International Concert Series 2016-2017
GREAT
PERFORMANCE
–
LIVE
We would like to express our gratitude for their support to all donors to the Great Music of the World Fund. President: Lord Sainsbury of Preston Candover KG
Keystone Donor Lord & Lady Sainsbury of Preston Candover through the Linbury Trust
Major Donors Mr Peter Bedford Mr Jan Bowlus The Bulldog Trust Mrs P Cadbury Hackwood Arts Trust Jeremiah Colman Trust Mr P Degermark Edward Garside Mr and Mrs J M Holden Sally Jones Anthony and Alison Milford Sir John Milne David & Diana Norman The Countess of Portsmouth Mr & Mrs John Raymond Mr Stuart Roden Mr & Mrs G J Rushbrook Prof J M Smith Mr & Mrs Michael Steen Leslie Strickland Tenon Philip and Jill Walsh Michael Webster P S Wilmot-Sitwell足
Donors Mr J E Ainger Mrs A Amery Mrs B M Anderson Mrs J Anderson Mr P Andreae Mr D P Andrew Mr & Mrs R Applin Mr Mark Armitage Lord Ashburton Miss A Askew Mr A Auld Mr & Mrs R Austin Mr & Mrs T Ayres Mr & Mrs G Band Mrs I Baring Mr J Barlow Mr R S R Beers Mr & Mrs J F & P A Bell Mr & Mrs K Benjamin Mrs L J Benson Mr B Bessant Mr J Beswick Mr & Mrs A R Bishop Mr Desmond Boddington Mr W G Bradfield Mr P Bridger Mr M Broadbent Mrs F Brown Mr & Mrs Michael Campbell Mr B Cape Mr & Mrs J Carpenter Mr & Mrs N Carpenter Mr & Mrs B Cazenove Mr P Chalkley Mr J D Challen Mr & Mrs T Chamberlain Mr J Chambers Mr J Clark Mr & Mrs P Clarke Mr & Mrs V Cole Mr J Cook Mr Anthony Cooke Mr P W Cooke Mr P Cooper Mr & Mrs M Courage Mr N Craig-Harvey Mrs J Crawford Mr & Mrs M Cubitt Mr & Mrs J Curtis Mr & Mrs E Davidson Mrs J L Davies Mr M Del Mar Mr P Denison Mr & Mrs Dennis Mrs E J Dent Mr & Mrs J H Dingle Mr G Dixon Mrs A Doe
Mr W Donnelly Mr P Edwards Mr and Mrs T W Edwin Mr H Ellis Mrs M Ellis Mr & Mrs P Ely Dr G Everett Mr & Mrs J Fathers Mr & Mrs F & V Faulks Dr & Mrs H Fawcett Mrs H Ferranti Mr T Floyd Miss H A T Friend Mr R Brian Gaiger Mr & Mrs D Gallagher Dr A E Gallon Mr R T Gaskell Mrs C Gath Mr & Mrs M Gibbons Mr D Gilbert Mr J Glyn Mr & Mrs A Goodman Mr & Mrs R Goodwin Mr & Mrs D Gordon Mrs M Greayer Mrs D Gregory Major D Grehan Mr & Mrs D Griffiths Ms J Griffiths Mr J Groves Mr T Guinness Mr & Mrs R Gulliver Mr J Gutteridge Mr M Haitham-Taylor Mr M Hall Mr H G Hands Mr N J Harding Mr P Hardy Mr R W Hartman Mr C Hinxman Mr D Hobbs Dr J M Hollas Mr G Hollingbery Mr J Huggins Mr & Mrs G Hulme Mr B Hunt Dr E M Husband Mrs E Hyman Mr J Inman Mr & Mrs J James Mrs E Jamieson Mr & Mrs B Jenkins Mr & Mrs J Jervoise Miss R G C Jones Mrs S Jones Mr & Mrs N Keeley Mrs R Kemp Mr M Kemp-Gee Mr & Mrs J M Kempton Mrs P KendrickThomas
Dr & Mrs I Kerr Mrs J Kilby Mrs E Kirk Mrs Y Laceby-Stevens Mr & Mrs H J Langley Mr D de Laszlo Sir Christopher and Lady Lawrence-Jones Mr C J Leach Mr D Leathers The Leathersellers Company Charitable Fund Mrs D Lee-Brown Cllr and Mrs J Leek Mr P Lowden Mr & Mrs J Lupton The Hon. N MacAndrew Mr & Mrs J Machray Mr D Mackenzie Mr M P Maclay Mr & Mrs J MacMahon Sir Nevil MacReady Mr & Mrs C Marriott Miss E Marlow Mrs S E Marriott Mr V Matthews Mr N McNair-Scott Mr & Mrs G Meads Mr & Mrs A Metcalfe Mr R Middleton Dr J Miles Mr A Milway Cllr & Mrs D Mirfin Mr & Mrs W Monk Mr & Mrs E Moore Dr & Mrs J Moore Dr M Moore Mr I Morrison Mr W Morrison Mr R Morse Mr & Mrs T Newman Mr & Mrs R Niddrie Mrs M Oliver Mr B Orange Mr C PalmerTomkinson Mr & Mrs D Paravicini Mr Alan Parfitt Miss B Parker Mr & Mrs S Parkhurst Dr P Payne Mr Alan R Pearce Miss C Penrith Mr & Mrs J E Pern Mrs R Phillips Mr J Pike Mr & Mrs G Porter Mrs E Preece Mr & Mrs D Price Mr R Prince Miss E Pringle
Mr M Pullan Mr M Rallis Mr M Redfern Ms H Reed Mr M A Rich Mrs N Richardson Mr & Mrs R Richardson Miss F A Rigg Mr A Rogers Mrs A C Rowland Mrs J M Rudd Mr & Mrs L Rudd Mr & Mrs J E Ruddle Mr & Mrs J Russell Mr & Mrs J Salkeld Mr & Mrs A G Savin Mr & Mrs R Scrase Mr S Shaw Mr D Sherlock Dr E G Skinner Mrs P Skinner Ms F Squire Ms E Mary Stephens Mrs E Steptoe Mr & Mrs A Stobart Mr A Stokoe Mr J Stubbs Mrs B Taylor-King Mr & Mrs A C Thomas Mr D Thomas D足足r & Mrs P Thrift Mrs S D Thrift Miss N Thurston Mrs D M Tosswill Mrs S Turnbull Mrs R Waddell Mrs H Wakefield Lord Wakeham Mr & Mrs G V Walker Dr J Wall Lady Jane Wallop Mr & Mrs D Weait Mr & Mrs A Weal Mrs A Webster Mr R J Weller Mr S S Wertheimer Mr & Mrs P White Mrs M Wilks Dr & Dr J Williams Dr & Mrs P R Williams Mr & Mrs O Winkler von Stiernhielm Mr R Witton Mr G Woodward Mrs I Woolgar Dr & Mrs N Wright Mr & Mrs G Youell Mr S de Zoete and anonymous donors
Welcome
The 2016-17 International Concert Series includes twelve concerts, with music ranging from the seventeenth century to the present day, performed by some of the finest orchestras, conductors and instrumentalists. Our titled orchestras, the Philharmonia Orchestra and the Orchestra of the Age of Enlightenment, bring us some of their most ambitious and exciting concerts; we have artists making their Anvil debut as well as old friends returning; so come and join us to enjoy great performance – live, in Basingstoke. Take advantage of our subscription deals and enjoy more concerts. Please see the booking form at the back of the brochure for full details of the packages available. 1. 2. 3. 4. 5. 6. 7. 8. 9. 10. 11. 12.
Friday 30 September Sunday 16 October Thursday 3 November Saturday 19 November Wednesday 18 January Wednesday 1 February Tuesday 21 February Friday 3 March Saturday 18 March Friday 7 April Friday 5 May Tuesday 23 May
Brussels Philharmonic Orchestra London Philharmonic Orchestra Bournemouth Symphony Orchestra Philharmonia Orchestra Bergen Philharmonic Orchestra Philharmonia Orchestra Philharmonia Orchestra Bournemouth Symphony Orchestra Orchestra of the Age of Enlightenment Philharmonia Orchestra Bournemouth Symphony Orchestra Moscow Philharmonic Orchestra
EXTRA CONCERTS Wednesday 30 November Sunday 26 March Wednesday 28 June
Zurich Chamber Orchestra Philharmonia at the Movies Orchestra of the Age of Enlightenment
CONCERTS START AT 7.45PM TICKETS £40, £36, £29, £22, £14 (EXCEPT EXTRA CONCERTS) UNDER 16s AND FULL-TIME STUDENTS £10 (includes £2 booking fee) Many concerts have pre-concert talks – please ask the box office for details 01256 844244 box.office@anvilarts.org.uk Group booking: 01256 366935 group.booking@anvilarts.org.uk
Stéphane Denève
1
Beethoven
Symphony no. 6 (Pastoral)
Connesson
Friday 30 September
Brussels Philharmonic Orchestra The five movements of Beethoven’s symphony encompass the joys of solitary contemplation and a peasants’ celebration, a summer thunderstorm, and a final hymn of thanksgiving. It’s followed by two short
pieces by Guillaume Connesson, a composer who Flammenschrift tonight’s conductor rates very highly. Their brilliantly E chiaro nella valle colourful orchestration and surging momentum make il fiume appare them extremely effective. The concert ends with
Respighi
Pines of Rome
Stéphane Denève
Respighi’s spectacular musical depiction of some of the sights, sounds and history of Rome, an orchestral tour de force. Children playing, a lonely chapel, and a nightingale all make their appearance, before the final triumphant march of the Roman legions.
“The playing was terrific in its poise and immediacy” The Guardian on the Brussels Philharmonic Orchestra
“A master colourist with music” Philadelphia Daily News on Stéphane Denève
Sofia Fomina
2
Beethoven
Violin Concerto
Mahler
Symphony no. 4
Sofia Fomina
soprano
Thomas Zehetmair
Thomas Zehetmair
Sunday 16 October
London Philharmonic Orchestra Beethoven’s Violin Concerto begins with five strokes of the timpani, and unfolds from this simple beginning into the greatest of all concertos for the instrument. The Fourth is Mahler’s most serene symphony, written at a time when everything in his life seemed to be going well. After three graceful and mostly good humoured movements, it concludes with a child’s-eye view of heaven, as a place where food, games and music overflow in abundance.
violin/conductor
“A genuine, unaffected, sensitive singer” Auditorium on Sofia Fomina
“Thomas Zehetmair is a scintillating violinist and an inspired conductor” The Guardian
Nicholas McGegan
3 Mozart
Serenade Eine kleine Nachtmusik Horn Concerto no. 3
Kate Royal
Thursday 3 November
Bournemouth Symphony Orchestra One of Mozart’s most popular and familiar works opens this concert, full of lively and charming music. The Horn Concerto no. 3 is the richest and finest of Mozart’s four, with the inclusion of clarinets adding both colour and chromaticism to the piece. Beethoven’s dramatic aria Ah,
Beethoven
Ah perfido!
Schubert
Symphony no. 5
Perfido! is a fine concert piece dating from the composer’s early years in Vienna. Schubert’s symphony is one of the most melodic and genial pieces that he ever wrote. Its four movements are perfectly proportioned and full of memorable music.
Nicolas Fleury horn
Kate Royal soprano
Nicholas McGegan
“He’s a dynamo, a true animator, an energiser and an ignition point from which music can take off and take wing. I don’t think McGegan could be dull if you paid him.” Herald Scotland
Alice Sara Ott
4
Borodin
Overture: Prince Igor
Tchaikovsky Piano Concerto no. 1
Rachmaninov
Symphony no. 1
Alice Sara Ott piano
Vladimir Ashkenazy
Saturday 19 November
Philharmonia Orchestra
Vladimir Ashkenazy
The fine overture to Borodin’s uncompleted opera gives a good indication of the musical richness of the score. Tchaikovsky’s piano concerto set the pattern for many future pieces with its dramatic confrontation between heroic soloist and eloquent orchestra. Rachmaninov’s First Symphony may have suffered from a disastrous first performance, but is a strong and characteristic piece, which shows the ambitious young composer flexing his compositional muscles to telling effect. The Philharmonia Orchestra is Anvil Arts Orchestra in Partnership
“Her technique is dazzling, her tone wonderfully varied, from crystalline purity to powerfully raw, and the energy propelling her playing seems unstoppable.” The Guardian on Alice Sara Ott
Alison Balsom
Gabriela Montero
EXTRA CONCERT
Wednesday 30 November
Mozart
Symphony no. 33
Hummel
Trumpet Concerto
Mozart
Piano Concerto no. 14
Shostakovich
Concerto for piano and trumpet
Zurich Chamber Orchestra Mozart’s symphony is a delightful work in the usual four movements. Hummel’s concerto is one of the very best for trumpet, with a bubbling and energetic finale. Mozart’s piano concerto is one of his finest. The first movement is full of variety, the slow movement is noble and eloquent, while the mock-contrapuntal finale is a burst of pure joy.
Alison Balsom
trumpet
Gabriela Montero
piano
Shostakovich’s early work is an exuberant and high-spirited piece which combines both instruments in ingenious and witty dialogue. Tickets: £40, £36, £29, £22, £14
“What comes across is her sheer exuberance and joy in making music” Classic FM on Alison Balsom
“Montero’s playing has everything” New York Times
5 Grieg
Five movements from Peer Gynt
Sibelius
Violin Concerto
Wednesday 18 January
Bergen Philharmonic Orchestra One of the oldest orchestras in the world, the Bergen Philharmonic celebrated its 250th anniversary last year, and returns to The Anvil with its new Chief Conductor. Grieg was Artistic Director of this orchestra in the 1880s, and the perennial freshness of his music to Peer Gynt never fails to make an impact in concert. Sibelius, a violinist himself,
Bartok
Concerto for orchestra
Baiba Skride violin
exploited all his knowledge of the instrument in his dramatic and atmospheric concerto. Perhaps the composer’s most approachable work, Bartok’s Concerto for orchestra is filled with musical colour and bursting with ideas, building steadily through its five movements to an exultant conclusion.
Edward Gardner
“She soars through the difficulties of the solo part with effortless virtuosity and intensity.” Sunday Times on Baiba Skride
Baiba Skride
6
Wednesday 1 February
Haydn
Symphony no. 101 (The Clock)
Beethoven
Triple Concerto
Nielsen
Symphony no. 6 (Sinfonia semplice)
Philharmonia Orchestra Haydn’s Clock symphony is one of his very finest, showing all his considerable musical powers in four movements of wonderful invention, including the famous ‘ticking’ slow movement. Beethoven’s Triple Concerto is a delightful and rewarding oddity among his works, which has deservedly become more familiar in recent years. Nielsen’s intention in his final symphony may have been to express something
Christian Tetzlaff violin Tanja Tetzlaff cello Lars Vogt
‘completely idyllic’, but the music playfully winds itself into a series of melodic riddles and paradoxes. Its final movement is a set of variations which allows a variety of emotions to be presented in turn. The Philharmonia Orchestra is Anvil Arts Orchestra in Partnership
piano
Paavo Järvi
“Paavo Järvi is always able to find in wellknown scores not only new ideas, but also a new sound, new phrasing, that’s why he is always so interesting to listen to.” Vedomosti, Moscow Paavo Järvi
Christian Tetzlaff
Tanja Tetzlaff
Lars Vogt
7
Beethoven
Piano Concerto no. 5 (Emperor)
Tansy Davies
Concerto for four horns and orchestra (world premiere)
Strauss
Also Sprach Zarathustra
Pierre-Laurent Aimard piano
Tuesday 21 February
Philharmonia Orchestra Beethoven’s last piano concerto is his most brilliant and powerful. The confident outer movements are balanced by an inward-looking slow movement, which moves into the finale with a simple but magical transition. It’s followed by a new piece for the orchestra’s horn section, which showcases the rhythmically driving, iridescent sound world of composer Tansy Davies. Strauss’ symphonic poem opens with one of the most striking passages in all music. But there’s much more to it than that, and it is one of the composer’s most ambitious orchestral works, daringly closing on an enigmatic and ambiguous note. The Philharmonia Orchestra is Anvil Arts Orchestra in Partnership
The horn section of the Philharmonia Orchestra Esa-Pekka Salonen
Pierre-Laurent Aimard
Esa-Pekka Salonen
“Davies’ music is profoundly invigorating” The Guardian
Tansy Davies
8 Strauss
Don Quixote
Brahms
Piano Concerto no. 2
Tom Beer viola
Friday 3 March
Bournemouth Symphony Orchestra Don Quixote is one of Strauss’ finest and most imaginative tone poems. Sancho Panza (viola) and Don Quixote (cello) set off in search of the beautiful Dulcinea. They encounter windmills, scatter a flock of sheep and fly on a magic carpet – each episode vividly depicted in the music – before the gentle Don meets his knightly match and expires in one of the composer’s most affecting endings. Brahms’ piano concerto is
Jesper Svedberg
symphonic in scope, with a trenchant scherzo added to
cello
the usual concerto form. The beautiful slow movement
John Lill piano
Andrew Litton
features a prominent cello solo, and is followed by a graceful, Hungarian-flavoured finale.
Andrew Litton
9 Haydn
Overture:
La fedeltà premiata Cello Concerto in C
Beethoven
Symphony no. 7
Saturday 18 March
Orchestra of the Age of Enlightenment Haydn wrote many operas which, though little heard today, contain wonderful music, and this concert opens with a short overture from one of his most successful comedies. The concerto which follows is one of the staple works of the cello repertoire, with a singing slow movement leading to a vivacious and witty finale. Beethoven’s symphony was first performed at a memorably mammoth concert in 1813 and was one of his greatest public successes. Its joyous
Steven Isserlis cello
Adam Fischer
energy and rhythmic impetus make it among the most popular of his symphonies. The Orchestra of the Age of Enlightenment is Anvil Arts Orchestra in Association
“He can have the listener in perpetual wonder” The Australian on Steven Isserlis
“Fischer’s dramatic pacing, characterisation and care for orchestral colour and nuance are second to none.” Gramophone
Sunday 26 March
EXTRA CONCERT
Philharmonia at the Movies
The best of John Barry: from Bond to Born Free Nicholas Dodd conductor
Philharmonia at the Movies returns with the music of renowned composer John Barry, who won five Oscars in a career creating some of the most memorable movie music in history. From his scores to numerous Bond films he went on to such renowned movies as Dances with Wolves, Born Free, Out of Africa and many more. Tickets: £32, £26, £19, £12 Family ticket available – please ask box office for details
10 Brahms
Hungarian Dances nos. 17-21
Tchaikovsky
Violin Concerto
Friday 7 April
Philharmonia Orchestra Brahms’ Hungarian Dances were immediately popular and successful. Originally written for piano duet, the final book of the set is heard here in orchestrations by Dvorak. Tchaikovsky’s Violin Concerto was written while on holiday recovering from his disastrous marriage. It begins in heroic vein, followed by a tender and beautiful slow
Dvoˇrák
Symphony no. 8
Renaud Capuçon violin
movement. The spectacular finale takes the form of a whirling Russian dance. Dvoˇrák’s Eighth Symphony was written at his home in the depths of the rural Bohemia and is imbued with the spirit of folk music and the countryside. The Philharmonia Orchestra is Anvil Arts Orchestra in Partnership
Jakub Hruša °
“Played with panache, sensitivity and sizzling virtuosity” Chicago Tribune on Renaud Capuçon
Music of Today is the Philharmonia Orchestra’s flagship new music series. In a free performance before the full orchestra’s main evening concert, members of the Philharmonia perform contemporary music in a relaxed, informal setting.
The Music of Bent Sørensen Sørensen
Three short pieces by the leading Danish composer of his generation,
The Deserted Churchyards
whose music has been described as evoking ‘a flickering, glittering
The Weeping White Room
world where things seem to disappear at the slightest touch’.
Minnelieder – Zweites Minnewater
Kwamé Ryan
conductor
Supported by an anonymous donor
6.15pm Admission free – please call the box office for tickets
Alexandra Soumm
James Gaffigan
11 Debussy
Prélude à l’après-midi d’un faune
Lalo
Symphonie espagnole
Friday 5 May
Bournemouth Symphony Orchestra Debussy’s groundbreaking prelude is a delicate and subtle translation into sound of a lazy summer afternoon. One of three pieces written for his friend the great violinist Sarasate, Lalo’s Symphonie espagnole is full of both seductive melodies and technical invention throughout its five movements. Rimsky-Korsakov’s orchestral suite takes
Rimsky-Korsakov
Scheherazade
Alexandra Soumm
tales from the Arabian Nights and dresses them in gorgeous, inventive orchestral colours to make a dramatic and satisfying work.
violin
James Gaffigan
“[Alexandra Soumm] captured the flamenco and tango moods of the work’s highly atmospheric and virtuosic five movements. Her violin sang with all the dark, sultry passion of a Carmen.” Nottingham Post
12
Rimsky-Korsakov
Tuesday 23 May
Moscow Philharmonic Orchestra Music from Rimsky-Korsakov’s shimmering fairy-tale
Sadko – a musical picture
masterpiece opens this all-Russian programme from one of
Rachmaninov
Concerto was a breakthrough piece after years of creative
Piano Concerto no. 2
the world’s great orchestras. Rachmaninov’s Second Piano block. Its passionate and lyrical character has made it a favourite amongst his works. The peaceful and evocative
Mussorgsky
Dawn over the Moscow River Pictures at an Exhibition
Freddy Kempf piano
Yuri Simonov
prelude to Mussorgsky’s opera Khovanshchina is followed by the composer’s suite of musical pictures, which includes castles, chicks and catacombs, culminating in the unforgettable grandeur of the great Gate of Kiev.
“It seems to me now unarguable that Simonov is one of the most remarkable conductors before the public today.” Financial Times
Yuri Simonov
Wednesday 28 June
EXTRA CONCERT
Orchestra of the Age of Enlightenment Bach Goes to Paris
Campra
Suite: Les Fêtes Vénetiennes
JCF Fischer
Suite no. 7 from Le journal de printemps
It’s well known that Bach never left Germany, but what would have happened if he had visited Paris during his lifetime? Would he have met Rameau? The French Baroque suite was a very popular form in Germany and could encompass a great variety of music, as demonstrated in these pieces, from the famous Air on the G string to the magnificent Chaconne from Les Indes
Bach
Suite no. 4
Rameau
Suite: Les Indes Galantes
Bach
Suite no. 3
William Christie
galantes, and from the grace of Campra to the boisterous Rejouissance which ends Bach’s fourth suite. Tickets: £24, £19 The Orchestra of the Age of Enlightenment is Anvil Arts Orchestra in Association
“Everything was immaculately judged, wonderfully gracious and admirably sensuous.” The Guardian on William Christie
William Christie
HOW TO FIND THE ANVIL By car: From the ring road or junction 6 of the M3, follow signs for Basingstoke town centre and then brown signs for The Anvil. These direct you to the car park next to the building. Coach drop off points are in Churchill Way. Park and ride: Park at the Leisure Park and ride to The Anvil on the shuttle bus – half price with a valid ticket for that day’s Anvil concert. By train: Basingstoke station is just a short walk away. Journey time for London Waterloo 45-60 mins; Southampton Central 30-35 mins. By bike: Cycle parking is available at the front of The Anvil, underneath the car park ramp to the right of the main doors. Visit anvilarts.org.uk for more information.
The Anvil Trust is grateful for the support of the following: Sponsors and Corporate Members:
Supported by:
PICTURE CREDITS
ACCESS FACILITIES
Pierre-Laurent Aimard - Marco Borggreve Vladimir Ashkenazy - Keith Saunders Sofia Fomina - Alecsandra Raluca Dragoi & Olga Martinez Paavo Järvi - Kaupo Kikkas Kate Royal - Esther Haase Tanja Tetzlaff - Giorgia Bertazzi Thomas Zehetmair - Dan Brady
Anvil Arts operates a free Access List in order to improve our service to patrons with access needs. Registration forms are available from the box office or Anvil Arts website.
ANVIL ARTS Anvil Arts is the largest performing arts organisation in Hampshire, and runs The Anvil, The Haymarket and The Forge in Basingstoke. It is governed by The Anvil Trust, an independent educational charity. Anvil Arts, Churchill Way, Basingstoke, Hampshire RG21 7QR 01256 844244 anvilarts.org.uk Life Patron: The Lady Sainsbury CBE Patron: The Countess of Portsmouth Chief Executive: Christine Bradwell Designed by: Splash of Paint splashofpaint.com This brochure is printed on environmentally friendly paper. It is biodegradable and the pulp used to make the paper is a mixture of Totally Chlorine Free and Elemental Chlorine Free.
• The ticket counter has a drop down counter for wheelchair users. • The Anvil is equipped with infra-red hearing enhancement systems for use with headsets or portable induction loops. Both are available from the Stewards’ point. • Personal Emergency Evacuation Plans are available on request. For full details of all facilities, please visit anvilarts.org.uk/access or contact the box office
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TICKET PRICES Area 1 (Red) £40 Area 2 (Blue) £36 Area 3 (Green) £29 Area 4 (Yellow) £22 Area 5 (Purple) £14 Ticket prices include £2 booking fee Subscription discounts available - please contact the box office for details. Please note - there is level access to Stalls row H and, via a lift, Circle row C and most of rows CB, CC, DB and DC (Side Circle).
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Not all seats may be available at all performances. Details in this brochure were correct at the time of going to press, but changes may be unavoidable.
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Churchill Way, Basingstoke, Hampshire RG21 7QR 01256 844244 anvilarts.org.uk