Resume
Anthony Dyk - 605-680-9406 - anthony.dyk@me.com - 37006 281st St Geddes, SD 57342
Education Platte-Geddes High - Platte, SD - 3.7 GPA - Graduated May 2010 South Dakota State University - Brookings, SD - 3.8 Current GPA - Major: Architecture - Expected date of graduation with a B.S. Architectural Studies: May 2014
Awards
- National Honor Society (High School) Junior & Senior year - President (Senior) - SDSU College of Arts & Science Dean’s List - Alpha Lambda Delta Honor Society
Skills
(2010-2014) (2010-2011)
- Computer - Adobe Illustrator, Photoshop & InDesign, Rhinoceros, Revit, SketchUp, 3D Printing - Physical - Hand drafting, modeling, drawing
Work Experience - Midwest Ag Center -Platte, SD -(2006 - present) Warehouse / Inventory Manager - In charge of restocking shelves, cleaning inventory, and rearranging inventory
01
2nd Year
Fall 2011
Fall 2011 2nd Year
Domino Project Program: Location: Project Duration: Professor:
Course:
7 Weeks Geoff Graff
Design Practice 3
The Domino Project was an exploration of Le Corbusier’s Domino House. The Domino created the opportunity to have an open floor plan that was independent of the exterior of the building. In this project we were given three partitions to use in the design of the space and a single stair. The concept that drove this project was the relationship between the interior and exterior walls. Where there is a partition, the exterior wall is a single piece of foam core. And where there is a stair, the exterior wall is double the thickness of the rest. It is open on the exterior where ever there is no objects lining up with it on the interior.
01
02
2nd Year
Spring 2012
Spring 2012 2nd Year
John Hejduk Museum
02
Program: Location: Project Duration: Professor:
Museum Berlin, Germany 7 Weeks Charles MacBride
Course:
Design Practice 4
This project was a vertical building project. The project’s location is in Berlin, Germany on the Jewish Judengang. And the museum exhibits the works of architect John Hejduk. The squares that form the spaces in the museum relate to the early works of Hejduk in which he had exercises exploring cubes, grids, and frames. The circulation of the museum acts like the Judengang in that it is a single path that goes through every room in the museum, making it a progression of John Hejduk’s work and views of the Judengang.
03
2nd Year
Spring 2012
Spring 2012 2nd Year
SDSU Visual Arts Building Program: Location:
Project Duration: Professor:
Course:
03
Visual Arts Building SDSU Campus Brookings, SD 7 Weeks Charles MacBride
Design Practice 4
This project began with the study of a precedent, James Stirling’s Neue Staatsgalerie in Stuttgart, Germany. The component that was taken from Stirling’s building was the circular courtyard in the center of the building that doubled as the main circulation space. There were two seedhouses that were located on the site, and the goal of this project was to re-purpose the existing buildings into a visual arts building for the SDSU Visual Arts Department. The requirements of the project stated that the building have an art yard to perform outdoor art projects, studio space for the students, gallery space for presentations, offices for administration, and classrooms. The design of the Visual Arts Building focused on static space and dynamic space. The classrooms and offices made up the static spaces and the art yard, studios, and gallery made up the dynamic spaces where the walls move and rotate to create multi-functional spaces for the department.
Restroom
Meeting
Milk Room
Restroom
Restroom
Restroom
Restroom
Restroom
Spring 2013
Restroom
3rd Year
Restroom
Meeting
Milk Room
Utility Room
Utility Room
Storage
Storage
04
Spring 2013 3rd Year
SDSU Milking Parlor Program: Location: Project Duration: Professor:
Course:
04
Milking Parlor Brookings, SD 7 Weeks Sara Lum
Architecture Studio 1
This was a project for a new milking parlor, the project began with visitation of a milking parlor and the studying of milking parlors. This construction type was stacking of a designed stacking unit. Research on stacking units such as brick, CMUs, and stone was done in order to do this. Above is the stacking unit used in this project, and its advantages come in the interlocking connection of the units. The units can be stacked in a way to allow for viewing through them, whether viewing the milking process or viewing the campus from the inside.
Spring 2013 3rd Year Sendai Mediatheque by Toyo Ito
05
Spring 2013 3rd Year
Mississippi River Library Program: Location: Project Duration: Professor:
Course:
05
Research Library Minneapolis, MN 7 Weeks Sara Lum
Architecture Studio 1
This project focused on the use of a common stacking unit to create a research library for the Mississippi River. The precedent for this project is the Sendai Mediatheque by Toyo Ito. The components that were brought into the Mississippi River Library were the circulation tubes that transport people, light, air, and utilities, and the use of different facades on every side of the building.
3
4
5
6
7
Spring 2013
2
1
8
9
Section Cut
DN
11
3rd Year
Mechanical
Restroom
Restroom
10
12
3rd Floor Plan
2
1
3
4
5
6
7
8
9
Enlarged Section Cut
10 UP
Mechanical
DN
Restroom
DN
Restroom
UP
11
12
2nd Floor Plan
1st Floor Plan
06
Spring 2013 3rd Year
Precast Concrete Office Building Project done with Rex Lyon
06
Program: Location: Project Duration: Professor:
Course:
Office Building
1 Semester Brain Rex
Precast Concrete Building Shop
This project focused on the building material of precast concrete. The column, beam, floor slab, and spandrel were all parts studied in this class, along with the connects between them all. The spandrel was the only piece designed in this class. The model above shows the spandrel design that worked as a wave around the column grid. For the model, the spandrels and columns were constructed with a 3D printer, the beams were made of chipboard, and the floor slabs were made out of acrylic.
Fall 2014 4th Year
N
DELIVERY
STORAGE
F
FIGURE GROUND Down
Up
ATRIUM/LOBBY
STUDIO
Up
WYETH GALLERY
CONFERENCE ROOM
VEASEY GALLERY
GIACOMETTI GALLERY
LECTURE LECTURE
NORTH LIGHTING WINTER LIGHTING SUMMER LIGHTING
Up Down
SUN DIAGRAM
S
N
1
Down
Nova Scotia Power's New Headquarters -Architects: WZMH Architects -Location: Halifax, Canada -Year: 2011 The revealing of the structure in the atrium is the aspect of this project that I took.
P
PARKING PLAN
N
R
Centre Georges Pompidou -Architect: Renzo Piano, Richard Rogers -Location: Paris, France -Year: 1976 I used the Pompidou centre as a precedent because of the way the structure and mechanicals are revealed. I used this approach in the Nick Veasey Gallery to show the “insides” of the building.
FIRST FLOOR PLAN
Kunsthaus Bregenz -Architect: Peter Zumthor -Location: Bregenz, Austria -Year: 1997 The detail of the Kunsthaus that I used in the design of the museum was the translucent glass and how it put visitor’s silhouette on display to the people outside and inside the museum.
ROOF PLAN
07
Fall 2014
ALBERTO GIACOMETTI Tall Figure II Date:1960 Medium:Bronze Dimensions: 109 1/2” x 10 1/2” x 21 3/4”
Walking Woman Date:1933 Medium:Bronze Dimensions: 59” x 10 7/8” x 14 7/8”
Tall Figure, III Date:1960 Medium:Bronze Dimensions: 7' 9" x 11 5/8" x 20 5/8" Bus Date: September 1998 Medium: C-Type Print Dimensions: 59” x 23.5"
Mini Driver Date: July 2012 Medium: C-Type Print Dimensions: 79” x 47”
V for Vendetta Date: January 2012 Medium: C-Type Print Dimensions: 23” x 23”
Plane Date: July 2001 Medium: C-Type Dimensions: 79” x 31.5”
Rock On Date: August 2011 Medium: C-Type Print Dimensions: 47” x 59”
On Your Marks Date: September 2013 Medium: C-Type Print Dimensions: 59” x 33”
Tragedy Comedy Date: June 2012 Medium: C-Type Print Dimensions: 23” x 23”
Under Sail Date: 1988 Medium: Watercolor Dimensions: 27 X 19 1/2
Pennsylvania Landscape Date: 1942 Medium: Tempera Dimensions: 26 X 19 9/16
Faraway Date: 1952 Medium: Drybrush Tempera Dimensions: 21 3/8 X 13 5/8
Flood Plain Date: 1986 Medium: Egg Tempera Dimensions: 18 5/8 X 9 3/8
Dil Huey Farm Date: 1941 Medium: Egg Tempera Dimensions: 122” X 40”
Open House Date: 1980 Medium: Dimensions: 29 7/8 X 16
Braids (Helga) Date: 1979 Medium: Drybrush Watercolor Dimensions: 25 X 25
Tall Figure IV Date:1960 Medium: Bronze Dimensions: 106 1/2” x 12” x 22”
Standing Woman Date:1948 Medium: Painted bronze Dimensions: 65 3/8” x 6 1/2” x 13 1/2"
Walking Man Date:1961 Medium:Bronze Dimensions: 72”
4th Year
Man Pointing Date:1947 Medium:Bronze Dimensions: 70 1/2” x 40 3/4” x 10 3/8"
ANDREW WYETH
NICK VEASEY
V for Vendetta
Plane
Tragedy Comedy
Flood Plain
STORAGE
Braids (Helga)
Under Sail
Pennsylvania Landscape
Open House
Rock On
Bus
WYETH GALLERY Down
Down
Up
Up
Down
VEASEY GALLERY
ATRIUM
On Your Marks
(open to below)
Dil Huey Farm
Mini Driver Faraway
Up
Up
Up
ATRIUM
ATRIUM
CONFERENCE ROOM
Man Pointing
Up
Up
Down
(open to below)
CLASSROOM
Down
Up
STUDIO
STUDIO
Down
GIACOMETTI GALLERY
Standing Woman
Walking Woman
Walking Man
OFFICE
Tall Figure III Tall Figure II
OFFICE
Tall Figure IV
BREAK ROOM
2
SECOND FLOOR PLAN
3
THIRD FLOOR PLAN
4
G.V.W. Museum of Art
07
Program: Location: Project Duration: Professor:
Course:
Museum Rapid City, SD 1 Semester Heath Bradley
Architecture Studio 2
FOURTH FLOOR PLAN
Up
The G.V.W. is a museum for the works of three artists: Alberto Giacometti, Nick Veasey, and Andrew Wyeth. These artists all have different methods of revealing humans and their surroundings. To reveal is to lay open to view; display; exhibit. Giacometti is a sculptor, Veasey is a x-ray artist, and Wyeth is a painter. Giacometti reveals the human figure as the shadow they cast, Veasey reveals the insides of objects, and Wyeth reveals the landscapes and people of his life. There are three galleries in the museum, one for each artist. Each of the galleries are designed to reveal what the artists reveal in their artwork. The Giacometti Gallery has Litracon walls and translucent glass to reveal the shadow cast from the sculptures and people visiting the museum. The Veasey Gallery reveals exposed structure around the art with lighting that works like a light box. And the Wyeth Gallery reveals the surrounding landscape of Rapid City and people viewing the artwork and this is done from the exterior with a mirrored glass.
07
4th Year
Fall 2014
07
4th Year Fall 2014
07
4th Year
Fall 2014
Fall 2014 4th Year
A
07
TRANSVERSE SECTION
B
LONGITUDINAL SECTION
March 15, 2014 Brian T. Rex Associate Professor & Department Head SDSU DoARCH Dear DoARCH, I am writing to inform you of my interest in the Master’s of Architecture at South Dakota State University. I am currently obtaining a Bachelor’s of Science degree in Architectural Studies from South Dakota State University, and currently hold a GPA of 3.796. While attending SDSU, I have put my education first and have had the honor of being on the Dean’s List every semester. I chose architecture at SDSU because I always wanted to become an architect and being in the first class in a new program offered me something that not too many people get. Graduate school has always been my plan when I came to SDSU for architecture, and the professors that I have had and will continue to work with have made me stick to my plan of wanting to further my education at SDSU. The work of the department with the small towns of South Dakota has always been something that I would like to get involved with and one of my goals for graduate school is to aid in the process and help further the research that the department has initiated. Being from a small town in South Dakota, I have always wanted to increase the impact of architecture and design in these towns. And the impact of this department on the towns of South Dakota would be a great opportunity for me to join in on. Given my education and experience, I am confident that I am an excellent fit for the SDSU DoARCH program. I would be honored with the chance of continuing to be in the first class to take new steps for this growing and excelling program. Respectfully, Anthony Dyk