Undergraduate + Graduate
ET RE ST TH 28 STAFF
STAFF
BOOK COLLECTIONS
COLLECTIONS / ACTIVE SPACES
CAFE
LOBBY / ENTRANCE
2
3
RECIEVING
STAFF
COLLECTIONS (ARCHIVES)
COLLECTIONS / ACTIVE SPACES
UTILITIES / MECHANICAL
ACTIVE SPACES
24 HOUR
NON 24 HOUR
ET
1
ST RE
2014-2015
MATERIALS COLLECTION
TH
Anthony Dyk
7TH FASHION LABS
28
PORTFOLIO
READING ROOM / RUNWAY
COMPUTER LABS / FASHION LABS
AVEN
UE
R E V E A L
1a
COURSE: (Undergraduate) Architecture Studio II PROFESSOR: Heath “Tad” Bradley N
PROJECT DATE: Fall 2013 REVEAL is a museum for the works of
three artists: Alberto Giacometti, Nick
Veasey, and Andrew Wyeth. These artists all have different methods of revealing humans
and
their
surroundings.
To
reveal is to lay open to view, display, or
exhibit. Giacometti is a sculptor, Veasey is a x-ray artist, and Wyeth is a painter.
Giacometti reveals the human figure as
the shadow they cast, Veasey reveals the insides of objects through x-ray, and Wyeth reveals the landscapes and people
of his life. There are three galleries in
the museum, one for each artist. Each of the galleries are designed to reveal what the artists reveal in their artwork. The Giacometti Gallery has Litracon
walls and translucent glass to reveal the
shadow cast from the sculptures and people visiting the museum. The Veasey Gallery reveals exposed structure around
the art with exhibit lighting that acts like a light box. And the Wyeth Gallery reveals
the surrounding landscape of Rapid City and people viewing the artwork and this
is done from the exterior with a mirrored glass.
Site Plan (Rapid City) 0’
50’
100’
200’
400’
R E V E A L
1b
B
B
B
B Plane
V for Vendetta
DELIVERY
Tragedy Comedy
Flood Plain
STORAGE
STORAGE
Braids (Helga)
Under Sail
Pennsylvania Landscape
Open House
Rock On
Bus
WYETH GALLERY Down
Down
Up
Down
Up
Up
Down
VEASEY GALLERY
ATRIUM
On Your Marks
(open to below)
ATRIUM/LOBBY
Mini Driver Faraway
Up
Up
Up
A
Up
A
A
A ATRIUM
ATRIUM
(open to below)
LECTURE
CONFRENCE ROOM
Man Pointing
Up
Up
Up
Down
CLASSROOM
Down
Up
STUDIO
STUDIO
Down
Down
GIACOMETTI GALLERY
Standing Woman
Walking Woman
Walking Man
OFFICE
Tall Figure III Tall Figure II
OFFICE
Tall Figure IV
BREAK ROOM
B
N
LONGITUDINAL SECTION SCALE: 1/8” = 1’-0”
Nova Scotia Power's New Headquarters -Architects: WZMH Architects -Location: Halifax, Canada -Year: 2011 The revealing of the structure in the atrium is the aspect of this project that I took.
Centre Georges Pompidou -Architect: Renzo Piano, Richard Rogers -Location: Paris, France -Year: 1976 I used the Pompidou centre as a precendent because of the way the structure and mechanicals are revealed. I used this approach in the Nick Veasey Gallery to show the “insides” of the building.
Kunsthaus Bregenz -Architect: Peter Zumthor -Location: Bregenz, Austria -Year: 1997 The detail of the Kunsthaus that I used in the design of the museum was the translucent glass and how it put visitor’s silhouette on dislay to the people outside and inside the museum.
1
FIRST FLOOR PLAN
Up
Dil Huey Farm
N
2
SCALE: 1/8” = 1’-0”
N
SECOND FLOOR PLAN
3
SCALE: 1/8” = 1’-0”
ALBERTO GIACOMETTI Walking Woman Date:1933 Medium:Bronze Dimensions: 59” x 10 7/8” x 14 7/8”
Tall Figure II Date:1960 Medium:Bronze Dimensions: 109 1/2” x 10 1/2” x 21 3/4”
Man Pointing Date:1947 Medium:Bronze Dimensions: 70 1/2” x 40 3/4” x 10 3/8"
Walking Man Date:1961 Medium:Bronze Dimensions: 72”
Standing Woman Date:1948 Medium: Painted bronze Dimensions: 65 3/8” x 6 1/2” x 13 1/2"
Tall Figure IV Date:1960 Medium: Bronze Dimensions: 106 1/2” x 12” x 22”
THIRD FLOOR PLAN
N
4
SCALE: 1/8” = 1’-0”
FOURTH FLOOR PLAN SCALE: 1/8” = 1’-0”
ANDREW WYETH
NICK VEASEY Tall Figure, III Date:1960 Medium:Bronze Dimensions: 7' 9" x 11 5/8" x 20 5/8" Bus Date: September 1998 Medium: C-Type Print Dimensions: 59” x 23.5"
Mini Driver Date: July 2012 Medium: C-Type Print Dimensions: 79” x 47”
V for Vendetta Date: January 2012 Medium: C-Type Print Dimensions: 23” x 23”
Plane Date: July 2001 Medium: C-Type Dimensions: 79” x 31.5”
Rock On Date: August 2011 Medium: C-Type Print Dimensions: 47” x 59”
On Your Marks Date: September 2013 Medium: C-Type Print Dimensions: 59” x 33”
Tragedy Comedy Date: June 2012 Medium: C-Type Print Dimensions: 23” x 23”
Under Sail Date: 1988 Medium: Watercolor Dimensions: 27 X 19 1/2
Pennsylvania Landscape Date: 1942 Medium: Tempera Dimensions: 26 X 19 9/16
Faraway Date: 1952 Medium: Drybrush Tempera Dimensions: 21 3/8 X 13 5/8
Flood Plain Date: 1986 Medium: Egg Tempera Dimensions: 18 5/8 X 9 3/8
Dil Huey Farm Date: 1941 Medium: Egg Tempera Dimensions: 122” X 40”
Open House Date: 1980 Medium: Dimensions: 29 7/8 X 16
Braids (Helga) Date: 1979 Medium: Drybrush Watercolor Dimensions: 25 X 25
CONFLICT
2a X
COURSE: (Undergraduate) Architecture Studio III
X
X
X X X
PROFESSOR: Jessica Garcia Fritz
X
X X Lobby
Cafe
X
X
PROJECT DATE: Spring 2014 This project takes the typical spaces of cinemas today, such as the raked seating, screening room, and waiting and gathering spaces, and starts to associate them with conflicting programs. Conflict will happen in the cinema’s screening rooms and gathering spaces. The conventional screening room space becomes the waiting space that then functions as a gathering and cafe space. And the conventional gathering area and area under that typical rake become the screening room. Instead of a typical cinema experience, one will not be able to associate the program to the spatial sequences that they may follow as easily as before.
X
UP
X
X
Cafe Kitchen UP
X
X
X
X
X
X X
X
X
X
X
X
X
X
X
UP
X X
X X
X
Tickets / Concessions
Lobby
Screening Room
X X
UP
X UP
X X
X X
15°
Storage
Tickets / Concessions
Projecting Room
Screening Room
UP
UP
N 0’
5’
10’
20’
40’
N 0’ 5’ 10’ 20’ 40’
Foundation Wall
Footing
Steel Open Web Joist
Howe Long Span Steel Truss
12” Standard Steel Beam
12” Standard Steel Column
24” Standard Steel Beam
CONFLICT 2b
VEILING SUSPENSION
3a
COURSE: (Graduate) Integrated Studio II
MOST DENSE
MADISON SQUARE GARDEN
PROFESSOR: Federico Garcia Lammers PROJECT DATE: Spring 2015
LEAST DENSE
SUBWAY RED LINE
BROADWAY
PARTNER: Alex Krug
8TH AVENUE
PROPOSED LIBRARY
SITE
NYC PUBLIC LIBRARIES
SITE
FIT CAMPUS
SUBWAY BLUE LINE
POPULATION DENSITY DURING STANDARD WORKING HOURS
POPULATION DENSITY DURING NON STANDARD WORKING HOURS
POPULATION DENSITY DURING STANDARD WORKING HOURS
27TH STREET
SITE PLAN (MANHATTAN, NEW YORK) 112’ 225’
450’
900’
READING ROOM / RUNWAY
COMPUTER LABS / FASHION LABS
7TH FASHION LABS
MATERIALS COLLECTION
T
0’
RE E
N
ST
28TH STREET
POPULATION DENSITY DURING NON STANDARD WORKING HOURS
TH
Veiling Suspension acts as an extension of the Fashion Institute of Technology’s library and allows the collections to grow and give the public access to what has become an exclusive trade. To exaggerate this idea even further, the library will be set up with a 24-hour program to match the cycle of New York City and give the field of fashion a transparency and accessibility that is rarely seen.
7TH AVENUE
28
Veiling suspension is made up of four components: the steel superstructure, the steel suspension cables, the building volumes that are hung from superstructure, and the woven steel mesh envelope. The envelope functions like a veil that conceals the superstructure and suspended building volumes. This creates ambiguity of form that mimics a garment that alters the form of a model, concealing certain parts of the body while accentuating others.
STAFF
STAFF
BOOK COLLECTIONS
COLLECTIONS / ACTIVE SPACES
CAFE
LOBBY / ENTRANCE
RECIEVING
STAFF
COLLECTIONS (ARCHIVES)
COLLECTIONS / ACTIVE SPACES
UTILITIES / MECHANICAL
ACTIVE SPACES
24 HOUR
TH
ST
R EE
T
NON 24 HOUR
28
When coming from F.I.T., one enters from 28th street onto the transition bridge that is suspended between the hanging volumes of the library. The atrium located in the center of the library separates the hanging volumes into 24 hour and non 24-hour spaces. Interrupting the atrium, the collections pull out from the rest of the volumes establishing their importance to the library. As you look up, one sees a glimpse of the suspension bridge that all the volumes are hung from. The suspension bridge located on the top floor, overlooks the surrounding buildings, and is the terminus of the journey through the library. Along with being the main structural component of the project, it functions as a reading room during the day and a transparent runway at night for all of Manhattan.
AVEN
UE
VEILING SUSPENSION
3b
UP
DN
DN
UP
UP
DN
COLLECTIONS
RECEIVING
LOBBY
UP
READING ROOM / MULTI-USE
DN
DN
UP
UP
DN
EXTERIOR SPACE
STAFF
LOWER LEVEL 1 (RECEIVING)
LEVEL 1 (TRANSITION BRIDGE)
LEVEL 6 (MATERIAL COLLECTIONS)
LEVEL 9 (SUSPENSION BRIDGE)
SUPER STRUCTURE
CABLE STRUCTURE
SUSPENDED MASSES
ENVELOPE
1 2 3 N
4 5
48’
6 7 8 9 LEVEL 9
10
RUNWAY
LEVEL 8
COMPUTER LABS / FASHION LABS
LEVEL 7
FASHION LABS MATERIAL COLLECTIONS
LEVEL 6
EXTERIOR SPACE STAFF
LEVEL 5
BOOK COLLECTIONS LEVEL 4
LEVEL 3
LEVEL 2
11 12 13 14
READING / ACTIVE SPACES
15
CAFE
16
LOBBY / ENTRANCE RECEIVING
17 18 19 20 21
UTILITIES / MECHANICAL
LEVEL 1
Key 1
FLEXMESH ROLLER
2
FLEXMESH SUPPORT
3 22
24 HOUR
NON 24 HOUR LOWER LEVEL 1
STEEL WIRE ROPE FLEXMESH
4
STEEL W BEAM
5
DOUBLE WEBBED STEEL BEAM
6
DOUBLE PANE INSULATED GLASS
7
STEEL PLATE
8
CABLE PIN AND ANCHOR
9
ANCHOR BOLT
10 LOWER LEVEL 2
LOWER LEVEL 3
LOWER LEVEL 4
23 24 25
FIT CAMPUS
24’
PROPOSED SHoP C2 BUILDING
12’
FIT CAMPUS
6’
28TH AVENUE
0’
STEEL CABLE
11
GLASS COVER
12
RUBBER GROMMET
13
FIREPROOFING
14
STEEL FLASHING
15
TIE-BACK CABLE
16
FERRULE SLEEVE
17
ANGLE IRON
18
RUBBER ROOFING MEMBRANE
19
RIGID INSULATION
20
STEEL WEB JOIST
21
GYPSUM BOARD
22
SINGLE PANE GLASS
23
POLISHED CONCRETE SLAB
24
STEEL DECKING
25
W BEAM WRAP
ENLARGED SECTION 0’
1’
2’
4’
8’
R E S U M E
R ANTHONY DYK
SKILLS
CONTACT
COMPUTER: ADOBE ILLUSTRATOR, PHOTOSHOP, INDESIGN, RHINO, REVIT
-phone - 605-680-9406
HAND: DRAFTING, MODELING
-email - anthony.dyk@jacks.sdstate.edu
EDUCATION
WORK EXPERIENCE
Platte-Geddes High - Platte, SD - 3.7 GPA - Graduated May 2010
Midwest Ag Center -Platte, SD -2008 - 2014 -Summer work
South Dakota State University - Brookings, SD - 3.8 GPA - Major: Architecture - B.S. Architectural Studies: May 2014
Recent work included a complete store redesign and reset that included the design of the inventory layout and the store entrance. Other tasks were being a cashier, cleaning, restocking inventory, resetting inventory, constructing hoop building, appliance delivery and installation, and other miscellaneous tasks.
CURRENT EDUCATION South Dakota State University Masters in Architectural Studies: Expected in Dec. 2016