Architecture Asia - 2018 Third Quarter - ARCASIA AWARDS FOR ARCHITECTURE 2018

THIRD QUARTER 2018

RM30

MAGAZINE OF THE ARCHITECTS REGIONAL COUNCIL ASIA

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the magazine of the architects regional council asia (arcasia), an international council of presidents of 21 national institutes of architects in the asian region

the aa team

arcasia office bearers 2017/2018

Lee Chor Wah, Ezumi Harzani Ismail, Tony Liew Voon Fun, Mohamad Pital Maarof, Dr Veronica Ng Foong Peng

PRESIDENT

ADVISORS

ZONE A VICE PRESIDENT

Tan Pei Ing, Dr Tan Loke Mun

Abu Sayeed M. Ahmed

EDITOR-IN-CHIEF

ZONE B VICE PRESIDENT

Lee Chor Wah

Chan Eng Chye, Theodore

PUBLISHING AGENCY TEAM

ZONE C VICE PRESIDENT

Alex Choo, Shamita Pannersallvam, Masyirah binti Mansor

Nuno Soares

Jahangir S M Khan

CORRESPONDING EDITORS

HONORARY SECRETARY

Zakia Rahman – Bangladesh (LAB), Wang Xiaojing – China (ASC), Chairman Of Media Resource & Publication Committee – Hong Kong (HKIA), Mukul Goyal – India (LIA), Andra Matin – Indonesia (LAI), Takayuki Matsuura – Japan (JIA), Cho In Souk – Korea (KIRA), Rui Leao – Macau (MAA), Lee Chor Wah – Malaysia (PAM), E Purev Erdene E Tuya – Mongolia (UMA), Bishnu Panthee – Nepal (SONA), Arshad Faruqui – Pakistan (LAP), Michael T Ang – Philippines (UAP), Ow Chin Cheow – Singapore (SIA), Prasanna Silva – Sri Lanka (SLIA), Veerachat (Jop) – Thailand (ASA), Nguyen Van Tat – Vietnam (VAA)

Ramiz Baig

PUBLISHER

chairmen of arcasia committees

HONORARY TREASURER

Sannah Ejaz IMMEDIATE PAST PRESIDENT

Sathirut Nui Tandanand ADVISORS

Tan Pei Ing, George Kunihiro

Pusat Binaan Sdn Bhd A wholly-owned company of Pertubuhan Akitek Malaysia (PAM) on behalf of ARCASIA 99L, Jalan Tandok, Bangsar, 59100 Kuala Lumpur, Malaysia T +603 2202 2866 F +603 2202 2566 E info@architectureasia.co

John Joseph T. Fernandez

PUBLISHING AGENCY

COMMITTEE ON SOCIAL RESPONSIBILITY (ACSR)

Memo Publishing Sdn Bhd E ask@memo.com.my

Sudhir Balakrishnan Pillai

COMMITTEE OF ARCHITECTURE EDUCATION (ACAE)

COMMITTEE ON PROFESSIONAL PRACTICE (ACPP)

Thirilogachandran Shanmugasundaram

COMMITTEE ON GREEN AND SUSTAINABLE ARCHITECTURE (ACGSA) PRINTER

Debatosh Sahu

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Architecture Asia is published quarterly. Reproduction in whole or part without written permission from the Publisher is strictly prohibited. Architecture Asia cannot be held responsible for any unsolicited submission materials. Submission materials (manuscripts, photographs, drawings, CDs, etc.) will not be returned unless submitted with a stamped, self-addressed envelope. Although every effort has been made to ensure accuracy in the preparation of each publication, the Publisher, Printer and editorial team/staff accept no responsibilities from any effects arising from errors or omissions. Opinions expressed in the publication are those of the contributors and not necessarily endorsed by the Publisher, Printer and editorial team/staff.

Tan Szue Hann FELLOWSHIP

Rita Soh Siow Lan

member institutes

BANGLADESH

INDIA

MACAU

PHILIPPINES

INSTITUTE OF ARCHITECTS BANGLADESH (IAB)

THE INDIAN INSTITUTE OF ARCHITECTS (IIA)

ARCHITECTS ASSOCIATION OF MACAU (AAM)

House 11, Road 04, Dhanmondi R/A, Dhaka 1205, Bangladesh T+880 2 8624664 / +880 2 8624665 F +880 2 9615451 E mail@iab.com.bd W www.iab.com.bd President: Kazi Nasir

5th Floor, Prospect Chambers Annexe, Dr. D. N. Road, Fort Mumbai, 400 001 India T +91 2288 4805 / 2204 6972 / 2281 8491 F +91 2283 2516 E iiapublication@gmail.com / iiaho1214@gmail.com W www.iia-india.org President: Divya Kush

Avenue de Coronel Mesquita No. 2F, PO Box 3091, Macau, China T +853 28 703458 F +853 28 704089 E info@macaoarchitects.com W www.macaoarchitects.com President: Johnathan Wong Chung Yuen

UNITED ARCHITECTS OF THE PHILIPPINES (UAP)

BHUTAN THE BHUTAN INSTITUTE OF ARCHITECTS (BIA)

Post box 233 Thimphu, Bhutan T +975 1794 6075 F +975 232 1285 W www.bhutanarchitects.org President: Dorji Yangki

BRUNEI

INDONESIA INDONESIAN INSTITUTE OF ARCHITECTS (IAI)

Jakarta Design Centre (JDC) Lt.7, Jalan Gatot Subroto Kav. 53, Slipi, Jakarta 10260 Indonesia T +62 21 5304715 / 21 5304623 F +62 21 5304722 E sekretariat@iai.or.id W www.iai.or.id President: Ahmad Djuhara

PERTUBUHAN UKUR JURUTERA & ARKITEK (BRUNEI) (PUJA)

Unit 3, 2nd Floor, Block B9, Simpang 32-66, Kampong Anggerek Desa, Berakas, BB3713, Negara Brunei Darussalam T/F +673 2384021 E web.pujaacademy@gmail.com W www.puja-brunei.org President: Hj Mohammad Nazri Mohammad Yusof

JAPAN THE JAPAN INSTITUTE OF ARCHITECTS (JIA)

JIA-Kan 2-3-18 Jingu-mae, Shibuya-ku Tokyo 150 0001, Japan T +81 3 3408 7125 F +81 3 3408 7129 E jiacontact@jia.or.jp W www.jia.or.jp President: Masaharu Rokushika

CHINA

HONG KONG

PAM Centre, 99L, Jalan Tandok, Bangsar, 59100 Kuala Lumpur, Malaysia T +603 2202 2866 F +603 2202 2566 E info@pam.org.my W www.pam.org.my President: Ezumi Harzani Ismail

THE UNION OF MONGOLIAN ARCHITECTS (UMA)

Ulaanbaatar City, Sukhbaatar District, 8 Choro, Bulgaria Street 27, Mongolia T +976 11 324072 F +976 11 321808 E uma_gc@magicnet.mn W www.uma.org.mn President: Khurelbaatar Erdenesaikhan

SINGAPORE SINGAPORE INSTITUTE OF ARCHITECTS (SIA)

79B Neil Road, Singapore 088904 T +65 6226 2668 F +65 6226 2663 E info@sia.org.sg W www.sia.org.sg President: Seah Chee Huang

SRI LANKA SRI LANKA INSTITUTE OF ARCHITECTS (SLIA)

120/7, Wijerama Mawatha, Colombo 7, Sri Lanka T +94 11 2697109 / 11 2691710 F +94 11 2682757 E secretariat@slia.info / secretariat3@slia.info W www.slia.lk President: Harsha Fernando

MYANMAR ASSOCIATION OF MYANMAR ARCHITECTS (AMA)

KOREA KOREA INSTITUTE OF REGISTERED ARCHITECTS (KIRA)

317, Hyoryeong-ro, Seocho-gu, Seoul, 137-877 Republic of Korea T +82 2 3415 6800 F +82 2 3415 6898 9 E secretary@kira.or.kr W www.kira.or.kr President: Cho Chung Kee

THE HONG KONG INSTITUTE OF ARCHITECTS (HKIA)

19/F, One Hysan Avenue, Causeway Bay, Hong Kong T +852 2511 6323 F +852 2519 6011 / 2519 3364 E info@hkia.net / hkiasec@hkia.org.hk W www.hkia.net President: Ng Wing Shun, Anthony Vincent

MALAYSIA MALAYSIAN INSTITUTE OF ARCHITECTS (PAM)

MONGOLIA

THE ARCHITECTURAL SOCIETY OF CHINA (ASC)

No. 9, Sanlihe Road, Beijing, China 100835 T +86 10 8808 2237 F +86 10 8808 2222 E zgjzxhzhb@126.com / ascbianji@126.com W www.chinaasc.org President: Che Shujian

UAP National Headquarters Building, 53 Scout Rallos Street, Diliman, Quezon City 1103, Philippines T +63 2 4126403 / 4126364 / 4120051 F +63 2 3721796 E uapnational@gmail.com / uap@united-architects.org W www.united-architects.org President: Gillermo H. Hisancha

No. 228-234, 3rd Floor, Bogyoke Aung San Road, Department of Urban and Housing Development Building, Botahtaung Tsp, Yangon, Myanmar T +959 782 120 549 / 265 465 884 E amarchitects2001@gmail.com W www.mac.org.mm President: Sun Oo

THAILAND THE ASSOCIATION OF SIAMESE ARCHITECTS UNDER ROYAL PATRONAGE (ASA)

248/1 Soi Soonvijai 4, Rama IX Road, Bangkapi, Huay Kwang, Bangkok, 10310 Thailand T +662 319 6555 ext 121 F +662 319 6419 E asaisaoffice@gmail.com W www.asa.or.th President: Ajaphol Dusitnanond

NEPAL LAOS ASSOCIATION OF LAO ARCHITECTS AND CIVIL ENGINEERS (ALACE)

Asian Road T2, House No 226, Unit 18, Ban Sisavath Chanthaboury District, PO BOX No 8806, Vientiane Capital, Laos T +856 21 260530 F +856 21 264736 E info@alace.org.la W www.alace.org.la President: Phonexay Southiphong

THE SOCIETY OF NEPALESE ARCHITECTS (SONA)

Junga Hem Hiranya Complex, Kalmochan, Tripureshwor, Kathmandu, Nepal T/F +977 1 4262252 E sona2047@gmail.com W www.sona.org.np President: Kishor Thapa

PAKISTAN INSTITUTE OF ARCHITECTS PAKISTAN (IAP)

IAP House, ST-1/A, Block 2, Kehkashan Clifton, Karachi, Pakistan T +9221 35879335 F +9221 35879335 E info@iap.com.pk W www.iap.com.pk President: Ali Zafar Qazi

VIETNAM VIETNAM ASSOCIATION OF ARCHITECTS (VAA)

40 Tang Bat Ho Street, Hai Ba Trung Dist., Hanoi, Vietnam T +844 3936 0755 F +844 3934 9240 E hoiktsvn@kienviet.net W www.kienviet.net President: Nguyen Tan Van

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THE PRODUCTION OF THE AAA AWARDS ISSUE Some of you will have received this special issue of Architecture Asia, featuring the ARCASIA Architecture Awards, at the Awards presentation ceremony cum dinner. The winners would have just been announced, and their awards received on stage moments ago. And now, there you have it, a freshly printed copy of Architecture Asia magazine in your hands while you have your coffee or dessert.

How is this possible? Thanks to Internet, and the many people working behind the scenes.

First and foremost, you have the ARCASIA Awards Convener and the Awards Committee plus the judges and host country’s secretariat (in this particular instance, the JIA Secretariat) at the front end, organising the Awards from beginning to the end – calling for entries, juries’ selection, receiving and sorting the submissions, judging, deliberating, writing citations and juries’ reports… And once the judging and deliberations are completed, and the winners confirmed, the information is compiled and sent to the publishing team headed by Alex Choo in Kuala Lumpur. At the PAM Secretariat, we have Norazam Victor coordinating the submission materials while canvassing for advertisements to fund the whole production of the current issue. For example, for this issue, we received the first batch of Awards materials from JIA on 11th July and the last on 27th August, and in between the juries’ and Convener’s reports. Production of this issue started way before the materials were received, as page layout templates and other aspects were prepared beforehand. The publishing team also took to preparing all the text – editing and cross-checking names, facts and more, while the editor-in-chief also started the ball rolling for the Editor’s message.

The final run included colour proof checks with the printer, and a last check by the editor-in-chief, before the issue finally went to print. Upon the completion of printing, delegates from PAM attending the ARCASIA meetings and conference then helped out to personally hand-carry copies of this issue from Kuala Lumpur to Tokyo. Thanks to these special ‘couriers’, the AA publishing team and the printer, you now have this copy in your hands. Enjoy.

And our heartiest congratulations to all the short-listed entries and the winners from the production team!

LEE CHOR WAH EDITOR-IN-CHIEF ARCHITECTURE ASIA

good work wanted HAVE YOUR IDEAS OR WORKS PUBLISHED IN ARCHITECTURE ASIA. WE WELCOME PROJECT OR ARTICLE SUBMISSIONS FOR PUBLISHING CONSIDERATION. CONTACT: ASK@MEMO.COM.MY FOR SUBMISSION GUIDELINES AND FURTHER INFO.

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ARCHITECTURE ASIA ISSUE 3 2018

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RADICAL TECHNOLOGIES: THE DESIGN OF EVERYDAY LIFE ADAM GREENFIELD VERSO

Everywhere we turn, a startling new device promises to transfigure our lives. But at what cost? In this urgent and revelatory excavation of our Information Age, leading technology thinker Adam Greenfield forces us to reconsider our relationship with the networked objects, services and spaces that define us. It is time to re-evaluate the Silicon Valley consensus determining the future.

We already depend on the smartphone to navigate every aspect of our existence. We’re told that innovations—from augmented-reality interfaces and virtual assistants to autonomous delivery drones and self-driving cars—will make life easier, more convenient and more productive.

3D printing promises unprecedented control over the form and distribution of matter, while the blockchain stands to revolutionise everything from the recording and exchange of value to the way we organise the mundane realities of the day to day. And, all the while, fiendishly complex algorithms are operating quietly in the background, reshaping the economy, transforming the fundamental terms of our politics and even redefining what it means to be human.

Having successfully colonised everyday life, these radical technologies are now conditioning the choices available to us in the years to come.

How do they work? What challenges do they present to us, as individuals and societies? Who benefits from their adoption? In answering these questions, Greenfield’s timely guide clarifies the scale and nature of the crisis we now confront —and offers ways to reclaim our stake in the future.

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MODERN TROPICAL: HOUSES IN THE SUN BYRON HAWES RIZZOLI

Contemporary tropical residential architecture has risen from a geographically specific homegrown aesthetic to a source of inspiration for the world’s great modern architects and designers.

Set in exotic locales, with pools, lush foliage, colorful gardens, these homes define a way of life. Frequently elegant and uncluttered, the houses serve as models of smart and beautiful design with lots of ideas for homeowners who do not necessarily live in a tropical or subtropical climate, but who wish to have something of that appeal and sensitivity in their own home.

This book presents some of the most innovative interpretations of the genre from the past five years by internationally recognised architects and interior decorators, such as Tadao Ando, as well the work of young up-and-comers of great talent, including German-born, Bali-based Alexis Dornier, and Mexico’s Roof Arquitectos. Selected residences span the globe, from the southern United States, the Caribbean, and tropical regions of Latin America, to Southeast Asia, northern Australasia, and Africa. Modern Tropical explores the exotic material, color, cultural, environmental, and aesthetic choices of some of con-

ARCHITECTURE ASIA ISSUE 3 2018

temporary architecture’s most beautiful residential properties.

Each house is introduced with breathtaking interior and exterior photography and orientation plans, giving readers an in-depth glimpse of the rapidly evolving symbiosis between nature and shelter, indoor and outdoor, and rustic and polished, in a definitive examination of tropical modern living.

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THE FUTURE OF MUSEUM AND GALLERY DESIGN: PURPOSE, PROCESS, PERCEPTION (MUSEUM MEANINGS) SUZANNE MACLEOD, TRICIA AUSTIN, JONATHAN HALE, OSCAR HO HING-KAY ROUTLEDGE

The Future of Museum and Gallery Design explores new research and practice in museum design. Placing a specific emphasis on social responsibility, in its broadest sense, the book emphasises the need for a greater understanding of the impact of museum design in the experiences of visitors, in the manifestation of the vision and values of museums and galleries, and in the shaping of civic spaces for culture in our shared social world.

The chapters included in the book propose a number of innovative approaches to museum design and museum-design research. Collectively, contributors plead for more open and creative ways of making museums, and ask that museums recognize design as a resource to be harnessed towards a form of museum-making that is culturally located and makes a significant contribution to our personal, social, environmental, and economic sustainability. Such an approach demands new ways of conceptualising museum and gallery design, new ways of acknowledging the potential of design, and new, experimental, and research-led approaches to the shaping of cultural institutions internationally.

The Future of Museum and Gallery Design should be of great interest to academics and postgraduate students in the fields of museum studies, gallery studies, and heritage studies, as well as architecture and design, who are interested in understanding more about design as a resource in museums. It should also be of great interest to museum and design practitioners and museum leaders.

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MARCEL BREUER: BUILDING GLOBAL INSTITUTIONS BARRY BERGDOLL, JONATHAN MASSEY, LUCIA ALLAIS, KENNY CUPERS, GUY NORDENSON, TIMOTHY M. ROHAN, TERESA M. HARRIS, JOHN HARWOOD, LAURA MARTINEZ DE GUERENU LARS MULLER PUBLISHERS

Marcel Breuer (1902–81) is celebrated as a furniture designer, teacher and architect who changed the American house after his emigration from Hungary to the US in 1937. More recently historians, architects and—with the reopening in New York of the great megalith of his Whitney Museum as the Met Breuer—a larger public are gaining new insights into the cities and largescale buildings Breuer planned.

Often seen as a pioneer of a “Brutalist mod-

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ernism” of reinforced concrete, Breuer might best be understood through the lens of the changing institutional structures in and for which he worked, a vantage developed in the fresh approaches gathered here in essays by a group of younger scholars. These essays draw on an abundance of newly available documents held in the Breuer Archive at Syracuse University, now accessible online.

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REGENERATIVE URBAN DESIGN AND ECOSYSTEM BIOMIMICRY (ROUTLEDGE RESEARCH IN SUSTAINABLE URBANISM) MAIBRITT PEDERSEN ZARI ROUTLEDGE

It is clear that the climate is changing and ecosystems are becoming severely degraded. Humans must mitigate the causes of, and adapt to, climate change and the loss of biodiversity, as the impacts of these changes become more apparent and demand urgent responses. These pressures, combined with rapid global urbanisation and population growth mean that new ways of designing, retrofitting and living in cities are critically needed.

Incorporating an understanding of how the living world works and what ecosystems do into architectural and urban design is a step towards the creation and evolution of cities that are radically more sustainable and potentially regenerative. Can cities produce their own food, energy, and water? Can they be designed to regulate climate, provide habitat, cycle nutrients, and purify water, air and soil?

This book examines and defines the field of biomimicry for sustainable built environment design and goes on to translate ecological knowledge into practical methodologies for architectural and urban design that can proactively respond to climate change and biodiversity loss.

These methods are tested and exemplified through a series of case studies of existing cities in a variety of climates.

Regenerative Urban Design and Ecosystem Biomimicry will be of great interest to students, professionals and researchers of architecture, urban design, ecology, and environmental studies, as well as those interested in the interdisciplinary study of sustainability, ecology and urbanism.

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ARQUITECTONICA ALASTAIR GORDON RIZZOLI

A major new evaluation of the trailblazing Miamibased architecture firm upon the advent of its fortieth anniversary. Arquitectonica is the design firm that put Miami on the map for the cool, hip, very now architecture that was first celebrated on TV in Miami Vice. Since their founding four decades ago, the firm has grown exponentially in stature, and its energies have only increased.

Arquitectonica is a major presence on the world architectural stage, with offices in New York, Los Angeles, Paris, Hong Kong, Shanghai, Manila, Dubai, Lima, and São Paulo. Founded in 1977, the firm received critical and popular attention and acclaim almost from its inception, thanks to a bold modernism that was immediately identified with a renaissance in Miami’s urban land-

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scape. Principals Bernardo Fort-Brescia and Laurinda Spear continue to this day exploring and pushing the limits of materials and design with their innovative use of geometry, pattern, and color.

The first book on this major international architectural design firm since Rizzoli’s own Arquitectonica (2004), this volume is a retrospective of the firm’s forty-year history, considering its earliest projects—the archetypal and hugely influential Pink House and Babylon Apartments—to Regalia Condominium tower, its twenty-first-century masterwork of undulant glass and steel.

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FROM OBJECT TO EXPERIENCE: THE NEW CULTURE OF ARCHITECTURAL DESIGN HARRY FRANCIS MALLGRAVE BLOOMSBURY VISUAL ARTS

Harry Francis Mallgrave combines a history of ideas about architectural experience with the latest insights from the fields of neuroscience, cognitive science and evolutionary biology to make a powerful argument about the nature and future of architectural design.

Today, the sciences have granted us the tools to help us understand better than ever before the precise ways in which the built environment can affect the building user’s individual experience.

Through an understanding of these tools, architects should be able to become better designers, prioritising the experience of space — the emotional and aesthetic responses, and the sense of homeostatic well-being, of those who will occupy any designed environment. In From Object to Experience, Mallgrave goes further, arguing that it should also be possible to build an effective new cultural ethos for architectural practice.

Drawing upon a range of humanistic and biological sources, and emphasizing the far-reaching implications of new neuroscientific discoveries and models, this book brings up-to-date insights and theoretical clarity to a position that was once considered revolutionary but is fast becoming accepted in architecture.

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THE ART OF ARCHITECTURAL DAYLIGHTING

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MARY GUZOWSKI LAURENCE KING PUBLISHING

During the past decade there has been a tremendous growth in daylighting analysis methods, allowing designers to meet ever higher standards. But in relying too heavily on these methods, there is a risk of reducing daylighting design to a quantitative exercise, overlooking the qualitative, aesthetic, and experiential aspects of design. This book reveals how architects have bridged the poetic and practical potential of daylighting to create exquisitely illuminated spaces.

In the book, 12 buildings are examined, using photographs, drawings, and plans. Each case study also includes technical analysis diagrams, specially created using specialist software. Featured architects include Renzo Piano, David Chipperfield, and Steven Holl.

The Art of Architectural Daylighting will be invaluable for professionals and students alike.

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ARCHITECTURE ASIA ISSUE 3 2018

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The Arcasia Awards For Architecture (AAA) is an endeavour to raise the standard of the built environment throughout Asia in general and in ARCASIA member countries in particular, in order to encourage and recognise exemplary works done by architects working in Asia. The first three Awards were given every two years, beginning in 1992 during the Asian Congress of Architects (ACA) that was organised by ARCASIA. The fourth Awards was held in 1998 during the 7th ACA held in Colombo, Sri Lanka. From 1999, the Awards were adjudged during the year in which the ARCASIA Forum was held, and conferred in the year in which ARCASIA holds its congress. In 2012, AAA was restructured from a two-year to one-year cycle, and the judging and conferment of Awards to now be within the same year as the Forum or ACA. An independent jury panel consisting of leading architects of Asia is nominated by the ARCASIA Council to assess and determine the winners.

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ARCHITECTURE ASIA

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Objectives of AAA

About ARCASIA

Member Institutes

The aim of AAA is to acknowledge exemplary architectural work, and in doing so, encourage the sustenance of the Asian spirit, the development and improvement of the Asian built environment, and enhancement of the awareness of the role of architects in the socio-economic and cultural value of Asian countries. The AAA also intends to demonstrate that good architecture is a major component of the positive influence on the human environment, and that physical development in Asia need not be in disharmony with cultural values, national identity or the natural environment of countries in Asia.

ARCASIA, or the Architects Regional Council of Asia, is an organisation of 18 National Institutes of Architects from the Asian region, extending from Pakistan in the west to Philippines in the east, the Peoples Republic of China in the north to Indonesia in the south.

The current membership of ARCASIA consists of the following National Institutes of Architects (listed in alphabetical order): – Architects Association of Macau (AAM) – Association of Lao Architects and Civil Engineers (ALACE) – Association of Siamese Architects (ASA) – The Architectural Society of China (ASC) – Bhutan Institute of Architects (BIA) – Hong Kong Institute of Architects (HKIA) – Institute of Architects Bangladesh (IAB) – Ikatan Arsitek Indonesia (IAI) – Institute of Architects Pakistan (IAP) – Indian Institute of Architects (IIA) – Japan Institute of Architects (JIA) – Korea Institute of Registered Architects (KIRA) – Pertubuhan Akitek Malaysia (PAM) – Singapore Institute of Architects (SIA) – Sri Lanka Institute of Architects (SLIA) – Society of Nepalese Architects (SONA) – United Architects of Philippines (UAP) – Union of Mongolian Architects (UMA) – Vietnam Association of Architects (VAA) – Pertubuhan Ukur Jurutera & Arkitek (PUJA) – Association of Myanmar Architects (AMA)

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The objectives of ARCASIA are: _ To unite National Institutes of Architects on a democratic basis throughout the Asian region to foster friendly, intellectual, artistic, educational and scientific ties. _ To foster and maintain professional contacts, mutual cooperation and assistance among Member Institutes. _ To represent architects of the Member Institutes at national and international levels. _ To promote recognition of the architect’s role in society. _ To promote the development and education of architects and architectural professionals in their service to society. _ To promote research and technical advancement in the field of the built environment. _ The Council of the ARCASIA consists of all the Presidents of the National Institutes. The organisation itself serves as an extension for each Member Institute’s regional programme and relations. Annual Meetings are held in different Member Institute countries to deliberate and give collective directions and representation to matters that affect the architectural profession in the Asian region.

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Jury Panel

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SM Jahangir Khan

Mike Boon Chee Khien

Chair, President of ARCASIA / Pakistan

Architect / Malaysia

Jahangir Khan graduated with a Bachelors of Architecture and Masters Degree in City and Regional Planning from the Illinois Institute of Technology, Chicago. His professional experiences in the US include work on award winning projects, among which was the multimillion dollar American Airlines Terminal Interior at Chicago O’Hare Airport for Ellerbe Becket in 1988-89. Other works include business, industrial, commercial, and software parks while at Wilson & Jenkins. Upon his return from the US, he founded the firm CITE’ Architecture Planning & Design Group. He is the current President of ARCASIA (2017-2019) and past president of the Institute of Architects Pakistan 2013-2016 (IAP). Among the honors he has received include the Presidential Medal from the American Institute of Architects (AIA), Honorary AIA membership, and the Presidential Medal from the Royal Institute of British Architects (RIBA).

Mike Boon studied architecture in the University of Western Australia. After working briefly in Australia, he returned to set up a practice in his hometown (Kuching, Malaysia) in 1990, producing award-winning projects which have featured in architecture magazines, books and documentaries. Passionate about promoting architecture to the community, he has delivered lectures and presented in conferences on heritage conservation and the appreciation of local culture and traditions in contemporary design. He is also engaged with local universities as an external examiner and a member of the industry advisory panel to share his knowledge. Through serving the Malaysian Institute of Architects (PAM) in various portfolios for the past 25 years, he has advised the government on various heritage and industry-related matters.

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IMAGE BY JOI ITO, CC BY 2.0

Robert Greenwood

Yumi Kori

Fumio Nanjo

Architect / United Kingdom

Architect / Japan

Director of Mori Art Museum / Japan

Educated in the UK, Robert joined Snøhetta in 1993 to play a central role in the design and construction of the Alexandra Library in Egypt. In 2006 he became a Partner and Design Director at Snøhetta and from 2011, he has been Managing Director for Snøhetta, with responsibility for international projects.

Currently these include the Opera houses in Shanghai and Busan, the Qasr al Hokum metro station in Riyadh, the Head Quarters for the Banque Libano Francaise in Beirut and the King Abdullaziz Centre for World Culture in Dhahran. Robert is active in Architectural Education, teaching at the schools in Norway, and holding numerous lectures and courses around the world.

Yumi Kori is a Japanese-born architect and artist based in Tokyo. Kori majored in architecture at Kyoto Prefectural University where she graduated in 1983. Seven years later, she set up her Studio MYU Architects in Tokyo.

She then moved to New York to continue studying architecture at the Graduate School of Columbia University and graduated with MA in 1995. From 1996 to 2004, she taught at Columbia and Barnard College as Adjunct Assistant Professor. She also lectured at numerous universities including Yale University, Parsons the New School for Design, Tokyo University of Science, and University of Brasilia. Since 2016, she has been active as full Professor at Osaka Institute of Technology.

While teaching, she has designed many architecture projects in Japan, including residential projects and facilities for senior people that aim to create comfortable spaces for its inhabitants. She has also designed innovative renovation projects of historical buildings that connect memory and space.

Fumio Nanjo graduated from Keio University in the Faculty of Economics and Letters. He has organised numerous exhibitions as an officer of the Japan Foundation (1978-1986), as the director of ICA NAGOYA (1986-1990), and as the founder and Director of Nanjo and Associates. He has served as commissioner of the Japan Pavilion at the Venice Biennale (1997), commissioner at the Taipei Biennale (1998), the artistic director of the Singapore Biennale (2006 & 2008), and the curatorial director of the Honolulu Biennale (2017). Nanjo is currently the Director of Mori Art Museum in Tokyo, a position he has held since 2006.

The Mori Art Museum is one of Japan’s most iconic and critically acclaimed contemporary art museums, focusing on various original exhibitions and works of Asian artists.

ARCHITECTURE ASIA

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Baan & Beyond Chiang Mai

Anupong Siriudomset

Robinson Srisamarn

Anupong Siriudomset

People’s Daily New Headquarters

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Shortlisted Projects

Zhou Qi

Jinwoo Lim

Jihye Hyun

The Capital

Fat Lai James Law

Lee Tung Avenue

Flavia Chu

Greatwall Complex

Ross Milne

Vanke Exhibition Center

Huaying Zhong

No.5 Corporate Avenue

Jie Dang

DENSO Global Training Center (AQUAWINGS)

Tetsuya Shiota

Poly International Plaza

Shuhui Chen

SuperD Technology Center

Nicholas Ho

V Point

William Liu

Bambino Preschool

Gregorius Supie Yolodi

Kasana Office

Gregorius Supie Yolodi

Hunan Design Jiangyayuan Office Building

Ying Yang

Beijing Greenland Center Plot625

Chen Zhihua

ADDs

Jieun Lee

The Sala

A _ Residential Projects

Sylvia Soh

B2 _ Resort Siripanna Gallery Hotel

Anupong Siriudomset

Vanke Plaza Coffee Shop

A1 _ Single Family Residence

Huaying Zhong

Vivanta by Taj at Dwarka

Ratiwat Suwannatrai

Ratiwat Suwannatrai

Grand Parano Condo

Anupong Siriudomset

Yangshuo Riverside Resort

Parano Condo

Anupong Siriudomset

Exhibition and Reception Center of Hou Ji Eco-farm

KA House

Jeravej Hongsakul

Cuixia Lake Reception Center Renovation Project

T House

Jeravej Hongsakul

China National Academy of Painting - Creative Base

Iao Leong Ho Sheng Yuhong Gao Song Zhang Lingling Chen Zhihua

Puripat Ratanakoosakul

Yinchuan International Exchange Center

Sugar House

Puripat Ratanakoosakul

Hyatt Place, Patong

Waterfall House

Puripat Ratanakoosakul

Chena Huts

Darnie Rajapaksa

Bhawal Resort & Spa

Md Jubair Hasan

Twisted House

The Humble Administrator Villa Clay Roof House Baan Nan

Shun Ding Tan Loke Mun

Chen Zhihua Fiona Overton

Subornodighi Weekend Home

Jalal Ahmed

Prapaporn Bamrungthai

Kalibata House

Gregorius Supie Yolodi

B3 _ Institutional

Cipayung House

Gregorius Supie Yolodi

Maegok Libray

Borim Jun

Shanghai Qiyuan

Zeng Qun

Kittiya Choowanthanapakorn Studio Dwelling at Rajagiriya

Kittiya Choowanthanapakorn Palinda Kannangara

Beach House

Khadija tul kubra

Urban Retreat

Ar Amina Qayyum Mirza

A2 _ Multiple Family Residential Complexes Ratiwat Suwannatrai Charms of Nusantara Nadyne Gardens, Parkcity Hanoi G.G.M Wedding Intertex The Tembusu

Lizhi Ren

Nanhai Neusoft Vocational College of Information Technology Phase III-Library

Wang Donghai

Entrance Space Design for National Proteome Science Center

Fai Au

Kensington International Kindergarten Ratiwat Suwannatrai

Sinn Phonghanyudh

The Green School in Tianjin High-tech Area

Jun Ren

Ng Hai Yean

Central Canteen and Student Center of Tsinghua University

Ng Hai Yean

BOT Learning Center

Won-soe Dong

Po Leung Kuk Stanley Ho Sau Nan Primary School

Won-soe Dong

Nanjing Wanjing Garden Chapel

Khoo Peng Beng

Akasaka Brick Residence

Masahiro Kinoshita

Park Axis Premier Minami Aoyama

Takayuki Sakamoto

The Student Dormitory Project of Zhang Lingling Dalian University of Technology in the Liaodong Bay Campus

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Dianchi Lake Leisure Pier

No.1-6 Buildings in Nanjing University Science Park The School of Atmospheric Sciences, Nanjing University at Xianlin CIFI Sustainable Demonstration Building Library of Xinjiang University Institute of Science and Technology

Yehao Song Puiphai Khunawat Pak Yee, Tuesday LI Lei Zhang Xinyu Wang Jinlong Feng Yehao Song Xiangdong Lu

ARCHITECTURE ASIA

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2018

Yan ‘an Grand Theatre

Yuanchao Zhao

The 4th Phase Addition of Tsinghua University Library SK Yee Healthy Life Centre Parkcity Hanoi Clubhouse Jinwoo Lim

Guan Zhaoye Flavia Chu Hai Yean Ng Jihye Hyun

Surau Qardul Hasan

Ar Norzaini Mufti

Kumamoto Prefectural Kagayakinomori Support School Beijing No.161 Middle School Huilongguan School Okinawa Institute of Science And Technology Xihongmen Sports Park

Shi Hua Takashi Okamoto

Liu Jie

New Campus for Wujiang High School Datong Museum

Zhang Lingling

Refurbishment and additions to Factory Janaka Wijesundara Office & Facility Building at Minuwangoda Road, Ekala, Jaela, Sri Lanka Oculus staff quarters at Jaffna Eco Fab

Product Development and Marketing Offices

Palinda Kannangara Jalal Ahmed Ar Amina Qayyum Mirza

Katsuya Kawashima

Jun Lai

Jianhu Cultural Center

Equipment Building of Cuixia Lake Reception Center

Shiwei Zheng Kai Cui

China Academy Museum

Chunyu Wei

Zhangjiajie Museum

Chunyu Wei

D _Conservation Projects China National Silk Museum BOT Learning Center Urban Regeneration of Chaixu Historical Waterscape District, Phase I Restoration and Conservation of Yangtze Hotel Homeland of Mosuo People, The Project of Protecting Mosuo Habitation

Li Li Puiphai Khunawat Wowo Ding Zhou Qi Yuanping Zhang

Li Dongzhe

Li Dongzhe

Renovation of Hangzhou International Expo Center

Shanghai Jiaodian Biotechnology Co., Ltd. R&D Center

Yunfei Fang

Site Museum of Jinling Grand Bao’en Temple

Beijing Nutrichem Research Center

Yunfei Fang

Reconstruction Design of Jing’an District Culture Center, Shanghai

Yong Fu

Minshenglu Wharf Warehouses No. 269 & 270 Renovation Project, Shanghai

Yong Fu

Fang Qian

Fang Qian

Observation Tower in ShanghaiTech University Zhangjiang New Campus Hongdu Old Factories Renovation Knit Concern School

Bin Liu Xiaodu Liu Lutfullahil Majid

Shizili Community Work and Design Consulting Service Office MAIIAM Contemporary Art Museum

Ying Yang Rachaporn Choochuey

Research Complex of Traditional Chinese Medicine

Weimin Zhuang

Liberal Arts Building No.2, Northeastern University

Weimin Zhuang

The Exhibition Hall of Evidences of Crime committed by Unit 731 of the Japanese Imperial Army Museum of Morinhuur

Chili He

Preservation and Reparation Project of Shanghai Great World

Zhengwei Fu

Experimental Protective Structure for Thousand Buddha Cliff

Guanghai Cui

The Student Service Center in Minhang Campus of Shanghai Jiao Tong University

Shaoming Lu

The Literature/Philosophy/History Building of Peking University Joint Trust Warehouse Siri Weda Madura

Sijia You Muditha Prematilaka

E _Social Responsible Architecture

Jungang Zhou

Kwun Tong Promenade (Stage 2)

Yummu Club

Jungang Zhou

Central Canteen and Student Center of Tsinghua University

Brocade Garden

Jungang Zhou

A Rural Shop at Huashu Village

Tsurumi Children’s Hospice New Campus Development of Chu Hai College of Higher Education Shuyang Calligraphy Gallery

Ryo Deguchi Rocco Yim Danshen Dong

The Social Welfare Center Sunshine Home in Binjiang District, Hangzhou

Xidong Qian

The Bridge-Visitor Center of the Grand-Canal in Hangzhou

Xidong Qian

Zhiquan Building in Zhejiang University

Xidong Qian

The World Expo Museum

Ming Yang

Bidyabhuban, A self-awareness based school UTSHO School Campus

Naim Ahmed Kibria Jalal Ahmed

B4 _ Specialised Toll Gate Buildings of Southern Expressway Sri Lanka Ice-sports Center of the 13th National Winter Games Qingdaobei Railway Station Hongqiao International Airport T1 Renovation and GTC Project

Janaka Wijesundara Hongyuan Mei Chen Wu Jianxiang Guo

C _ Industrial Buildings Production Center Of Viniton(Group)Co.,Ltd,Cambodia

Ling Zhou

CIFI Sustainable Demonstration Building Jockey Club Home for Hospice Pak Kret Office Gang Gate Area

Yehao Song Vincent Ng Somboon Sudmaksri Jin Duan

F _Sustainability CIFI Sustainable Demonstration Building

Xiang Yu Bamboo Office Fang Qian

Yehao Song Daisuke Sugie Xianzhe Meng Prapaporn Bamrungthai Fang Qian

The Demonstration Park of Rural Xie Yang Ecological Building in Western Henan Province (Phase I) Master Ren Zhenying Theme Pavilion and Model Ecological Cave Project

Huijing Huang

Funa-natto factory

Satsuki Oyama

Pingshuijiang Water Plant

Xiongzhi Huang

2018

Selah Au Yehao Song

Shanghai Putuo District Taopu smart city Yifei Tian W06-1401-unit Hero World Project (096 plots, 102 plots) special planning, integration, development and construction guidelines compilation

ZEB Demonstration Building, Taisei Technology Center

ISSUE 3

Zhang Qi

Weimin Zhuang

Jungang Zhou

ARCHITECTURE ASIA

Fanglei Liu Han Dongqing

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Convener’s Report It is my honour to be appointed Convener of the ARCASIA Architecture Award (AAA) 2018. As the Past President of the ARCASIA, a former member of the ARCASIA Council, a Chair of the ACAE, I have witnessed excellent works of the architects in Asia since 1997. The progress of the architectural profession is phenomenal in Asia, with the region contributing to driving much of the world’s economy in the past quarter century. The infrastructure had to be constructed to run such mega-operation in countries like China, Japan, Korea, Indonesia, India, Vietnam, Malaysia and Singapore. Consequently, demand for architects became high and the educational institutions are producing young graduates each year to enter the profession. The profession, on the other hand, began to mature in many Asian countries. Home-grown architects have spawned in great batches and are producing excellent works across the region. The AAA Awards is run each year to recognise such Asian talent and the quality works they design and produce.

This year, the AAA Award programme was launched in March with high hopes to receive quality architectural designs from across Asia region. For the 2018 AAA panel, we have invited a prestigious group of architects from three ARCASIA zones – a principal architect of an award-winning office of SNOHETTA and an internationally acclaimed curator from Japan, who is the Director of a prestigious museum in Tokyo. The jury was headed by Ar S.M. Jahangir Kahn, President of ARCASIA. On the early morning of 30 June 2018, the 2018 panel came together at the JIA Headquarters Building in Tokyo to deliberate and decide the winners of the ten categories of the AAA Award. Although the adjudication was a one-day affair, the members were given one month to review a large number of submissions before arriving in Tokyo.

This year, there were 405 projects submitted in ten categories of the AAA Award. Breakdown by countries are as follows: China 184, Japan 44, Thailand 34, Hong Kong 30, Vietnam 26, Malaysia 21, Bangladesh 20, Sri Lanka 15, Korea 15, Indonesia 7, Pakistan 4, Singapore 3, India 1 and Other 1. The contribution of China to the AAA Award programme, with 184 entries, represents the popularity of the AAA, as well as the healthy competitive environment in the architectural profession in China. Looking at the breakdown by the award categories A1(54), A2(30), B1(39), B2(32), B3(141), B4(14), C(20), D(29), E(27) and F(15), we see that Category B3, Public Amenity/Social Institutional Buildings, was extremely competitive with 141 entries. Further, as expected Category A1, Single Family Residential Projects, was second with 54 entries from across Asia region.

The jury, headed by Ar Kahn, went through each category of submissions to carefully select the finalists. Most categories had three finalists. Categories A-2, B-4 and F had one finalist each. Categories B-2 and C had two finalists. On the other hand, Category D had four finalists. Every project, selected to be the finalists, are significant quality architecture, symbolising the progress of the architectural profession in Asia in the last quarter century.

On 12 September 2018, the winners will be announced at the AAA Awards Dinner to be held in Happo-En in Tokyo. It is hoped that all the finalist will join the Awards Gala to celebrate the sublime of the Asian architectural design and profession.

AR GEORGE KUNIHIRO, FAIA, FJIA CONVENER ARCASIA AWARDS FOR ARCHITECTURE 2018

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Results Page

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Residential Projects

Public Amenity Buildings

A1 Single Family Residence

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A2 Multiple Family Residential Complexes

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B1 Commercial

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B2 Resort

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B3 Institutional

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B4 Specialised

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C

Industrial Buildings

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D

Conservation Projects

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E

Social Responsible Architecture

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F

Sustainability

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2018

15

Arcasia Awards for Architecture 2018

Building of the Year Baan Nong Bua School Jun Sekino Chiang Rai, Thailand 2015

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Gold Winner under Category B Public Amenity Buildings – Institutional (page 40)

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Residential Projects Single Family Residence Gold Winner

Architect

Location

Year

Tomohiko Yamanashi

Tochigi-pref, Japan

2015

On the Water

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2018

Situated alongside lake Chuzenji, this shoreline cottage guesthouse was designed with a continuous wrap-around walkway flowing from the approach to the bedrooms. The wrap around design invites visitors to follow the water’s edge, enjoying the various views along the way.

At the same time, this wrap-around style creates awareness of various aspects of the lake environment, as the distance to the water changes the sound of ripples, reflections and the influence of the lake on humidity temperatures. Since the whole place – which consists of various elevations – is connected to be a long space, there is no uniform indoor environment. Various areas have differing thermal environments, such as the fireplace area that warms and dries the air.

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Visitors wander around, discovering and enjoying spots created by the lakeshore that they find comfortable. Located in an area that requires some heating in the building even during summer, one may find joy in the warmth near the fireplace, while another may relish the area’s tranquillity and coolness. The building is closed during the cold winter season as not to waste energy.

BIM was utilised from the design stage, enabling a sequence of line of sights (via windows and other openings) to be carefully controlled, providing beautifully framed views of the surroundings. BIM also allowed for the simulation of the flow of natural breezes.

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A1

BEFORE

SECOND FLOOR 0m

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20m

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FIRST FLOOR

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CAR ENTRANCE PARKING PLACE ENTRANCE DINING SPACE TERRACE KITCHEN BAR LOUNGE GUEST ROOM 1 GUEST ROOM 1 CORRIDOR

10 GUEST ROOM 1 BATHROOM 11 GUEST ROOM 2 CORRIDOR 12 GUEST ROOM 2 13 GUEST ROOM 2 BATHROOM 14 SUB BEDROOM 15 MACHINE ROOM 16 LAKE CHUKENJI

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A1

Jury Citation

A modern and minimal architectural solution embracing nature resulting in an elegant structure by the water.

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Residential Projects Single Family Residence Honourable Mention

Architect

Location

Year

Nguyen Hai Long, Tran Thi Ngu Ngon

Dong Nai, Vietnam

2016

LT House This small house is located in a new residential area in Long Thanh District. The owners are a newlywed couple with the desire to have their own house, and with plans to open a small coffee shop on the ground floor. With the limited area, the design turns private spaces into shared spaces in order to create more space for the common areas. The furniture is designed simply, and with a tight budget, the owners themselves bought the materials and made all of them.

The front and back yards serve as buffer spaces to reduce heat from the outside environment. The front yard, designed as a relaxing area, is perfect for morning coffees. This is the area that wind, sunlight and shadows from the brick walls meet each other. The overall design of the house was not only a response to the tight budget, but also a response to the climate – with a focus on self-ventilation and natural light in order to adapt to the tropical climate in the south of Vietnam.

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1

Residential Projects Single Family Residence Honourable Mention

Architect

Location

Year

Palinda Kannangara

Rajagiriya, Sri Lanka

2015

Studio Dwelling at Rajagiriya

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2018

This is a residence with a studio for an architect, located by a marsh in Rajagiriya, Sri Lanka. Although located along an urban fringe near a series of high-rise buildings, and close to the main road, the building is designed like a fortification. It is well insulated from the tropical heat via specially designed double screens, as well as from road noise and traffic. Once within however, this home reveals unexpected views of the marsh within a highly permeable setting.

Located on a small footprint of 2,720 sq ft, the building comprises three levels. The ground floor, which houses parking, the kitchen, a model making room and a guest suite, also acts as a ‘flood garden’, in response to the flooding conditions of the marsh. The second floor comprises the lobby and workspaces, while the third floor has a meeting area, lounge, library, and a bedroom with an adjoining balcony and sky bathroom. The roof level comprises a living and an entertainment pavilion.

A green building, this residence uses built and landscape strategies in order to create a cooler microclimate, and also features a green terrace on the roof that re-uses collected rainwater to cultivate a spice garden.

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2

Residential Projects Multiple Family Residential Complexes Mention

Architect

Location

Year

Asif Mohammed Ahsanul Haq

Cox’sBazar, Bangladesh

2016

Rizia Porompora

WEST ELEVATION

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2018

This multi-storey residence is a project to house all eleven siblings in a family – each with their own flat, and with an extra two flats for common usage. The challenges were to recreate their old childhood house, to accommodate large communal activities such as dining for over fifty people, and to create scattered spaces that are respectively conducive for various age groups.

A soft court of is situated in the southwest corner of the plot, and the placement of two units on each floor ensures prevailing tropical winds of the coastal region of Bangladesh and light to sufficiently enter each flat. A large indoor space that serves as a multipurpose community hall was designed in the north rooftop, which is able to accommodate large groups of people, complete with a large kitchen, toilets and a washing area.

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A small dormitory for family, friends and visiting relatives in the south part of the rooftop was designed with a water court full of aquatic plants and fish, with an evening terrace stressed endlessly to the horizon. Among the two common flats, one has been placed on the ground floor that opens to the courtyard, while the second common flat is located beneath the roof top community space. Each flat is approximately 150 sqm, and houses three bedrooms, three toilets, a kitchen and four verandas. The flats all share a common spatial sequence – a free-flowing livingdining-family living space that is connected to the courtyard and social interaction space, with rooms connected to semi-outdoor verandas.

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Public Amenity Buildings Commercial Gold Winner

Architect

Location

Year

Amata Luphaiboon

Bangkok, Thailand

2016

The Commons

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2018

The Commons is a small lifestyle development in Bangkok, which is composed of mostly food and beverage tenants. The client wanted a place for the community where people of all demographics could feel welcome. Like all other big cities in Southeast Asia, the hot and humid tropical weather results in a lack of open public spaces – it is always either too hot or too wet to be comfortable. The design for this project is an attempt to address this, creating an active open space where people can comfortably enjoy anytime of the year.

The project’s outdoor space starts with the ‘Common Ground’, which is a series of steps and ramps inserted with platforms, seating, trees, shrubs and small kiosks. The area is well covered by

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the third and fourth floor structure above, providing shade and rain protection to most of the space. This space vertically opens up through big voids on the upper floors, connecting with large public open-air areas on the 3rd and 4th floors.

The space vertically and horizontally flows throughout the entire building, inviting natural ventilation from three sides and through gaps between the roof and skylight. Incorporated into a ceiling screen below the skylight are two sets of industrial fans. One set draws hot air out, and the other blows down to effectively increase air movement on extra hot days. This airy semi-outdoor space becomes a single vertical active urban living area, well incorporated with pocket gardens on all levels, and is perfect for strolling and relaxing at any time and in any season.

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B1

ELEVATION

ELEVATION

SECTION 1 2 3 4 5

STORAGE CONTROL ROOM ELECTRICAL ROOM MARKET AREA PARKING AREA

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RESTROOM STAFF AREA SHOPS COMMON AREA OFFICE

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COMMON AREA CENTER COURTYARD LANDSCAPE AREA

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B1 Jury Citation

The jury recognises that the design has brought in the elements of public space into the shopping mall creating a relationship between the exterior and interior, and between the private and public successfully.

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Public Amenity Buildings Commercial Mention

Architect

Location

Year

Jeravej Hongsakul

Chiangrai, Thailand

2015

Choui Fong Tea Cafe Choui Fong Tea Café is located in the area of a tea plantation that covers several huge hills. Instead of locating the tea café on the hilltop as the owner originally intended, the architects decided to lay the building out of the way in order to have unobstructed views, by hiding them just under the hill, with the rooftop still able to take in the views of the plantation. Hilltop views on the roof provide for a 360-degree viewpoint. Here, in addition to the natural atmosphere of the plantation, visitors can observe farming activity and tea leaves harvesting throughout the day.

The main building is composed of three buildings; they are floated and reach out to different viewpoints. The functional areas include a dining zone, café, teashop, and a restroom. The structure appears floating as when seen from the foothill, as only one pile appears to bear the entire building. The retaining wall at the back is set into a distance of the building to create an extra space for the green courtyard in order to provide shade and shadow in this area.

There is another separated building of restrooms for visitors at the parking lot; this is to alleviate visitor circulation during high season. Same as the main building, this restroom building is also hidden under the hill and is also composed with stone and incorporates a green courtyard for shade.

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Architect

Location

Year

Akira Taguchi

Tokyo, Japan

2014

Public Amenity Buildings Commercial Mention

B1

The Otemachi Tower / Otemachi Forest

Otemachi Tower is an urban redevelopment project in central Tokyo.

Prior to the development, two buildings divided both the aboveground area and the cramped basement area, and did not provide a pleasant urban environment. The new development comprises an ultra-high rise building with office and hotel functions as a centre for international exchange and finance. The development also features the Otemachi Forest – a radical departure from conventional manmade plazas – in the most densely populated part of Tokyo. Beneath the Otemachi Tower building, a public plaza that functions as a terminal for five subway lines is provided, and forms the core of the pedestrian network connecting the above-ground and underground spaces.

The surrounding area of Otemachi is a vast maze of closed, cramped underground passageways, but the four-story atrium plaza is continuously connected with the forest at ground level. Natural light filters down through the glass curtain walls to create a large space that is bright and open and also functions as a local disaster centre. The Otemachi Forest also mitigates the “heat island” phenomena and provides a green space that connects the greenery of the Imperial Palace with the Otemachi, Marunouchi and Yurakucho districts to the east.

Wild birds have been sighted there, and it is expected to become the nucleus for the formation of a green network.

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B

2

Public Amenity Buildings Resort Gold Winner

Architect

Location

Year

Yang Zhijiang

Zhangjiajie National Forest Park, China

2015

Star Camp Service Center in Zhangjiajie National Forest Park

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2018

Located in Zhangjiajie Forest Park, the Star Camp Service Centre is a base for outdoor enthusiasts. The site is on a mountaintop that is in the core scenic area in the park. The only building around is a small hotel that offers accommodation and food. The centre supplies training, camping, as well as bath and storage facilities, and has been designed with a series of terraces and spaces on different levels for walking and viewing.

To keep costs low, as well as because of the difficult site on a mountaintop, cheap local red bricks were used as the main material, and horses were used as a means of transport. The design features a distinct geometric logic, extending the space to nature while at the same time to also keep a suitable distance.

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B2

SITE PLAN

1 2 3 4 5 6 7

36

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RECEPTION CONFERENCE ROOM KITCHEN BAR OUTSIDE BAR RESTAURANT TERRANCE

10m

8 9 10 11 12 13 14

20m

MEN’S ROOM LADIE’S ROOM FEMALE CHANGING ROOM FEMALE SHOWER ROOM MALE CHANGING MALE SHOWER BOOKSTORE

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B2

Jury Citation

A strong design expression contrasting the natural setting and creating a sculpturesque architectural expression.

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2018

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B

2

Public Amenity Buildings Resort Mention

Architect

Location

Year

Jeravej Hongsakul

Rayong, Thailand

2015

Lima Duva This project is located on Aow Praw, Koh Samed, Thailand.

Koh Samed is a popular destination among modern couples who seek a place for romance, hence the phrase “Pai Samed Sed Took Raii,” referring to the island’s enchanting atmosphere. The design team took on the notion of Koh Samed being a place of love and romance, and thus the design approach was to create a place that serves couples and their activities, while not alienating the family guests.

Each unit has its semi-outdoor balcony acting as a divider from the adjacent unit to maximise privacy. All ground floor units have access to the pool and a private Jacuzzi for two occupants. The colour of the pool tiles gradually become darker at the Jacuzzi area to create visual privacy for the guests.

Ventilation blocks are used along the corridors to bring in the sunlight in a pattern that varies throughout the day, creating different impressions when walking back and forth.

The lobby was designed in a simple white geometric form, and is located close to the main road, enclosing the courtyard and the existing trees. At the entrance, guests need to bend down slightly as the space leads them in, gently revealing parts of the resort. The white box lobby is also used as a screen for films and other media projection, using the courtyard as the seating area.

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6m

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B2

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39

B

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Public Amenity Buildings Institutional Gold Winner

Architect

Location

Year

Jun Sekino

Chiang Rai, Thailand

2015

Baan Nong Bua School

Baan Nong Bua School is a local elementary school in Chiang Rai, Thailand. The school was one of the effected facilities of the earthquake of 2014. Due to extensive damage, the children had to study in a temporary pavilion. The requirements for the new school was to have space for four classrooms and an activity area. More importantly, the new building needed to be earthquake resistant in order to withstand future natural disasters. The initiation of the project started from the non-profit network named Design for Disasters (D4D). In addition, there was also cooperation between local institutions, including The Engineering Institute of Thailand, Thai Contractors Association, and the Association of Siamese Architects.

The structure was made out of steel – the flexibility of steel and the skeleton frame structure made it ideal to help absorb the vibration from earthquakes. Also, the use of steel as well as a modular system helped accelerate the construction process. With a vernacular design, the school itself is also designed to respond with to local factors, including material, ventilation, and weather. The building is designed to be a pavilion-like, with the main entrance connected with the corridor in the middle of the building, and with classrooms on both sides of the corridor. At the front of the building is a veranda that serves as a semi outdoor space. This veranda not only prevents heat from penetrating directly through the wall, but also provides an activity space for the students when needed.

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B3

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B3

Jury Citation

A simply designed building utilising affordable materials to create genuine social spaces through a community based program. The jury recognises this project for creating good architecture through community empowerment.

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B3

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B

3

Public Amenity Buildings Institutional Mention

Architect

Location

Year

Jun Shan

Tongliao, Inner Mongolia, China

2016

Museum of Traditional Mongolian Medicine This museum is located in the new district of northern Tongliao, Inner Mongolia. In 2013, the government of Tongliao invited several well-known Chinese architects to design a cultural facility to convert the existing Xiaozhuang riverbank into a museum park. This Museum of Traditional Mongolian Medicine is an important hub in this ensemble. Lying at the east end of site, the museum acts as the entrance to the park and provides the first impression of the city.

Lying at the frontier in-between urban environment and natural landscape, nomadic civilisation and agricultural civilisation in the broader context, the museum features a design strategy in-between floating and anchoring, underground and aboveground, day and night, just as the intricate balance of the human body as advocated by traditional Mongolian medicine.

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SECTIONS

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Architect

Location

Year

Ehsan Khan

Dhaka, Bangladesh

2015

Public Amenity Buildings Institutional Mention

B3

Bangladesh Mohila Samity Complex (Bangladesh Women Association Complex)

The Mohila Samity (Women’s Association) is an organisation which started right after the independence in 1971, and the original Mohila Samity building hosted an auditorium; which became so popular among theatre groups that the road it was located on came to be known as the ‘Theatre Avenue’.

Over time the activity of Mohila Samity expanded, but the existing premises lost its appeal as it could not meet the modern demands, and theatre groups began to move to other venues. This redevelopment of the Mohila Samity building is meant to address this, with the vision to accommodate present and future needs, including theatres (one with 250 seats and the other one with 100 seats), conference facilities, offices and training facilities for the institution, a primary school, and more.

SECTIONS

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B

4

Public Amenity Buildings Specialised Honourable Mention

Architect

Location

Year

Wensheng Tang

Inner Mongolia, China

2016

Hohhot East Coach Hub Terminal, Inner Mongolia

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2018

Hohhot is the capital city as well as the political, economic, and cultural centre of the Inner Mongolia Autonomous Region, and acts as the key junction leading to North China and Northeast China from Northwest China, as well as to connect the BeijingTianjin- Tangshan Region. This long-distance coach terminal serves as a national-level passenger coach centre, a national-level highway passenger transport centre, and a key link for the multimode transport terminals such as highway, railway, aviation and urban public transport, and so on.

The planning and design focused on the urban spatial relationship between the long-distance passenger coach terminal and key buildings nearby. An enclosure was established between the railway station and the front urban square, connecting with the underground space of the passenger railway station, the south and north squares, and the underground urban traffic transfer junction.

It was necessary to build an underground slow-spaced traffic system crossing the railways. This underground space is not affected by the ground motor vehicle traffic, and serves to merge the urban spaces, which have been divided by the railways and motor vehicle traffic. This is very important for Hohhot City, which is freezing, windy, and sandy during wintertime. The underground urban space will protect against wind and rain in summer and offer a spring-like place to the users, enhancing the urban conviviality of this area.

SKETCHES

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C

Industrial Buildings Gold Winner

Architect

Location

Year

Pak Yee, Tuesday Li

Hong Kong, China

2015

Hong Kong East Community Green Station

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2018

This project is a recycling station that sets out to be more than just a rubbish collection point. The Community Green Station, located in Hong Kong East, is a pilot project for promoting green living and the collection of recyclables at the community level. The architects wanted to create a small green oasis that would embody a sense of community, inject the leftover temporary car park underneath the major flyover with vibrancy, and turn the space into a small public urban forum.

The concept involved creating a street through the site to connect the surrounding new and old communities. Greeneries of the nearby park are extended to the old district through this urban

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intercourse. Through the use of a green wall, bamboo trellis and a courtyard garden, it embodies a sense of community and the feel of an oasis within the city.

The Station is divided into small separate blocks along the street that hold exhibitions and educational programmes, as well as a back wing to serve as the recycling workshop at the other end. The street together with the garden embodies a variety of gathering places; creating multiple layers of space from public to private, from open spaces, semi-open spaces to enclosed areas.

Although the building is temporary, it aims to embody a permanent cultural value.

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C

ARCHITECT’S SKETCHES

SECTION

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0m

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C

Jury Citation

The awarded proposal was selected for its adaptation of landscape and urban design approach within an Industrial Building typology.

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C

Industrial Buildings Honourable Mention

Architect

Location

Year

Masahiro Kinoshita

Nagano, Japan

2016

OREC Green Lab Nagano

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2018

The OREC Green Lab Nagano is a showroom and a repair factory of the agricultural equipment manufacturer company. It is located in an area with over 4,000 farms, including 2,000 fruit farmers, who are the main customers of the client. As such, this project also serves as an opportunity to help the client expand their brand image.

The showroom is designed with a high ceiling to prevent strong direct sunlight and reduce the cost of air conditioning. The extended eaves guard from summer sunlight, whereas helping to deliver low warm sunlight during winter. The floor is made of a material with high heat storage in order to reduce heating costs during winter. The office space takes in light via high side windows that face to north side.

repair factory

changing room

repair factory

conference room

office

shelf

shelf

shelf

shelf

shelf

archive

shelf

shelf

shelf

shelf

entrance showroom/event space

terrace

FLOOR PLAN entrance

showroom

entrance

SECTION

showroom

iku

r ku

Ho

en

ns

a nk

i

Sh

te

u Ro

SITE

(A

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N

e)

in

el

l pp

section1:200

plan 1:200

section1:200 summer solstice winter solstice

sun light natural ventilationăƒťnatural smoke exhaustion

summer solstice winter solstice

sun light natural ventilationăƒťnatural smoke exhaustion

repair factory

showroom

terrace

office

showroom repair factory

SECTION

office

terrace

section 1:200

section 1:200

DISPLAY

SHELF

ROOF

can not look

can look

come together

CONCEPT DIAGRAM

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Map

Concept diagram

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D

Conservation Projects Gold Winner

Architect

Location

Year

Li Ji

Dongcheng District, Beijing, China

2015

Beijing Offset Printing Factory This project involves the renovation of a series of abandoned printing plants into a multifunction creative park. The industrial buildings of the Beijing Offset Printing Factory were built in the 1960s, 1970s and 1990s respectively, each with its different histories. After a half century of trials and hardships, the factories were left in a dilapidated condition. Contrary to current architectural trends, materials and techniques with low precision and more direct construc-

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tion methods were adopted during the renovation. Preserving the original shape and specification of steel, removing all unnecessary processes and decoration, the integrality and independence of every piece of material was protected. The joint constructions are made as simple and direct as possible to reveal the beauty of power and essence. As a result, the new buildings have become integrated with the overall historical atmosphere of the place.

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D

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D

ROOF

1 2 3 4 5 6 7 8 9 10 11 12 13 14

0m

10m

WATERPROOF LAYER ROCKWOOL BETWEEN 4MM CORTEN STEEL PLATE PERFORATED SOUNDABSORBING BOARD 4MM WEATHERING STEEL PLATE ACOUSTIC WOOL DOOR OPENING AUXILIARY SLING GATE LEAD RAIL STEEL COLUMN BRICK STEEL BEAM STEEL BEAM DOOR OPENED MOTOR GROUP BOOM STEEL COLUMN

SECTION A

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D

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D

Conservation Projects Gold Winner

Architect

Location

Year

Rita Soh

Singapore

2016

Alterations & Additions and Conservation Work to Church of Saints Peter & Paul

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The restoration of this church began in 2013 and was completed in 2016. Apart from addressing necessary repairs to the existing Church structures, the restoration also reinstated several features of the original church, such as ornate encaustic tiles, similar to the ones removed in the late 1960s. Aside from repairing the aging roof structure, technical improvements such as new acoustic ceiling boards, LED lightings and floor mounted air conditioning units were sensitively added.

Notably, to better appreciate the Church building in relation to its very eclectic history, many of the changes introduced in the renovation in 1969 to modernise the church were reversed: the vertical window louvres have been replaced with traditional wooden casement-louvered windows, the badly-planned choir loft at the rear end was removed. A high altar, similar to the one that was demolished, has been sourced from a demolished Church in USA and re-installed at the chancel. The spiral wrought-iron staircase similar to the one destroyed,was fabricated and reinstated.

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ELEVATION

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D

Jury Citation

The project has taken a cautious approach to demonstrate the best practices in architectural conservation.

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D

ROOF

FIRST FLOOR

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D

Conservation Projects Honourable Mention

Architect

Location

Year

Hui Wang

Ruicheng County, Yuncheng City, Shanxi Province, China

2016

The Environmental Upgrade of the Five Dragons Temple Listed as a class A cultural relic by China’s National Cultural Heritage Conservation Bureau, the Five Dragons Temple is the oldest surviving Taoist temple, and the second oldest timber building. However, this national treasure had been in a deteriorated condition. The project required an innovative solution to restore the temple by means of environmental upgrade and to sustain the temple in the long run by inviting the daily life of villagers back around the temple.

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The environmental upgrade of the Five Dragons Temple is centred around two themes. The explicit theme is to create layers of overlapping spaces around the main building to tell the story of the temple history and ancient Chinese architecture. Through this theme, visitors can learn about the knowledge of traditional Chinese architecture to better understand the importance of preserving its heritage. The latent theme is to restore the temple back into the realm of public gatherings of the village.

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D

SECTIONAL ELEVATIONS

0m

5m

10m

0

10M

SECTIONAL ELEVATION

0

10M

SECTIONAL ELEVATION

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63

D

Conservation Projects Honourable Mention

Architect

Location

Year

Wei Xiao

Xiedian Village,Macheng City, China

2016

Planning of Xiedian Traditional Village Protection and Regeneration

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This protection and regeneration project of the Xiedian Traditional Village was carried out on the principle of ‘minimal intervention’. The design teams focused on respecting the original style of the village, conform to the space texture, and as a whole to adopt a low compact, low intervention, low consumption and low maintenance approach. Houses, trees, stone arch bridges, ancient dams and the city wall were preserved and protected.

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E

Social Responsible Architecture Gold Winner

Architect

Location

Year

Ming Zhang

Shanghai, China

2016

Demonstration Section of Yangpu Riverside Public Space

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This project is part of an effort to return the riverside of Huangpu River to its citizens, by creating Shanghai’s longest public open space. Huangpu River has been the originating place of Shanghai. It once served as an important water transportation artery, with numerous factories along the riverbanks that turned shores into production shorelines of great significance to China’s industries.

However, with the further development of Shanghai, the city’s industrial structure has changed, and the once industrial shorelines has to be transformed to fit back into the city’s everyday life. The once isolat-

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ed industrial blocks that occupy the waterfronts are now intended to be reconnected and transformed into the longest linear public open space.

The Demonstration Section of Yangpu Riverside Public Space is the initial stage for the public space development project of the area. It is highly important for it is a benchmark not only for the area, but also for the entire 45km long riverside restoration project. The project covers the public spaces and comprehensive environmental remediation projects, with a total area of about 3.8 hectares and a length of about 985 metres.

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E STEP 1

STEP 2

STEP 3

STEP 4

SKETCHES

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E

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E

Social Responsible Architecture Gold Winner

Architect

Location

Year

Jalal Ahmed

Gaibandha, Bangladesh

2009

Disappearing Lands: Supporting Communities Affected by River Erosion

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A large part of Bangladesh is a delta in formation with a large number of major rivers and their tributaries. These rivers, before reaching the Bay of Bengal, frequently change their course, thus eroding the riverbanks. According to statistics nearly seven million people have been displaced due to river erosions during the last two decades, and millions of people are directly or indirectly affected every year.

The project region is located in the north-western Bangladesh, a highly disaster-prone district, with ongoing riverbank erosion that lead to permanent loss of agricultural lands and as well as homesteads. This project was formally launched in April 2004 by

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Practical Action Bangladesh to help the communities, which are affected by flood and river erosion in this area. Two major components of the project were to develop cluster villages and some multipurpose shelters for the vulnerable communities in the region.

The project also focused on food security and alternative employment generation for the erosion affected and displaced resource poor communities through different innovative strategies based on disaster risk management and vulnerability reduction, adaptation to climate change issues and building awareness about social, civil and political rights.

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E

SITE PLAN

FLOOR PLAN

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E

Jury Citation

A holistic approach by the multi-disciplinary team in providing solutions for the underprivileged, and supporting the vulnerable communities was recognised by the jury.

IN FLOOD SEASON

IN DRY SEASON

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E

Social Responsible Architecture Honourable Mention

Architect

Location

Year

Niphatana Chakkaphak

Bangkok, Thailand

2016

Bangprathun Community Learning Center Bangprathun canal was originally a gardening community in Thonburi since the Ayutthaya period. However, because of an economic change, social change, and city development, the canal has decreased in importance from being the main transportation to becoming simply the city’s drainage. In 2011, a community initiative saw to the formation of the ‘Rak Bangprathun’ group, which means to conserve Bangprathun. Part of the initiatives has been to setup up this project, a community learning centre.

The centre serves as an area to improve the community’s vernacular knowledge, to create learning activities for the youth in the area, to be a gathering area for everyone in the community, to house an agricultural product flea market, and to be a symbol of inheriting traditional knowledge and livelihoods of the canal gardening community.

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0m

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5m

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F

Sustainability Gold Winner

Architect

Location

Year

Nguyen Hai Long, Tran Thi Ngu Ngon

Quang Nam, Vietnam

2016

Terra Cotta Studio

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This Terra Cotta Studio for a renowned artist is located next to Thu Bon River in Dien Ban district of Quang Nam Province.

The studio itself is a beautiful art structure to engage in – a cubeshaped building with 7sqm of space. Surrounding the studio is a bamboo frame platform that is used for drying out terra cotta products. It is further designed with two big benches for resting, relaxing and having tea. This raised platform also serves as a fence to separate the studio with the area of workshop.

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The outermost layer of the studio is made of solid clay bricks, which reminds people of traditional Vietnamese furnaces. The bricks were laid in an interleaved pattern that create holes to help improve wind ventilation. This layer is not meant to be the wall that separates the outside environment from the inside; as such the artist can sense the wind, sounds and smells from the surrounding area.

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F Jury Citation

A practical yet conceptually poetic design executed in terracotta embracing the principles of passive design and sustainability.

SECTION

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ARCHITECTURAL DIAGRAM

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events

THE MALAYSIAGBC LEADERSHIP IN SUSTAINABILITY AWARDS 2018 WITH AN OBJECTIVE OF SHOWCASING AND CELEBRATING THE ACHIEVEMENTS OF BUSINESSES AND PROJECTS IN MALAYSIA WHICH ARE LEADING THE WAY IN GREEN BUILDINGS, THE MALAYSIAGBC LEADERSHIP IN SUSTAINABILITY AWARDS WAS BACK AGAIN THIS YEAR WHICH CULMINATED IN THE AWARDS NIGHT ON MAY 11.

Winners of the MalaysiaGBC Leadership in Sustainability Awards

THE MALAYSIAGBC LEADERSHIP in Sustainability

Awards are presented to organisations with exemplary leadership in promoting the green agenda as well as having projects fully completed and awarded final GBI certification. The GBI certification and rating involves several criteria, such as building energy efficiency, indoor environmental quality, sustainable site planning and management, materials and resources, water efficiency, and innovation.

Held biannually, this year’s awards represent the third cycle of the awards, with the previous awards having been conferred in 2014 and 2016 respectively. The winners of the competition will be further offered the chance to represent Malaysia at the regional Asia Pacific World Green Building Awards competition.

The awards are open to companies and green building projects of all sizes across the region, and are categorised into The Business Leadership in Sustainability Awards, The Leadership in Sustainable Design and Performance Awards and The Women in Green Building Leadership Award.

The Business Leadership in Sustainability Award recognises organisations which are truly integrating sustainability into their business models and contributing to the transition towards a sustainable built environment. The year’s champion for the Business Leadership in Sustainability Awards is Brunsfield International Group. Lendlease Projects (M) Sdn Bhd and Putrajaya Holdings Sdn Bhd won the second and third prize

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respectively. These organisations displayed an understanding that sustainability presents a longterm business opportunity, and demonstrated sustainable practices within their internal and external operations, as well as to provide sustainability leadership within their industries.

The Leadership in Sustainable Design and Performance Award recognises pioneering green building projects that deliver a range of benefits through a holistic approach to sustainability.

These projects must go beyond simply minimising their impact by considering factors that lead to positive outcomes for both the environment and people. Menara Pejabat Kementerian Perdagangan Antarabangsa dan Industri (MITI) emerged as the champion in this category, while Heriot-Watt University Malaysia and Menara Kerja Raya took first and second runner up respectively.

A new award category, The Women in Green Building Leadership Award was awarded to Ar Serina Hijjas, who is believed be an inspiring female leader in this field. The award is to appreciate and recognise the pivotal role women play in nurturing and activating their communities as well as in delivering change.

The awards night was held at the Setia City Convention Centre, Setia Alam. A logo competition was also launched during this event. This competition is open to all MGBC members, and the winning entry will be made the new official logo for MalaysiaGBC, in conjunction with the 10th anniversary of MalaysiaGBC’s incorporation next year.

MalaysiaGBC’s 2017-2018 President, Ir Ahmad Izdihar Supaat

Dato’ Chan Wah Kiang, the Group Managing Director of AJIYA Berhad

ARCHITECTURE ASIA ISSUE 3 2018

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