Anza Magazine Issue #1-Making our city

M A KI N G OU R C I T Y

AN AFRICAN MARKET IS NORMALLY UNDER TREES. WE MADE TREES WITH CONCRETE"

POSSIBILITIES

KU T E NGEN EZA J I J I LETU

3/ $16

“TREAT YOUR BUILDINGS AS IF THEY WERE NEWLY BORN BABIES!” POWER

PAST

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EDITORIAL

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C O N T E N T S

2 “WE ARE CONFIDENT THE NEW PLAN WILL SUCCEED”

9 LEARNING FROM AFRICA

By Geert Cobrink & Katharina Posselt

3 THE DIE HARD MODERNIST — Anthony Almeida

By Comfort Badaru

10 MAKING A MODEL OF DAR ES SALAAM

By Abella Mutalemwa & Comfort Mosha

18 MAURITIUS SUSTAINABLE ISLAND METROPOLIS

By Vinesh Chintaram

4 TRANSFORMATION OF DAR ES SALAAM

By Sylvia Graf

10 INFORMAL SETTLEMENTS Photographs

20 DAR ES SALAAM & ITS ARCHITECTURE

By Brenda J.N. Kaira

5 OUR LIFELESS SHELLS

By Anitah Hakika

14 FROM HOME TO WORK Photographs

22 ON THE TRACES OF A PHOTOGRAPH By Łukasz Stanek

6 THE STORY OF THE BOY FROM TANGANYIKA WHO WENT TO ISRAEL TO STUDY ARCHITECTURE

By KANYWANYI Kanywanyi S.

15 WHERE SHALL WE GO FROM HERE

By Ketema Abebe

23 BABU SPEAKS

By Paul K. Bomani

An Interview with Saturnine Katanga by Paul K. Bomani

8 ADDIS ABABA: EXTRACTING CHARACTER FROM VOIDS

By Dirk Hebel & Dr. Elias Yitbarek

16 RURAL URBANISM IN RWANDA

By Astrid Weisel

WE ARE CONFIDENT THE NEW PLAN WILL SUCCEED An Interview with Saturnine Katanga: Chief Quantity Surveyor of The National Housing Corporation

By Paul K. Bomani

QUICK FACTS ABOUT THE NHC Illustration courtesy of National Housing Corporation, Tanzania

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Development *HQHUDOO\ KRZHYHU WKH JRYHUQPHQW LV VXSSRUWLQJ XV LQ PDQ\ ZD\V )RU H[DPSOH RXU LQYHVWPHQW SURMHFWV JHW WD[ H[HPSWLRQV WKDW KHOS WR ORZHU WKH SULFH RI RXU KRXVHV 0RVW RI 1+&¶V ROG KRXVHV ZHUH EXLOW LQ WKH ¶V DQG ¶V ± ZKDW LV \RXU VWUDWHJ\ LQ PDQDJLQJ WKHVH KRXVHV" In the past we found that maintaining these properties through UHQRYDWLRQV HQWDLOHG XQUHFRYHUDEOH FRVWV )RU WKDW UHDVRQ ZH VROG PDQ\ RI WKHVH SURSHUWLHV WR WKHLU WHQDQWV However, many of the houses in prime areas were not sold RII 7KH FXUUHQW VWUDWHJ\ ZLWK WKHVH UHPDLQLQJ ROG KRXVHV ² that are under performing – is to demolish them and erect QHZ VWUXFWXUHV ZLWK KLJKHU GHQVLW\ ,W KDV EHHQ GRFXPHQWHG WKDW WKHUH DUH 1+& KRXVHV WKDW DUH LOOHJDOO\ VXEOHW VROG RU XVHG IRU SXUSRVHV GHYLDWLQJ IURP OHDVH DJUHHPHQWV :KDW VWUDWHJ\ GRHV WKH 1+& KDYH WR DGGUHVV WKLV" There is now an initiative where we go to all 1+& UHQWHG properties to make sure that the inhabitants are legal tenDQWV DQG WKDW 1+& EXLOGLQJV DUH EHLQJ SXW WR WKHLU ULJKWIXO XVH 7KLV SURJUDP KDV SDUWQHUHG ZLWK $UGKL 8QLYHUVLW\ ² ZKHUH ZH KDYH WHDPHG XS ZLWK WKHLU H[SHUWV LQFOXGLQJ D WHDP RI VWXGHQWV WR WUDFN GRZQ WKHVH SURSHUWLHV :KDW LQIRUPV WKH DUFKLWHFWXUDO GHVLJQ RI \RXU QHZ EXLOGLQJV" 'R \RX KLUH GHVLJQ ¿UPV" Actually we have our own in-house architects as well as engineers, environmental engineers, electrical engineers, SOXPEHUV HWF ,Q WHUPV RI DUFKLWHFWXUH ZH KDYH D GHVLJQ catalog that we use in accord with the target market for HDFK SDUWLFXODU SURMHFW :H DOVR VHQG H[SHUWV DEURDG WR VHH what others are doing so that we may improve our designs DQG WHFKQRORJLHV $GGLWLRQDOO\ DSDUW IURP VHQGLQJ RXU H[SHUWV DEURDG ZH HQJDJH SULYDWH H[SHUWV IURP ZLWKLQ DQG RXWVLGH WKH FRXQWU\ RQ RXU QHZ SURMHFWV 7KH H[WHQW RI WKLV usually depends on the workload facing us, or the technolRJ\ XVHG LQ WKH GHVLJQ $Q H[DPSOH RI D WHFKQRORJ\ WKDW we have incorporated from this framework is the Tunnel )RUP &RQVWUXFWLRQ EXLOGLQJ WHFKQLTXH ZKLFK LV QHZ WR 7DQ]DQLD 'R \RX WKLQN WKDW WKHUH LV QHHG IRU PRUH SXEOLF GLVFXVVLRQ RQ KRXVLQJ FKDOOHQJHV" 7KHUH PXVW EH $W WKH VDPH WLPH ZH QHHG FRQtinued support from the government with infrastructure; this will ORZHU WKH SULFH RI RXU KRXVLQJ 1HYHUWKHOHVV WKH JRYHUQPHQW KDV EHHQ YHU\ VXSSRUWLYH RI RXU QHZ \HDU SODQ :LWK WKLV ZH DUH FRQÀGHQW WKH QHZ SODQ ZLOO VXFFHHG

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RUH RIWHQ WKDQ QRW WKH ZRUNV RI $QWKRQ\ % $OPHLGD WKH 90-year-old Tanzanian architect of Goan descent, are GHVFULEHG E\ PDQ\ LQFOXGLQJ KLPVHOI DV PRGHUQLVWLF :H ZDQWHG to know both what he really means by this statement, and his RSLQLRQV RQ RWKHU LVVXHV FXUUHQWO\ DIIHFWLQJ WKH FLW\ +RZHYHU WKH biggest quest on our visit was to gain an understanding of what $OPHLGDV· SHUVRQDO DSSURDFK WR DUFKLWHFWXUH LV In pursuit of the truth, we visited the ‘Almeida residence’ located ULJKW RSSRVLWH &RFR %HDFK LQ 2\VWHU %D\ WKH %HYHUO\ +LOOV RI 'DU HV 6DODDP :H ZHUH OHG WR WKH ORXQJH ZKHUH ZH PHW KLP 5LJKW EHIRUH JHWWLQJ WR WKH ORXQJH DQ DJHG PDQ DERXW ÀYH IHHW tall, small-bodied with little hair on his head, was standing by the GRRU )URP WKH IHZ SLFWXUHV , KDG VHHQ RI $OPHLGD RQOLQH LW ZDV FHUWDLQO\ D PDWFK :LWK D ELJ VPLOH RQ KLV IDFH KH VDLG ´+XOOR \RX DUH DOO YHU\ ZHOFRPH µ 2Q ÀUVW LPSUHVVLRQ , PXVW DGPLW WKH HQHUJ\ KH KDG ZDV GHÀQLWHO\ QRW ZKDW , KDG LPDJLQHG He then led us into the lounge and told us to feel free to look DURXQG DV KH KDG VRPH RI KLV ZRUN KDQJLQJ LQ WKH URRP 9HU\ FRQÀGHQW DQG SURXG RI KLV DFKLHYHPHQWV KH VWDUWHG H[SODLQLQJ PRUH DERXW KLV SURMHFWV 'HVSLWH WKH SRVWHU LQ WKH ORXQJH WKDW UHDGV ´OHVV LV PRUHµ KH LV D PDQ RI PDQ\ ZRUGV 8QOLNH PRVW $OPHLGD EHFDPH DQ DUFKLWHFW ´E\ DFFLGHQWµ DV KH VD\V +LV IDWKHU RULJLQDOO\ ZDQWHG KLP WR VWXG\ WR EHFRPH D FLYLO HQJLQHHU +RZHYHU ZKHQ KH DUULYHG KH UHDOL]HG WKH XQLYHUVLW\ ZRXOG QRW EH RSHQLQJ XQWLO VL[ PRQWKV ODWHU 6R WR GR VRPHWKLQJ LQ WKH PHDQWLPH KH WUDYHOHG WR %RPED\ ZKHUH RQH IDWHIXO GD\ KH IRXQG KLPVHOI LQ IURQW RI WKH DUFKLWHFWXUDO VFKRRO $V VWXGLHV WKHUH EHJDQ HDUOLHU KH VLJQHG XS 7KH ORQJHU KH VWXGLHG WKH PRUH KH IHOO in love with the subject, and followed his architectural studies until the end (though he never told his father this)

“I DON’T DO WHAT MY FATHER DID, I DESIGN FOR THE PRESENT” According to Almeida, the features of that period inspired the ODQJXDJH RI KLV DUFKLWHFWXUH %XW E\ ´PRGHUQµ KH GRHVQ·W JHQHUDOO\ PHDQ WKH DUFKLWHFWXUH RI WKH ·V ´0RGHUQ PHDQV ¶RI WKH SUHVHQW· DQG ZKDW LV PRGHUQ QRZ ZLOO EH WUDGLWLRQ DIWHU D ZKLOHµ 6LQFH RSHQLQJ KLV SUDFWLFH LQ KH FRQVLGHUV KLPVHOI D ´GLH KDUG PRGHUQLVWµ )RU KLP EHLQJ PRGHUQ LV QRW D TXHVWLRQ RI WKH appearance of a building but of the approach:

“DON’T COPY WHAT YOUR FOREFATHERS DID, BUT TRY AND UNDERSTAND WHY THEY BUILT THE WAY THEY DID.”

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AN AFRICAN MARKET IS NORMALLY UNDER TREES. WE MADE TREES WITH CONCRETE"

ADDIS ABABA: EXTRACTING CHARACTER THE “PARCEL (PLOT) – BLOCK – OPEN SPACE” LOGIC THE CASES OF CASA-INCHES & LIDETA FROM VOIDS

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By Abella Mutalemwa & Comfort Mosha $V \RX ZDON DORQJ WKH VWUHHW RI D FLW\ \RX JHW DQ H[SHULHQFH (DFK URDG VWUHHW EXLOGLQJ SODFH KDV LWV RZQ FKDUDFWHU WKDW PDNHV LW XQLTXH DQG IXOO RI DFWLYLWLHV As the thought crosses our minds we wonder ‘what if we could see the whole city?’ Get a view of the FLW\ DSSUHFLDWLQJ LW PRUH DQG LQ LWV· VSOHQGRU DQG XQLTXHQHVV The beautiful buildings, old and new, glass and block-work, residential and commercial, all put WRJHWKHU DQG DVVHPEOHG DV EXLOGLQJV 7KH WUHHV UHOHDVLQJ D ORYHO\ EUHH]H 7KHQ LW FDPH WR XV 7KH FLW\ ZRXOG EH WKHUH DOPRVW WDQJLEOH D 02'(/ A model is ‘a three dimensional representation of a proposed or already built structure typically on a VPDOOHU VFDOH WKDQ WKH RULJLQDO RQH · 7KLQNLQJ EDFN WKURXJK WKH \HDUV 'DU HV 6DODDP KDV EHHQ JURZLQJ DQG JURZLQJ LQ WHUPV RI LQIUDVWUXFWXUH DQG EXLOGLQJV ,Q DOO WKLV JURZWK WKHUH KDV QHYHU EHHQ D ¶PRGHO·RI 'DU HV 6DODDP SRUWUD\LQJ D ' SK\VLFDO UHSUHVHQWDWLRQ RI WKH FLW\ 'DU HV 6DODDP KDV VR PDQ\ VSHFLDO EXLOGLQJV DQG VLWHV WR VHH VRPH EHLQJ KLVWRULFDO RWKHUV FRQWHPSRUDU\ VRPH ROG RWKHUV QHZ Imagine a copy or representation of all these historical and contemporary buildings, blended with VSHFWDFXODU EULJKW FRORXUV GLVSOD\LQJ JUHHQ WUHHV EHDXWLIXO VDQG\ EHDFKHV H[TXLVLWH KRWHOV WKDW DUH D ¶PXVW VWD\ DW· JLYLQJ \RX WKH EHDXWLIXO FLW\ RI 'DU HV 6DODDP ,W ZRXOG VXUHO\ EH D VLWH WR VHH /RRNLQJ DW RWKHU FRXQWULHV LQFUHGLEOH PRGHOV RI WKHLU FLWLHV KDYH EHHQ PDGH RYHU WKH \HDUV DQ H[DPSOH FRXOG EH 6KDQJKDL &KLQD 7KHLU PRGHO LV FRQWHPSRUDU\ H\H FDQG\ DUWLVWLF DQG PRVW HVSHFLDOO\ LW GUDZV \RX LQ WR WKH H[WHQW \RX FDQ DFWXDOO\ VHH DQG SLFWXUH \RXUVHOI LQ 6KDQJKDL H[SORULQJ WKH PDQ\ SODFHV

$ PRGHO RI 'DU HV 6DODDP ZRXOG EH DQ LQWHUHVWLQJ VLJKW WR VR PDQ\ SHRSOH OLNH VWXGHQWV SODQQHUV HQJLQHHUV FRQWUDFWRUV DQG WRXULVWV MXVW WR PHQWLRQ D IHZ ZKR ZRXOG OHDUQ VR PXFK IURP LW ,W FRXOG DOVR DWWUDFW LQYHVWRUV ZLWKLQ DQG RXWVLGH WKH FRXQWU\ WR FRPH WR 'DU HV 6DODDP ZKLFK LQ WKH ORQJ UXQ ZLOO EH TXLWH EHQHÀFLDO WR PDQ\ SDUWLHV RI SHRSOH A model is an identity of the city, because its never going to look similar or even the same as another FLW\·V PRGHO ,W ZLOO UHPDLQ XQLTXH DQG GLIIHUHQW LQ WHUPV RI LWV IHDWXUHV QDWXUDO RU PDQ PDGH KHQFH RQH VKRXOG EH PDGH )LQDOO\ ZH DUH FDOOLQJ RXW WR HYHU\RQH ZKR VKDUHV WKH VDPH YLHZV DV XV MRLQ XV LQ PDNLQJ DQ LGHQWLW\ RI RXU EHDXWLIXO FLW\ RI 'DU HV 6DODDP /HW WKLV PRGHO EH D UHPLQGHU RI HYHU\WKLQJ RXU FLW\ RQFH ZDV is, and going to be in the future for our children, grand children and great-grand children to witness in WKHLU WLPHV

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from page 9...

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Most citizens of Dar es Salaam live in informal settlements. These areas of the city grow fast and without the control of the authorities. They are almost never shown on photographs. We were looking for the fascinating, beautiful and touching, but also the typical moments of informal settlements, showing houses that their inhabitants erect and keep with pride.

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INFORMAL SETTLEMENTS

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WHERE SHALL WE GO FROM HERE?

URBAN SPRAWL AND FOOD SECURITY

By Ketema Abebe

THE ETHIOPIAN SCENARIO

(DVW $IULFD LV RQH RI WKH PRVW IRRG LQVHFXUH UHJLRQV RI WKH ZRUOG 7KH FXUUHQW IDPLQHV SDUWLFXODUO\ in the Horn region, are threatening tens of millions of lives and have developed into an enormous FKDOOHQJH ZLWK JOREDO UHOHYDQFH 7KLV FULVLV LV VRPHWLPHV UHSRUWHG WR KDYH HPHUJHG IURP D SRSXODWLRQ JURZWK WKDW DFFHOHUDWHV IRRG GHPDQG +RZHYHU WKH UHODWLRQVKLS EHWZHHQ SRSXODWLRQ JURZWK DQG IRRG VHFXULW\ LV PXFK PRUH FRPSOH[ )RRG VHFXULW\ LV DOVR FRQQHFWHG WR FOLPDWH WKH HQYLURQPHQW SROLWLFDO DQG VRFLDO IDFWRUV This can clearly be observed at the edge of the city, which is, in times of rapid urbanization, in constant PRWLRQ $W WKH HGJH SHRSOH IURP DOO ZDONV RI OLIH WKDW PLJUDWH WR WKH FLW\ FRPSHWH ZLWK WKH LQGLJHQRXV IULQJH SRSXODWLRQ IRU VFDUFH UHVRXUFHV $JULFXOWXUDO IULQJHODQG DQG XUEDQ VSUDZO DOVR FRPSHWH KHDYLO\ 7KLV VLWXDWLRQ KDV QRZ UHDFKHG ERLOLQJ SRLQW DQG GLUHFWO\ DIIHFWV IRRG VHFXULW\ 7KLV SUHVHQWV D VLJQLÀFDQW FKDOOHQJH WR VRFLDO VFLHQWLVWV DQG SROLF\ PDNHUV UHWKLQN WKH DSSURDFKHV WR WKH SUREOHP :KDW PDNHV WKH PDWWHU HYHQ PRUH XUJHQW LV WKH IDFW WKDW GHYHORSPHQW WKHRU\ KDV QRW \HW IRXQG D GHÀQLWH ZD\ WR XQGHUVWDQG $IULFDQ XUEDQL]DWLRQ 8UEDQL]DWLRQ ZDV WUDGLWLRQDOO\ HTXDWHG ZLWK PRGHUQL]DWLRQ DQG JURZWK EXW WKLV WKHRU\ LV FOHDUO\ FRQWUDGLFWHG E\ WKH FXUUHQW GHYHORSPHQW LQ WKH $IULFDQ FLWLHV As for urban managers and politicians, the current urban food security situation seems to be invisible WR WKHP 3ROLF\PDNHUV DUH XVXDOO\ SUHRFFXSLHG E\ KLJKHU SULRULW\ LVVXHV FRQFHUQLQJ XUEDQ XQHPSOR\ment, housing, slums, overcrowding, transport and infrastructures, though these serious social probOHPV DUH FDXVHG E\ PLVJXLGHG XUEDQL]DWLRQ

Addis Ababa, which has rapidly transformed from a quite small and clustered household settlement LQWR DQ DWWUDFWLYH $IULFDQ PHWURSROLWDQ DUHD ZLWK D SRSXODWLRQ RI PLOOLRQ UHVLGHQWV KDV JUDEEHG DQG FRQWLQXHV WR JUDE HQRUPRXV IULQJH ODQG LQ DOO GLUHFWLRQV 3HULSKHU\ DUHDV OLNH 6HQGDID +ROOHWD 6XOXOWD DQG 'XNHP IRUPHUO\ SURGXFHG GDLU\ SURGXFWV VXSSO\LQJ WKH UHVLGHQWV RI $GGLV $EDED WKURXJK WKH 6KROD 0LON (QWHUSULVH 7KH $GGLV $EDED IULQJH LV DOVR HQGRZHG ZLWK FRQVLGHUDEOH ULFK EODFN VRLO IRU FURS SURGXFWLRQ WKDW KDV EHHQ VXSSRUWLQJ ERWK IULQJH DQG XUEDQ GZHOOHUV (QRUPRXV SDUWV RI WKHVH farmlands are now converted into urban land use including warehouses, stores, factories, institutional EXLOGLQJV DQG LQIUDVWUXFWXUH Thus, the fringe areas have now ceased to be a source of livelihood subsistence, without providing PHDQV RI DOWHUQDWLYH OLYHOLKRRG 7KH XUEDQ LQYDVLRQ DQG SKHQRPHQD FRQQHFWHG WR LW DUH OHDGLQJ WRZDUG D JUHDWHU LQHTXDOLW\ RI UHVRXUFH DQG LQFRPH DFFHVV (WKLRSLD ZLWK LWV XUEDQ SRSXODWLRQ RI ZKLFK HTXDWHV WR PLOOLRQ LV VDLG WR EH RQH RI WKH OHDVW XUEDQL]HG \HW PRVW UDSLGO\ XUEDQL]LQJ QDWLRQV LQ VXEVDKDUDQ $IULFD $FFRUGLQJ WR WKH (WKLRSLDQ 0LQLVWU\ RI ZRUN WKH XUEDQ SRSXODWLRQ LV LQFUHDVLQJ E\ SHU \HDU DQG LV SURMHFWHG WR JURZ WR D IXUWKHU PLOOLRQ E\ DQG PLOOLRQ E\ +HQFH DERXW RI WKH QDWLRQ·V XUEDQ GZHOOHUV DUH OLYLQJ EHORZ WKH SRYHUW\ OLQH 7KH FXUUHQW XUEDQ SRSXODWLRQ RI (WKLRSLD LV GLVWULEXWHG DFURVV WRZQV 7KH SRSXODWLRQ RI WKHVH WRZQV UDQJHV IURP WR PLOOLRQ UHVLGHQWV 7KHVH VPDOO WRZQV DQG FLWLHV DUH FRPSHWLQJ IRU ODQG UHVRXUFHV ZLWK WKHLU LPPHGLDWH IULQJHV DQG LW·V D FRPSHWLWLRQ IRU VXUYLYDO 8UEDQ GZHOOHUV UHTXLUH ODQG for multiple uses such as residential, institutional infrastructures, quarry, construction, urban agriculWXUH DQG DOVR IRU XUEDQ UHFUHDWLRQ IXHO ZRRG DQG WLPEHU SXUSRVHV

PRIVATIZATION AND THE POOREST SEGMENT OF SOCIETY

CONCLUSION: FOOD INSECURITY AS A RESULT OF URBAN SPRAWL

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INFRASTRUCTURAL CONCEPTS FOR WATER AND ENERGY AS SPATIAL ELEMENTS

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THE FUTURE OF EAST AFRICAN CITIES

MAURITIUS SUSTAINABLE ISLAND METROPOLIS

By Vinesh Chintaram

PREAMBLE

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4. ENERGY

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5. WATER

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6. WHAT’S NEXT ?

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DAR ES SALAAM & ITS ARCHITECTURE

By Brenda J.N. Kaira

Figure 8 The NIC building on Samora Avenue

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Figure 4 St. Joseph Cathedral, Sokoine Drive (Kaiser Strasse)

Figure 3: High Court at Kivukoni Front (former Azania) in the late 19th C and its current state-2010

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Figure 1: Old Boma Building built 1860’s, Sokoine Drive

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Figure 5 Karimjee Hall

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Figure 2: City Hall- built by the Germans in 1903

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Figure 7 Houses in Kariaokoo made of temporary building materials. source: Sutton

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CONCLUSION ,Q D QHZ PDVWHU SODQ ZDV ODLG RXW RQH PRUH SUDJPDWLF WR WKH QDWLRQ·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years, from one that was always sensitive to the climatic conditions and its built environment to one OHVV DZDUH RI LWV VXUURXQGLQJV 1HZ VWUXFWXUHV DUH FKDQJLQJ WKH ORFDO FKDUDFWHU RI 'DU HV 6DODDP ZKRVH KLVWRU\ LV UHWROG WKURXJK LWV DUFKLWHFWXUH ,QVWHDG RI EOHQGLQJ LW VHHPV FRQWHPSRUDU\ DUFKLWHFWXUH LV RQ D PLVVLRQ WR HUDVH LWV KLVWRULFDO IRXQGDWLRQ 5()(5(1&(6 Ayubu, G. Disappearance of Architectural Qualities of Streets: a Case of Samora Avenue in Dar es Salaam Tanzania

Figure 10 The glass facade Samora Mall (under construction) , the brutalism Extel House ( 1970) and the German Nyumba Ya Mayai) ( before 1914)

8QSXEOLVKHG WKHVLV LQ SDUWLDO IXOÀOPHQW RI WKH 0DVWHUV 'HJUHH RI $UFKLWHFWXUH $UGKL 8QLYHUVLW\ Moshi, E. Urban Transformation: Changing building types in Kariakoo, Dar es Salaam, Tanzania. The Oslo School of Architecture and Design (AHO). Oslo.2009

Figure 9 compare the older 2 storey building in the foreground to multi storey ones in the background. Note too how the new structures fail to blend with the existing landscape.

Sutton, J.E.M. Tanzania Notes and Records 71: Dar es Salaam City, Port and Region. Tanzania Society. Dar es Salaam.

1970

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By Paul Bomani Illustration by Omari Shegilla

1.

Cover of Architektura 2, 1981, “Polscy architekci w ŋZLHFLH 3ROLVK Architects in the World”

2.

Magazine polonaise des foires 3 (54), 1979, p. 18. Archiwum 0LĕG]\QDURGRZ\FK 7DUJyZ 3R]QDĸVNLFK 3R]QDĸ

3.

Polish Fair_Magazine 3 (62), 1981, p.

14, Archiwum 0LĕG]\QDURGRZ\FK 7DUJyZ 3R]QDĸVNLFK 3R]QDĸ

4.

0DJGDOHQD âDEĕGD ´%XGRZD HOHNWURZQL %HQJD]L ,, Z /LELLµ >7KH construction of the power plant %HQJKD]L ,, LQ /LE\D@ ,Qŧ\QLHULD L budownictwo 15, 1977, p. 169

“Elektrownia w Bengazi (Libia)” >3RZHU SODQW LQ %HQJKD]L (Libya)], in dossier no. 387 (Empacher Wojciech), Archiwum 6WRZDU]\V]HQLD $UFKLWHNWyZ Polskich (Warszawa)

5.

“Elektrownia w Benghazi (Libia). Elewacja budynku JãyZQHJRµ >3RZHU SODQW in Benghazi (Libya).

The façade of the main building], in dossier no.

1254 (Siennicki Maciej), Archiwum Stowarzyszenia $UFKLWHNWyZ 3ROVNLFK (Warszawa)

6.

7.

The Bengazi power plant in the promotional folder of “Dona LLC,” Zbigniew Kargol, Janusz Przychodzki, and :LHVãDZ 5]HSND HDUO\ ·V

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from page 23...

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