Architecture Portfolio | Selected Works

Page 1

A RCHITECTURE

PORTFOL O selected works

ANSHUMI

DH IN G RA


ABOUT

ME

ANSHUMI DHINGRA Ph: +1 513 827-5688 E: dhingran@mail.uc.edu L: English, Hindi, French (basic) I am an Architecture Masters student at DAAP, University of Cincinnati. I am looking for opportunities to strengthen my design mannerism through practical and research methodologies. I am fascinated by tectonics, details, geometry and materiality. Aspiring to continue thinking ‘Out of the BOX’...I entertain myself with sketching, reading, writing and travelling around the world. My key design tactics include conceptualizing, detailing, abstraction....

research,

diagramming,

Research Thesis Link: https://issuu.com/anshumidhingra/docs/thesis-prefinal_draft25th_dec-upload


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EDUCATION

Present-2023 Masters in Architecture, DAAP, University of Cincinnati, USA

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REVIT ArchiCAD 2D/ 3D AutoCAD 2D/ 3D McNeel Rhinoceros 3D Grasshopper 3D Sketch up 3ds Max Adobe Photoshop Adobe In design Adobe Illustrator Microsoft Office Suite Sketching Working with Clay & Wood

2014-2019 Bachelor of Interior Design, CEPT University, India 2012-2014 HSC, A.G. High School, Ahmedabad, India 2011-2012 SSC, St.Kabir School , Ahmedabad, India

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WORK EXPERIENCE

_Present- AUG 2021 Part-time Architectural Intern at City Studios Architecture, Cincinnati, USA Architecture Summer 2021 COOP at City Studios Architecture, Cincinnati, USA

_Present- AUG 2021 Graduate Assistant , DAAP Equity and Inclusion (since 2 semesters spring 2021 & present) _2020- 2019 (Duration: 1.5 year) Teaching Associate, CEPT University for M.Des B.P.S program

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_2017 (Duration: 7 months) Internship at Balkrishna Doshi’s firm ‘Vastu Shilpa Consultants’ -Sangath, India

OPPORTUNITIES I ADHERED

_Served as a STUDENT VOLUNTEER in an Education Fair as a CEPT UNIVERSITY REPRESENTATIVE _Performed as a CAMPUS GUIDE for the ‘ARCHIPRIX’ event at CEPT (YEAR 2017) _Learned ‘BHARATNATYAM’ and completed its 7 stages, along with the final stage ‘ARANGETRAM’ _Attended ‘Academic Writing Workshop’ by SAGE School of Publishing

ACADEMIC EXPOSURES Construction Technology Advanced Building Design Studio Design Visualization 1,2, & 3 Institutional Studio Residential Studio Commercial Studio Space Planning Basic Design Furniture Design Interior Construction Drawing

_2019 (Duration 1 month) Internship at CARBSE (Center for Advanced Research in Building Science and Energy), CEPT University

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SKILLS

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AUXILIARY EXPERIENCES Wood Workshop Deployable Systems Exploring Natural Dyes Marbelling in Clay

Exploring local crafts of Indian Cities related to Interior Architecture

REFRENCES _Vincent Sansalone (sansalvf@ucmail.uc.edu) Director M.Arch, Associate Professor, DAAP, University of Cincinnati

_Amal Shah (amal.shah@cept.ac.in) Assistant Professor, SID, CEPT University


04

02

Construction Technology

Form Explorations

TABLE OF CONTENTS

01

Adaptive Re-use

4

03

Research Thesis


06

08

Space Planning I

05

Residential Studio

Internship Works

07

Exhibition Design

09

Miscellaneous

5


1

Equestrian Club [ ADAPTIVE REUSE ] The site was an old Haveli, in Bhavnagar. The project aimed at adaptive reusing ,the Haveli into a club/retreat for horse riders, horse lovers and vacationists. This Club , would also be a go to place for the ones who want to experience living in a village setting. The club would primarily be an important spot, for horse riders , as it would host activities like Horse Shows, Horse riding, learning sessions for the same, & horse related sports. In addition , the club would also cater to wildlife enthusiasts giving them a place to observe and be around horses. The site was an old Haveli, in Bhavnagar. The project aimed at adaptive reusing ,the Haveli into a club/retreat for horse riders, horse lovers and vacationists. This Club , would also be a go to place iders , as it would host activities like Horse Shows, Horse riding, learning sessions for the same, & horse related sports. In addition , the club would also cater to wildlife enthusiasts giving them a place to observe and be around horses.

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UNDERSTANDING THE SITE

SITE IMAGES AND CHARACTERISTICS

Site: Dared Haveli, Bhavnagar, India -Dared, is a smalll village near Bhavnagar. The kind of architecture prevalent in the village, has a lot of cultural impacts that signifies the ways of living in villages. -The typology of the houses in the village, is very evident. The character of the spaces being majorly similar amongst houses, somehow weaves the village together. -The site also has a very prominent character. The haveli is- one of the kind- in the whole village, this is the reason why the villagers look upon these huge builds - Haveli, with reverence and excitement.

-Highlighted Lintels Since the site contained many ancient construction methods, this style of marking door and window lintels were observed throughout

Site (in red) and Context The Entrance has its own grandeur & scale. The archs , jarokha above with crafted columns are only attractive elements in the front facade.

-The Haveli has massive fort walls, grand entrance ornamented with Jharokhas , colonnade spaces formed with old style columns & railings , crafted openings with walls having similar decorating element., two courtyards shaded with huge trees on site, and view of the river from the top. Site Plan- Ground Floor (left), Roof Plan (right)

-Elevation from the Courtyard Craftsmanship was observed at elemental levels. The elevations had ornamented railings, columns and column capitals along with articulated base.

Most of the elevations at the site, are Rythmic and ordered. This threshold space with crafted columns at equal distance opening up in the courtyards marks the need of the people , rightly adhering the climate.

Decoding the initial ‘SITE SECTION’

The Fort Walls surrounding the whole haveli, helps the architecture to stand out in comparison to the builts around. Apart from its function, it is an important visual factor of the site.

Prominent Facade Typology , giving hints of the culture in the city . The character of design elements such as Doors, Windows, Railings, Columns etc. maintains the language through out.

-Material Characters The material palatte observed at the site was also very traditional. From excessive wood used in the construction, the unique flooring and plastered walls added to the environmental benefits along with aesthetics.

GSPublisherEngine 0.19.100.100

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concept | contrast between old & new | a discord ‘Alteration is more like a duet than solo. It is about an art of response as much as it is an art of individual genius; it sets out to make a concord between the new and the exsisting, or even a DISCORD.’ _from the book ‘On Altering Architecture’ 挀漀渀挀攀瀀琀 簀 挀漀渀琀爀愀猀琀 戀攀琀眀攀攀渀 漀氀搀 ☀ 渀攀眀 簀 愀 搀椀猀挀漀爀搀

挀漀渀挀攀瀀琀 簀 挀漀渀琀爀愀猀琀 戀攀琀眀攀攀渀 漀氀搀 ☀ 渀攀眀 簀 愀 搀椀猀挀漀爀搀 䄀氀琀攀爀愀琀椀漀渀 椀猀 洀漀爀攀 氀椀欀攀 愀 搀甀攀琀 琀栀愀渀 猀漀氀漀⸀ 䤀琀 椀猀 愀戀漀甀琀 愀渀 愀爀琀 漀昀 爀攀猀瀀漀渀猀攀 愀猀  洀甀挀栀 愀猀 椀琀 椀猀 愀渀 愀爀琀 漀昀 椀渀搀椀瘀椀搀甀愀氀 最攀渀椀甀猀㬀 椀琀 猀攀琀猀 漀甀琀 琀漀 洀愀欀攀 愀 挀漀渀挀漀爀搀 戀攀ⴀ

䐀䤀匀䌀伀刀䐀⸀

琀眀攀攀渀 琀栀攀 渀攀眀 愀渀搀 琀栀攀 攀砀椀猀椀猀琀椀渀最Ⰰ 漀爀 攀瘀攀渀 愀

䄀氀琀攀爀愀琀椀漀渀 椀猀 洀漀爀攀 氀椀欀攀 愀 搀甀攀琀 琀栀愀渀 猀漀氀漀⸀ 䤀琀 椀猀 愀戀漀甀琀 愀渀 愀爀琀 漀昀 爀攀猀瀀漀渀猀攀 愀猀  Design洀甀挀栀 愀猀 椀琀 椀猀 愀渀 愀爀琀 漀昀 椀渀搀椀瘀椀搀甀愀氀 最攀渀椀甀猀㬀 椀琀 猀攀琀猀 漀甀琀 琀漀 洀愀欀攀 愀 挀漀渀挀漀爀搀 戀攀ⴀ Intent

䐀䤀匀䌀伀刀䐀⸀ still

琀眀攀攀渀 琀栀攀 渀攀眀 愀渀搀 琀栀攀 攀砀椀猀椀猀琀椀渀最Ⰰ 漀爀 攀瘀攀渀 愀 the old & new work side by side, and

-Can stand separate ? Can they have a clean visual de开开漀渀 愀氀琀攀爀椀渀最 愀爀挀栀椀琀攀挀琀甀爀攀⸀ marcation but also a subtle connection ? -The idea䤀渀琀攀渀琀 is, to keep the prominence & grandeur of the Haveli intact. The haveli has all the nuances 䌀愀渀 琀栀攀 漀氀搀 ☀ 渀攀眀 眀漀爀欀 猀椀搀攀 戀礀 猀椀搀攀Ⰰ 愀渀搀 猀琀椀氀氀 猀琀愀渀搀 猀攀瀀愀爀愀琀攀 㼀 䌀愀渀 琀栀攀礀  to be called a heritage built. My aim is to insert the 栀愀瘀攀 愀 挀氀攀愀渀 瘀椀猀甀愀氀 搀攀洀愀爀挀愀琀椀漀渀 戀甀琀 愀氀猀漀 愀 猀甀戀琀氀攀 挀漀渀渀攀挀琀椀漀渀 㼀 new in a way that it contrats with the old, creating 吀栀攀 椀搀攀愀 椀 吀栀攀 椀搀攀愀 椀猀Ⰰ 琀漀 欀攀攀瀀 琀栀攀 瀀爀漀洀椀渀攀渀挀攀 ☀ 最爀愀渀搀攀甀爀 漀昀 琀栀攀 䠀愀瘀攀氀椀 椀渀琀愀挀琀⸀ 吀栀攀  a visual and spatial juxtaposition amongst the two. 栀愀瘀攀氀椀 栀愀猀 愀氀氀 琀栀攀 渀甀愀渀挀攀猀 琀漀 戀攀 挀愀氀氀攀搀 愀 栀攀爀椀琀愀最攀 戀甀椀氀琀⸀ 䴀礀 愀椀洀 椀猀 琀漀 椀渀猀攀爀琀  This juxtaposition will create a spatial tension be琀栀攀 渀攀眀 椀渀 愀 眀愀礀 琀栀愀琀 椀琀 挀漀渀琀爀愀琀猀 眀椀琀栀 琀栀攀 漀氀搀Ⰰ 挀爀攀愀琀椀渀最 愀 瘀椀猀甀愀氀 愀渀搀 猀瀀愀琀椀愀氀  tween the functions, experiences and character of 樀甀砀琀愀瀀漀猀椀琀椀漀渀 愀洀漀渀最猀琀 琀栀攀 琀眀漀⸀ 吀栀椀猀 樀甀砀琀愀瀀漀猀椀琀椀漀渀  眀椀氀氀 挀爀攀愀琀攀 愀 猀瀀愀琀椀愀氀 琀攀渀ⴀ spaces. 猀椀漀渀 戀攀琀眀攀攀渀 琀栀攀 昀甀渀挀琀椀漀渀猀Ⰰ 攀砀瀀攀爀椀攀渀挀攀猀 愀渀搀 挀栀愀爀愀挀琀攀爀 漀昀 猀瀀愀挀攀猀⸀  -A dynamic balance between the old and new. The new䄀 搀礀渀愀洀椀挀 戀愀氀愀渀挀攀 戀攀琀眀攀攀渀 琀栀攀 漀氀搀 愀渀搀 渀攀眀⸀  and old , are to be orchestrated into one 挀漀渀ⴀ another 吀栀攀 渀攀眀 愀渀搀 漀氀搀 Ⰰ 愀爀攀 琀漀 戀攀 漀爀挀栀攀猀琀爀愀琀攀搀 椀渀琀漀 漀渀攀 愀渀漀琀栀攀爀 琀栀爀漀甀最栀  through contrast, disjunction, juxtaposi琀爀愀猀琀Ⰰ 搀椀猀樀甀渀挀琀椀漀渀Ⰰ 樀甀砀琀愀瀀漀猀椀琀椀漀渀Ⰰ 爀攀猀椀猀琀愀渀挀攀 Ⰰ 琀攀渀猀椀漀渀  愀渀搀 爀攀ⴀ tion, resistance , tension and related keywords , 氀愀琀攀搀 欀攀礀眀漀爀搀猀 Ⰰ 愀猀 琀栀攀 搀爀椀瘀攀爀猀 漀昀 琀栀攀 搀攀猀椀最渀 搀攀挀椀猀椀漀渀猀⸀ as the drivers of the design decisions.

挀漀渀挀攀瀀琀 搀椀愀最爀愀洀猀

Conceptual Diagrams- Explorations to create flux between the old and the new

8

开开漀渀 愀氀琀攀爀椀渀最 愀爀挀栀椀琀攀挀琀甀爀攀⸀ 䤀渀琀攀渀琀 䌀愀渀 琀栀攀 漀氀搀 ☀ 渀攀眀 眀漀爀欀 猀椀搀攀 戀礀 猀椀搀攀Ⰰ 愀渀搀 猀琀椀氀氀 猀琀愀渀搀 猀攀瀀愀爀愀琀攀 㼀 䌀愀渀 琀栀攀礀  栀愀瘀攀 愀 挀氀攀愀渀 瘀椀猀甀愀氀 搀攀洀愀爀挀愀琀椀漀渀 戀甀琀 愀氀猀漀 愀 猀甀戀琀氀攀 挀漀渀渀攀挀琀椀漀渀 㼀 吀栀攀 椀搀攀愀 椀 吀栀攀 椀搀攀愀 椀猀Ⰰ 琀漀 欀攀攀瀀 琀栀攀 瀀爀漀洀椀渀攀渀挀攀 ☀ 最爀愀渀搀攀甀爀 漀昀 琀栀攀 䠀愀瘀攀氀椀 椀渀琀愀挀琀⸀ 吀栀攀  栀愀瘀攀氀椀 栀愀猀 愀氀氀 琀栀攀 渀甀愀渀挀攀猀 琀漀 戀攀 挀愀氀氀攀搀 愀 栀攀爀椀琀愀最攀 戀甀椀氀琀⸀ 䴀礀 愀椀洀 椀猀 琀漀 椀渀猀攀爀琀  琀栀攀 渀攀眀 椀渀 愀 眀愀礀 琀栀愀琀 椀琀 挀漀渀琀爀愀琀猀 眀椀琀栀 琀栀攀 漀氀搀Ⰰ 挀爀攀愀琀椀渀最 愀 瘀椀猀甀愀氀 愀渀搀 猀瀀愀琀椀愀氀  樀甀砀琀愀瀀漀猀椀琀椀漀渀 愀洀漀渀最猀琀 琀栀攀 琀眀漀⸀ 吀栀椀猀 樀甀砀琀愀瀀漀猀椀琀椀漀渀  眀椀氀氀 挀爀攀愀琀攀 愀 猀瀀愀琀椀愀氀 琀攀渀ⴀ 猀椀漀渀 戀攀琀眀攀攀渀 琀栀攀 昀甀渀挀琀椀漀渀猀Ⰰ 攀砀瀀攀爀椀攀渀挀攀猀 愀渀搀 挀栀愀爀愀挀琀攀爀 漀昀 猀瀀愀挀攀猀⸀  䄀 搀礀渀愀洀椀挀 戀愀氀愀渀挀攀 戀攀琀眀攀攀渀 琀栀攀 漀氀搀 愀渀搀 渀攀眀⸀  吀栀攀 渀攀眀 愀渀搀 漀氀搀 Ⰰ 愀爀攀 琀漀 戀攀 漀爀挀栀攀猀琀爀愀琀攀搀 椀渀琀漀 漀渀攀 愀渀漀琀栀攀爀 琀栀爀漀甀最栀 挀漀渀ⴀ 琀爀愀猀琀Ⰰ 搀椀猀樀甀渀挀琀椀漀渀Ⰰ 樀甀砀琀愀瀀漀猀椀琀椀漀渀Ⰰ 爀攀猀椀猀琀愀渀挀攀 Ⰰ 琀攀渀猀椀漀渀 愀渀搀 爀攀ⴀ 氀愀琀攀搀 欀攀礀眀漀爀搀猀 Ⰰ 愀猀 琀栀攀 搀爀椀瘀攀爀猀 漀昀 琀栀攀 搀攀猀椀最渀 搀攀挀椀猀椀漀渀猀⸀

挀漀渀挀攀瀀琀 搀椀愀最爀愀洀猀

Concept translated on to the ‘Site’ The yellow zones are the intended additions that can create both visual and experiential DISCORD


PROGRAME: Equestrian Club

UP

Structural Alteration Layout

O.T.S

O.T.S

LVL ±0.0

UP

UP

UP

UP

UP

+1200

LVL +1200

LVL +1200

LVL +1200 LVL +1200

LVL +900

LVL +750

UP

UP

LVL ±0.0

UP

UP +1200

UP

LVL +1200

LVL +1200

LVL +1200

LVL +1200

LVL +900

LVL +750

UP

UP

STREET

UP

O.T.S

ENTRY

ADVANCE INTERIOR DESIGN

STREET

O.T.S

LVL ±0.0

UP

LVL +900

+150

LVL +1200

UP

LVL +1200

LVL +1200

UP

LVL +1200

LVL +150

UP

LVL +900

LVL ±0.0

2

LVL ±0.0

LVL ±0.0

LVL +150

DN

DN

DN

UP

UP

DN

LVL ±0.0

UP

UP

ENTRY

LVL +150

O.T.S

UP

UP

O.T.S

+150

LVL +1200

UP

UP

LVL +1200

LVL +1200

LVL ±0.0

LVL ±0.0

2

LVL +150 LVL ±0.0

UP

UP

DN LVL +150

LVL +1200

O.T.S

OTS

LVL +150

UP

UP

DN

-The club in addition to these activities would also cater to wildlife enthusiasts , who would come to observe and be around horses.

DN

O.T.S

UP

DN

-The club would primarily be an important spot, for all the Horse Riders as it will host-some Horse related sports, courses for learning Horse riding, Horse safaris & shows.

OTS

UP

-The aim is to create a destination retreat for horse riders, horse lovers, and leisure seekers. This club would also be a go to place for the ones, who want to experience leisure living in a village setting.

N

ANSHUMI D UI05 FD-UG

Added

CAVALIER'S CLUB

-STUDIO V

Demolished N

ADVANCE INTERIOR DESIGN

-STUDIO V

CAVALIER'S CLUB

ADAPTIVE REUSE SITE: DARED HAVELI

GROUND FLOOR PLAN STRUCTURAL CHANGES 1: 100 SCALE

ADAPTIVE REUSE SITE: DARED ANSHUMI HAVELIDHINGRA

Added

UI0514 FD-UGID

Demolished

GROUND FLOOR PLAN STRUCTURAL CHANGES 1: 100 SCALE

GSPublisherEngine 0.1.100.100

LVL +4000

UP

ADAPTIVE REUSE SITE: DARED HAVELI

FIRST FLOOR PLAN STRUCTURAL CHANGES 1: 100 SCALE

O.T.S

LVL +4000

LVL +4000

LVL +4000

LVL +4000

LVL +4000

N

CAVALIER'S CLUB

ANSHUMI D UI05 FD-U

Added Demolished

Added

ADAPTIVE REUSE ANSHUMI DHINGRA UI0514 SITE: DARED HAVELI

Demolished

GSPublisherEngine 0.1.100.100

LVL +4000

LVL +4000

STREET

N

CAVALIER'S CLUB

LVL +4000

UP

LVL +4000 LVL +4000

LVL +4000

LVL +4000

LVL +4000

DN

ADVANCE INTERIOR DESIGN

-STUDIO V

DN

LVL +4000 LVL +4000

LVL +4000 LVL +4000

UP

LVL +4900

O.T.S

LVL +2400

O.T.S UP

LVL +4000

DN

LVL +4900

DN

-STUDIO V ADVANCE INTERIOR DESIGN

DN

DOWN

STREET

DN

UP

DN

UP

DN

DN

DOWN

DN

DN

DN

LVL +4000

O.T.S

LVL +2400

O.T.S

O.T.S

GSPublisherEngine 0.1.100.100

GSPublisherEngine 0.1.100.100

FD-UGID

FIRST FLOOR PLAN STRUCTURAL CHANGES 1: 100 SCALE

9


ADVANCE INTERIOR DESIGN

-STUDIO V

01

02

03

ADAPTIVE REUSE SITE: DARED HAVELI

Bathing Space for Horses

Arrival space LVL +1200

LVL -1400

Swimming Pool

O.T.S Sand Bath

Paddock 1

Paddock 2

LVL ±0.0

O.T.S

O.T.S

DN

LVL -1400

LVL ±0.0

Sectional Render, showing the spatial expression of the built

LVL -1400

LVL +150

O.T.S

LVL +450

Cafe & Dining

LVL +150

RECEPTION

Kitchen

O.T.S

LVL +150

Cafe & Dining LVL +450

05

LVL ±0.0

Refrigerator

Refrigerator

Storage Space

05

LVL +250 LVL +350

LVL +150

LVL +450 Cafe & Dining

LVL +150

LVL ±0.0 O.T.S 17

16

15

14

13

12

11

10

9

8

7

1 2 3 4

6

5

5

O.T.S

4

6

3

7

DN

2

LVL ±0.0

1

LVL +150

04

Medical Room

LVL +1200

LVL +1200

LVL +1200

DN

04

O.T.S Arrival space LVL +1200

LVL ±0.0 LVL ±0.0

DN

DN

DN

DN

LVL +150 +1200

Entrance Porch Horse Equipements Store & Storage

LVL +1200

LVL +1200

N

UP

LVL +1200

LVL +1200

RECEPTION

WASHROOMS LVL +1200

LVL +1200

Lounge Space, Library & Museum

Display Space

UP

LVL +1200

Lounge Space, Library & Museum

Lounge Space, Library & Museum

Staff Area

ADMINISTRATION OFFICE

LVL +900

Security cabin

Staff Toilet

UP LVL +750

Toilet

CAVALIER'S CLUB

Image showing the NEW INSERT

Ground Floor Plan

GROUND FLOOR PLAN 1: 100 SCALE

LVL ±0.0

blisherEngine 0.1.100.100

Section through the 03 ‘Entrance’ (marked with red lines) SECTION 10

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02

03

ENTRY

ANSHUMI DHINGRA UI0514 FD-UGID


ADVANCE INTERIOR DESIGN

-STUDIO V

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02

O.T.S

O.T.S

03

ADAPTIVE REUSE SITE: DARED HAVELI

EMPTY PLOT 05

05

Part Render of the NEW INSERT

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O.T.S

O.T.S

Passage 6 5 4 3 2 1

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04 Recreational space

Heritage Suit 1

Heritage Suit 3

LVL +4000 Heritage Suit 4

Heritage Suit 6

Heritage Suit 5

LVL +4000

LVL +4000

LVL +4000

UP

LVL +4000

LVL +4900

Passage

LVL +4000

DOWN

UP

Arrival space

DN

Passage LVL +4000

N

LVL +4000

LVL +4000

LVL +4600

CAVALIER'S CLUB

Heritage Suit 2

STREET

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First Floor Plan

ANSHUMI DHINGRA UI0514 FD-UGID

02

SECTION 03

03

FIRST FLOOR PLAN 1: 100 SCALE

Construction Details of the NEW INSERT

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Section through the ‘Courtyard’ (marked with red lines) SECTION 04 11 GSPublisherEngine 0.1.100.100


2

Form Explorations

[Civic Context Grad Studio] The studio focused on deriving a form from a precdent and explore the form with various model making processes. The form was derived by tweaking a base structure. The 3d processes that we learned in this studio was Laser cutting, CNC printing and 3D printing. Each model making technique was studied to be able to update the form as per each technique. A series of form transformation as we move from each process is shown with a final concept visualization by combining two form types. This project helped to learn a lot of digita softwares and techniques of making complex geometries into physcal model.

12


INTENT- Form Development Form development through Precedent. I selected to work with a cellular vault structure and developed my own combinations to derive a new form out of it. Below I show few explorations -one of them is enhancing the shell like character of the precendent and the other is about filling the voids to make a solid precedent exploration. Both of these processes where intended to highlight the varied form characters obtained from the same precedent.

Cellular Vault

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02

03

04

Precedent 1

Precedent 1

Precedent 1

Precedent 1

Precedent 1

Cellular Vault

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02

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04

Precedent 2

Precedent 2

Precedent 2

Precedent 2

Precedent 2

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Laser Cut Process Here-the idea was to section the solid form geometry into layers. These layers were three planes sectioning and cutting through each other joining to result into forming the whole form. The solid form was converted into this laser cut model-highlighting Red, Blue and Green planes. There were set of rules that we followed to get the end result -the model. While deciding precedent characteristic for the laser cut model -the crucial part was to avoid any depth and corner formation to acheive a good end output. The final form had various junctions where different kind of planes joined to form thos entire model.

Image showing the physical laser cut model (left, right)

CELLULAR VAULT 12" x 12" x 12" GSPublisherEngine 0.0.100.100

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TOP VIEW

CELLULAR VAULT 12" x 12" x 12" GSPublisherEngine 0.0.100.100

ELEVATION

CELLULAR VAULT 12" x 12" x 12" GSPublisherEngine 0.0.100.100

AXONOMETRIC

CELLULAR VAULT 12" x 12" x 12" GSPublisherEngine 0.0.100.100

Axonometric


CNC Process The precedent form showing the CNC model formation. Making models from CNC -here unlike Laser cutting you can have bigger or smaller pockets. The CNC process allows to have more freedome with the form depths and heights. The idea was to explore the form designing depths. The processes provided the freedom of doing so. The form has a geometry that is extruded downward cutting through a square-forming negatives of the cellular vaults.

Image showing the physical CNC cut model (left, right)

CELLULAR VAULT

CELLULAR VAULT 12" x 12" x 12"

TOP VIEW

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SECTION

CELLULAR VAULT 12" x 12" x 12" GSPublisherEngine 0.0.100.100

AXONOMETRIC CELLULAR VAULT

DIAGRAM

12" x 12" x 12"

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3D Printing The final one fo the three processes was 3D printing. This processes had maximum freedom with respect to form design. Therefore, the form design was an outcome of scripting in Grasshopper -exploring complex junctions in the form. The continued transformation is showed with a series of plan drawings below. When considering the 3D printing process -the making time is crucial. Also, the solids that are formed should be a closed polysurfaces in Rhino. Few of these technicalities were learned while deriving forms for each processes.

Image showing the Rhino model for 3D printing (left, right)

CELLULAR VAULT 12" x 12" x 12" GSPublisherEngine 0.0.100.100

TOP VIEW

CELLULAR VAULT

CELLULAR VAULT 12" x 12" x 12" GSPublisherEngine 0.0.100.100

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TOP VIEW 1

12" x 12" x 12"

TOP VIEW 2

CELLULAR VAULT 12" x 12" x 12"

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TOP VIEW 3


Conceptualizing the form Final step was to combine the forms of any two processes from the three. I chosed to combine the Laser Cut and the CNC. The end result looks like someting shown below. The combined form should then be conceptualized into a space, or concept, or a working/ functional theme. I imagined this form to be a small city and detailed it out further based on the character the combined form provided. The image to the right shows- various connections, patterns, junctions formed by combing the two forms .

CELLULAR VAULT

AXONOMETRIC

12" x 12" x 12"Image showing the rendered final view of the combined form -imagined as a SMALL VERTICAL CITY

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CELLULAR VAULT 12" x 12" x 12"

CELLULAR VAULT

ELEVATION 1 CELLULAR VAULT

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12" x 12" x 12"

ELEVATION 2

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AXONOMETRIC

CELLULAR VAULT

AXONOMETRIC

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Defining Housing Units Due to the many square spaces the form had-I worked on desogning housing units as a form of LEGO blocks. The unit sizes changes as per the no. of people and affordability. I wanted to break free from the concept of having identical houses in a CITY or in a cluster. These modules are stacked over each other having their own parking spaces (shown in the right image).

4x Large Family Unit Square Module

2x Small Family Living

4x Large Family Unit L Module

3x Single Family Unit

1x Solo Living

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Parking and Transitions from home to highway The housing units each had a parking garage and a pathway extending out of it -connecting the cars to the major roadways. There are few offsets that has been designed for the pathway connection on each floor to avoid traffic conjestion. These sub roadways than further branch out to connect the larger highways (shown in the image on the next page). 18


The Vertical City (conceptual) The image shows how one CITY blocks connects to the other CITY blocks . The roadways further extend out to connect to the highways.

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3

‘Expression of Details’ as a key phenomenon in ‘ The Construction of Space’ [ RESEARCH THESIS] I undertook a research project under guidance of the University Faculty as my Under-graduate Capstone Project. The thesis reiterated the idea of DETAILING as a spatial phenomenon, where it plays a significant role in constructing spaces (interior/ architectural). This research project, elevated my ability to deal with constant flux between theories, concepts, appropriate case studies and final deriving a framework to reach the conclusion.

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INTENT The idea is to study the expression of details and to decode the degree of its role in generating the essence of a space. Apart from the various definitions of detail –here, ‘detail’ is termed as the junction or the joint between numerous parts. The intent also is to realize the significance of small details in buildings, concluding that a space at the end is an amalgamation of various parts coming together, and that these parts are the major constituents of a space.

21


4

Wall Section _Pol House [ CONSTRUCTION TECHNOLOGY ] As a part of construction technology course, the aim was to analyze traditional construction methods. For our study we selected a POL House, in the city of Ahmedabad, India. Pol Houses are known for demonstrating ancient building techniques with a worth remarking transaltion into materials. Sectional Model and Construction Drawing of the POL House were the deliverables of the course.

Project Type: GROUP WORK

22


SECTIONAL MODEL

WALL SECTION DRAWING 23


5

Living Grounded _residence for Parsis [ RESIDENTIAL STUDIO ] This Space Planning Studio focused on designing a residence for a PARSI FAMILY , with the site being a Row House in Ahmedabad, India. Introduction of live--approachable clients and accessible sites simulated a real time experience. The core intention is to understand the transformation of spaces and the evolution of spatial theme while catering to the cultural, physical and emotional needs of the individuals as well as needs of the entire family .

24


ACTIVITY MAPPING AND SITE ANALYSIS

CONCEPT AND MATERIAL PALETTE

Understanding Clients: The Medora’s are a

Correlational Membrane for Interiors:

Parsi family residing in Ahmedabad since 40 years. They are a family of 5 people and a Labrador named Simba. Our studio aims at designing a residence for them.

-Every interior space creates reponse which has the bearing of the outscape. These responses comes into existence as technological, visual, continuity and of contrast. -Correlational membrane in the residential interiors, establishes relationships among the element and space concept. -Hence a dialogue between exterior and interior or also between interior and interior is created. Ref. (The definition is taken from a research thesis at the School of Interior Design CEPT)

Wabi-Sabi interior character

Family Tree Representation

Ideation Sketchs- Corelational Membrane in spaces (left; right)

Site Analysis. The typology of the our Row

CONCEPT: Comparing WABI-SABI and Correlational Membrane

house site was very prominent due to the staggering modules. Interesting voids where formed in the front and back of the house.

-Visual Correlation = bold character or impression in an inetrior space.

SITE : JAI SHEFALI ROW HOUSE

-Contrast Correlation = colors or material pallatte or textures in wabi sabi. -Correlation through continuity = spaces creating similar languages. -Technical Correlation = redefining junctions.

Site Plan

Sketches highlighting the Site Typology

Intended Material Board

25


Spaces on the Ground Floor

Spaces on the First Floor are

-The Office (or family and outside staff) -The main living areas in the house (for the family) -Kitchen & Dinning (for the family) -Vestibule and Recreational spaces (for the family)

-Main Bedroom (For the main couple of the family) -Kids Room (for 2 kids) -Grand Parents room (for the old members) -Guest Room -Personal Service Access from every spaces -Study area for kids.

The design responded to the row house typology, by using the bays as the division for the functions of spaces.

Ground Floor Plan

Section AA’ 26

The Row house typology was effective in maintaining enough physical and visual privacy between Guest Spaces and Spaces for the family.

First Floor Plan

Section CC’


Construction Drawings Civil Alteration Layout

1500 230

3230

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NAME D1 D2 D3 D4 D5 W1 W2 W33230 W4 W5 W6 W7 W8 W9 W10 W11

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SIZE ( l*h ) 694 x 1880 500 x 1880 609 x 1880 1200 x 1880 794 x 1880 900 x 600 1220 x 1200 2760 x 1200 1680 x 1200 2400 x 1900 1670 x 1900 1370 x 1900 1200 x 1200 800 x 1000 1400 x 600 700 x 1500

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REMARK PIVOTED DOOR 3680 -

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AD 97 STUDIO

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LINTEL 1880 1880 1880 1880 1880 1400 2000 2000 2000 2375 2375 2375 2000 1800 1400 1975

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2787 3024 1213

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MEDORA FAMILY SUN SHINE PARK DRIVE IN ROAD AHMEDABAD

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JAI SHEFALI-ROW HOUSE NEHRUNAGAR 1 2 AHMEDABAD

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ARCHITECTURAL INTERVENTIONS MEDORA'S RESIDENCE

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AD 97 STUDIO

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WP30 SPLIT AC 6

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CORRIDOR LVL+150

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HOME ENTRANCE LVL+100

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OFFICE STAFF WORKING AREA LVL+150

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KITCHEN LVL+150

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BACKSIDE ENTRY LVL+130

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GROUND FLOOR F.F.L LVL +425

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TOILET 2 LVL+130

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EF4

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AND NOT MEASURED. 3230 2030 A PROPERTY -THIS DRAWING IS OF AD 97 STUDIO. -THIS DRAWING CANNOT BE REPRODUCED WITHOUT THE PERMISSION OF AD 97 STUDIO. -ALL DIMENSIONS ARE IN mm. -ANY AMBIGUITY IN DRAWING SHOULD BE BROUGHT TO THE NOTICE OF THE ARCHITECT IMMEDIATELY AND CLARIFIED BEFORE PROCEEDING WITH ANY WORK.

870

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DISCLAIMER E -ALL DIMENSIONS ARE F TO READ

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FIRST FLOOR F.F.L LVL +2430 BEAM BOTTOM LVL +2010

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GROUND FLOOR F.F.L LVL +130

B

A1 3460

WINDOW SILL LVL +475

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Lighting Layout

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EF1

CONTACT NO: 2030 3230 9879202972 EMAIL: E anshumi.dhingra.bd14 @cept.ac.in

3680

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Construction Drawings DISCLAIMER

Furniture Layout

2030

3680

R4

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3680

F

3230

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3230

2030

2030

LIVING ROOM SOFA LIVING ROOM SOFADETAILS DETAILS SCALE 1:10

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3230

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BOLT USED TO FIX MAHOGANY FRAME STRUCTURE WITH PLYWOOD

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650

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3680

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AD 97 STUDIO

SECTION 2

IS1 INTERIOR ELEMENT L 1

SECTION 2

PROJECT :

C

A 9

SITE:

CLIENT:

MEDORA FAMILY SUN SHINE PARK DRIVE IN ROAD AHMEDABAD

MEDORA FAMILY SUN SHINE PARK DRIVE IN ROAD AHMEDABAD

AD 97 CONTACT NO: 9879202972 EMAIL: anshumi.dhingra.bd14 @cept.ac.in

AD 97 STUDIO

JAI SHEFALI-ROW H NEHRUNAGAR AHMEDABAD

CLIENT:

AD 97 STUDIO

DRAWN BY :

FURNITURE LAYOUT DETAIL FOR MEDO RESIDENCE

SCALE 1:5

BRIMINGHAM LONDON

1

2030

FOR SOFA CHECKED BY :

SITE:

1

G

3230

SOFT FURNISHINGS

1:50

JAI SHEFALI-ROW HOUSE NEHRUNAGAR AHMEDABAD

DETAIL SHOWING LAYERS OF PLYWOOD AND FOAM ATTACHED WITH MAHOGANY WOODEN FRAME AT THE BOTTOM

BOLT USED TO FIX MAHOGANY FRAME STRUCTURE WITH PLYWOOD

S1 1

PLAN & DETAIL

FURNITURE LAYOUT & CREAMISH DETAIL FOR VELVET MEDORA'S UPHOLSTERY FOR SOFA RESIDENCE

841

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DETAIL SHOWING LAYERS OF PLYWOOD AND FOAM ATTACHED WITH MAHOGANY WOODEN FRAME AT THE BOTTOM

FURNITURE ELEMEN

SCALE :

PROJECT :

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STRUCTURE DRAWN BY :

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DRAWING TYP

1:50 MAHOGANY WOOD

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1398

SPECIFICATION

19mm PLYWOOD UNDERSTRUCTURE

PLAN & DETAIL

CREAMISH VELVET UPHOLSTERY FOR SOFA

600

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625

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19MM PLYWOOD

IS1 INTERIOR ELEMENT LABEL VELVET UPHOLSTERY LAYERED 1 ON 200MM THICK FOAM

-ALL DIMENSIONS A AND NOT MEASURE -THIS DRAWING IS A AD 97 STUDIO. -THIS DRAWING CA REPRODUCED WITH PERMISSION OF AD -ALL DIMENSIONS A -ANY AMBIGUITY IN SHOULD BE BROUG NOTICE OF THE ARC IMMEDIATELY AND BEFORE PROCEEDIN WORK.

MAHOGANY WOOD STRUCTURE FIXED WITH STEEL FINISH BOLTS TO THE PLYWOOD.

MAHOGANY WOOD STRUCTURE FOR SOFA

F6 2

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2300 250 400

F12 11

1

257

VELVET UPHOLSTERY LAYERED UPON THICK FOAM. 19MM PLYWOOD UNDERSTRUCTURE

SECTION 2DRAWING TYPE:

SECTION 2

500

1300

600

494

R250

500

120

500

600

8 9

F1 3

2000

400

IS1 1

500 80

500

2000

2500

F11 5

600

30

30 1900

700

500 500

2000

500

600

760

120

8110

100

600 900

560 200

200

1900

700

80

S1 2

500

F13 1 F11 4

IS1 2

500

400

600

F7 2

F11 2

500

50

80

256

120

250

2810

2

600

600

3

2045

249 59

1170

760

120

2

600

SOFT FURNISHINGS LABEL

MAHOGANY WOOD STRUCTURE FIXED WITH STEEL FINISH BOLTS TO THE PLYWOOD.

F8 4 350

600

S1 3

1030

F7 F12 1

80

49

970

F12 8

7

250 40

500

600

IS5 1 F12

80

2300

2810

1045

50

400

2

100

10

400

400

F12 6

500

500 500

80

600

F12 5

500

600

500

2000

540

400 120 250

400

40

60

S1 4

80

F11 3

910

841 10

1000

1505

650800

S1 2

565

S6 1 600

700

400

1700

F6 1

F6 2

250

IS2 4

1670 49

780

IS3 12

120

80

700

600

F12 1

1800

1700

28184

F8 3 500

780

1 1540 1680

190 121

F1 3

R250

257

400

F12 3

500

F1 4

600

471

F8 2 500

6

1300

120

F11 1

280

498

500

120

28

350

S1 1

SCALE :

900

350

F13 1

80

1300

600

120

F12 4

600

402

S3 1170 2

600

2000

F14 1

F11 2

80

3250

500 400

474

1

500

120

900

500F6

28

560

748

2380

500

120

2000

970760

500

1700

20

2000

F12 2 600

600

IS4 1

386

1800

120

28184

500

400

80

3175

F12 1

500 80

400

R250

1

840

S6 2

471

2130

100

40

F22 6 IS5

498

600

IS3 13 IS3 14 IS3 15

2130

494

IS2 4

250

420 910

250

60

540 1505

650

400

274 135 165 135 165 135

249 59

350

1

550

400

F12 3

1670

F22 4

F11 1

600

1199

420

28

500

120

500

80

500

600

2000

3250

F14 1

780

80

F21 1

600

100

3000

500

FURNITURE ELEMENT LABEL

19mm PLYWOOD UNDERSTRUCTURE

1670

IS2 1

F8 1

F8 4

IS3 5500

350

340

100

F8 3 500

500

F8 2 500

205 135

350

F1 1

755

IS2 2

30 845

845 500

500

VELVET UPHOLSTERY LAYERED ON 200MM THICK FOAM

SECTION 1

SECTION 1

S4 1

1670

1670

1615

30

30

100

900

190 121

F22 3 S6

474

19MM PLYWOOD

IS3 4

IS2 1

F8 1

IS3 10

600 120

1540 1680

565

500

560

28

560

120

748

165

50

IS3 3

7

100

S5 1

2

755

340

IS2 2

2085

1615

1670

400

386

IS4 1 20

551

770 364

1400

2077

IS3 5

VELVET UPHOLSTERY LAYERED UPON THICK FOAM. 19MM PLYWOOD UNDERSTRUCTURE

2200 2332

7

S5 2

100

S5 1 IS3 2185

395

50

400

9 45

304

154 9 69 653

S4 1

IS3 1

1400

1880

2185

IS3 9

2185

613

500

F9 2

S4 2

1285

9

135 265 135 265 135 265 135 260

1465

0 70

F9 1

69

1030

A

489

50

395

87

IS3 4

114

IS3 8

2185

IS3 3

205 135

190 121

840

13 14 15 16

1260 390

900

390

80

160

390 420

99

841

F22 2

3

3230

2200

3110 530

1670

3001 581

IS3 2

581

395

800

45

2085

IS2 3

2

28

3110

2900

1398 531

87

9

400

395 1465

0 70

135 265 135 265 135 265 135 260

581

364

3000

2380

3175

495 100

IS3 12

1250

550

160

F22 4

831

9 69 653

2332

100

586 419

1260

IS3 13 IS3F22 14 5 IS3 15

1199 390

F22 1

550

500

3

400

830 400

400 402

S3 2

1000

1505

1505

F22 6

2565

IS3 11

10 11 12

120

2500

4

420

2500

5

420

304

IS3 10

IS2 3

9

300

760

F22 3

IS3 9

1670

1170

13 14 15 16

1260 160

390

F21 1

80

390

900

1400 800

3001 800 800 581

800 2000

1000

100 80

1250

390 420

99

F22 2

160

550

390

F22 1

S4 2

154

F10 1

2077

S6 2 300

250 40 831

495 586 419

1260

9

274 135 165 135 165 135

8110

830 400

1170

2000 400

5

9

F9 2

1880

S5 2

1670

8

190 121

10 11 12

5A F22 5

900

800 900

8110

5A

IS3 11

8

5B

300

1000

69

613

500

2 3 4 5 6 7

F10 1 F9 1

IS3 7

2

0

1000

1200

114

IS3 8

IS3 6

IS3 1 F16

70

300

20 1

S5 3

9

1

779

800

45

6A 6

IS3 7

F16 2

0

5B

1000

8

8

10

F17 1

S4 3

SPECIFICATIONS:

800

683

70

1200

1680

802

S5 3

150

800

600

9

20 1

100

500 1602 1398 150 230 150 1100

1472

1900

S4 5

683

ELEVATION

ELEVATION

F19 1

800

IS3 6

2565

2 3 4 5 6 7

683

600

45

779

683

F17 1

1

4

1796 134

530

10

S4 3

6A 6

1241

1680

IS3 17

1670

683

1400

1100

1472

1900

5015

600

2300

150

5015

700

683

F18 1

800

S5 4

800

531

134

2200 2200

S4 5

7

2300

F19 1

800

F17 2

2900 683

600

1915

1915

100

10

85 250

435

135 683

1915

800

IS3 17

800

7

F17 2

1000

F18 1

9

F16 1

S5 4

1000

8

700

IS3 16

F16 1

1398

1398

8

820

800

1796

1915

820

5530

480

480

10 100

2550

SCALE 1:10

9

2760

1615

S4 4 10 100

802

135

3110

700

700

815

F20 1 1015

1602

3110

IS3 16

8A

8A

400

300 2550

700

S4 4

F20 1 1015

300

2760

1615

5530

815

100

85

400

100

1220

250

435

S5 5

S5 5

1220

10

S5 6

2200

250

S5 6

10

250

9A 9

9A 9

900

900

10

500

10

500

500

100

100

150 230 150

400

2200

800

00

1241

R4

400

2200

800

00

10

-ALL DIMENSIONS ARE TO READ AND NOT MEASURED. -THIS DRAWING IS A PROPERTY OF AD 97 STUDIO. -THIS DRAWING CANNOT BE REPRODUCED WITHOUT THE PERMISSION OF AD 97 STUDIO. -ALL DIMENSIONS ARE IN mm. -ANY AMBIGUITY IN DRAWING SHOULD BE BROUGHT TO THE NOTICE OF THE ARCHITECT IMMEDIATELY AND CLARIFIED BEFORE PROCEEDING WITH ANY WORK.

31

D

2030

G

31

3230

F

31

10

C

E

19 101

3230

B

D

C

800

A1

B

31

A

A1

19

A

DISCLAIMER

AD 97

AD 97 STUDIO

BRIMINGHAM LON

CONTACT NO: 9879202972 EMAIL: anshumi.dhingra.b @cept.ac.in


INTERIOR INTERIORELEMENT ELEMENTDETAILS DETAILS BOX BOX SECTION SECTION FINISHED FINISHED WITH WITH BRASS BRASS BOX BOX CAP CAP ATAT THE THE TOP. TOP.

DISCLAIMER DISCLAIMER -ALL DIMENSIONS DIMENSIONS ARE ARE TOTO READ READ TOP TOP JUNCTION JUNCTION OFOF BOX BOX SECTION SECTION -ALL ELEVATION AND AND NOT NOT MEASURED. MEASURED. FINISHED FINISHED WITH WITH BRASS BRASS BOX BOX CAP CAP -THIS SCALE -THIS DRAWING DRAWING IS AIS PROPERTY A PROPERTY OFOF1:5 ADAD 97 97 STUDIO. STUDIO. -THIS -THIS DRAWING DRAWING CANNOT CANNOT BE BE REPRODUCED REPRODUCED WITHOUT WITHOUT THETHE PERMISSION PERMISSION OFOF ADAD 97 97 STUDIO. STUDIO. -ALL -ALL DIMENSIONS DIMENSIONS ARE ARE IN IN mm. mm. -ANY -ANY AMBIGUITY AMBIGUITY IN IN DRAWING DRAWING SHOULD SHOULD BE BE BROUGHT BROUGHT TOTO THETHE NOTICE NOTICE OFOF THETHE ARCHITECT ARCHITECT IMMEDIATELY IMMEDIATELY AND AND CLARIFIED CLARIFIED BEFORE BEFORE PROCEEDING PROCEEDING WITH WITH ANY ANY WORK. WORK.

MAHOGANY MAHOGANY WOODEN WOODEN PLANKS PLANKS SUPPORTED SUPPORTED ON ON THE THE BRASS BRASS METAL METAL PLATE. PLATE.

SPECIFICATIONS: SPECIFICATIONS: F1 F1FURNITURE FURNITURE ELEMENT ELEMENT LABEL LABEL 1 1

DISCLA

-ALL DIME AND NOT -THIS DRA AD 97 STU -THIS DRA REPRODU PERMISSIO -ALL DIME -ANY AMB SHOULD B NOTICE O IMMEDIAT BEFORE PR WORK.

SECTION SCALE 1:5

BRASS C SECTION JOINT FOR COLUMN AND CEILING BRASS BOX SECTION COLUMN CLADED WITH MAHOGANY WOOD BRASS METAL PLATE WELDED WITH THE BOX SECTION HOLDING MAHOGANY WOOD PLANK

SPECIFI

S1 S1SOFTSOFT FURNISHINGS FURNISHINGS LABEL LABEL 1 1

BRASS BRASS METAL METAL PLATE PLATE SUPPORTING SUPPORTING THE THE MAHOGANY MAHOGANY PLANKS PLANKS ASAS AA FLOATING FLOATING JUNCTION JUNCTION

F1 1

FURN

S1 1

SOFT

IS1 INTER 1

IS1 IS1 INTERIOR INTERIOR ELEMENT ELEMENT LABEL LABEL 1 1

MAHOGANY WOOD PLANK CLADED ON BRASS FINISH METAL BOX SECTION

BRASS BRASS FINISHED FINISHED METAL METAL BOX BOX SECTION SECTION ASAS THE THE MAIN MAIN STRUCTURE STRUCTURE FOR FOR THE THE METAL METAL PLATES PLATES

DRAWIN

DRAWING DRAWING TYPE: TYPE:

DETAIL

DETAIL DETAIL

SCALE

SCALE SCALE : :

1:25

1:51:5

DRAWN DRAWN BY :BY :

AD BOTTOM BOTTOM JUNCTION JUNCTION OFOF THE THE BOX BOX AD 97 97 STUDIO STUDIO SECTION SECTION WITH WITH THE THE FLOORING FLOORING PROJECT PROJECT : :

DRAWN BY :

CHECKED CHECKED BY :BY :

AD 97 STUDIO

AD AD STUDIO STUDIO 97 97

PROJE

MEDORA DETAILS

MEDORA'S MEDORA'S OFFICE OFFICE SPACE SPACE DETAILS DETAILS

SITE:

SITE: SITE:

JAI SHEFA NEHRUNA AHMEDA

JAIJAI SHEFALI-ROW SHEFALI-ROW HOUSE HOUSE NEHRUNAGAR NEHRUNAGAR AHMEDABAD AHMEDABAD

SECTION 3

CLIENT: CLIENT:

INTERIOR COLUMN DETAIL

PLAN SCALE 1:5

PLAN PLAN

Partition Detail for the Office Space: Residence Space Design

BOTTOM BOTTOM OFOF THE THE BOX BOX SECTION SECTION BOLTED BOLTED TOTO THE THE FLOOR FLOOR WITH WITH METAL METAL PLATE PLATE JOINT JOINT

BRASS C SECTION JOINT FOR COLUMN AND CEILING

AA DD 99 77

MAHOGANY WOOD PLANK CLADED ON BRASS FINISH METAL BOX SECTION

AD 97

METAL PLATE JUNCTION OF BOX SECTION WITH FLOOR

BRIMINGHAM BRIMINGHAM LONDON LONDON

SECTION 3

SUN SHIN DRIVE IN R AHMEDA

BRASS BOX SECTION COLUMN CLADED WITH MAHOGANY WOOD BRASS METAL PLATE WELDED WITH THE BOX SECTION HOLDING MAHOGANY WOOD PLANK

AD AD 9797 STUDIO STUDIO

ELEVATION ELEVATION

CLIENT

SECTION MEDORA SCALE 1:5

ELEVATION SCALE 1:5

MEDORA MEDORA FAMILY FAMILY SUN SUN SHINE SHINE PARK PARK DRIVE DRIVE IN IN ROAD ROAD AHMEDABAD AHMEDABAD

BRIMINGH

CONTAC 98792029 EMAIL: anshumi. @cept.ac

CONTACT CONTACT NO: NO: 9879202972 9879202972 EMAIL: EMAIL: anshumi.dhingra.bd14 anshumi.dhingra.bd14 SECTION 3 @cept.ac.in @cept.ac.in

INTERIOR COLUMN DETAIL

INTERIOR COLUMN DETAIL

PLAN SCALE 1:5

PLAN SCALE 1:5

METAL PLATE JUNCTION OF BOX SECTION WITH FLOOR

29


6

Retractable Screen [ DEPLOYABLE SYSTEMS ] -This workshop was intended to help us understand the concepts of TECTONIC movemen with respect to the material characteristics and behaviour. As part of this workshop, various exercises were initiated to help us understand the function of expansion and contraction along with the execution details. -The final exercise was about executing a structure that can expand and collapse in a three dimensional space. Many small scales prototypes were made to design the 1:1 details. -As the final outcome, materials that were chosen were aluminium and mild steel. The ball-joint was the prominent detail system that helped us acheive the desired output. Project Type: GROUP WORK

30


Design to Execution By detailing out the intersections of the parts by categorizing the type of joints into static and dynamic the execution of the screen was made possible. A Ball-and-socket joinery was designed as the key detail to acheive the smooth retraction and expansion movements in the screen. For this detail, metal balls were placed between two metal plates to get the desired result.

Below are the photographs of the screen to demonstrate the sequential process

Kit of Parts: Nut and Bolt Aluminium Rods Metal Balls Mild Steel Plates

31


7

Exhibition Design: [Curatorial designs] The studio was about designing an exhbition of the works of 6 different architects. The idea was to understand the complexity of showcasing an architect’s projects along with the projects of other architects in a space that has its own architectural implications. The hypothetical site for this studio project was -The New National Gallery Berlin. Since it was about curating an Exhbition -much conceptual freedom was given. The idea was to not change anything of what the site offers (eg. structure, orientation/ views, entry/ exit ..etc) and to add your own design theme to it.

32


Site: The New National Gallery, Berlin Since I was building along the site -I started with devloping my own grid in plan. This was to breakfree from the existing site box grid and also define some exhibition laying out strategy.

the site

Initial process

The idea was to put forth the curatorial concept through a layered spatial positioning of lines, surfaces, volumes and frames. The development of the interior construction follows a strict grid based placement. The site process I shows this concept.

the site

Step 2 process The highlight here is the varied view connections obtained in the space – through selective placement of the elements. The structure resembles the composition of distinct elements and curates a subtle linkage among them.

33


+

Creating boundaries Rotation (the central axis aligned to connect the front and the back) •Hierarchy •Displacement •Emphasis

a Creating boundaries

Rotation (the central axis aligned to connect the front and the back) Hierarchy | Displacement | Emphasis

b Defining zones -Subtraction, Division Placement (placing the exhibit walls according to the grid) Figure and Ground

+

Defining zones Subtraction, Division

+

Grid Optimization (Entry Path on the inside)

+

Grid Optimization (exterior grid)

Placement (placing the exhibit walls according to the grid) •Figure and Ground

c Grid Optimization -Interior Grid -Entry path

d Grid Optimization -Exterior Grid

+

Final Layout (color coded)

e Fragments

-Exhibit Layout

The idea was to emphasize elemental interaction in architecture. Many architects have individual methodology on creating dynamic relationships between various elements of architecture. The more defined ones would be floor, staircase, walls, facade, ..etc. And more conceptual ones will be planes, surfaces, lines, volumes, frames, ..etc. By selecting few projects of 6 architects, showcasing similar intent –I worked on developing my own set of rules in creating relationships between the conceptual elements. The various grids designed -makes the exhibition a holistic design rather than glorifying the work of architects next to each other

f Final Layout -Color Coded

34

Render view showing the final concept (all the grids coming in 3D)

+

Frag (Exh


__Render view showing the entrance and the yellow entry path with the Exhibition Information

FRONT ELEVATION

35


Part Section showing the various Grid heights and the intention

Exhibit Detail The Exhibit pod was also thought of -making it easier to display the architectural projects through various mediums (models, videos, drawings,..etc). This made it convenient for the visitors to look at all of the mediums side by side making it easier to understand the intention behind the project.

+ Exhibit Unit

Exhibit Panels (white)

Digital Screens (Video/ project animation)

Display Platforms(white) Exhibit Display Detail 36


View showing the exterior of the Exhibition Gallery

Interior View of the Exhibition Space

37


8

Internship [VASTU SHILPA CONSULTANTS - SANGATH] I was fortunate enough to be selected for my Internship at Dr. Balkrishna Doshi’s office, named ‘Vastu Shilpa Consultants, Sangath’ ,India. The duration of my Internship was 7 months. A brief of the project, I worked on and my role at the office-as an intern , are mentioned in this portfolio. The software , I worked on during my internship was ARCHICAD. The internship provided me with noteworthy oportunities like site visits for the projects I worked on, site visits for projects by Doshi Sir and various other leading architects working along Doshi Sir.

A view from my Work Desk

38

All of this has enhanced my professional work experience with the firm and has provided me with an opportunity to look at the designing methods of a renowned architect.


INTERIOR ELEVATIONS AND FURNITURE LAYOUTS

FALSE CEILNG LAYOUT AND DETAILS Drawing and design are the property of Vastu Shilpa Consultants and are not to be copied or used without their permission.

Drawing and design are the property of Vastu Shilpa Consultants and are not to be copied or used without their permission.

NOTES

NOTES

1. ALL DIMENSIONS SHALL BE CHECKED AND CO-RELATED WITH THE STRUCTURAL DRAWINGS AND ANY AMBIGUITY SHALL BE IMMEDIATELY BROUGHT TO THE NOTICE OF THE ARCHITECT BEFORE COMMENCEMENT OF THE WORK.

1. ALL DIMENSIONS SHALL BE CHECKED AND CO-RELATED WITH THE STRUCTURAL DRAWINGS AND ANY AMBIGUITY SHALL BE IMMEDIATELY BROUGHT TO THE NOTICE OF THE ARCHITECT BEFORE COMMENCEMENT OF THE WORK.

2. ALL DIMENSIONS ARE IN MILLIMETERS UNLESS AND OTHERWISE SPECIFIED

2. ALL DIMENSIONS ARE IN MILLIMETERS UNLESS AND OTHERWISE SPECIFIED

M.S L SECTION (AS PER SPEC.)

3. ALL LEVELS ARE FINISHED LEVELS.

01

2

1200

310

8. FOR DOOR DETAILS REFER DRWG NO. 8.1 9. FOR WINDOW DETAILS REFER DRWG NO. 9.1

DETAIL 1 ID.4.20.1

BOTTOM OF FALSE CEILING

10. FOR KITCHEN - PANTRY DETAILS REFER DRWG NO. 10.1

C4- FALSE CEILING OF GYPSUM BOARD_WHITE PAINT

2

1286

610

7

8

SUSPENSION SYSTEM (AS PER SPEC.)

600

540

WHITE BOARD

SUSPENSION WIRE (AS PER SPEC.)

760

ELECTRICAL BAND 280 MM WIDTH (AS PER SPEC.)

PORCH ABOVE

600

2 3 4 5 6 7 8 9

786 x 835

17 20 21 22

08

23 24

A4.3

25

ENTRANCE 786 x 235

FALSE CEILING ATPASSAGE 4040 MM FROM F.F.L 150 x 3055

03

FALSE CEILING AT 3010 MM FROM F.F.L

A4.1 UP

D4

300

1,500

1,750

9,920

1,900

8

7

6

5

4

3

2

1

24

23

22

21

20

19

18

17

16

15

14

13

12

11

10

9

D1

1,000

D1 D6

5,070

GENTS TOILET 309.5 x 806.5

GREEN ROOM 322.5 x 412.5

AUDITORIUM (250p)

D8

2526.5 x 1807

STAGE

IPS Flooring FALSE CEILING AT 5950 MM FROM F.F.L

CHANGING ROOM 123 x 145

815.5 x 1807 FALSE CEILING AT 4495 MM FROM F.F.L

FALSE CEILING AT 6545 MM FROM F.F.L

04

D2

D8

D2

WC

TOILET

D2

WC

95.5x145

WC

95.5x145

95.5x145

188 x 145

DUCT

D6

300

UP

705 x 120 CHANGING ROOM 123 x 145

Wooden Flooring

LOUNGE

992 x 2132

TOILET

WC

188 x 145 D8

95.5x145

WC

GREEN ROOM

A4.2

1227 x 1354

WC

95.5x145

D2

D8

1286

95.5x145

D2

D2

LADIES TOILET 321 x 569

322.5 x 412.5

04

C3- FALSE CEILING OF MICROFIBRE PINEWOOD TILE (ANUTONE MAT SOLO)/ EQUIVALENT ARMSTRONG PRODUCT_COLOR WHITE_ SIZE 600 x 1200 MM

04 LOBBY

A4.2

04 A4.2

610

D6

A4.2

+0.0

D1

150 x 3055

FALSE CEILING AT 4040 MM FROM F.F.L

D3

8

7

6

5

4

3

2

9

11

10

24

23

22

21

20

19

18

17

16

15

14

13

12

1

600

UP

UP

D4

D7

D4

FALSE CEILING AT 2540 MM FROM F.F.L

216 x 226

D4

PASSAGE UP

D1

UP

D4

500

D1

UNIVERSAL TOILET

UP

SERVICE ROOM

FALSE CEILING AT 3010 MM FROM F.F.L

D5

OPEN TO SKY WATER COURT 1748 x 502.5

OPEN TO SKY WATER BODY

100

1748 x 502.5

100

SIGNAGE PLATE STONE FLOORING (AS PER SPEC.)

FOR TENDER PURPOSE ONLY

SIGNAGE PLATE

SKIRTING (AS PER SPEC.)

STONE FLOORING (AS PER SPEC.)

EXPOSED R.C.C (AS PER SPEC.)

SKIRTING (AS PER SPEC.)

DOOR 150 CM WIDTH (AS PER SPEC.)

EXPOSED R.C.C (AS PER SPEC.)

F.F.L

M.S L SECTION (AS PER SPEC.)

KERFED JOINT (AS PER SPEC.)

(Courtyard Below)

(Courtyard Below)

PHYSICS LAB 945 x 636

Refer Sheet No. 4.1.1

W1b

D2

Screen

D5 D2

D2

D2 Cabin 192 x 208.5

CHEMISTRY LAB

Screen

945 x 693.5

Refer Sheet No. 4.1.3

CLASSROOM 1 (30) 945 x 693.5

Screen

Refer Sheet No. 4.1.2

600

Refer Sheet No. 4.0/1.C

D5

Refer Sheet No. 4.0/1.C

OTS Courtyard Below

Passage 228cm wide

Cabin-2 200 x 226.2

Working Platform (storage below)

310

+3.60

Passage 228cm wide +3.60

D5 Cabin-1 200 x 226.2

Working Platform (storage below)

W1b

SKIRTING (AS PER SPEC.)

08 A4.3

D5

CLASSROOM 2 (30)

STONE FLOORING (AS PER SPEC.)

MORTAR BED AS PER SPEC.

No.

EXPOSED R.C.C (AS PER SPEC.)

Date.

2

Remarks.

ACD_BLOCK C_FIRST FLOOR_CLASSROOM 02_SECTION 02

5

4.20.1 SCALE - 1:20

600

0.0

41

UP UP

900

2,250

1,315

2,250

2,250

3,300

100

D4

SERVICE ROOM

6,000

UP

D4

FALSE CEILING AT 2540 MM FROM F.F.L

UP

A4.1

D1

D7

D5

03

D4

3,010

2,910

19

3,010

18

900

C4- FALSE CEILING OF GYPSUM BOARD_WHITE PAINT

C3- FALSE CEILING OF MICROFIBRE PINEWOOD TILE (ANUTONE MAT SOLO)/ EQUIVALENT ARMSTRONG PRODUCT_COLOR WHITE_ SIZE 600 x 1200 MM

16

1,615

SUSPENSION SYSTEM (AS PER SPEC.)

945 x 693.5

DETAIL 02_CLASSROOM 02

Screen

BIOLOGY LAB 945 x 693.5

Screen

Refer Sheet No. 4.1.5

Refer Sheet No. 4.1.4

Passage D2

D2

230cm wide

4.20.1 SCALE - 1:5

Drinking Water D3

200

300

LANDSCAPED AREA

15

3,010

11

LANDSCAPED AREA

14

1,650

STAIRCASE

13

450

760

UP 1 10 12

3,000

660

3736 x 4980

600

495

540 760

760

760

+3010

C4- FALSE CEILING OF GYPSUM BOARD_WHITE PAINT

W1b

13,570

FALSE CEILING

434

1,500

DETAIL 01_CLASSROOM 02

1490

6

6,370

1,061

5

2,515

600

280

4

3,300

600

3

2,515 FALSE CEILING

FALSE CEILING CLOSER TO BEAM BOTTOM

KERFED JOINT (AS PER SPEC.)

2,400

2

3,900 NOTICE DISPLAY (AS PER SPEC.)

FALSE CEILING AWAY FROM BEAM BOTTOM

41

4

12. FOR VERANDAH DETAILS REFER DRAWING NO. 31.1

4.20.1 SCALE - 1:5

ELECTRICAL BAND 150 MM WIDTH (AS PER SPEC.)

1

450

175

150

AUDITORIUM_CORRIDOR_PLAN

1

ID-2.0.2 SCALE - 1:50

10. FOR KITCHEN - PANTRY DETAILS REFER DRWG NO. 10.1 11. FOR MISCELLANEOUS DETAILS REFER DRAWING NO. 29.1

C4- FALSE CEILING OF GYPSUM BOARD_WHITE PAINT

434

1

600

2

8. FOR DOOR DETAILS REFER DRWG NO. 8.1 9. FOR WINDOW DETAILS REFER DRWG NO. 9.1

61

3 1

3

20

4

4

M.S L SECTION (AS PER SPEC.)

SUSPENSION SYSTEM (AS PER SPEC.)

C3- FALSE CEILING OF MICROFIBRE PINEWOOD TILE (ANUTONE MAT SOLO)/ EQUIVALENT ARMSTRONG PRODUCT_COLOR WHITE_ SIZE 600 x 600 MM

7. FOR TOILET DETAILS REFER DRAWING. NO. 6.1

C3- FALSE CEILING OF MICROFIBRE PINEWOOD TILE (ANUTONE MAT SOLO)/ EQUIVALENT ARMSTRONG PRODUCT_COLOR WHITE_ SIZE 600 x 600 MM

61

600

UP

910

12. FOR VERANDAH DETAILS REFER DRAWING NO. 31.1

20

2

310

11. FOR MISCELLANEOUS DETAILS REFER DRAWING NO. 29.1 UP

1

1,775

D4

1280

D4

5. FOR DETAILS OF ALL CUTOUTS IN SLABS AND BEAMS REFER SERVICES CONSULTANTS DRAWINGS. 6. FOR STAIRCASE DETAILS REFER DRAWING. NO. 5.1

SUSPENSION SYSTEM (AS PER SPEC.)

DETAIL 2 ID.4.20.1

+3530

7. FOR TOILET DETAILS REFER DRAWING. NO. 6.1

1

D1

Service Room

Lift

370 x 234

190 x 170

Universal Toilet

D3

212.5 x 200 2,325

(Water Body Below)

1,130 230

GentsToilet

+3.60

DN

D3

2,115

5

150

6

3. ALL LEVELS ARE FINISHED LEVELS. 4. ALL MARGINS, CLEARENCES ETC. REQUIRED AS PER BYELAWS SHOULD BE CHECKED AND PROVIDED BY THE CONTRACTOR AND ANY DESCRIPENCIES FOUND SHOULD BE IMMIDIATELY BROUGHT TO THE NOTICE OF ARCHITECT BEFORE COMMENCEMENT OF WORK.

SUSPENSION WIRE (AS PER SPEC.)

SUSPENSION WIRE (AS PER SPEC.)

310

D4

1

SLAB BOTTOM

434

385

6. FOR STAIRCASE DETAILS REFER DRAWING. NO. 5.1

2

+4025

ID 1,895

5. FOR DETAILS OF ALL CUTOUTS IN SLABS AND BEAMS REFER SERVICES CONSULTANTS DRAWINGS.

495

150 x 3055

4. ALL MARGINS, CLEARENCES ETC. REQUIRED AS PER BYELAWS SHOULD BE CHECKED AND PROVIDED BY THE CONTRACTOR AND ANY DESCRIPENCIES FOUND SHOULD BE IMMIDIATELY BROUGHT TO THE NOTICE OF ARCHITECT BEFORE COMMENCEMENT OF WORK.

1

434

8 CORRIDOR 1

D4

UP

7

PASSAGE

495

4 CORRIDOR 2

150

3

2,015

200

(Water Body Below)

LadiesToilet

325.50 x 449.50

201.50 x578

D4

D4

D4

AUDITORIUM_CORRIDOR 1_UNFOLDED ELEVATION (1-6)

275

2

Revisions

Water Supply Connection

GOOD FOR CONSTRUCTION No.

+4025

600

ID-2.0.2 SCALE - 1:50

2,400

UP

N 600

Key Plan

3

610 775

ID

495

ELECTRICAL BAND 150 MM WIDTH (AS PER SPEC.)

1,790

310

1,060

600

TACK BOARD

Consultants Structural Consultants

Services Consultants

TACK BOARD

JHAVERI ASSOCIATES Ph. No: +91-79-2682 2828

1195

Project

Project

01 ID

RAKSHA SHAKTI UNIVERSITY CAMPUS, LAVAD, GUJARAT

1

D2

ACD_BLOCK C_FIRST FLOOR_CLASSROOM 02_RCP

RAKSHA SHAKTI UNIVERSITY CAMPUS, LAVAD, GUJARAT

280

1,030

285

JHAVERI ASSOCIATES Ph. No: +91-79-2682 2828

1,220

N

DUCON CONSULTANTS Ph. No: +91-79-4007 3196

Services Consultants

2,250

2,250

Prints Issued to

C4- FALSE CEILING OF GYPSUM BOARD_WHITE PAINT

SUSPENSION SYSTEM (AS PER SPEC.)

2,250

290

290

290 2,250

ID

DUCON CONSULTANTS Ph. No: +91-79-4007 3196

1,790

2,090

C4- FALSE CEILING OF GYPSUM BOARD_WHITE PAINT

02

Consultants Structural Consultants

FALSE CEILING 1,500

4,040

C3- FALSE CEILING OF MICROFIBRE PINEWOOD TILE (ANUTONE MAT SOLO)/ EQUIVALENT ARMSTRONG PRODUCT_COLOR WHITE_ SIZE 600 x 1200 MM

1490

FALSE CEILING

+4040

Date

Key Plan DETAIL 2 ID.4.20.1

4,025

3,010

3,010

3,010

2,010

2,010

3,010

3,010

3,010

1,000

1,000

SLAB BOTTOM

Prints Issued to

Distribution of Prints

DETAIL 1 ID.4.20.1

150

585

02 +7050

FALSE CEILING LVL

Date

+3530 BOTTOM OF FALSE CEILING

1,500

600

13,750

175

1,500

1

175

13,750

4

460

2

460

1

495

Prints Issued to C3- FALSE CEILING OF MICROFIBRE PINEWOOD TILE (ANUTONE MAT SOLO)/ EQUIVALENT ARMSTRONG PRODUCT_COLOR WHITE_ SIZE 600 x 600 MM

Remarks.

SUSPENSION WIRE (AS PER SPEC.)

1,280

Date

1,280

Prints Issued to

1,775

Date

Distribution of Prints

Date.

Revisions

SLAB BOTTOM

Dealt :

100

100

SKIRTING (AS PER SPEC.)

3

EXPOSED R.C.C (AS PER SPEC.)

RAILING (AS PER SPEC.)

SKIRTING (AS PER SPEC.)

Anshumi

Checked : Alex STONE FLOORING (AS PER SPEC.)

Scale :

As shown

Date :

28/12/17

660

Drawing No. RSU(1) - AUD(A) ID-2.0.2

Title

ACADEMIC BLOCK C_CLASSROOM 02_ TYPICAL FALSE CEILING DETAIL

760

2,250

+0.0

FFL

EXPOSED CONCRETE (AS PER SPEC.)

ELECTRICAL BAND 280 MM WIDTH (AS PER SPEC.)

Scale :

As Shown

Drawing No. RSU(1) - ACD- CID-4.20.1 Serial No.

Date :

28/12/17

###

Dealt :

100

0.0

SWICTH BOARD (AS PER SPEC.)

AUDITORIUM BLOCK A_CORRIDOR_UNFOLDED ELEVATION

340

1,550

1,220

2,250

130

300

4.20.1 SCALE - 1:20

SIGNAGE PLATE

Title

V A ST U S HIL P A C O NS UL T A NT S

V A ST U S HIL P A C O NS UL T A NT S

STONE FLOORING (AS PER SPEC.)

Anshumi

Checked : Alex

F.F.L

A r c hit ec t s I Planner s I Ur ban De s igne r s

A r c hit ec t s I Planner s I Ur ban De s igne r s

AUDITORIUM_CORRIDOR 2_UNFOLDED ELEVATION (1-4)

ID-2.0.2 SCALE - 1:50

'Sangat h', T halt ej R o ad, A hme da b a d - 3 8 0 0 5 4 P ho ne : 079 - 27 4 5 4 5 3 7 Fax : 0 79 27452006 w w w .sa nga t h.o r g e- mail: v sc @ s a nga t h.o r g

3

'Sangat h', T halt ej R o ad, A hme da b a d - 3 8 0 0 5 4 P ho ne : 079 - 2 7 4 5 4 5 3 7 Fax : 079 - 2 7 4 5 2 0 0 6 w w w .sa nga t h.o r g e- mail: v s c @ s a nga t h.o r g

ACD_BLOCK C_FIRST FLOOR_CLASSROOM 02_SECTION 01

4.20.1 SCALE - 1:20 GSPublisherEngine 0.97.100.100

GSPublisherEngine 0.0.100.96

PANTRY DETAILS AND PLATFORM DETAILS

FURNITURE DETAILS

Drawing and design are the property of Vastu Shilpa Consultants and are not to be copied or used without their permission.

Drawing and design are the property of Vastu Shilpa Consultants and are not to be copied or used without their permission. NOTES

ADMIN BLOCK B-FIRST FLOOR-PANTRY 150

UP

D4

5. FOR DETAILS OF ALL CUTOUTS IN SLABS AND BEAMS REFER SERVICES CONSULTANTS DRAWINGS.

415.5

FALSE CEILING AT 3010 MM FROM F.F.L

UP

7. FOR TOILET DETAILS REFER DRAWING. NO. 6.1 8. FOR DOOR DETAILS REFER DRWG NO. 8.1

SB

3. ALL LEVELS ARE FINISHED LEVELS.

D4

6. FOR STAIRCASE DETAILS REFER DRAWING. NO. 5.1

4. ALL MARGINS, CLEARENCES ETC. REQUIRED AS PER BYELAWS SHOULD BE CHECKED AND PROVIDED BY THE CONTRACTOR AND ANY DESCRIPENCIES FOUND SHOULD BE IMMIDIATELY BROUGHT TO THE NOTICE OF ARCHITECT BEFORE COMMENCEMENT OF WORK.

UP

637

415.5

2. ALL DIMENSIONS ARE IN MILLIMETERS UNLESS AND OTHERWISE SPECIFIED

D1

4. ALL MARGINS, CLEARENCES ETC. REQUIRED AS PER BYELAWS SHOULD BE CHECKED AND PROVIDED BY THE CONTRACTOR AND ANY DESCRIPENCIES FOUND SHOULD BE IMMIDIATELY BROUGHT TO THE NOTICE OF ARCHITECT BEFORE COMMENCEMENT OF WORK.

831

3

SB

1. ALL DIMENSIONS SHALL BE CHECKED AND CO-RELATED WITH THE STRUCTURAL DRAWINGS AND ANY AMBIGUITY SHALL BE IMMEDIATELY BROUGHT TO THE NOTICE OF THE ARCHITECT BEFORE COMMENCEMENT OF THE WORK.

D5 FALSE CEILING ATPASSAGE 4040 MM FROM F.F.L 150 x 3055

FALSE CEILING AT 2540 MM FROM F.F.L

3. ALL LEVELS ARE FINISHED LEVELS.

230

230

PANTRY CABINET TYPE D

712

2

2. ALL DIMENSIONS ARE IN MILLIMETERS UNLESS AND OTHERWISE SPECIFIED

D4

150

230

69.5

12. FOR VERANDAH DETAILS REFER DRAWING NO. 31.1

D1

50

10. FOR KITCHEN - PANTRY DETAILS REFER DRWG NO. 10.1

25

9. FOR WINDOW DETAILS REFER DRWG NO. 9.1

5. FOR DETAILS OF ALL CUTOUTS IN SLABS AND BEAMS REFER SERVICES CONSULTANTS DRAWINGS.

11. FOR MISCELLANEOUS DETAILS REFER DRAWING NO. 29.1

D6

663

9. FOR WINDOW DETAILS REFER DRWG NO. 9.1

D3

11. FOR MISCELLANEOUS DETAILS REFER DRAWING NO. 29.1

309.5 x 806.5

12. FOR VERANDAH DETAILS REFER DRAWING NO. 31.1

322.5 x 412.5

11 12

GRANITE PLATFORM (AS PER SPEC)

LANDSCAPED AREA

LANDSCAPED AREA

STAIRCASE 786 x 835

16 17 18 19 20 21

D3

10. FOR KITCHEN - PANTRY DETAILS REFER DRWG NO. 10.1

GENTS TOILET GREEN ROOM

BOX HINGE (AS PER SPEC)

9

1,253

18mm THICK PLYWOOD WITH LAMINATE FINISH (AS PER SPEC)

8

1,253

7. FOR TOILET DETAILS REFER DRAWING. NO. 6.1 8. FOR DOOR DETAILS REFER DRWG NO. 8.1

GRANITE COUNTER TOP (AS PER SPEC.)

PANTRY 278 x 196.5

6. FOR STAIRCASE DETAILS REFER DRAWING. NO. 5.1

15

SINK MIXER UNIT (AS PER SPEC).

700

1,965

PLATFORM BELOW

10

600 x 300 MM CERAMIC DADO TILES

13

STAINLESS STEEL SINK (AS PER SPEC.)

WATER PURIFIER

08

24

600

23

1,210

22

831

14

45.5

D4

2,780

24

NOTES

1. ALL DIMENSIONS SHALL BE CHECKED AND CO-RELATED WITH THE STRUCTURAL DRAWINGS AND ANY AMBIGUITY SHALL BE IMMEDIATELY BROUGHT TO THE NOTICE OF THE ARCHITECT BEFORE COMMENCEMENT OF THE WORK.

150 150

A4.3

25

D2

ENTRANCE 786 x 235

FALSE CEILING ATPASSAGE 4040 MM FROM F.F.L 150 x 3055

FALSE CEILING AT 2540 MM FROM F.F.L UP

D4

03

FALSE CEILING AT 3010 MM FROM F.F.L

A4.1 UP

D4

SERVICE ROOM

8

7

6

5

4

3

2

1

18

17

16

15

14

13

12

11

10

9

24

23

22

21

20

D1 D6

WC 95.5x145

GENTS TOILET 309.5 x 806.5

GREEN ROOM 322.5 x 412.5

AUDITORIUM (250p)

D8

2526.5 x 1807

STAGE

IPS Flooring FALSE CEILING AT 5950 MM FROM F.F.L

FALSE CEILING AT 4495 MM FROM F.F.L

D2

D8

CHANGING ROOM 123 x 145

815.5 x 1807

FALSE CEILING AT 6545 MM FROM F.F.L

04

TOILET

D2

D2

WC

WC

95.5x145

95.5x145

WC 95.5x145

188 x 145

DUCT

D6

WC 95.5x145

UP

705 x 120

04

A4.2 CHANGING ROOM 123 x 145

Wooden Flooring

TOILET

WC

WC

WC

188 x 145 D8

95.5x145

95.5x145

95.5x145

D2

D8

GREEN ROOM

LOBBY

LOUNGE

992 x 2132

1227 x 1354

A4.2

D2

321 x 569

322.5 x 412.5

04

D2

LADIES TOILET

04 A4.2 D6

A4.2

D1

UP UP

150 x 3055

FALSE CEILING AT 4040 MM FROM F.F.L

8

7

6

5

4

3

2

1

9

11

10

18

17

16

15

14

13

12

24

23

22

21

20

19

216 x 226 UP

D4

PASSAGE FALSE CEILING AT 2540 MM FROM F.F.L

D1

UNIVERSAL TOILET UP

D4

UP

D3

SERVICE ROOM

D1

FALSE CEILING AT 4495 MM FROM F.F.L

FALSE CEILING AT 6545 MM FROM F.F.L

WC 95.5x145

188 x 145

D4

FALSE CEILING AT 5950 MM FROM F.F.L

SINK SHUTTER CABINET TYPE D PLAN

1

3.10.1 SCALE - 1:10

TOILET

D7

ADMIN PANTRY DETAIL-PLAN

3.10.1 SCALE - 1:20

CHANGING ROOM 123 x 145

D4

STAGE 815.5 x 1807

19

UP

UP

D1

UP

D4

D5

03 A4.1

D1

2526.5 x 1807

IPS Flooring

1

D8

D2

D7

D8

D2

D4

AUDITORIUM (250p)

150

150

150

4

1

FALSE CEILING AT 3010 MM FROM F.F.L

D5

OPEN TO SKY WATER COURT 1748 x 502.5

OPEN TO SKY WATER BODY 1748 x 502.5

08 A4.3

3

1,965

4

2,780

1

1,965

No.

20

2

20

20

FOR TENDER PURPOSE ONLY

GRANITE (AS PER SPEC) FIXED OVER PLYWOOD WITH SUITABLE TILE ADHESIVE & TO SLOPE TOWARDS THE SINK

2,780

FOR TENDER PURPOSE ONLY 18 12

18 18

100

500

SKIRTING (AS PER SPEC)

12

Date.

Remarks.

1

750 3,125

TYPE 2.E

2 2.14.1

GREEN ROOM TABLE_PLAN

Date

Prints Issued to

Date

Prints Issued to

699.7

TYPE 2.D

TYPE 2.B

TYPE 2.C

12

5X5mm DRIP MOULD

TYPE 2.C

25.1

390

GRIP PROFILE HANDLE (AS PER SPEC.)

+0.0 FFL

DRAWER CHANNEL

12MM THK PLYWOOD WITH LAMINATE FINISH FOR DRAWERS 18MM THK PLYWOOD WITH LAMINATE FINISH

TABLE TOP OF PLYWOOD WITH LAMINATE FINISH

30 12 10 78 30

TABLE TOP OF PLYWOOD WITH LAMINATE FINISH

350

GRANITE (AS PER SPEC) FIXED OVER PLYWOOD WITH SUITABLE TILE ADHESIVE & TO SLOPE TOWARDS THE SINK

900

1,350

11c ID.9.2

DRAWER CHANNEL

250

D3

770

SINK MIXER (AS PER SPEC)

S

390

R

30 12 10 78 30

R

350

4

220

3

770

2

N

Key Plan

SB

S

30

SB

450

12 18 18

Distribution of Prints R

D3

900

N

TABLE TOP OF PLYWOOD WITH LAMINATE FINISH

783 807

1a SINK SHUTTER CABINET TYPE D ELEVATION

2

TYPE 2.D

18 12 12 18

Prints Issued to

3.10.1 SCALE - 1:10

11a ID.9.2

TYPE 2.E1

R

790 815 2,500

Date

Key Plan

2.14.1 SCALE - 1:20

390

2,225

1,200

1

No. Revisions

18 12 12 18

783 807

Prints Issued to

Distribution of Prints

1 2.14.1

10 14

575 1,025

600 x 300 MM CERAMIC DADO TILES

S

Remarks.

12MM THK PLYWOOD WITH LAMINATE FINISH FOR DRAWERS

Date 1 2.14.1

R

Date.

Revisions

DRAWER CHANNEL

12 18mm THICK SHUTTER PLYWOOD WITH LAMINATE FINISH (AS PER SPEC)

434

760

900

880

GRIP PROFILE HANDLE (AS PER SPEC.) +3,125 SLAB BOTTOM

18MM THK PLYWOOD WITH LAMINATE FINISH

2 2.14.1

390

1

Consultants Structural Consultants

12MM THK PLYWOOD WITH LAMINATE FINISH FOR DRAWERS

DUCON CONSULTANTS Ph. No: +91-79-4007 3196

18MM THK PLYWOOD WITH LAMINATE FINISH

Services Consultants JHAVERI ASSOCIATES Ph. No: +91-79-2682 2828

18mm THICK PLYWOOD (AS PER SPEC) SEALANT (AS PER SPEC)

Project

RESIDUE AS PER SITE

100MM HIGH KOTA STONE SKIRTING AS PER SPEC.

RESIDUE AS PER SITE

KOTA STONE FLOORING AS PER SPEC.

100MM HIGH KOTA STONE SKIRTING AS PER SPEC.

ADMIN PANTRY - UNFOLDED ELEVATION

3.10.1 SCALE - 1:20

18mm THICK PLYWOOD WITH LAMINATE FINISH (AS PER SPEC)

900

KOTA STONE FLOORING AS PER SPEC.

2

800

SINK (AS PER SPEC)

DUCON CONSULTANTS Ph. No: +91-79-4007 3196

Services Consultants

3

GREEN ROOM TABLE_SECTION 2

2.14.1 SCALE - 1:20

RAKSHA SHAKTI UNIVERSITY CAMPUS, LAVAD, GUJARAT

Title

75.1

100

Project

SKIRTING FLOORING (AS PER SPEC)

GREEN ROOM TABLE_SECTION 1

2.14.1 SCALE - 1:20

JHAVERI ASSOCIATES Ph. No: +91-79-2682 2828

BRICK FILLING MORTAR (AS PER SPEC)

1:5 CABINET DETAILS

2

Consultants Structural Consultants

REFERENCE LINE 18mm THICK PLYWOOD WITH LAMINATE FINISH (AS PER SPEC)

GRIP PROFILE HANDLE (AS PER SPEC)

AUDITORIUM BLOCK A_GREEN ROOM FURNITURE DETAIL

RAKSHA SHAKTI UNIVERSITY CAMPUS, LAVAD, GUJARAT

GRANITE SLAB (AS PER SPEC)

30 20 10

30 5MM DRIP MOULD 18mm THICK PLYWOOD WITH LAMINATE FINISH (AS PER SPEC)

30 20 10

18mm THICK PLYWOOD WITH LAMINATE FINISH (AS PER SPEC)

10

25 GRIP PROFILE HANDLE (AS PER SPEC.)

GRIP PROFILE HANDLE (AS PER SPEC.)

Title

20

18mm THICK PLYWOOD WITH LAMINATE FINISH (AS PER SPEC)

25

1b SINK SHUTTER CABINET TYPE D SECTION

Anshumi

Checked : Alex Dealt :

Anshumi

Checked : Monisha DRAWER SS BASKET (AS PER SPEC.)

Dealt :

ADMIN BLOCK B_PANTRY DETAIL

3.10.1 SCALE - 1:10

Scale :

As shown

Date :

18/12/17

Drawing No. RSU(1) - ADM(B) ID-3.10.1 Serial No.

Scale :

As shown

Date :

28/12/17

Drawing No. RSU(1) - AUD(A) ID-2.14.1

V A ST U S HIL P A C O NS UL T A NT S

###

A r c hit ec t s I Planner s I Ur ban De s igne r s

V A ST U S HIL P A C O NS UL T A NT S 6a UPPER CABINET HANDLE PLACEMENT DETAIL 3.10.1 SCALE - 1:5

6b PULL OUT CABINET HANDLE PLACEMENT DETAIL 3.10.1 SCALE - 1:5

6c SHUTTER CABINET HANDLE PLACEMENT DETAIL

A r c hit ec t s I Planne r s I Ur b an De s igne r s

4

3.10.1 SCALE - 1:5

GSPublisherEngine 0.95.100.89

GREEN ROOM TABLE_ELEVATION 1

2.14.1 SCALE - 1:20

'Sangat h', T halt ej R o ad, A hme da b a d - 3 8 0 0 5 4 P ho ne : 079 - 27 4 5 4 5 3 7 Fax : 079 27452006 w w w .sa nga t h.o r g e-mail: v s c @ s a nga t h.o r g

'Sangat h', T halt ej R o ad, A hme da b a d - 3 8 0 0 5 4 P ho ne : 079 - 27 4 5 4 5 3 7 Fax : 079 27452006 w w w .sa nga t h.o r g e-mail: v sc @ s a nga t h.o r g

GSPublisherEngine 0.0.100.96

39


9

Miscellaneous -----Exploring, Learning, Sketching, Visualizing, Making, Seeking & Smiling ------

40


Sketching and Colour-Representations

41


email: dhingran@mail.uc.edu

THANK YOU anshumi dhingra +1 (513)-827-5688

42


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