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from Antiques & Auction News - October 7, 2022

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“Modigliani Up Close”

First Exhibition To Spotlight Conservation Research Exploring Modigliani’s Working Methods And Materials

This fall, in celebration of its centennial, the Barnes Foundation will present “Modigliani Up Close,” a major loan exhibition that shares new insights into Amedeo Modigliani’s working methods and materials. On view in the Roberts Gallery from Sunday, Oct. 16, through Jan. 29, 2023, “Modigliani Up Close” is curated by an international team of art historians and conservators: Barbara Buckley, senior director of conservation and chief conservator of paintings at the Barnes; Simonetta Fraquelli, independent curator and consulting curator for the Barnes; Nancy Ireson, deputy director for collections and exhibitions and Gund family chief curator at the Barnes; and Annette King, paintings conservator at Tate, London.

“Modigliani Up Close” is sponsored by Morgan Stanley and Comcast NBCUniversal. Additional support is provided by the David Berg Foundation, Sue Perel Rosefsky, Alter Family Foundation, Pamela and David Berkman, Julie Jensen Bryan and Robert Bryan, Laura and Bill Buck, Marianne Dean, Dietz & Watson, Roberta and Carl Dranoff, Deborah Glass, Anne and Matt Hamilton, Pamela and James Hill, Amy DonohueKorman and John Korman, Sueyun and Gene Locks, the Samuel P. Mandell Foundation, Yasmina M. Moukarzel, Nicole and James Schaeffer, Joan Thalheimer, Harriet and Larry Weiss, Margaret and Tom Whitford, Randi Zemsky and Bob Lane, and other generous individuals.

Amedeo Modigliani (1884–1920) is among the most celebrated artists of the 20th century. While many exhibitions have endeavored to reunite his paintings, sculptures, and drawings, “Modigliani Up Close” offers a unique opportunity to examine their production and explore how Modigliani constructed and composed his signature works. Featuring new scholarship that builds on research that began in 2017 with the major Modigliani retrospective at Tate Modern, this single-venue exhibition and its accompanying catalogue are the culmination of years of research by conservators and curators across Europe and the Americas. Modigliani Up Close furthers understanding of Modigliani’s approach to his art, refines a chronology of his paintings and sculptures, and helps to establish the locations and circumstances of where he worked.

“We are pleased to present this major exhibition that offers a detailed investigation of Modigliani’s unique style,” says Thom Collins, Neubauer family executive director and president. “Stemming from a multiyear, global research effort, the show has brought

the international art community together to create a collaborative vision of the artist’s practice, leaving a lasting legacy for future Modigliani scholarship. The Barnes collection is home to 16 works by the artist, one of the largest and most important groups of the artist’s works in the world, and the project provided a unique opportunity to fully explore their significance. We see once more how Dr. Barnes broke new ground in the history of collecting modern art.”

Featuring nearly 50 works from major collections and organized into thematic sections, the exhibition presents paintings and sculptures alongside new findings that have resulted from the technical research of collaborating conservators, conservation scientists, and curators. Using analytical techniques, including Xradiography, infrared reflectography, and X-ray fluorescence

Amedeo Modigliani’s “Jeanne Hébuterne with Yellow Sweater,” 1918–19, Solomon R. Guggenheim Museum, New York, Solomon R. Guggenheim Founding Collection, by gift, 37.533, Image is courtesy of The Solomon R. Guggenheim Foundation / Art Resource, N.Y. spectroscopy (XRF), conservators and conservation scientists reveal previously unknown aspects of Modigliani’s work. Visitors will feel closer to Modigliani as an artist, seeing his work through the eyes of the experts, catching glimpses of the artist’s hand hidden beneath the surfaces of his work.

“Thanks to the work of conservators and curators from museums around the globe, ‘Modigliani Up Close’ offers an unrivaled opportunity to understand how the artist made his iconic paintings and sculptures,” says Nancy Ireson. “The exhibition is a perfect demonstration of how, in addition to producing innovative research, the Barnes Foundation brings together colleagues in the field to share their findings and thoughts.”

This exhibition holds a special significance at the Barnes, as Dr. Albert C. Barnes was one of Modigliani’s earliest collectors in the United States and helped shape the artist’s critical reception in this country. In addition to

works on paper, there are 12 significant paintings and one carved stone sculpture by Modigliani in the Barnes collection. With 12 paintings each, the Barnes and the National Gallery of Art in Washington, D.C., have the largest collections of Modigliani paintings in the world.

To learn more about works in “Modigliani Up Close,” visitors can use Barnes Focus, a mobile guide that works on any smartphone with a web browser. Previously only accessible for works in the Barnes collection, “Modigliani Up Close” marks the first occasion Barnes Focus can be used to explore loaned works in an exhibition. To use it, visitors simply open the guide by navigating to barnesfoc.us on a mobile browser and focus on a work of art; the guide will recognize the work and deliver information about it. Barnes Focus also leverages the Google Translate API, so you can automatically translate the guide into a variety of languages. Catalogue

Edited by Barbara Buckley, Simonetta Fraquelli, Nancy Ireson, and Annette King, the fully illustrated exhibition catalogue, including 360 images, offers a focused exploration of how Modigliani constructed and composed his signature works and sheds light on Dr. Barnes’s role in the trajectory of Modigliani’s career. The Barnes collection is home to one of the most important groups of Modigliani works in the world, and the catalogue brings these works together with some 50 other important examples from public and private collections around the world.

The Barnes Foundation is located at 2025 Benjamin Franklin Parkway in Philadelphia.

To learn more, visit www.barnesfoundation.org.

Amedeo Modigliani’s “La Chevelure noire, dit aussi Jeune fille brune assise,” 1918, Musée Picasso, Paris MP201730, is courtesy RMN-Grand Palais / Art Resource, N.Y., photo Adrien Didierjean, image credit courtesy of RMN-Grand Palais / Art Resource, N.Y.

Amedeo Modigliani’s “Head,” ca. 1911, Harvard Art Museums/Fogg Museum, Cambridge, Mass., is a gift of Lois Orswell, 1992.254, and image courtesy of President and Fellows of Harvard College.