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VOL. 45, NO. 4 FRIDAY JANUARY 24, 2014
Winterthur Announces Landmark Acquisition Of Pennsylvania German Decorative Arts interthur Museum, Garden & Library has announced a landmark acquisition from the estate of Pastor Frederick S. Weiser (1935-2009), which contains a large religious text signed by Andreas Kolb that is widely regarded by scholars and collectors as one of the greatest Pennsylvania German fraktur ever made. Fraktur is a Germanic style of decorative work on paper. As one of the largest acquisitions in the museum’s history, the collection includes 121 fraktur, plus nearly 200 textiles and other items, in addition to Pastor Weiser’s extensive research papers. “Winterthur is honored to have acquired this exceedingly important collection. We thus preserve the legacy of an extraordinary scholar and establish Winterthur’s already excellent collection of Pennsylvania German decorative arts as among the top few institutional holdings,” said Winterthur director Dr. David P. Roselle. A prolific writer and longtime editor of the Pennsylvania German Society, Pastor Weiser is considered one of the foremost scholars and collectors of Pennsylvania German decorative arts. He published numerous books and articles on Pennsylvania German arts and culture in addition to directing several major research projects that resulted in publications and exhibitions. “Pastor Weiser’s exceptional collection will be preserved largely in its entirety at Winterthur, where it can be studied alongside his extensive research files, which were donated by his estate to the Winterthur Library,” said J. Thomas Savage, director of museum affairs at Winterthur. Assembled by Pastor Weiser over a span of more than 40 years and with a careful eye to collecting the most significant or rare examples, the collection includes many objects acquired directly from descendants of the original owner or maker. Many objects were featured in Pastor Weiser’s publications, exhibitions, and lectures and represent a core group of
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Religious text by Andreas Kolb, Montgomery County, Pa., circa 1785. Winterthur Museum purchase with funds provided by the Henry Francis du Pont Collectors Circle. Photo courtesy of Winterthur, by Jim Schneck. This extraordinary fraktur is a masterpiece from the hand of Andreas Kolb, a Mennonite schoolmaster and fraktur artist who taught in Montgomery and Lehigh counties during the late 1700s. Lavishly illustrated with birds, flowers, human figures, and a large double eagle at center, it is signed by Kolb at the top center.
well-documented pieces on which scholars rely. Linda Eaton, Winterthur’s John L. and Marjorie P. McGraw director of collections and senior curator of textiles, added, “We are thrilled to bring the Weiser collection to Winterthur, where the historical and artistic significance of this exceptional collection will be preserved and made accessible to a broad audience.” Additional highlights from the Weiser fraktur collection include a large alphabet made in 1795 by Jacob Otto,
a joiner and fraktur artist who worked in Lancaster County; a spiritual clockworks attributed to itinerant artist Friedrich Krebs; several dozen small drawings that were given to students by their schoolmasters as rewards for good behavior or academic performance; certificates for birth, baptism, and confirmation; bookplates, writing samples (Vorschriften), and cutworks (Scherenschnitte); religious texts, tunebooks, and hymnals; and New Year’s greetings, valentines, and assorted drawings of
Drawing of two parrots and flowers, attributed to Daniel Otto, Centre County, Pa., circa 1815. Winterthur Museum purchase with funds provided by the Henry Francis du Pont Collectors Circle; photo, Jim Schneck. Daniel Otto was another one of Henrich Otto’s sons who became a fraktur artist. The colorful parrots on this fraktur are likely fanciful interpretations of the Carolina parakeet; now extinct, it was once common in Pennsylvania and the only parrot species native to North America. Cutwork picture of two soldiers by the SusselWashington Artist, Lancaster County, Pa., circa 1776. Winterthur Museum purchase with funds provided by Nicholas and Jo Helen (Left) Embroidered hand towel by Nancy Bomberger, Wilson, Thomas K. Johnson II, Bridget and Al Lancaster County, Pa., 1840. Winterthur Museum purchase Ritter, and the Henry Francis du Pont with funds provided by the Henry Francis du Pont Collectors Collectors Circle; photo, Jim Schneck. Circle; photo, Jim Schneck. This intricate cutwork picture depicts two solMade to hang on a door as decoration, this hand towel has diers with crossed swords; one wears a red extensive embroidered decoration of flowers, vases, birds, coat and the other blue. It was found in a stars, and three alphabets. It was made in 1840 by Nancy Mennonite family Bible from Lancaster Bomberger, who stitched her name and the following verse at County, where the artist (whose name is the center: “When I am Dead and Buried And all my Bones unknown) worked in the mid-1770s. Given the are Rotten / When This You See Remember me Leist I Should imagery, it likely dates to the start of the be forgotten.” American Revolution, circa 1776.
buildings, people, flowers, and animals. “This acquisition contains many important forms and artists not previously represented at Winterthur,” said Lisa Minardi, assistant curator at Winterthur and a specialist in Pennsylvania German decorative arts who was mentored by Pastor Weiser. “In addition to his extraordinary fraktur collection, Pastor Weiser assembled a highly important group of Pennsylvania German textiles. Winterthur is now one of the leading institutions in the country for the study of Pennsylvania German decorative arts.” Among the textiles acquired by Winterthur are 30 hand towels, which are long, narrow linen panels embellished with embroidery and drawnwork that were hung on a door for decoration. Most were made by young Schwenkfelder and Mennonite women in Lancaster, Lebanon, and Montgomery counties. Other noteworthy textiles in the collection include an embroidered handkerchief owned by Maria Huber of Lancaster County and dated 1768; two embroidered pockets, one dated 1781; rare articles of clothing with provenance; small cloth bags used by housewives to save garden seeds from year to year; and bedding, including pieced pillowcases that will help provide context for documenting the use of various printed textile patterns. Other items include a redware mug stamped by John Bell of Waynesboro, Pennsylvania, and five Easter eggs that were dyed a reddish-brown color with onionskins, then decorated by scratching designs through the coating to reveal the white shell. Owing to their extreme fragility, very few early examples have survived. One is dated 1816 and descended in the family of its original owner; another is embellished with the word “EASTER” and came from the area of Gettysburg. Pastor Weiser had a longstanding relationship with Winterthur, beginning in 1969 when he cataloged and translated the museum’s fraktur collection. Four years later, Winterthur Portfolio published his seminal (Continued on page 2)
Pillowcase by Mary Ann Weaver, probably Lancaster County, Pa., 1857. Winterthur Museum purchase with funds provided by the Henry Francis du Pont Collectors Circle; photo, Jim Schneck. One of a pair, this colorful pillowcase has an appliqué design of red and green tulips and flowers. The maker, Mary Ann Weaver, stitched her name and the date of 1857 at one end.