Aperture Fall 2014 catalogue

Fall and Winter 2014–15

David Campany, LaToya Ruby Frazier, Jason Fulford, Reinier Gerritsen, Gail Albert Halaban, Gregory Halpern, Todd Hido, Josef Koudelka, Dorothea Lange, An-My Lê, Jeff Chien‑Hsing Liao, Erwin Olaf, Kathy Ryan, Robin Schwartz, Tamara Shopsin, Stephen Shore, Paul Strand

Stephen Shore, U.S. 97, South of Klamath Falls, Oregon, July 21, 1973, from The Open Road and Stephen Shore: Survey © Stephen Shore

Aperture, a not-for-profit foundation, connects the photo community and its audiences with the most inspiring work, the sharpest ideas, and with each other—in print, in person, and online.

From our base in New York, we produce, publish, and present a program of photography projects, locally and internationally, that includes: issues a year of Aperture magazine, our flagship publication presenting the most inspiring images and writing on photography aperture.org/magazine

∞∞ four

∞∞ an annual Portfolio Prize, recognizing

and promoting the most exciting emerging photographers internationally aperture.org/portfolio-prize annual Paris Photo–Aperture Foundation PhotoBook Awards, with First PhotoBook, PhotoBook of the Year, and Photography Catalogue of the Year categories, recognizing the contribution of photographers’ books to the evolving narrative of photography aperture.org/photobookawards

∞∞ the ∞∞ more

than thirty new photobooks and books about photography each year aperture.org/books

∞∞ a

growing digital publishing program, including e-books, apps, and a daily blog, as well as online features aperture.org/shop/epubs

Inspired by the road

∞∞ talks,

issues each year of The PhotoBook Review, cultivating the appreciation of the photobook aperture.org/pbr

∞∞ two

twenty-five print and other limited editions each year, many by emerging photographers, aimed at collectors, and published to support our programs and the photographers we work with aperture.org/prints

∞∞ nearly

workshops, signings, and education events, connecting with our community and reaching out to new audiences every week at our New York gallery and bookstore, and at partner venues aperture.org/talks-tours

The big theme for Aperture Foundation’s fall season is the Open Road. The road is a key motif in documentary photography, particularly in the United States, and our lead title The Open Road tells the romantic story of photographers and the American road, from Robert Frank’s The Americans to the present. An ode to the road as a place of discovery and freedom, and to the myth of America, it is also a tribute above all to Frank. Every artist who has gone on the road with a camera since the 1950s—as the book shows— has carried ​T he Americans in their imagination.

We’ve also adopted the Open Road as a theme for our annual benefit, a party of photography, performance, and music, being staged at Manhattan’s Terminal 5. Details are forthcoming, but in the meantime, please mark your calendars for Tuesday, October 21!

Of course, there’s a lot more as well, including an issue of Aperture magazine guest-​ edited by fashion photographers Inez van Lamsweerde and Vinoodh Matadin; an exhibition of new photographs commissioned to respond to the ideas featured in The Photographer’s Playbook; the relaunch of Aperture’s classic Masters of Photography Series with new editions featuring Paul Strand and Dorothea Lange; our first book to result from an Instagram feed, Kathy Ryan’s Office Romance; and This Equals That, the foundation’s first book for children.

Much to inspire!

—Chris Boot, executive director

∞∞ membership programs, offering

unique opportunities to connect with photography aperture.org/join

Aperture is also responsible for the Paul Strand Archive, managing and promoting the rights and legacy of this key figure of twentieth-century photography, in partnership with the Philadelphia Museum of Art. 2

Featured Photographers: Robert Frank Ed Ruscha Inge Morath Garry Winogrand William Eggleston Lee Friedlander Joel Meyerowitz Jacob Holdt Stephen Shore Bernard Plossu Victor Burgin Joel Sternfeld Shinya Fujiwara Alec Soth Todd Hido Ryan McGinley Justine Kurland Taiyo Onorato & Nico Krebs

The Open Road Photography and the American Road Trip

By David Campany

Taiyo Onorato & Nico Krebs

After the end of World War II, the American road trip began appearing prominently in literature, music, movies, and photography. Photographers purposefully embarked on such sojourns: Robert Frank’s classic The Americans was preceded by Edward Weston’s travels to illustrate Whitman’s Leaves of Grass, and by Henri Cartier-Bresson’s 1947 trip through the South and West, later published in Harper’s Bazaar. Ed Ruscha’s road trips between Los Angeles and Oklahoma were published as Twentysix Gasoline Stations.

Lavishly produced and highly accessible, The Open Road is the first book to consider the photographic road trip as an important genre. David Campany’s introduction eloquently contextualizes the story, and eighteen chronological chapters present different road trips in depth through a portfolio of images and informative texts, highlighting some of the most important bodies of work made. The Open Road features work by Robert Frank, Garry Winogrand, Stephen Shore, Joel Sternfeld, and William Eggleston, as well as those working in their footsteps, including Alec Soth and Ryan McGinley.

Exhibitions: 2015, forthcoming.

10 × 111/2 in. (25.4 × 29.2 cm) 336 pages ca. 250 duotone and four-color images Hardcover ISBN 978-1-59711-240-6 $65.00/£40.00 September 2014 Not available in France Join us for Aperture’s Open Road benefit on Tuesday, October 21, at Terminal 5, New York.

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Inge Morath

“Joyrides, voyages of discovery, surveys, wanderings, migrations, polemics, travel diaries, and assessment of the nation. Is America even imaginable without the road trip?”

—David Campany

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“I wasn’t simply interested in documenting America; I was also interested in learning and understanding photography and perception.”—Stephen Shore

Stephen Shore: Survey Photographs by Stephen Shore

Interview by David Campany Texts by Marta Dahó, Sandra S. Phillips, and Horacio Fernández Stephen Shore has had a significant influence on multiple generations of artists and photographers. His work was purchased by Edward Steichen for MoMA when he was only fourteen. By seventeen, he was a regular at Andy Warhol’s Factory, and at twentythree, he was the first living photographer since Alfred Stieglitz, forty years earlier, to have a solo show at the Metropolitan Museum of Art. Published for his first-ever retrospective exhibition, this survey documents Shore’s career from 1969 to 2013, with series such as Early Works, Amarillo, New York City, American Surfaces, and Uncommon Places. It elucidates his analysis of photographic and visual language, his topographical approach to the contemporary landscape, and his significant use of color. Also included are an informative interview, critical texts, and a complete biography and chronology.

Exhibition: Fundación MAPFRE, Madrid, September 17–November 23, 2014; additional venues TBA.

11 3/4 × 9 1/2 in. (30 × 24 cm) 300 pages 250 black-and-white and four-color images Hardcover ISBN 978-1-59711-309-0 $65.00/£40.00 October 2014 Copublished with Fundación MAPFRE

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Jason Fulford

An original gift book full of surprises for children and adults

This Equals That

By Jason Fulford and Tamara Shopsin

Jason Fulford

Aimed at children aged five and up, this clever and surprising photography book by artists and collaborators takes young viewers on a whimsical journey while teaching them associative thinking and visual language, as well as colors, shapes, and numbers.

Through a simple narrative and rhythmic sequence of photographs, the book raises multiple meanings, making the experience of reading the book interactive—parent and child must ask questions and come up with their own answers, drawing on the child’s imagination. Each spread presents a new relationship that changes and shifts as the book unfolds, with the last picture relating again to the first, forming a circle.

Through playful and inspired sequencing, everyday scenes are transformed into a game of pairs, enjoyable for adults and children alike.

7 3/4 × 7 3/4 in. (19.7 × 19.7 cm) 80 pages 40 four-color images Reinforced hardcover with PLC ISBN 978-1-59711-288-8 $19.95/£12.95 September 2014 Limited-edition print available

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d an d ck nde sto a in xp ck ly e Ba ew n

“Koudelka’s unsentimental, stark, brooding, intensely human imagery reflects his own spirit, the very essence of an exile who is at home wherever his wandering body finds haven in the night.”

—Cornell Capa

Exiles

Photographs by Josef Koudelka Essay by Czesław Miłosz New commentary with Josef Koudelka and Robert Delpire

This newly revised and expanded edition of the 1988 classic includes ten new images and evokes some of the most compelling and troubling themes of the twentieth century, while resonating with equal force in this time of widespread migration and transience. In a new compilation text, famed publisher Robert Delpire and the artist explain how the work came to be. In 1968 Josef Koudelka photographed the Soviet-led invasion of Czechoslovakia. Upon leaving, he became stateless, and was granted political asylum by the UK. Koudelka, a member of Magnum, has published ten books of photographs, including Gypsies, Black Triangle, Invasion 68: Prague, and Wall. Now based in Paris and Prague, he has received international recognition with major exhibitions, awards, and honors.

Retrospective Exhibition: Art Institute of Chicago, June 2014; J. Paul Getty Museum, Los Angeles, November 2014

11 3/4 × 10 5/8 in. (29.8 × 27 cm) 180 pages 77 duotone images Hardcover with jacket ISBN 978-1-59711-269-7 $65.00 October 2014 Available in North America only

See Josef Koudelka’s other titles on page 49, including Gypsies, now back in stock.

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“From the beginning, the New York Times building was all about the light, and the vibration of light and shadow. In Kathy Ryan’s pictures, I’m happy to find somebody who has captured it!”

—Renzo Piano

Office Romance Photographs from Inside the New York Times Building Photographs and texts by Kathy Ryan Introduction by Renzo Piano Office Romance is Kathy Ryan’s photographic love song to life at her office. Mostly shot on the sixth floor of the landmark Renzo Piano-designed New York Times building, where she works as director of photography at the New York Times Magazine, Ryan captures moments of luminous beauty in her daily routine. First published on Ryan’s Instagram feed, these photographs offer her rendering of the minute details of her working environment: her colleagues, the glorious building she works in, and the light of New York City. As well as the joy and pleasure in each moment captured, this book refers to the contrasts and ironies that characterize the photo world today; as old media meets new, an editor who commissions work from swashbuckling photographers all over the world finds moments of transcendent beauty within her office. Ryan introduces the photographs with her own account of the pictures, and of how she got hooked on Instagram.

5 3/8 × 8 in. (13.7 × 20.3 cm) 160 pages 132 four-color and black-and-white images Hardcover with jacket ISBN 978-1-59711-304-5 $29.95/£19.95 September 2014

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ar ul op ed t p ssu os ei m s, r ur ie O ser

Dorothea Lange

A classic series in the history of photography, elegantly redesigned and refreshed for today’s photographyhungry readers

Aperture Masters of Photography Series Paul Strand

The Aperture Masters of Photography Series is an unparalleled library of both historical and contemporary photographers, and serves as an accessible compilation for anyone studying the history of photography. Initially presented as the History of Photography Series in 1976, the first of twenty volumes featured Henri Cartier-Bresson and was edited by legendary French publisher Robert Delpire, who cofounded the series with Aperture’s own Michael Hoffman. The series is being relaunched, elegantly updated and refreshed for today’s photography-hungry audiences. Each volume presents an evocative selection of the photographer’s life’s work, introduced with a foreword by a notable curator or historian, image-by-image commentary, and a chronology of the artist’s life. The series will include many of the artists featured in previous volumes, plus several more for new masters.

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Paul Strand

Dorothea Lange

Aperture Masters of Photography Series Introduction and commentary by Peter Barberie

Aperture Masters of Photography Series Introduction and commentary by Linda Gordon

Paul Strand (1890–1976) was more than a great artist: he was one of the first to discover the true potential of photography as the most dynamic medium of the twentieth century.

As a youth, Strand studied under Lewis Hine; after World War II, he traveled around the world to photograph, and created a dynamic and significant body of work in the process. In this redesigned and expanded classic Aperture book, Peter Barberie, curator of the forthcoming retrospective exhibition, introduces the work and presents an image-by-image commentary, along with an expanded chronology of the artist’s life.

Retrospective Exhibition: Philadelphia Museum of Art, October 2014; selected photographs, Aperture Gallery, New York, October 2014

Dorothea Lange (1895–1965) documented rural poverty for the Farm Security Administration from 1935 to 1939. Her powerful images—from migrant workers in California fleeing the “dust bowl,” to struggling Southern sharecroppers—became icons of the era. She later photographed Japanese Americans in internment camps during World War II and traveled throughout Europe and Asia. She possessed the ability, as she put it, to photograph “things as they are” and through this, her photographs give us “more about the subjects than just the faces.” It is no wonder that Edward Steichen called her the greatest documentary photographer in the United States. Linda Gordon, author of Dorothea Lange: A Life Beyond Limits, contributes a new biographical essay and an image-by-image commentary.

8 × 8 in. (20.3 × 20.3 cm) 96 pages 42 duotone images Hardcover with jacket ISBN 978-1-59711-286-4 $18.95/£12.00 October 2014

8 × 8 in. (20.3 × 20.3 cm) 96 pages 42 duotone images Hardcover with jacket ISBN 978-1-59711-295-6 $18.95/£12.00 October 2014

Limited-edition print available

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A it rta po ve ity cti e c du th se of

Luscious, original panoramic portraits of the Big Apple as you’ve never seen it

Jeff Chien-Hsing Liao: New York Photographs by Jeff Chien-Hsing Liao Essays by Sean Corcoran and Justin Davidson With painstaking care and the use of multiple exposures, Jeff Chien-Hsing Liao crafts each of his images with technological precision. Shooting primarily with a large-format film camera, then scanning and digitally editing the negatives, Liao creates enormous, detail-driven panoramas of the social and urban landscape of New York. From rehabilitated Coney Island to the Grand Concourse in the Bronx, the demise of Shea Stadium in Queens to the newly built One World Trade Center, Liao has created a lasting document of a significant period of transformation in New York’s skyline and social fabric.

His unique perspective on New York is both personal and hyper-real, managing to capture both the lasting charm of the city’s known landmarks as well as the moment when New York entered the twenty-first century.

Exhibition: Museum of the City of New York, January 2015

16 1/2 × 13 3/8 in. (41.1 × 33.9 cm) 160 pages 100 four-color images Hardcover ISBN 978-1-59711-279-6 $95.00/£60.00 September 2014

Limited-edition print available

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A powerful visionary work at once personal and truly political, for audiences interested in art, race, and the social fabric of America

The Notion of Family Photographs by LaToya Ruby Frazier Interview by Dawoud Bey Essays by Laura Wexler and Dennis C. Dickerson In this, her first book, LaToya Ruby Frazier offers an incisive exploration of the legacy of racism and economic decline in America’s small towns, as embodied by her hometown, Braddock, Pennsylvania. The compelling story of three generations of women— her Grandma Ruby, her mother, and herself—is set against larger questions of civic belonging and responsibility. In The Notion of Family, Frazier knowingly acknowledges and expands upon the traditions of classic black-and-white documentary photography, enlisting the participation of her family, and her mother in particular. Frazier says her mother is “coauthor, artist, photographer, and subject. Our relationship primarily exists through a process of making images together. I see beauty in all her imperfections and abuse.” In these collaborative works, Frazier reinforces the idea of art and image-making as a transformative act, a means of resetting traditional power dynamics and narratives.

9 1/2 × 10 3/4 in. (24.1 × 27.3 cm) 156 pages 100 duotone images and 32 four-color video stills Clothbound ISBN 978-1-59711-248-2 $60.00/£40.00 September 2014

Limited-edition book and print set available

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“This work is as much about my perspective, and personal history as a political refugee from Vietnam, as it is about the vast geopolitical forces and conflicts that shape these landscapes.”

—An-My Lê

Events Ashore Photographs by An-My Lê Essay by Geoff Dyer An-My Lê’s first publication, Small Wars (2005), offered a trilogy of tautly rendered black-and-white landscapes. These photographs evoked the troubling beauty that informs and binds Hollywood’s simulacra of war to its documentation by photojournalists, as well as to Lê’s memories of a wartime childhood.

With Events Ashore, her first publication entirely in color, Lê crisscrossed four hemispheres and both poles to assemble a visual narrative of the hardware, personnel, destinations, and points of contact that constitute the experience and influence of the American military. Lê’s transition to color negative film reveals her to be a masterful colorist, making new and often surprising connections between American landscape photography and nineteenth-century European painting, with historical allegories of naval power and colonial utopias.

Exhibition: Milton Keynes Gallery, United Kingdom, September 2014

13 × 10 1/2 in. (33 × 26.7 cm) 192 pages plus 2 gatefolds 125 four-color images Clothbound ISBN 978-1-59711-299-4 $89.95/£60.00 October 2014

Limited-edition print available

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“I’m looking for a relationship between Amelia and the animal.

It’s like creating a fairy tale.”

—Robin Schwartz, on the New York Times blog Lens

Amelia and the Animals Photographs by Robin Schwartz Essay by Amelia Forman In many ways, Amelia, aged fourteen, is your average American teenager. Since she was three years old, she has been her mother’s muse and photographic subject. Not every mom is a world-class photographer with a predilection for photographing animals, however, and it’s not every teenager who has portraits of herself with elephants, llamas, ponies, tigers, kangaroos, chimpanzees, and endless dogs, cats, and other animals—portraits that hang in the collections of major art museums around the world. Amelia and the Animals is Robin Schwartz’s second monograph featuring this collaborative photographic series. These images are more than simply documents of Amelia and her rapport with animals; they offer a meditation on the nature of interspecies communication and serve as evidence of a shared mother-daughter journey into invented worlds, of fables they enact together.

8 1/2 × 10 3/4 in. (21.6 × 27.3 cm) 144 pages 75 four-color images Hardcover with jacket ISBN 978-1-59711-278-9 $39.95/£25.00 October 2014 Not available in German-language territories

Limited-edition print available

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“I want the world I create with my photos to be one that captures both the eye and the mind.”—Erwin Olaf

Erwin Olaf: Volume II Photographs by Erwin Olaf Essay by Francis Hodgson Award-winning Dutch photographer Erwin Olaf approaches storytelling in a uniquely evocative and enticingly ambiguous manner. Critic Francis Hodgson writes that Olaf’s images “lead us to a Stimmung (sense of atmosphere), which is broad enough to repay many second readings of the pictures and so keep us viewers interested.” In this collection of his most recent work, Olaf expands on his highly polished and stylized color studio images to include a series drawn from his sculptural video installation, Keyhole; a group of black-and-white images he has exhibited as carbon prints; and photographs created on location in Berlin. Erwin Olaf: Volume II showcases the artist at the height of his powers as an artisan of atmosphere, and as a craftsman who uses high polish to both perverse and seductive effect.

Exhibitions: Berlin; Debrecen, Hungary; and Istanbul, all fall 2014

10 × 13 in. (25.4 × 33 cm) 112 pages 75 four-color images Clothbound ISBN 978-1-59711-298-7 $65.00/£40.00 October 2014

Limited-edition print available

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A ht lig de ’s ile ph io bl bi

A gorgeously designed artist’s book about books and reading

The Last Book

Photographs by Reinier Gerritsen Essay by Boris Kachka

The world—and the word—are in the process of becoming less and less dependent on paper. So much so that Nicholas Negroponte, author and technologist, has stated “the paper book is dead,” to be replaced by digital technology. This is the premise of The Last Book, by Amsterdam-based photographer Reinier Gerritsen, who takes up the subject of books and their readers on New York City’s subways as proverbial canaries-in-the-coalmine, indicators of the still-robust nature of public readership, in the face of its ostensible decline. Gerritsen has produced a series of compelling, unexpected, documentary portraits, set against a visual landscape of bestsellers, classics, romance novels, detective thrillers, Bibles, and biographies. From the subtle interactions of passengers to the sociological clues of book titles, a complexly layered narrative is informed by riders as they are transported both literally and figuratively, by the books in their hands.

Special bonus: The dust jacket unfolds to show alternative covers.

6 1/2 × 9 in. (16.5 × 22.75 cm) 240 pages 45 four-color images and a visual index Hardcover with jacket ISBN 978-1-59711-270-3 $65.00/£40.00 September 2014

Limited-edition print available

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“Halaban can’t help staring into her neighbors’ windows, but she’s made an art of it.”—Vince Aletti, the New Yorker

Gail Albert Halaban: Paris Views Photographs by Gail Albert Halaban Introduction by Christian Caujolle Essay by Cathy Rémy In this new series, a continuation of her work in Out My Window, Gail Albert Halaban shifts her focus from New York to Paris—while continuing to steady her gaze into the windows of her neighbors and the local community. The photographs, taken between 2012 and 2013, feature cinematic atmospheres and intimate domestic stills.

Through Halaban’s lens, the viewer is welcomed into the private worlds of ordinary people. The photographs in Gail Albert Halaban: Paris Views explore the conventions and tensions of urban lifestyles, feelings of isolation in the city, and the intimacies of home and daily life. In these meticulously directed, window-framed versions of reality, Halaban allows the viewer to create his or her own fictions about the characters, activities, and interiors illuminated within. This invitation to imagine renders the characters and settings both personal and mysterious.

15 × 13 in. (38.1 × 33 cm) 120 pages 60 color images Hardcover ISBN 978-1-59711-302-1 $79.95/£50.00 October 2014

Limited-edition print available

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“I’m a wandering photographer. I just go out, usually by car, and shoot. I don’t always know what I’m going to find. But I know if I go out looking, I will find something.”—Todd Hido

Todd Hido on Landscapes, Interiors, and the Nude The Photography Workshop Series Introduction by Gregory Halpern Todd Hido explores the genres of landscape, interior, and nude photography, with an emphasis on creating images from a personal perspective. He reveals insight into his own practice and discusses a wide range of creative issues, including mining one’s own memory and experience as inspiration; using light, texture, and detail for greater impact; exploring the narrative potential activated when sequencing images; and creating powerful stories with emotional weight and beauty.

Learn how to:

• • • •

Create landscapes and interiors with emotional charge that suggest a larger story Work with color and composition to evoke mood and feeling Use low and available light to isolate your subject and capture dramatic portraits Work with subjects and different environments to explore what happens when you pair a person with a place

7 1/2 × 10 in. (19 × 25.4 cm) 128 pages 60 black-and-white and four-color images Paperback with flaps ISBN 978-1-59711-297-0 $29.95/£19.95 October 2014

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e Th in p ed sho ish rk bl o pu W st hy Ju rap og ot Ph

Todd Hido

Introduction by Lisa Kereszi Learn how to:

• Create pictures with energy that take advantage of the tension of the scene

• Maximize the frame to create sophisticated photographic compositions

• Create images that convey your vision and feelings about the subject

76 duotone images ISBN 978-1-59711-273-4

The Photography Workshop Series Alex Webb and Rebecca Norris Webb on Street Photography and the Poetic Image

In The Photography Workshop Series, Aperture Foundation works with the world’s top photographers to distill their creative approaches, teachings, and insights on photography—offering the workshop experience in a book. Our goal is to inspire photographers of all levels who wish to improve their work, as well as readers interested in deepening their understanding of the art of photography. Each book features the creative process and core thinking of a photographer, told in their own words and through pictures of their choosing. Each volume is introduced by a well-known student of the featured photographer.

Introduction by Teju Cole Learn how to:

• Discover luminous, poetic images in the world • Work with complexity, color, and creative tension within the picture frame

7 1/2 × 10 in. (19 × 25.4 cm) 128 pages Paperback with flaps $29.95/£19.95

• Gain confidence photographing among people of different cultures

74 black-and-white and four-color images ISBN 978-1-59711-257-4

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s rie Se

Larry Fink on Composition and Improvisation

Required reading for everyone seriously interested in photography

aperture.org/magazine

Aperture Magazine Aperture is an essential guide to the world of contemporary photography that combines the finest writing with inspiring photographic portfolios. Relaunched in 2013, the new Aperture updates its sixty-two-year-old mission as the world’s most vital photography magazine in print. Alongside regular columns such as What Matters Now? and The Collectors, each issue examines one theme at the heart of contemporary photography, explored in two distinct sections: Words, focused on ideas, interviews, and debate, and Pictures, offering an immersive photographic experience of artists’ projects and series.

Fall 2014, issue 216: “Fashion,” produced in collaboration with esteemed fashion photography duo Inez van Lamsweerde and Vinoodh Matadin, explores the role of image reference and quotation in fashion photography, showcasing both contemporary and historical work, and underscoring how the genre has long been defined by experimentation and innovation.

Winter 2014, issue 217: “Lit.” considers the relationship between photography and literature, looking at writers who were also practicing photographers and contemporary photographers who investigate language and narrative, or have used works of literature as springboards for their work.

The digital edition is available on Kindle, Nook, and Zinio. All print subscriptions include the Zinio digital edition at no additional cost, as well as a free subscription to The PhotoBook Review.

Single issues: $24.95/£14.00 One-year subscription (4 issues): $75.00 Two-year subscription (8 issues): $124.00 Kindle, Nook, and Zinio digital subscriptions (4 issues): $25.00 Aperture magazine, issue 216, Fall 2014 ISBN 978-1-59711-282-6 Aperture magazine, issue 217, Winter 2014 ISBN 978-1-59711-283-3

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Mike Slack

Gregory Crewdson

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Exhibition

Exhibition

The New York Times Magazine Photographs

The Photographer’s Playspace

September 18–November 1, 2014

November 20, 2014–January 29, 2015

Long-time New York Times Magazine photo editor Kathy Ryan provides a behindthe-scenes look at the collaborative, creative process that has made this magazine the leading venue for photographic storytelling within contemporary news media.

The exhibition is comprised of eleven individual modules, each of which focuses on a notable project or series of projects that has been presented in the pages of the Magazine. The featured projects mirror the Magazine’s eclecticism, presenting seminal examples of reportage and portraiture as well as fine art photography.

Fifteen photographers are commissioned to respond to assignments from The Photographer’s Playbook, Aperture’s collection of 307 inspiring, smart, and fun assignments from leading photographers and educators. The book includes contributions by John Baldessari, Tina Barney, Philip-Lorca diCorcia, Katy Grannan, Stephen Shore, Alec Soth, Tim Walker, and more.

Related book: The Photographer’s Playbook: 307 Assignments and Ideas Edited by Jason Fulford and Gregory Halpern 6 × 9 in. (15.2 × 22.8 cm) 440 pages 26 black-and-white images Paperback with flaps ISBN 978-1-59711-247-5 $24.95/£19.95

Related book: The New York Times Magazine Photographs Edited by Kathy Ryan 9 1/2 × 11 1/2 in. (24.1 × 29.2 cm) 448 pages Over 500 four-color images Hardcover ISBN 978-1-59711-146-1 $75.00/£50.00

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Exhibition

Parting Words and Black is the Day, Black is the Night

The Paris Photo–Aperture Foundation PhotoBook Awards

Photographs by Amy Elkins, winner of the 2014 Aperture Portfolio Prize November 26, 2014–January 29, 2015

December 11, 2014–January 29, 2015 Short-listed titles and winners from the third annual Paris Photo–Aperture Foundation PhotoBook Awards will be exhibited in the Aperture reading room, following their presentation at Paris Photo in November 2014. The presentation of these titles— available for visitors to look through from cover to cover—provides an invaluable survey of the most innovative thinking in bookmaking today, from self-published titles to those by the most esteemed publishers. Publishers and photographers may submit their work for consideration from May 5 through September 13, 2014. Past award winners and full details are available at aperture.org/photobookawards.

The Aperture Portfolio Prize identifies trends in contemporary photography, as well as specific photographers whose work deserves a wider audience. This year’s winner, Amy Elkins, submitted two portfolios stemming from issues surrounding capital punishment. Parting Words presents black-and-white portraits of people executed in the United States, constructed via the repetition of their last words. The effect is both formal and abstract, rendering each person’s fate chillingly concrete. In Black is the Day, Black is the Night, the letters Elkins exchanged with prisoners on death row are interspersed with images created in an effort to capture the interior landscapes evoked by these correspondences. Elkins’s work is elegiac and provocative, asking the viewer to engage above and beyond their first impressions of the images.

The prize categories are:

• First PhotoBook • PhotoBook of the Year • Introducing a new category: Photography Catalogue of the Year

Limited-edition print available

Short-listed titles from the 2013 PhotoBook Awards travel through November 2014 to the following venues: Copenhagen Photo Festival; PhotoIreland Festival, Dublin; Backlight Photo Festival, Tampere, Finland; FotoFocus Cincinnati 40

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Exhibition

From Sources and Influences, an Aperture workshop with Todd Hido.

“How rare it is to see master photographers give an eloquent account of their practice.”—Teju Cole on Alex Webb and Rebecca Norris Webb’s workshop

Aperture Workshops

Workshop leaders in fall 2014 include:

• Elinor Carucci • W. M. Hunt • Justine Kurland • Penelope Umbrico For a full workshop program visit: aperture.org/workshops-classes

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From the panel discussion Collaborative Images: New Models of Authorship and Aggregation. Image: Brock Stoneham

Aperture Foundation’s workshop program continues a valued tradition originating with Aperture magazine’s founding editor and legendary teacher, Minor White.

Known for his open-minded, inventive, and insightful approach to teaching, White leaves a legacy that defines the workshop program at Aperture. Aperture workshops are a chance for students to work one-on-one with major figures in the global photographic community. Recent workshop leaders include Alex Webb and Rebecca Norris Webb, Larry Fink, Joel Meyerowitz, Shelby Lee Adams, Todd Hido, and Rinko Kawauchi.

Most workshops are held at Aperture Gallery and Bookstore, located in Chelsea, New York City. Students visiting from out of town enjoy a competitive rate at Hôtel Americano. Please inquire about the hotel discount at the time of workshop registration.

re tu er Ap s ie er ss ea Id

Aperture Ideas: Writers and Artists on Photography A series devoted to the finest critical and creative minds exploring key concepts in photography

Understanding a Photograph

By John Berger Edited and introduced by Geoff Dyer “Essential reading for anyone interested in understanding the power of this ubiquitous medium.”—the Guardian 6 × 8 1/2 in. (15.24 × 21.6 cm) 176 pages 27 black-and-white images Clothbound ISBN 978-1-59711-256-7 $24.95 Rights: U.S. and Canada only

Bending the Frame: Photojournalism, Documentary, and the Citizen

By Fred Ritchin 6 × 81/2 in. (15.2 × 21.6 cm) 176 pages, 40 images $19.95/£12.95 ISBN 978-1-59711-120-1 New iBook $16.99 ISBN 978-1-59711-292-5

Between the Eyes: Essays on Photography and Politics

By David Levi Strauss 5 1/2 × 81/4 in. (14 × 21 cm) 208 pages, 47 images $19.95/£12.95 ISBN 978-1-59711-214-7

Core Curriculum: Writings on Photography Essays by Tod Papageorge 6 × 81/2 in. (15.2 × 21.6 cm) 208 pages, 50 images $29.95/£18.95 ISBN 978-1-59711-172-0 New iBook July 2014, $16.99 ISBN 978-1-59711-223-9

Crisis of the Real Essays by Andy Grundberg 6 1/2 × 9 ¼ in. (16.5 × 23.5 cm) 292 pages, 44 images $19.95/£12.95 ISBN 978-1-59711-140-9

In Our Own Image

By Fred Ritchin 6 1/2 × 9 ½ in. (16.5 × 23.5 cm) 164 pages, 38 images $16.95/£9.95 ISBN 978-1-59711-164-5

Inside the Photograph: Writings on Twentieth-Century Photography Essays by Peter C. Bunnell 5 1/2 × 8 1/2 in. (14 × 21.6 cm) 288 pages, 43 images $19.95/£12.95 ISBN 978-1-59711-104-1

Light Matters: Writings on Photography Essays by Vicki Goldberg 5 1/2 × 8 1/2 in. (14 × 21.6 cm) 248 pages, 27 images $19.95/£12.95 ISBN 978-59711-165-2

Photography After Frank Essays by Philip Gefter 6 × 81/2 in. (15.2 × 21.6 cm) 224 pages, 75 images $29.95/£16.95 ISBN 978-1-59711-095-2 iBook $16.99 ISBN 978-1-59711-292-5

The Pleasures of Good Photographs Essays by Gerry Badger 6 × 8 1/2 in. (15.2 × 21.6 cm) 224 pages,36 images $29.95/£16.95 ISBN 978-1-59711-139-3

New iBook ISBN 978-1-59711-290-1 August 2014 $16.99

Words Not Spent Today Buy Smaller Images Tomorrow Essays on the Present and Future of Photography

By David Levi Strauss “David Levi Strauss talks about what has been forgotten, what is being systematically erased, and what we need to remember for tomorrow.”—John Berger

6 × 8 1/2 in. (15.24 × 21.6 cm) 192 pages 25 color and black-and-white images Flexibind ISBN 978-1-59711-271-0 $29.95/£19.95

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Photographs by Larry Towell

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Afghanistan

Chewing Gum and Chocolate Shomei Tomatsu 10 × 12 in. (25.4 × 30.5 cm) 216 pages, 125 images HC $80.00/£50.00 978-1-59711-250-5

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The Bikeriders Danny Lyon 61/4 × 9 1/4 in. (15.9 × 23.5 cm) 94 pages, 48 images HC $35.00/£22.95 978-1-59711-264-2

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Touching Strangers Richard Renaldi 9 × 11 1/2 in. (22.9 × 29.2 cm) 120 pages, 71 images HC $45.00/£30.00 978-1-59711-249-9

Renowned Magnum photographer Larry Towell presents a moving and in-depth look at Afghanistan, whose citizens and landscapes are affected by conflict on a daily basis. Towell, who received a grant from the Magnum Emergency Fund for this work, offers a tour de force examination of survival, exile, loss, and recuperation. This limited-edition book presents a facsimile of the photographer’s original artist maquette, complete with his handwritten notes and stories, items he collected in the field, and over 350 images, including Towell’s powerful collages. Beautifully produced and collectible, this extraordinary object offers an important historical document on present-day Afghanistan seen through its social, political, and environmental landscapes.

Other Rooms Jo Ann Callis 8 1/2 × 11 in. (21 × 27.3 cm) 80 pages, 45 images HC $65.00/£40.00 978-1-59711-275-8

¡Vámonos!

Bernard Plossu in México 11 3/8 × 12 5/8 in. (28.9 × 32.1 cm) 336 pages, 330 images HC $125.00/£75.00 978-1-59711-276-5

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11 × 15 in. (27.94 × 38.1 cm) 192 pages 350 duotone and four-color images Hardcover with jacket Limited edition of 1,000 copies ISBN 978-1-59711-266-6 $150.00/£100.00 October 2014

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Immediate Family Sally Mann 11 × 91/2 in. (27.9 × 24.1 cm) 88 pages, 60 images HC $50.00/£35.00 978-1-59711-254-3

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Petrochemical America Richard Misrach and Kate Orff 240 pages, 150 images 11 7/8 × 9 1/4 in. (29.9 × 23.5 cm) PB $39.95/£25.00 978-1-59711-277-2 13 1/2 × 10 1/2 in. (34.3 × 26.7 cm) HC $80.00/£50.00 978-1-59711-191-1

The Ballad of Sexual Dependency Nan Goldin 10 × 9 in. (25.4 × 22.9 cm) 148 pages, 126 images PB $35.00/£19.50 978-1-59711-210-9 HC $50.00/£35.00 978-1-59711-208-6

backlist highlights

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Monographs

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Diane Arbus: Monograph 9 3/4 × 11 in. (23.5 × 27.9 cm) 182 pages, 82 images HC $60.00/£40.00 978-1-59711-174-4 PB $39.95/£25.00 978-1-59711-175-1

The Pond John Gossage 11 3/4 × 11 in. (29.8 × 27.9 cm) 108 pages, 52 images HC $65.00/£45.00 978-1-59711-132-4

Site Specific Olivo Barbieri 9 3/4 × 13 2/3 in. (24.9 × 34 cm) 184 pages, 126 images HC $75.00/£50.00 978-1-59711-229-1

This Is Mars Edited and designed by Xavier Barral 13 3/4 × 111/2 in. (35.4 × 30.2 cm) 272 pages, 150 images HC $100.00/£65.00 978-1-59711-258-1

Kamaitachi Eikoh Hosoe 9 1/2 × 12 3/4 in. (24.1 × 32.4 cm) 112 pages, 48 images HC $60.00/£40.00 978-1-59711-121-8

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Emmet Gowin 9 1/2 × 11 4/5 (24 × 30 cm) 240 pages, 180 images HC $69.95/£45.00 978-1-95711-2611

Model American Katy Grannan 9 7/8 × 11 1/2 in. (25.1 × 29.2 cm) 112 pages, 70 images HC $40.00/£22.00 978-1-931788-81-6

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Untitled: Diane Arbus 11 × 14 in. (27.9 × 35.6 cm) 112 pages, 52 images HC $75.00/£45.00 978-1-59711-190-4

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Diane Arbus: Magazine Work 9 2/5 × 11 in. (23.2 × 27.9 cm) 176 pages, 146 images PB $35.00/£19.95 978-0-89381-233-1

Gypsies Josef Koudelka 91/2 × 121/2 in. (24.1 x 31.8 cm) 224 pages, 109 images HC $85.00 978-1-59711-177-5 U.S. and Canada only

Koudelka Josef Koudelka 11 7/16 × 11 in. (29.5 × 28.5 cm) 276 pages, 161 images HC $75.00 978-1-59711-030-3 U.S. and Canada only

Invasion 68: Prague Josef Koudelka 9 5/8 × 12 5/8 in. (24.5 × 32 cm) 296 pages, 244 images PB $60.00 978-1-59711-068-6 U.S. and Canada only

Wall Josef Koudelka 14 3/4 × 10 1/4 in. (37.5 × 26.4 cm) 120 pages, 54 images HC $60.00/£40.00 978-1-59711-241-3 U.S. and Canada only

Sergio Larrain 8 1/4 × 111/2 in. (21 cm × 29.2 cm) 400 pages, 372 images HC $85.00 978-1-59711-259-8 U.S. and Canada only

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Illuminance Rinko Kawauchi 8 1/2 × 11 in. (21.6 × 28 cm) 176 pages, 125 images HC $60.00/£40.00 978-1-59711-144-7

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Ametsuchi Rinko Kawauchi 9 2/5 × 12 1/4 in. (24 × 31 cm) 80 pages, 40 images HC $80.00/£50.00 978-1-59711-216-1

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Stonework and Lime Kilns Bernd and Hilla Becher 10 5/8 × 11 3/4 in. (27 × 29 cm) 244 pages, 232 images HC $85.00/£55.00 978-1-59711-252-9

Sawdust Mountain Eirik Johnson 11× 11 in. (27.9 × 27.9 cm) 144 pages, 70 images HC $50.00/£32.00 978-1-59711-091-4

Occupied Territory Lynne Cohen 12 × 9 3/5 in. (30.5 × 24.4 cm) 144 pages, 110 images HC $60.00/£40.00 978-1-59711-145-4

Paris•New York•Shanghai Hans Eijkelboom 10 1/2 × 8 1/4 in. (26.7 × 21 cm) 240 pages, 1,256 images HC $55.00/£32.00 978-1-59711-044-0

Sketch of Paris JH Engström 8 1/2 × 11 2/3 in. (21 × 27.5 cm) 314 pages, 250 images PB $65.00/£45.00 978-1-59711-253-6

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Kodachromes William Christenberry 9 2/5 × 11 2/5 in. (23.9 × 29 cm) 176 pages, 115 images HC $65.00/£45.00 978-1-59711-147-8

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Storms Mitch Dobrowner 13 × 10 in. (35.2 × 25.7 cm) 96 pages, 51 images HC $50.00/£30.00 978-1-59711-230-7

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Southwest Paul Strand 9 1/2 × 11 3/8 in. (24.1 × 29 cm) 112 pages, 95 images HC $50.00/£27.50 978-1-931788-46-5

Paul Strand in Mexico Text by James Krippner 11 3/8 × 12 7/8 in. (28.9 × 32.7 cm) 356 pages, 435 images HC $75.00/£50.00 978-1-59711-137-9

The Last Day of Summer Jock Sturges 9 1/2 × 11 in. (24.1 × 28.9 cm) 96 pages, 60 images HC $45.00/£25.00 978-0-89381-494-6 PB $35.00/£19.95 978-0-89381-538-7

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Earth to Sky: Among Africa’s Elephants, A Species in Crisis Michael Nichols 11 3/4 × 8 3/8 in. (29.8 × 21.7 cm) 192 pages, 2 gatefolds, 215 images HC $49.95/£29.95 978-1-59711-243-7

Invisible: Covert Operations and Classified Landscapes Trevor Paglen 9 1/2 × 10 3/4 in. (24.1 × 27.3 cm) 160 pages, 69 images HC $49.95/£32.00 978-1-59711-130-0

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Zwelethu Mthethwa 11 3/4 × 10 in. (29.8 × 25.4 cm) 120 pages, 75 images HC $55.00/£45.00 978-1-59711-113-3

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Labyrinth: Daido Moriyama 11 3/4 × 13 3/4 in. (29.8 × 34.9 cm) 304 pages, 300 images PB $80.00/£50.00 978-1-59711-217-8

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The Garden at Orgeval Paul Strand 8 × 10 3/8 in. (20.5 × 26.4 cm) 96 pages, 45 images HC $45.00/£30.00 978-1-59711-124-9

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Lisette Model 12 × 15 in. (30.5 × 38.1 cm) 112 pages, 54 images HC $50.00/£27.50 978-1-59711-049-5

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The Sochi Project: An Atlas of War and Tourism in the Caucasus Rob Hornstra 9 1/2 × 111/2 in. (24 × 30 cm) 412 pages, 200 images HC $80.00/£50.00 978-1-59711-244-4

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Destroy This Memory Richard Misrach 15 × 11 1/2 in. (38.1 × 29.2 cm) 140 pages, 70 images HC $65.00/£45.00 978-1-59711-163-8

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Legacy: The Preservation of Wilderness in New York City Parks Joel Meyerowitz 12 × 10 1/2 in. (30.5 × 26.7 cm) 300 pages, 250 images HC $65.00/£45.00 978-1-59711-122-5

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Uncommon Places Stephen Shore 12 × 10 in. (32.7 × 26.4 cm) 188 pages, 162 images HC $55.00 978-1-931788-34-2 U.S. and Canada only

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101 Tragedies of Enrique Metinides 8 1/2 × 10 3/8 in. (21.6 × 26.4 cm) 184 pages, 150 images HC $50.00/£35.00 978-1-59711-211-6

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Notes Jock Sturges 9 × 9 in. (22.9 × 22.9 cm) 96 pages, 92 images HC $39.95/£25.00 978-1-931788-47-2

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Misty Dawn: Portrait of a Muse Jock Sturges 10 × 11 in. (25.4 × 27.9 cm) 168 pages, 100 images HC $50.00/£32.00 978-1-59711-074-7

Is This Place Great or What Brian Ulrich 9 3/4 × 11 1/4 in. (24.8 × 28.6 cm) 144 pages, 95 images HC $50.00/£32.50 978-1-59711-192-8

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Penelope Umbrico (photographs) 9 1/2 × 10 3/4 in. (24.1 × 27.3 cm) 172 pages,100 images HC $65.00/£40.00 978-1-59711-171-3

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Workers Sebastião Salgado 9 3/4 × 13 in. (24.8 × 33 cm) 400 pages, 346 images HC $100.00 978-0-89381-525-7 U.S. and Canada only

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City Stages Matthew Pillsbury 11 1/2 × 8 1/2 in. (21× 29.2 cm) 128 pages, 75 images HC $65.00/£45.00 978-1-59711-237-6

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The Non-Conformists Martin Parr 8 × 9 1/2 in. ( 20.3 × 24.1 cm) 168 pages, 124 images HC $45.00/£30.00 978-1-59711-245-1

Life’s a Beach Martin Parr 8 1/4 × 6 in. (30 × 15.25 cm) 80 pages, 100 images HC $25.00/£16.95 978-1-59711-213-0

The Suffering of Light Alex Webb 13 1/2 × 12 in. (34.3 × 30.5 cm) 204 pages, 115 images HC $65.00 978-1-59711-173-7 U.S. and Canada only

James Welling: Monograph 9 1/2 × 111/2 in. (24.1 × 29.2 cm) 256 pages, 250 images HC $80.00/£50.00 978-1-59711-209-3

aperture.org/books

backlist highlights

Anthologies Color Rush: Seventy-Five Years of Color Photography in America Katherine A. Bussard and Lisa Hostetler 9 1/2 × 111/2 in. (24.13 × 29.21 cm) 244 pages, ca. 200 images HC $60.00/£40.00 978-1-59711-226-0

The Dutch Photobook Frits Gierstberg and Rik Suermondt 9 1/2 × 11 in. (24 × 28 cm) 240 pages, 620 images HC $75.00/£50.00 978-1-59711-200-0

Along Some Rivers Robert Adams 51/2 × 81/4 in. (14 × 21 cm) 112 pages, 28 images HC $24.95/£13.95 978-1-59711-004-4

Beauty in Photography Robert Adams 5 1/2 × 8 1/4 in. (14 × 21 cm) 112 pages, 23 images PB $16.95/£9.99 978-0-89381-368-0

Why People Photograph Robert Adams 5 1/2 × 8 1/4 in. (14 × 21 cm) 189 pages, 29 images PB $16.95/£9.99 978-0-89381-603-2

The Mind’s Eye Henri Cartier-Bresson 5 1/4 × 8 1/4 in. (13.3 × 21 cm) 112 pages, 11 images HC $19.95/£12.50 978-0-89381-875-3

Photography Changes Everything Marvin Heiferman 7 × 10 in. (17.8 × 25.4 cm) 356 pages, 250 images PB $39.95/£25.00 978-1-59711-199-7

Merce Cunningham: 65 Years David Vaughan iPad app $14.99 978-1-59711-188-1

Words Without Pictures Edited by Charlotte Cotton and Alex Klein iBook $11.99 978-1-59711-187-4

Bending the Frame Fred Ritchin 40 images iBook $16.99 978-1-59711-292-5

Moving Mountains (1850–2012) Photographs by Penelope Umbrico iPad app: Free 978-1-59711-267-3

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Aperture Magazine Anthology: The Minor White Years, 1952–1976 Edited by Peter C. Bunnell 6 3/8 × 9 3/8 in. (16.2 × 23.8 cm) 456 pages, 150 images HC $39.95/£25.00 978-1-59711-196-6

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The Edge of Vision: The Rise of Abstraction in Photography Lyle Rexer 8 × 10 in. (20.3 × 25.4 cm) 292 pages, 180 images PB $35.00/£25.00 978-1-59711-242-0

The Latin American Photobook Horacio Fernández 9 × 12 in. (24 × 30 cm) 256 pages, 350 images HC $75.00/£45.00 978-1-59711-189-8

The New York Times Magazine Photographs Edited by Kathy Ryan 9 1/2 × 111/2 in. (24.1 × 29.2 cm) 448 pages, 500 images HC $75.00/£50.00 978-1-59711-146-1

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E-Books and Apps

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Photo Art Uta Grosenick and Thomas Seeling 8 1/4 × 10 in. (21 × 26.4 cm) 512 pages, 565 images PB $55.00 978-1-59711-062-4 U.S. and Canada only

Photographic Memory Verna Posever Curtis 9 1/2 × 11 1/2 in. (24.1 × 29.2 cm) 288 pages, 350 images HC $75.00/£45.00 978-1-59711-131-7

reGeneration2 William A. Ewing 9 × 10 5/8 in. (22.9 × 27 cm) 224 pages, 208 images PB $39.95 978-1-59711-160-7 U.S. and Canada only

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The Unseen Eye W. M. Hunt 10 1/4 × 11in. (26 × 28 cm) 320 pages, 370 images HC $75.00 978-1-59711-193-5 U.S. and Canada only

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Essays Diane Arbus: A Chronology 6 1/2 × 8 in. (16.5 × 20.32 cm) 192 pages PB $29.95/£19.95 978-1-59711-179-9

Photography After Frank Philip Gefter 75 images iBook $16.99 978-1-59711-221-5

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t u e s d ay, o c t o b e r 2 1 , 2 0 1 4 Terminal 5, New York City

An evening of art and entertainment in tribute to Robert Frank aperture.org/benefit