Spring Catalogue by Aperture

Spring and Summer 2016

Olivia Bee, Werner Bischof, Edmund Clark & Crofton Black, Gregory Crewdson, Robert Cumming, Louise Dahl-Wolfe, George Dureau, JH Engstrรถm, Paz Errรกzuriz, Phyllis Galembo, Joel Meyerowitz, Richard Misrach & Guillermo Galindo, Alice Proujansky, Hiroshi Sugimoto

Aperture, a not-for-profit foundation, connects the photo community and its audiences with the most inspiring work, the sharpest ideas, and with each other—in print, in person, and online. From our base in New York, we produce, publish, and present a program of photography projects, locally and internationally, that includes:

∞∞ four issues a year of Aperture magazine,

our flagship publication presenting the most inspiring images and writing on photography aperture.org/magazine

∞∞ membership programs, offering

unique opportunities to connect with photography aperture.org/join ∞∞ the Summer Open, an open-submission

∞∞ more

than twenty-five new photobooks and books about photography each year aperture.org/books

exhibition held annually aperture.org/summeropen ∞∞ two issues each year of The PhotoBook

∞∞ a growing digital publishing program,

including e-books, apps, and a blog, as well as online features aperture.org/shop/epubs ∞∞ the Aperture Digital Archive, six decades

of the pioneering photography journal now online aperture.org/archive

Review, cultivating the appreciation of the photobook aperture.org/pbr ∞∞ an annual Portfolio Prize, recognizing and

promoting the most exciting emerging photographers internationally aperture.org/portfolio-prize annual Paris Photo–Aperture Foundation PhotoBook Awards, with First PhotoBook, PhotoBook of the Year, and Photography Catalogue of the Year categories, recognizing the contribution of photographers’ books to the evolving narrative of photography aperture.org/photobookawards

∞∞ the

twenty-five print and other limited editions each year, many by emerging photographers, aimed at collectors and published to support our programs and the photographers we work with aperture.org/prints

∞∞ nearly

∞∞ talks,

workshops, signings, and education events, connecting with our community and reaching out to new audiences every week at our New York gallery and bookstore, and at partner venues aperture.org/talks-tours

Paul Strand Archive, managing and promoting the rights and legacy of this key figure of twentieth-century photography, in partnership with the Philadelphia Museum of Art.

∞∞ The

Cover image: Gregory Crewdson, The Shed, 2015, from Cathedral of the Pines 2

Aperture’s Spring and Summer 2016 list comprehensively reflects the range of the foundation’s engagement with photography. There are major new bodies of work by master photographers Gregory Crewdson and Richard Misrach; four new surveys on photographers who have made a significant impact on the field (Werner Bischof, Robert Cumming, Louise Dahl-Wolfe, and George Dureau); and a first book by the highly talented Olivia Bee, currently shaping the future of fashion photography. We launch two institutional partnerships this season: with Fundación MAPFRE, publishing new surveys of Chile’s Paz Errázuriz and Japan’s Hiroshi Sugimoto; and with the George Eastman Museum, publishing The Photographer’s Cookbook—an extraordinary time capsule from the Eastman archives—and a timely survey, Picturing America’s National Parks. Of course we hope you enjoy everything on the list, but I’d like to point out two initiatives of particular importance to the foundation. Go Photo! An Activity Book for Kids is the first book to emerge directly out of Aperture’s education program, and is authored by teaching artist and Aperture curriculum writer, Alice Proujansky. We’ve been working in eight schools throughout New York City for two years now, teaching photography, visual literacy, and bookmaking, with the intention of bringing the classroom experience to bear on our publishing programs. We also have another book for children aged nine to twelve, written by photographer Joel Meyerowitz. Seeing Things: A Kid’s Guide to Looking at Photographs is designed to engage children and inspire deeper looking and understanding of photography. Another initiative of strategic importance is the “Vision and Justice” issue of Aperture magazine, in which guest editor, Harvard professor and noted author Sarah Lewis, engages with the photographic representations of African American and African diasporic experience. This reflects a serious attempt to expand the foundation’s cultural viewpoint. Every issue of Aperture functions as an incubator for new ideas and relationships, and I look forward to the books and other projects that will emerge out of our work on this issue. —Chris Boot, executive director

Richard Misrach

Guillermo Galindo

The latest chapter of the Desert Cantos series, this is a must-have volume for Misrach collectors and fans

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A collaborative, highly charged document of the Mexican-American border

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This bilingual English-Spanish edition is accompanied by a major touring exhibition and performances

Border Cantos

Photographs and texts by Richard Misrach Instruments and graphic scores by Guillermo Galindo Introduction and epilogue by Josh Kun

Border Cantos presents a unique collaboration between photographer Richard Misrach and composer Guillermo Galindo. Misrach has been photographing the two-thousand-mile border between the U.S. and Mexico since 2004, with increased focus since 2009—resulting in a distinct melding of the artist as documentarian and interpreter. The latest installation in Misrach’s Desert Cantos series, this book includes several suites of photographs—some made with a large-format camera and others that have been captured with an iPhone. Misrach and Galindo have worked together to create pieces that both report on and transform the artifacts of migration: water bottles, clothing, backpacks, Border Patrol “drag tires,” spent shotgun shells, ladders, and sections of the border wall itself, which Galindo then fashions into instruments to be performed as unique sound-generating devices. He also imagines graphic musical scores, many of which use Misrach’s photographs as points of departure. Two dozen sculpture-instruments, graphic scores, instrument designs, and prompts to videos of performances by Galindo are included with Misrach’s photographs.

13 1/4 x 10 1/2 in. (33.6 x 27.3 cm) 274 pages, including gatefolds 257 four-color images

ISBN 978-1-59711-289-5 $75.00/£50.00 April 2016

Hardcover

Limited-edition available

Exhibition Schedule: San Jose Museum of Art, California, Feb. 28– July 31, 2016 Amon Carter Museum of American Art, Fort Worth, Sept. 14–Dec. 1, 2016 Crystal Bridges Museum of American Art, Arkansas Feb. 18–April 24, 2017

aperture.org/books

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Hal Rumel

Roger Minick

Celebrates one hundred years of America’s National Parks in breathtaking photographs

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A photography book for everyone interested in nature and the story of America

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Readers are guided through the photographs with expert, accessible commentary

Picturing America’s National Parks By Jamie M. Allen To celebrate the centennial of America’s National Park Service, Picturing America’s National Parks brings together some of the finest landscape photography in the history of the medium. Photography has played an integral role in both the formation of the National Parks and in the depiction of America; from Yosemite to the 2013 addition of Pinnacles National Park in California, America’s National Parks have been enjoyed through photographs for over 150 years. This book traces that history through stunning photographs of beloved American landscapes. An informative essay and picture commentaries from curator Jamie M. Allen unpack the role of photography in promoting America’s national heritage, land conservation, and wildlife preservation. Featuring the historic work of masters such as Ansel Adams, Imogen Cunningham, William Henry Jackson, Edward Weston, and Minor White, as well as contemporary greats such as Lee Friedlander, Stephen Shore, and Joel Sternfeld, this volume offers a powerful look at America’s National Parks and pays homage to a practice that has defined the way we see America, particularly the American West. Copublished with

9 5/8 x 11 3/8 in. (24.5 x 29 cm) 160 pages 120 black-and-white and four-color images Hardcover

ISBN 978-1-59711-356-4 $50.00/£35.00 June 2016

Exhibition Schedule: George Eastman Museum, Rochester, New York, June 4–Oct. 2, 2016

aperture.org/books

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The first new body of work in five years from influential artist Gregory Crewdson

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Crewdson presents a new approach, his most intimate and personal body of work to date

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The book will be accompanied by an exhibition that opens at Gagosian Gallery in January 2016

Cathedral of the Pines Photographs by Gregory Crewdson Essay by Alexander Nemerov Cathedral of the Pines presents Gregory Crewdson’s first new body of work in over five years, marking a return to his classic style of storytelling via the single image, using light and color to create newly intimate, psychologically charged photographs. Marking a time of personal transition for the artist, Cathedral of the Pines is named after a skiing trail deep in the forests of Becket, Massachusetts, where Crewdson found the inspiration to make these new pictures. The photographs are accompanied by an essay by Alexander Nemerov, who addresses the work in relation to the American past, focusing in particular on the way the images draw space and time down to ceremonial points, in which “all that ever happened in these places seems crystallized in his tableaux, as if the quiet melancholy of Crewdson’s scenes gathered the unruly sorrows and other little-guessed feelings of people long-gone who once stood on those spots.”

15 1/2 x 12 in. (39.4 x 30.5 cm) 76 pages 31 four-color images

ISBN 978-1-59711-350-2 $80.00/£50.00 March 2016

Clothbound Limited-edition available

Exhibition Schedule: Gagosian Gallery, New York, Jan.–March 2016

aperture.org/books

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Henri Cartier-Bresson

Alex Webb

Learn about photography from popular and captivating master of the medium Joel Meyerowitz

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Introduces the magic of great photographs like John Szarkowski’s Looking at Photographs, but for kids

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For every parent who wants to empower their child to navigate the world of images

Seeing Things:

A Kid’s Guide to Looking at Photographs By Joel Meyerowitz Aimed at children between the ages of nine and twelve, Seeing Things is a wonderful introduction to photography that asks how photographers transform ordinary things into meaningful moments. In this book, acclaimed and beloved photographer Joel Meyerowitz takes readers on a journey through the power and magic of photography: its abilities to freeze time, tell a story, combine several layers into one frame, and record life’s fleeting nature. The book features the work of masters such as William Eggleston, Mary Ellen Mark, Helen Levitt, and Walker Evans, among many others. Each picture is accompanied by a short commentary, encouraging readers to look closely and use their imagination to understand key ideas in photography such as light, gesture, composition—and, ultimately, how there is wonder all around us when viewed through the lens.

8 1/4 x 11 1/8 in. (21 x 28.4 cm) 80 pages 30 black-and-white and four-color images Hardcover

ISBN 978-1-59711-315-1 $24.95/£15.95 June 2016

aperture.org/books

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William Eggleston

Ralph Steiner

Photographers’ recipes and food photographs gathered in the 1970s but never published

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Includes William Eggleston’s Cheese Grits Casserole, Richard Avedon’s Royal Pot Roast, and Robert Heinecken’s Serious Martini

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For a wide audience, including enthusiasts of cooking, photography, and curious books

The Photographer’s Cookbook Essay by Lisa Hostetler In the late 1970s, the George Eastman House approached a group of photographers for their favorite recipes and food-related photographs to accompany them, in pursuit of publishing a cookbook. Playing off George Eastman’s own famous recipe for lemon meringue pie, as well as former director Beaumont Newhall’s love of food, the cookbook grew from the idea that photographers’ talent in the darkroom must also translate into special skills in the kitchen. The recipes do not disappoint, with Robert Adams’s Big Sugar Cookies, Ansel Adams’s Poached Eggs in Beer, Richard Avedon’s Royal Pot Roast, Imogen Cunningham’s Borscht, William Eggleston’s Cheese Grits Casserole, Stephen Shore’s Key Lime Pie Supreme, and Ed Ruscha’s Cactus Omelet, to name a few. The book was never published, and the materials have remained in George Eastman House’s collection. Now, forty years later, this extensive and distinctive archive of untouched recipes and photographs are published in The Photographer’s Cookbook for the first time. Copublished with

6 3/8 x 8 1/2 in. (16.2 x 21.6 cm) 160 pages 50 black-and-white and four-color images Hardcover

ISBN 978-1-59711-357-1 $29.95/£19.95 June 2016

aperture.org/books

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Beautiful reproductions display Hiroshi Sugimoto’s mastery of the medium

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Includes interview with author and curator Philip Larratt-Smith

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For anyone interested in the intersections of traditional and conceptual photography

Hiroshi Sugimoto: Black Box Text and interview by Philip Larratt-Smith Text by Iran do Espírito Santo Hiroshi Sugimoto has explored ideas of time, empiricism, and metaphysics through a surreal and formalistic approach since the 1970s. A self-described “habitual selfinterlocutor,” Sugimoto uses the camera as a bridge between abstract questions and the quiet, comical nature of modern everyday life. Whether formally photographing Madame Tussauds’ wax figures and the wildlife scenes at the American Museum of Natural History, or opening the lens of his 8-by-10 camera to capture a twohour-long film in one exposure, he explores themes of consumerism, narrative, and existence in rich and evocative imagery. This new project presents a survey of Sugimoto’s iconic work, from his calm seascapes to his more recent exploration of photogenic drawing, and includes an essay and interview by curator Philip LarrattSmith, as well as text by the prominent Brazilian artist Iran do Espírito Santo. Copublished with

11 x 11 in. (28 x 28 cm) 203 pages 66 duotone images Hardcover

ISBN 978-1-59711-359-5 $65.00/£40.00 March 2016

Exhibition Schedule: FUNDACIÓN MAPFRE, Madrid, June–August 2016

aperture.org/books

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The first book in thirty years by this mythic character of queer photography

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Introduced by Philip Gefter (Sam Wagstaff’s biographer), and researched in New Orleans

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These sexually charged portraits celebrate the beauty of his male subjects

George Dureau, The Photographs Essay by Philip Gefter George Dureau, The Photographs is an album of the great photographic portraits made throughout the forty years of Dureau’s artistic career. All of Dureau’s (1930–2014) exquisite photographs, many of them nudes, were made in his studio in the French Quarter of New Orleans, or on the city’s streets. He began photography for the pleasure of photographing his lovers, and as research material for his paintings. Only later on did he begin to take his photographs seriously as works of art in their own right. Many of his subjects became part of Dureau’s “extended family,” whom he photographed on different occasions over many years. This is, surprisingly, just the second time Dureau’s photographs have been published as a book, possible now because of the commitment of the community of Dureau’s supporters to see it happen. George Dureau, The Photographs is edited by Chris Boot, with a text by Philip Gefter.

10 x 12 in. (25 x 30 cm) 160 pages 98 duotone photographs Hardcover

ISBN 978-1-59711-284-0 $60.00/£40.00 May 2016

aperture.org/books

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First major book in two decades by this enduring Magnum photographer

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Bischof’s journey told afresh in his own words, pulled from diaries and letters

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Accompanies a major touring exhibition in celebration of what would have been Bischof’s hundredth birthday

Werner Bischof: Backstory Edited and with text by Marco Bischof Preface by Fred Ritchin This new monograph captures the life and work of a Magnum great, Werner Bischof, and features his most iconic images, as well as insight into his life as a photojournalist and an artist. Known for his postwar social documentary work, Bischof (1916–1954) was inspired to become a journalist after the ruin of World War II left him unable to be a passive observer. This expansive collection, edited by the photographer’s son, brings together almost four hundred photographs, organized geographically—Europe, India, Japan and Korea, Hong Kong, Indochina, and North and South America. Accompanying the photographs are the contact sheets, letters, diaries, and sketches that give an intimate glimpse into his creative process, revealing the highlights, struggles, and his vulnerability. The book encapsulates Bischof’s far-reaching search for human connection through storytelling and is a testament to his relentless obsession to find harmony and beauty. In the words of Simon Maurer, “his photographs open up worlds.” And true to this quote, this book provides a time capsule of the postwar world, opened up by the compelling and profound story of the life of this adventurous artist.

10 x 11 7/8 in. (26 x 31 cm) 311 pages 210 duotone, 180 four-color images Hardcover

ISBN 978-1-59711-352-6 $75.00/£50.00 April 2016

Exhibition Schedule: Musée de l’Elysée, Lausanne, Switzerland, 2016 Kunstfoyer, Versicherungskammer Kulturstiftung, Munich, 2016 Hague Museum of Photography, The Hague, the Netherlands, 2016 Museum of Photography, Seoul, 2017

aperture.org/books

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The only comprehensive monograph on Cumming’s photography currently in print

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Brilliantly designed and highly collectible, this book is essential for everyone interested in the development of contemporary art

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Contemporary to Baldessari, Divola, and Heinecken, Cumming’s work is essential to the story of photography

The Difficulties of Nonsense Photographs by Robert Cumming

Edited and with an essay by Sarah Bay Gachot Interview by David Campany In the “Curiosity” issue of Aperture magazine, Sarah Bay Gachot writes that Robert Cumming’s interest in photography spawned from his interest in perception: “Cumming wanted the viewer to get to know, personally, the process of perception— perhaps to ward off the onset of visual inertia. The pictures unfold slowly over time; the more you look, the more you see.” The Difficulties of Nonsense features Cumming’s conceptual black-and-white and color photographs from the 1970s and ’80s, revealing his fascination with illusion and trickery. From his base in Los Angeles, Cumming made functional-looking constructions, rendered useless and created primarily to be photographed with his 8-by-10 camera. Playing with props, proportions, unusual angles, light, and mirrors, the images invite viewers to look in—and then to second-guess what they see. With an essay by Sarah Bay Gachot and an interview by David Campany, this monograph is the first to survey this significant series, and pays homage to a time when Cumming, and many in the photographic community, worked to playfully push the boundaries of photography and narrative.

9 x 10 1/2 in. (23 x 27 cm) 180 pages 150 duotone and four-color images Hardcover

ISBN 978-1-59711-300-7 $65.00/£45.00 May 2016

Limited-edition available

aperture.org/books

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First book by twenty-two-year-old photography phenom Olivia Bee

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Bee is the voice of the millennial generation, following in the tradition of Nan Goldin and Ryan McGinley

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Includes an interview by Tavi Gevinson, actress, writer, and founder of Rookie magazine

Olivia Bee: Kids in Love Interview by Tavi Gevinson Olivia Bee is celebrated for her dreamy, evocative portraits and landscapes rich with implied narratives of intimacy, freedom, and adventure. Olivia Bee: Kids in Love showcases two bodies of photographic work, including the series that first brought Bee recognition as a teenager, Enveloped in a Dream. This first series offers a visual diary of girlhood, friendship, and the exploration of self, showcasing Bee’s unique ability to convey the bittersweet nostalgia of adolescence on the brink of adulthood. The second set of images, Kids in Love, is drawn from recent work and continues Bee’s photographic chronicle of her circle of friends and new loves, capturing both the pleasures and terrors of a fleeting, romanticized youth. While the work continues to evolve, her seductive use of color and photographic artifact remains constant. Tavi Gevinson, founding editor of the online magazine Rookie and Bee’s frequent collaborator and model, writes about the wistful work and the role of images as social currency in today’s image-driven world.

8 x 10 in. (20.3 x 25.4 cm) 136 pages 75 four-color and black-and-white images Hardcover

ISBN 978-1-59711-345-8 $39.95/£25.00 April 2016

Limited-edition available

aperture.org/books

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A playful and inspiring book for kids, with step-by-step illustrated instructions for each activity

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Featuring fun and inspiring photo activities that you can do with anything that takes a picture

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Provides the tools, tips, and motivation to kick-start creativity

Go Photo! An Activity Book for Kids by Alice Proujansky Go Photo! features twenty-five hands-on and creative activities inspired by photography. Aimed at children between eight and twelve years old, this playful and fun collection of projects encourages young readers to experiment with their imaginations, get messy with materials, and engage with the world in new and exciting ways. Indoors or outdoors, from a half-hour to a whole day, and whether alone or with friends, family, or an unsuspecting pet, there is a photo activity for all occasions. Some don’t even require a camera! Each project features a series of pictures and handy tips to help guide the reader step-by-step, building a visual language and encouraging creativity as they go. Accessible, fun, and practical, the activities in this book have been brought together to engage children in the fun and wonder of photography.

8 1/2 x 10 5/8 in. (21.6 x 27 cm) 108 pages 85 four-color images Hardcover

ISBN 978-1-59711-355-7 $19.95/£12.95 May 2016

aperture.org/books

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Louise Dahl-Wolfe, Suzy Parker by the Seine, Costume by Balenciaga, 1953 ÂŠ 1989 Center for Creative Photography, Arizona Board of Regents

A hugely influential fashion photographer, mentor to Richard Avedon and Irving Penn

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Includes photographs with magazine covers and never-before-published notes and contact sheets

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The first new book about Dahl-Wolfe in fifteen years

Louise Dahl-Wolfe Texts by Oliva María Rubio, John P. Jacob, Celina Lunsford, and Louise Dahl-Wolfe Louise Dahl-Wolfe opens a window onto the work of one of the most influential fashion photographers of the twentieth century. After being discovered by Edward Steichen and having her work exhibited at the Museum of Modern Art, New York, in 1937, Louise Dahl-Wolfe (1895–1989) went on to revitalize the Hollywood portrait and invigorate the fashion photography of the 1930s, ’40s, and ’50s. During her tenure at Harper’s Bazaar—which lasted over two decades—Dahl-Wolfe pioneered the use of natural lighting in fashion photography, shooting on location and outdoors. Her modernist outlook changed American visual culture, influencing a school of artists—namely Richard Avedon, Horst P. Horst, and Irving Penn. Spanning over thirty years, this survey takes into account Dahl-Wolfe’s work not just in fashion, but also in portraiture and nude photography. Today, she stands among some of the most prestigious photographers of her time, possessing a mastery of the genre that still resonates with fashion and portraiture lovers alike.

8 1/4 x 11 1/4 in. (21 x 28.5 cm) 256 pages 135 four-color and black and-white images Hardcover

ISBN 978-1-59711-358-8 $60.00–U.S. and Canada only May 2016

aperture.org/books

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Introduces Errázuriz, the most celebrated photographer in Chile, to an international audience

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From the Pinochet dictatorship to the present day, an engaged and gritty portrait of Chile’s subcultures

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For audiences interested in the intersections of art, gender, history, and politics

Paz Errázuriz: Survey Texts by Juan Vicente Aliaga, Gerardo Mosquera, and Paulina Varas Chilean photographer Paz Errázuriz began taking photographs in the 1970s during the Pinochet dictatorship, and in subsequent decades traveled extensively to document the landscape and people of her native country. Throughout her dedicated practice, Errázuriz became intimate with her home city of Santiago, Chile’s central valley, Patagonia, and Valparaíso, forming long-lasting relationships with her many subjects. During the dictatorship her projects violated the regulations imposed by the military regime, as she dared to visit underground brothels, shelters, psychiatric wards, and boxing clubs, where women were not welcome. In Paz Errázuriz: Survey, over 170 photographs are compiled for the first time, resulting in a retrospective publication spanning over forty years. In the words of author Gerardo Mosquera, “Her work consistently focuses on the social marginality that continues to plague the country, thereby capsizing Chile’s image of buoyancy by intuitively penetrating the contradictions—the innumerable cracks and fissures—that persist to this day.” Copublished with

8 3/5 x 10 in. (21.8 x 25.4 cm) 271 pages 172 four-color and

ISBN 978-1-59711-354-0 $75.00/£50.00 March 2016

duotone images Hardcover

Limited-edition available

Exhibition Schedule: FUNDACIÓN MAPFRE, Madrid, Dec. 2015–Feb. 2016

aperture.org/books

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Over one hundred photographs capture the fantastic costumes of masquerade in Africa and Haiti

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Reviewed as “visually absolutely stunning,” Maske has wide appeal to diverse audiences

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New Aperture edition, back in print by popular demand

Maske

Photographs by Phyllis Galembo Introduction by Chika Okeke-Agulu

For over two decades, Phyllis Galembo has documented cultural and religious traditions in Africa and among the African Diaspora. Traveling widely throughout western and central Africa, and regularly to Haiti, her subjects are participants in masquerade events—traditional African ceremonies and contemporary costume parties and carnivals—who use costume, body paint, and masks to create mythic characters. Sometimes entertaining and humorous, often dark and frightening, her portraits document and describe the transformative power of the mask. With a title derived from the Haitian Creole word maské, meaning “to wear a mask,” this album features a selection of more than one hundred of the best of Galembo’s masquerade photographs to date, organized in country-based chapters, each with her own commentary. The book is introduced by art historian and curator Chika Okeke-Agulu (himself a masquerade participant during his childhood in Nigeria), for whom Galembo’s photographs raise questions about the survival and evolution of masquerade tradition in the twenty-first century.

9 3/8 x 9 1/2 in. (23.8 x 24.1 cm) 208 pages 106 four-color images Hardcover with jacket

ISBN 978-1-59711-353-3 $45.00/£30.00 March 2016

Limited-edition available

aperture.org/books

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Negative Publicity:

Artefacts of Extraordinary Rendition By Edmund Clark and Crofton Black Text by Eyal Weizman ∞

A highly innovative documentary project exploring unseen aspects of the “war on terror”

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Collectible object for all photobook enthusiasts, designed by Ben Weaver, art director of the Wire magazine

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A powerful mix of photography, investigative journalism, and forensic research

British photographer Edmund Clark and counterterrorism investigator Crofton Black have assembled photographs and documents that confront the nature of contemporary warfare and the invisible mechanisms of state control. From George W. Bush’s 2001 declaration of the “war on terror” until 2008, an unknown number of people disappeared into a network of secret prisons organized by the U.S. Central Intelligence Agency—transfers without legal process known as extraordinary renditions. No public records were kept as detainees were shuttled all over the globe. Some were eventually sent to Guantánamo Bay or released without charge, while others remain unaccounted for. The paper trail assembled in this volume shows these activities via the weak points of business accountability: invoices, documents of incorporation, and billing reconciliations produced by the small-town American businesses enlisted in detainee transportation. Clark has traveled worldwide to photograph former detention sites, detainees’ homes, and government locations. He and Black recreate the network that links CIA “black sites,” and evoke ideas of opacity, surface, and testimony in relation to this process—a system hidden in plain sight. Copublished with

8 1/2 x 11 5/8 in. (21.6 x 29.7 cm) ISBN 978-1-59711-351-9 288 pages of varying sizes $75.00/£50.00 January 2016 and 14 gatefolds 35 color photographs and 83 reproduced documents Spiralbound with jacket

aperture.org/books

Tout Va Bien Photographs by JH Engström ∞

JH Engström received the 2015 Leica Oskar Barnack Award for this series

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Gorgeously produced in collaboration with renowned Swedish designer Patric Leo

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A return to the visual poetry and style of Engström’s classic Trying to Dance

Swedish artist JH Engström is an inveterate bookmaker. Most recently, his published works have explored ideas of place and home, including Sketch of Paris (Aperture, 2013), La Résidence (2010), From Back Home (2009), and CDG/JHE (2008). After more than a decade of such thematic projects, Tout Va Bien returns to the looser, more associative approach of Engström’s critically acclaimed volume Trying to Dance (2003). The source for these photographs is nevertheless strongly autobiographical, as well as vividly metaphorical; a reemphasis of the artist’s belief in photography’s potential as visual poetry. The sequencing is highly charged with contrasts: black-and-white images mix with color; the gentle beauty of coastal rocks clashes with a flash-lit image of the bright, blood-red placentas from the birth of his twins. The book leaves it to the viewer to map his or her own network of meaning from image to image, page to page.

8 7/8 x 11 in. (22.5 x 28 cm) 152 pages 103 four-color and black-andwhite images Hardcover with tip-on

ISBN 978-1-59711-348-9 $65.00/£45.00 January 2016

Slipcased limited-edition with gilded edges $85 Slipcased limited-edition with gilded edges and print $500

Re ev qui er re d in yon re ph ter e ad ot es ser ing og te io f ra d in usl or ph y y

Aperture Magazine Edited by Michael Famighetti

Aperture is a sophisticated guide to the world of contemporary photography that combines the finest writing with inspiring photographic portfolios. Presenting fresh perspectives, accessible to the photo practitioner and the culturally curious alike, each issue examines one theme at the heart of contemporary photography, which is explored in two sections: Words, focused on ideas, interviews, and debate, and Pictures, offering an immersive selection of portfolios. Columns include Redux, The Collectors, Curriculum, and Object Lessons. The Spring edition, “Odyssey,” features stories and portfolios that speak to adventurous undertakings, or unique experiences, journeys, explorations, and quests: from interviews with Tacita Dean and Taryn Simon to a contemporary collective of imagemakers based in Lagos, West Africa, who use the format of the road trip—one of which took the group from Lagos to Sarajevo. The Summer issue, guest edited by author and Harvard professor Sarah Lewis, is organized around the theme of “Vision and Justice” in photographic representations of the African American and African diasporic experience.

Single issues: $24.95/£14.00 One-year subscription (4 issues): $75.00 Two-year subscription (8 issues): $124.00 Kindle, Nook, and Zinio digital subscriptions (4 issues): $25.00 Aperture 222: Spring 2016 ISBN 978-1-59711-364-9 Aperture 223: Summer 2016 ISBN 978-1-59711-365-6

Also available: Aperture 221: Winter 2015 ISBN 978-1-59711-324-3 34

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Bruno Ceschel 8 1/4 x 10 7/8 in. (21 x 27.6 cm) 512 pages, 280 images PB $29.95/£19.95 978-1-59711-344-1

Self Publish, Be Happy: A Manifesto and DIY Manual

Walter Chandoha: The Cat Photographer Photography Is Magic 7 1/4 x 10 in. (18.4 x 25.4 cm) 112 pages, 55 images HC $29.95/£19.95 978-1-59711-330-4

Charlotte Cotton 8 x 10 1/3 in. (20.32 x 26.29 cm) 384 pages, 311 images HC $49.95/£30.00 978-1-59711-331-1

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Jimmy DeSana: Suburban

My Last Day at Seventeen

8 7/8 x 11 in. (22.6 x 27.9 cm) 96 pages, 45 images HC $45.00/£30.00 978-1-59711-341-0

By Doug DuBois 9 3/8 x 11 1/2 in. (24 x 29.3 cm) 156 pages, 79 images HC $60.00/£40.00 978-1-59711-313-7

Aperture Masters of Photography Walker Evans 8 x 8 in. (20.3 x 20.3 cm) 96 pages, 43 images HC $18.95/£12.00 978-1-59711-343-4

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Richard Learoyd: Day for Night

Tiny: Streetwise Revisited

12 x 9 in. (30.5 x 23.75 cm) 384 pages, 400 images HC $75.00/£50.00 978-1-59711-285-7

12 x 14 3/4 in. (30 x 37 cm) 328 pages,160 images HC $150.00/£100.00 978-1-59711-329-8

Mary Ellen Mark 10 x 12 in. (25.4 x 30.48 cm) 176 pages, 145 images HC $50.00/£35.00 978-1-59711-262-8

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Hiroji Kubota Photographer

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Don McCullin

Cape Light

11 1/4 x 12 in. (30 x 29 cm) 179 pages, 150 images HC $75.00/£50.00 978-1-59711-342-7

Joel Meyerowitz 11 1/2 x 9 3/4 in. (26.7 x 22.9 cm) 112 pages, 40 images HC $45.00/£30.00 978-1-59711-339-7

Rochester 585/716 A Postcards from America Project 8 1/2 x 11 in. (21.6 x 28 cm) 452 pages, 1,000 images with a print PB $75.00/£50.00 978-1-59711-340-3

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Other Americas Sebastião Salgado 9 1/2 x 12 1/4 in. (24.1 x 31.1 cm) 127 pages, 49 images HC $45.00/£30.00 978-1-59711-336-6

Muse: Photographs by Mickalene Thomas 10 x 13 in. (25.4 x 33 cm) 156 pages, 85 images HC $65.00/£40.00 978-1-59711-314-4

Question Bridge: Black Males in America Edited by Deborah Willis & Natasha L. Logan 6 3/4 x 7 7/8 in. (17.1 x 20 cm) 256 pages, 200 images PB $29.95/£19.95 978-1-59711-335-9

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Monographs

Sama Alshaibi: Sand Rushes In 9 1/2 x 12 1/2 in. (24.1 x 31.8 cm) 112 pages, 108 images and video stills HC $80.00/£50.00 978-1-59711-308-3

Untitled: Diane Arbus 11 x 14 in. (27.9 x 35.6 cm) 112 pages, 52 images HC $75.00/£45.00 978-1-59711-190-4

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Diane Arbus: Magazine Work

Site Specific

9 2/5 x 11 in. (23.2 x 27.9 cm) 176 pages, 140 images PB $35.00/£19.95 978-0-89381-233-1

Olivo Barbieri 9 3/4 x 13 2/3 in. (24.9 x 34 cm) 184 pages, 126 images HC $75.00/£50.00 978-1-59711-229-1

Stonework and Lime Kilns

This Is Mars Edited and designed by Xavier Barral 13 3/4 x 111/2 in. (35.4 x 30.2 cm) 300 pages, 150 images HC $100.00/£65.00 978-1-59711-258-1

Other Rooms Jo Ann Callis 8 1/4 x 10 3/4 in. (21 x 27.3 cm) 80 pages, 45 images HC $65.00/£40.00 978-1-59711-275-8

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Diane Arbus: Monograph 9 3/4 x 11 in. (23.5 x 27.9 cm) 184 pages, 80 images HC $60.00/£40.00 978-1-59711-174-4 PB $39.95/£25.00 978-1-59711-175-1

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Bernd and Hilla Becher 10 5/8 x 11 3/4 in. (27 x 29 cm) 244 pages, 232 images HC $85.00/£55.00 978-1-59711-252-9

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Kodachromes William Christenberry 9 2/5 x 11 2/5 in. (23.9 x 29 cm) 176 pages, 115 images HC $65.00/£45.00 978-1-59711-147-8

Occupied Territory Lynne Cohen 11 1/2 x 9 3/5 in. (30.5 x 24.4 cm) 144 pages, 110 images HC $60.00/£40.00 978-1-59711-145-4

Subway Bruce Davidson

Paris•New York•Shanghai Hans Eijkelboom 10 1/2 x 8 1/4 in. (26.7 x 21 cm) 240 pages, 1,256 images HC $55.00/£32.00 978-1-59711-044-0

Sketch of Paris JH Engström 8 1/2 x 11 2/3 in. (21 x 27.5 cm) 314 pages, 250 images PB $65.00/£45.00 978-1-59711-253-6

11 2/5 x 11 3/5 inches (28.57 x 29.46 cm) 144 pages,118 images HC $65.00 978-1-59711-194-2

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Storms Mitch Dobrowner 13 7/8 x 10 1/8 in. (35.2 x 25.7 cm) 96 pages, 51 images HC $50.00/£30.00 978-1-59711-230-7

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HC $60.00/£40.00 978-1-59711-248-2

The Last Book Reinier Gerritsen 61/2 x 9 in. (16.5 x 22.75 cm) 240 pages, 45 images and a visual index HC $65.00/£40.00 978-1-59711-270-3

The Ballad of Sexual Dependency Nan Goldin 10 x 9 in. (25.4 x 22.9 cm) 148 pages, 126 images PB $35.00/£19.50 978-1-59711-210-9 HC $50.00/£35.00 978-1-59711-208-6

The Pond John Gossage 11 3/4 x 11 in. (29.8 x 27.9 cm) 108 pages, 52 images HC $65.00/£45.00 978-1-59711-132-4

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This Equals That Jason Fulford and Tamara Shopsin 7 3/4 x 7 3/4 in. (19.7 x 19.7 cm) 80 pages, 40 images HC $19.95/£12.95 978-1-59711-288-8

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Emmet Gowin 9 1/2 x 11 4/5 (24 x 30 cm) 240 pages, 180 images HC $69.95/£45.00 978-1-95711-261-1

Gail Albert Halaban: Paris Views 15 x 13 in. (38.1 x 33 cm) 120 pages, 60 images HC $79.95/£50.00 978-1-59711-302-1

Model American Katy Grannan 9 7/8 x 11 1/2 in. (25.1 x 29.2 cm) 112 pages, 70 images HC $40.00/£22.00 978-1-931788-81-6

9 x 11 in. (23 x 28 cm) 224 pages, 200 images HC $65.00/£40.00 ISBN 978-1-59711-332-8

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Pieter Hugo 11 3/4 x 9 1/4 in. (29.8 x 23.5 cm) 164 pages, 80 images HC $75.00/£45.00 978-1-59711-301-4

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Kamaitachi Eikoh Hosoe 9 1/2 x 12 3/4 in. (24.1 x 32.4 cm) 112 pages, 48 images HC $60.00/£40.00 978-1-59711-121-8

Florence Henri: Mirror of the Avant-Gardes, 1927–40

Sawdust Mountain Eirik Johnson 11x 11 in. (27.9 x 27.9 cm) 144 pages, 70 images HC $50.00/£32.00 978-1-59711-091-4

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The Notion of Family LaToya Ruby Frazier 9 1/2 x 10 3/4 in. (24.1 x 27.3 cm) 156 pages 100 images and 32 video stills

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Illuminance Rinko Kawauchi 8 1/2 x 11 in. (21.6 x 28 cm) 164 pages, 144 images HC $60.00/£40.00 978-1-59711-144-7

Gypsies Josef Koudelka 9 1/2 x 12 1/2 in. (24.1 x 31.8 cm) 224 pages, 109 images HC $85.00 978-1-59711-177-5 U.S. and Canada only

Exiles Josef Koudelka 11 3/4 x 10 5/8 in. (29.8 x 27 cm) 180 pages, 77 images HC $65.00 978-1-59711-269-7

Koudelka Josef Koudelka 11 7/16 x 11 in. (29.5 x 28.5 cm) 276 pages, 161 images HC $75.00 978-1-59711-030-3 U.S. and Canada only

Invasion 68: Prague Josef Koudelka 9 5/8 x 12 5/8 in. (24.5 x 32 cm) 296 pages, 244 images PB $60.00 978-1-59711-068-6 U.S. and Canada only

Wall Josef Koudelka 14 3/4 x 10 1/4 in. (37.5 x 26.4 cm) 120 pages, 54 images HC $60.00/£40.00 978-1-59711-241-3 U.S. and Canada only

Sergio Larrain 8 1/4 x 111/2 in. (21 cm x 29.2 cm) 400 pages, 372 images HC $100.00 978-1-59711-259-8 U.S. and Canada only

Events Ashore An-My Lê 13 x 10 1/2 in. (33 x 26.7 cm) 192 pages plus 2 gatefolds, 125 images HC $89.95/£60.00 978-1-59711-299-4

The Bikeriders Danny Lyon 61/4 x 9 1/4 in. (15.9 x 23.5 cm) 94 pages, 48 images HC $35.00/£22.95 978-1-59711-264-2

The Years Shall Run Like Rabbits

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Ametsuchi Rinko Kawauchi 9 2/5 x 12 1/4 in. (24 x 31 cm) 80 pages, 40 images HC $80.00/£50.00 978-1-59711-216-1

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Jeff Chien-Hsing Liao: New York 16 1/2 x 13 3/8 in. (41.1 x 33.9 cm) 160 pages, 100 images HC $95.00/£60.00 978-1-59711-279-6

Hellen van Meene 8 3/4 x 11 in. (22.2 x 27.9 cm) 256 pages, 250 images HC $75.00/£50.00 978-1-59711-317-5

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Immediate Family Sally Mann 11 x 9 1/2 in. (27.9 x 24.1 cm) 88 pages, 60 images HC $50.00/£35.00 978-1-59711-254-3

The Mysterious Opacity of Other Beings

Destroy This Memory Richard Misrach 15 x 11 1/2 in. (38.1 x 29.2 cm) 140 pages, 70 images HC $65.00/£45.00 978-1-59711-163-8

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Legacy: The Preservation of Wilderness in New York City Parks Joel Meyerowitz 12 x 10 1/2 in. (30.5 x 26.7 cm) 300 pages, 250 images HC $65.00/£45.00 978-1-59711-122-5

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101 Tragedies of Enrique Metinides 8 1/2 x 10 3/8 in. (21.6 x 26.4 cm) 184 pages, 150 images HC $50.00/£35.00 978-1-59711-211-6

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Richard Misrach 17 x 12 7/8 in. (43.2 x 32.7 cm) 88 pages, 86 images HC $80.00/£50.00 978-1-59711-327-4

Petrochemical America Richard Misrach and Kate Orff 240 pages, 150 images 11 7/8 x 9 1/4 in. (29.9 x 23.5 cm) PB $39.95/£25.00 978-1-59711-277-2 13 1/2 x 10 1/2 in. (34.3 x 26.7 cm) HC $80.00/£50.00 978-1-59711-191-1

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Lisette Model 12 x 15 in. (30.5 x 38.1 cm) 112 pages, 54 images HC $50.00/£27.50 978-1-59711-049-5

Playground

Zwelethu Mthethwa 11 3/4 x 10 in. (29.8 x 25.4 cm) 120 pages, 75 images HC $55.00/£45.00 978-1-59711-113-3

Earth to Sky: Among Africa’s Elephants, A Species in Crisis Michael Nichols 11 3/4 x 8 3/8 in. (29.8 x 21.7 cm) 188 pages, 2 gatefolds, 215 images HC $49.95/£29.95 978-1-59711-243-7

James Mollison 9 2/5 x 11 3/5 in. (24 x 32 cm) 136 pages, 59 images HC $50.00/£30.00 978-1-59711-307-6

Labyrinth: Daido Moriyama 11 3/4 x 13 3/4 in. (29.8 x 34.9 cm) 304 pages, 300 images PB $80.00/£50.00 978-1-59711-217-8

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Erwin Olaf: Volume II 10 x 13 in. (25.4 x 33 cm) 112 pages, 75 images HC $65.00/£40.00 978-1-59711-298-7

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Life’s a Beach Martin Parr 8 1/4 x 6 in. (30 x 15.25 cm) 124 pages, 100 images HC $25.00/£16.95 978-1-59711-213-0

Invisible: Covert Operations and Classified Landscapes Trevor Paglen 9 1/2 x 10 3/4 in. (24.1 x 27.3 cm) 160 pages, 69 images HC $49.95/£32.00 978-1-59711-130-0

The Non-Conformists Martin Parr 8 x 9 1/2 in. (20.3 x 24.1 cm) 168 pages, 90 images HC $45.00/£30.00 978-1-59711-245-1

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City Stages Matthew Pillsbury 12 1/2 x 10 in. (21x 29.2 cm) 128 pages, 75 images HC $65.00/£45.00 978-1-59711-237-6

Touching Strangers Richard Renaldi 9 x 11 1/2 in. (22.9 x 29.2 cm) 120 pages, 71 images HC $45.00/£30.00 978-1-59711-249-9

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Amelia and the Animals Robin Schwartz 8 1/2 x 10 3/4 in. (21.6 x 27.3 cm) 136 pages, 75 images HC $39.95/£25.00 978-1-59711-278-9

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Workers Sebastião Salgado 9 3/4 x 13 in. (24.8 x 33 cm) 400 pages, 346 images HC $100.00 978-0-89381-525-7 U.S. and Canada only

Office Romance Kathy Ryan 5 3/8 x 8 in. (13.7 x 20.3 cm) 160 pages, 132 images HC $29.95/£19.95 978-1-59711-304-5

Misty Dawn: Portrait of a Muse Jock Sturges 10 x 11 in. (25.4 x 27.9 cm) 168 pages, 100 images HC $50.00/£32.00 978-1-59711-074-7

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Notes Jock Sturges 10 x 9 7/16 in. (22.9 x 22.9 cm) 96 pages, 70 images HC $39.95/£25.00 978-1-931788-47-2

Chewing Gum and Chocolate Shomei Tomatsu 10 x 12 in. (25.4 x 30.5 cm) 234 pages, 125 images HC $80.00/£50.00 978-1-59711-250-5

Afghanistan Larry Towell 11 x 15 in. (27.94 x 38.1 cm) 192 pages, 350 images HC $150.00/£100.00 978-1-59711-266-6

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Uncommon Places: The Complete Works

Paul Strand in Mexico 11 3/8 x 12 7/8 in. (28.9 x 32.7 cm) 356 pages, 435 images HC $75.00/£50.00 978-1-59711-137-9

Stephen Shore: Survey 11 3/4 x 9 ½ in. (30 x 24 cm) 300 pages, 250 images HC $65.00/£40.00 978-1-59711-309-0

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Penelope Umbrico (photographs) 9 1/2 x 10 3/4 in. (24.1 x 27.3 cm) 172 pages,100 images HC $65.00/£40.00 978-1-59711-171-3

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Stephen Shore 12 7/8 x 10 1/4 in. (32.76 x 25.9 cm) 208 pages, 176 images HC $65.00 978-1-59711-303-8 U.S. and Canada only

The Last Day of Summer Jock Sturges 9 1/2 x 11 in. (24.1 x 28.9 cm) 96 pages, 60 images HC $45.00/£25.00 978-0-89381-494-6 PB $35.00/£19.95 978-0-89381-538-7

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Southwest Paul Strand 9 1/2 x 11 3/8 in. (24.1 x 29 cm) 112 pages, 95 images HC $50.00/£27.50 978-1-931788-46-5

The Suffering of Light Alex Webb 13 1/2 x 12 in. (34.3 x 30.5 cm) 204 pages,115 images HC $65.00 978-1-59711-173-7 U.S. and Canada only

The Flame of Recognition Edward Weston 8 1/4 x 9 3/4 in. (20.9 x 24.76 cm) 112 pages, 64 images HC $45.00/£29.95 978-1-59711-310-6

Brush Fires in the Social Landscape

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The Garden at Orgeval Paul Strand 8 x 10 3/8 in. (20.5 x 26.4 cm) 96 pages, 45 images HC $45.00/£30.00 978-1-59711-124-9

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James Welling: Monograph 9 1/2 x 111/2 in. (24.1 x 29.2 cm) 256 pages, 250 images HC $80.00/£50.00 978-1-59711-209-3

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Is This Place Great or What Brian Ulrich 9 3/4 x 11 1/4 in. (24.8 x 28.6 cm) 144 pages, 95 images HC $50.00/£32.50 978-1-59711-192-8

David Wojnarowicz 7 1/4 x 9 1/4 in. (18.3 x 23.4 cm) 240 pages,130 images HC $55.00/£35.00 978-1-59711-294-9

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Anthologies The Open Road David Campany 10 x 111/2 in. (25.4 x 29.2 cm) 336 pages, 250 images HC $65.00/£40.00 978-1-59711-240-6

Color Rush: American Color Photography from Stieglitz to Sherman Katherine A. Bussard and Lisa Hostetler 9 1/2 x 111/2 in. (24.13 x 29.21 cm) 278 pages, 200 images HC $60.00/£40.00 978-1-59711-226-0

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The Edge of Vision: The Rise of Abstraction in Photography Lyle Rexer 8 x 10 in. (20.3 x 25.4 cm) 292 pages, 180 images PB $35.00/£25.00 978-1-59711-242-0

The Photographer’s Playbook: 307 Assignments and Ideas Edited by Jason Fulford and Gregory Halpern 6 x 9 in. (15.2 x 22.8 cm) 440 pages, 26 images PB $29.95/£19.95 978-1-59711-247-5

The New York Times Magazine Photographs Edited by Kathy Ryan 9 1/2 x 111/2 in. (24.1 x 29.2 cm) 448 pages, 500 images HC $75.00/£50.00 978-1-59711-146-1

Photographic Memory Verna Posever Curtis 9 1/2 x 11 1/2 in. (24.1 x 29.2 cm) 288 pages, 350 images HC $75.00/£45.00 978-1-59711-131-7

reGeneration2 William A. Ewing 9 x 10 5/8 in. (22.9 x 27 cm) 224 pages, 208 images PB $39.95 978-1-59711-160-7 U.S. and Canada only

The Latin American Photobook Horacio Fernández 9 x 12 in. (24 x 30 cm) 256 pages, 350 images HC $75.00/£45.00 978-1-59711-189-8

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The Dutch Photobook Frits Gierstberg and Rik Suermondt 9 1/2 x 11 in. (24 x 28 cm) 240 pages, 620 images HC $75.00/£50.00 978-1-59711-200-0

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Photo Art Uta Grosenick and Thomas Seeling 8 1/4 x 10 in. (21 x 26.4 cm) 512 pages, 565 images PB $55.00 978-1-59711-062-4 U.S. and Canada only

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The Unseen Eye W. M. Hunt 10 1/4 x 11 in. (26 x 28 cm) 320 pages, 370 images HC $75.00 978-1-59711-193-5 U.S. and Canada only

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The Chinese Photobook Edited by Martin Parr and WassinkLundgren 11 3/8 x 12 7/8 in. (29 x 32.7 cm) 448 pages,1,000 images HC $150.00/£100.00 978-1-59711-228-4

The Photography Workshop Series

Todd Hido on Landscapes, Interiors, and the Nude 7 1/2 x 10 in. (19 x 25.4 cm) 128 pages, 74 images PB $29.95/£19.95 978-1-59711-297-0

Aperture Masters of Photography Series

Mary Ellen Mark on the Portrait and the Moment 7 1/2

x 10 in. (19 x 25.4 cm) 128 pages, 68 images PB $29.95/£19.95 978-1-59711-316-8

Larry Fink on Composition and Improvisation 7 1/2 x 10 in. (19 x 25.4 cm) 128 pages PB $29.95/£19.95 978-1-59711-273-4

Alex Webb and Rebecca Norris Webb on Street Photography and the Poetic Image 7 1/2 x 10 in. (19 x 25.4 cm) 128 pages, 50 images PB $29.95/£19.95 978-1-59711-257-4

Berenice Abbott 8 x 8 in. (20.3 x 20.3 cm) 96 pages, 42 images HC $18.95/£12.00 978-1-59711-312-0

Henri Cartier-Bresson 8 x 8 in. (20.3 x 20.3 cm) 96 pages, 42 images HC $19.95/£12.00 978-1-59711-287-1

backlist highlights

Walker Evans

Dorothea Lange 8 x 8 in. (20.3 x 20.3 cm) 96 pages, 42 duotone images HC $18.95/£12.00 978-1-59711-295-6

Paul Strand 8 x 8 in. (20.3 x 20.3 cm) 96 pages, 42 duotone images HC $18.95/£12.00 978-1-59711-286-4

Along Some Rivers Robert Adams 5 1/2 x 8 1/4 in. (14 x 21 cm) 112 pages, 28 images HC $24.95/£13.95 978-1-59711-004-4

Beauty in Photography Robert Adams 5 1/2 x 8 1/4 in. (14 x 21 cm) 112 pages, 23 images PB $16.95/£9.99 978-0-89381-368-0

Why People Photograph Robert Adams 5 1/2 x 8 1/4 in. (14 x 21 cm) 190 pages, 29 images PB $16.95/£9.99 978-0-89381-603-2

Diane Arbus: A Chronology 6 1/2 x 8 in. (16.5 x 20.32 cm) 192 pages PB $29.95/£19.95 978-1-59711-179-9

Aperture Magazine Anthology: The Minor White Years, 1952–1976 Edited by Peter C. Bunnell 6 3/8 x 9 3/8 in. (16.2 x 23.8 cm) 456 pages, 150 images HC $39.95/£25.00 978-1-59711-196-6

The Mind’s Eye Henri Cartier-Bresson 5 1/4 x 8 1/4 in. (13.3 x 21 cm) 112 pages, 11 images HC $19.95/£12.50 978-0-89381-875-3

Photography Changes Everything Marvin Heiferman 7 x 10 in. (17.8 x 25.4 cm) 356 pages, 250 images PB $39.95/£25.00 978-1-59711-199-7

8 x 8 in. (20.3 x 20.3 cm) 96 pages, 43 images HC $18.95/£12.00 978-1-59711-343-4

Essays

The Pleasures of Good Photographs Essays by Gerry Badger 6 x 8 1/2 in. (15.2 x 21.6 cm) 224 pages,36 images $29.95/£16.95 978-1-59711-139-3

Understanding a Photograph Essays by John Berger 6 x 8½ in. (15.2 x 21.6 cm) 176 pages, 27 images $24.95 978-1-59711-256-7

Inside the Photograph: Writings on Twentieth-Century Photography Essays by Peter C. Bunnell 5 1/2 x 8 1/2 in. (14 x 21.6 cm) 288 pages, 43 images $19.95/£12.95 978-1-59711-104-1

Photography After Frank Essays by Philip Gefter 6 x 81/2 in. (15.2 x 21.6 cm) 224 pages, 75 images $29.95/£16.95 978-1-59711-095-2

Light Matters: Writings on Photography Essays by Vicki Goldberg 5 1/2 x 8 1/2 in. (14 x 21.6 cm) 248 pages, 27 images $19.95/£12.95 978-59711-165-2

Crisis of the Real Essays by Andy Grundberg 6 1/2 x 9 ¼ in. (16.5 x 23.5 cm) 292 pages, 44 images $19.95/£12.95 978-1-59711-140-9

Between the Eyes: Essays on Photography and Politics By David Levi Strauss 5 1/2 x 81/4 in. (14 x 21 cm) 208 pages, 47 images $19.95/£12.95 978-1-59711-214-7

Words Not Spent Today Buy Smaller Images Tomorrow Essays by David Levi Strauss 5 1/4 x 8 1/4 in. (13.3 x 21 cm) 112 pages, 11 images HC $19.95/£12.50 978-1-59711-271-0

Core Curriculum: Writings on Photography Essays by Tod Papageorge 6 x 81/2 in. (15.2 x 21.6 cm) 208 pages, 50 images $29.95/£18.95 978-1-59711-172-0

Bending the Frame: Photojournalism, Documentary, and the Citizen By Fred Ritchin 6 x 8 1/2 in. (15.2 x 21.6 cm) 176 pages, 40 images $19.95/£12.95 978-1-59711-120-1

In Our Own Image Essays by Fred Ritchin 6 1/2 x 9 1/2 in. (16.5 x 23.5 cm) 164 pages, 38 images $16.95/£9.95 978-1-59711-164-5

North America only

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Aperture Ideas

backlist highlights

E-Books and Apps

Merce Cunningham: 65 Years David Vaughan iPad app $14.99 978-1-59711-188-1

Words Without Pictures Edited by Charlotte Cotton and Alex Klein iBook $11.99 978-1-59711-187-4

Photography After Frank Philip Gefter 75 images iBook $16.99 978-1-59711-221-5

Core Curriculum: Writings on Photography Tod Papageorge 33 images iBook $16.99 978-1-59711-223-9

Bending the Frame: Photojournalism, Documentary, and the Citizen Fred Ritchin 40 images iBook $16.99 978-1-59711-292-5

Moving Mountains (1850â&#x20AC;&#x201C;2012) Photographs by Penelope Umbrico iPad app: Free 978-1-59711-267-3

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The Pleasures of Good Photographs Gerry Badger 36 images iBook $16.99 978-1-59711-222-2

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Photograph of Helen Gee by Arthur Lavine

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ca. 19 images iBook $16.99 978-1-59711-368-7

Limelight:

A Greenwich Village Photography Gallery and Coffeehouse in the Fifties Memoir by Helen Gee Introduction by Denise Bethel In the late 1950s, the Limelight gallery and coffeehouse was the intellectual hangout of Greenwich Village, drawing patrons and critics with the work of such figures as Minor White, Ansel Adams, Imogen Cunningham, BrassaĂŻ, Julia Margaret Cameron, and Robert Frank. When Limelight opened in 1954, it was the first commercial gallery in the U.S. devoted exclusively to photography. Limelight: A Greenwich Village Photography Gallery and CoďŹ&#x20AC;eehouse in the Fifties is the humorous and at times heartbreaking memoir of founder Helen Gee. Aperture is pleased to reissue it and make it newly available as an e-book.

Jane Mount, Ideal Bookshelf: Kummer & Herrman, 2015; from The Photobook Review 009

The PhotoBook Review The PhotoBook Review is a biannual newsprint journal published by Aperture and dedicated to the consideration of the photobook. Every issue is guided by a different guest editor, and features interviews, essays, reviews, profiles, and specially commissioned centerfolds by photographers, designers, publishers, writers, and others who are passionate about the pho-

tobook. Issue 009, released in Fall 2015, was edited by designers Kummer & Herrman.

Subscribers to Aperture magazine receive copies of The PhotoBook Review with each Summer and Winter issue. Other availability: The U.S. edition is distributed at Aperture Gallery and Bookstore, New York. The European edition is primarily available onsite at Paris Photo. Select content is also available online at aperture.org/pbr.

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Summer Open May–June 2016 In 2014, Aperture Foundation initiated its first open-submission exhibition, the Aperture Summer Open, as a means of extending the walls of its New York gallery space to a wider group of photographers and gauging the character of contemporary photography. Conceived as an annual exhibition with a new guest juror each year, the Aperture Summer Open will continue to serve as a means of engaging the photography community.

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