Anya Gribanova work sample

Page 1


How to MEND Terminal A

1 december november october september august july june may april march february

2010 december november october september august july june may april march february

2009 december november

Anya Gribanova M.S. in Advanced Architectural Design Columbia GSAPP 2010

october september august july june may april march february

2008 december november october september august

International Competition for redevelopment of Terminal A at Dallas Fort Worth International Airport. Project introduced a path of interior garden to ease the tension of the security. A folded skin-like roof provides more daylight and natural ventilation providing new intimate places. Team partner: Jessica Turrin Tools: Hand drafting, Photoshop, Illustrator, Diagrams in Pictures

july june may april march february

2007


House for a Philosopher

1 rebmeced rebmevon rebotco rebmetpes tsugua yluj enuj yam lirpa hcram yraurbef

0102 rebmeced rebmevon rebotco rebmetpes tsugua yluj enuj yam lirpa hcram yraurbef

9002 rebmeced rebmevon rebotco rebmetpes tsugua yluj enuj yam lirpa hcram yraurbef

8002 rebmeced rebmevon rebotco rebmetpes tsugua yluj enuj

Project completed while studying abroad in Riva San Vitale, Switzerland. House for a Philosopher carefully considers all senses and explores them in details of the building.

yam lirpa hcram yraurbef

7002

Instructor: Markus Breitschmid Tools: AutoCAD, Rhino, Photoshop, Illustrator


Unseen World: Undergraduate Thesis

2 december november october september august july june may april march february

2010 december november october september august july june may april march february

2009 december november

Anya Gribanova M.S. in Advanced Architectural Design Columbia GSAPP 2010

october september august july june may april march february

Architecture is perceived in its entirety by means of human senses. The geometry of a room is understood through materiality, verticality, horizontality, as well as acoustics, smells and touch. This study focuses on creating a space that speaks to these senses. A comprehensible system is introduced to guide the visitor through, constructing a mental map of senses and memories of the building. The system strongly focuses on the floor surface since it is the first plane a visitor touches. With changing topography and materiality of the floor surface the visitor understands the barriers and remembers the thresholds. A single continuous element that begins on the exterior of the building guides the visitor not only by tactile understanding of it, but also an auditory perception of the element. Within the building direct light is used for directionality; it becomes an identifiable object. Diffused light is only used to bring in the light wherever needed. Stairs are highlighted with a subtle first step and the contrast of the material. The comprehensible system is set up in such a manner as to hear the space before seeing it, to understand the space before confronting it, and to feel the space before touching it.

2008 december november october september august july june may april march

Instructor: Markus Breitschmid Tools: Hand drafting, AutoCAD, Illustrator, Photoshop, large-scale physical models

february

2007


Unseen World: Undergraduate Thesis

2 rebmeced rebmevon rebotco rebmetpes tsugua yluj enuj yam lirpa hcram yraurbef

0102 rebmeced rebmevon rebotco rebmetpes 10’

tsugua yluj enuj yam lirpa hcram yraurbef

9002 rebmeced rebmevon rebotco rebmetpes tsugua yluj enuj yam lirpa hcram yraurbef

8002 rebmeced rebmevon rebotco rebmetpes tsugua yluj enuj yam lirpa hcram yraurbef

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20’

30’

40’

50’


Utopia: organiCITY

3 december november october september august july june may april march february

2010 december november october september august july june may april march february

2009 december november

Anya Gribanova M.S. in Advanced Architectural Design Columbia GSAPP 2010

october september august july june may april march february

In a rapidly changing climate flexibility is the key. A mobile, independent lifestyle, that is not tied to fixed patterns and predetermined locations becomes increasingly important. organiCITY is an urban society of self-sustainable interrelated nodes that can quickly adopt to the extreme climatic conditions. Three extreme climates were studied: sever cold case of Antarctica, sporadic climate around volcanic activity, and extreme dry case of a desert. Instructor: Thomas Leeser and Masha Panteleyeva Tools: 3ds Max, Adobe Photoshop, Adobe Illustrator, Adobe After Effects.

2008 december november october september august july june may april march february

2007


Reconstruction of Apartment Complex

3 rebmeced rebmevon rebotco rebmetpes tsugua yluj enuj yam lirpa hcram yraurbef

0102 rebmeced rebmevon rebotco rebmetpes tsugua yluj enuj yam lirpa hcram yraurbef

9002 rebmeced rebmevon rebotco rebmetpes tsugua yluj enuj yam lirpa hcram yraurbef

8002 rebmeced rebmevon rebotco rebmetpes tsugua yluj enuj yam lirpa hcram yraurbef

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The studio focused on reconstruction of an A-Pa-Tu complex (apartment block) in Anyang, Korea. The task was to propose a model for redeveloping high-density residential block with mixture of programs that reflects changing social trends of a now developed nation. The project focused on farming as one of the socio-economic trends, bringing leisurely farming into a high-density residential block. Project was presented in a 5-minute video format. Instructor: Soo-in Yang with Ginseng Chicken [Sang Hwa Lee + Jeeyong An] Tools: Rhino 4, 3ds Max, Illustrator, Photoshop, After Effects


Social Museum

4 december november october september august july june may april march february

2010 december november october september august july june may april march february

2009 december november

Anya Gribanova M.S. in Advanced Architectural Design Columbia GSAPP 2010

october september august july june may april march february

This project explored the opportunity to expand the normal operating hours of museums to support the local community of Lower Manhattan and creating a new after-hours uses for the museum. Studio asked to closely follow a process used in architectural office REX. The process starts with defining a clear issue, following with a concise position that leads into an architectural manifestation. Instructor: Joshua Prince-Ramus and Jacob Reidel Team partner: Eun Jun Tools: Physical models, Illustrator diagrams, Rhino 4, 3ds Max

2008 december november october september august july june may april march february

2007


Social Museum

4 rebmeced rebmevon rebotco rebmetpes tsugua yluj enuj yam lirpa hcram yraurbef

0102 rebmeced rebmevon rebotco rebmetpes tsugua yluj enuj yam lirpa hcram yraurbef

9002 rebmeced rebmevon rebotco rebmetpes tsugua yluj enuj yam lirpa hcram yraurbef

8002 rebmeced rebmevon rebotco rebmetpes tsugua yluj enuj yam lirpa hcram yraurbef

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BUHRLE / KUNSTHAUS / TEMPORARY EXHIBITIONS INFRASTRUCTURE


Professional: Asymptote

5 december november october

square meters Admin

11

Utility

29.5

Reception

27

Lounge

68

Individual Space

48

Collaborative Space

151

Meeting Space

14

Work (other)

31

Circulation

245.5

TOTAL

625

september august july june may april march february

2010 december november october september august july june may april march february

2009 december november

Anya Gribanova M.S. in Advanced Architectural Design Columbia GSAPP 2010

october september august july june may april march february

2008 december november october september august july june may april march february

Project of an interior space of an office.

2007


Research / Publications

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Rhino 4 + Grasshopper explorations


Professional: collaboration with DYAD

6 december november october september august july june may april march february

2010 december november october september august july june may april march february

2009 december november

Anya Gribanova M.S. in Advanced Architectural Design Columbia GSAPP 2010

october september august july june may april march february

2008 december november october september august july june may april march february

2007


Professional: collaboration with DYAD

6 rebmeced rebmevon rebotco rebmetpes tsugua yluj enuj yam lirpa hcram yraurbef

0102 rebmeced rebmevon rebotco rebmetpes tsugua yluj enuj yam lirpa hcram yraurbef

9002 rebmeced rebmevon rebotco rebmetpes tsugua yluj enuj yam lirpa hcram yraurbef

8002 rebmeced rebmevon rebotco rebmetpes tsugua yluj enuj yam lirpa hcram yraurbef

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The competition for a Showroom of Ceramica San Lorenzo asked for a clear scheme and new ideas of how to display their product. The current state of the building does not include a clear main entrance nor does it suggest any interesting spaces on the inside or outside. Simple geometric operations proposed to redirect a clear main entrance and suggest an interior spatiality. Interruption of walls and windows orthogonally generates unconventional spaces. It reinforces visual connection and constant exposure. New geometry challenges the flexibility of the product with a clean intention: to lead Peruvian construction vanguard while expanding spatial planning vocabulary. DiseÒo del Showroom Cer· mica San Lorenzo - Third Place


Sample Drawings: Casa Huisa-Garate / DYAD

7 december CORTE B november october september august july june may

G

F

E

D

april C

C

march february

G

F

E

D

B

B

C

C

B

B

2010

CORTE C december

november october september A

A

august july june

A

A

G

F

E

may april

D

march PRIMERA PLANTA

First Floor G G

F F

E E

D D

february

2009 december

PRIMERA PLANTA

Anya Gribanova M.S. in Advanced Architectural Design Columbia GSAPP 2010

G

F

E

C

november october

D B

september

C

august

B

june

july

may A

april march february

A

G

F

E

2008 december

D

SEGUNDA PLANTA

november october

G

F

E

september

D

SEGUNDA PLANTA

Second Floor

august july june may april march february

2007


Sample Drawings: Casa Huisa-Garate / DYAD

7

C

rebmeced rebmevon

CORTE E

rebotco rebmetpes tsugua yluj enuj yam lirpa hcram yraurbef

0102 rebmeced

Section F CORTE A CORTE F

Section CORTE D

rebmevon rebotco rebmetpes tsugua yluj enuj yam lirpa hcram

CORTE B

yraurbef

CORTE E

SectionA A CORTE

9002 rebmeced

CORTE A

rebmevon

CORTE A

rebotco rebmetpes tsugua yluj enuj yam lirpa

CORTE C

CORTE CORTE B F

hcram yraurbef

8002 rebmeced

Section CORTE BB CORTE B

rebmevon rebotco rebmetpes tsugua yluj enuj yam

CORTE C

lirpa hcram yraurbef

7002

CORTE C CORTE C

Section C

D



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