Portfolio

Page 1

Undergraduate + Graduate

ET RE ST TH 28 STAFF

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BOOK COLLECTIONS

COLLECTIONS / ACTIVE SPACES

CAFE

LOBBY / ENTRANCE

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3

RECIEVING

STAFF

COLLECTIONS (ARCHIVES)

COLLECTIONS / ACTIVE SPACES

UTILITIES / MECHANICAL

ACTIVE SPACES

24 HOUR

NON 24 HOUR

ET

1

ST RE

2014-2015

MATERIALS COLLECTION

TH

Anthony Dyk

7TH FASHION LABS

28

PORTFOLIO

READING ROOM / RUNWAY

COMPUTER LABS / FASHION LABS

AVEN

UE


R E V E A L

1a

COURSE: (Undergraduate) Architecture Studio II PROFESSOR: Heath “Tad” Bradley N

PROJECT DATE: Fall 2013 REVEAL is a museum for the works of

three artists: Alberto Giacometti, Nick

Veasey, and Andrew Wyeth. These artists all have different methods of revealing humans

and

their

surroundings.

To

reveal is to lay open to view, display, or

exhibit. Giacometti is a sculptor, Veasey is a x-ray artist, and Wyeth is a painter.

Giacometti reveals the human figure as

the shadow they cast, Veasey reveals the insides of objects through x-ray, and Wyeth reveals the landscapes and people

of his life. There are three galleries in

the museum, one for each artist. Each of the galleries are designed to reveal what the artists reveal in their artwork. The Giacometti Gallery has Litracon

walls and translucent glass to reveal the

shadow cast from the sculptures and people visiting the museum. The Veasey Gallery reveals exposed structure around

the art with exhibit lighting that acts like a light box. And the Wyeth Gallery reveals

the surrounding landscape of Rapid City and people viewing the artwork and this

is done from the exterior with a mirrored glass.

Site Plan (Rapid City) 0’

50’

100’

200’

400’


R E V E A L

1b

B

B

B

B Plane

V for Vendetta

DELIVERY

Tragedy Comedy

Flood Plain

STORAGE

STORAGE

Braids (Helga)

Under Sail

Pennsylvania Landscape

Open House

Rock On

Bus

WYETH GALLERY Down

Down

Up

Down

Up

Up

Down

VEASEY GALLERY

ATRIUM

On Your Marks

(open to below)

ATRIUM/LOBBY

Mini Driver Faraway

Up

Up

Up

A

Up

A

A

A ATRIUM

ATRIUM

(open to below)

LECTURE

CONFRENCE ROOM

Man Pointing

Up

Up

Up

Down

CLASSROOM

Down

Up

STUDIO

STUDIO

Down

Down

GIACOMETTI GALLERY

Standing Woman

Walking Woman

Walking Man

OFFICE

Tall Figure III Tall Figure II

OFFICE

Tall Figure IV

BREAK ROOM

B

N

LONGITUDINAL SECTION SCALE: 1/8” = 1’-0”

Nova Scotia Power's New Headquarters -Architects: WZMH Architects -Location: Halifax, Canada -Year: 2011 The revealing of the structure in the atrium is the aspect of this project that I took.

Centre Georges Pompidou -Architect: Renzo Piano, Richard Rogers -Location: Paris, France -Year: 1976 I used the Pompidou centre as a precendent because of the way the structure and mechanicals are revealed. I used this approach in the Nick Veasey Gallery to show the “insides” of the building.

Kunsthaus Bregenz -Architect: Peter Zumthor -Location: Bregenz, Austria -Year: 1997 The detail of the Kunsthaus that I used in the design of the museum was the translucent glass and how it put visitor’s silhouette on dislay to the people outside and inside the museum.

1

FIRST FLOOR PLAN

Up

Dil Huey Farm

N

2

SCALE: 1/8” = 1’-0”

N

SECOND FLOOR PLAN

3

SCALE: 1/8” = 1’-0”

ALBERTO GIACOMETTI Walking Woman Date:1933 Medium:Bronze Dimensions: 59” x 10 7/8” x 14 7/8”

Tall Figure II Date:1960 Medium:Bronze Dimensions: 109 1/2” x 10 1/2” x 21 3/4”

Man Pointing Date:1947 Medium:Bronze Dimensions: 70 1/2” x 40 3/4” x 10 3/8"

Walking Man Date:1961 Medium:Bronze Dimensions: 72”

Standing Woman Date:1948 Medium: Painted bronze Dimensions: 65 3/8” x 6 1/2” x 13 1/2"

Tall Figure IV Date:1960 Medium: Bronze Dimensions: 106 1/2” x 12” x 22”

THIRD FLOOR PLAN

N

4

SCALE: 1/8” = 1’-0”

FOURTH FLOOR PLAN SCALE: 1/8” = 1’-0”

ANDREW WYETH

NICK VEASEY Tall Figure, III Date:1960 Medium:Bronze Dimensions: 7' 9" x 11 5/8" x 20 5/8" Bus Date: September 1998 Medium: C-Type Print Dimensions: 59” x 23.5"

Mini Driver Date: July 2012 Medium: C-Type Print Dimensions: 79” x 47”

V for Vendetta Date: January 2012 Medium: C-Type Print Dimensions: 23” x 23”

Plane Date: July 2001 Medium: C-Type Dimensions: 79” x 31.5”

Rock On Date: August 2011 Medium: C-Type Print Dimensions: 47” x 59”

On Your Marks Date: September 2013 Medium: C-Type Print Dimensions: 59” x 33”

Tragedy Comedy Date: June 2012 Medium: C-Type Print Dimensions: 23” x 23”

Under Sail Date: 1988 Medium: Watercolor Dimensions: 27 X 19 1/2

Pennsylvania Landscape Date: 1942 Medium: Tempera Dimensions: 26 X 19 9/16

Faraway Date: 1952 Medium: Drybrush Tempera Dimensions: 21 3/8 X 13 5/8

Flood Plain Date: 1986 Medium: Egg Tempera Dimensions: 18 5/8 X 9 3/8

Dil Huey Farm Date: 1941 Medium: Egg Tempera Dimensions: 122” X 40”

Open House Date: 1980 Medium: Dimensions: 29 7/8 X 16

Braids (Helga) Date: 1979 Medium: Drybrush Watercolor Dimensions: 25 X 25


CONFLICT

2a X

COURSE: (Undergraduate) Architecture Studio III

X

X

X X X

PROFESSOR: Jessica Garcia Fritz

X

X X Lobby

Cafe

X

X

PROJECT DATE: Spring 2014 This project takes the typical spaces of cinemas today, such as the raked seating, screening room, and waiting and gathering spaces, and starts to associate them with conflicting programs. Conflict will happen in the cinema’s screening rooms and gathering spaces. The conventional screening room space becomes the waiting space that then functions as a gathering and cafe space. And the conventional gathering area and area under that typical rake become the screening room. Instead of a typical cinema experience, one will not be able to associate the program to the spatial sequences that they may follow as easily as before.

X

UP

X

X

Cafe Kitchen UP

X

X

X

X

X

X X

X

X

X

X

X

X

X

X

UP

X X

X X

X

Tickets / Concessions

Lobby

Screening Room

X X

UP

X UP

X X

X X

15°

Storage

Tickets / Concessions

Projecting Room

Screening Room

UP

UP

N 0’

5’

10’

20’

40’


N 0’ 5’ 10’ 20’ 40’

Foundation Wall

Footing

Steel Open Web Joist

Howe Long Span Steel Truss

12” Standard Steel Beam

12” Standard Steel Column

24” Standard Steel Beam

CONFLICT 2b


VEILING SUSPENSION

3a

COURSE: (Graduate) Integrated Studio II

MOST DENSE

MADISON SQUARE GARDEN

PROFESSOR: Federico Garcia Lammers PROJECT DATE: Spring 2015

LEAST DENSE

SUBWAY RED LINE

BROADWAY

PARTNER: Alex Krug

8TH AVENUE

PROPOSED LIBRARY

SITE

NYC PUBLIC LIBRARIES

SITE

FIT CAMPUS

SUBWAY BLUE LINE

POPULATION DENSITY DURING STANDARD WORKING HOURS

POPULATION DENSITY DURING NON STANDARD WORKING HOURS

POPULATION DENSITY DURING STANDARD WORKING HOURS

27TH STREET

SITE PLAN (MANHATTAN, NEW YORK) 112’ 225’

450’

900’

READING ROOM / RUNWAY

COMPUTER LABS / FASHION LABS

7TH FASHION LABS

MATERIALS COLLECTION

T

0’

RE E

N

ST

28TH STREET

POPULATION DENSITY DURING NON STANDARD WORKING HOURS

TH

Veiling Suspension acts as an extension of the Fashion Institute of Technology’s library and allows the collections to grow and give the public access to what has become an exclusive trade. To exaggerate this idea even further, the library will be set up with a 24-hour program to match the cycle of New York City and give the field of fashion a transparency and accessibility that is rarely seen.

7TH AVENUE

28

Veiling suspension is made up of four components: the steel superstructure, the steel suspension cables, the building volumes that are hung from superstructure, and the woven steel mesh envelope. The envelope functions like a veil that conceals the superstructure and suspended building volumes. This creates ambiguity of form that mimics a garment that alters the form of a model, concealing certain parts of the body while accentuating others.

STAFF

STAFF

BOOK COLLECTIONS

COLLECTIONS / ACTIVE SPACES

CAFE

LOBBY / ENTRANCE

RECIEVING

STAFF

COLLECTIONS (ARCHIVES)

COLLECTIONS / ACTIVE SPACES

UTILITIES / MECHANICAL

ACTIVE SPACES

24 HOUR

TH

ST

R EE

T

NON 24 HOUR

28

When coming from F.I.T., one enters from 28th street onto the transition bridge that is suspended between the hanging volumes of the library. The atrium located in the center of the library separates the hanging volumes into 24 hour and non 24-hour spaces. Interrupting the atrium, the collections pull out from the rest of the volumes establishing their importance to the library. As you look up, one sees a glimpse of the suspension bridge that all the volumes are hung from. The suspension bridge located on the top floor, overlooks the surrounding buildings, and is the terminus of the journey through the library. Along with being the main structural component of the project, it functions as a reading room during the day and a transparent runway at night for all of Manhattan.

AVEN

UE


VEILING SUSPENSION

3b

UP

DN

DN

UP

UP

DN

COLLECTIONS

RECEIVING

LOBBY

UP

READING ROOM / MULTI-USE

DN

DN

UP

UP

DN

EXTERIOR SPACE

STAFF

LOWER LEVEL 1 (RECEIVING)

LEVEL 1 (TRANSITION BRIDGE)

LEVEL 6 (MATERIAL COLLECTIONS)

LEVEL 9 (SUSPENSION BRIDGE)

SUPER STRUCTURE

CABLE STRUCTURE

SUSPENDED MASSES

ENVELOPE

1 2 3 N

4 5

48’

6 7 8 9 LEVEL 9

10

RUNWAY

LEVEL 8

COMPUTER LABS / FASHION LABS

LEVEL 7

FASHION LABS MATERIAL COLLECTIONS

LEVEL 6

EXTERIOR SPACE STAFF

LEVEL 5

BOOK COLLECTIONS LEVEL 4

LEVEL 3

LEVEL 2

11 12 13 14

READING / ACTIVE SPACES

15

CAFE

16

LOBBY / ENTRANCE RECEIVING

17 18 19 20 21

UTILITIES / MECHANICAL

LEVEL 1

Key 1

FLEXMESH ROLLER

2

FLEXMESH SUPPORT

3 22

24 HOUR

NON 24 HOUR LOWER LEVEL 1

STEEL WIRE ROPE FLEXMESH

4

STEEL W BEAM

5

DOUBLE WEBBED STEEL BEAM

6

DOUBLE PANE INSULATED GLASS

7

STEEL PLATE

8

CABLE PIN AND ANCHOR

9

ANCHOR BOLT

10 LOWER LEVEL 2

LOWER LEVEL 3

LOWER LEVEL 4

23 24 25

FIT CAMPUS

24’

PROPOSED SHoP C2 BUILDING

12’

FIT CAMPUS

6’

28TH AVENUE

0’

STEEL CABLE

11

GLASS COVER

12

RUBBER GROMMET

13

FIREPROOFING

14

STEEL FLASHING

15

TIE-BACK CABLE

16

FERRULE SLEEVE

17

ANGLE IRON

18

RUBBER ROOFING MEMBRANE

19

RIGID INSULATION

20

STEEL WEB JOIST

21

GYPSUM BOARD

22

SINGLE PANE GLASS

23

POLISHED CONCRETE SLAB

24

STEEL DECKING

25

W BEAM WRAP

ENLARGED SECTION 0’

1’

2’

4’

8’


R E S U M E

R ANTHONY DYK

SKILLS

CONTACT

COMPUTER: ADOBE ILLUSTRATOR, PHOTOSHOP, INDESIGN, RHINO, REVIT

-phone - 605-680-9406

HAND: DRAFTING, MODELING

-email - anthony.dyk@jacks.sdstate.edu

EDUCATION

WORK EXPERIENCE

Platte-Geddes High - Platte, SD - 3.7 GPA - Graduated May 2010

Midwest Ag Center -Platte, SD -2008 - 2014 -Summer work

South Dakota State University - Brookings, SD - 3.8 GPA - Major: Architecture - B.S. Architectural Studies: May 2014

Recent work included a complete store redesign and reset that included the design of the inventory layout and the store entrance. Other tasks were being a cashier, cleaning, restocking inventory, resetting inventory, constructing hoop building, appliance delivery and installation, and other miscellaneous tasks.

CURRENT EDUCATION South Dakota State University Masters in Architectural Studies: Expected in Dec. 2016


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