-Technical Correlation = redefining junctions.
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SITE : JAI SHEFALI ROW HOUSE
Sketches highlighting the Site Typology Site Plan
Wabi-Sabi interior character
Intended Material Board
Ideation Sketchs- Corelational Membrane in spaces (left; right)
Spaces on the Ground Floor
-The Office (or family and outside staff)
-The main living areas in the house (for the family)
-Kitchen & Dinning (for the family)
-Vestibule and Recreational spaces (for the family)
The design responded to the row house typology, by using the bays as the division for the functions of spaces.
Ground Floor Plan
Spaces on the First Floor are
-Main Bedroom (For the main couple of the family)
-Kids Room (for 2 kids)
-Grand Parents room (for the old members)
-Guest Room
-Personal Service Access from every spaces
-Study area for kids.
The Row house typology was effective in maintaining enough physical and visual privacy between Guest Spaces and Spaces for the family.
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Section AA’
First Floor Plan
Section CC’
Construction Drawings
Civil Alteration Layout
Lighting Layout
-ALL DIMENSIONS ARE TO READ AND NOT MEASURED.
-THIS DRAWING IS A PROPERTY OF AD 97 STUDIO.
-THIS DRAWING CANNOT BE REPRODUCED WITHOUT THE PERMISSION OF AD 97 STUDIO.
-ALL DIMENSIONS ARE IN mm.
-ANY AMBIGUITY IN DRAWING SHOULD BE BROUGHT TO THE NOTICE OF THE ARCHITECT IMMEDIATELY AND CLARIFIED BEFORE PROCEEDING WITH ANY WORK.
SPECIFICATIONS:
SHEFALI-ROW HOUSE DRAWING TYPE: PLAN & DETAIL
ROAD SCALE : 1:50
A D 9 7 CHECKED BY AD 97 STUDIO
EMAIL: PROJECT ARCHITECTURAL INTERVENTIONS MEDORA'S RESIDENCE
AD 97 STUDIO BRIMINGHAM LONDON
anshumi.dhingra.bd14 @cept.ac.in DRAWN BY : AD 97 STUDIO
35 A B C D E F G 10 9 8 7 5 3 2 1 10 9 8 7 5 3 2 1 G F E D C A B 230 3 5 1 2 4 6 7 10 8 11 9 12 13 14 8 15 9 16 1 2 3 4 5 6 7 10 11 12 13 14 15 16 C C A A 380 2700 530 1500 380 1200 1450 800 430 2600 630 1400 430 900 1750 800 230 230 3000 230 1800 230 3450 230 3000 230 1800 230 3450 230 3230 2030 3680 3230 2030 3680 8940 9170 2730 900 3430 2000 3310 3550 530 1370 530 1000 1680 430 900 1300 2500 230 4330 8860 230 1970 230 2880 230 1970 230 2500 2810 2500 8110 2200 3110 2200 16150 2200 3110 2200 430 1200 200 800 200 1680 1200 530 2400 300 530 2760 1000 1220 200 230 800 2430 230 5480 230 3000 230 5480 230 3000 230 3680 2030 3230 3680 2030 3230 5710 3230 5710 3460 5580 1700 1380 2400 3130 1200 2500 230 680 1000 3630 1450 230 120 6715 2660 115 115 115 2400 230 4200 3110 5080 230 2200 2200 2500 8110 2810 18350 2500 5310 5A A1 A2 5B 6A 8A 9A A1 6 4 6 4 1 D1 1 D2 2 D1 4 D1 1 D3 3 D1 3 D5 5 D1 4 D5 1 D5 2 D5 1 D4 1 W1 1 W2 1 W3 1 W4 1 W5 1 W6 1 W7 2 W4 1 W8 1 W9 1 W10 1 W11 2 W9 2 W10 OFFICE ENTRANCE LVL+130 VISITOR'S SEATING LVL+150 TOILET 1 LVL+140 OFFICE STAFF WORKING AREA LVL+150 CORRIDOR LVL+150 MEDORAS WORKING AREA LVL+150 FAMILY LEISURE SEATING LVL+160 BUFFER SPACE LVL+130 HOME ENTRANCE LVL+100 BATHROOM 1 LVL+150 DINNING LVL+150 TELEVISION AREA LVL+150 FAMILY LIVING LVL+150 KITCHEN LVL+150 OUTDOOR WASHING SPACE LVL+130 TOILET 2 LVL+130 BACKSIDE ENTRY LVL+130 PLANTATION AREA LVL+130 OUTDOOR SPACE LVL+130 PANTRY LVL+150 OFFICE STAFF WORKING AREA LVL+150
D5 D5 FIRST FLOOR F.F.L LVL +2770 BEAM BOTTOM LVL +2375 WINDOW SILL LVL +475 GROUND FLOOR F.F.L LVL +425 GROUND LVL +0 DOOR-WINDOW SCHEDULE SR.NO NAME SIZE l*h SILL LINTEL REMARK D1 694 1880 - 1880D2 500 1880 - 1880D3 609 1880 - 1880D4 1200 1880 - 1880 PIVOTED DOOR D5 794 1880 - 1880W1 900 600 800 1400W2 1220 1200 800 2000W3 2760 1200 800 2000W4 1680 1200 800 200010 W5 2400 1900 475 237511 W6 1670 1900 475 237512 W7 1370 1900 475 237513 W8 1200 1200 800 200014 W9 800 1000 800 180015 W10 1400 x 600 800 140016 W11 700 1500 475 19757 8 6 4 1 Section CC 2 FIRST FLOOR F.F.L LVL +2430 BEAM BOTTOM LVL +2010 DOOR LINTEL LVL +1880 GROUND FLOOR F.F.L LVL +130 GROUND LVL +0 A B D E G DISCLAIMER
Section AA
CLIENT: MEDORA FAMILY SUN SHINE PARK DRIVE IN
AHMEDABAD SITE: JAI
CONTACT NO: 9879202972 NEHRUNAGAR AHMEDABAD
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Construction Drawings
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SCALE 1:2
LIVING ROOM SOFA
DETAILS SCALE 1:10
DISCLAIMER
-ALL DIMENSIONS ARE TO READ AND NOT MEASURED.
-THIS DRAWING IS A PROPERTY OF AD 97 STUDIO.
DISCLAIMER -ALL DIMENSIONS ARE AND NOT MEASURED.
-THIS DRAWING IS A AD 97 STUDIO.
LIVING ROOM SOFA DETAILS
-THIS DRAWING CANNOT BE REPRODUCED WITHOUT THE PERMISSION OF AD 97 STUDIO.
-ALL DIMENSIONS ARE IN mm.
SCALE 1:10
-ANY AMBIGUITY IN DRAWING SHOULD BE BROUGHT TO THE NOTICE OF THE ARCHITECT IMMEDIATELY AND CLARIFIED BEFORE PROCEEDING WITH ANY WORK.
-THIS DRAWING CANNOT REPRODUCED WITHOUT PERMISSION OF AD -ALL DIMENSIONS ARE -ANY AMBIGUITY IN SHOULD BE BROUGHT NOTICE OF THE ARCHITECT IMMEDIATELY AND BEFORE PROCEEDING WORK.
ELEVATION PLAN
1 SECTION 2
19
F1 1 S1 1 IS1 1 FURNITURE ELEMENT SOFT FURNISHINGS INTERIOR ELEMENT
DRAWING TYPE:
PLAN & DETAIL
SCALE 1:5
DETAIL SHOWING LAYERS OF PLYWOOD AND FOAM ATTACHED WITH MAHOGANY WOODEN FRAME AT THE BOTTOM
SCALE 1:2
BOLT USED TO FIX MAHOGANY FRAME STRUCTURE WITH PLYWOOD
SECTION 2
DETAIL SHOWING LAYERS OF PLYWOOD AND FOAM ATTACHED WITH MAHOGANY WOODEN FRAME AT THE BOTTOM
BOLT USED TO FIX
MAHOGANY FRAME STRUCTURE WITH PLYWOOD
31
BY AD 97 STUDIO CHECKED BY AD 97 STUDIO
PROJECT FURNITURE LAYOUT & DETAIL FOR MEDORA'S RESIDENCE
MAHOGANY WOOD STRUCTURE FOR SOFA CREAMISH VELVET UPHOLSTERY FOR SOFA VELVET UPHOLSTERY LAYERED UPON THICK FOAM. 19MM PLYWOOD UNDERSTRUCTURE 19MM PLYWOOD VELVET UPHOLSTERY LAYERED ON 200MM THICK FOAM 19mm PLYWOOD UNDERSTRUCTURE MAHOGANY WOOD STRUCTURE FIXED WITH STEEL FINISH BOLTS TO THE PLYWOOD. 165 551 770 1398 800 101 19 31
SCALE 1:5
CLIENT: MEDORA FAMILY SUN SHINE PARK DRIVE IN ROAD AHMEDABAD
A D 9 7
AD 97 STUDIO BRIMINGHAM LONDON
CONTACT NO: 9879202972
EMAIL: anshumi.dhingra.bd14 @cept.ac.in
SECTION 2
DRAWING TYPE: PLAN & DETAIL
31
DRAWN BY : AD 97 STUDIO
PROJECT : FURNITURE LAYOUT DETAIL FOR MEDORA'S RESIDENCE
SITE: JAI SHEFALI-ROW HOUSE NEHRUNAGAR AHMEDABAD
CLIENT: MEDORA FAMILY SUN SHINE PARK DRIVE IN ROAD AHMEDABAD
A 9 7
AD 97 STUDIO
BRIMINGHAM LONDON
EMAIL: anshumi.dhingra.bd14 @cept.ac.in
CHECKED AD 97
36 3 5 1 2 4 6 7 10 8 11 9 12 13 14 8 15 9 16 1 2 3 4 5 6 7 10 11 12 13 14 15 16 3230 2030 3680 3230 2030 3680 2500 2810 2500 8110 2200 3110 2200 3680 2030 3230 3680 2030 3230 3110 2200 2200 2500 8110 2810 2500 A B C D E F G A B C D E F G 10 9 8 7 6 5 4 3 2 1 10 9 8 7 6 5 4 3 2 1 A1 A1A2 5A 5B 6A 8A 9A R400 400 815 1615 100 500 900 20 779 1200 1000 900 800 5015 700 2300 300 1000 300 2550 100 650 250 R250 R250 395 87 400 700 459 459 700 653 613 699 699 560 560 2000 2000 2130 2130 2000 2300 2000 500 2000 2300 2000 500 120 600 80 400 600 400 80 600 120 120 80 600 400 400 600 80 600 120 120 600 80 400 600 400 80 600 120 1700 1700 500 650 400 250 R250 R250 625 100 600 700 100 625 700 600 600 257 700 700 256 1800 280 600 683 800 1915 683 800 1915 F1 2 F1 1 F2 F3 F4 1 F5 F8 1 F8 F8 F8 F6 F7 1 F6 F7 F9 F10 F9 F12 1 F12 2 F12 3 F12 4 F12 5 F12 7 F12 9 F12 11 F12 10 F12 12 F20 F16 F17 F18 1 F19 1 F14 1 F13 F1 3 F1 F16 2 F17 1 F22 3 F22 5 F22 4 F22 1 F22 F22 6 F21 1880 1400 2077 1750 800 755 100 850 1465 2085 2332 364 304 1015 300 1220 2760 10 2565 500 1680 3175 400 1170 500 800 760 402 S1 S2 S3 S1 2 S4 1 S5 S5 1 S4 S1 S6 S3 2 S6 S4 S5 3 S5 4 S5 S5 6 S4 4 S4 260 135 265 135 265 135 265 135 1615 135 205 1670 340 1670 748 28 500 474 28 498 471 28184 40 1030 1030 274 135 165 135 165 135 190 121 1670 100 IS1 IS1 2 IS4 IS2 IS2 1 IS3 1 IS2 IS3 11 IS3 13 IS3 14 IS3 15 IS5 IS3 12 IS2 4 IS3 16 IS3 17 F11 5 F11 F11 F11 F11 1 F11 2 F12 F12 1680 120 900 50 S1 IS3 IS3 IS3 IS3 IS3 IS3 IS3 IS3 IS3 10
PLAN SECTION 1 SECTION 2 MAHOGANY WOOD STRUCTURE FOR SOFA CREAMISH VELVET UPHOLSTERY FOR SOFA VELVET UPHOLSTERY LAYERED UPON THICK FOAM. 19MM PLYWOOD UNDERSTRUCTURE 19MM PLYWOOD VELVET UPHOLSTERY LAYERED ON 200MM THICK FOAM 19mm PLYWOOD UNDERSTRUCTURE MAHOGANY WOOD STRUCTURE FIXED WITH STEEL FINISH BOLTS TO THE PLYWOOD. 165 551 770 1398 800 101 19 31
ELEVATION
SITE: JAI SHEFALI-ROW HOUSE NEHRUNAGAR AHMEDABAD DRAWN
SCALE : 1:50
F1 1 S1 1 IS1 1 FURNITURE ELEMENT LABEL SOFT FURNISHINGS LABEL INTERIOR ELEMENT LABEL
SPECIFICATIONS:
Furniture Layout
SECTION
19
CONTACT NO: 9879202972
SCALE : 1:50
SPECIFICATIONS:
INTERIOR ELEMENT DETAILS
INTERIOR ELEMENT DETAILS
BOX SECTION FINISHED WITH BRASS BOX CAP AT THE TOP.
BOX SECTION FINISHED WITH BRASS BOX CAP AT THE TOP.
MAHOGANY WOODEN PLANKS SUPPORTED ON THE BRASS METAL PLATE.
MAHOGANY WOODEN PLANKS SUPPORTED ON THE BRASS METAL PLATE.
BRASS METAL PLATE SUPPORTING THE MAHOGANY PLANKS AS A FLOATING JUNCTION
BRASS METAL PLATE SUPPORTING THE MAHOGANY PLANKS AS A FLOATING JUNCTION
BRASS FINISHED METAL BOX SECTION AS THE MAIN STRUCTURE FOR THE METAL PLATES
BRASS FINISHED METAL BOX SECTION AS THE MAIN STRUCTURE FOR THE METAL PLATES
BOTTOM JUNCTION OF THE BOX SECTION WITH THE FLOORING ELEVATION
ELEVATION
PLAN
Partition Detail for the Office Space: Residence Space Design
SECTION 3
BOTTOM OF THE BOX SECTION BOLTED TO THE FLOOR WITH METAL PLATE JOINT
BOTTOM OF THE BOX SECTION BOLTED TO THE FLOOR WITH METAL PLATE JOINT
BOTTOM JUNCTION OF THE BOX SECTION WITH THE FLOORING
SECTION 3
DISCLAIMER -ALL DIMENSIONS ARE TO READ AND NOT MEASURED.
DISCLAIMER
-ALL DIMENSIONS ARE TO READ AND NOT MEASURED.
-THIS DRAWING IS A PROPERTY OF AD 97 STUDIO.
-THIS DRAWING IS A PROPERTY OF AD 97 STUDIO.
-THIS DRAWING CANNOT BE REPRODUCED WITHOUT THE PERMISSION OF AD 97 STUDIO.
-THIS DRAWING CANNOT BE REPRODUCED WITHOUT THE PERMISSION OF AD 97 STUDIO.
-ALL DIMENSIONS ARE IN mm.
-ALL DIMENSIONS ARE IN mm.
-ANY AMBIGUITY IN DRAWING SHOULD BE BROUGHT TO THE NOTICE OF THE ARCHITECT IMMEDIATELY AND CLARIFIED BEFORE PROCEEDING WITH ANY WORK.
-ANY AMBIGUITY IN DRAWING SHOULD BE BROUGHT TO THE NOTICE OF THE ARCHITECT
IMMEDIATELY AND CLARIFIED BEFORE PROCEEDING WITH ANY WORK.
SPECIFICATIONS: FURNITURE ELEMENT LABEL SOFT FURNISHINGS LABEL INTERIOR ELEMENT LABEL
1 S1 1 IS1 1
FURNITURE ELEMENT LABEL SOFT FURNISHINGS LABEL
DRAWING TYPE: DETAIL INTERIOR ELEMENT LABEL
SCALE : 1:5
SCALE : 1:5
DRAWN BY AD 97 STUDIO
DRAWN BY AD 97 STUDIO
CHECKED BY AD 97 STUDIO
CHECKED BY AD 97 STUDIO
PROJECT MEDORA'S OFFICE SPACE DETAILS
PROJECT MEDORA'S OFFICE SPACE DETAILS
SITE: JAI SHEFALI-ROW HOUSE NEHRUNAGAR AHMEDABAD
SITE: JAI SHEFALI-ROW HOUSE NEHRUNAGAR AHMEDABAD
CLIENT:
CLIENT:
MEDORA FAMILY
SUN SHINE PARK
DRIVE IN ROAD AHMEDABAD
MEDORA FAMILY SUN SHINE PARK DRIVE IN ROAD AHMEDABAD
A D 9 7
A D 9 7
AD 97 STUDIO
AD 97 STUDIO
BRIMINGHAM LONDON
BRIMINGHAM LONDON
CONTACT NO: 9879202972
DISCLAIMER -ALL DIMENSIONS AND NOT -THIS DRAWING AD 97 STUDIO. -THIS DRAWING REPRODUCED PERMISSION -ALL DIMENSIONS -ANY AMBIGUITY SHOULD BE NOTICE OF IMMEDIATELY BEFORE PROCEEDING WORK. AD 97 BRIMINGHAM CONTACT 9879202972 EMAIL: anshumi.dhingra.bd14 @cept.ac.in CLIENT: MEDORA SUN SHINE DRIVE IN AHMEDABAD SITE: JAI SHEFALI-ROW NEHRUNAGAR AHMEDABAD PROJECT MEDORA'S DETAILS DRAWN BY AD 97 STUDIO SCALE 1:25 DRAWING DETAIL SPECIFICATIONS: F1 1 S1 1 IS1 1 FURNITURE SOFT INTERIOR ELEVATION SCALE 1:5 SECTION SCALE 1:5 PLAN SCALE 1:5
CONTACT NO: 9879202972
EMAIL: anshumi.dhingra.bd14 @cept.ac.in
BRASS C SECTION JOINT FOR COLUMN AND CEILING BRASS BOX SECTION COLUMN CLADED WITH MAHOGANY WOOD BRASS METAL PLATE WELDED WITH THE BOX SECTION HOLDING MAHOGANY WOOD PLANK MAHOGANY WOOD PLANK CLADED ON BRASS FINISH METAL BOX SECTION METAL PLATE JUNCTION OF BOX SECTION WITH FLOOR SECTION 3 ELEVATION SCALE 1:5 SECTION SCALE 1:5 PLAN SCALE 1:5 INTERIOR COLUMN DETAIL BRASS C SECTION JOINT FOR COLUMN AND CEILING BRASS BOX SECTION COLUMN CLADED WITH MAHOGANY WOOD BRASS METAL PLATE WELDED WITH THE BOX SECTION HOLDING MAHOGANY WOOD PLANK MAHOGANY WOOD PLANK CLADED ON BRASS FINISH METAL BOX SECTION METAL PLATE JUNCTION OF BOX SECTION WITH FLOOR
EMAIL: anshumi.dhingra.bd14 @cept.ac.in
37
DRAWING TYPE: DETAIL F1 1 S1 1 IS1 1
TOP JUNCTION OF BOX SECTION FINISHED WITH BRASS BOX CAP
SPECIFICATIONS:
F1
PLAN
TOP JUNCTION OF BOX SECTION FINISHED WITH BRASS BOX CAP
INTERIOR COLUMN DETAIL
PLAN SCALE 1:5
INTERIOR COLUMN
DETAIL
6 Retractable Screen [ DEPLOYABLE SYSTEMS ]
-This workshop was intended to help us understand the concepts of TECTONIC movemen with respect to the material characteristics and behaviour. As part of this workshop, various exercises were initiated to help us understand the function of expansion and contraction along with the execution details.
-The final exercise was about executing a structure that can expand and collapse in a three dimensional space. Many small scales prototypes were made to design the 1:1 details.
-As the final outcome, materials that were chosen were aluminium and mild steel. The ball-joint was the prominent detail system that helped us acheive the desired output.
38
Project Type: GROUP WORK
Design to Execution
By detailing out the intersections of the parts by categorizing the type of joints into static and dynamic the execution of the screen was made possible.
A Ball-and-socket joinery was designed as the key detail to acheive the smooth retraction and expansion movements in the screen. For this detail, metal balls were placed between two metal plates to get the desired result.
39
Below are the photographs of the screen to demonstrate the sequential process
7 COOP [Selected works of COOP]
I have worked professionally as an architecture intern at three places. One was my undergraduate internship at Dr. Balkrishna Doshi’s office, named ‘Vastu Shilpa Consultants, Sangath’ ,India. The duration of my Internship was 7 months.
My second COOP experience -and the first one in the United States was at a cinicnnati based architecture firm named ‘CITY STUDIOS ARCHITECTURE’. During this coop -I worked on varied scales of projects that includes historic preservation, urban parklet project, furniture design, and making elevation drawings.
Finally, my third COOP experince was at another cincinnati based architecture firm ‘GBBN Architects’. At GBBN, I helped in projects under Healthcare segments that circled around helping with drawings, furniture design (like donor wall and reception desk) and research.
I feel confident after getting the above opportunities to work in a professional environment. A lot of practical scenarios added to my understanding of the practical design methodology.
40
A view from my Work Desk (at SANGATH -architect Balkrishna Doshi’s Office, India)
INTERIOR ELEVATIONS AND FURNITURE LAYOUTS
41 D C u o u S C C O U S - - 9 R KS A HA T UN V RS T C MPU A A G J RAT D OMWR - DA D T R M L CK A OR D R U F L E L V O R O - - 2 A S S H P C O N S T A N S P U-- @ F R ND R P R O E ON D A 1 2 3 4 1 1 2 O R O CO R DO A D T R M C R D R U O D D E A ON-A D T R M C R D R U O D D E A ON-1 9 4 G G 3 8 R O O U OR U OR OR L N - -
D m P C u o u s C n a 9 - - 3 RA SH HA T UN V RS T CAM U A A G J RA P C D D O-R - D-A AD M C L CK C C A ROO T P C L FA S C G DE E S S 9 - - 2 V T U H A S U A N D-wO R C S C O 5 6 1 6 1 6 7 7 5 2 4 0 2 0 0 9 1 AC B OC S OO AS R OM 0 R PR N O O G - N R W U - N 1 4 4 9 E A 1 L S RO MR W U O O MO A D B OC RS OO C A SR OM 0 S C N 0 30 0 0 CM R W -U R W M W D 2 A D B OC RS OO C A SR OM 0 S C N 0 2HC U O R E A 2 L S RO M1 3G MN RM FALSE CEILNG LAYOUT AND DETAILS D P C s s C s a C N O U 9 -RA SH HA T U V R T CAM U A A U AR T T NW W-A M B O K B PAN Y D T -S S H P C O N L T S e P-- @ O E D R P R O E N A M PA T Y D T - L NA M PA T Y - N O D D E E T ON3 D D D3 D T P D P Y T E 2 E P Y E C N R 7 9 5 M M O M O 3 4 T E 2 C B U P R CA E A D E P A EM N EP L U A N H N L AC M N E A LW H T E A N H N L L C M N E A L 6W S N HU E AB N Y E D AN 1S N HU E AB N Y E D E A ONS N HU E AB N Y E D C OO W W G O G 1 5 CAB NE DETA S ADM N BLOCK B-F RS FLOOR-PANTRY PAN RY CAB NET TY E D PANTRY DETAILS AND PLATFORM DETAILS BATHROOM INTERIOR ELEVATIONS
MEASURE DRAWING AND DRAFTING (Exisiting Facade) PARKLET PROJECT (Parklets for the city of Cincinnati, OH)
AWNING ADDITION (Detail Drawing)
42
REVIT PROJECT -The Half House by John Hejduk(Graduate Academic Work)
I worked on REVIT extensively as part of a course in the graduate school. We had ‘The half house’ by John Hejduk as a reference project. We started with drafting the entire house in revit and went till making detailed sections for the same.
Construction materials and techniques is what we as a student picked and designed. For my half house project materials used were Brick, Concrete and Metal. The three shapes had distinct constructions.
Through this project I was able to use REVIT and design construction methods as part of the project.
43
Scale Project number Date Drawn by Checked by www.autodesk.com/revit 09-12-2020 03:20:39 A102 Axonometric 0001 Anshumi Dhingra M13967800 Issue Date Author Checker No. Description Date {3D} 1 DN UP 36' 0" 18' 0" 36' - 0" 12' - 0" 7'0" 32'0" 1 A111 1 2 3 4 5 6 7 9 1 A107 1 A106 1 A112 1 A110 A114 1 3 2 4 1 A117 Scale Project number Date Drawn by Checked by www.autodesk.com/revit 1/8" = 1'-0" 09-12-2020 03:20:42 A105 First Floor Plan 0001 Anshumi Dhingra M13967800 Issue Date Author Checker No. Description Date N 1/8" = 1'-0" First Floor 1 Top Of Foundation -2' - 1" First Floor -0' - 11" Crawl Space -6' - 2 1/2" Basement -9' - 2 1/2" Top of plate 9' - 1" Second Floor 10' - 0 1/2" Top of 2nd floor plate 24' - 0" Level 8 28' - 6" Parapet Level 11' - 7 1/2" Scale Project number Date Drawn by Checked by www.autodesk.com/revit 1/8" = 1'-0" 09-12-2020 03:20:46 A108 Front Elevation -North 0001 Anshumi Dhingra M13967800 Issue Date Author Checker No. Description Date 1/8" = 1'-0" North 1 Top Of Foundation -2' - 1" First Floor -0' - 11" Crawl Space -6' - 2 1/2" Basement -9' - 2 1/2" Top of plate 9' - 1" Second Floor 10' - 0 1/2" Top of 2nd floor plate 24' - 0" Level 8 28' - 6" 13'11 1/2" 6'7 1/2" 1'10" 8'1 1/2" Scale Project number Date Drawn by Checked by www.autodesk.com/revit 3/8" = 1'0" 09-12-2020 03:20:48 A110 Wood Wall Section 0001 Anshumi Dhingra M13967800 Issue Date Author Checker No. Description Date 3/8" = 1'-0" Wood Wall Section 1 2x10 Dimension Lumber (Joists) Wood Fascia 5" Rigid Insulation (Wall) 3/4" Plywood Floor 2x12 Dimension Lumber (Joists) False Ceiling 3/4" Plywood Floor 4" Concrete Slab Sill Plate 10" Concrete Foundation Wall Concrete Footing
Learning, Sketching, Visualizing, Making, Seeking & Smiling ------
44 8 Miscellaneous ------
Exploring,
Sketching and Colour-Representations
45
Model Making-Representations
Petite Ecole, MOS Architects, Study
As part of a course, we were a given a design project to study. The goal was to understand the construction of it through drawings and model-making.
The project I studied was ‘Petite Ecole’ by MOS Architects. We were supposed to understand the construction methods and details -reflecting the construction with precision in the physical models.
This was my model for the ‘Petite Ecole’ project that was originally made using 688 aluminium pieces (which were modelled, flattened, cut, folded, pre-fabricated and assembled on site). In my model , the aluminium sheets are replicated with the enhanced folds that brace the element to hold the building.
46
Sectional Perspective -part of a Masonry Institute Project (Material Research Studio Project)
Sectional Render
Masonry Research Institute-12th and Vine
The project revolved around constructing a MASONRY Research Institute -with the site in Cincinnati Downtown, Ohio. The architecture and the interior of the design should reflect the art of construction alongwith ‘masonry’ as one of the building material. I used metal alongside masonry for the design. With the exterior covering of masonry -the inside stands out with custom designed ‘metal structural elements and junctions’. The sectional perspective highlights the art of construction and shows the aesthetics with realistic render quality.
Digital Sectional Perspective -Representations
48 email: dhingran@mail.uc.edu anshumi dhingra +1 (513)-827-5688 THANK YOU
