Anvil Arts: Dramas at The Haymarket Mar - May 2019

Page 1

DRAMA AT

THE HAYMARKET BASINGSTOKE MAR – MAY 2019

01256 844244 anvilarts.org.uk


BOOKING DETAILS 01256 844244 anvilarts.org.uk box.office@anvilarts.org.uk By phone: phone lines are open 10am – 6pm Mon – Sat, later on performance evenings. Please note the lines are very busy at 10am. A queueing system may be in operation. The Haymarket box office counter: open one hour before performances.

Post-show talks

Some performances in our drama programme will be accompanied by a free talk.

Group and school rates

Group rate available

School rate available

For more information on group and school booking rates and availability, please email group.booking@anvilarts.org.uk or call the Group Booking Line on 01256 366935 (answer service when not staffed).

JOIN IN THE CONVERSATION • Join our free email list for the latest news, events, competitions and more. Visit anvilarts.org.uk to sign up today • Follow us on social media

14 – 15 Mar, 2pm & 7.30pm Proteus Theatre Company presents

This is London, October 1987, Black Monday. This is a tale of greed, betrayal and murder. This is Macbeth. Award-winning theatre company Proteus present a re-imagining of Shakespeare’s Macbeth as a corporate thriller which explores race, class and identity, and the pressures faced by first generation British-born children of immigrants, set against the background of the ‘greed is good’ corporate landscape of 1980s Britain. £23, 2pm £20 Over 65s £2 off, f/t students £14 (includes £3 booking fee) Suitable for: ages 12 and over 2pm


“Impressively seamless... sophisticated... thought-provoking” ★★★★★ Theatre News

Wed 10 Apr, 7.30pm Roughhouse & Live Wire Theatre Companies present

The Long Walk Back by Dougie Blaxland

Based on real life events, The Long Walk Back tells the story of England cricketer’s Chris Lewis’ fall from grace. Within months of his cricketing career ending, his life lay in ruins when he was sentenced for smuggling cocaine into the UK. The Long Walk Back dramatises the extraordinary journey that took Chris from the brink of despair to a profound moral awakening. But there is far more to this captivating drama than at first meets the eye; set in the cell that Chris occupies alone throughout his sentence, who is the stranger in the room? £19.50 (includes £3 booking fee)

2 – 6 Apr, 7.30pm Thu & Sat 2pm Dermot McLaughlin Productions with The Mercury Theatre Colchester and Wolverhampton Grand Theatre present

Suitable for: ages 15 and over with Chris Lewis and Roughhouse Theatre Director Shane Morgan

“Brimming with charisma and honesty” ★★★★★ The Stage on When The Eye Has Gone

by Henry James, adapted by Tim Luscombe starring Janet Dibley (Doctors, EastEnders) and Maggie McCarthy (Call the Midwife) “I don’t save or shield them. It’s as bad as I feared – they’re lost” 1840. A young governess agrees to look after two orphaned children in Bly, a seemingly idyllic country house. But shortly after her arrival, she realises that they are not alone. There are others – the ghosts of Bly’s troubled past. The Governess will risk everything to keep the children safe, even if it means giving herself up to The Others. Years later, confronted by the past, she is compelled to account for what actually happened to her and the innocents under her protection… Tue – Sat £29, 2pm £27.50 Under 25s and f/t students £15.50 (includes £3 booking fee) Suitable for: ages 14 and over

Thu 4 Apr, 7.30pm

“...all the ingredients of a terrifying mystery” ★★★★ Remote Goat “Intelligent, insightful” ★★★★ The Stage

“Theatre of the highest quality” British Theatre Guide


17 – 18 Apr, 7.30pm Thu 2pm

2 – 4 May, 7.30pm Sat 2pm

European Arts Company presents

New Old Friends presents

Belgian detective extraordinaire, Artemis Arinae, is enjoying a cruise along the Nile when tragedy strikes again. The passengers and staff are suspects, the murder count is growing… Will Arinae’s little grey cells identify the murderer in time? Following a sell-out West End run, European Arts Company brings this brilliant dramatisation of the libel and criminal trials of Oscar Wilde, written by his grandson Merlin Holland. Thursday 14 February 1895 was the triumphant opening night of The Importance of Being Earnest and the zenith of Wilde’s career. Less than 100 days later, he found himself sentenced to two years hard labour. So what happened during the trials and what did Wilde say? Was he persecuted or the author of his own downfall? By using the actual words spoken in court, we can feel what it was like to be in the company of a flawed genius – as this less than ideal husband is suddenly reduced to a man of no importance. Wed – Thu £23, 2pm £21 Under 25s and f/t students £12 (includes £3 booking fee)

A cast of just four perform multiple outrageous characters, inventive set pieces and whisk the plot along in this Agatha Christie-inspired comedy thriller. Thu – Sat £23, 2pm £21 Under 25s and f/t students £12 (includes £3 booking fee)

Sat 4 May, 2pm

“Velocity and immaculate timing” Reviews Hub

Wed 17 Apr, 7.30pm

“Please don’t miss The Trials of Oscar Wilde – utterly compelling and heart-rending. Brilliant ensemble acting. GO!!!” Stephen Fry

“A beguiling Wilde in a smart play that reveals the establishment at its worst” ★★★★ The Guardian

“Murder most fun” British Theatre Guide


20 – 22 May, 7.30pm Wed 2pm Angela Browne Ltd in association with Tabs Productions present

by Anthony Horowitz (The Power of Five and Alex Rider series) Following a West End run, the mind bending psychological thriller Mindgame will be coming to The Haymarket. Mark Styler, a writer of glossy ‘true crime’ paperbacks, has no idea what he’s walking into when he tries to get an interview with Easterman, a notorious serial killer. First he has to get past Dr Farquhar, the quixotic head of Fairfields – the asylum where Easterman is kept. But soon he discovers that nothing is what it seems. Who is the mysterious Borson? Where did he get the meat in the fridge? And why isn’t the skeleton in the closet?

“Madly brilliant” ★★★★ The Times

£28 Under 25s and f/t students £20 (includes £3 booking fee)

“A masterstroke” ★★★★ The Guardian

Tue 21 May, 7.30pm

“Puccini without a safety net” ★★★★ Evening Standard Fri 31 May, 7.30pm OperaUpClose presents Puccini’s

“A cracking thriller with hints and ambiguities, twists and turns from one end to the other... go out and see it” Nottingham Post “Intriguing and chilling” Derbyshire Times “A clever twisting thriller” Maidenhead Advertiser

“A huge artistic success” New York Times

La Bohème

in a new English version by Robin Norton-Hale OperaUpClose bring their Olivier Award-winning, English adaptation of Puccini’s La Bohème set to Robin Norton-Hale’s thought-provoking libretto. One of the most accessible and moving operas ever written, La Bohème charts the ups and downs of a group of idealistic graduates. Aspiring novelist Rodolfo discovers a harsher reality when he falls for immigrant cleaner Mimi, while his best friend Marcello’s tempestuous relationship with his on-off girlfriend Musetta brings humour and fireworks to the stage. £26 Under 25s and f/t students £18 (includes £3 booking fee)


HOW TO FIND US

The Haymarket Wote Street, Basingstoke, Hampshire, RG21 7NW By car: from the ring road or junction 6 of the M3, follow signs for Basingstoke town centre and then the brown signs for The Haymarket. Parking is available in several surface car parks or in Festival Place shopping centre. Coach drop off point in Red Lion Lane. By train/bus: Basingstoke train and bus stations are both a 10 minute walk away, through Festival Place shopping centre.

01256 844244 | anvilarts.org.uk The Anvil Trust is an independent educational charity The Anvil Trust Limited Registered in England No 2720007 Registered Charity No 1034961

Supported by:

This brochure is printed on Chorus Lux Silk Design: Splash of Paint Š 2019 splashofpaint.com


Turn static files into dynamic content formats.

Create a flipbook
Issuu converts static files into: digital portfolios, online yearbooks, online catalogs, digital photo albums and more. Sign up and create your flipbook.