S
San Sherif
San Sherif Designed by Dela Lampacher
abc
ALPHABET Alphabet alphabet
12 Pt. SAN
24 Pt.
SAN
48 Pt.
96 Pt.
130 Pt.
SAN
SAN
SAN
UPPERCASE
ABCDE F G H IJ K LMNOP QRSTU VWXYZ
A Illustrator
Glyphs
Fontself
UPPERCASE
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
HEADLINE HEADLINE OR TWO LINES
BLAUES NON RED BOOK
TYPO GO BLUMENTOPFERDE KENNEN KEINE BLUMENTOPFERDE ODER DOCH
NOW OR NEVER EVER AGAIN
EX OT IC
Um ein möeglicherweise extraor-
dinäeres Gericht zu zubereiten werden benöetigt, Apfel Banane und Cucumber mit Dattel, Eis und Fenchel ohne
Gorgonzola dafüer mit Himbeeren, Ingwer, Johnnisbeeren und Kiwi.
Danach Letuche mit 5 Mandarinen und etwas Nüessen, 2 Orangen und Pflaumen. Das ganze quer in 3 Reihen auf einem schöenen Teller unvermischt
verteilen und mit etwas wie man auf Englisch sagt yoghurt mischen. Bei bedarf mit x-beliebig viel Zucker versüesßen.
- San Sherif
21
One 1 two 2 three 3 forty 40 five 5 sixtysix 66 followed by seventy 70
then eight 8 or eigthy 80 and not to
forget the 9.With another 0 added it
is 90 and then with a 9 itis 99. After
it hits the 100 and so on.
LOWERCASE
a b c d e fg h ij k l m nopqrst uvwxyz
f Illustrator
Glyphs
Fontself
LOWERCASE
a b c d e f g h i j k l m n o p q r s t u v w x y z
headlines headline or deadline
mumien those roses are mad red And suddenly a movement in the corner of the room
and I feel like liefert eine kurze Beschreibung des Seiteninhalts dessen Inhalt komplett kopiergeschuetzt ist
ac ti on
BUS bus : 17 53 25a
Being sober on a bus is, like, totally
different than being drunk on a bus. -Ozzy Osbourne
RED The Color
Red is the color of fire and blood, so it is associated with energy, war, danger, strength, power, determination as well as passion, desire, and love.
CALL
Red is a very emotionally intense color. It enhances human metabolism, increases respiration rate, and raises blood pressure. It has very high visibility, which is why stop signs, stoplights, and fire equipment are usually painted red. In heraldry, red is used to indicate courage. It is a color found in many national flags around the globe. The color red indicates strength and perseverance. It can improve the self-confidence of those who are shy or are in lack of willpower. The red color signals physical movement and gives us vitality. It is the color of sexuality and it can stimulate deep and intimate passion. Love and sex on the positive side, or revenge and anger on the negative side.
+ 911
Whatever, wherever,
whenever typography is alive.
123 NUMBERS Numbers numbers
12 Pt. 0123456789
24 Pt.
0123456789
48 Pt.
96 Pt.
130 Pt.
0123456789
01234
5678
o Illustrator
Glyphs
Fontself
Mumien sind eingepackte tote Wesen die verwesen wie ein Besen
12 16
TYPO Type design is the art and process of designing typefaces. It is often used synonymously with the term font design; technically, font design is the rendering of a typeface design into an entire available family of keyboardable characters, while typeface design is the shaping of individual glyphs, albeit with an eye to the eventual incorporation as a font. For the purposes of this article, the term typeface design will include the design of fonts. A typeface differs from other modes of graphic production such as handwriting and drawing in that it is the mechanical storage and dispensation of alphanumeric characters. Each of the characters is stored in a master archetype form and then a user, by means of hand picking (handset metal type), a keyboard or other means selects individual characters to set into the text.
Gutenbergs most important innovation in the mid 15th century development of his press was not the printing itself, but the casting of Latinate types. Unlike Chinese characters, which are based on a uniform square area, European Latin characters vary in width, from the very wide to the slender. Gutenberg developed an adjustable mold which could accommodate an infinite variety of widths. From then until at least 400 years later, type started with cutting punches, which would be struck into a brass matrix. The matrix was inserted into the bottom of the adjustable mold and the negative space formed by the mold cavity plus the matrix acted as the master for each letter that was cast. The casting material was an alloy usually containing lead, which had a low melting point, cooled readily, and could be easily filed and finished. In those early days, type design had to not only imitate the
San Sherif
look at this typeface
Faculty of Design and Art
Free University of Bozen-Bolzano Typeface design Dela Lampacher
Summer Semester 2018
Prof. Antonino Benincasa Prof. a.c. Emilio Grazzi
Prof. RTD Valeria Burgio Calligraphy Workshop Mag. Art. Eva Pรถell www.kallos.at
S