January - March 2014
THE
Issue No. 5
RCHITECT The official magazine of the Architects Chapter, Architectural Association of Kenya
INSIDE
AAK Awards of EXCELLENCE in Architecture
ARCHITECTS AS INITIATORS OF CHANGE IN KENYA
PIMP MY DESIGN? ON VISUALIZATION, DIGITAL PROTOTYPING AND FABRICATION
CPTED IN PUBLIC SPACES: RESTORATION OF WESTGATE SHOPPING MALL
AAK MEMBERS LISTING
AAK CALENDAR OF EVENTS
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The Architect, Issue 5, January-March 2014
Contents
EDITORIAL BOARD Editor-in-Chief Arch Caleb Mutali Contributors Arch Emma Miloyo, Arch Rakhee Kantaria Arch Winnie C. Kalya Arch Dennis Karanja
5 Architects as initiators of change in Kenya
28 AAK Awards ceremony
Design Creative Bridge
creative.bridge@ymail.com
The Architect is the official journal of the Architects Chapter of the Architectural Association of Kenya. It is published quarterly and acts as the mouthpiece of the Kenyan architects. Its well researched content keeps practitioners in the building industry up to date with current trends in the field. 6 Winning designs in the AAK Excellence in Architecture Awards
30 CPTED in public spaces: Restoration of Westgate Shopping Mall
The Editor invites contributions in form of articles, letters, opinions and suggestions. It is the Editor’s discretion to accept or reject any of the contributions. Such contributions may be edited for brevity and clarity. Contributions should be sent to: The Architect AAK - Architects Chapter The Professional Centre, Parliament Road P.O. Box 44258 - 00100 Nairobi Tel: +254 20 2224806 Fax: +254 20 2220582 Mobile: 0721 691 337 Email: aak@aak.or.ke
34 Pimp my design? On Visualization, digital prototyping and fabrication
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The Architect, Issue 5, January-March 2014
From the editor’s desk The Ointment in the Fly
S
o- what is in a name? In William Shakespeare’s play Romeo and Juliet, while arguing that the names of things do not matter, only what the things “are”, Juliet quips “What’s in a
Arch. Caleb Mutali Editor
name? That which we call a rose by any other name would smell as sweet!” Fortunately, in this
much acclaimed play, she lived in an era of nobility where the quintessence of substances mattered, but not so in this age. Fast forward to the 21st Century and reflect for a moment on the names of some of the much sought after residential neighbourhoods in Kenya- I name but a few: Runda, Muthaiga and Karen in Nairobi, Nyali and Tudor (yes, christened after that royal Welsh dynasty ruled the United Kingdom) in Mombasa, the Milimanis of Kisumu, Kitale and Nakuru, the Elgon View and Kapsoya of Eldoret. Do not all these romanticised names elicit a longing of “when I grow up, I wanna…” It is the pride of every architect when one is commissioned to design a residential or commercial unit in these areas, for these for with such names, how can one not summon all their creative juices as they sketch and plan for the new development, even invoking that divine intervention will infuse that “wow!” factor into the project? But that is about all they turn out to be, interesting and embellished works of art limited within the perimeter of the boundaries that define the property. Should one seek ‘zoom out’ to pan over the context in which they sit, one quickly picks out the ointment in the fly (sic) and exposes the ‘Grand-theft houses’ heist ; one is confronted by run down and not-up-to-scratch support infrastructure which consists of poor urban design elements. Take a peek and the heading of the scam bare before your very eyes: piped comes only twice a week so you need a borehole and an underground water reservoir. The streets leading up to these hyped ‘gems’ have dumpsters teeming with garbage at the nodes; roads extremely narrow, sometimes, with no sidewalks for pedestrians to amble without having to worry about safety with fast vehicular traffic alongside. In Nairobi, in the so called ‘posh’ areas of Hurlingham and Parklands, most narrow lanes do not have bollards and other appropriate street furniture and it is not uncommon to find pedestrians having to make a choice between scampering for safety towards open storm-water drains that flank these roads and risking or risk their lives at the mercy of furiously-driven cars. The same neighbourhoods, their big names notwithstanding, do not have easy access to convenience stores, street lighting, bus lays, never mind that they are not served by decent means of public transport. Should you, being part of the nouveau-riche finally grow up and save enough to buy into neighbourhoods, you will be scandalised to learn that newer available plots areas are defined by untarmacked access roads and largely incomplete civil works. Police stations are permanently on your list and because you pay more tax, you must pay for private security as well. After tricking you to buy and the cheque safely pocketed, the developer, pointing at the zonal masterplan, has the cheek to add with that now familiar saintly look that “there are plans for a dual carriageway to pass here and it will just border your lot, so the value of your property will soon triple. In fact, it has just been approved by Cabinet and it will be endorsed in the next County Council meeting…” Huh! Tell it to the birds! Meanwhile, as you pay top-dollar for land rates and struggle to service your mortgage, your children, who are the real victims, have no playing fields and must remain indoors since, the community’s security chief warns, the estate has now become a haunt of malefactors. So, what is the catch here? What did one buy? Privacy? - my foot! So, what’s in a name? Is this an camouflaged ‘Mukuru’?
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The Architect, Issue 5, January-March 2014
From the Chair’s desk
I
t has been indeed a vibrant start of the year and in overall a very successful one. We started the year on a high note with the Excellence in Architecture awards which proved to be quite as success. Jury members were drawn from all over Africa. The Award ceremony was conducted on February 21st 2014 at the Intercontinental Hotel after the Chapter AGM and was graced by Ambassador Martin Kimani, permanent representative of Kenya to UN Habitat.
Arch. Emma Miloyo
ADVOCACY AND OUTREACH/ CPD EVENTS OVER THE LAST YEAR Chair, AAK Architects Chapter Golf Tournament: Friday the 25th of April 2014 we held our Annual Golf Tournament, the 14th since inception. It was an excellent tournament, with a record number of participants and sponsorship. County Governments Memorandum: The Chapter has prepared a comprehensive memorandum to be distributed to all county governments through the Transition Authority so as to insure that matters built environment are addressed in a structured and professional manner. Of importance to the Chapter: Development of an integrated master plan by counties, sharing of database of architects in good standing with the said counties for easy reference, Procurement of professional services to be guided by statute and Drawing approval process in all counties to be streamlined. Revised Construction Permits Rates: The chapter notes with concern that the County of Nairobi has increased construction permit fees quite significantly. We feel that this is a very critical issue as it may have a negative impact on the construction industry as a whole. An audience with the Governor was held late last year jointly with KPDA (Kenya Property Developers Association). We continue to ardently pursue this matter jointly with KPDA and KEPIN (Kenya Property Industry Network). Architecture Museum: The Chapter is preparing a concept paper for an Architecture Museum to be hosted by the AAK. This main objective of this is to have a proper archiving system for buildings of great importance to the country. The possibility of having a virtual archiving system is being pursued. The Chapter is looking for partners to fund the initiative. Social Media: The Chapter launched its Facebook page and Twitter handle as a way of engaging more interactively with the membership and public at large and keeping them informed of activities and events. So far this has been very successful. The Facebook page has about 550 likes and the Twitter handle about 335 followers. In the same spirit of engaging more with members, the chapter has also launched a digital version of the magazine at the beginning of this year. The emagazine has been uploaded on the link www.thearchitectmagazine.com. This online presence will enable the magagzine have a reach beyond that of the Chapter only. Members of AAk and the public will be able to give real time feedback on the articles. 2013 EAIA “100 Years of Architecture” Project: Through an outreach to the members, Kenya has submitted the following buildings: Kipande House, Railway Headquarters, City Hall, The Kenya High School, Parliament Building, IPS building, KICC, ICEA Building, Don Bosco Church, Coca Cola Headquarters, Upperhill, Oceanic Hotel, Catholic University of Eastern Africa, Aga Khan Academy, Kenya Commercial BankAfrican Union of Architects (AUA): The chapter continues to be actively involved in the international affiliate institutions, having been represented at all major meetings and fora. International Union of Architects ( UIA): The UIA will be hosting its Congress in Durban South Africa in August 2014. The AAK is planning to send a delegation down to Durban. Members are welcome to participate in this. We look forward to engaging further with you throughout the year and to an even more successful year ahead.
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The Architect, Issue 5, January-March 2014
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OPINION
The Architect, Issue 5, January-March 2014
ARCHITECTS AS INITIATORS OF CHANGE IN KENYA
rural dwellers are continually forced to accept the lowest standard of services which unfortunately are incorporated in planning policies. Two aspects of essential consideration in
By Rakhee Kantaria
the architectural development in Kenya are instability and cultural identity. Traditional
and at times, political violence. Their profes-
K
not be gainsaid but considering that
tions have occurred due to natural disasters
sion validity is at stake unless the social and
the majority of the population cannot
or shifts in land uses, overwhelming forces of
physical priorities dictated by these contexts
afford them, is this justified? There
urbanisation have changed the character of
are identified and adopted. The profession’s
are of course various involvements
towns and villages alike. This is the alien con-
effective contributions to development and
in, for example, the provision of low
text in which a vast majority of Kenyans find
to economically and politically weaker com-
cost housing projects but private en-
themselves and they are unable to adjust.
munities must be addressed.
terprises are overwhelmed by the ob-
The retention of existing cultural identi-
enyan architects are working in con-
lifestyles have been disrupted due to external
texts characterised by poverty, envi-
forces such as mass displacements of people due to political violence or hunger; reloca-
ronmental chaos, rapid urbanisation
In Kenya, an attempt to capsule into a
stacles to the progress of work due to
ties is as basic to the development of a peo-
short time span the experience of centuries in
the highly bureaucratic government
ple as the provision of basic facilities. It is the
terms of thoughts, methods and technologi-
organizations.
only way that communities will appreciate
cal changes has led to a disruption of local
In the public sector, isolation from
changes and guarantee their continuity. Any
systems and the erasure of local identities. In
the initial decision-making and again,
new system must evolve from and be built
addition to the imposition of alien cultures by
rigid bureaucracies restricts the role of
on cultural inheritance. Architects should not
colonial powers, Kenya was also victim to the
architects to participation at the tech-
only have attained greater knowledge of their
failed development strategies of the post-
nical level rather than being effective
local environments but also a respect and ap-
colonial period where intervention was mo-
as initiators of innovative approaches
preciation for the established systems they
tivated by political influence and commercial
to environmental change at all politi-
are based upon. This will ensure that archi-
interest and not based on urgency and need.
cal, social and technical levels. Unless
tects are always viewing problems from with-
It is now realised that development is
new roles are defined, and architects’
in and not assuming roles far above the reach
not only economic gain but also the abil-
influence is extended to serve the un-
of people and beyond their comprehension.
ity to emancipate people from mechanisms
disputed majority, many environmen-
Architects must formulate effective roles
that exploit them. One of the most impor-
tal issues will continue to be based on
in community groups at grass root level
tant achievements in modern architectural
political or economic factors rather
where the only predictable forces at work are
thought and design is the historical shift from
than the technical issues.
those of continuous change. The process of
the public, monumental emphasis to that of
The extent of the architect’s role
change can be achieved through vital edu-
the individual in a more unified global con-
and influence in Kenya is based on
cational and research programmes prepar-
text emphasising the poorer people of the
reactionary approach rather than
ing future professionals to be ready for this
world.
long-term. There is a dependence on
role. A deeper knowledge of local history and
Why then do architects in Kenya end up
individual initiative rather than the
absorption of local and global experiences is
working for a small percentage of the social
institutionalisation of advanced con-
the future architect’s fundamental tool in the
strata... the economic elite? In the private sec-
cepts and approaches which could
process.
tor, architects are providing professional ser-
survive the constant flux of political,
Architecture should be conceived as a
vices of high quality to the financially well-off.
social and environmental changes.
public service and architects as initiators of
Now, the importance of these services can-
The low-middle income urban and
change for the benefit of the poorer masses.
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The Architect, Issue 1, January-March 2014
AAK Awards of Excellence in Architecture
The Rebirth of Kenyan Architecture
I
n a span of less than a 100 years, Kenya has transformed magnificently in terms of architectural de-
velopment. From a period when the two storey Kipande house, then a rail warehouse, was the tallest building to a time that the Times Tower overlooks the city from over 30 floors in height. From a period when the countryside was but a wilderness that Africans hunted in, farmed and grazed their livestock to the bustling cities of
Architecture is not just important, but it reflects who we are as we spend most of our time in it. The panel of four judges (Flora
best in the various categories, accord-
Runumi- Uganda, Evans Williams An-
ing to the judges. Interesting, none of
fom- Ghana, and Henning Rasmuss-
the projects entered for the best inte-
South Africa) was headed by Kenyan
rior design category met internation-
veteran architect, Dr David Mutiso.
al standards according to the judges
The team spent two days sieving
and therefore no award was given on
through the presentations and nomi-
that category.
nations and below is the list of Kenya’s
Kisumu and Mombasa. Architecture has transformed the topography and it does the same to the lifestyle of the people as well. To recognise and appreciate the milestones achieved in this sector, the Architectural Association of Kenya, with sponsorship from paint manufacturers Duracoat, organised an award of excellence in the various sectors. “Architecture is not just important, but it reflects who we are as we spend most of our time, either in the offices or at home, within this built environment and it is thus crucial to recognise the efforts put in by this profession,” said Ambassador Dr Martin Kimani, Head of Mission to the UN Nairobi as he presided over the ceremony at the Hotel Intercontinental.
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WINNERS AND FINALIST IN VARIOUS CATEGORIES BEST RESIDENTIAL BUILDING PROJECT Winner: Residential Plot 7158 / 509, (Nairobi) – Studio Infinity Finalists: - Tudor Apartments, Mombasa – Urko Sanchez - Radhadesh House, Gigiri, Nairobi – Hitesh Mehta, 1998 - Lakeview Birdwing Plan, Nyari Estate, Nairobi – Vetle Jorgensen, 1995 BEST COMMERCIAL BUILDING PROJECT Winner: The Courtyard, Westlands, Nairobi – Bowman Associates Architects Finalists: - Coca-Cola East & Central Africa Business Unit Head Office, Upper Hill – TRIAD Architects & GAPP Architects & Urban Designers – 2008 - KPCU Clean Coffee Warehouse, Nairobi – TRIAD Architects, 1978 BEST HOSPITALITY INDUSTRY PROJECT Winner: Red Pepper House, Lamu – Urko Sanchez Architects, 2012 Finalist: Mpata Safari Club, Masai Mara – TRIAD Architects & Edward Suzuki & Associates, 1978
BEST CULTURAL BUILDING PROJECT Winner: Manda Airport, Lamu – Adventis Inhouse Africa Architects BEST EDUCATIONAL PROJECT Winner: GarbaTulla School, Isiolo – Triad Architects, 1978 Finalists: - Oleleshwa Primary School – Geoffrey Ochieng Wasonga - Strathmore Phase III – Lexicon & ION Architects BEST CONCEPT / ONGOING PROJECT Winner: Proposed Pwani University, Kilifi – Otto Mruttu & Partners, Associates Finalist: School of Business, Kenyatta University – Axis Consulting Architects MENTION Kenyan Parliament – Triad Architects : 1964 (Second Phase)
THE WINNERS AT A GLANCE
The Architect, Issue 1, January-March 2013
Best Residential Building Project Location: Plot 7158 / 509, Nairobi Architect: Studio Infinity
T
he project is best described as “a restrained and comforting house that delights through its welcom-
ing scale, calm use of pleasant materials, and generous sense of easy living. Avoiding the decorative coatings or commonly applied cladding of many modern single family houses, this design is truthful in its use of materials. It resonates with tropical house types in many African and global locations, and joins a long tradition of calm places for family life, defined by an ease with which nature and people share urban or semi-urban plots of land.
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The Architect, Issue 5, January-March 2014
The Courtyard Best Commercial building project Location: Westlands, Nairobi Architect: Bowman Associates
T
he Architect magazine has featured this project in full in a previous issue. It is a sure winner in its category. It was pre-
sented as a compact and appropriately scaled building, with pleasing proportions and sufficient detail for everyday business life. Its heart is a serene and balanced space, extraordinary for its sense of drama. This project shows that it is possible to create uplifting places in the sometimes nondescript new development zones along previously suburban streets in densifying cities across Kenya and the continent.
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The Architect, Issue 5, January-March 2014
PROJECT INFORMATION
Design parameters
Developer: Date of construction:
PDM Kenya for Agha Khan Development Network
Plot area - 3888 sqm
Jan 2010 to Jan 2011
Gross built area: Lower ground floor parking - 1541sqm Ground floor offices - 1027 sqm Sub-total - 2568 sqm
Commissioning: Architectural competition Function:
Speculative offices
Planning concept: Green office building Utilising African themed materials and methodologies with islamic design features and elements Design concept: Highly flexible office Accommodation designed to cater for any tenancy configuration from multiple tenancies through to single corporate occupants
1st floor - 1027 sqm 2nd floor - 1027 sqm 3rd floor - 1027 sqm Sub-total - 3081sqm TOTAL - 5649 SQM Covered parking bays - 52 On site parking bays - 55 Total parking bays - 107
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The Architect, Issue 5, January-March 2014
Red Pepper House Best Hospitality Industry Project Location: Lamu Architect: Urko Sanchez Architects, 2012
S
ituated at the Kenyan coast, right on the shore line, this is a truly exceptionally crafted building, nestled with ex-
treme care and a unique sense of flair and daring into its coastal forest setting. The building footprint is almost divined out of the forces at play on the site. The assembly process is as rigorously considered and expressed as the research that underlies the intelligent engagement with the client. The project is lovingly made, and is presented with a care and consideration that shows true passion for the art and the craft of architecture.
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The Architect, Issue 5, January-March 2014
Client Brief We will let the architects tell the story in their own words The client wanted a private residence that shared a connection with Lamu but was secluded from the main town itself. He had a passion for architecture and at the same time liked to be in contact with nature. Combining these two attributes, a chance was presented to create a form of organic architecture that had a balance of traditional craft and modern comfort. The client had great respect for the environment and wished that the design process preserved the forest as much as possible. Likewise, the construction process and eventually the running of the building were to share the same attribute. The house was to be designed in zones that could be occupied by the whole family or reduced to one when he was alone. The client also had a knee problem, which meant that the house would have to be designed on one floor to avoid him climbing stairs. He is a major contributor to the Aniclan Children’s Shelter that lies not far behind the plot and desired to have a close relationship with the orphanage. Eventually, the client would like to profit from a design where parts of the house could be rented out yet still maintain a barrier of privacy between the occupiers and himself. With this, Urko Sanchez Architects ventured out to create a work of organic architecture: The Red Pepper House.
Concept Design
Approach and situation on the ground
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The Architect, Issue 5, January-March 2014
Design development One of our greatest challenges was accessibility. Lamu is located in a very remote area of Kenya; it is an island of limited resources; transport is conducted soley by boat dhow or donkey’s back. The Red Pepper House was built accordingly by utilizing locally sourced elements: We had to think comprehensively about how to simplify construction methods and stick to the very essence of the project. Materials and expertise had to be local. We needed to integrate traditional materials and their centuries-old applications along with 21st Century design and an environmentally sound sensibility. There it is. But only if you know where it is, will you find it. The Red Pepper House has merged with the forest. It cannot be perceived from the sea. It is hidden. Lost. Only to be found again. Overall, we wanted to create something we believed in, somewhere that would provide maximum, inherent enjoyment of being in a forest, next to a beach, on the cusp of the unique Lamu town, a UNESCO World Heritage Site.
Ecological energy systems In order to exploit the sunny climate of Lamu, the project hosts tow solar collection devices. Solar water heaters absorb the sunlight and use the energy to heat water. The advantage of these solar heaters is that hot water is available on demand throughout the course of the day without negatively affecting the environment. It only seems right that the same idea is incorporated in generating power and thus the project also uses photovoltaic cells to provide electricity to the house. Like the construction process, the use of solar energy ensures that the running of the building also keeps a very low carbon footprint having minimal impact on the environment. The house accomodates a water tower that uses the theory of gravity to send water to the taps and showers and eradicates the need for a pressure pump.
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The Architect, Issue 5, January-March 2014
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The Architect, Issue 1, January-March 2014
Manda Airport Best Cultural Building Project Location: Lamu Architects: Adventis Inhouse Africa
A
nother winner from Lamu. The architect describes it as a finely crafted, uplifting and truly civic building that respects the soul of the stressed and hurrying traveller, and the spirit of place of the historic town near which it is set. A richly textured and poetic
alternative to the prosaic, mostly unbearable and soulless places that punctuate travel in remote locations in Kenya and across the world. A true Place to Be, while you are on your way to somewhere else.
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The Architect, Issue 1, January-March 2014
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The Architect, Issue 5, January-March 2014
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The Architect, Issue 1, January-March 2014
Garba Tulla School Best Educational Project Location: Isiolo Architects: TRIAD Architects, 1978
I
n a desolate and harsh landscape, this project is a subtle and thoughtful exemplar of the ability of geometry and proportion, rhythm and repetition to order the world.
This building is an eloquent yet clipped lecture on the beauty of tectonics, the delight of making, and a sparseness of effort, materials and detail that is forward-looking for our hot, flat and crowded planet and Kenya in the 21st century. It is reassuring to see that almost two generations ago, architects in Kenya were practising obviously appropriate ‘green architecture’ through a deep understanding of place, opportunity, material and people’s skills and needs.’
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The Architect, Issue 1, January-March 2014
Proposed Sports Fields and Sports Facilities for Pwani University Best Concept/ongoing project Location: Kilifi Architect: Otto Mruttu & Partners
Y
et another winner from the Coast! The architect describes it as an intelligent and suitably ordered project in a ram-
bling campus landscape, this project shows that cultural references can be respectfully absorbed into modern buildings without resorting to cheap façade antics. This is a collection of buildings that whisper instead of shouting, and that betray a confidence of line and detail which should result in a fine environment for large gatherings of people once it is built.’
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The Architect, Issue 5, January-March 2014
Project description The proposed Sports Fields and Sports Facilities for Pwani University is an ongoing project scheduled to be tendered for construction works to commence in July 2014. The project was awarded to a consortium led by Otto Mruttu & Partners after competitive evaluations of Request for Proposals in 2012. Otto Mruttu & Partners were commissioned to design and administer the construction contract for the sports complex which is part od a master plan prepared for Pwani University by other consultants. The proposed project covers a total area of 75,800sqm with Sports Fields comprising of: spectators’ stand, refreshment stand, storage areas, equipment room, small first aid room, running tracks with steeple chase facilities, swimming pool, two football fields, tennis and netball courts, hockey fields,sports office and areas for: javelin, triple jump, high jump, discus, hammer throw, shot put and pole vaulting. The indoor sports complex housing comprises: open floor gym, washrooms and changing rooms, squash courts, physio rooms, general health club, badminton courts, basketball court, studios and recreational sports.
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The Architect, Issue 5, January-March 2014
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Tudor Apartments Finalist in Best Concept/Ongoing Project category Location: Tudor Creek, Mombasa Island Architect: Urko Sanchez Architects
L
ooks like if you want to win, consider the Kenyan Coast and you’ll be on the roll! Well, we will let the consultants explain for this project. Fourteen apartments, Tudor Creek Mombasa Island. Quite the assignment for us, representing a new frontier, a new experience, a new breakthrough. First, there was the plot, long and narrow, facing East. Then the challenge of translating our contemporary Swahili style, without existing references to draw upon, to a ground-breaking highrise structure - one that would stand out beautifully on the peninsula. In light of these considerations, our initial threshold was to apply solutions we had used in horizontal projects to a vertical realization. The apartments, accordingly, will benefit from the experience of outdoor living, contact with nature and the integration of the surroundings into each private home. Simultaneously, we are maximizing views over the creek. Three styles of apartment will be featured primarily with three bedrooms, each accommodated with underground parking. The Tudor Apartments will also offer splendid tower living and a penthouse.
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The Architect, Issue 5, January-March 2014
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The Architect, Issue 5, January-March 2014
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The Architect, Issue 5, January-March 2014
Parliament Buildings SPECIAL MENTION Location: Nairobi, Kenya Architect: TRIAD ARCHITECTS: 1964 (SECOND PHASE)
P
arliament buildings - one of the definitory icons of Nairobi’s skyline. If you haven’t seen it, you haven’t been to Nairobi. A surprisingly confident and skilled use of modernist line, mannerist delight and almost baroque
drama and composition, this fine civic building sets itself apart from the often literal symbolism and ponderous expressive urges of post-colonial buildings for the functioning of African governments. It is important to realise that a building of such elegant forceful expression and such staying power was executed by a very young architect of limited experience, but evidently of natural and deepseated skill and discretion.
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The Architect, Issue 1, January-March 2013
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The Architect, Issue 5, January-March 2014
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Awards of
Speeches and discussions
28
EXCELLENCE
in Architecture 2014
The evening in pictures
The Architect, Issue 1, January-March 2014
Below: Winners show off their awards
Below: Guests pose for photos
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SECURITY IN BUILDINGS
The Architect, Issue 5, January-March 2014
Crime Prevention Though Environmental Design in Public Spaces Restoration of Westgate Shopping Mall Arch. Winnie C. Kalya (M.A.A.K, Reg.Arch); AAK (Architects’ Chapter) National Construction Authority (NCA)
Safety and security in public spaces is becoming a necessity today as terrorism becomes a reality in the developing world. Security concerns have been for a long time of low concern to planners, architects
INTRODUCTION
C
and engineers making inclusion in the building
rime Prevention though Environmental Design (CPTED) is a pro-active crime prevention strategy utilized by planners, architects, police services, security professionals and everyday users of space. It is based on the notion that proper design and effective use of the built environment can lead to a reduction in the incidence of crime and improve quality of life.
process almost unheard of or reduced to mostly fire preparedness. The recent terrorist attack on Westgate Mall is a wake-up call for architects and engineers to think about how safe and secure the spaces they design are. All discerning Kenyans have to demand crime prevention features to be incorporated in the design of buildings. It is against this background that information and practice of CPTED should be encouraged with the aim of creating safer public spaces.
Constrution works at the side of the building led to no surveillance from inside the building to the street/sidewalk
Overgrown landscape obstructs view to the parking lot and street
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SECURITY IN BUILDINGS
The Architect, Issue 5, January-March 2014
PROPOSED CPTED STRATEGIES CPTED is a global practice that involves the design of safe built and non-built environment especially of public spaces that aim at deterring crime. Emphasis is placed on the physical
environment,
productive
use of space, definition of space and proper support of the intended function by the physical design. CPTED
strategies
are
based
on four main pillars: - Natural Surveillance, Natural Access Control, Territorial
Reinforcement
and
Maintenance. This paper will explore these four principles citing examples of how public spaces and in particular,
Westgate Mall before the overgrown landscape, the landscaping should have been maintained to ensure it does not obstruct views in and out of the mall
the Westgate Mall which suffered a
sidewalks or the parking lot making it
create a sense of territorialism that
terrorist attack not a long while back,
easier for attackers to carry out their
encourage people to maintain and
can be made much safer.
activities without being watched.
overlook their own portion of street/
The overgrown landscape obstructed
sidewalk and common areas such as
views to the outside which made the
lobbies and corridors.
Natural Surveillance :
parking lot a ‘crime hotspot’. General This principle is based on the
rule is bushes should not be higher
notion that criminals are least likely
than 3 feet and trees should not be
to act when there is a high risk of
higher than 7 feet.
Criminals like to feel that they are
their actions being witnessed. This principle is based on a theory put forward by Jane Jacobs that came to be known as ‘Eyes on the Street’ which
Natural Access Control in control as they enter and exit an
Territorial Reinforcement
area. When they are in control, they have a low perception of risk, since territorial
they believe they are able to move
ensures that activities that go on in
reinforcement is to create a clear
The
purpose
of
about unnoticed. However, this sense
the streets/sidewalks can be clearly
distinction between public ,semi-
of control can be denied by limiting
seen from the inside of buildings.
private and private spaces. This is
and clearly marking the approaches
The case of Westgate Mall is
important for two reasons: legitimate
to buildings for both pedestrian and
a clear example of lack of natural
occupants have a sense of ownership
vehicular traffic thereby channeling
surveillance. The idea of having an
and will notice people who don’t
visitors into a defined area. Natural
outdoor restaurant created an active
belong; intruders, on the other
Access Control is the use of building
building front but the landscaping
hand, will have a hard time blending
and landscaping features to guide
obstructed the view of the main
in. This principle is based on the
people as they enter and exit a space.
entrance and parking lot. From inside
‘defensible space’ theory put forward
The number of entrances should
Westgate Mall there were no clear
by Architect Oscar Newman which
be minimal and should have tight
views of the main entrance, the street/
observes that building design should
controls; Westgate Mall had a very
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SECURITY IN BUILDINGS
The Architect, Issue 5, January-March 2014
well defined main pedestrian entrance but the vehicular entrances and exits were not well defined/controlled which created a serious security breach.
Maintenance Many experts believe that a well maintained property can deter crime simply because a poorly maintained The parking lot was a ‘crime hotspot’ since there was no natural surveillance from the building
building demonstrates that its owner is no longer able or willing to control his property and thus becomes an invitation to any criminal who wants to seize control. Maintenance should also be well informed, Westgate Mall had very well-manicured landscape but the bushes and trees were maintained at heights that obstructed surveillance. A view of Westgate before
View of the main entrance was obstructed by the overgrown trees and shrubs
the landscaped shop front reveals a fairly secure building with clear surveillance.
Access to basement building to the street/ sidewalk Access to roof top car park
Service entrance
32
Main vehicular access to top floor parking and basement
SECURITY IN BUILDINGS
RECOMMENDATIONS As the restoration works begin, the following are proposed recommendations
The Architect, Issue 1, January-March 2014
remain on at night • Bushes should be no higher than 36”
than 10% of the window surface
locks should be re-keyed and a
• Property lines should be well
key control policy instituted
• Exterior parking lots should be
pedestrian and vehicular traffic • Walkways, landscaping and driveways should lead visitors to a controlled entrance • Access to the roof should
well lit, so that people can be recognized from 25’ away • Exterior parking lots should be visible from inside the space • All entrances should be visible from within the space • Non-working surveillance cameras
• Access to ladders should be secured
entering the mall for both
should be no higher than 5’ to maintain visibility
• Windows should be locked
shrubbery or similar means positioned to screen all people
be visible from inside the space and vice versa
marked by fences, short walls, • Receptionist/security should be
• Street and/or sidewalk should
• Interior furniture and displays
• If keys cannot be accounted for,
• Trees should be no higher than 7
to ensure a safer and secure mall:• Windows signs should cover no more
• All keys should be accounted for
from the grounds • All lighted signs should be in working order • All light fixtures should be in working order • Access to the basement parking should be controlled with stiffer
well defined and secured
security measures placed
be accessible from outside • Exterior doors should be locked with deadbolts • Deadbolts should have a minimum
• Interior lighting should
• Debris should be removed
be secured with the parking • Exterior door hinges should not
should be repaired or removed
• Weeds should be removed
1” throw and the strike plates should
• Lighting at the basement should be in working condition and should not be blocked by columns How safe is the building you are designing now, or is it a potential death-trap in the event of a security incident?
be anchored to the door frame
New IRA mandatory motor insurance rates effective 1st May 2014 • Comprehensive Private motor@ 3.8% with 50% NCD • Comprehensive Commercial motor @ 5% with 30% NCD • Comprehensive Motor cycle @ 3% minimum 7,500 • Professional Indemnity @ 0.75% *** (*** proposal assessment required)
33
DESIGN INTEGRITY
The Architect, Issue 5, January-March 2014
PIMP MY DESIGN?
On Visualization, Digital Prototyping and Fabrication by Architect Dennis Karanja
T
he use of digital technologies has assimilated itself exponentially in the AEC professions.
Often, engineering and construction professionals have embraced software in mid and end processes of project delivery. Architects and Landscapers engage these processes as extensions of sketching, modelling and documentation from concept to project delivery. We pride ourselves in turning the intangible dreams of our clients to reality. Yet often these dreams are captured in terse meetings with clients. Prevalent technology has come in to augment the traditional methods of representation and communication of these dreams, from inception to post contract management. The proliferation of affordable computers and powerful software have enabled professionals to extend the boundaries of what can be conceived and constructed. The advanced software allows us to visualise, model and test complex parametric and organic geometries. This has huge implications for both tectonics and material use in contemporary architecture. Granted, the architectural visualizations have their portent potential, an impact not just felt as a new genre of expression but an entire territorial scope. It is therefore of paramount importance that the architectural indus-
34
Misrepresentation of facts as brought forwards by stunning images and documentation form BIM opens up uncharted paths of litigation. try advance such techniques and craft
struction phases augmented with conflict
them to the advantage of the profes-
checking software, therefore, such litigation
sion and its diverse clientele.
need not arise.
Still herein, it is important to note
Granted -a different approach is to build
that visualisation bears with it a per-
on ethics of visualisation within the profes-
suasive role in selling ideas. This is
sion. A code of conduct would establish
where the good, the bad and the ugly
quality standards and in turn build trust and
call home and they all converge into
respect from the consumers of the visualisa-
an element of wonder, mystery and
tion output. When a friend approaches you
still within harm. The good has its
with a sales catalogue seeking advice on a
place, yet still the bad face of visual-
house they would like to purchase, and you
ization resides within.
have the unfortunate role of pointing out to
Misrepresentation of facts as
the various misrepresentations, they end up
brought forwards by stunning images
thinking one architect is as bad as the next.
and documentation form BIM opens
If a room is three metres by three metres,
up uncharted paths of litigation. In a
do not throw in a double bed and a seat to
related instance, a subcontractor in
confuse a client. To remedy this smoke and
Nevada, USA, sued an engineer for
mirrors approach in our profession, four key
misrepresentation. The contractor’s
ideals should guide our visualization. These
claim was that the engineer had neg-
are accuracy, representativeness, clarity and
ligently misrepresented their design
legitimacy. While the first three are things
as constructible. The contrasting ar-
we do, the last one is an outcome of the first
gument here would be that, we now
three.
have BIM throughout design and con-
DESIGN INTEGRITY
However convenient the contrary might be, endeavour for accuracy and truth by using visualisations to simulate the actual or expected appearance of the design intent without distortion. There should be appropriate levels of realism for the intended purpose. Often you will not find a sales document depicting the real site. It usually is a concocted, innocent and pristine neighbourhood far
The Architect, Issue 5, January-March 2014
Depicting a Boeing 777 in your visualisation for a villa in Nairobi’s upmarket Runda is not a sign of sophistication but professional immaturity.
from the real situation on the ground. On
deed there are open source 3D printer D-I-Y kits at the price of a medium sized plotter. Besides, 3D printers work with most parametric modelling software, including Adobe Photoshop. 3D printing and CNC (Computer Numerical Control) milling are ‘reversible’ processes. The artefact produced can be scanned using a 3-D scanner or digitizer and the parameters input
the other hand depicting a Boeing 777 in
to test both the virtual model and the
back for further design. The possibili-
your visualisation for a villa in Nairobi’s up-
physical output at different scales.
ties suddenly become limitless.
market Runda is not a sign of sophistication
These could be rapid prototyping
Of course you will not ‘print’ your
but professional immaturity. Further, our
and digital fabrication. These two
dream house in the office-not yet, but
visualizations should be representative in
techniques are not new but the ap-
with a bit of patience and the right ma-
depicting typical or essential views of our
proaches can be aligned to those of
terials you will with time. The next op-
design intents and the landscape. Visual clar-
the manufacturing industry. When
tion would be to fabricate either your
ity involves a clear communication of the de-
we make a card model, we are pro-
entire design intent or component in
tails, components and overall content. These
totyping. When we ask a contractor
a factory of lab setting. A few manu-
contribute to legitimacy of the visualization
to build a sample wall on site, we are
facturers locally have the capacity to
making our intents demonstrable and defen-
fabricating. This works like a dream
fabricate most of what is demanded in
sible.
for traditional architectural materials
the new expression. The only problem
It is hoped that when we reach out for
but might be a nightmare when the
is the numbers do not make economic
our visualization gadgets we shall have this
genres of expression change. What
sense as almost everyone will not be
in mind. Now raise your mouse and repeat
are the solutions?
looking at the expressive building you
after me; I acknowledge and respect the power
At a small office scale, a 3D printer
of visualization to mislead the uninformed.
will work well. Although expensive,
Therefore I shall not visualise with intention to
they are worth the investment espe-
What implications do robotics
hide or confuse the truth.
cially if you are moving away from tra-
such as 3D printing and CNC milling
The beauty of following the above pre-
ditional architectural approaches to
have for architecture? First would
scription is that it makes it easier to build
construction and materials. 3-D print-
be precision in building lifecycle- no
what we have designed. This is the fabrica-
ing can be used to test new designs,
need for snagging and protracted
tion stage. The fabrication process is meant
materials and building techniques. In-
arguments with contractors on site,
have in mind but the return on investment on their CNC mills.
conducting destructive tests and so
2000
?
on. It also means you spend more time on the design end with better outcomes. Secondly, you can expend more creative juices in experimenting - you actually learn by doing-in your office, not on site at the cost of your
2000
client. Thirdly, this means the architect will be a ‘master-builder’ again; an architect’s office will again be a workshop of creation, and no longer look like a sterile recruitment agency.
35
MEMBERS LISTING
The Architect, Issue 5, January-March 2014
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37
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201. MANGURO R.O.(2543) 202. MANKU G.S. (1920) 203. MAREIRA F.M. (2727) 204. MARTINS P.S.G. (822) 205. MARUTI E.K. (1043) 206. MARSHALL J.(1847) 207. MASILA G.P. (2008) 208. MATASYO J (954) 209. MATHAROO S.S. (1139) 210. MATHENGE A.W.(3169) 211. MATHENGE J.W.(2423) 212. MATOLE D.K.(2599) 213. MAWEU C.J.M. (2142) 214. MBICHA S.(1882) 215. MBINDA J.J.M. (548) 216. MBITI I.M.(2660) 217. MBOGO D.C. (2390) 218. MBUGUA H.K. (3096) 219. MBUGUA N. (891) 220. MRS. MBUGUA R.W. (1413) 221. MBURATHI K.(2581) 222. MBURU G.I. (1217) 223. MBURU J.M. (1192) 224. MBUVI M.M.(1428) 225. MBOSHI S.M. (1083) 226. MCHARO L.B. (2645) 227. MECCA J.P. (2438) 228. M. M. KAGWANJA(2176) 229. MICHIRE D.M. (2528) 230. MILIKAU E.S.(2010) 231. MILOYO E.K.(2512) 232. MISIANI C.A.O. (960) 233. MISTRY L.K. (107) 234. MOCHACHE J.M (DR) (705) 235. MONG’ARE S.G. (1388) 236. MOTANYA D.O. (2156) 237. MPAAYEI T.T. (1463) 238. MRUTTU O.S.(2738) 239. MRUTTU I. (542) 240. MUANGE V.N. (1668) 241. MUCHERU S.K. (2416) 242. MUCHILWA M.S. (1994) 243. MUCHIRI D.T. (834) 244. MUCHOGU J.W. (2517) 245. MUGA I. (1781) 246. MUGWANJA M.M. (1990) 247. MUIRURI I.N. (3282) 248. MUKABWA E.M.(2665) 249. MUKEKU J (2134) 250. MULI PIUS (2077) 251. MULI S.K. (1211) 252. MUNDIA T.G. (3097) 253. MUNANO AIDAH NJERI (984) 254. MUNGAU K.J.S.A. (2593) 255. MUNENE G.W. (2140) 256. MUNGAI C.M. (1562) 257. MUNGAI W. (1293) 258. MURAYA K.P. (1362) 259. MURIGU J.M. (1832) 260. MURIITHI J.M. (2843) 261. MURIUKI D.K. (1415) 262. MURATHE G.K. (1940)
38
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263. MUSEMBI M. (1798) 264. MUTUA MWEU (1926) 265. MUSYOKI N. (931) 266. MUSUVA M.W. (2421) 267. MUTAI E.K.(2501) 268. MUTAKAA J. (2306) 269. MUTHUSI P.M. (1743) 270. MUTIE C.M. (2892) 271. MUTISO E.K. (2106) 272. MUTUA JACKSON (2193) 273. MUTUKU J.N. (1745) 274. MUTUKU MUTUA (2102) 275. MUTUNGA J.M.F. (1143) 276. MUTURI C.N. (1282) 277. MUYA C.K. (747) 278. MUSUNGA M. (2382) 279. MWACHARO M.S. (1628) 280. MWALYO F.N.(2653) 281. MWALUKWARE W.M. (892) 282. MWANGI E.I.W (2591) 283. MWANGI L.M. (1219) 284. MWANGI M.N. (3210) 285. MWANGI S G (2123) 286. MWANGI S.W.(1265) 287. MWANGI B.G. (2337) 288. MWATHI J.M. (442) 289. MWATU O.K. (2806) 290. MWAURA A.M. (1788) 291. MWAURA N.K.(2411) 292. MWENDWA N.M. (1914) 293. MWIHIA J.M.(2509) 294. MWILU S.M. (2635) 295. MWITI G. (1922) 296. MWORIA K.S. (945) 297. NAGDA B.N. (1667) 298. NAICCA C.M.(2507) 299. NAMULANDA D.M. (2320) 300. NANDRA H.S. (648) 301. NASIR ALI (1556) 302. NDAMBUKI D.M. (2376) 303. NDANU R.M.M. (2583) 304. NDARUA P.G. (430) 305. NDEGE L.K. (3102) 306. NDERITU P.A.M. (2424) 307. NDETA B.S. (2099) 308. NDIACHA L (1837) 309. NDUNGO J.M. (3195) 310. NDUNGU C.N. (1851) 311. NDUNGU D.K. (1209) 312. NEWA F.O. (1808) 313. NG’ANG’A G. M. (1182) 314. NGATIA E.M.(3108) 315. NGIBUINI S.N. (793) 316. NGODA D.K. (2326) 317. NGUMUTA M.N.(2503) 318. NGUNJIRI F.K. (1404) 319. PROF. NGUNJIRI P.G.(1322) 320. NGUURI MURIMI (2163) 321. NIXON R.A. (1275) 322. NJAGI H.K. (1918) 323. NJAGAH M.N. (2683) 324. NJENDU G.M.M. (2153)
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387. OKINDA J.T.(1087) 388. OKOTH T.O. (1406) 389. OLAWO G. (1885) 390. OLUOCH J.O. (2527) 391. OMBACHI V. (1860) 392. OMAR K.M (1873) 393. OMENYA A.O.(Dr.) (2597) 394. OMUMBO J. (1375) 395. ONGUTO O.O. (2446) 396. ONYANGO D.A. (2863) 397. ONYANGO M.O. (1630) 398. ONYANGO P.O. (2881) 399. ONYOYO M.B. (2818) 400. OPIYO G.O. (2751) 401. OPON P.N. (1815) 402. OSORO K.K.(2636) 403. OSIAGO P.V. (2328) 404. OSIAGO P.V. (2328) 405. OSIDIANA D.N.(2526) 406. OTIENO E.K.(2437) 407. ORINA A.M. (1809) 408. OTIENO K.O. (1220) 409. OUKO T.J.O.(2592) 410. OUNDO S. (1890) 411. OWENDE M. (1986) 412. OYARO O.E. (1728) 413. OYUGI A.O. (2319) 414. OWINO J.O. (3064) 415. OWOKO R.M. (1199) 416. PANDYA P. (1026) 417. PATEL N.S. (1467) 418. PATEL J.M. (483) 419. PATEL R. P. (758) 420. PATEL V.K.L. (657) 421. PATEL M. (1280) 422. PATEL P.V. (1516) 423. QADRI S.Y.A (2641) 424. RALWALA A.O.(2410) 425. RAI J.N. (2146) 426. RAI J.N. (1734) 427. RAJNOVIC PREDRAG (2329) 428. RAVAL V.K. (407) 429. REHAL S.S. (1813) 430. RIMBER D.M. (1450) 431. ROMANI A.M.(1477) 432. RUKWARO W.R (1313) 433. SAMOKA K.O. (3228) 434. SANG J.K.(2455) 435. SARDELLI G.A. (242) 436. SARDELLI M. (2083) 437. SARDUL S. (429) 438. SARNA Y. (1041) 439. SHAH S.Z. (746) 440. SANCHEZ URKO (2654) 441. MRS. SHARMA N. (1566) 442. SHIHEMEBSA L.(952) 443. SIFA MAHALI R. (2109) 444. SIFUMA D. (1704) 445. SIKHILA H.W.(2876) 446. SINGH M.G. (1466) 447. SINGH MAYANK (2715) 448. SINHA A. (1861)
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The Architect, Issue 5, January-March 2014
18. SURE J. (2145) WAMBUGU F.W. (1096) LICENTIATES 1. 2. 3. 4. 5. 6. 7. 8. 9. 10. 11. 12. 13. 14. 15. 16. 17. 18. 19. 20. 21. 22. 23. 24. 25. 26. 27.
ABINCHA A.S. (2399) ATER M.O. (1770) BARASA I. B (2228) DEYA E.O. (2166) GATUNDU J.W. (1767) GIKANDI J.W. (2730) KAMAU J.N. (2184) MABIA G.K.(2343) MAJIMBO R.B. (3259) MBURU G.K.(2392) MOHAMMED A.M.(2652) MWANGO W.N. (3203) NGIGI L.N.(2464) NYANGWESO M.O (2178) OBEID W.A. (1943) OGORA B.B. (3170) OKICH P.O. (2637) OMOLLO D.E.A. (2204) OTIENO P.G.J. (3095) PATEL K.M.(2463) PATEL R.G. (290) SEHMI A.S. (358) SHISIA W.Y.A. (2375) SIOCHA S.M.(2650) TSENGA D.S.S.M (2322) VIRDEE G.S. (745) WAMBUA A.M. (1982)
RESIDENT GRADUATE ARCHITECTS 1. 2. 3. 4. 5. 6. 7. 8. 9. 10. 11. 12. 13. 14. 15. 16. 17. 18. 19. 20. 21. 22. 23. 24. 25. 26.
ABDI ISMAIL (2820) ACHOLA J. (2408) ACHANDO J.A. (2826) ADAM A.H. (2852) AHMED F.A. (2108) AJWANG’ D.O.(2578) AKALI G.M. (2436) AKUMU A.O.(2584) AMBROSE S.K. (2107) ANDREW D.M.O. (2873) ARAKA S.K. (2900) ASEMBO K.A. (3224) ASUBWA W.N.(2915) ATOLA S.(2582) AYUMBA C.M. (3305) BEKELE GETACHEW (1120) BHATT V. HARISH (2131) BHOYYO B.M. (2747) BUYU J.O. (1738) CAROLEI MARCO(2649) CEESAY H.(2739) CHAMIA D.N. (1611) CHEBII K. (1996) CHELIMO T.K.(2549) CHEPKEMOI W. (3296) CHIIRA M.J.M (2719)
27. 28. 29. 30. 31. 32. 33. 34. 35. 36. 37. 38. 39. 40. 41. 42. 43. 44. 45. 46. 47. 48. 49. 50. 51. 52. 53. 54. 55. 56. 57. 58. 59. 60. 61. 62. 63. 64. 65. 66. 67. 68. 69. 70. 71. 72. 73. 74. 75. 76. 77. 78. 79. 80. 81. 82. 83. 84. 85. 86. 87. 88.
CHOGE C.K. (3156) CROZE A.L. (1934) DAWA P.O. (3161) DIANG’A C.K. (3159) EBOYI J.I. (3128) EBRAHIMJEE M.Y.(2579) EKAJUL A. (1857) ESSENDI S.M. (3232) ESHIWANI L.N. (2894) ETAMUKU K.O. (2893) FERNANDES K.W. (3124) FRANCIS P.K. (3287) GACHIENGO M.M. (2809) GACHUHI E.K. (2846) GEDA N. (2576) GEHRMANN T.H. (2857 GITAU L.M. (2118) GITHINJI M.S.(2590) GICHUKI D.K. (1706) GICHUHI J.K. (1782) GETONGA F.W. (1942) GOME S.O.(2373) HARIZ K.A.(3274) HIUHU E.N. (2874) IGUNZA A.A.(2545) IKERE J.K. (1504) IMRAN S.W.(3146) IRERI P.M.(2674) IRINA R.D.T.(3212) ISMAIL AHMED (1797) ISOE D.M. (3202) JACKSON M.M. (3303) JUMA J. (3122) KABA W.M.(2115) KABENEI J.C. (2904) KABERE J.W. (2905) KAGIRI P.K.(2657) KAGO J.M. (3201) KAGWI S.G. (2143) KAMANGU J.K. (2896) KAMAU K.M. (3301) KAMAU R.M.N.(2877) KAMUNYU A.M. (3250) KANG’ETHE B.N.(2638) KANYUA C.W.(2413) KARANJA E.W. (3133) KARIITHI J.K. (2338) KARIUKI R.N.(3131) KARIUKI W. (2933) KARUGA K. (3162) KARUGO P.M. (1376) KEEGA J.K. (2385) KEITANY J.K.(2668) KEMBOI V.K.(2648) KETOYO L.M.(3126) KIARAHO D.N. (1817) KIFLETSION M.Z.(2696) KILILO T.L. (2125) KILONZO A.K. (3138) KIMANI D.G. (2130) KIMANI G.N. (3165) KIMANI M.M. (2126)
89. KIMATHI F.M. (2868) 90. KIMURA J.K. (3160) 91. KING’ARU J.K. (3155) 92. KINUTHIA H.M. (2832) 93. KIAMBA L.N. (3135) 94. KIMANI G.N. (3165) 95. KIMANI F.M. (3130) 96. KIMANZI T.N. (2787) 97. KINYINGI J.N.(3309) 98. KINOTI E.K. (2349) 99. KIPYAB C.J.M. (3066) 100. KIPKOROSS S.K. (2188) 101. KIRIAGO L.O. (3152) 102. KITAKA A.K. (3150) 103. KITHEKA J.K. (3266) 104. KOECH F.K. (2404) 105. KOECH N.T. (3284) 106. KORIR M.F. (3183) 107. KORIR N. (3293) 108. KUMO W.O.(2662) 109. KURIAH P.J. (1913) 110. KYAKA J.K. (3290) 111. KYALLO A.M. (2158) 112. KYENGO M.K. (2407) 113. LAGAT D.K. (3304) 114. LATESTE M.O.W. (3153) 115. LENJO P.M. (3129) 116. MABONGA D.W.(2669) 117. MACHARIA A.N.(2588) 118. MAGANGA J.A. (3163) 119. MAIMBA M.W. (3308) 120. MAINA P.G. (2895) 121. MAKALI I.M.(2542) 122. MAKAN EVANS (2907) 123. MAKHULO S.D.M.(2506) 124. MAKORI H.O. (3302) 125. MALONZA J. M. (2310) 126. MANDUKU C.O. (3260) 127. MASEGHE M. T. (2324) 128. MASIKA J.M. (3229) 129. MASINDE R.N.(2580) 130. MATHARU A.S.(2697) 131. MATI M.K. (2692) 132. MATIVO J.K (2116) 133. MATHU J.M. (3226) 134. MATHU W. (2845) 135. MACHARIA F. (1807) 136. MACHARIA S.M. (3134) 137. MAINA R.W. (1510) 138. MAINA R.W. (3262) 139. MAKAU M (3167) 140. MAKAGUTU N.O. (3213) 141. MAONCHA L.M. (2902) 142. MBAKA N.O. (3132) 143. MBIDHI M.O. (2412) 144. MILGO N.C. (3289) 145. MBURUGU R.M. (1045) 146. MBUGUA P.N. (2870) 147. MBURU E.G. (3147) 148. MBURU F.N. (2427) 149. MEDIRATTA K. (2717) 150. MALECHE S.D.(3265)
39
MEMBERS LISTING 151. MILGO N.C. (3289) 152. MOGENDI S.D.(3295) 153. MOSHEH J.S. (2871) 154. MPUNGU P.J.(1071) 155. MUCHIRA D.N. @3273) 156. MUCHIRI T.W.(2661) 157. MUDOME T.V. (2323) 158. MUHANDI G.W. (2903) 159. MUIU E.M. (3065) 160. MUIRU J.N.(3164) 161. MUKUI M. (2872) 162. MUNENE G.M. (1937) 163. MUNENE L.M. (3307) 164. MUNYUA A. A. (2183) 165. MUCHAI J.M. (2240) 166. MUGO E.D.G. (1765) 167. MULANG’A M.M.(2514) 168. MUNYA A.S.(2414) 169. MUNG’ARA M.F. (1584) 170. MUNJARU H.L.L.(3271) 171. MUNYOKI J.M. (3270) 172. MURANGIRI D.K. (2784) 173. MURIITHI G.M. (2882) 174. MUSANGI H.W. (3139) 175. MUSEMBI D.M. (3136) 176. MUSYIMI A.T. (2673) 177. MUSYOKA P.M. (3268) 178. MUTEGI S.M.(2676) 179. MUTUA P.M. (3276) 180. MUTURI J.M.(1998) 181. MUTUNGI M.N. (3306) 182. MWAKIO P.M (1702) 183. MWALUKO E.K.(3294) 184. MWAMBEO F.M.(3196) 185. MWANGI A.M. (3137) 186. MWANGI A.N. (2866) 187. MWANGI M.W.(2538) 188. MWANGI C.M.(2505) 189. MWANGI E.I.W.(2591) 190. MWANGI F.G. (1859) 191. MWANGI C.M. (2901) 192. MWANGI C.W. (3285) 193. MWAURA N.K.(2411) 194. MWENDO F.M. (2434) 195. MWINZI J.M.(2521) 196. MWIROTSI L.S. (2828) 197. NAMBATI I.K.(2666) 198. NAJMI M.M. (2419) 199. NAJMI M.M. (3145) 200. NAMWAKIRA A.R.A.(3264) 201. NDARUA A.N. (2127) 202. NDARUA I.N. (3144) 203. NDEGE G.A.(2511) 204. NDICHU S.N.(2686) 205. NDIRANGU D.A.W. (2101) 206. NDUNGU J.B.K. (3166) 207. NDUNG’U J.W. (2855) 208. NDUNGU K.M. (2822) 209. NDUNGU V.M. (2856) 210. NGACAKU K.G.(2448) 211. NG’ANG’A P.K. (3292) 212. NGATIA E.N. (3298) 213. NGENY S (2175) 214. NGUGI J.M.K (2671)
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The Architect, Issue 5, January-March 2014 215. NGUNGUI J.N. (2825) 216. NGUNYI S.M. (2858) 217. NGUMBAU G.N. (3272) 218. NGUTI W.W. (3127) 219. NJAGI R.W. (3288) 220. NJENGA E.W. (1884) 221. NJERI J.M. (2878) 222. NJERU D.M. (2853) 223. NJERU I.M.(2659 224. NJOROGE S.M.(2589) 225. NJOROGE G.M. (2054) 226. NJOROGE J.N. (2869) 227. NJOKAH P.K. (1780) 228. NJUE P.N. (2694) 229. NYACHWAYA W.N. (2774) 230. NYAGAH A.G. (2312) 231. NYAKANG’U T.O.(3263) 232. NYAMAI M.S. (3267) 233. NYAMWEYA P.J. (2048) 234. NYANGI P.K. (3168) 235. NYAWIRA V.R.(2675) 236. OBWANDA C. (2098) 237. OCHIENG F.O.(2519) 238. ODUOR C.O. (1651) 239. OGINGA J. (2879) 240. OGOLLA M.E.L. (1352) 241. OKELLO O.O. (1694) 242. OKONDA J.N. (2827) 243. OJWANG’I D.B. (2936) 244. OKALEBO S.E.(3269) 245. OKELLO P.O. (3248) 246. OKUTA H.O. (3291) 247. OLAWO A.O. (2428) 248. OMBATI E.N. (3310) 249. OMBIMA V. (2883) 250. OMARIBA K.A.(2453) 251. OMBOTO B.O. (2864) 252. OMONDI R.C. (2935) 253. OMYONGA G.R.(2465) 254. ONDIEK C.O. (2781) 255. ONDIEKI S.O. (3230) 256. ONGUKA L.A. (3300) 257. ONYANGO N.O.(2658) 258. ONYANGO S.O. (3299) 259. ONWONG’A T.O. (2861) 260. OPIATA C.O. (2682) 261. ORECHI A.M. (3297) 262. OTIENO O.N. (3249) 263. OUNDA M.O. (2899) 264. OUYA D.O. (2780) 265. OYUGA J.O.(2670) 266. OYUGI C.O. (3261) 267. OWADE F.M.(2433) 268. OWOUR W.O. (1531) 269. OUNDO J.S.(2432) 270. OTIENO A.O. (3148) 271. REDPATH B.M. (2884) 272. ROTICH T.K.(2667) 273. SANDRA ATEK(2677) 274. SALIM F.A. (2430) 275. SEHMI J.S. (3098) 276. SEMBHI T.S. (3158) 277. SEHMI K.S. (1389) 278. SHAH MEHA (2885)
279. SHAH N.P.(2663) 280. SITATI T. N. (1886) 281. MS. SIRA S.R. (1773) 282. SUTHAR R. R. (3125) 283. SWANYA H.N. (1769) 284. TALAAM J.K. (2854) 285. J.S.(2865) 286. THIMANGU A (1749) 287. THUO K. (1227) 288. THITU J.M. (1621) 289. TIROP A.K. (3225) 290. TOO K.K. (3140) 291. TOROITICH K.K. (2875) 292. VIRDEE S. (2122) 293. WACKER R. (3251) 294. WACHIRA J.W. (1928) 295. WAFULA A.M.(2656) 296. WAMBUA P.K. (2897) 297. WAMBUGU K.M.(2513) 298. WANJALA W.J. (2867) 299. WANYONYI F. (998) 300. WANYONYI G.S.(2452) 301. WATOLA C.A.(2378) 302. WARIITHI P.M. (1970) 303. WAWERU R.K.(2301) 304. WAWERU N. (3121) 305. WEKE S.O.(2678) 306. WEKESA D.S. (2435) 307. WERE E.O. (3149) 308. WALIJEE W.S.(3286) 309. WILLIAM K.K. (2431) 310. WOGOH D.K. (3151) TECHNICIANS 1. 2. 3. 4. 5. 6. 7. 8. 9. 10. 11. 12. 13. 14. 15. 16. 17. 18. 19. 20. 21. 22. 23. 24. 25. 26. 27. 28. 29.
ABUBAKAR A.W. (3197) ASHINDU L. (3099) BIKERI R.N. (2651) BOLO D.O.(2311) CHHANIYARA B.V.D. (2914) GILL J.S. (843) KABEU J.N. (3252) KABETHI J.N (3253) KADIMA M.W. (2377) P.O. BOX 17160-00100 KAGIINA J.K.(2393) KAMUNGE M.W.(2687) KARIMI A.M. (3233) KIBUCHI D.L. (2814) KINGOO C.W.(2467) KINYANJUI M (2309) KINYUA J.W. (2908) KIPKOECH D.L. (3235) KIPKOROSS S. K. (2188) KUOGOH G.N.(2688) LIMO LEONARD (2721) MAINA P.L.M. (3227) MANYASI C.W. (3234) MBURU M.K. (2203) MOKAYA G.O.(2524) MUCHUNU A.M. (2813) MUKOLWE M.A.(3204) MUNYORI S.N. (2740) MURUU A.M. (3120)
30. 31. 32. 33. 34. 35. 36. 37. 38. 39. 40. 41. 42. 43. 44. 45. 46. 47.
MUTAI N.K.(2810) MUTITU K.M. (2402) MWANGI M.K. (2779) MWANGI S.K. (2909) MWONGERA C.K.(2812) MWAURA J.G. (2821) NAWALE A.B.O. (2848) NJOROGE A.M. (3214) NJOROGE P.M. (3094) NGUNJIRI S.M. (2129) OGUTU C.Y.N. (2729) OKEYO J.P. (2110) OMINDE W.E. (151) ONG’ONDO B.O. (2753) OSUMBA W.O. (2746) RACHUONYO V.O (2340) SERSER E.K.(2808) SIAMA P.V. (2187)
RESIDENT STUDENT ARCHITECTS 1. 2. 3. 4. 5. 6. 7. 8. 9. 10. 11. 12. 13. 14. 15. 16. 17. 18. 19. 20. 21. 22. 23. 24. 25. 26. 27. 28. 29. 30. 31. 32. 33. 34. 35. 36. 37. 38. 39. 40. 41. 42.
ASUZAH D.M.(3187) GICHUYIA L.N.(2912) GITHINJI S.M. (2105) IMRAN W.S. (2778) KADERNANI M.L. (3061) KAHIGA M.M.(3116) KARANJA K. (2049) KARIUKI A.M. (2186) KARIUKI C.W. (3236) KIBUCHI J.M. (2728) KIMANI B.G. (2104) KIMANI K.M. (2911) KIPRONO L.K. (2639) KIPROTICH C.J.M.K. (2767) KOTENG P.O.G. (3100) KYALO S.M.(2786) MACHARIA I.W.(2522) MACHARIA W.M. (2333) MBURU K.A (2186) MBUTHIA P.W(3189) MOMBO D.K.(2634) MUDOME T.V. (2323) MUGO L.W (2185) MUNDIA J.M. (3209) MUNGA M.G. (2773) MUNYAO V.M. (3180) MUTHOGA C.K. (2783) MUTUNGA D.W. (3181) NDALILA S.E.(2785) NJUGUNA M.K. (3115) NYONGESA E.S.(3172) OBALA M.C. (3171) OGOT S.O. (2523) OJWANG K.G. (1142) OKITE A.O.(2594) OMEDO R.G. (2782) OMBISA C.A. (MS) (2006) ONYANGO M.O. (1630) RUTTO N.K. (1394) SEFHEDI GAOTINGWE(2775) SHAH H.N. (1740) WALEMBA E.M. (2776)
ARCHITECTURAL ASSOCIATION OF KENYA YEAR PLANNER 2014 Incorporating Architects, Quantity Surveyors, Town Planners, Engineers, Lanscape Architects, Construction Project managers and Environmental Design Consultants
January 2014 6 14
AAK office opening Engineers Chapter Council Q.S. Chapter Meeting
15
EPC Chapter Council
15
Q.S. Chapter Council T/Planners Council Meeting L/Arch. Council Meeting
16
Mombasa Branch Council Mtg. CPM Chapter Council
22
Architects Chapter Council
24
Q.S. Chapter CPD Seminar
28
Executive Committee Meeting Governing Council Meeting
February 2014
April 2014 4
AAK Msa - Dinner Event
8
Engineers Chapter Council QS Chapter Council
16
L/Architects Chapter Council T/Planners Chapter Council EDC Chapter Council
17
CPM Chapter Council AAK Msa - Branch Council Meeting
23
Architects Chapter Council
25
Architects Chapter Golf Tournament
18
CPM Chapter Council
24
Architects Chapter Council
25
Architects Chapter Golf Tournament
4
AAK Msa - AGM
29
11
Engineers Chapter AGM QS Chapter Council
May 2014
13
AAK Msa - Branch Council meeting
14
QS Chapter Pink Dinner Quantity Surveyors Chapter AGM
15
Landscape Archiects Chapter AGM
17
Engineers Chapter - Breakfast
19
Architects Chapter AGM T/Planners Chapter Council L/Architects Chapter Council Architects Chapter Council Town Planners Chapter AGM EDC Chapter Council
25
Executive Committee Meeting Governing Council Meeting
March 2014 4
College of Fellows Meeting
11
Engineers Chapter Council QS Chapter Council
13
AAK Msa - Branch Council Meeting
19
Architects Chapter Council L/Architects Chapter Council T/Planners Chapter Council EDC Chapter Council
20
CPM Chapter Council
21
QS Chapter Golf Tournament
25
Executive Committee Meeting Governing Council Meeting
28
AAK Annual General Meeting AAK Gala DinnerExcellence in Architecture Awards
Executive Committee Meeting Governing Council Meeting
12
Engineers Chapter - Breakfast
13
Engineers Chapter Council Engineers Chapter Council
15
CPM Chapter Council AAK Msa - Branch Council Meeting
21
T/Planners Chapter Council EDC Chapter Council L/Arch. Chapter Council
27
Executive Committee Meeting Governing Council Meeting
31
AAK Newsletter
June 2014 10
Engineers Chapter Council Q.S. Chapter Council
12
EDC Chapter Council Engineers Chapter - Dinner
18
19
T/Planners Chapter Council EDC Chapter Council L/Architects Chapter Council Academic talk at Alliance Francaise/ National Musem of Kenya, 5.30pm
24
Executive Committee Meeting Governing Council Meeting
27
QS Chapter CPD Seminar
17
AAK Msa - Branch Council Meeting
23
Architects Chapter Council EAIA Council meeting and AGM
26 29
October 2014 3
AAK Msa - Dinner Event
6
World Habitat Day
EAIA AGM in Kigali , Rwanda
14
Executive Committee Meeting Governing Council Meeting
Engineers Chapter Council QS Chapter Council
15
L/Architects Chapter Council T/Planners Chapter Council EDC Chapter Council
August 2014 3
UIA 2014 International Student Competition, Durban UIA World Congress, Durban
16
CPM Chapter Council AAK Msa - Branch Council meeting
4
UIA 2014 International Student Competition, Durban UIA World Congress, Durban
22
Architects Chapter Council
24
Architects Chapter Seminar
5
UIA 2014 International Student Competition, Durban UIA World Congress, Durban
28
Executive Committee Meeting Governing Council Meeting
31
6
UIA 2014 International Student Competition, Durban UIA World Congress, Durban
Breakfast CPD at Intercontinental Hotel, 7.00 a.m.
29
Executive Committee Meeting Governing Council Meeting
31
Breakfast CPD at Intercontinental Hotel, 7.00 a.m.
7
UIA 2014 International Student Competition, Durban UIA World Congress, Durban
12
Engineers Chapter Council QS Chapter Council
13
Architects Chapter Council
14
CPM Chapter Council AAK Msa - Branch Council Meeting
20
T/Planners Chapter Council L/Architects Chapter Council EDC Chapter Council AAK Annual Convention
21
AAK Annual Convention
22
AAK Annual Convention
23
AAK Annual Convention
November 2014 8
Engineers Chapter - Breakfast World Town Planners Day
11
Engineers Chapter Council QS Chapter Council
13
AAK Msa - Branch Council Meeting
19
Architects Chapter Council T/Planners Chapter Council EDC Chapter Council L/Architects Chapter Council
20
CPM Chapter Council
21
QS Chapter Chairman’s Dinner AAK Msa - End of year dinner event
25
Executive Committee Meeting Governing Council Meeting
September 2014 2
College of Fellows Meeting
6
Top 15 Buildings’ In Kenya Publication
9
Engineers Chapter Council QS Chapter Council
17
T/Planners Chapter Council L/Architects Chapter Council EDC Chapter Council ‘The Architect’ Magazine, September issue
18
CPM Chapter Council AAK Msa - Branch Council Meeting
July 2014 8
Engineers Chapter Council QS Chapter Council
24
Architects Chapter Council
15
L/Architects Chapter Council
26
QS Chapter CPD Seminar
16
T/Planners Chapter Council EDC Chapter Council
30
Executive Committee Meeting Governing Council Meeting
December 2014 2
College of Fellows Meeting
4
AAK End of Year Dinner
6
CSR activity, 11.00 a.m.
11
AAK Msa - Branch Council meeting
19
AAK Office Closure