Letters… Plus the Uncut crossword

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DYLANREVISITED REVISITED

SupertributearticleintheJuneissue tomarkDylan’s80th.Someofthe anecdotesbyfellowartistsand acquaintanceswerebothrevelatory andhilarious.Equallycompelling wastheaccompanyingCDwith coversbysomeactshithertolittle knowntome.Ihadtoseekoutand playthetwintributeCDsgivenout withUncut’sMay2002andJune 2011issues.Itbearstestamentto theastonishingquantityand qualityoftheman’soutputthatthe onlytrackoverlapwasaversionof “TheTimesTheyAreA-Changin’” byTheHollies.

Assomeoneoldandfortunate enoughtohavefollowedDylan’s careerpathfromtheoutset,Ithink itfittingtopartparaphrase BillShankley’squoteabouthis impeccableLiverpoolfootball teamofyesteryear:“Thereare goodartists,therearegreat artists,andthereisDylan.”

DaveHardman,Stockport

…Thismonth’sBobDylanCDis thebestmagazinecover-mounted giftthatI’veeverreceived.The qualityofthesongs,artistryand productionisfantastic.

AdrianMusson,viaemail

…Ittakesalottomakemeemail you;infactthefirstandonlytime wasbecauseyou’ddaredtocriticise mybelovedRedHotChiliPeppers. However,thetributetohis“Royal Bobness”ontheDylanRevisitedCD isjustpureclass.Icannotstop playingit.It’smadeevenbetter becauseitisstartedbythe“man” himself.Ihavetosay,thankyouon behalfofBobandme.

DavidThursfield,viaemail

…AsamassiveBobfanIwaslooking forwardtothismonth’sCD,witha littletrepidation.

Wow,Ineedn’thaveworried!It trulyisamasterpiece,eachartist hasgiveneverytracktheirowntake inarespectful,uniqueway.It’s mesmerising–onrepeatonmy player,Iloveit.NowwherecanIget holdofacopyonvinyl?

ChrisDavidson,viaemail

Alotofyouhaveaskedusabouta vinylpressingforDylanRevisited. It’salovelyidea–butit’soutofour hands,I’mafraid.Butifavinyl pressingdoeseverhappen,you’ll readitherefirst.

Dylan in London, April 1965

POINTSOFVU

IlovedyourVelvetUnderground coverstory[Take288].Thefirstfour albumsarestoneclassics–even DougYule’sSqueezehasitsmoments –butIwassadyoudidn’tfindspace forthereunionliveshowsof1993.

I’vemetCaleafewtimesaftersolo gigsandyouneverknowwhich Johnyou’regoingtoget,personable orprickly.Butwhocares,you’rein thepresenceofJohnfuckingCale! Lou,ontheotherhand,wasa sweetyonthecoupleofoccasions Imanagedtocatchhimtowardsthe endofhislife.

IsawLouperformattheRoyal FestivalHallin2012,coincidentally theopeningnightoftheLondon Olympics.Asthetrainswere runningintotheearlyhours,Iwas abletostaylaterandmanagedto blagmywaypastsecuritytothe interiorcarpark–whereLou emergedwithLaurieAndersonand KimCattralltopickuptheirlimo. Hewaskindenoughtosignmy SongsForDrellaandVelvetsCDs. The second time was for the

Genesis launch of the limited

Transformer book. Mick Rock brought the rebel yell to that serene event, signing my copy of

Transformer, “You cheeky fucker! Best, Mick Rock”.

Bruce Marsh, Newbury Park

LOVING THE AMBIENT

I know I’m late to the party on this one, having been away working when Uncut Take 288 was delivered, but I wanted to add my appreciative voice to the letters already published about the Ambient Americana CD. It’s wonderful. For the longest time I have thought there was a particular feeling evoked by music that used traditional arrangements and instruments to depict the sense of wide-openness and movement that comes with travelling through a vast landscape. You rightly mentioned Ry Cooder’s Paris, Texas soundtrack in the supporting article – but touchstones for me would also have to be American Music Club’s California (particularly “Highway 5”) and Red House Painters’ stunning Songs For A Blue Guitar – check out “Song For A Blue Guitar”, on which the pedal steel reminds me of falling into a sunset, if such a thing was possible. I’ve had Cory Hanson’s Pale Horse Rider on almost constant rotation since your positive review a couple of months back and he mines that same rich seam of gorgeous melancholia and vastness.

It’s all fantastic, please keep up the good work.

Andrew Ure, via email

…Take 288 is brilliant! A fabulous Ambient Americana CD and I loved the great Velvet Underground piece... I would have added “I Can’t Stand It” to the deep cuts. Not deemed good enough for the Velvet Underground album – although it’s now available on the expanded edition – it turned up on Lou Reed’s first album. It’s a much inferior version, but still a brilliant song.

David Lynch, via email

STRUMMER LOVIN’

Andrew Mueller in his review of Joe Strummer’s new compilation [Take 288] says there were “regrettably under-explored possibilities as a balladeer”.

I know there are many definitions of ballads, but I would contend that Strummer wrote and sang many beautiful ballads – “White Man In Hammersmith Palais”, “Straight To Hell” and “This Is England” to name but three. The man was a poet and I miss him.

Andrew Napier, via email

DANCIN’ WITH MRS D

Somehow, in almost 50 years of voracious and intrepid music consumption, I have managed to completely overlook the “emotional, agonising, cathartic” works of Karen Dalton. Thank you, Uncut, for changing that.

Jim Wirth’s enthusiastic preview of the upcoming documentary about Dalton piqued my interest, and I’m listening to her 1971 album, In My Own Time, right now. That voice! Like stumbling across the missing link between Billie Holiday and Broken English-era Marianne Faithfull. Those performances! If you’d told me that Amy Winehouse didn’t actually die and this is the comeback album she’s been making in Nashville, I might just have believed it.

My ongoing musical education continues. Thanks all for another great issue.

Nick aka Mr Tea, via email

MARK OF DISTINCTION

Despite citing your previous tribute to Mark Hollis, I still agree with Liz Royle [Feedback, Take 288] that there’s scope for a fuller look back at the legacy of Talk Talk, told through the eyes of the other band members, production team and even management – never mind those that they touched and influenced. I’m sure there are many stories still to be told. I don’t think Mark’s passing negates a deeper look at this wonderful band; if anything it makes a proper eulogy all the more vital. With no imminent expansion of their back catalogue, how about using the 40th anniversary of the hit reissue of “Talk Talk” on 7” to hang it on?

Rob Kirby, via email

RATINGS WAR

Glenn Christensen Gurnee [Feedback, Take 288], you beat me to the punch! I was just thinking how all the albums get a broadly similar rating and there was a letter on the subject in the same issue!

I appreciate Uncut wanting to shield its readers from the dangers of exposure to a ‘less than six’-rated album, but the quality of a record is surely for us to decide? By being selective about the albums you rate it just dilutes the review section and frankly makes me less inclined to read them.

I want to hear music that polarises and challenges. When I read the likes of NME and Melody Maker as a youth the best reviews were often savage. Plus let’s not forget the myriad records over the years that haven’t reviewed well on release that turn out to be classics on later reflection.

I do wonder whether it’s part of a larger cultural trend not to offend – but that’s a debate for another day.

Come on, Uncut – credit your readers with some intelligence! Other than that, keep up the good work! Stephen Toal, via email Says Tom, our reviews editor, “It’s not a case of not wanting to offend anyone – more a desire to let you know about great music that we like, and that we think you might like too. Of course, we have to be selective about the albums we review as hundreds of albums come out every week. It would be mad to ignore a great album and review something we’re not keen on, just for variety.”

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HOW TO ENTER

The letters in the shaded squares form an anagram of a song by Prince. When you’ve worked out what it is, email your answer to: competitions@uncut.co.uk. The first correct entrypickedatrandomwillwinaprize.Closingdate:WednesdayJune16,2021. ThiscompetitionisonlyopentoEuropeanresidents.

CLUES ACROSS

1+10ABy the looks of them, he was able to kid Kate Bush (3-3-4-3-5-2-3-4) 8Dido actually includes a Foo Fighters number (3) 10(See 1 across) 11 “I use the best, I use the rest, I use the ___”, from the Sex Pistols’ “Anarchy In The UK” (3) 12Tears For Fears album remixed by mate Ellen (9) 14His albums include Brand New Day and The Last Ship (5) 16US group who were “Happy Together” (7) 18+33ATwice put in place by Radiohead but sympathetically (5-5) 19Start to google name of Sonic Youth album (3) 20 “What’s your name? Who’s your daddy? Is he ____ like me?”, from The Zombies’ “Time Of The Season” (4) 22Austrian who had 1986 No 1 hit with “Rock Me Amadeus” (5) 24Best known for their “Little Fluffy Clouds” (3) 25Chris _____, guitarist and bassist for The Yardbirds (5) 26 “I need some time in the ________”, from Oasis’s “Rock’n’Roll Star” (8) 27Craig Gannon was the ‘fifth member’ of this band (6) 30 “Them homesick _____ and radical views haven’t left a mark on you, you wear it well”, Rod Stewart (5) 32(See 7 down) 33(See 18 across)

CLUES DOWN

1 “She ought to think twice, she ought to do right by me”, 1965 (6-2-4) 2US band who wanted to “Kiss You All Over” (5) 3(See 15 across) 4A triumph for Davey Henderson’s ’80s band after breakup of The Fire Engines (3) 5Hot Elvis moves performed by Maroon 5 (4-4) 6 “Racing through my brain”, 1989 (5-3-4) 7+32AHis ’60s Top 10 hits include “Boys Cry” (4-4) 9Moans about the bass player in Suede (5) 13Formally declare this to be a release by Phil Collins (7) 15+3DTim Buckley music was going off, he’s welcome to it (7-3-5) 17 “Zero hour, 9am”, 1972 (6-3) 19A splendid single by Andreas Johnson (8) 21 “Please allow me to introduce myself, I’m a man of wealth and _____”, from The Rolling Stones’ “Sympathy For The Devil” (5) 23I am into shaking up Seoul with Human League (6) 28Alex Chilton album included in a cassette tape (3) 29Big Brovaz hit that was a bit of a joke (2) 30Beady Eye took bit of The Beatles for this album (2) 31Half a song on album by Peter Gabriel (2)

ANSWERS:TAKE288

ACROSS

1Disintegration9+15A What A Waster10 Grand Prix11 Trouble13+32D I’ve Lost You16+24D My Sweet Lord22 Animal 25 Air26 Nun27 Poor 30+34A NYC Man 31Them32Yes36Ruin

DOWN

1Downtown Train 2 Seasons3 NWA4 Eagles 5 Reality6 Tad7+19AOur Love To Admire8 Exits, 12+28ABee Gees14+35A Edwin Starr17 Tea 18Orange20Apricot 21Monster22 Alison 23Moose29 Emma33 Sun

HIDDEN ANSWER

“Here She Comes Now”

JULY 2021 BandLab UK Limited Griffin House 135 High Street Crawley West Sussex RH10 1DQ

EDITOR Michael Bonner EDITOR (ONE-SHOTS) John Robinson REVIEWS EDITOR Tom Pinnock ART EDITOR Marc Jones SENIOR DESIGNER Michael Chapman PRODUCTION EDITOR Mick Meikleham SENIOR SUB EDITOR Mike Johnson PICTURE EDITOR Phil King EDITOR AT LARGE Allan Jones CONTRIBUTORS Jason Anderson, Laura Barton, Mark Bentley, Greg Cochrane, Leonie Cooper, Jon Dale, Stephen Dalton, Stephen Deusner, Lisa-Marie Ferla, Michael Hann, Nick Hasted, Rob Hughes, Trevor Hungerford, John Lewis, April Long, Alastair McKay, Gavin Martin, Piers Martin, Rob Mitchum, Paul Moody, Andrew Mueller, Sharon O’Connell, Michael Odell, Erin Osmon, Pete Paphides, Louis Pattison, Jonathan Romney, Bud Scoppa, Johnny Sharp, Dave Simpson, Neil Spencer, Terry Staunton, Graeme Thomson, Luke Torn, Stephen Troussé, Jaan Uhelszki, Wyndham Wallace, Peter Watts, Richard Williams, Nigel Williamson, Tyler Wilcox, Jim Wirth, Damon Wise, Rob Young COVER PHOTOGRAPH: Andy Earl/Camera Press PHOTOGRAPHERS: Mike Ruiz, Angelina Castillo, Nels Israelson, Eszter+David, Tom Sheehan, Steve Gullick THANKS TO: Sam Richards, Johnny Sharp TEXT AND COVERS PRINTED BY Gibbons UK Ltd

PRODUCTION & OPERATIONS

PUBLISHING PRODUCTION MANAGER Craig Broadbridge DISTRIBUTED BY Marketforce (UK) Ltd, 5 Churchill Place, Canary Wharf, London E14 5HU

CLIENT SERVICES MANAGER, COMMERCIAL & PARTNERSHIPS Gemma Lundy gemma.lundy@bandlab.com SENIOR PROJECT MANAGER Charlotte Wort charlotte.wort@bandlab.com

BANDLAB TECHNOLOGIES CHIEF EXECUTIVE OFFICER Meng Ru Kuok CHIEF OPERATING OFFICER Ivan Chen UK COUNTRY DIRECTOR AND HEAD OF STRATEGY & PARTNERSHIPS Holly Bishop AVP, WEB TECHNOLOGIES Laurent Le Graverend AVP, GROUP & BRAND STRATEGY Krystle Hall MANAGER, CONTENT STRATEGY Iliyas Ong PRODUCTION EDITOR, BANDLAB TECHNOLOGIES Sean McGeady

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