A RCHITECTURE
PORTFOL O selected works
ANSHUMI
DH IN G RA
ABOUT
ME
ANSHUMI DHINGRA Ph: +1 513 827-5688 E: dhingran@mail.uc.edu L: English, Hindi, French (basic) I am an Architecture Masters student at DAAP, University of Cincinnati. I am looking for opportunities to strengthen my design mannerism through practical and research methodologies. I am fascinated by tectonics, details, geometry and materiality. Aspiring to continue thinking ‘Out of the BOX’...I entertain myself with sketching, reading, writing and travelling around the world. My key design tactics include conceptualizing, detailing, abstraction....
research,
diagramming,
Research Thesis Link: https://issuu.com/anshumidhingra/docs/thesis-prefinal_draft25th_dec-upload
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EDUCATION
Present-2023 Masters in Architecture, DAAP, University of Cincinnati, USA
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REVIT ArchiCAD 2D/ 3D AutoCAD 2D/ 3D McNeel Rhinoceros 3D Grasshopper 3D Sketch up 3ds Max Adobe Photoshop Adobe In design Adobe Illustrator Microsoft Office Suite Sketching Working with Clay & Wood
2014-2019 Bachelor of Interior Design, CEPT University, India 2012-2014 HSC, A.G. High School, Ahmedabad, India 2011-2012 SSC, St.Kabir School , Ahmedabad, India
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WORK EXPERIENCE
_Present- AUG 2021 Part-time Architectural Intern at City Studios Architecture, Cincinnati, USA Architecture Summer 2021 COOP at City Studios Architecture, Cincinnati, USA
_Present- AUG 2021 Graduate Assistant , DAAP Equity and Inclusion (since 2 semesters spring 2021 & present) _2020- 2019 (Duration: 1.5 year) Teaching Associate, CEPT University for M.Des B.P.S program
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_2017 (Duration: 7 months) Internship at Balkrishna Doshi’s firm ‘Vastu Shilpa Consultants’ -Sangath, India
OPPORTUNITIES I ADHERED
_Served as a STUDENT VOLUNTEER in an Education Fair as a CEPT UNIVERSITY REPRESENTATIVE _Performed as a CAMPUS GUIDE for the ‘ARCHIPRIX’ event at CEPT (YEAR 2017) _Learned ‘BHARATNATYAM’ and completed its 7 stages, along with the final stage ‘ARANGETRAM’ _Attended ‘Academic Writing Workshop’ by SAGE School of Publishing
ACADEMIC EXPOSURES Construction Technology Advanced Building Design Studio Design Visualization 1,2, & 3 Institutional Studio Residential Studio Commercial Studio Space Planning Basic Design Furniture Design Interior Construction Drawing
_2019 (Duration 1 month) Internship at CARBSE (Center for Advanced Research in Building Science and Energy), CEPT University
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SKILLS
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AUXILIARY EXPERIENCES Wood Workshop Deployable Systems Exploring Natural Dyes Marbelling in Clay
Exploring local crafts of Indian Cities related to Interior Architecture
REFRENCES _Vincent Sansalone (sansalvf@ucmail.uc.edu) Director M.Arch, Associate Professor, DAAP, University of Cincinnati
_Amal Shah (amal.shah@cept.ac.in) Assistant Professor, SID, CEPT University
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02
Construction Technology
Form Explorations
TABLE OF CONTENTS
01
Adaptive Re-use
4
03
Research Thesis
06
08
Space Planning I
05
Residential Studio
Internship Works
07
Exhibition Design
09
Miscellaneous
5
1
Equestrian Club [ ADAPTIVE REUSE ] The site was an old Haveli, in Bhavnagar. The project aimed at adaptive reusing ,the Haveli into a club/retreat for horse riders, horse lovers and vacationists. This Club , would also be a go to place for the ones who want to experience living in a village setting. The club would primarily be an important spot, for horse riders , as it would host activities like Horse Shows, Horse riding, learning sessions for the same, & horse related sports. In addition , the club would also cater to wildlife enthusiasts giving them a place to observe and be around horses. The site was an old Haveli, in Bhavnagar. The project aimed at adaptive reusing ,the Haveli into a club/retreat for horse riders, horse lovers and vacationists. This Club , would also be a go to place iders , as it would host activities like Horse Shows, Horse riding, learning sessions for the same, & horse related sports. In addition , the club would also cater to wildlife enthusiasts giving them a place to observe and be around horses.
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UNDERSTANDING THE SITE
SITE IMAGES AND CHARACTERISTICS
Site: Dared Haveli, Bhavnagar, India -Dared, is a smalll village near Bhavnagar. The kind of architecture prevalent in the village, has a lot of cultural impacts that signifies the ways of living in villages. -The typology of the houses in the village, is very evident. The character of the spaces being majorly similar amongst houses, somehow weaves the village together. -The site also has a very prominent character. The haveli is- one of the kind- in the whole village, this is the reason why the villagers look upon these huge builds - Haveli, with reverence and excitement.
-Highlighted Lintels Since the site contained many ancient construction methods, this style of marking door and window lintels were observed throughout
Site (in red) and Context The Entrance has its own grandeur & scale. The archs , jarokha above with crafted columns are only attractive elements in the front facade.
-The Haveli has massive fort walls, grand entrance ornamented with Jharokhas , colonnade spaces formed with old style columns & railings , crafted openings with walls having similar decorating element., two courtyards shaded with huge trees on site, and view of the river from the top. Site Plan- Ground Floor (left), Roof Plan (right)
-Elevation from the Courtyard Craftsmanship was observed at elemental levels. The elevations had ornamented railings, columns and column capitals along with articulated base.
Most of the elevations at the site, are Rythmic and ordered. This threshold space with crafted columns at equal distance opening up in the courtyards marks the need of the people , rightly adhering the climate.
Decoding the initial ‘SITE SECTION’
The Fort Walls surrounding the whole haveli, helps the architecture to stand out in comparison to the builts around. Apart from its function, it is an important visual factor of the site.
Prominent Facade Typology , giving hints of the culture in the city . The character of design elements such as Doors, Windows, Railings, Columns etc. maintains the language through out.
-Material Characters The material palatte observed at the site was also very traditional. From excessive wood used in the construction, the unique flooring and plastered walls added to the environmental benefits along with aesthetics.
GSPublisherEngine 0.19.100.100
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concept | contrast between old & new | a discord ‘Alteration is more like a duet than solo. It is about an art of response as much as it is an art of individual genius; it sets out to make a concord between the new and the exsisting, or even a DISCORD.’ _from the book ‘On Altering Architecture’ 挀漀渀挀攀瀀琀 簀 挀漀渀琀爀愀猀琀 戀攀琀眀攀攀渀 漀氀搀 ☀ 渀攀眀 簀 愀 搀椀猀挀漀爀搀
挀漀渀挀攀瀀琀 簀 挀漀渀琀爀愀猀琀 戀攀琀眀攀攀渀 漀氀搀 ☀ 渀攀眀 簀 愀 搀椀猀挀漀爀搀 䄀氀琀攀爀愀琀椀漀渀 椀猀 洀漀爀攀 氀椀欀攀 愀 搀甀攀琀 琀栀愀渀 猀漀氀漀⸀ 䤀琀 椀猀 愀戀漀甀琀 愀渀 愀爀琀 漀昀 爀攀猀瀀漀渀猀攀 愀猀 洀甀挀栀 愀猀 椀琀 椀猀 愀渀 愀爀琀 漀昀 椀渀搀椀瘀椀搀甀愀氀 最攀渀椀甀猀㬀 椀琀 猀攀琀猀 漀甀琀 琀漀 洀愀欀攀 愀 挀漀渀挀漀爀搀 戀攀ⴀ
䐀䤀匀䌀伀刀䐀⸀
琀眀攀攀渀 琀栀攀 渀攀眀 愀渀搀 琀栀攀 攀砀椀猀椀猀琀椀渀最Ⰰ 漀爀 攀瘀攀渀 愀
䄀氀琀攀爀愀琀椀漀渀 椀猀 洀漀爀攀 氀椀欀攀 愀 搀甀攀琀 琀栀愀渀 猀漀氀漀⸀ 䤀琀 椀猀 愀戀漀甀琀 愀渀 愀爀琀 漀昀 爀攀猀瀀漀渀猀攀 愀猀 Design洀甀挀栀 愀猀 椀琀 椀猀 愀渀 愀爀琀 漀昀 椀渀搀椀瘀椀搀甀愀氀 最攀渀椀甀猀㬀 椀琀 猀攀琀猀 漀甀琀 琀漀 洀愀欀攀 愀 挀漀渀挀漀爀搀 戀攀ⴀ Intent
䐀䤀匀䌀伀刀䐀⸀ still
琀眀攀攀渀 琀栀攀 渀攀眀 愀渀搀 琀栀攀 攀砀椀猀椀猀琀椀渀最Ⰰ 漀爀 攀瘀攀渀 愀 the old & new work side by side, and
-Can stand separate ? Can they have a clean visual de开开漀渀 愀氀琀攀爀椀渀最 愀爀挀栀椀琀攀挀琀甀爀攀⸀ marcation but also a subtle connection ? -The idea䤀渀琀攀渀琀 is, to keep the prominence & grandeur of the Haveli intact. The haveli has all the nuances 䌀愀渀 琀栀攀 漀氀搀 ☀ 渀攀眀 眀漀爀欀 猀椀搀攀 戀礀 猀椀搀攀Ⰰ 愀渀搀 猀琀椀氀氀 猀琀愀渀搀 猀攀瀀愀爀愀琀攀 㼀 䌀愀渀 琀栀攀礀 to be called a heritage built. My aim is to insert the 栀愀瘀攀 愀 挀氀攀愀渀 瘀椀猀甀愀氀 搀攀洀愀爀挀愀琀椀漀渀 戀甀琀 愀氀猀漀 愀 猀甀戀琀氀攀 挀漀渀渀攀挀琀椀漀渀 㼀 new in a way that it contrats with the old, creating 吀栀攀 椀搀攀愀 椀 吀栀攀 椀搀攀愀 椀猀Ⰰ 琀漀 欀攀攀瀀 琀栀攀 瀀爀漀洀椀渀攀渀挀攀 ☀ 最爀愀渀搀攀甀爀 漀昀 琀栀攀 䠀愀瘀攀氀椀 椀渀琀愀挀琀⸀ 吀栀攀 a visual and spatial juxtaposition amongst the two. 栀愀瘀攀氀椀 栀愀猀 愀氀氀 琀栀攀 渀甀愀渀挀攀猀 琀漀 戀攀 挀愀氀氀攀搀 愀 栀攀爀椀琀愀最攀 戀甀椀氀琀⸀ 䴀礀 愀椀洀 椀猀 琀漀 椀渀猀攀爀琀 This juxtaposition will create a spatial tension be琀栀攀 渀攀眀 椀渀 愀 眀愀礀 琀栀愀琀 椀琀 挀漀渀琀爀愀琀猀 眀椀琀栀 琀栀攀 漀氀搀Ⰰ 挀爀攀愀琀椀渀最 愀 瘀椀猀甀愀氀 愀渀搀 猀瀀愀琀椀愀氀 tween the functions, experiences and character of 樀甀砀琀愀瀀漀猀椀琀椀漀渀 愀洀漀渀最猀琀 琀栀攀 琀眀漀⸀ 吀栀椀猀 樀甀砀琀愀瀀漀猀椀琀椀漀渀 眀椀氀氀 挀爀攀愀琀攀 愀 猀瀀愀琀椀愀氀 琀攀渀ⴀ spaces. 猀椀漀渀 戀攀琀眀攀攀渀 琀栀攀 昀甀渀挀琀椀漀渀猀Ⰰ 攀砀瀀攀爀椀攀渀挀攀猀 愀渀搀 挀栀愀爀愀挀琀攀爀 漀昀 猀瀀愀挀攀猀⸀ -A dynamic balance between the old and new. The new䄀 搀礀渀愀洀椀挀 戀愀氀愀渀挀攀 戀攀琀眀攀攀渀 琀栀攀 漀氀搀 愀渀搀 渀攀眀⸀ and old , are to be orchestrated into one 挀漀渀ⴀ another 吀栀攀 渀攀眀 愀渀搀 漀氀搀 Ⰰ 愀爀攀 琀漀 戀攀 漀爀挀栀攀猀琀爀愀琀攀搀 椀渀琀漀 漀渀攀 愀渀漀琀栀攀爀 琀栀爀漀甀最栀 through contrast, disjunction, juxtaposi琀爀愀猀琀Ⰰ 搀椀猀樀甀渀挀琀椀漀渀Ⰰ 樀甀砀琀愀瀀漀猀椀琀椀漀渀Ⰰ 爀攀猀椀猀琀愀渀挀攀 Ⰰ 琀攀渀猀椀漀渀 愀渀搀 爀攀ⴀ tion, resistance , tension and related keywords , 氀愀琀攀搀 欀攀礀眀漀爀搀猀 Ⰰ 愀猀 琀栀攀 搀爀椀瘀攀爀猀 漀昀 琀栀攀 搀攀猀椀最渀 搀攀挀椀猀椀漀渀猀⸀ as the drivers of the design decisions.
挀漀渀挀攀瀀琀 搀椀愀最爀愀洀猀
Conceptual Diagrams- Explorations to create flux between the old and the new
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开开漀渀 愀氀琀攀爀椀渀最 愀爀挀栀椀琀攀挀琀甀爀攀⸀ 䤀渀琀攀渀琀 䌀愀渀 琀栀攀 漀氀搀 ☀ 渀攀眀 眀漀爀欀 猀椀搀攀 戀礀 猀椀搀攀Ⰰ 愀渀搀 猀琀椀氀氀 猀琀愀渀搀 猀攀瀀愀爀愀琀攀 㼀 䌀愀渀 琀栀攀礀 栀愀瘀攀 愀 挀氀攀愀渀 瘀椀猀甀愀氀 搀攀洀愀爀挀愀琀椀漀渀 戀甀琀 愀氀猀漀 愀 猀甀戀琀氀攀 挀漀渀渀攀挀琀椀漀渀 㼀 吀栀攀 椀搀攀愀 椀 吀栀攀 椀搀攀愀 椀猀Ⰰ 琀漀 欀攀攀瀀 琀栀攀 瀀爀漀洀椀渀攀渀挀攀 ☀ 最爀愀渀搀攀甀爀 漀昀 琀栀攀 䠀愀瘀攀氀椀 椀渀琀愀挀琀⸀ 吀栀攀 栀愀瘀攀氀椀 栀愀猀 愀氀氀 琀栀攀 渀甀愀渀挀攀猀 琀漀 戀攀 挀愀氀氀攀搀 愀 栀攀爀椀琀愀最攀 戀甀椀氀琀⸀ 䴀礀 愀椀洀 椀猀 琀漀 椀渀猀攀爀琀 琀栀攀 渀攀眀 椀渀 愀 眀愀礀 琀栀愀琀 椀琀 挀漀渀琀爀愀琀猀 眀椀琀栀 琀栀攀 漀氀搀Ⰰ 挀爀攀愀琀椀渀最 愀 瘀椀猀甀愀氀 愀渀搀 猀瀀愀琀椀愀氀 樀甀砀琀愀瀀漀猀椀琀椀漀渀 愀洀漀渀最猀琀 琀栀攀 琀眀漀⸀ 吀栀椀猀 樀甀砀琀愀瀀漀猀椀琀椀漀渀 眀椀氀氀 挀爀攀愀琀攀 愀 猀瀀愀琀椀愀氀 琀攀渀ⴀ 猀椀漀渀 戀攀琀眀攀攀渀 琀栀攀 昀甀渀挀琀椀漀渀猀Ⰰ 攀砀瀀攀爀椀攀渀挀攀猀 愀渀搀 挀栀愀爀愀挀琀攀爀 漀昀 猀瀀愀挀攀猀⸀ 䄀 搀礀渀愀洀椀挀 戀愀氀愀渀挀攀 戀攀琀眀攀攀渀 琀栀攀 漀氀搀 愀渀搀 渀攀眀⸀ 吀栀攀 渀攀眀 愀渀搀 漀氀搀 Ⰰ 愀爀攀 琀漀 戀攀 漀爀挀栀攀猀琀爀愀琀攀搀 椀渀琀漀 漀渀攀 愀渀漀琀栀攀爀 琀栀爀漀甀最栀 挀漀渀ⴀ 琀爀愀猀琀Ⰰ 搀椀猀樀甀渀挀琀椀漀渀Ⰰ 樀甀砀琀愀瀀漀猀椀琀椀漀渀Ⰰ 爀攀猀椀猀琀愀渀挀攀 Ⰰ 琀攀渀猀椀漀渀 愀渀搀 爀攀ⴀ 氀愀琀攀搀 欀攀礀眀漀爀搀猀 Ⰰ 愀猀 琀栀攀 搀爀椀瘀攀爀猀 漀昀 琀栀攀 搀攀猀椀最渀 搀攀挀椀猀椀漀渀猀⸀
挀漀渀挀攀瀀琀 搀椀愀最爀愀洀猀
Concept translated on to the ‘Site’ The yellow zones are the intended additions that can create both visual and experiential DISCORD
PROGRAME: Equestrian Club
UP
Structural Alteration Layout
O.T.S
O.T.S
LVL ±0.0
UP
UP
UP
UP
UP
+1200
LVL +1200
LVL +1200
LVL +1200 LVL +1200
LVL +900
LVL +750
UP
UP
LVL ±0.0
UP
UP +1200
UP
LVL +1200
LVL +1200
LVL +1200
LVL +1200
LVL +900
LVL +750
UP
UP
STREET
UP
O.T.S
ENTRY
ADVANCE INTERIOR DESIGN
STREET
O.T.S
LVL ±0.0
UP
LVL +900
+150
LVL +1200
UP
LVL +1200
LVL +1200
UP
LVL +1200
LVL +150
UP
LVL +900
LVL ±0.0
2
LVL ±0.0
LVL ±0.0
LVL +150
DN
DN
DN
UP
UP
DN
LVL ±0.0
UP
UP
ENTRY
LVL +150
O.T.S
UP
UP
O.T.S
+150
LVL +1200
UP
UP
LVL +1200
LVL +1200
LVL ±0.0
LVL ±0.0
2
LVL +150 LVL ±0.0
UP
UP
DN LVL +150
LVL +1200
O.T.S
OTS
LVL +150
UP
UP
DN
-The club in addition to these activities would also cater to wildlife enthusiasts , who would come to observe and be around horses.
DN
O.T.S
UP
DN
-The club would primarily be an important spot, for all the Horse Riders as it will host-some Horse related sports, courses for learning Horse riding, Horse safaris & shows.
OTS
UP
-The aim is to create a destination retreat for horse riders, horse lovers, and leisure seekers. This club would also be a go to place for the ones, who want to experience leisure living in a village setting.
N
ANSHUMI D UI05 FD-UG
Added
CAVALIER'S CLUB
-STUDIO V
Demolished N
ADVANCE INTERIOR DESIGN
-STUDIO V
CAVALIER'S CLUB
ADAPTIVE REUSE SITE: DARED HAVELI
GROUND FLOOR PLAN STRUCTURAL CHANGES 1: 100 SCALE
ADAPTIVE REUSE SITE: DARED ANSHUMI HAVELIDHINGRA
Added
UI0514 FD-UGID
Demolished
GROUND FLOOR PLAN STRUCTURAL CHANGES 1: 100 SCALE
GSPublisherEngine 0.1.100.100
LVL +4000
UP
ADAPTIVE REUSE SITE: DARED HAVELI
FIRST FLOOR PLAN STRUCTURAL CHANGES 1: 100 SCALE
O.T.S
LVL +4000
LVL +4000
LVL +4000
LVL +4000
LVL +4000
N
CAVALIER'S CLUB
ANSHUMI D UI05 FD-U
Added Demolished
Added
ADAPTIVE REUSE ANSHUMI DHINGRA UI0514 SITE: DARED HAVELI
Demolished
GSPublisherEngine 0.1.100.100
LVL +4000
LVL +4000
STREET
N
CAVALIER'S CLUB
LVL +4000
UP
LVL +4000 LVL +4000
LVL +4000
LVL +4000
LVL +4000
DN
ADVANCE INTERIOR DESIGN
-STUDIO V
DN
LVL +4000 LVL +4000
LVL +4000 LVL +4000
UP
LVL +4900
O.T.S
LVL +2400
O.T.S UP
LVL +4000
DN
LVL +4900
DN
-STUDIO V ADVANCE INTERIOR DESIGN
DN
DOWN
STREET
DN
UP
DN
UP
DN
DN
DOWN
DN
DN
DN
LVL +4000
O.T.S
LVL +2400
O.T.S
O.T.S
GSPublisherEngine 0.1.100.100
GSPublisherEngine 0.1.100.100
FD-UGID
FIRST FLOOR PLAN STRUCTURAL CHANGES 1: 100 SCALE
9
ADVANCE INTERIOR DESIGN
-STUDIO V
01
02
03
ADAPTIVE REUSE SITE: DARED HAVELI
Bathing Space for Horses
Arrival space LVL +1200
LVL -1400
Swimming Pool
O.T.S Sand Bath
Paddock 1
Paddock 2
LVL ±0.0
O.T.S
O.T.S
DN
LVL -1400
LVL ±0.0
Sectional Render, showing the spatial expression of the built
LVL -1400
LVL +150
O.T.S
LVL +450
Cafe & Dining
LVL +150
RECEPTION
Kitchen
O.T.S
LVL +150
Cafe & Dining LVL +450
05
LVL ±0.0
Refrigerator
Refrigerator
Storage Space
05
LVL +250 LVL +350
LVL +150
LVL +450 Cafe & Dining
LVL +150
LVL ±0.0 O.T.S 17
16
15
14
13
12
11
10
9
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7
1 2 3 4
6
5
5
O.T.S
4
6
3
7
DN
2
LVL ±0.0
1
LVL +150
04
Medical Room
LVL +1200
LVL +1200
LVL +1200
DN
04
O.T.S Arrival space LVL +1200
LVL ±0.0 LVL ±0.0
DN
DN
DN
DN
LVL +150 +1200
Entrance Porch Horse Equipements Store & Storage
LVL +1200
LVL +1200
N
UP
LVL +1200
LVL +1200
RECEPTION
WASHROOMS LVL +1200
LVL +1200
Lounge Space, Library & Museum
Display Space
UP
LVL +1200
Lounge Space, Library & Museum
Lounge Space, Library & Museum
Staff Area
ADMINISTRATION OFFICE
LVL +900
Security cabin
Staff Toilet
UP LVL +750
Toilet
CAVALIER'S CLUB
Image showing the NEW INSERT
Ground Floor Plan
GROUND FLOOR PLAN 1: 100 SCALE
LVL ±0.0
blisherEngine 0.1.100.100
Section through the 03 ‘Entrance’ (marked with red lines) SECTION 10
01
02
03
ENTRY
ANSHUMI DHINGRA UI0514 FD-UGID
ADVANCE INTERIOR DESIGN
-STUDIO V
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O.T.S
O.T.S
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ADAPTIVE REUSE SITE: DARED HAVELI
EMPTY PLOT 05
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Part Render of the NEW INSERT
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O.T.S
O.T.S
Passage 6 5 4 3 2 1
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04 Recreational space
Heritage Suit 1
Heritage Suit 3
LVL +4000 Heritage Suit 4
Heritage Suit 6
Heritage Suit 5
LVL +4000
LVL +4000
LVL +4000
UP
LVL +4000
LVL +4900
Passage
LVL +4000
DOWN
UP
Arrival space
DN
Passage LVL +4000
N
LVL +4000
LVL +4000
LVL +4600
CAVALIER'S CLUB
Heritage Suit 2
STREET
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First Floor Plan
ANSHUMI DHINGRA UI0514 FD-UGID
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SECTION 03
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FIRST FLOOR PLAN 1: 100 SCALE
Construction Details of the NEW INSERT
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Section through the ‘Courtyard’ (marked with red lines) SECTION 04 11 GSPublisherEngine 0.1.100.100
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Form Explorations
[Civic Context Grad Studio] The studio focused on deriving a form from a precdent and explore the form with various model making processes. The form was derived by tweaking a base structure. The 3d processes that we learned in this studio was Laser cutting, CNC printing and 3D printing. Each model making technique was studied to be able to update the form as per each technique. A series of form transformation as we move from each process is shown with a final concept visualization by combining two form types. This project helped to learn a lot of digita softwares and techniques of making complex geometries into physcal model.
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INTENT- Form Development Form development through Precedent. I selected to work with a cellular vault structure and developed my own combinations to derive a new form out of it. Below I show few explorations -one of them is enhancing the shell like character of the precendent and the other is about filling the voids to make a solid precedent exploration. Both of these processes where intended to highlight the varied form characters obtained from the same precedent.
Cellular Vault
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Precedent 1
Precedent 1
Precedent 1
Precedent 1
Precedent 1
Cellular Vault
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Precedent 2
Precedent 2
Precedent 2
Precedent 2
Precedent 2
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Laser Cut Process Here-the idea was to section the solid form geometry into layers. These layers were three planes sectioning and cutting through each other joining to result into forming the whole form. The solid form was converted into this laser cut model-highlighting Red, Blue and Green planes. There were set of rules that we followed to get the end result -the model. While deciding precedent characteristic for the laser cut model -the crucial part was to avoid any depth and corner formation to acheive a good end output. The final form had various junctions where different kind of planes joined to form thos entire model.
Image showing the physical laser cut model (left, right)
CELLULAR VAULT 12" x 12" x 12" GSPublisherEngine 0.0.100.100
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TOP VIEW
CELLULAR VAULT 12" x 12" x 12" GSPublisherEngine 0.0.100.100
ELEVATION
CELLULAR VAULT 12" x 12" x 12" GSPublisherEngine 0.0.100.100
AXONOMETRIC
CELLULAR VAULT 12" x 12" x 12" GSPublisherEngine 0.0.100.100
Axonometric
CNC Process The precedent form showing the CNC model formation. Making models from CNC -here unlike Laser cutting you can have bigger or smaller pockets. The CNC process allows to have more freedome with the form depths and heights. The idea was to explore the form designing depths. The processes provided the freedom of doing so. The form has a geometry that is extruded downward cutting through a square-forming negatives of the cellular vaults.
Image showing the physical CNC cut model (left, right)
CELLULAR VAULT
CELLULAR VAULT 12" x 12" x 12"
TOP VIEW
12" x 12" x 12" GSPublisherEngine 0.0.100.100
SECTION
CELLULAR VAULT 12" x 12" x 12" GSPublisherEngine 0.0.100.100
AXONOMETRIC CELLULAR VAULT
DIAGRAM
12" x 12" x 12"
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3D Printing The final one fo the three processes was 3D printing. This processes had maximum freedom with respect to form design. Therefore, the form design was an outcome of scripting in Grasshopper -exploring complex junctions in the form. The continued transformation is showed with a series of plan drawings below. When considering the 3D printing process -the making time is crucial. Also, the solids that are formed should be a closed polysurfaces in Rhino. Few of these technicalities were learned while deriving forms for each processes.
Image showing the Rhino model for 3D printing (left, right)
CELLULAR VAULT 12" x 12" x 12" GSPublisherEngine 0.0.100.100
TOP VIEW
CELLULAR VAULT
CELLULAR VAULT 12" x 12" x 12" GSPublisherEngine 0.0.100.100
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TOP VIEW 1
12" x 12" x 12"
TOP VIEW 2
CELLULAR VAULT 12" x 12" x 12"
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TOP VIEW 3
Conceptualizing the form Final step was to combine the forms of any two processes from the three. I chosed to combine the Laser Cut and the CNC. The end result looks like someting shown below. The combined form should then be conceptualized into a space, or concept, or a working/ functional theme. I imagined this form to be a small city and detailed it out further based on the character the combined form provided. The image to the right shows- various connections, patterns, junctions formed by combing the two forms .
CELLULAR VAULT
AXONOMETRIC
12" x 12" x 12"Image showing the rendered final view of the combined form -imagined as a SMALL VERTICAL CITY
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CELLULAR VAULT 12" x 12" x 12"
CELLULAR VAULT
ELEVATION 1 CELLULAR VAULT
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12" x 12" x 12"
ELEVATION 2
12" x 12" x 12" GSPublisherEngine 0.0.100.100
AXONOMETRIC
CELLULAR VAULT
AXONOMETRIC
12" x 12" x 12" GSPublisherEngine 0.0.100.100
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Defining Housing Units Due to the many square spaces the form had-I worked on desogning housing units as a form of LEGO blocks. The unit sizes changes as per the no. of people and affordability. I wanted to break free from the concept of having identical houses in a CITY or in a cluster. These modules are stacked over each other having their own parking spaces (shown in the right image).
4x Large Family Unit Square Module
2x Small Family Living
4x Large Family Unit L Module
3x Single Family Unit
1x Solo Living
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Parking and Transitions from home to highway The housing units each had a parking garage and a pathway extending out of it -connecting the cars to the major roadways. There are few offsets that has been designed for the pathway connection on each floor to avoid traffic conjestion. These sub roadways than further branch out to connect the larger highways (shown in the image on the next page). 18
The Vertical City (conceptual) The image shows how one CITY blocks connects to the other CITY blocks . The roadways further extend out to connect to the highways.
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‘Expression of Details’ as a key phenomenon in ‘ The Construction of Space’ [ RESEARCH THESIS] I undertook a research project under guidance of the University Faculty as my Under-graduate Capstone Project. The thesis reiterated the idea of DETAILING as a spatial phenomenon, where it plays a significant role in constructing spaces (interior/ architectural). This research project, elevated my ability to deal with constant flux between theories, concepts, appropriate case studies and final deriving a framework to reach the conclusion.
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INTENT The idea is to study the expression of details and to decode the degree of its role in generating the essence of a space. Apart from the various definitions of detail –here, ‘detail’ is termed as the junction or the joint between numerous parts. The intent also is to realize the significance of small details in buildings, concluding that a space at the end is an amalgamation of various parts coming together, and that these parts are the major constituents of a space.
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Wall Section _Pol House [ CONSTRUCTION TECHNOLOGY ] As a part of construction technology course, the aim was to analyze traditional construction methods. For our study we selected a POL House, in the city of Ahmedabad, India. Pol Houses are known for demonstrating ancient building techniques with a worth remarking transaltion into materials. Sectional Model and Construction Drawing of the POL House were the deliverables of the course.
Project Type: GROUP WORK
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SECTIONAL MODEL
WALL SECTION DRAWING 23
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Living Grounded _residence for Parsis [ RESIDENTIAL STUDIO ] This Space Planning Studio focused on designing a residence for a PARSI FAMILY , with the site being a Row House in Ahmedabad, India. Introduction of live--approachable clients and accessible sites simulated a real time experience. The core intention is to understand the transformation of spaces and the evolution of spatial theme while catering to the cultural, physical and emotional needs of the individuals as well as needs of the entire family .
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ACTIVITY MAPPING AND SITE ANALYSIS
CONCEPT AND MATERIAL PALETTE
Understanding Clients: The Medora’s are a
Correlational Membrane for Interiors:
Parsi family residing in Ahmedabad since 40 years. They are a family of 5 people and a Labrador named Simba. Our studio aims at designing a residence for them.
-Every interior space creates reponse which has the bearing of the outscape. These responses comes into existence as technological, visual, continuity and of contrast. -Correlational membrane in the residential interiors, establishes relationships among the element and space concept. -Hence a dialogue between exterior and interior or also between interior and interior is created. Ref. (The definition is taken from a research thesis at the School of Interior Design CEPT)
Wabi-Sabi interior character
Family Tree Representation
Ideation Sketchs- Corelational Membrane in spaces (left; right)
Site Analysis. The typology of the our Row
CONCEPT: Comparing WABI-SABI and Correlational Membrane
house site was very prominent due to the staggering modules. Interesting voids where formed in the front and back of the house.
-Visual Correlation = bold character or impression in an inetrior space.
SITE : JAI SHEFALI ROW HOUSE
-Contrast Correlation = colors or material pallatte or textures in wabi sabi. -Correlation through continuity = spaces creating similar languages. -Technical Correlation = redefining junctions.
Site Plan
Sketches highlighting the Site Typology
Intended Material Board
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Spaces on the Ground Floor
Spaces on the First Floor are
-The Office (or family and outside staff) -The main living areas in the house (for the family) -Kitchen & Dinning (for the family) -Vestibule and Recreational spaces (for the family)
-Main Bedroom (For the main couple of the family) -Kids Room (for 2 kids) -Grand Parents room (for the old members) -Guest Room -Personal Service Access from every spaces -Study area for kids.
The design responded to the row house typology, by using the bays as the division for the functions of spaces.
Ground Floor Plan
Section AA’ 26
The Row house typology was effective in maintaining enough physical and visual privacy between Guest Spaces and Spaces for the family.
First Floor Plan
Section CC’
Construction Drawings Civil Alteration Layout
1500 230
3230
1800
380
1200 230
2030
1450 3450
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430 230
3680
2600 3000
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1400 230
3230
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2200 3110 547 1094
1094 1006
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NAME D1 D2 D3 D4 D5 W1 W2 W33230 W4 W5 W6 W7 W8 W9 W10 W11
WF2
SIZE ( l*h ) 694 x 1880 500 x 1880 609 x 1880 1200 x 1880 794 x 1880 900 x 600 1220 x 1200 2760 x 1200 1680 x 1200 2400 x 1900 1670 x 1900 1370 x 1900 1200 x 1200 800 x 1000 1400 x 600 700 x 1500
A1A2 B
SILL 800 800 800 2030 800 475 475 475 800 800 800 475
1000
WP6
WP3
SB5
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875 165
SB2
402
SB1
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406
SB4
FP4 WP7
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FP1
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REMARK PIVOTED DOOR 3680 -
WP15
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WP1
AD 97 STUDIO
1300
FP5
2
838
FP2
WF3
LINTEL 1880 1880 1880 1880 1880 1400 2000 2000 2000 2375 2375 2375 2000 1800 1400 1975
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FP3
1610
1510
2500
DOOR-WINDOW SCHEDULE
2500
WF1
1000
WP5
WP2
1470
BRIMINGHAM LONDON 850
FP6
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2810
402
4299
SB7
2787 3024 1213
505
WP4
11 12 13 14 15 16
WP10
1504
SR.NO 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16
8110
2149
402
987
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AD 97 402
WP14
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215
4299
FURP2
SB6
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SB3
1965
900 230
FURP1
2 2500
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515
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WP20
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SB10
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MS DEVICE
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2135
SPLIT AC 1
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2730
W10 1
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3630 2500
OFFICE ENTRANCE LVL+130
230
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4130
WP12
410
FP10
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MS
1430
SB9
WP16
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MS
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SB8 FP11
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CP1
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D1 5
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417 417
WP25
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SB18
SB14
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725 402
SB13
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CP4
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550 735
EF2
CP3
MEDORA FAMILY SUN SHINE PARK DRIVE IN ROAD AHMEDABAD
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230
D5 4
TOILET 1 LVL+140
150
384
200
WF4 1560
WP24
WP28
WP29
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SB19
FP9
W9 1
550
CP13
SPLIT AC 4
JAI SHEFALI-ROW HOUSE NEHRUNAGAR 1 2 AHMEDABAD
1032 1215
525
FP13
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600
CP12
CLIENT:
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292
FP12
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416
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1380
CP11
WP19
SITE:
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2810
D5 3
FP14
WF5
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CP10
SB12
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3430
VISITOR'S SEATING LVL+150
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SB11
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FP19
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ARCHITECTURAL INTERVENTIONS MEDORA'S RESIDENCE
SPLIT AC 5
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FP18
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CP5
700
13WP34 14 15 SB23 16
735
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AD 97 STUDIO
PROJECT :
WP27
SPLIT AC 2
WP30 SPLIT AC 6
CP8
SPLIT AC 3
200
CORRIDOR LVL+150
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FURP3
SB15
SB25
987
410
1000
HOME ENTRANCE LVL+100
150
1033
FP15
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4330
680
OFFICE STAFF WORKING AREA LVL+150
2135
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W9 2
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FP17
1215
WP32
5
WP21
CHECKED BY :
1146
854
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10 11 12
1559
2500
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10 D4 1
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FP16
ADFURP5 97 STUDIO FURP4
FURP6
1146
SB21
D5 2
BUFFER SPACE LVL+130
2200 115
402
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301
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CP15
CP7
DRAWN BY : 854
1125
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1559
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2500
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2000
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1:50
2810
2500
2500
W11 1 BATHROOM 1 LVL+150
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16150
1200 4200
D1 3
230 230
2810
SB22
WP22
CP14
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WP33 635
182
894
1270
WP36
CP9
SCALE :
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WP35
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DINNING LVL+150
W10 2
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1
FP8
CP19
D5 3
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CP20
1615
3310
MS
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PLAN & DETAIL
FP7
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CP16
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2119 1400
SB24
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SB16
410
1686
1690
3550
8110 8860
1106
D5 1
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MS DEVICE
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OFFICE STAFF WORKING AREA LVL+150
750
DRAWING TYPE:
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1200
2400 3130
TELEVISION AREA LVL+150
13 14 15 16
115
6A 6
8110
18350 8110
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PANTRY LVL+150
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MEDORAS WORKING AREA LVL+150
CP17
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863
CP29
SB29
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CP30
WP38
SB26
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CP31
1595
SB27
FAMILY LEISURE SEATING LVL+160
CP35
115
115
7
1
6A
CP23 863
WP37
2 3 4 5 6 7
CP32 CP24
115
2200
113
WP39
410
W8 1
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SB32
WF7
3014
W4 2
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530
D1 4
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CP25
SB30
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SPECIFICATIONS:
419
2200 2200
2200
1370
1970
530
PLANTATION AREA LVL+130
KITCHEN LVL+150
1380
6715
OUTDOOR SPACE LVL+130
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CP33
CP26
WP41
WP40
3680
113
D5 2
7
W7 1
W6 1
FAMILY LIVING LVL+150
1700
2200
W5 1
SB33 WF3
396
1680 2880
3110
430
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CP27
CP28
410
EF3
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8
230
CP34
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SPLIT AC 7
850
8A
1000
115
3110
5580
2660 3110
D1 2
WP43
WP42
SB31
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W4 1
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Section CC
OUTDOOR WASHING SPACE LVL+130
WF8
MS
WP44
623
1300
2200
1450
2200
1970 900
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MS DEVICE
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8A
W3 1
Section AA
W2 1
SB34
DOOR LINTEL LVL +1880
9
230
9A 9
3680
GROUND LVL +0
W1 1
120
WP45
2030
FIRST FLOOR F.F.L LVL +2770
BACKSIDE ENTRY LVL+130
WF3
GROUND FLOOR F.F.L LVL +425
9A
TOILET 2 LVL+130
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EF4
G
AND NOT MEASURED. 3230 2030 A PROPERTY -THIS DRAWING IS OF AD 97 STUDIO. -THIS DRAWING CANNOT BE REPRODUCED WITHOUT THE PERMISSION OF AD 97 STUDIO. -ALL DIMENSIONS ARE IN mm. -ANY AMBIGUITY IN DRAWING SHOULD BE BROUGHT TO THE NOTICE OF THE ARCHITECT IMMEDIATELY AND CLARIFIED BEFORE PROCEEDING WITH ANY WORK.
870
10
230
D1 1
307
707
430
1042
1200
DISCLAIMER E -ALL DIMENSIONS ARE F TO READ
D
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800 200
230 230
D2 1
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1380
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1200
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3014
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530
402
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2400
728
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785
3000
530
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2760
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3680
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5480 1220
2030
A1
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3230
GROUND LVL +0
230 200 800 230
3680
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3000
G 5710
1540
2030
2430
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230
E 3230
BEAM BOTTOM LVL +2375
3230
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3110
D 5710
FIRST FLOOR F.F.L LVL +2430 BEAM BOTTOM LVL +2010
C
GROUND FLOOR F.F.L LVL +130
B
A1 3460
WINDOW SILL LVL +475
A
Lighting Layout
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EF1
CONTACT NO: 2030 3230 9879202972 EMAIL: E anshumi.dhingra.bd14 @cept.ac.in
3680
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Construction Drawings DISCLAIMER
Furniture Layout
2030
3680
R4
E
3680
F
3230
G
3230
2030
2030
LIVING ROOM SOFA LIVING ROOM SOFADETAILS DETAILS SCALE 1:10
3680
10
3680
700
489
2
F3 1
F12 8 S2 1
F1 2 0
25
400
C
3230
A
A1A2 B
2030
D
3680
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19 101
1300
600
80
600
120
S3 1
400
600
F12 11
S1 1
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F11 6 120
F12 12
3680
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D
BOLT USED TO FIX MAHOGANY FRAME STRUCTURE WITH PLYWOOD
500
650
400
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E
3680
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AD 97 STUDIO
SECTION 2
IS1 INTERIOR ELEMENT L 1
SECTION 2
PROJECT :
C
A 9
SITE:
CLIENT:
MEDORA FAMILY SUN SHINE PARK DRIVE IN ROAD AHMEDABAD
MEDORA FAMILY SUN SHINE PARK DRIVE IN ROAD AHMEDABAD
AD 97 CONTACT NO: 9879202972 EMAIL: anshumi.dhingra.bd14 @cept.ac.in
AD 97 STUDIO
JAI SHEFALI-ROW H NEHRUNAGAR AHMEDABAD
CLIENT:
AD 97 STUDIO
DRAWN BY :
FURNITURE LAYOUT DETAIL FOR MEDO RESIDENCE
SCALE 1:5
BRIMINGHAM LONDON
1
2030
FOR SOFA CHECKED BY :
SITE:
1
G
3230
SOFT FURNISHINGS
1:50
JAI SHEFALI-ROW HOUSE NEHRUNAGAR AHMEDABAD
DETAIL SHOWING LAYERS OF PLYWOOD AND FOAM ATTACHED WITH MAHOGANY WOODEN FRAME AT THE BOTTOM
BOLT USED TO FIX MAHOGANY FRAME STRUCTURE WITH PLYWOOD
S1 1
PLAN & DETAIL
FURNITURE LAYOUT & CREAMISH DETAIL FOR VELVET MEDORA'S UPHOLSTERY FOR SOFA RESIDENCE
841
2000
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R2
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F11 6
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F3 1
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S2 1
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250
1020
625
F2 1
S1 800 1
1030
F4 1
DETAIL SHOWING LAYERS OF PLYWOOD AND FOAM ATTACHED WITH MAHOGANY WOODEN FRAME AT THE BOTTOM
FURNITURE ELEMEN
SCALE :
PROJECT :
2500
S3 1
IS1 1
SCALE31:2
10
120
IS1 2
850
140 700
50
R2
400
260 100
1300
1858
850
F1 1
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AD 97 STUDIO
2810
700
1950
2815
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625
527
1300
600
F5 1
1000
600
80
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400
474
STRUCTURE DRAWN BY :
PLAN
7
6
F1 1
DRAWING TYP
1:50 MAHOGANY WOOD
1398 SCALE 1:5
1398
SPECIFICATION
19mm PLYWOOD UNDERSTRUCTURE
PLAN & DETAIL
CREAMISH VELVET UPHOLSTERY FOR SOFA
600
PLAN
5
R2
F2 F12 1 7
625
8 9
2065
600
700
S1 3
2000
400
256
5
2045
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2300 R
1045
2500
100
F4 1
2815
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100
2300
600
540
600
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F12 10
500
F12 9
6
F7 2
4
19MM PLYWOOD
IS1 INTERIOR ELEMENT LABEL VELVET UPHOLSTERY LAYERED 1 ON 200MM THICK FOAM
-ALL DIMENSIONS A AND NOT MEASURE -THIS DRAWING IS A AD 97 STUDIO. -THIS DRAWING CA REPRODUCED WITH PERMISSION OF AD -ALL DIMENSIONS A -ANY AMBIGUITY IN SHOULD BE BROUG NOTICE OF THE ARC IMMEDIATELY AND BEFORE PROCEEDIN WORK.
MAHOGANY WOOD STRUCTURE FIXED WITH STEEL FINISH BOLTS TO THE PLYWOOD.
MAHOGANY WOOD STRUCTURE FOR SOFA
F6 2
4
780
100
120
540
80
1700
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700
3
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2130 100
600
F11 4
558
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F12 6
1950
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F12 5
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260
527
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1750
1030
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770 2200 50
2185
2185
1285
845 500 1900
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2810
120
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S1 4
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120
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11F11 123 13 600 14 15 16
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474
600 10
F5 1
2065
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R250
600
7
6
1300
80
5
4
500
3680
700
F7 1
120
412
400 500
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2030
1
280
F12 4
2130
F1 4
2300 250 400
F12 11
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VELVET UPHOLSTERY LAYERED UPON THICK FOAM. 19MM PLYWOOD UNDERSTRUCTURE
SECTION 2DRAWING TYPE:
SECTION 2
500
1300
600
494
R250
500
120
500
600
8 9
F1 3
2000
400
IS1 1
500 80
500
2000
2500
F11 5
600
30
30 1900
700
500 500
2000
500
600
760
120
8110
100
600 900
560 200
200
1900
700
80
S1 2
500
F13 1 F11 4
IS1 2
500
400
600
F7 2
F11 2
500
50
80
256
120
250
2810
2
600
600
3
2045
249 59
1170
760
120
2
600
SOFT FURNISHINGS LABEL
MAHOGANY WOOD STRUCTURE FIXED WITH STEEL FINISH BOLTS TO THE PLYWOOD.
F8 4 350
600
S1 3
1030
F7 F12 1
80
49
970
F12 8
7
250 40
500
600
IS5 1 F12
80
2300
2810
1045
50
400
2
100
10
400
400
F12 6
500
500 500
80
600
F12 5
500
600
500
2000
540
400 120 250
400
40
60
S1 4
80
F11 3
910
841 10
1000
1505
650800
S1 2
565
S6 1 600
700
400
1700
F6 1
F6 2
250
IS2 4
1670 49
780
IS3 12
120
80
700
600
F12 1
1800
1700
28184
F8 3 500
780
1 1540 1680
190 121
F1 3
R250
257
400
F12 3
500
F1 4
600
471
F8 2 500
6
1300
120
F11 1
280
498
500
120
28
350
S1 1
SCALE :
900
350
F13 1
80
1300
600
120
F12 4
600
402
S3 1170 2
600
2000
F14 1
F11 2
80
3250
500 400
474
1
500
120
900
500F6
28
560
748
2380
500
120
2000
970760
500
1700
20
2000
F12 2 600
600
IS4 1
386
1800
120
28184
500
400
80
3175
F12 1
500 80
400
R250
1
840
S6 2
471
2130
100
40
F22 6 IS5
498
600
IS3 13 IS3 14 IS3 15
2130
494
IS2 4
250
420 910
250
60
540 1505
650
400
274 135 165 135 165 135
249 59
350
1
550
400
F12 3
1670
F22 4
F11 1
600
1199
420
28
500
120
500
80
500
600
2000
3250
F14 1
780
80
F21 1
600
100
3000
500
FURNITURE ELEMENT LABEL
19mm PLYWOOD UNDERSTRUCTURE
1670
IS2 1
F8 1
F8 4
IS3 5500
350
340
100
F8 3 500
500
F8 2 500
205 135
350
F1 1
755
IS2 2
30 845
845 500
500
VELVET UPHOLSTERY LAYERED ON 200MM THICK FOAM
SECTION 1
SECTION 1
S4 1
1670
1670
1615
30
30
100
900
190 121
F22 3 S6
474
19MM PLYWOOD
IS3 4
IS2 1
F8 1
IS3 10
600 120
1540 1680
565
500
560
28
560
120
748
165
50
IS3 3
7
100
S5 1
2
755
340
IS2 2
2085
1615
1670
400
386
IS4 1 20
551
770 364
1400
2077
IS3 5
VELVET UPHOLSTERY LAYERED UPON THICK FOAM. 19MM PLYWOOD UNDERSTRUCTURE
2200 2332
7
S5 2
100
S5 1 IS3 2185
395
50
400
9 45
304
154 9 69 653
S4 1
IS3 1
1400
1880
2185
IS3 9
2185
613
500
F9 2
S4 2
1285
9
135 265 135 265 135 265 135 260
1465
0 70
F9 1
69
1030
A
489
50
395
87
IS3 4
114
IS3 8
2185
IS3 3
205 135
190 121
840
13 14 15 16
1260 390
900
390
80
160
390 420
99
841
F22 2
3
3230
2200
3110 530
1670
3001 581
IS3 2
581
395
800
45
2085
IS2 3
2
28
3110
2900
1398 531
87
9
400
395 1465
0 70
135 265 135 265 135 265 135 260
581
364
3000
2380
3175
495 100
IS3 12
1250
550
160
F22 4
831
9 69 653
2332
100
586 419
1260
IS3 13 IS3F22 14 5 IS3 15
1199 390
F22 1
550
500
3
400
830 400
400 402
S3 2
1000
1505
1505
F22 6
2565
IS3 11
10 11 12
120
2500
4
420
2500
5
420
304
IS3 10
IS2 3
9
300
760
F22 3
IS3 9
1670
1170
13 14 15 16
1260 160
390
F21 1
80
390
900
1400 800
3001 800 800 581
800 2000
1000
100 80
1250
390 420
99
F22 2
160
550
390
F22 1
S4 2
154
F10 1
2077
S6 2 300
250 40 831
495 586 419
1260
9
274 135 165 135 165 135
8110
830 400
1170
2000 400
5
9
F9 2
1880
S5 2
1670
8
190 121
10 11 12
5A F22 5
900
800 900
8110
5A
IS3 11
8
5B
300
1000
69
613
500
2 3 4 5 6 7
F10 1 F9 1
IS3 7
2
0
1000
1200
114
IS3 8
IS3 6
IS3 1 F16
70
300
20 1
S5 3
9
1
779
800
45
6A 6
IS3 7
F16 2
0
5B
1000
8
8
10
F17 1
S4 3
SPECIFICATIONS:
800
683
70
1200
1680
802
S5 3
150
800
600
9
20 1
100
500 1602 1398 150 230 150 1100
1472
1900
S4 5
683
ELEVATION
ELEVATION
F19 1
800
IS3 6
2565
2 3 4 5 6 7
683
600
45
779
683
F17 1
1
4
1796 134
530
10
S4 3
6A 6
1241
1680
IS3 17
1670
683
1400
1100
1472
1900
5015
600
2300
150
5015
700
683
F18 1
800
S5 4
800
531
134
2200 2200
S4 5
7
2300
F19 1
800
F17 2
2900 683
600
1915
1915
100
10
85 250
435
135 683
1915
800
IS3 17
800
7
F17 2
1000
F18 1
9
F16 1
S5 4
1000
8
700
IS3 16
F16 1
1398
1398
8
820
800
1796
1915
820
5530
480
480
10 100
2550
SCALE 1:10
9
2760
1615
S4 4 10 100
802
135
3110
700
700
815
F20 1 1015
1602
3110
IS3 16
8A
8A
400
300 2550
700
S4 4
F20 1 1015
300
2760
1615
5530
815
100
85
400
100
1220
250
435
S5 5
S5 5
1220
10
S5 6
2200
250
S5 6
10
250
9A 9
9A 9
900
900
10
500
10
500
500
100
100
150 230 150
400
2200
800
00
1241
R4
400
2200
800
00
10
-ALL DIMENSIONS ARE TO READ AND NOT MEASURED. -THIS DRAWING IS A PROPERTY OF AD 97 STUDIO. -THIS DRAWING CANNOT BE REPRODUCED WITHOUT THE PERMISSION OF AD 97 STUDIO. -ALL DIMENSIONS ARE IN mm. -ANY AMBIGUITY IN DRAWING SHOULD BE BROUGHT TO THE NOTICE OF THE ARCHITECT IMMEDIATELY AND CLARIFIED BEFORE PROCEEDING WITH ANY WORK.
31
D
2030
G
31
3230
F
31
10
C
E
19 101
3230
B
D
C
800
A1
B
31
A
A1
19
A
DISCLAIMER
AD 97
AD 97 STUDIO
BRIMINGHAM LON
CONTACT NO: 9879202972 EMAIL: anshumi.dhingra.b @cept.ac.in
INTERIOR INTERIORELEMENT ELEMENTDETAILS DETAILS BOX BOX SECTION SECTION FINISHED FINISHED WITH WITH BRASS BRASS BOX BOX CAP CAP ATAT THE THE TOP. TOP.
DISCLAIMER DISCLAIMER -ALL DIMENSIONS DIMENSIONS ARE ARE TOTO READ READ TOP TOP JUNCTION JUNCTION OFOF BOX BOX SECTION SECTION -ALL ELEVATION AND AND NOT NOT MEASURED. MEASURED. FINISHED FINISHED WITH WITH BRASS BRASS BOX BOX CAP CAP -THIS SCALE -THIS DRAWING DRAWING IS AIS PROPERTY A PROPERTY OFOF1:5 ADAD 97 97 STUDIO. STUDIO. -THIS -THIS DRAWING DRAWING CANNOT CANNOT BE BE REPRODUCED REPRODUCED WITHOUT WITHOUT THETHE PERMISSION PERMISSION OFOF ADAD 97 97 STUDIO. STUDIO. -ALL -ALL DIMENSIONS DIMENSIONS ARE ARE IN IN mm. mm. -ANY -ANY AMBIGUITY AMBIGUITY IN IN DRAWING DRAWING SHOULD SHOULD BE BE BROUGHT BROUGHT TOTO THETHE NOTICE NOTICE OFOF THETHE ARCHITECT ARCHITECT IMMEDIATELY IMMEDIATELY AND AND CLARIFIED CLARIFIED BEFORE BEFORE PROCEEDING PROCEEDING WITH WITH ANY ANY WORK. WORK.
MAHOGANY MAHOGANY WOODEN WOODEN PLANKS PLANKS SUPPORTED SUPPORTED ON ON THE THE BRASS BRASS METAL METAL PLATE. PLATE.
SPECIFICATIONS: SPECIFICATIONS: F1 F1FURNITURE FURNITURE ELEMENT ELEMENT LABEL LABEL 1 1
DISCLA
-ALL DIME AND NOT -THIS DRA AD 97 STU -THIS DRA REPRODU PERMISSIO -ALL DIME -ANY AMB SHOULD B NOTICE O IMMEDIAT BEFORE PR WORK.
SECTION SCALE 1:5
BRASS C SECTION JOINT FOR COLUMN AND CEILING BRASS BOX SECTION COLUMN CLADED WITH MAHOGANY WOOD BRASS METAL PLATE WELDED WITH THE BOX SECTION HOLDING MAHOGANY WOOD PLANK
SPECIFI
S1 S1SOFTSOFT FURNISHINGS FURNISHINGS LABEL LABEL 1 1
BRASS BRASS METAL METAL PLATE PLATE SUPPORTING SUPPORTING THE THE MAHOGANY MAHOGANY PLANKS PLANKS ASAS AA FLOATING FLOATING JUNCTION JUNCTION
F1 1
FURN
S1 1
SOFT
IS1 INTER 1
IS1 IS1 INTERIOR INTERIOR ELEMENT ELEMENT LABEL LABEL 1 1
MAHOGANY WOOD PLANK CLADED ON BRASS FINISH METAL BOX SECTION
BRASS BRASS FINISHED FINISHED METAL METAL BOX BOX SECTION SECTION ASAS THE THE MAIN MAIN STRUCTURE STRUCTURE FOR FOR THE THE METAL METAL PLATES PLATES
DRAWIN
DRAWING DRAWING TYPE: TYPE:
DETAIL
DETAIL DETAIL
SCALE
SCALE SCALE : :
1:25
1:51:5
DRAWN DRAWN BY :BY :
AD BOTTOM BOTTOM JUNCTION JUNCTION OFOF THE THE BOX BOX AD 97 97 STUDIO STUDIO SECTION SECTION WITH WITH THE THE FLOORING FLOORING PROJECT PROJECT : :
DRAWN BY :
CHECKED CHECKED BY :BY :
AD 97 STUDIO
AD AD STUDIO STUDIO 97 97
PROJE
MEDORA DETAILS
MEDORA'S MEDORA'S OFFICE OFFICE SPACE SPACE DETAILS DETAILS
SITE:
SITE: SITE:
JAI SHEFA NEHRUNA AHMEDA
JAIJAI SHEFALI-ROW SHEFALI-ROW HOUSE HOUSE NEHRUNAGAR NEHRUNAGAR AHMEDABAD AHMEDABAD
SECTION 3
CLIENT: CLIENT:
INTERIOR COLUMN DETAIL
PLAN SCALE 1:5
PLAN PLAN
Partition Detail for the Office Space: Residence Space Design
BOTTOM BOTTOM OFOF THE THE BOX BOX SECTION SECTION BOLTED BOLTED TOTO THE THE FLOOR FLOOR WITH WITH METAL METAL PLATE PLATE JOINT JOINT
BRASS C SECTION JOINT FOR COLUMN AND CEILING
AA DD 99 77
MAHOGANY WOOD PLANK CLADED ON BRASS FINISH METAL BOX SECTION
AD 97
METAL PLATE JUNCTION OF BOX SECTION WITH FLOOR
BRIMINGHAM BRIMINGHAM LONDON LONDON
SECTION 3
SUN SHIN DRIVE IN R AHMEDA
BRASS BOX SECTION COLUMN CLADED WITH MAHOGANY WOOD BRASS METAL PLATE WELDED WITH THE BOX SECTION HOLDING MAHOGANY WOOD PLANK
AD AD 9797 STUDIO STUDIO
ELEVATION ELEVATION
CLIENT
SECTION MEDORA SCALE 1:5
ELEVATION SCALE 1:5
MEDORA MEDORA FAMILY FAMILY SUN SUN SHINE SHINE PARK PARK DRIVE DRIVE IN IN ROAD ROAD AHMEDABAD AHMEDABAD
BRIMINGH
CONTAC 98792029 EMAIL: anshumi. @cept.ac
CONTACT CONTACT NO: NO: 9879202972 9879202972 EMAIL: EMAIL: anshumi.dhingra.bd14 anshumi.dhingra.bd14 SECTION 3 @cept.ac.in @cept.ac.in
INTERIOR COLUMN DETAIL
INTERIOR COLUMN DETAIL
PLAN SCALE 1:5
PLAN SCALE 1:5
METAL PLATE JUNCTION OF BOX SECTION WITH FLOOR
29
6
Retractable Screen [ DEPLOYABLE SYSTEMS ] -This workshop was intended to help us understand the concepts of TECTONIC movemen with respect to the material characteristics and behaviour. As part of this workshop, various exercises were initiated to help us understand the function of expansion and contraction along with the execution details. -The final exercise was about executing a structure that can expand and collapse in a three dimensional space. Many small scales prototypes were made to design the 1:1 details. -As the final outcome, materials that were chosen were aluminium and mild steel. The ball-joint was the prominent detail system that helped us acheive the desired output. Project Type: GROUP WORK
30
Design to Execution By detailing out the intersections of the parts by categorizing the type of joints into static and dynamic the execution of the screen was made possible. A Ball-and-socket joinery was designed as the key detail to acheive the smooth retraction and expansion movements in the screen. For this detail, metal balls were placed between two metal plates to get the desired result.
Below are the photographs of the screen to demonstrate the sequential process
Kit of Parts: Nut and Bolt Aluminium Rods Metal Balls Mild Steel Plates
31
7
Exhibition Design: [Curatorial designs] The studio was about designing an exhbition of the works of 6 different architects. The idea was to understand the complexity of showcasing an architect’s projects along with the projects of other architects in a space that has its own architectural implications. The hypothetical site for this studio project was -The New National Gallery Berlin. Since it was about curating an Exhbition -much conceptual freedom was given. The idea was to not change anything of what the site offers (eg. structure, orientation/ views, entry/ exit ..etc) and to add your own design theme to it.
32
Site: The New National Gallery, Berlin Since I was building along the site -I started with devloping my own grid in plan. This was to breakfree from the existing site box grid and also define some exhibition laying out strategy.
the site
Initial process
The idea was to put forth the curatorial concept through a layered spatial positioning of lines, surfaces, volumes and frames. The development of the interior construction follows a strict grid based placement. The site process I shows this concept.
the site
Step 2 process The highlight here is the varied view connections obtained in the space – through selective placement of the elements. The structure resembles the composition of distinct elements and curates a subtle linkage among them.
33
+
Creating boundaries Rotation (the central axis aligned to connect the front and the back) •Hierarchy •Displacement •Emphasis
a Creating boundaries
Rotation (the central axis aligned to connect the front and the back) Hierarchy | Displacement | Emphasis
b Defining zones -Subtraction, Division Placement (placing the exhibit walls according to the grid) Figure and Ground
+
Defining zones Subtraction, Division
+
Grid Optimization (Entry Path on the inside)
+
Grid Optimization (exterior grid)
Placement (placing the exhibit walls according to the grid) •Figure and Ground
c Grid Optimization -Interior Grid -Entry path
d Grid Optimization -Exterior Grid
+
Final Layout (color coded)
e Fragments
-Exhibit Layout
The idea was to emphasize elemental interaction in architecture. Many architects have individual methodology on creating dynamic relationships between various elements of architecture. The more defined ones would be floor, staircase, walls, facade, ..etc. And more conceptual ones will be planes, surfaces, lines, volumes, frames, ..etc. By selecting few projects of 6 architects, showcasing similar intent –I worked on developing my own set of rules in creating relationships between the conceptual elements. The various grids designed -makes the exhibition a holistic design rather than glorifying the work of architects next to each other
f Final Layout -Color Coded
34
Render view showing the final concept (all the grids coming in 3D)
+
Frag (Exh
__Render view showing the entrance and the yellow entry path with the Exhibition Information
FRONT ELEVATION
35
Part Section showing the various Grid heights and the intention
Exhibit Detail The Exhibit pod was also thought of -making it easier to display the architectural projects through various mediums (models, videos, drawings,..etc). This made it convenient for the visitors to look at all of the mediums side by side making it easier to understand the intention behind the project.
+ Exhibit Unit
Exhibit Panels (white)
Digital Screens (Video/ project animation)
Display Platforms(white) Exhibit Display Detail 36
View showing the exterior of the Exhibition Gallery
Interior View of the Exhibition Space
37
8
Internship [VASTU SHILPA CONSULTANTS - SANGATH] I was fortunate enough to be selected for my Internship at Dr. Balkrishna Doshi’s office, named ‘Vastu Shilpa Consultants, Sangath’ ,India. The duration of my Internship was 7 months. A brief of the project, I worked on and my role at the office-as an intern , are mentioned in this portfolio. The software , I worked on during my internship was ARCHICAD. The internship provided me with noteworthy oportunities like site visits for the projects I worked on, site visits for projects by Doshi Sir and various other leading architects working along Doshi Sir.
A view from my Work Desk
38
All of this has enhanced my professional work experience with the firm and has provided me with an opportunity to look at the designing methods of a renowned architect.
INTERIOR ELEVATIONS AND FURNITURE LAYOUTS
FALSE CEILNG LAYOUT AND DETAILS Drawing and design are the property of Vastu Shilpa Consultants and are not to be copied or used without their permission.
Drawing and design are the property of Vastu Shilpa Consultants and are not to be copied or used without their permission.
NOTES
NOTES
1. ALL DIMENSIONS SHALL BE CHECKED AND CO-RELATED WITH THE STRUCTURAL DRAWINGS AND ANY AMBIGUITY SHALL BE IMMEDIATELY BROUGHT TO THE NOTICE OF THE ARCHITECT BEFORE COMMENCEMENT OF THE WORK.
1. ALL DIMENSIONS SHALL BE CHECKED AND CO-RELATED WITH THE STRUCTURAL DRAWINGS AND ANY AMBIGUITY SHALL BE IMMEDIATELY BROUGHT TO THE NOTICE OF THE ARCHITECT BEFORE COMMENCEMENT OF THE WORK.
2. ALL DIMENSIONS ARE IN MILLIMETERS UNLESS AND OTHERWISE SPECIFIED
2. ALL DIMENSIONS ARE IN MILLIMETERS UNLESS AND OTHERWISE SPECIFIED
M.S L SECTION (AS PER SPEC.)
3. ALL LEVELS ARE FINISHED LEVELS.
01
2
1200
310
8. FOR DOOR DETAILS REFER DRWG NO. 8.1 9. FOR WINDOW DETAILS REFER DRWG NO. 9.1
DETAIL 1 ID.4.20.1
BOTTOM OF FALSE CEILING
10. FOR KITCHEN - PANTRY DETAILS REFER DRWG NO. 10.1
C4- FALSE CEILING OF GYPSUM BOARD_WHITE PAINT
2
1286
610
7
8
SUSPENSION SYSTEM (AS PER SPEC.)
600
540
WHITE BOARD
SUSPENSION WIRE (AS PER SPEC.)
760
ELECTRICAL BAND 280 MM WIDTH (AS PER SPEC.)
PORCH ABOVE
600
2 3 4 5 6 7 8 9
786 x 835
17 20 21 22
08
23 24
A4.3
25
ENTRANCE 786 x 235
FALSE CEILING ATPASSAGE 4040 MM FROM F.F.L 150 x 3055
03
FALSE CEILING AT 3010 MM FROM F.F.L
A4.1 UP
D4
300
1,500
1,750
9,920
1,900
8
7
6
5
4
3
2
1
24
23
22
21
20
19
18
17
16
15
14
13
12
11
10
9
D1
1,000
D1 D6
5,070
GENTS TOILET 309.5 x 806.5
GREEN ROOM 322.5 x 412.5
AUDITORIUM (250p)
D8
2526.5 x 1807
STAGE
IPS Flooring FALSE CEILING AT 5950 MM FROM F.F.L
CHANGING ROOM 123 x 145
815.5 x 1807 FALSE CEILING AT 4495 MM FROM F.F.L
FALSE CEILING AT 6545 MM FROM F.F.L
04
D2
D8
D2
WC
TOILET
D2
WC
95.5x145
WC
95.5x145
95.5x145
188 x 145
DUCT
D6
300
UP
705 x 120 CHANGING ROOM 123 x 145
Wooden Flooring
LOUNGE
992 x 2132
TOILET
WC
188 x 145 D8
95.5x145
WC
GREEN ROOM
A4.2
1227 x 1354
WC
95.5x145
D2
D8
1286
95.5x145
D2
D2
LADIES TOILET 321 x 569
322.5 x 412.5
04
C3- FALSE CEILING OF MICROFIBRE PINEWOOD TILE (ANUTONE MAT SOLO)/ EQUIVALENT ARMSTRONG PRODUCT_COLOR WHITE_ SIZE 600 x 1200 MM
04 LOBBY
A4.2
04 A4.2
610
D6
A4.2
+0.0
D1
150 x 3055
FALSE CEILING AT 4040 MM FROM F.F.L
D3
8
7
6
5
4
3
2
9
11
10
24
23
22
21
20
19
18
17
16
15
14
13
12
1
600
UP
UP
D4
D7
D4
FALSE CEILING AT 2540 MM FROM F.F.L
216 x 226
D4
PASSAGE UP
D1
UP
D4
500
D1
UNIVERSAL TOILET
UP
SERVICE ROOM
FALSE CEILING AT 3010 MM FROM F.F.L
D5
OPEN TO SKY WATER COURT 1748 x 502.5
OPEN TO SKY WATER BODY
100
1748 x 502.5
100
SIGNAGE PLATE STONE FLOORING (AS PER SPEC.)
FOR TENDER PURPOSE ONLY
SIGNAGE PLATE
SKIRTING (AS PER SPEC.)
STONE FLOORING (AS PER SPEC.)
EXPOSED R.C.C (AS PER SPEC.)
SKIRTING (AS PER SPEC.)
DOOR 150 CM WIDTH (AS PER SPEC.)
EXPOSED R.C.C (AS PER SPEC.)
F.F.L
M.S L SECTION (AS PER SPEC.)
KERFED JOINT (AS PER SPEC.)
(Courtyard Below)
(Courtyard Below)
PHYSICS LAB 945 x 636
Refer Sheet No. 4.1.1
W1b
D2
Screen
D5 D2
D2
D2 Cabin 192 x 208.5
CHEMISTRY LAB
Screen
945 x 693.5
Refer Sheet No. 4.1.3
CLASSROOM 1 (30) 945 x 693.5
Screen
Refer Sheet No. 4.1.2
600
Refer Sheet No. 4.0/1.C
D5
Refer Sheet No. 4.0/1.C
OTS Courtyard Below
Passage 228cm wide
Cabin-2 200 x 226.2
Working Platform (storage below)
310
+3.60
Passage 228cm wide +3.60
D5 Cabin-1 200 x 226.2
Working Platform (storage below)
W1b
SKIRTING (AS PER SPEC.)
08 A4.3
D5
CLASSROOM 2 (30)
STONE FLOORING (AS PER SPEC.)
MORTAR BED AS PER SPEC.
No.
EXPOSED R.C.C (AS PER SPEC.)
Date.
2
Remarks.
ACD_BLOCK C_FIRST FLOOR_CLASSROOM 02_SECTION 02
5
4.20.1 SCALE - 1:20
600
0.0
41
UP UP
900
2,250
1,315
2,250
2,250
3,300
100
D4
SERVICE ROOM
6,000
UP
D4
FALSE CEILING AT 2540 MM FROM F.F.L
UP
A4.1
D1
D7
D5
03
D4
3,010
2,910
19
3,010
18
900
C4- FALSE CEILING OF GYPSUM BOARD_WHITE PAINT
C3- FALSE CEILING OF MICROFIBRE PINEWOOD TILE (ANUTONE MAT SOLO)/ EQUIVALENT ARMSTRONG PRODUCT_COLOR WHITE_ SIZE 600 x 1200 MM
16
1,615
SUSPENSION SYSTEM (AS PER SPEC.)
945 x 693.5
DETAIL 02_CLASSROOM 02
Screen
BIOLOGY LAB 945 x 693.5
Screen
Refer Sheet No. 4.1.5
Refer Sheet No. 4.1.4
Passage D2
D2
230cm wide
4.20.1 SCALE - 1:5
Drinking Water D3
200
300
LANDSCAPED AREA
15
3,010
11
LANDSCAPED AREA
14
1,650
STAIRCASE
13
450
760
UP 1 10 12
3,000
660
3736 x 4980
600
495
540 760
760
760
+3010
C4- FALSE CEILING OF GYPSUM BOARD_WHITE PAINT
W1b
13,570
FALSE CEILING
434
1,500
DETAIL 01_CLASSROOM 02
1490
6
6,370
1,061
5
2,515
600
280
4
3,300
600
3
2,515 FALSE CEILING
FALSE CEILING CLOSER TO BEAM BOTTOM
KERFED JOINT (AS PER SPEC.)
2,400
2
3,900 NOTICE DISPLAY (AS PER SPEC.)
FALSE CEILING AWAY FROM BEAM BOTTOM
41
4
12. FOR VERANDAH DETAILS REFER DRAWING NO. 31.1
4.20.1 SCALE - 1:5
ELECTRICAL BAND 150 MM WIDTH (AS PER SPEC.)
1
450
175
150
AUDITORIUM_CORRIDOR_PLAN
1
ID-2.0.2 SCALE - 1:50
10. FOR KITCHEN - PANTRY DETAILS REFER DRWG NO. 10.1 11. FOR MISCELLANEOUS DETAILS REFER DRAWING NO. 29.1
C4- FALSE CEILING OF GYPSUM BOARD_WHITE PAINT
434
1
600
2
8. FOR DOOR DETAILS REFER DRWG NO. 8.1 9. FOR WINDOW DETAILS REFER DRWG NO. 9.1
61
3 1
3
20
4
4
M.S L SECTION (AS PER SPEC.)
SUSPENSION SYSTEM (AS PER SPEC.)
C3- FALSE CEILING OF MICROFIBRE PINEWOOD TILE (ANUTONE MAT SOLO)/ EQUIVALENT ARMSTRONG PRODUCT_COLOR WHITE_ SIZE 600 x 600 MM
7. FOR TOILET DETAILS REFER DRAWING. NO. 6.1
C3- FALSE CEILING OF MICROFIBRE PINEWOOD TILE (ANUTONE MAT SOLO)/ EQUIVALENT ARMSTRONG PRODUCT_COLOR WHITE_ SIZE 600 x 600 MM
61
600
UP
910
12. FOR VERANDAH DETAILS REFER DRAWING NO. 31.1
20
2
310
11. FOR MISCELLANEOUS DETAILS REFER DRAWING NO. 29.1 UP
1
1,775
D4
1280
D4
5. FOR DETAILS OF ALL CUTOUTS IN SLABS AND BEAMS REFER SERVICES CONSULTANTS DRAWINGS. 6. FOR STAIRCASE DETAILS REFER DRAWING. NO. 5.1
SUSPENSION SYSTEM (AS PER SPEC.)
DETAIL 2 ID.4.20.1
+3530
7. FOR TOILET DETAILS REFER DRAWING. NO. 6.1
1
D1
Service Room
Lift
370 x 234
190 x 170
Universal Toilet
D3
212.5 x 200 2,325
(Water Body Below)
1,130 230
GentsToilet
+3.60
DN
D3
2,115
5
150
6
3. ALL LEVELS ARE FINISHED LEVELS. 4. ALL MARGINS, CLEARENCES ETC. REQUIRED AS PER BYELAWS SHOULD BE CHECKED AND PROVIDED BY THE CONTRACTOR AND ANY DESCRIPENCIES FOUND SHOULD BE IMMIDIATELY BROUGHT TO THE NOTICE OF ARCHITECT BEFORE COMMENCEMENT OF WORK.
SUSPENSION WIRE (AS PER SPEC.)
SUSPENSION WIRE (AS PER SPEC.)
310
D4
1
SLAB BOTTOM
434
385
6. FOR STAIRCASE DETAILS REFER DRAWING. NO. 5.1
2
+4025
ID 1,895
5. FOR DETAILS OF ALL CUTOUTS IN SLABS AND BEAMS REFER SERVICES CONSULTANTS DRAWINGS.
495
150 x 3055
4. ALL MARGINS, CLEARENCES ETC. REQUIRED AS PER BYELAWS SHOULD BE CHECKED AND PROVIDED BY THE CONTRACTOR AND ANY DESCRIPENCIES FOUND SHOULD BE IMMIDIATELY BROUGHT TO THE NOTICE OF ARCHITECT BEFORE COMMENCEMENT OF WORK.
1
434
8 CORRIDOR 1
D4
UP
7
PASSAGE
495
4 CORRIDOR 2
150
3
2,015
200
(Water Body Below)
LadiesToilet
325.50 x 449.50
201.50 x578
D4
D4
D4
AUDITORIUM_CORRIDOR 1_UNFOLDED ELEVATION (1-6)
275
2
Revisions
Water Supply Connection
GOOD FOR CONSTRUCTION No.
+4025
600
ID-2.0.2 SCALE - 1:50
2,400
UP
N 600
Key Plan
3
610 775
ID
495
ELECTRICAL BAND 150 MM WIDTH (AS PER SPEC.)
1,790
310
1,060
600
TACK BOARD
Consultants Structural Consultants
Services Consultants
TACK BOARD
JHAVERI ASSOCIATES Ph. No: +91-79-2682 2828
1195
Project
Project
01 ID
RAKSHA SHAKTI UNIVERSITY CAMPUS, LAVAD, GUJARAT
1
D2
ACD_BLOCK C_FIRST FLOOR_CLASSROOM 02_RCP
RAKSHA SHAKTI UNIVERSITY CAMPUS, LAVAD, GUJARAT
280
1,030
285
JHAVERI ASSOCIATES Ph. No: +91-79-2682 2828
1,220
N
DUCON CONSULTANTS Ph. No: +91-79-4007 3196
Services Consultants
2,250
2,250
Prints Issued to
C4- FALSE CEILING OF GYPSUM BOARD_WHITE PAINT
SUSPENSION SYSTEM (AS PER SPEC.)
2,250
290
290
290 2,250
ID
DUCON CONSULTANTS Ph. No: +91-79-4007 3196
1,790
2,090
C4- FALSE CEILING OF GYPSUM BOARD_WHITE PAINT
02
Consultants Structural Consultants
FALSE CEILING 1,500
4,040
C3- FALSE CEILING OF MICROFIBRE PINEWOOD TILE (ANUTONE MAT SOLO)/ EQUIVALENT ARMSTRONG PRODUCT_COLOR WHITE_ SIZE 600 x 1200 MM
1490
FALSE CEILING
+4040
Date
Key Plan DETAIL 2 ID.4.20.1
4,025
3,010
3,010
3,010
2,010
2,010
3,010
3,010
3,010
1,000
1,000
SLAB BOTTOM
Prints Issued to
Distribution of Prints
DETAIL 1 ID.4.20.1
150
585
02 +7050
FALSE CEILING LVL
Date
+3530 BOTTOM OF FALSE CEILING
1,500
600
13,750
175
1,500
1
175
13,750
4
460
2
460
1
495
Prints Issued to C3- FALSE CEILING OF MICROFIBRE PINEWOOD TILE (ANUTONE MAT SOLO)/ EQUIVALENT ARMSTRONG PRODUCT_COLOR WHITE_ SIZE 600 x 600 MM
Remarks.
SUSPENSION WIRE (AS PER SPEC.)
1,280
Date
1,280
Prints Issued to
1,775
Date
Distribution of Prints
Date.
Revisions
SLAB BOTTOM
Dealt :
100
100
SKIRTING (AS PER SPEC.)
3
EXPOSED R.C.C (AS PER SPEC.)
RAILING (AS PER SPEC.)
SKIRTING (AS PER SPEC.)
Anshumi
Checked : Alex STONE FLOORING (AS PER SPEC.)
Scale :
As shown
Date :
28/12/17
660
Drawing No. RSU(1) - AUD(A) ID-2.0.2
Title
ACADEMIC BLOCK C_CLASSROOM 02_ TYPICAL FALSE CEILING DETAIL
760
2,250
+0.0
FFL
EXPOSED CONCRETE (AS PER SPEC.)
ELECTRICAL BAND 280 MM WIDTH (AS PER SPEC.)
Scale :
As Shown
Drawing No. RSU(1) - ACD- CID-4.20.1 Serial No.
Date :
28/12/17
###
Dealt :
100
0.0
SWICTH BOARD (AS PER SPEC.)
AUDITORIUM BLOCK A_CORRIDOR_UNFOLDED ELEVATION
340
1,550
1,220
2,250
130
300
4.20.1 SCALE - 1:20
SIGNAGE PLATE
Title
V A ST U S HIL P A C O NS UL T A NT S
V A ST U S HIL P A C O NS UL T A NT S
STONE FLOORING (AS PER SPEC.)
Anshumi
Checked : Alex
F.F.L
A r c hit ec t s I Planner s I Ur ban De s igne r s
A r c hit ec t s I Planner s I Ur ban De s igne r s
AUDITORIUM_CORRIDOR 2_UNFOLDED ELEVATION (1-4)
ID-2.0.2 SCALE - 1:50
'Sangat h', T halt ej R o ad, A hme da b a d - 3 8 0 0 5 4 P ho ne : 079 - 27 4 5 4 5 3 7 Fax : 0 79 27452006 w w w .sa nga t h.o r g e- mail: v sc @ s a nga t h.o r g
3
'Sangat h', T halt ej R o ad, A hme da b a d - 3 8 0 0 5 4 P ho ne : 079 - 2 7 4 5 4 5 3 7 Fax : 079 - 2 7 4 5 2 0 0 6 w w w .sa nga t h.o r g e- mail: v s c @ s a nga t h.o r g
ACD_BLOCK C_FIRST FLOOR_CLASSROOM 02_SECTION 01
4.20.1 SCALE - 1:20 GSPublisherEngine 0.97.100.100
GSPublisherEngine 0.0.100.96
PANTRY DETAILS AND PLATFORM DETAILS
FURNITURE DETAILS
Drawing and design are the property of Vastu Shilpa Consultants and are not to be copied or used without their permission.
Drawing and design are the property of Vastu Shilpa Consultants and are not to be copied or used without their permission. NOTES
ADMIN BLOCK B-FIRST FLOOR-PANTRY 150
UP
D4
5. FOR DETAILS OF ALL CUTOUTS IN SLABS AND BEAMS REFER SERVICES CONSULTANTS DRAWINGS.
415.5
FALSE CEILING AT 3010 MM FROM F.F.L
UP
7. FOR TOILET DETAILS REFER DRAWING. NO. 6.1 8. FOR DOOR DETAILS REFER DRWG NO. 8.1
SB
3. ALL LEVELS ARE FINISHED LEVELS.
D4
6. FOR STAIRCASE DETAILS REFER DRAWING. NO. 5.1
4. ALL MARGINS, CLEARENCES ETC. REQUIRED AS PER BYELAWS SHOULD BE CHECKED AND PROVIDED BY THE CONTRACTOR AND ANY DESCRIPENCIES FOUND SHOULD BE IMMIDIATELY BROUGHT TO THE NOTICE OF ARCHITECT BEFORE COMMENCEMENT OF WORK.
UP
637
415.5
2. ALL DIMENSIONS ARE IN MILLIMETERS UNLESS AND OTHERWISE SPECIFIED
D1
4. ALL MARGINS, CLEARENCES ETC. REQUIRED AS PER BYELAWS SHOULD BE CHECKED AND PROVIDED BY THE CONTRACTOR AND ANY DESCRIPENCIES FOUND SHOULD BE IMMIDIATELY BROUGHT TO THE NOTICE OF ARCHITECT BEFORE COMMENCEMENT OF WORK.
831
3
SB
1. ALL DIMENSIONS SHALL BE CHECKED AND CO-RELATED WITH THE STRUCTURAL DRAWINGS AND ANY AMBIGUITY SHALL BE IMMEDIATELY BROUGHT TO THE NOTICE OF THE ARCHITECT BEFORE COMMENCEMENT OF THE WORK.
D5 FALSE CEILING ATPASSAGE 4040 MM FROM F.F.L 150 x 3055
FALSE CEILING AT 2540 MM FROM F.F.L
3. ALL LEVELS ARE FINISHED LEVELS.
230
230
PANTRY CABINET TYPE D
712
2
2. ALL DIMENSIONS ARE IN MILLIMETERS UNLESS AND OTHERWISE SPECIFIED
D4
150
230
69.5
12. FOR VERANDAH DETAILS REFER DRAWING NO. 31.1
D1
50
10. FOR KITCHEN - PANTRY DETAILS REFER DRWG NO. 10.1
25
9. FOR WINDOW DETAILS REFER DRWG NO. 9.1
5. FOR DETAILS OF ALL CUTOUTS IN SLABS AND BEAMS REFER SERVICES CONSULTANTS DRAWINGS.
11. FOR MISCELLANEOUS DETAILS REFER DRAWING NO. 29.1
D6
663
9. FOR WINDOW DETAILS REFER DRWG NO. 9.1
D3
11. FOR MISCELLANEOUS DETAILS REFER DRAWING NO. 29.1
309.5 x 806.5
12. FOR VERANDAH DETAILS REFER DRAWING NO. 31.1
322.5 x 412.5
11 12
GRANITE PLATFORM (AS PER SPEC)
LANDSCAPED AREA
LANDSCAPED AREA
STAIRCASE 786 x 835
16 17 18 19 20 21
D3
10. FOR KITCHEN - PANTRY DETAILS REFER DRWG NO. 10.1
GENTS TOILET GREEN ROOM
BOX HINGE (AS PER SPEC)
9
1,253
18mm THICK PLYWOOD WITH LAMINATE FINISH (AS PER SPEC)
8
1,253
7. FOR TOILET DETAILS REFER DRAWING. NO. 6.1 8. FOR DOOR DETAILS REFER DRWG NO. 8.1
GRANITE COUNTER TOP (AS PER SPEC.)
PANTRY 278 x 196.5
6. FOR STAIRCASE DETAILS REFER DRAWING. NO. 5.1
15
SINK MIXER UNIT (AS PER SPEC).
700
1,965
PLATFORM BELOW
10
600 x 300 MM CERAMIC DADO TILES
13
STAINLESS STEEL SINK (AS PER SPEC.)
WATER PURIFIER
08
24
600
23
1,210
22
831
14
45.5
D4
2,780
24
NOTES
1. ALL DIMENSIONS SHALL BE CHECKED AND CO-RELATED WITH THE STRUCTURAL DRAWINGS AND ANY AMBIGUITY SHALL BE IMMEDIATELY BROUGHT TO THE NOTICE OF THE ARCHITECT BEFORE COMMENCEMENT OF THE WORK.
150 150
A4.3
25
D2
ENTRANCE 786 x 235
FALSE CEILING ATPASSAGE 4040 MM FROM F.F.L 150 x 3055
FALSE CEILING AT 2540 MM FROM F.F.L UP
D4
03
FALSE CEILING AT 3010 MM FROM F.F.L
A4.1 UP
D4
SERVICE ROOM
8
7
6
5
4
3
2
1
18
17
16
15
14
13
12
11
10
9
24
23
22
21
20
D1 D6
WC 95.5x145
GENTS TOILET 309.5 x 806.5
GREEN ROOM 322.5 x 412.5
AUDITORIUM (250p)
D8
2526.5 x 1807
STAGE
IPS Flooring FALSE CEILING AT 5950 MM FROM F.F.L
FALSE CEILING AT 4495 MM FROM F.F.L
D2
D8
CHANGING ROOM 123 x 145
815.5 x 1807
FALSE CEILING AT 6545 MM FROM F.F.L
04
TOILET
D2
D2
WC
WC
95.5x145
95.5x145
WC 95.5x145
188 x 145
DUCT
D6
WC 95.5x145
UP
705 x 120
04
A4.2 CHANGING ROOM 123 x 145
Wooden Flooring
TOILET
WC
WC
WC
188 x 145 D8
95.5x145
95.5x145
95.5x145
D2
D8
GREEN ROOM
LOBBY
LOUNGE
992 x 2132
1227 x 1354
A4.2
D2
321 x 569
322.5 x 412.5
04
D2
LADIES TOILET
04 A4.2 D6
A4.2
D1
UP UP
150 x 3055
FALSE CEILING AT 4040 MM FROM F.F.L
8
7
6
5
4
3
2
1
9
11
10
18
17
16
15
14
13
12
24
23
22
21
20
19
216 x 226 UP
D4
PASSAGE FALSE CEILING AT 2540 MM FROM F.F.L
D1
UNIVERSAL TOILET UP
D4
UP
D3
SERVICE ROOM
D1
FALSE CEILING AT 4495 MM FROM F.F.L
FALSE CEILING AT 6545 MM FROM F.F.L
WC 95.5x145
188 x 145
D4
FALSE CEILING AT 5950 MM FROM F.F.L
SINK SHUTTER CABINET TYPE D PLAN
1
3.10.1 SCALE - 1:10
TOILET
D7
ADMIN PANTRY DETAIL-PLAN
3.10.1 SCALE - 1:20
CHANGING ROOM 123 x 145
D4
STAGE 815.5 x 1807
19
UP
UP
D1
UP
D4
D5
03 A4.1
D1
2526.5 x 1807
IPS Flooring
1
D8
D2
D7
D8
D2
D4
AUDITORIUM (250p)
150
150
150
4
1
FALSE CEILING AT 3010 MM FROM F.F.L
D5
OPEN TO SKY WATER COURT 1748 x 502.5
OPEN TO SKY WATER BODY 1748 x 502.5
08 A4.3
3
1,965
4
2,780
1
1,965
No.
20
2
20
20
FOR TENDER PURPOSE ONLY
GRANITE (AS PER SPEC) FIXED OVER PLYWOOD WITH SUITABLE TILE ADHESIVE & TO SLOPE TOWARDS THE SINK
2,780
FOR TENDER PURPOSE ONLY 18 12
18 18
100
500
SKIRTING (AS PER SPEC)
12
Date.
Remarks.
1
750 3,125
TYPE 2.E
2 2.14.1
GREEN ROOM TABLE_PLAN
Date
Prints Issued to
Date
Prints Issued to
699.7
TYPE 2.D
TYPE 2.B
TYPE 2.C
12
5X5mm DRIP MOULD
TYPE 2.C
25.1
390
GRIP PROFILE HANDLE (AS PER SPEC.)
+0.0 FFL
DRAWER CHANNEL
12MM THK PLYWOOD WITH LAMINATE FINISH FOR DRAWERS 18MM THK PLYWOOD WITH LAMINATE FINISH
TABLE TOP OF PLYWOOD WITH LAMINATE FINISH
30 12 10 78 30
TABLE TOP OF PLYWOOD WITH LAMINATE FINISH
350
GRANITE (AS PER SPEC) FIXED OVER PLYWOOD WITH SUITABLE TILE ADHESIVE & TO SLOPE TOWARDS THE SINK
900
1,350
11c ID.9.2
DRAWER CHANNEL
250
D3
770
SINK MIXER (AS PER SPEC)
S
390
R
30 12 10 78 30
R
350
4
220
3
770
2
N
Key Plan
SB
S
30
SB
450
12 18 18
Distribution of Prints R
D3
900
N
TABLE TOP OF PLYWOOD WITH LAMINATE FINISH
783 807
1a SINK SHUTTER CABINET TYPE D ELEVATION
2
TYPE 2.D
18 12 12 18
Prints Issued to
3.10.1 SCALE - 1:10
11a ID.9.2
TYPE 2.E1
R
790 815 2,500
Date
Key Plan
2.14.1 SCALE - 1:20
390
2,225
1,200
1
No. Revisions
18 12 12 18
783 807
Prints Issued to
Distribution of Prints
1 2.14.1
10 14
575 1,025
600 x 300 MM CERAMIC DADO TILES
S
Remarks.
12MM THK PLYWOOD WITH LAMINATE FINISH FOR DRAWERS
Date 1 2.14.1
R
Date.
Revisions
DRAWER CHANNEL
12 18mm THICK SHUTTER PLYWOOD WITH LAMINATE FINISH (AS PER SPEC)
434
760
900
880
GRIP PROFILE HANDLE (AS PER SPEC.) +3,125 SLAB BOTTOM
18MM THK PLYWOOD WITH LAMINATE FINISH
2 2.14.1
390
1
Consultants Structural Consultants
12MM THK PLYWOOD WITH LAMINATE FINISH FOR DRAWERS
DUCON CONSULTANTS Ph. No: +91-79-4007 3196
18MM THK PLYWOOD WITH LAMINATE FINISH
Services Consultants JHAVERI ASSOCIATES Ph. No: +91-79-2682 2828
18mm THICK PLYWOOD (AS PER SPEC) SEALANT (AS PER SPEC)
Project
RESIDUE AS PER SITE
100MM HIGH KOTA STONE SKIRTING AS PER SPEC.
RESIDUE AS PER SITE
KOTA STONE FLOORING AS PER SPEC.
100MM HIGH KOTA STONE SKIRTING AS PER SPEC.
ADMIN PANTRY - UNFOLDED ELEVATION
3.10.1 SCALE - 1:20
18mm THICK PLYWOOD WITH LAMINATE FINISH (AS PER SPEC)
900
KOTA STONE FLOORING AS PER SPEC.
2
800
SINK (AS PER SPEC)
DUCON CONSULTANTS Ph. No: +91-79-4007 3196
Services Consultants
3
GREEN ROOM TABLE_SECTION 2
2.14.1 SCALE - 1:20
RAKSHA SHAKTI UNIVERSITY CAMPUS, LAVAD, GUJARAT
Title
75.1
100
Project
SKIRTING FLOORING (AS PER SPEC)
GREEN ROOM TABLE_SECTION 1
2.14.1 SCALE - 1:20
JHAVERI ASSOCIATES Ph. No: +91-79-2682 2828
BRICK FILLING MORTAR (AS PER SPEC)
1:5 CABINET DETAILS
2
Consultants Structural Consultants
REFERENCE LINE 18mm THICK PLYWOOD WITH LAMINATE FINISH (AS PER SPEC)
GRIP PROFILE HANDLE (AS PER SPEC)
AUDITORIUM BLOCK A_GREEN ROOM FURNITURE DETAIL
RAKSHA SHAKTI UNIVERSITY CAMPUS, LAVAD, GUJARAT
GRANITE SLAB (AS PER SPEC)
30 20 10
30 5MM DRIP MOULD 18mm THICK PLYWOOD WITH LAMINATE FINISH (AS PER SPEC)
30 20 10
18mm THICK PLYWOOD WITH LAMINATE FINISH (AS PER SPEC)
10
25 GRIP PROFILE HANDLE (AS PER SPEC.)
GRIP PROFILE HANDLE (AS PER SPEC.)
Title
20
18mm THICK PLYWOOD WITH LAMINATE FINISH (AS PER SPEC)
25
1b SINK SHUTTER CABINET TYPE D SECTION
Anshumi
Checked : Alex Dealt :
Anshumi
Checked : Monisha DRAWER SS BASKET (AS PER SPEC.)
Dealt :
ADMIN BLOCK B_PANTRY DETAIL
3.10.1 SCALE - 1:10
Scale :
As shown
Date :
18/12/17
Drawing No. RSU(1) - ADM(B) ID-3.10.1 Serial No.
Scale :
As shown
Date :
28/12/17
Drawing No. RSU(1) - AUD(A) ID-2.14.1
V A ST U S HIL P A C O NS UL T A NT S
###
A r c hit ec t s I Planner s I Ur ban De s igne r s
V A ST U S HIL P A C O NS UL T A NT S 6a UPPER CABINET HANDLE PLACEMENT DETAIL 3.10.1 SCALE - 1:5
6b PULL OUT CABINET HANDLE PLACEMENT DETAIL 3.10.1 SCALE - 1:5
6c SHUTTER CABINET HANDLE PLACEMENT DETAIL
A r c hit ec t s I Planne r s I Ur b an De s igne r s
4
3.10.1 SCALE - 1:5
GSPublisherEngine 0.95.100.89
GREEN ROOM TABLE_ELEVATION 1
2.14.1 SCALE - 1:20
'Sangat h', T halt ej R o ad, A hme da b a d - 3 8 0 0 5 4 P ho ne : 079 - 27 4 5 4 5 3 7 Fax : 079 27452006 w w w .sa nga t h.o r g e-mail: v s c @ s a nga t h.o r g
'Sangat h', T halt ej R o ad, A hme da b a d - 3 8 0 0 5 4 P ho ne : 079 - 27 4 5 4 5 3 7 Fax : 079 27452006 w w w .sa nga t h.o r g e-mail: v sc @ s a nga t h.o r g
GSPublisherEngine 0.0.100.96
39
9
Miscellaneous -----Exploring, Learning, Sketching, Visualizing, Making, Seeking & Smiling ------
40
Sketching and Colour-Representations
41
email: dhingran@mail.uc.edu
THANK YOU anshumi dhingra +1 (513)-827-5688
42