January - March 2013
THE
Issue No. 1
RCHITECT The official magazine of the Architects Chapter, Architectural Association of Kenya
INSIDE
SURELY, GOD IS IN AFRICA TOO! Guilty as charged How fireproofed are Nairobi highrises?
Construction claims The recourse
The journey to here: Profile of James Kimathi
Transdiciplinary turn Forces that will dictate design
Looking after your lawn: Matters landscape
Energy efficient buildings: 1 Cutting costs through design
The Architect, Issue 1, January-March 2013
Contents
EDITORIAL BOARD Editor-in-Chief Arch Caleb Mutali Contributors Arch F.G. Mungai Arch Emma Miloyo, Arch James Kimathi Arch Noel Okelo Arch Wilson Mugambi Symon A. Kwatsima Phyllis Wambugu Maina Kironji
4 Don Bosco Church: Worship in new forms of spaces
Design Creative Bridge
creative.bridge@ymail.com pewambu@yahoo.com
10 Fire in high rise buildings: Is Nairobi ready? The Architect is the official journal of the Architects Chapter of the Architectural Association of Kenya. It is published quarterly and acts as the mouth-piece of the Kenyan architects. Its well researched content keeps practitioners in the building industry up to date with current trends in the field.
14 Transdiciplinary architecture
22 Project finance
18 Looking after your lawn
The Editor invites contributions in form of articles, letters, opinions and suggestions. It is the Editor’s discretion to accept or reject any of the contributions. Such contributions may be edited for brevity and clarity. Contributions should be sent to: The Architect AAK - Architects Chapter The Professional Centre, Parliament Road P.O. Box 44258 - 00100 Nairobi Tel: +254 20 2224806 Fax: +254 20 2220582 Mobile: 0721 691 337 Email: aak@aak.or.ke
24 Arch James Kimathi
29 Energy efficiency in buildings
1
The Architect, Issue 1, January-March 2013
From the editor’s desk
When we set off in the relaunch of the new look Architect magazine, we had our cross-hairs trained on one target: not only to enlighten the practitioners of the built environment about the goings-on in the fraternity but also to ensure the novel production becomes that friendly ‘coffee-table’ magazine. We are almost there, but this is not quite done until we rope in others who do not have that design and construction background into the fold. In this issue, I decided to feature a little bit of this and a little bit of that to open up to other sectors. The flagship article on Shrine of Mary Help of Christians unfurls before our very eyes what the Don Bosco edifice in Upper Hill, Nairobi is all about. What it does is take what we know to be ordinary and mundane in Africa - the cylindrical hut and mould it into an artistic masterpiece. A close scrutiny of the photography shows an ambience that is only achievable when a master craftsman works closely with a spiritual advisor and mentor who is familiar with the divine subject. The location of this shrine on a hill further serves to flatter its magnificence. A new meaning is given to the phrase simple is complex, confirming God’s residence in Africa. In the previous issue we began to celebrate local practitioners who may not be much acknowledged in Kenya but whose fame is resounding abroad. You liked the article on Hitesh Mehta; this time we focus on James Kimathi of K&M Archplans. This unsung hero has works dotting the landscape both in Kenya and within the region and without doubt he has cut himself a veritable niche as the father of the African parliament design. I do not think that I have done full justice to thematically present this genre in this issue and I am minded to continue in the next. What is revealing however is how he entered into the practice and what the layering architecture on a trained public health official can do in the design of civic buildings. Another master who comes into this issue is F.G.Mungai of Aaki Consultants talking on how a good landscape can become that icing a building cake needs to sparkle. He writes a simple, idiot-proof article on how to set up and manicure your green. We then have contributions touching on a wide plethora of fields ranging from the ominous exposure of highrise buildings in Nairobi to fire to what to look out for when working with banks for your project financing. It is instructive that this latter article was contributed by a facilitator but nonpractitioner in the building sector, going a long way to show that The Architect is soon becoming a must-read for professionals from other disciplines as well. I hope you enjoy going through and I look forward to your feedback by way of return mail.
Arch. Caleb Mutali Editor
2
The Architect, Issue 1, January-March 2013
Message from Chairman Architects Chapter
It’s another year and another issue of “The Architect” to sample. The winds of change are blowing around the country and we at the AAK have not been left behind. After the elections in February and March, there is a change of guard at the helm of the AAK Architect’s Chapter. I would like to thank the outgoing team led by Architect Mumo Musembi for the great team effort and leadership provided, evidenced by many achievements not the least being the revival of this magazine. I would also like to congratulate the entire incoming AAK Architect’s Chapter Council and look forward to putting our profession incisively on the map in the next two years. I would also like to thank the chapter membership for giving us a chance to serve you, and trusting in my leadership as the first lady in the history of AAK to hold the position of “Chairman” of the Architect’s Chapter. I will not let your confidence in me down. Since the last issue in December there have been quite a number of activities including an East Africa Institute of Architects Council Meeting held in January in Arusha. It is worth noting that the EAIA will be celebrating its 100th year of existence this year. Celebrations will culminate in the annual AGM to be held in Dar-es-Salaam in July. We look forward to sending a large delegation to represent Kenya in marking this milestone. The Chapter also held its Annual Golf Tournament on 5th April 2013, which is now in its thirteenth year. It was an excellent tournament save for the rain, with a record number of participants and record sponsorship, we trust that this is indeed a good omen for the Chapter as whole as we turn a new leaf. We look forward to engaging with you at the varied number of events planned for the year. Enjoy your read.
Arch. Emma Miloyo Chairlady, AAK Architects Chapter emma.miloyo@designsource.co.ke
3
SURELY, GOD IS IN Don Bosco Church – Upper Hill Article by: Mtamu Joseph Photography: Michael Mathenge Photos copyright: Archdatum
4
ARCHITECT: Space and Systems ADVISOR TO THE CHURCH: Fr. Tony Fernandez PROJECT STATUS: Completed CAPACITY: 2000+ people LOCATION: Upper Hill, Nairobi, Kenya YEAR OF CONSTRUCTION: 1993
The Architect, Issue 1, January-March 2013
AFRICA TOO! Don Bosco Church is in Upper Hill near World Bank Offices but is properly known as Shrine of Mary Help of Christians. As a shrine dedicated to the faith, the Don Bosco Church, exudes glorious imagery and an aura of benevolence to the architectural eye. This church stands out, departing from the traditional Catholic Church iconism which in the Baroque and Gothic period was more solemn, orthogonal in layout and with cool colours that drive one into a state of immediate reflection. Modern but in full appreciation of the fact that it is located in Africa, Don Bosco proudly adopts a circular layout; stepped and naturally-lit with warm chromatic shades that remain true to its purpose.
5
OUTSTANDING PROJECTS
The Architect, Issue 1, January-March 2013
Form and Materiality The composition of circular forms can be admired with the additive rooftop of four cones fitted inside a circular cantilevered ring beam. On the ground, they manifest into concentric cylinders that overlap to form the main church cavity. Each cone is crowned with a sunroof except for the middle one, which is the largest of the roofs and carries a life-like devotional sculpture of the Holy Virgin. The resultant interior space forms neatly curved steps that have sweeping and uninterrupted views of the altar below. Externally, the building lies on a cream terrazzo base, raised up to 1.2 m at the front entrance. Random cut Nairobi stone exposed at full key constitute the curved walls, interspersed with cream plaster finishes along window openings. The circular ring beam spans 6 m out with 500mm thick reinforced concrete beams for support, green stucco render on its outer face and geometric tile patterns decorating its edges. Honesty and purity of material was highly emphasized. The materials in the interior of the church scale down the high volumes within to a human scale without compromising on its ethereal feel. The interior is finished in beige unpolished ceramic tiles, with the altar steps lined in cream terrazzo and beige tiles at the top. Wooden tongue and grove strip panels
6
OUTSTANDING PROJECTS
The Architect, Issue 1, January-March 2013
in. Depending with the time of day, the light play lifts the spirit of the space and creates a more spiritual experience. In this light, you know you are a celestial being travelling through time. Acoustically, the building performs without the aid of advanced technology. It is recorded in the Bible that Joshua stood on a hill and addressed the nation of Israel. If this was possible in those days when giant speaker systems did not exist, then good design in our day should allow a preacher be heard by a congregation of five thousand with a public address system. It is here that Fr. Tony Fernandez does not disappoint. The altar is situated away from the focal point and the architect had the walls deflect the sound to different directions or be absorbed by the wooden panels on them. Together with the sound-arbsorbent acoustic ceiling tiles, the church ensures clarity of sound. Its universal design approach provides ramps for access by the physically challenged. It also responds well to the slope of the site. The site supports other related facilities such as a shrine, Sunday school crypt, offices and public amenities at the lower regions and a youth hall and priest Provincial House at either side of the church. The architecture of the spaces align black anthromorphic stone figures depicting la via dolorosa, the Way of the
created seems to respond to the site
Cross. The roof soffit is lined with white acoustic tiles and light fixtures remain
by understanding it and by enhanc-
visible.
ing on its character with shade trees and soft landscaping. In addition,
Sustainable features
the church caters for 300 parking slots within its inner car park for mo-
The church maintains the stained glass windows seen in most churches but in-
torists in the congregation.
cludes roof lights between the staggered conical roofs to allow natural diffused light
7
OUTSTANDING PROJECTS
The Architect, Issue 1, January-March 2013
Social response The church is an example of a higher meeting point of art and architecture. At the aesthetic level, it stands out as a piece of art with keen detail put in the scale and proportions of beautiful murals and wooden niche carvings. It satisfies its users visually but beyond the veil of perception it is functionally sound with the capacity to comfortably seat 2000 people. Boasting of a vibrant youth culture, the church created extensions such the youth hall with an in-built theatre seating 500 people and two basketball courts that are used for parking during Mass. This is also shared with the neighbouring communities for recreational sports and inter-parish activities. Yes, it is contemporary to on-lookers but the congregation and those who have stepped into the church know better. Don Bosco has the transcendental qualities of a traditional church with a hint of glamour if not prestige. The architecture venerates the altar and allows sunlight to emulate the presence of God. The church does not just show understanding of context but merges it with functional aesthetics. It challenges the role of a church and comes up with a jewel that stands for 21st Century architecture as well as the unmistaken spirit of the time-tested church.
8
The Architect, Issue 1, January-March 2013
Guilty as Charged Why the failure to fireproof high-rise buildings in the Nairobi Metropolis is inviting hell on earth By Maina Kironji As we struggle with heightened demands for housing, esca-
On the global picture, leading organisations and institutions
lating land prices and waning economic fortunes, fire protection
on fire protection in high-rise buildings have concluded numer-
though important, is shunted to the periphery in Kenya and more
ous studies on fire safety, but still fire safety remain intrinsically
so in Nairobi Metropolis. This is so because fires rarely occur,
challenging to us. On the global picture, leading the pack is the
and if they do, they are attributed to the ‘others’ syndrome - bad
National Fire Protection Agency (NFPA), the Council of Tall
fate. The scenario in the Nairobi Metropolis is that more empha-
Buildings and Urban Habitats (CTBUH), the Underwriters Labo-
sis is put on economic gains when putting up a high-rise build-
ratories (UL), the International Association of Fire Protection Sci-
ing than life safety of the end-users namely the occupants. The
ence among others. They specifically research and promote good
key element that is normally foregone is the net let-able space
fire safety practices in different occupancies. In Kenya, hardly
in disregard of fire protection system such as extra fire escape
any institution has interest in fire protection studies.
routes, fire lift, fire-fighting lobbies, and sufficient escape light-
Fathom the fact that increased building heights, increased
ing, appropriate signage or adequate fire extinguishers among
fuel load, user-change from initial design, new complex fuel com-
others. The management of heating, ventilation and air-condi-
pounds and sheer incapacity and lack of coordination by both
tioning (HVACs) ducts and servicing of fire protection systems
the authorities and building owners to manage fire safety effec-
is seldom undertaken. Any extra cost is deemed an infringement
tively remain an insurmountable challenge to the professionals
on the profits of the building owner.
in building and construction spheres. Going by my background
10
FIRE SAFETY
The Architect, Issue 1, January-March 2013
in fire protection systems management sur-
of fire equipment at disposal with
Lack of redundancy and duplica-
vey, few if any of the high-rise buildings in
the fire department to be as follows:
tion of fire protection systems
the Nairobi Metropolis is well prepared in
two fire engines, two water tenders,
fire protection. Lapse, sheer negligence or
two turn-table ladders, two rescue
It is normally expected that high-rise
apathy on fire protection management char-
vans, one emergency tender and
buildings are installed with more than one
acterizes our commercial high-rise build-
one hydraulic platform. This number
fire protection systems to achieve better re-
ings.
of items for a city with more than 4
sults. It is also supposed that these instal-
One institution charged with maintain-
million people is laughable. It con-
lations are placed on all occupiable floors
ing fire safety in the Nairobi Metropolis is
stitutes less than 10% of what they
throughout the entire building. Some build-
the Nairobi Fire Brigade whose main obliga-
ought to have!
ings do not have repeated installations of fire fighting equipment on all the floors. This
tion is fire fighting; the development control department of the City Council of Nairobi is equally charged with policing the compliance of building owners with minimum fire safety installations and inspections and issuance of fire clearance certificate. The Di-
Intrinsic Fire Protection Challenges in commercial high-rise buildings in the Nairobi Metropolis
is partly attributed to the high cost of fire equipment or an uncoordinated fire safety management due to the floor occupants’ fire safety priorities. Consideration for vertical evacua-
rectorate of Occupational Safety and Health
tion/escape and phased evacuation
Services (DOSHS) is mandated through
A study carried out by the author
the Factories and Other Places of Work
of this article with the aim of identi-
(Fire Risk Reduction) Rules, 2007 to in-
fying fire safety challenges in com-
As noted in all the buildings examined,
spect buildings on compliance to fire safety
mercial high-rise buildings in the
there is hardly any arrangement for vertical
standards with keen focus on flammable
Metropolis showed that a fire disas-
evacuation of building occupants in case of
materials, fire safety policy and fire safety
ter is a time-bomb readying itself for
fire. All the signage i.e. FIRE EXIT signs
training to workers. The fire rules requires
explosion in more than two thirds of
indicate that anyone in danger of fire should
that the occupier or building owner annu-
the buildings that were involved in
move downwards. This is becomes a poten-
ally conduct a fire safety audit and conduct
the study (a sample of 20 high-rise
tial death-trap in cases where fire may be in
fire drills at certain periods. There are also
buildings was used).
lower ground.
the buildings codes or the national build-
Commercial high-rise buildings
ings regulations which are seldom adhered
in the metropolis are laced with the
to. There is no effective and efficient body
following inherent fire protection
to oversee the enforcement of the laws and
challenges. The fire risks resulting
Voice communication is very vital in
regulations.
from structural height of a building
high-rise buildings for control of human
include:
traffic movement into the fire escape stairs.
Technical helplessness as witnessed during the Nakumatt Kimathi Street fire
Voice communication system
In many cases people die not because of fire
episode will continue gnawing at us days
Inaccessibility by fire engines
burns but because of a stampede that en-
on end. According to NFPA, a high-rise is a
(equipment) due to height factor
sues after fire outbreak. Ideally a voice com-
building with more than 7 storeys or 23 me-
munication mechanism can be used to initi-
ters measured from the building sidewalk to
Technically fire engines are in-
ate a phased evacuation in order to inform
the highest occupiable floor. The Nakumatt
capable of effectively pumping wa-
those who are not in danger not to leave
scene demonstrated that the Nairobi fire
ter beyond the 6th floor of a high-rise
their rooms thus reducing overcrowding
brigade is both ill-prepared and has no ca-
building. Therefore extra arrange-
in the escape corridors and stairs. A voice
pacity to extinguish fires in high-rise build-
ment is needed fighting fire in the
communication system can also be used for
ings. A survey conducted shows the tally
upper floors beyond the reach of a
coordination in fire fighting by fire marshals
fire engine.
before arrival of the fire brigade.
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FIRE SAFETY
Provision of Fire lifts and fire fighting lobbies
The Architect, Issue 1, January-March 2013
Fire safety signage and notices
tions such as fire doors, HVACs insulations
All buildings are supposed to be
and exposure of live wires. Without proper
installed with correct fire safety sig-
supervised workmanship and certification
Another key element not usually con-
nage and notices. However, build-
by competent authorities, these changes
sidered in the design for safety in high-
ings in the Metropolis are hardly
can dearly compromise fire safety and en-
rise buildings is the provision of a fire lift.
installed with correct signs while
trap users in a fire hell.
A fire lift is critical in evacuation of injured
others have them installed in wrong
persons, the disabled and serves as a safe
positions which can lead to death-
entrance for fire protection personnel into
traps. Fire signage is supposed to
the building. My survey showed that none
be luminous or reflective during the
of the buildings in the city had a lift specifi-
dark; unfortunately most of the signs
There is a major shift in building man-
cally dedicated for that purpose. Fire fight-
are only useable during the day.
agement in the City. Many building owners
ing lobbies are fire lift landings normally
A power backup is supposed to be
are delegating the responsibility of build-
protected from smoke and fire from where
provided for emergency signs in the
ing to property management companies
the fire personnel can launch the fire fight-
common corridors in the building.
or firms. The competence and diligence of
Poor building management with respect to fire
the property manager is critical in the de-
ing. The lobbies can also be used as a fire refuge by disabled persons before they are
Changes from the initial user
termination of the level of fire safety in such
rescued.
and design
buildings. Most of the firms are only keen on collection of rent without giving due at-
Fire escape route
Lately, the ‘exhibition stalls rush’
tention to fire safety. The allocation of mon-
mentality has overwhelmed many
ies to safeguard the lives and property is
Many of the buildings in the metropo-
buildings in the Metropolis due to a
skewed and only favours other elements in
lis have none or poorly designed fire es-
quick case syndrome without instal-
the building.
cape routes, others have spiral staircases
lations of commensurate fire safety
which are not considered appropriate for fire
installations in such buildings. The
emergency. They also lack elements such
shift from one use to another in many
as rails, balustrade, are poorly illuminated
cases increases fire load and human
or are too steep or slippery. Others have a
traffic. The change in design may
Almost 98% of the buildings in the Nai-
compromised width such that they cannot
compromise the structural integrity
robi Metropolis do not comply with fire laws
efficiently serve the building population in
of the buildings and in some cases
and rules. The fire rules as provided under
case of emergency.
interferes with major fire installa-
the Factory and Other Places of Work Act
Compliance to Fire Risk Reduction Rules, 2007
Cap 514 (now superceded by the Occupa-
Nakumatt Downtown fire
tional Safety and Health Act, 2007) are not adhered to by most buildings in the City. According to this study it was found that: • 80% of the buildings have never conducted a fire safety audit or fire risk assessment as required under rule No 36 • 90% have no fire safety policy as required under rule No 34 • 50% have no fire detection and alarm systems as required under rule 28 and 35 respectively. • 60% have no adequate fire exit route as per rule 17
12
FIRE SAFETY
• 80% have no fire teams as per rule 20 • 50% have no adequate water fire purpose as per rule 33 • 70% have inadequate fire safety notices as per 27 • 90% have no designated fire assembly point as per rule 24
The Architect, Issue 1, January-March 2013
About the Author: Maina Kironji is the Managing Director of Heartland Environment and Safety Consultants (HESCo) and Phoenix Safety Equipment and Clothing. He holds a MSc in Occupational Safety and Health from the Institute of Energy and Environmental Technology JKUAT, Bachelor of Environmental Planning and Management - School of environmental studies from Kenyatta University. He is an environmental Impact Assessment and Auditing Lead Expert (NEMA) with key areas of professional interest in Sound (Environmental and Occupational Noise Modelling) and Vibration and Fire Safety.
• 80% do not conduct electrical equipment and attachments inspection as per rule No. 16 • 90% have never had fire safety training as required by rule No 21
A - Z K I T C H E N S O L U T I O N S AT Y O U R DOOR STEP IN AFRICA
• 90% do not conduct fire drills as per rule No 23 • 90% have no first aid kit in case of emergency It is equally alarming that almost 96% of the high-rise buildings in the Nairobi metropolis are not registered as a workplace by the Directorate of Occupational Safety and Health Services (DOSHS) as provided in Part V section 44 of the OSHA, 2007 Other equally important challenges facing high-rise buildings in the Nairobi Metropolis include: •
Lack of facilities for disabled people to evacuate from the
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OPINION
The Architect, Issue 1, January-March 2013
ARCHITECTURE, SOCIETY AND THE TRANSDISCIPLINARY TURN By Noel Okello, B.Arch, M. Urban Design(JKUAT), MAAK (Corporate), Reg. Architect
The practice of architecture in Kenya today remains largely unchanged in its broader outlook on the state of architecture and society. Of particular concern are the ongoing social, economic and political shifts that seem to slip the grasp the profession previously enjoyed causing it to lag behind when practiced and instructed as is done today. The opportunity costs as a result of this inertia and a failure to comprehend and adapt to these shifts are compelling. These shifts and their implications are: rate headquarters in suburbs will take a backdrop to informal schools, Socio-political shifts: The new
informal markets, unassuming community libraries and multipurpose
Constitution of Kenya with its de-
social halls. The traditional master-plan, which has so far had less
volved system of government has
than modest success in the development of Kenyan cities and towns,
transferred political and economic
will have to be rethought as communities demand projects that are
structures from the centre to the pe-
feasible, practical and incremental rather than merely Eurocentric,
riphery of government. This means
radical and large. The aesthetics of urban areas will not be deter-
that counties, hitherto depending
mined and handed down from some larger-than-life public agency but
on the centre for planning, design
will be profoundly collaborative and simultaneously multi-scalar in its
and development, will gradually be
specific interventions. Urban aesthetics will transgress the boundar-
autonomous and contextually local-
ies traditionally set by architecture and planning (buildings and open
ized in determining their direction of
space) into product design, display and signage. The era of architec-
advancement. Increasingly, even the
tural dreamscapes designed for social seclusion and out of the reach
processes and products of architec-
of ordinary citizens will lose its appeal. Community living will be the
ture will have to shift from the glitzy
new Canaan.
capitals to peripheral communities. And this is not simply just a matter
Economic shifts: Traditionally, architectural practice has focused
resolved by dispatching architects
on capturing and retaining corporate or government clients who have
to county stations. It is a matter of
the financial muscle to build large projects and, ineluctably, deposit
realistically affecting community
substantial professional fees in firms’ coffers. But this traditional ap-
development with the help of heu-
proach is not attuned to the current shifts in liquidity. Finances are no
ristic programmes. The demand for
longer the preserve of supranational corporations and the elite of soci-
community projects is likely to rise.
ety. If anything, the tremendous oversubscriptions of IPOs of the last
In this scenario architecture focused
ten years in Kenya have shown that the money is with the plebs. This
on the production of pristine corpo-
is money that runs into billions. Large commercial banks, after hav-
14
OPINION
The Architect, Issue 1, January-March 2013
ing frowned at low-income depositors in the 1970s, 1980s and 1990s, are now
tion. Trends defined by mobilities in-
opening branches in informal settlements. This is an acknowledgement of the
crease the range of forces that affect
shift in the flow of capital. Architectural practice, as it is today in Kenya, is in
project sites. They also introduce
many ways still stuck in the“big client” nostalgia of the 1970s, 1980s and early
more nuances regarding stakehold-
1990s. There has been very little in the way of adapting architectural practice
ers to design- from the traditional
to the shifts in economic power. Such shifts would require a change in cur-
client to public places characterized
rent business models. Contacts would not only have to be made in golf clubs,
by flux, countercultures, sensory ex-
cooperatives and churches, but also in active participation within heteroge-
periences, semiotics and incidental
neous communities with diverse affiliations. Long hours at the office have to
happenings. This is particularly true
be tempered with genuine service to and negotiations with common people.
for Africa’s urban areas where it has been determined by research that
Technological shifts: The advent of Building Information Modeling (BIM)
up to 75% of services are produced
has made it possible for professionals in different fields to work on projects
and delivered informally. The focus
collaboratively regardless of constraints of physical distance. The biggest
in architectural practice and train-
achievement of BIM is that information is passed between members of the de-
ing has been to attempt to retrofit
sign and/or planning teams in real-time so that projects are achieved more ef-
other professions into architecture
ficiently with regard to time and costs. But this is not the only trend in technol-
rather than tailoring architecture to
ogy affecting architecture and the built environment. Mapping of urban areas
collaborate with or suit other profes-
is now possible with mobile apps such as NarraHand, and diverse social me-
sions. This inadvertently manifests
dia. Increasingly, urban residents are able to narrate their own tales in cities
as a power struggle between pro-
and towns and share these spatially situated stories with others. In cities and
fessions of the built environment. In
towns, it is not only physically fixed infrastructure that determines the quali-
this conundrum, architectural prac-
ties of space, but daily events that vary unpredictably between different loca-
tice is unresponsive to the changing forces on project sites. Design progressively loses touch with the site as projects proceed. According to Fast Company’s annual listing, the world’s 9th most innovative company of 2013 is Safaricom. The strength of Safaricom in innovation has been its socially crosscutting solutions to quotidian problems. Safaricom’s solutions are consistently simple, affordable and practical.
Architectural
practice
could learn from Safaricom’s disruptive innovations that have transformed traditional services from banking to agriculture. With regard to design per se, architectural practice is presented the chance to develop more accurate tools that refine our understanding of spatiality and how the permanent interacts with the transient to generate place.
15
OPINION
The Architect, Issue 1, January-March 2013
Transdisciplinary shifts: With
gain social dexterities fundamental
the realization that man’s destiny is
to honest negotiation with commu-
intricately linked to the global envi-
nities and stakeholders. Given the
ronment, shifts have occurred in the
unique skills required in diverse
scope of design interventions. The
projects professional teams may in-
boundaries of design are no longer
clude sociologists, anthropologists,
determined by continuous profes-
urban geographers, public health
sional development alone; design
officers, artists and so forth. Increas-
increasingly transgresses disciplin-
ingly in practice, the structure of
ary, interdisciplinary and multi-
the relationship between these pro-
disciplinary boundaries becoming
fessions rather than being strictly
blurred into a domain that can only
hierarchical is transient and heter-
porate) no. 2934. He is currently a
be referred to as transdisciplinar-
archical. The retinue of professions
PhD researcher at the Institute of
ity. Such boundaries are determined
associated with architecture may
Urbanism and Landscape of the
more or less by market forces and the
still be unfolding but the direction to
Oslo School of Architecture and
complex constitution of stakeholders
the future of practice is clear.
Design (AHO).
About the author
Noel Okello is a registered architect and member of the AAK (Cor-
for particular projects than by rigid professional regulations. Traditional architectural design with its emphasis on form and functionality are no longer sufficient to respond to the demands of contemporary space. In contemporary space, human sensibilities take greater priority and the environment is perceived as a source of constant feedback to design performance. Sustainable design, Human Computer Interaction (HCI), lighting design, sound design and engineering, fluid mechanics and tectonics are fields that are gaining momentum in architectural practice globally. These fields conflate the production of architecture that transcends traditional boundaries. But in all cases, when resultant design is compared to that of traditional architecture, the results are remarkably superior. In this transdisciplinary congruence, public participation is becoming critical as citizens question the relevance and value of public projects. It is incumbent on architects to
PEKAR ROOFING COMPANY LTD P.o.Box 103112 - 00101 Tel: 020- 8098433, Cell: +254723 212198 / 722 591916 Shirika Housing Cooperative Building, Grd Floor Kipande / Ngara Road Junction Website: www.pekarroofing.com
PEKAR roofing is the core distributors of the DS- Tiles
16
The Architect, Issue 1, January-March 2013
LOOKING AFTER YOUR LAWN good but how they are maintained and looked after. When Thika Superhighway Architect Gitau Mungai
was finished and a budget for landscaping was part of the budget, it was assumed
Chairman, AAK Board of Trustees
that we have finally come of age as far as landscaping is concerned. Plants and grass, we planted, but Alas! no one to maintain them. Whether you are talking
Landscaping and design of gardens is what make ambient cities
about a domestic garden or lawns on the highways they must be well maintained. Now, what does it take to have a well-manicured lawn?
tick. The cities beautiful movement
A well maintained lawn can be very pleasing to the eyes and may even lead
of early part of the last century knew
to you becoming the envy of all your neighbours. As beautiful as such a lawn or
this and focused on gardens and so
garden may be, it does not come naturally. No majestic garden grows from the
did the aristocratic gardens of the
ground to be a source of amazement without help from some caregiver. Though rest
mediaeval cities. If Nairobi can focus
assured, you do not have to have expensive exotic flowers suspended in mid-air for
on landscaping and maintaining, it
the garden to look beautiful. All you need is well maintained grass, which can be
is the first step forward to cleaning
easy if done well.
it. It would not only make our cities
Mowing is a key factor that contributes to the wellbeing of a lawn. This can be
look good but it would also generate
what makes or breaks it. A rule to always keep in mind is to always cut a third or
jobs for those who would be main-
less of the grass blade to give the optimum height for any kind of grass. If you mow
taining it. It is not just well designed
your lawn too short it will cause the grass to go into shock. Root growth slows, the
gardens that make cities appear
grass becomes less vigorous and more subjected to stress. It then takes on a yel-
18
LANDSCAPING
The Architect, Issue 1, March 2012
lowish brown appearance. We all admire and aspire to have our lawns look like a golf course, but that is a special type of grass. To get a beautiful lawn, cut it the right way. When it comes to watering your lawn, it is advisable that this be done on a regular basis, preferably weekly. While watering it is important to make sure the water slowly reaches deep into the soil to reach the roots. This maintains the green colour and activates growth. It is also important to note that the water requirements for a given lawn may vary depending on the •
type of soil: sandy, loamy or clayey,
•
climate of the area: rain and temperatures,
•
topography
•
grass species
To save on water, water the grass early in the morning. Watering at midday can waste water through evaporation. Another thing to consider is aerating. Over time, the soil beneath your grass can become very compacted. Even the weekly chore of mowing your lawn can cause soil compaction. Compacted soil results in problems with air circulation, water drainage and nutrient absorption. Additionally, beneficial soil organisms such as earth worms
ing simple handheld aerating
cannot establish in hard, compacted
tool. Aerating the soil means
Another tip is to nourishing your lawn.
soil. When aerating, mow the lawn
there is less run-off and land
The easiest way to do this is to leave the
first then make an even distribu-
does not get that waterlogged
clippings you mowed on the grass. Those
tion of holes on the lawns soil us-
because, by opening the soil
clippings decompose faster than you think.
structure, surface drainage is improved.
They start to decompose almost as soon as they hit the ground. They provide a substantial amount of nitrogen which keeps the grass green and growing. However, if you just cannot stand the sight of grass clippings on your yard, another option is to compost them. Invest in a simple compost bin and use the compost in your lawn and garden. By following this simple rule and establishing a system of maintenance unique to your specifications and circumstances your lawn will flourish and your compound will become beautiful.
19
LEGAL MATTERS
The Architect, Issue 1, February 2012
MANAGEMENT OF CONSTRUCTION CLAIMS UNDER THE FIDIC FORM OF CONTRACT (1999) In
construction,
the
Management of claim
term
“claims” is used to describe the demands by the contractor and, to a
A cause of action is the legal
lesser extent, by the employer that he
ground or claim with which a party
is not receiving his proper monetary
can file a law suit to find remedy or
entitlement. A claim is a believe sub-
satisfaction of his claim. In other
ject to further assessment requiring
and unless revised by the Dispute
words there must be legal relation-
certain amount of evidence and par-
Adjudication
(sub-clause
ship between the appellant and the
ticulars so that it may become such
3.5 FIDIC). FIDIC mainly the North
defendant creating a cause of ac-
enforceable right. On the other hand
America form of Contract stands
tion, which implies the right to bring
as per FIDIC Contract, a claim sub-
for “Fédération Internationale Des
a legal action. Managing to meet the
sist even if it had been rejected by
Ingénieurs-Conseils”, French for the
elements of any cause of action is
the engineer because any engineers
International Federation of Consult-
critical under a FIDIC Contract.
determination is only binding until
ing Engineers.
20
Board
LEGAL MATTERS
The Architect, Issue 1, February 2012
FIDIC claim management means to ascertain all
to keep records. All of the three of them interpret the Con-
claims clauses throughout the contract, to establish
tract and consider against the factual background whether
a narrow check and evaluation system which enables
any party is entitled to something. A party who learns too
the contractor to become aware of any relevant event
late that the record keeping is critical will have to suffer
or circumstance which might give rise to an entitle-
because of its own wrong. Things would have been much
ment under the contract. Also he shall then keep re-
easier and disputes could have been avoided if the parties
cords of all elements of any indented claim. Any infor-
to the contract were aware of this. Once again a FIDIC Con-
mation or data, whether constituting a mere fact or an
tract shall ensure that the Engineer may make determina-
act under the contract (instructions or variation) shall
tion going along with the strong likelihood that it will not
be entitled to any extension of time for completion or
become challenged because the Engineer was in fact able
additional payment he shall give a notice to the en-
to consider all relevant event and circumsrances. Though
gineer describing the event or circumstance in suf-
the parties may execute their contract based on mere as-
ficient detail. Record keeping and evidence collecting
sumptions, the Engineer shall not make any determination
should be a part of daily work. Programming is also a
based thereon. Actually he has no authority to do so (sub-
valuable means of claim management because a de-
clause 3.5).
tailed programme as per sub-clause 8.3 enables the
engineer to promptly determine any additional work-
Symon A. Kwatsima
manship, work, equipment, etc. compared to what
kwatsimaltd@yahoo.com
had been planned for the execution of the works. The engineer who tacitly accepts programmes which are insufficiently detailed will not be able to make such an assessment. A contractor failing to submit a detailed programme is not only in breach of Contract but also prevents himself from showing evidence for its assumed entitlements. Hence, proper programming creates a valuable win-win situation. Claim management also means to keep contemporary records of all relevant events or circumstances and in particular of all elements of the legal theory of the relevant cause of action (the claims clause). A contractor who is not aware of all elements of the relevant legal theory will not keep proper and complete contemporary records. By ignoring the contract wording he will prevent himself from recovering any additional payment or extension of Time for completion. As contemporary records shall be kept when the event or circumstance happens they cannot be produced later when lack of records become relevant or apparent. It can be summarised that failure to proceed in accordance with the contract avoids claims for good reasons. Neither the Contractor nor Employer should blame the Engineer, Dispute Adjudication Boards or arbitral panel for its own any failure to proceed in accordance with the contract, in particular for failure
21
PROJECT FINANCE
The Architect, Issue 1, January-March 2013
PROJECT FINANCE
How to survive it without losing your hair “Y-Yes!” you shout, as you thump the boardroom table in a triumphant cheer. The project finance that you had struggled to put together has not only been approved, but the disbursement of the first tranche is about to take place. No wonder you are so excited. But is it the right time to exhale, to relax and take things easy? The answer is a definite: “NO.” Here are 3 things you can do, starting today, to make the postdrawdown process not only bearable, but – believe it or not – enjoyable. 1. Become an effective liaison officer The fact is that the amorphous institution known as “the Bank” does not handle your matter, but rather, it is the people who work in the Bank that do. This means is that you ought to become keen about “who” is handling your paperwork. To understand the documentation handling process, refer to the diagram above. Your paperwork starts at the front end (client service and credit appraisal) where you would be offered the list of requirements and assisted to ensure completeness of your loan application pack. Initial credit appraisal is also conducted to ensure viability of the project. The
22
next stop is the credit committee,
•
where further review is conducted.
queries, any of the officials may
If more information is required, the documents will be sent back to the
Remain available to answer any have.
•
Remain
an
active
account.
front end. Where credit approval is
Don’t just sit and send emails
granted, the documents are then
hoping for some action.
forwarded to the credit documenta-
up the phone, make those calls,
tion team to commence the secu-
have those face-to-face meet-
rity perfection process. This team
ings, issue progress reports, cir-
liaises with the Bank’s advocates
culate the reports amongst the
to prepare and register the security
full internal team in the lending
documents (for example, the charge
organisation. Be visible.
Pick
document, guarantees and so on). Once securities are in place – in-
If you think of this as a marriage,
cluding appropriate insurance cov-
what you want to do is aim for sev-
ers and all pre-drawdown conditions
eral touches a month, not just on the
- the documents are then forwarded
“wedding day”, also known as, dis-
back to the front end and your loan is
bursement day.
disbursed. Victory! 2. Know your numbers What to do: •
Brush up on your people skills.
•
Become a giver of up-to-date,
worth repeating: Banks do not lend
relevant and complete informa-
you their money. They lend you oth-
tion.
er people’s money; depositor’s funds.
We have said it before, but it is
This is perhaps why they are unfairly
PROJECT FINANCE The Architect, Issue 1, January-March 2013
What to do: •
For new project finance, align your documents to new Land Act (2012).
•
Ensure you understand the Bank’s procedures should you fall into arrears. What kind of reminders would they give you? Would your account be moved to a different department? What are the timelines involved? Begin to have this conversation and document your finding. With your communication skills
but accurately called fair-weather
natively, move the whole facility
up, your numbers up-to-date and
friends - handing you an umbrella
to a different Bank.
your documents in order, the post-
on bright sunny days and promptly
3. Be document smart - under-
drawdown stage will become easi-
taking it away once the rains starts
stand what you signed up for
er to handle. In the next article, we will take
beating down on you. Perhaps the greatest contribu-
a look at the 5 vital checks you can
What to do:
tion to borrower’s rights in this de-
do to immediately improve your
•
Know and understand your
cade has been the enactment into
project’s cash flow.
numbers, such as, “Why was
law of the new Land Act (2012) that
the disbursement for the first
has accorded rights to the borrower
phase not sufficient to cover
that were not clearly spelt out before.
the scheduled works? How far
Log onto the internet and download
above budget are you? How
your personal copy, and begin to be-
does this impact the overall
come familiar with it.
•
•
project cost? How will you com-
It is important that the Bank’s
pensate for this variance in later
offer letter (Banking Facility Letter)
phases of the project?”
and the Charge document match,
Present the numbers in a coher-
with respect to terms, conditions
ent manner to the Bank, failing
and covenants. In the instance
which you may fall into a num-
where they may differ, do note that
ber of undesirable situations
the Charge is the superior document.
such as delayed drawdown
It is, therefore, essential that greater
of tranches, reduced tranche
scrutiny is given to the Charge doc-
amounts or even requests for
ument. Surprisingly, it is the least
additional security.
reviewed document and on several
Keep your numbers up-to-date
occasions: we have had to request
in case you have to go shopping
the Lender to make the necessary
for some emergency finance
changes to align the document to
from a different lender, or alter-
the current law.
Phyllis Wambugu, Real Estate & Mortgage Consultant Capital Edge Solutions About the Author: With over 15 years in the world of banking and finance, Phyllis Wambugu is the Lead Trainer & Mortgage Consultant at Capital Edge Solutions. The team of 7 associates provides in-house training and customized workshops designed to empower you to take charge of your borrowing relationships. Their clients include individuals, corporates and investment groups (chamas) who are keen on learning how to run their mortgages and project finance with less stress. For more information, please visit www.thecapitaledge.blogspot.com.
23
ONE ON ONE
The Architect, Issue 1, January-March 2013
grinding stone and the rotating propellers were too fast for me to comprehend. This was my first encounter as a young impressionable boy with Western technology and Architecture. My home in Meru is literally sandwiched between the ridges and the fast flowing rivers that emerge from thick Mount Kenya forest. I grew up seeing part of the snowcapped mountain on my way home and the far distant horizon on my way to school. I literally believed the earth touched the sky on the eastern side washed by the morning sun rays. My early life and formative days were part of a nature that teemed with birds, creeping animals flying and creeping insects. Up to this time, I had no clue what architecture was all about. Now, there was this student from Makerere who occasionally visited our school. We were told he could
Young Kimathi in high school
I literally believed the earth touched the sky on the eastern side
The Journey to Here… Reminisces by James Kimathi
James Kimathi is a household name in Kenya and in the East African region owing to the architectural masterpieces that continue come out of his studio in Nairobi and another in Tanzania. Testaments of his creative genius dot the East African landscape. Who is this man? What drives him? What influences and informs his designs? How has he evolved over the years to command such respect amongst the architectural fraternity in the region. Here, the still young at heart 67-year old architect takes us back down memory lane. I was born in a family of four and this is how it all began. My immediate elder sister, Monica, persuaded me to accompany her to a “posho-mill”. I was fascinated by the hanging structure on the riverfront. The moving water, the
24
Architect Kimathi’s first project executed after completion of the Public Health Officer course but before joining the School of Architecture.
ONE ON ONE
The Architect, Issue 1, January-March 2013
No known computer existed at the university except the only one in the Engineering Department. We had never seen it but it was rumoured that it was the size of a lorry. dissect frogs. We admired- but were equal-
Polytechnic University). I loved this
time. Knowing that every cloud has
ly scared of him. I learned later that this
course and would subsequently ap-
a silver lining, I used this lost time
was Professor George Kinoti, a professor of
ply to the University of Nairobi on
well. I got myself a wife during this
zoology. This was the much I knew about
the basis of City and Guilds of Lon-
period so I count more gains than
University education.
don Institute to study architecture.
losses from the infamous strike.
I should therefore have pursued zool-
I was admitted in 1971. And this is
A vital coursework unit, Theory
ogy, botany or landscape architecture. In
how I transited from public health to
of Structures, was a nightmare to
fact, Landscape architecture makes a lot
architecture. Cometh the hour, co-
everybody. The examination was
of sense to me even today. However I did
meth the man!
an open-book assessment; we were
not for after my Ordinary (O-) Level educa-
Now, the study of Architecture
requested to carry to the examina-
tion, I was admitted to the Medical Train-
was not easy. We “trans-nighted”
tion room any book that we thought
ing Centre to pursue a Diploma in Public
at the famous “Golan Heights” - did
would help us although such books
Health offered by Royal Institute of Pub-
you know that was the pet name
would only end up wasting time. We
lic Health. This course took me 3 years to
students had given to the ADD
did it all the same but I do not know
complete before I got my award.
building at the University of Nai-
how we managed to pass even with
Apart from Medical subjects, the
robi? There were massive failures in
the help of books because those ex-
course had a building construction com-
the course work. This made the stu-
ams were indeed very hard.
ponent since we had to inspect buildings
dent body very upset and organized
In the design studio, we started
for hygiene purposes. We were therefore
a big strike. As a result of the student
off with imperial system using feet
required to take London City and Guilds
strike we stayed in the University
and inches. The metric system was
course at Kenya Polytechnic (now Kenya
five more months to recover the lost
introduced later. No known com-
A model of Tanzanian Parliament designed by K&M Archplans. It was inspired by a granary and bow and arrow
25
ONE ON ONE
The Architect, Issue 1, January-March 2013
puter existed except the only one in the Engineering department that we had never seen but again it was rumoured that it was the size of a lorry. You may by now surmise that I belong to the analogue or Vasco da Gama age. But in 1980 Stanley Kebathi and I introduced computers to our office. We were the first generation to be trained by a South Africa architect on Archi-CAD. So I graduated from “Studiomaster T-Square” and catapulted us from analogue generation practices to near dot.com age. I remember writing an article on the use of ArchiCAD in the architectural magazine then, which may be an important read.
Floor and roof plan of the Tanzanian Parliament
Fortunately for me I have always pursued my profession with
We later moved to a 28ft x 8ft rented office at Diamond
undivided passion. The first project
Trust House. The office could fit only one table and Stan-
for which I charged fees was when
ley and I shared it. The table is part of the archives now.
we were students in third year in
After several years, we moved to City Hall Annex. Here
1973; Stanley and I were requested
we rented a much bigger office. I have kept a record of my
to do a project by a Christian para-
early work.
church institution for which we
Most of our projects came from the Church. I guess no-
earned Ksh.300. I still have a copy of
body else could trust young inexperienced men with large
the drawings, which look very sim-
projects save the Methodist and Presbyterian leadership
plistic. I bought a pair of the then fashionable “bell-bottom” or “flares”
who trusted us with work perhaps because they knew us from the University days. In 1980 we opened an office in Botswana. We soon closed
trousers.
it because our families were very young and could not afford to have us out for long.
Then on February 28th 1978 af-
After about 25 years in practice, my family visited Tanzania. We were im-
ter two years of working, we opened
pressed by taxi drivers who were very kind and not demanding. They spoke fluent
our office. First, Stanley and I used
Swahili “Naomba,” “Pole kwa uchovu” “Pole kwa safari.” I returned back to Dar and
to meet in a cafeteria in town since
registered a firm after undertaking an interview and being registered by the local
our office was portable. We did not
professional body.
have much income to rent offices
In the same year-1999, a competition for the design of Tanzania Parliament was
yet we sketched and designed. Lat-
floated. I entered the competition and we won. But it was not until 2004 that Tan-
er we were given one room by the
zania Government decided to undertake the project when we were formally com-
Methodist Church near the halls of
missioned to undertake the work.
residence and immediately started
The Government of Tanzania offered to take us anywhere we felt there was a
operating from there. Later on, the
resemblance of parliament architecture. At different times, we travelled to Cape
room was turned to a washroom and
Town in South Africa, Sydney in Australia, Barcelona in Spain, Scotland and Lon-
there went our offices!
don, all in search of clues on Parliament Architecture. I concluded that one required
26
ONE ON ONE
The Architect, Issue 1, January-March 2013
God’s guidance and principles to accomplish political iconic projects. It was simply mind-boggling. In 2004, Kenya Government also floated a competition to modernise the current National Assembly. We also wonthis was becoming the beginning of now... The modernisation of an existing building is tough. There were too many unknown challenges. The building technology involved was enormous and the set timelines dazzling. This project boasting of the digital congress network system and red seats is now complete and occupied. Soon after completing Tanzania parliament we also submitted a proposal for Pan African Parliament in Cape Town, and East African Community headquarters. We got third place for our submission for EAC. At the moment I am involved in two projects in the region: one is The interior of the Kenyan Parliament as redesigned by K&M Archplans
a thirty-five floor commercial project for Tanzania Ports Authority. This project is under construction. I am also involved in the
publish a book on “Parliaments and
design and supervision of ultra-modern Mwanza Com-
their Architecture – Design, Art and
mercial Complex. This four level project has 50,000
Technology.” The book is available
square metres (yes!) of shopping space and contains
and has been published by “Images
escalators and panoramic lifts. This project is currently
of Australia” Publishing house. Pub-
on the first floor level.
lishing is very involving particularly
The other project that I am currently involved in is
publishing technical books but I am
the design of Kilimanjaro Towers. This is a twin tower
grateful to my wife, children, and
project, 22 floors and 12 floors owned by the Tanzania
colleagues who gave me a lot of en-
Government on two acre plot at Upper Hill Nairobi.
couragement.
This project is at design stage.
Yes, I have a wife Grace Kimathi
Doors were opening. When all this is going on in
and four children (actually adult
one’s life, there is this need to find an outlet to express
children) and three grandchildren.
oneself. One such natural one is writing. Through the
She is an author who has learnt ar-
support of my family and friends, I have been able to
chitecture through osmosis. I am 67 years now though still feeling young. I do not see how you can enjoy architecture if you are not close to your family. If not for any other reason, you will need their comfort when clients are very tough on you or when you lose in a competition.
The Tanzanian Parliament from outside
The light well within the Tanzania parliament
27
ONE ON ONE
The Architect, Issue 1, January-March 2013
I have read extensively on archi-
profession. The only thing worry-
in mind that a poor man is one who
tecture. In any city I visited, I first
ing me is the influx of designs from
has money only. Do not forget your
enter the bookshop and spend part
Asia pulled from the internet which
family and friends even when you
of my per diem mostly on books.
are dotting our landscape. You see
get where you want to be.
I have managed to build a good li-
rooms with no external windows.
brary. I also use my i-PAD extensive-
This happens a lot with countries
ly to look for information that I need
which are over populated and have
and watch videos related to archi-
no extra space to build. Singapore
tecture. Since I have had an oppor-
is a case in point. I think we need
tunity to travel extensively, I have
to continue to develop our own ar-
visited many buildings that I consid-
chitecture. Otherwise we are going
er inspiring. I am still fascinated by
to have structures with no serious
the works of Antonio Gaudi. I have
meaning to us at all. This is a bad
seen the work of Santiago Calatrava
trend.
in France and many more. But I am
My dream now is to be with
more of a Gaudi person. Most of my
my wife and go through our sunset
work uses circular geometry. And a
years gracefully. However I do have
bit organic. I find it more interesting
a serious desire to pass on what I ac-
and friendly. Nature also has a lot of
quired over the years to young archi-
influence on my work. Conceptually,
tects. I have no secrets concerning
the Tanzania Parliament is a tradi-
architecture which I want to hide
tional circular hut. The Tanzania
from other architects. I have a burn-
Ports Authority abstracted from a
ing passion to mentor the younger
boat and the Mwanza Market is a
architects. This is what I want to do
lake fish.
in the next few years.
I have not deliberately chosen ar-
I do have a lot of respect for lo-
eas of specialization. I am however
cal architects and their work. Most
very conversant with Parliaments
of them are my college-mates. Alan
and their technologies. The technol-
Simu, Stanley Kebathi, Reuben Mut-
ogy is very challenging. I am now
iso, James Gitoho, Francis Mungai
comfortable with high rise commer-
and our senior brothers David Mutiso
cial projects. I did not have a lot of
and James Waweru are all architects
experience before. I had thought I
of repute. I also have respect and ad-
would be designing hospitals which
miration for young architects whose
I did initially but they have now
good work I see as I move around the
evaded me.
city.
Fact-File: Profession: Architecture, Public Health, Environmental Assessment and Audit. Two offices. Nairobi K & M Archplans Ltd and K & M Archplans (T) Ltd Dar-es – Salaam. Favourite Breakfast: Porridge, Arrow roots, sweet potatoes, uji, plenty of fruits. No chips and sausages. Favorite bird: African Tracco. Most inspiring person: Athlete John Steven Ahkwari of Tanzania.
I play golf but I am not an ad-
I don’t know whether there are
dict or a professional. I really do not
earthly forces which have moulded
take it as a hobby either but rather
me except that what I have been
as an exercise which I need. Though
able to accomplish can all be attrib-
I have no pet project, the Tanzania
uted to God’s grace. Parting shot- be
Pets: Miniature poodle, and a cat.
Parliament gave me a lifetime chal-
passionate about your work. Main-
lenge.
tain your integrity and establish
Places I would like to visit: South America and Mongolia
The younger architects are bet-
Godly principles to guide you be-
ter placed to tell the state of the
cause character is important. Keep
28
My best book in architecture: New organic architecture – the breaking wave by David Pearson.
ENERGY EFFICIENCY
The Architect, Issue 1, January-March 2013
THE BIG DEAL ABOUT
ENERGY EFFICIENT BUILDINGS By Ruth Maina in collaboration with Marja Edelman and Petra Heusser
The building sector accounts globally for 42% of electricity use. In
lations, as well as the expansion of
used the short term to meet this
existing cities.
demand, which results in increased
Africa however, it is estimated that
In East Africa, the supply of
pollution and high electricity costs. .
urban buildings alone consume on
electricity is far below the demand.
According to experts, approxi-
average 56% of the total generated
Over 65% of the power supply in
mately 70% of the energy used in a
electricity. This is more than the
the region comes from hydropower
building can be saved if efficiency
transport or the industrial sector’s
plants whose effective capacity is
measures are put in place.
consumption.
being heavily affected by changing
Though the intervention towards
With increasing urbanization,
climatic conditions. With increasing
energy efficiency and renewable en-
the number and size of buildings in
electricity demand, new generation
ergy is a process that requires time,
urban areas will increase, resulting
need to be brought in. Although re-
some of the countries in the region
in a higher demand for electricity
newable sources of electricity such
have already taken important steps
and other forms of energy commonly
as geothermal or wind provide elec-
to reach energy efficiency. In Kenya,
used in buildings. Africa’s rate of ur-
tricity at a much lower cost, their
for example, the Ministry of En-
banization of 3.5 per cent per year is
capital outlay is large, they are com-
ergy’s “Energy Sector Policy Over-
the highest in the world, leading to
plex and take longer to construct.
view Paper” lays emphasis on the
more urban areas with bigger popu-
Diesel based generation is usually
promotion of energy efficiency and
The UNEP building in Nairobi, designed by Beglin Woods Architects: With 6,000 square meters of solar panels, energy saving lighting, natural ventilation systems and other green features, the office is designed to generate as much electricity as its 1,200 occupants consume. (Ref: Building for the future, a United Nation showcase in Nairobi)
29
ENERGY EFFICIENCY
The Architect, Issue 1, January-March 2013
improved building practices. The project is designed to positively influence current practices in the building sector by initiating a holistic culture of energy efficiency in the building sector that addresses not only the lighting systems, but also the entire building design. It will lead to the promotion of more SBS Building, Strathmore University The building is under process for LEED Certification. The standard provides independent third party verification that a building was designed and built using strategies aimed at achieving high performance in key areas of human and environmental health: sustainable site development, water savings, energy efficiency, materials selection and indoor environmental quality. (Photo credit: Jerusha Ngungui)
sustainable buildings and better in-door comfort for the end users in the region, while reducing energy and bills and maintenance costs along its life span.
conservation in general. In the paper, the Kenyan
The project is working closely with the governments and
Government recognizes the importance of energy
universities to create a reliable database on energy consump-
efficiency as one solution to the energy crisis, both
tion in buildings, per typology and climatic zone. The build-
in the short and the long term. Energy efficiency in
ing code is also subject of revision and will be upgraded with
buildings is mentioned explicitly in the Energy Act
resources efficiency requirements and recommendations.
of 2006, and the issue will be more and more ad-
In the next months, awareness raising campaigns will be
dressed by the new building code. The regulation
launched to induce behavioral change among consumers and
on Solar Water Heaters were gazetted and adopted
clients. The project provides trainings and technical material,
in 2010 making them mandatory for “All premises within the jurisdiction of a local authority with hot water requirements of a capacity exceeding 100 litres per day shall install and use SWH.” Most of energy efficiency and sustainability strategies are born from the hands of architects. These are design decisions, and if taken at the early stage don’t imply any additional costs to the construction and the client. Energy efficiency begins from the very first stages of design and savings can be done right through to operation and maintenance of the building. Addressing these issues, UN-HABITAT in collaboration with UNEP and Governments of the East African Community (Kenya, Tanzania, Uganda, Rwanda and Burundi) has developed a project on “Promoting Energy Efficiency in Buildings in Eastern Africa”. The main goals of this project are twofold: mainstreaming energy efficiency measures into housing policies, building codes, and building practices in East Africa and to achieve considerable decrease of Green House Gas emissions through
30
Eastgate Building in Harare, Zimbabwe The East gate Mall in Zimbabwe was designed by the architect Mick Pearce in conjunction with engineers at Arup Associates. It is modelled on the way that termites construct their nest to ventilate, cool and heat it entirely through natural means. Eastgate’s ventilation system costs one-tenth that of a comparable air-conditioned building and uses 35 per cent less energy than comparable conventional buildings in Harare. (Photo credit: Mandy Patter)
ENERGY EFFICIENCY
The Architect, Issue 1, January-March 2013
and above all technical assistance for projects willing to include passive and active strategies for energy efficiency in buildings. A financial framework, being developed to stimulate the green building market demand will be available soon. Many countries have successfully implemented policies on energy efficiency in buildings. Important examples are California (U.S.), Germany, Sweden and the UK. Closer to home, an initiative was launched in South African in March 2011 to encourage all citizens to cut their energy consumption by 10%, aiming to inspire and rally the country behind a common goal to save electricity and create a better future. This has led to the development of a green building rating sysThe Banque Marocaine du Commerce Exterieur’s (BMCE) in Rababt and Casablanca by Foster and Partners. According to the practice, the banks’ ‘wrap’ has been designed as a ‘traditional, energy efficient envelope’ which uses ‘local materials and craftsmanship’. As Norman Foster says, the design reinterprets elements of traditional Moroccan architecture, combining these with a contemporary interior that reflects the Bank’s progressive approach to its customers. This blend of ancient principles and modern technology is also reflected in an energy efficient design. The result is a series of buildings that are sustainable and each one, uniquely, of its place.
tem. Additional benefits can be expected from the improved thermal comfort achieved through energy efficiency. The energy saved from buildings on the national level can be redistributed to other areas in need without necessarily increasing production. Hence, the power grid is extended to more consumers without additional new generation capacity. This
in turn benefits the human comfort as well as the national economy. In light of this, the case for green and sustainable buildings is a win-win for all the players in the market. Not only is it good for the environment and the economy, but it improves the innovation of new and exciting construction methods and discovery of new materials. This article is part of the Promoting Energy Efficiency in Building in East Africa (EEBEA) project currently being conducted by United Nations Environment Programme (UNEP)and UN-Habitat in collaboration with Global Environment Facility (GEF) and the governments of Kenya, Tanzania, Uganda, Rwanda and Burundi.
Eastgate Building seen from a distance with its charasteristic chimneys
31
TECHNOLOGY
Applications
for tech-savy architects Compiled by Arch.Wilson Mugambi
The Architect, Issue 1, January-March 2013
tomizable collection of images that is more reflective of the way we work today.” It also lets you collaborate with and critique the works of others, integrating you into an architectural community. Best of
With the advent of smart phones, tablets and related gadgets, several applications have been developed to make life a tad bit easier for mankind. Architects have not been left behind in the frenzy and the following are notable applications that any tech-savvy architect should consider having on their device(s).
Dropbox This application isn’t strictly for architects, but if you’re constantly using and sharing heavy images/vid-
all, it’s FREE – it’s however made for ios only. http:// mymorpholio.com/site.php
Houzz Called the “Wikipedia of interior and exterior design,” Houzz is a huge database of home design photos that you can save to a virtual idea book. Kind of like Pinterest, but exclusively for home design ideas. http://www.houzz.com/
eos/documents, you’ll be glad you installed Dropbox. It’s basically that place in the “cloud” where you can save all your stuff – so you don’t bog down your computer with it – and then share it easily. All for free! https://www.dropbox.com/
AutoCAD WS One of the few application truly made for the needs of architects, Autocad WS lets you annotate and revise drawings – whether you’re in the office or in the field – and effortlessly share them with others. Plus, the recently updated versions feature 3D viewing and GPS integration. https://www.autocadws.com/
Google Earth Pro This isn’t an application per se but a program ar-
Instagram The free application that turns anyone into a professional photographer, Instagram can give your project that extra finish to make it shine on Facebook, Twitter, or Tumblr.
chitects can use to carry out site analysis via use of its measurement features, remote surveys and online property data. It can definitely come in handy while calculating setbacks, defining zonal boundaries and su-
http://instagram.com/#
perimposing 3D visuals to
Morpholio
google.co.ke /enterprise /
Created by the five architects behind the Morpholio project, this super cool application seeks to re-imagine the portfolio. As they put it, the application transforms “the users portfolio into a constantly versioning and cus-
32
the actual site. http://www. earthmaps/earthpro-industry.html#t-aec Courtesy of Google and ArchDaily
MATERIALS COSTS
The Architect, Issue 1, January-March 2013
The Joint Building Council Professional Centre Parliament Road, Nairobi
P.O. Box 10670 - 00100 Nairobi, Kenya
Chairman QS. H.G. Nyakundi Tel.020-2713174/2724395 Email:harcons@wananchi.com Vice Chairman QS. H. K. Ngari Tel. Tel.020-3877757, Fax.020-3876336 Email:hngari@ecostafrica.com
Wanjiri House Argwings Kodhek Road Nairobi
Email: jbc@africaonline.co.ke
Secretary Mr. D. L. Raghwani Tel.020-3741778/637, Fax020-341473 Email:laxmanbhai@africaonline.co.ke. Treasurer ARCH. Rita Githuthu Tel.020-2022211 Email:rita@rmarchitects.co.ke
FLUCTUATIONS CLAUSE PRICE LIST FOR DECEMBER 2012 NAIROBI ZONE Price List REF: 12/2012 All prices include current V.A.T. rating and are valid as at 31st December 2012 The prices are published by the Joint Building Council for operation of the Building Contract Fluctuation Clause and where these prices have been cited in the Contract Documents. 01. CEMENT IN BAGS
05. ++ STRUCTURAL STEEL (W.E.F 01.12.2012) TO B.S. 1387
(1442Kg/M3) 20,677/= per cubic metre (14,339/= per ton) F.O.R. W.E.F. 01.03.2009. Index =145.74
02 SAND
CONTRACTS TENDERED FROM 05.04.89
(See Practice No. 89/03)
05.1 Steel Hollow Sections
05.2 Steel Angles 154/16 per Kg.] Index = 259.55(W)
155/70 per Kg.]
3,132/- per cubic metre delivered Nairobi Area (2,175/-per ton W.E.F 01.08.2011). Index = 245.25
06. CONCRETE BLOCK (500 Lbs/Sq.in)(W.E.F. 30.09.10)
SOLID BLOCKS
03 AGGREGATE
06.1 3” x 9” x 18”
59/81 each
2,927/26 per cubic metre (2,030/- per ton)
06.2 4” x 9” x 18”
67/59 each
W.E.F. 01.08.2011. Index = 229.36
06.3 6” x 9” x 18”
86/36 each
06.4 9” x 9” x 18”
128/28 each
06.5 90mm x 190mm x 390mm
06.6 140mm x 190mm x 390mm
06.7 190mm x 190mm x 390mm
89/03 each
06.8 240mm x 190mm x 390mm
128/28 each
04. STEEL REINFORCEMENT (TO B.S. 4449, 4461 AND 4483)
60/29 each} Index = 140.19
04.1
STOCK LENGTHS – EX-MILL (W.E.F. 01.12.2012)
04.1.1
16mm Mild Steel
80/93 per Kg.]
04.1.2
16mm High Tensile Steel
80/93 per Kg.]
Index = 188.98(W)
04.2
FABRIC MESH REINFORCEMENT(CONTRACTS
HOLLOW BLOCKS
TENDERED FROM 16.12.91)(W.E.F. 31.1.2011)
06.9 4” x 9” x 18”
61/16 each] Index = 122.09
(See Practice Note 91/05)
06.10 6” x 9” x 18”
66/63 each] Index = 122.09
Type A 142 Mesh (2.22Kg/M2)
06.11 9” x 9” x 18”
114/45 each] Index = 122.09
57/78 per Kg or 138/27 per M2. Index = 123.75
06.12 140mm x190mm x 390mm 57/98 each] Index = 122.09
06.13 190mm x190mmx390mm
06.14 240mm x190mm x 390mm 114/45 each] Index = 140.20
71/91 each
65/38 each] Index = 122.09
33
MATERIALS COSTS
07. BUILDING STONE (W.E.F. 01.08.2011)
CONTRACTS TENDERED FROM 05.04.89
(See Practice Note 2011/01)
07.01 140mm x 190mm x 390mm 61/00 each
07.02 190m,m x 190mm x 390mm 62/00 each
Index = 231/96(W)
08. CLAY PRODUCTS (W.E.F. 01.05.2011
(See Practice Note 91/04 and 03/2008)
08.1 90mm partition block 19,720/00 per 1000 x Ruaraka
Factory ] Index = 188.80
08.4 200mm “ “ 69,600/00 per 1000 x Ruaraka
CONTRACTS TENDERED FROM 05.04.89
12.1 IT5 Sheet 0.4mm thick 1403/60 ( 685mm cover width)
Index 121.00
12.2 IT5 Sheet 0.5mm thick 1670/40
(685mm cover width ) Index 118.00
13. VINYLEX FLOOR TILES (W.E.F. 01.06.2005)
13.1 300mm x 300mm tiles 1.6mm 501/12 per sq. metre]
Index = 115.72
13.2 300mm x 300mm tiles 2.0mm 626/40 per sq. metre]
Index = 104.27
Factory ] Index = 158.15
08.3 160mm “ “ 55,680/00 per 1000 x Ruaraka
12. RESINCOT PLUS IT5 (0.4mm and 0.5mm ) (WEF 31.3.2011) (
08.2 100mm maxspan “ 42,920/00 per 1000 x Ruaraka
Factory ] Index = 94.52
The Architect, Issue 1, January-March 2013
Factory ] Index = 173.49
08.5 Mangalore roofing tiles 39,440/00 per 1000 x Ruaraka
14. PVC (LG) DRAINPIPES TO B.S. 4514 (W.E.F. 01.02.2008)
14.1 110mm diameter 609/00 per six metre ]
Index = 142.90
14.2 150mm diameter 1,322/40 per six metre ]
Index = 148.71
Factory ] Index = 209.29 09. CORRUGATED ASBESTOS CEMENT SHEETING (13.06.2003) (See Practice Note NO.04/2008)
09.1 Super Seven 1.5 metres long 607/84 per sheet]
09.2 Super Seven 2.0 metres long 812/00 per sheet ]
Index = 98.31
09.3 Super Seven 2.5 metres long 1,016/16 per sheet
Index = 98.31
Index = 98.31
09.4 Super Seven 3.0 metres long 1,215/63 per sheet]
Index = 98.31
15. P.V.C. PIPES (WASTE & SOIL) AND FITTING
(W.E.F. 01.02.2008)
CONTRACTS PRIOR TO 30.04.2002
15.1 110 mm diameter 609/00 per six metre] Index = 796.88
15.2 150 mm diameter 1,348/50 per six metre] Index = 920.98
CONTRACTS AFTER 30.04.2002
15.3 110 mm diameter 609/00 per six metre] Index = 202.30
15.4 150 mm diameter 1,348/50 per six metre]
Index = 236.42
16. GALVANISED MILD STEEL PIPES AND FITTINGS
10. G.C.I. SHEETING (W.E.F. 01.01.2010)(
(W.E.F. 01.07.2009)
PRACTICE NOTE 89/02)
CONTRACTS PRIOR TO 30.04.2002
10.1 Corrugated Sheet 0.40mm thick 648.40 per M
16.1 110 mm diameter 1,543/00 per metre] Index = 456.82
16.2 150 mm diameter 2,487/00 per metre] Index = 402.75
(762mm cover width) ] Index = 214.55
CONTRACTS AFTER 30.04.2002
10.2 Corrugated Sheet 0.50mm thick 817.80 per M
(762mm cover width) ] Index = 210.21
16.3 110 mm diameter 2,593/31 per metre] Index = 175.63
16.4 150 mm diameter 4,263/97 per metre] Index = 158.78
11. RESINCOT 1.T.4 AND I.T.5 SHEETS (W.E.F. 22.02.2011)
(CONTRACTS TENDERED FROM 05.04.89) ( IT4 is no
17. TIMBER (W.E.F.01.03.2011) (See Practice Note No. 88/02)
longer in production. WEF 31.1.2011, the prices of IT5 shall
17.1 100 x 75mm Cypress 219/75 per M1] Index = 190.86
be used)
17.2 100 x 75mm Mahogany + Mvule + Mninga 689/00
11.1 I.T.5 Sheet 0.40mm thick 871/16 per M
34
(685mm cover width)] Index = 174.23
11.2 I.T.5 Sheet 0.50mm thick 1091/56 per M (685mm cover width)] Index = 174.56
per M1] Index = 116.77
17.3 Blockboard not exceeding 25mm thick 1013/89 per
M2] Index = 189.13
MATERIALS COSTS
The Architect, Issue 1, January-March 2013
18. PAINT (W.E.F. 30.04.2011)
Labour content is evaluated as follows:
18.1 Plastic Emulsion 2,234/16 per 4 litres ex Factory]
Index = 168.17
31.12.1995.
18.2 Enamel Paint 2,650/60 per 4 litres ex Factory]
A. At 25.00% of Builders work for jobs tendered prior to
Index = 164.53
B. At 20.00% of Builders work for jobs tendered from
19. CONCRETE ROOFING TILES (W.E.F. 01.01.2009)
01.01.1996 to 31.03.1998.
C. At 19.00% of Builders work for jobs tendered from 01.04.1998.
(See Practice Note No. 91/01)
PRICE = 511/97 per M2 } Index = 127.83
23. INDEXING (W.E.F. 13.06.2003)
20. BITUMEN AND MASTIC ASPHALT (W.E.F. 01.12.2012)
PRICE INDEX 100.00
For new tenders effective 1
ST
May 2002, fluctuations shall be
(See Practice Note No. 91/02 and 91/03)
evaluated using indices (Practice Note No. 2002/01).
CONTRACTS PRIOR TO 30.04.2002
20.1 Bitumen 111,360/00 per ton ] Index = 777.55
PRACTICE NOTES
20.2 Mastic Asphalt 49,366/12 per ton ] Index = 624.81
NO. 01/2009 MATERIAL AND LABOUR CONSOLIDATED PRICE INDICES:
CONTRACTS AFTER 30.04.2002
20.3 Bitumen 111,360/00 per ton ] Index = 294.92
20.4 Mastic Asphalt 49,366/12 per ton ] Index = 213.83
st
Practice Note No. B3 dealing with projects tendered after 1 May 2002 should be amended to read “For projects tendered after st
1 May 2002, the new method of evaluating fluctuations using 21.++MONTHLY INTEREST RATE APPLICABLE TO DELAYED
indices is recommended but the method using absolute prices
PAYMENTS
can be applied as well. In all cases only one method to be
(See Practice Note No. 2000/01)
applicable to particular project.
1.5 PERCENT PER MONTH (W.E.F. 01.01.2012)
22.++ LABOUR (BASIC MINIMUM WAGE RATE PER NORMAL
NO. 2011/01
With effect from 31 January 2011, the use of imperial units for
BUILDING STONE st
WORKING DAY MON. – SAT.)
the description of stone has been changed to metric. The index
•
remains unchanged.
NAIROBI, MOMBASA AND KISUMU 2012 Labourers
• •
Shs. 416.00
The Area of all municipalities, all towns and urban
NO. 2011/02 IT4 ROOFING SHEETS
councils
Shs. 411.00
IT4 roofing sheets are no longer in production. Therefore the
All other Areas
Shs. 411.00
prices of IT5 will apply with effect from 31.1.2011.
In accordance with the Memorandum of Agreement between
NO. 2011/03 BITUMEN ( ITEM 20 )
the Kenya Association of Building and Civil Engineering
The correct price of Bitumen was Kshs 95,120/00 and not 95/20.
NO. 2012 TOTAL CONSTRUCTION PROJECT COST
Contractors and the Kenya Building Construction and Allied th
Workers Union dated 20
June 2011 and registered by th
Industrial Court Ref RCA No. 174 OF 2011 dated 13 July 2011,
For the purpose of computing professional fees, the total
st
the revised Basic Daily Rates with effect from 1 January 2012,
construction cost shall be determined as per Practice Note no.
are as above. In assessing the overall percentage increase
2012/01
consideration has been given to Housing, Travel Allowance, N.S.S.F. Contribution, Annual Leave, Sick Leave with Pay and
NOTE xx Denotes new items
Medical treatment allowance, and the resultant increase to
++ Denotes revised prices
be applied to labour for the purpose of the Fluctuation Clause
xxx Corrected items
is assessed at 7.37 per cent.
(w) Means weighted average
35
MEMBERS LISTING
The Architect, Issue 1, January-March 2013
Architects Chapter Individual Member Listing FELLOW ARCHITECTS 1. 2. 3. 4. 5. 6. 7. 8. 9. 10. 11. 12. 13. 14. 15. 16. 17. 18.
BRISTOW D.S. (492) CAVANAGH J.A. (804) GITHUNGURI G.N. (824) GITOHO J.N. (889) KAPILA S. (363) KARURI L.G. (1563) KEBATHI S. (839) KIMATHI J. (595) KUNGU P. (950) MULYUNGI G.M. (DR) (1759) MUNGAI F.G. (1040) MUNYANYA M.K. (1758) MUTISO DAVID M. (05) MUTISO R.G.M. (DR) (640) NDONG J.E.O. (741) SIKA P.O. (1515) SIMU A.C.M. (636) J.G. WAWERU (288)
CORPORATE ARCHITECTS 1. 2. 3. 4. 5. 6. 7. 8. 9. 10. 11. 12. 13. 14. 15. 16. 17. 18. 19. 20. 21. 22. 23. 24. 25. 26. 27. 28. 29. 30. 31. 32. 33. 34. 35. 36. 37. 38.
ABDI A.M. (2644) ABDULHUSSEIN S.A. (1792) ABDULNASSIR A. M. (2202) ABONYO D. (1690) ABONYO E.O. (1721) ABUNGE O.O. (1505) ACHARYA T.S. (1931) ADEDE G.O. (1701) ADEGA B.O. (2530) ADAMJEE M.F. (2533) AGWARO K.O. (2381) AGUTTU M.I.A.(2851) AHMED A.M. (2695) AIZPUN F. (1830) AKATSA A. (1279) ALI L.I.(2655) ALOYO P. (3119) ANDREWS T.J. (847) ANGORE P.D.(320) ANJARWALLA S.(2520) ANYAMBA T. (919) ARCHER J.H. (475) ASIENGA EBOLE (2013) ATKINS W.G. (1790) BABU O.S. (2585) BAMRAH K. (1753) BASHIR A.M. (241) BEGLIN D.W. (500) BENGO J. (951) BHULLER M.S (670) BISHER F.A. (2372) BOWMAN T.S. (1856) BURER C. (2466) BUSOLO W.S.W. (750) BUSURU R.M. (1130) BWIRE W.S.B (1425) CHANDABHAI A.T.I. (2406 CHANGILWA S.A. (1464)
36
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CHARFARE A.A. (2415) CHEWE S.N. (1666) CHUDHA J.S. (054) DAVEY P.R. (1789) DECHE A. (1811) DESAI S. A. (1386) DIANG’A S. (828) EBRAHIM Y.H. (1177) MS. EL MAAWY M. A. (1452) ESHANI M. (1472) FARRANT G. (879) MS. FERNANDES S.B. (1189) GAAL T. (090) GACHANJA J.K. (2429) GACHERU C.K. (1137) GATABAKI J.M. (2831) GATAI H.M. (2386) GATHAGA P.W. (1925) GATHECHA N.N. (3060) GATHECHA WAWERU (2084) GATIMU D.N. (1269) GATOME M.H. (2847) GATUKU N.N. (1764) GIKERA I.M. (2681) GICHUKI G.R. (1984) GICHOHI J.N. (1312) GICHUHI F.M. (1559) GICHUHI J.M.I. (1380) GICHUHI S.M. (2380) GICHUGU E.G.(2515) GICHUKI A.T.O. (873) GICHURI O.W.M. (1795) GITAHI M.W.(2726) GITAU D.K. (2072) GITAU G.G.M. (457) GITAU H.N. (2536) GITHENDU J.G.(2344) GITHAIGA A.G. (1207) GITHATU F.G.(2548) GITHIRI G.M. (3281) GITHUTHU R. (MS) (2141) GOKO G.M. (2917) GONO E.J.O. (2305) GOVANI S.T.M. (350) GREMLEY A.J. (2182) GRONLYKKE T. (1465) GUCHU J.K. (2155) HALAI K.K. (2124) HAMEED S. (748) HAMZALI T. (1762) HASHIM N.O. (1981) IKINU O.W. (1746) IRIMBA A.K. (3186) IRERI J.G.(2504) JASPAL SINGH (2409) JETHWA J. (1390) JOHNSON S.H. (777) MBURU J.M (2201) KABBAU R.N.K. (1997) KABIRU M.N. (1221) KABUTU J.W. (2749)
100. KAMAU F.G. (2157) 101. KANANI J.G. (1031) 102. KARIUKI S.M. (2807) 103. KARUGA VICTORIA (2737) 104. KIGADA E.E. (2595) 105. KAGIMBI J.N. (1705) 106. KAGIRI G.K. (2078) 107. KAHINGA S.K. (1763) 108. KAHUTHU C.G. (2691) 109. KAHURA C.M. (1634) 110. KAIRIMA MAGAMBO (2080) 111. K ALSI J.S. (1423) 112. KAMAU T. (3188) 113. KAMAU D.G. (2443) 114. KAMAU J.W.K. (1213) 115. KAMAU M.M.(2672) 116. KAMAU I.R. (2679) 117. KAMARU E.K. (1923) 118. KAMASI M.A. (2510) 119. KAMWERU G.K. (2750) 120. KANIARU J.M. (1722) 121. KANYUE P.E. (848) 122. KARAMA Y.B. (2647) 123. KARAGO J. (1341) 124. KARANJA D.K. (2891) 125. KARANJA W.M. (944) 126. KARIUKI D.M. (1821) 127. KAROGI J.K. (908) 128. KASANGA S.M. (2468) 129. KATUA C.M. (1557) 130. KELLY P.T (302) 131. KHAN A. L. (1311) 132. KHANDWALLA A. A. (701) 133. KHAZENZI S.L (957) 134. KIAI S.K. (2321) 135. KIARA J.P.K. (2844) 136. KIBAARA I.M. (2616) 137. KIBISU L.L. (2716) 138. KIEMA M.M. (2318) 139. KIBE G.M. (2819) 140. KABIRU M.N. (1221 141. KIBOWEN K.C. (2615) 142. KIBUE S.N. (DR.) (MS) (1186) 143. KIBWAGE J. (1176) 144. KIGAI E.K. (2587) 145. KIGONDU S. (1326) 146. KIILU M.N. (2596) 147. KIILU D.M. (1315) 148. KIMANGA S.K.(2714) 149. KIMANI A. (1888) 150. KIMANI D.K. (2085) 151. KIMANI J.W. (888) 152. KIMEU M. (1938) 153. KIMUYU S.K. (991) 154. KINYUA E.G. (2736) 155. KINYUA S.M. (1995) 156. KINUTHIA S.N. (2535) 157. KIOKO M. (2640) 158. KIPKETER J. (1614) 159. KIPRONO J.M.(1371) 160. KIPSAG T. (1629)
161. KIPTOON W.C. (964) 162. KIRATHE E.M. (1939) 163. KISIENYA K.B.(3221) 164. KITHAKA J.M (2308) 165. KITHAKYE D.I. (749 166. KITHIKA J. (1106) 167. KOECH M.K. (1801) 168. KOMBE K. (1880) 169. KOMORA S.(2418) 170. KUNDU P.W. (1519) 171. KUREBA N.N. (1034) 172. KURIA J.G.M.K. (2680) 173. KURIA-GATHONI E.J. (710) 174. KYULE B.M. (1849) 175. LADU M.B. (1521) 176. LALL C.J.S. (529) 177. LEE-SMITH D. (DR) (1167) 178. LATI FELIX (2445) 179. LIKU E.K. (948) 180. LORD M.A. (1560) 181. LUKWAGO J.M. (702) 182. LULU A.M. (752) 183. LUTTA J. C. (1733) 184. MACHARIA J.N. (1669) 185. MACHARIA S.M. (1779) 186. MACKENZIE N.P. (1012) 187. MAHINDA I.W.W. (2303) 188. MAGANGA A.M. (2529) 189. PROF. MAGUTU G.J. (1014) 190. MAINA DUNCAN (2174) 191. MAINA E.K. (3211) 192. MAINA J. (1401) 193. MAINA W (1883) 194. MAINA KARANJA (878) 195. MAINGI P.M. (1695) 196. MANJI A.A.(2508) 197. MAKACHIA P.A. (1141) 198. MAMDANI M.A. (826) 199. MANDA H.G. (1327) 200. MANDUKU D. (2015) 201. MANGURO R.O.(2543) 202. MANKU G.S. (1920) 203. MAREIRA F.M. (2727) 204. MARTINS P.S.G. (822) 205. MARUTI E.K. (1043) 206. MARSHALL J.(1847) 207. MASILA G.P. (2008) 208. MATASYO J (954) 209. MATHAROO S.S. (1139) 210. MATHENGE A.W.(3169) 211. MATHENGE J.W.(2423) 212. MATOLE D.K.(2599) 213. MAWEU C.J.M. (2142) 214. MBICHA S.(1882) 215. MBINDA J.J.M. (548) 216. MBITI I.M.(2660) 217. MBOGO D.C. (2390) 218. MBUGUA H.K. (3096) 219. MBUGUA N. (891) 220. MRS. MBUGUA R.W. (1413) 221. MBURATHI K.(2581)
MEMBERS LISTING 222. MBURU G.I. (1217) 223. MBURU J.M. (1192) 224. MBUVI M.M.(1428) 225. MBOSHI S.M. (1083) 226. MCHARO L.B. (2645) 227. MECCA J.P. (2438) 228. M. M. KAGWANJA(2176) 229. MICHIRE D.M. (2528) 230. MILIKAU E.S.(2010) 231. MILOYO E.K.(2512) 232. MISIANI C.A.O. (960) 233. MISTRY L.K. (107) 234. MOCHACHE J.M (DR) (705) 235. MONG’ARE S.G. (1388) 236. MOTANYA D.O. (2156) 237. MPAAYEI T.T. (1463) 238. MRUTTU O.S.(2738) 239. MRUTTU I. (542) 240. MUANGE V.N. (1668) 241. MUCHERU S.K. (2416) 242. MUCHILWA M.S. (1994) 243. MUCHIRI D.T. (834) 244. MUCHOGU J.W. (2517) 245. MUGA I. (1781) 246. MUGWANJA M.M. (1990) 247. MUIRURI I.N. (3282) 248. MUKABWA E.M.(2665) 249. MUKEKU J (2134) 250. MULI PIUS (2077) 251. MULI S.K. (1211) 252. MUNDIA T.G. (3097) 253. MUNANO AIDAH NJERI (984) 254. MUNGAU K.J.S.A. (2593) 255. MUNENE G.W. (2140) 256. MUNGAI C.M. (1562) 257. MUNGAI W. (1293) 258. MURAYA K.P. (1362) 259. MURIGU J.M. (1832) 260. MURIITHI J.M. (2843) 261. MURIUKI D.K. (1415) 262. MURATHE G.K. (1940) 263. MUSEMBI M. (1798) 264. MUTUA MWEU (1926) 265. MUSYOKI N. (931) 266. MUSUVA M.W. (2421) 267. MUTAI E.K.(2501) 268. MUTAKAA J. (2306) 269. MUTHUSI P.M. (1743) 270. MUTIE C.M. (2892) 271. MUTISO E.K. (2106) 272. MUTUA JACKSON (2193) 273. MUTUKU J.N. (1745) 274. MUTUKU MUTUA (2102) 275. MUTUNGA J.M.F. (1143) 276. MUTURI C.N. (1282) 277. MUYA C.K. (747) 278. MUSUNGA M. (2382) 279. MWACHARO M.S. (1628) 280. MWALYO F.N.(2653) 281. MWALUKWARE W.M. (892) 282. MWANGI E.I.W (2591) 283. MWANGI L.M. (1219) 284. MWANGI M.N. (3210) 285. MWANGI S G (2123) 286. MWANGI S.W.(1265) 287. MWANGI B.G. (2337) 288. MWATHI J.M. (442)
The Architect, Issue 1, January-March 2013 289. MWATU O.K. (2806) 290. MWAURA A.M. (1788) 291. MWAURA N.K.(2411) 292. MWENDWA N.M. (1914) 293. MWIHIA J.M.(2509) 294. MWILU S.M. (2635) 295. MWITI G. (1922) 296. MWORIA K.S. (945) 297. NAGDA B.N. (1667) 298. NAICCA C.M.(2507) 299. NAMULANDA D.M. (2320) 300. NANDRA H.S. (648) 301. NASIR ALI (1556) 302. NDAMBUKI D.M. (2376) 303. NDANU R.M.M. (2583) 304. NDARUA P.G. (430) 305. NDEGE L.K. (3102) 306. NDERITU P.A.M. (2424) 307. NDETA B.S. (2099) 308. NDIACHA L (1837) 309. NDUNGO J.M. (3195) 310. NDUNGU C.N. (1851) 311. NDUNGU D.K. (1209) 312. NEWA F.O. (1808) 313. NG’ANG’A G. M. (1182) 314. NGATIA E.M.(3108) 315. NGIBUINI S.N. (793) 316. NGODA D.K. (2326) 317. NGUMUTA M.N.(2503) 318. NGUNJIRI F.K. (1404) 319. PROF. NGUNJIRI P.G.(1322) 320. NGUURI MURIMI (2163) 321. NIXON R.A. (1275) 322. NJAGI H.K. (1918) 323. NJAGAH M.N. (2683) 324. NJENDU G.M.M. (2153) 325. NJENDU K.J.G. (729) 326. N JENGA D.K.(2534) 327. NJERU J.M. (2811) 328. NJERU P.M.(2502) 329. NJIHIA G.K. (2531) 330. NJOROGE J.W.(2022) 331. NJUGUNA B.M. (2454) 332. NJUGUNA F.K. (1038) 333. NJUGUNA N. (1387) 334. NJUGUNA M. A. (2181) 335. NJUE M.G. (1435) 336. NTARANGUI T.N. 337. NUGI K. (486) 338. NUNGARI F.N. (1631) 339. NYAGA C.W. (2500) 340. NYAGA D.K. (2546) 341. NYAGA J.N.(2516) 342. NYAMATO S.O. (2342) 343. NYAMORI E.O. (1622) 344. NYANJA G.B (732) 345. NYANDIEKA B.J. (1853) 346. NYAMACHE M. (1613) 347. NYARIKI W.M. (1343) 348. NYAUNDI A.M.(1215) 349. NYONGESA A.W.(2451) 350. NYONGESA B.L. (2539) 351. NYONGESA C.M. (1470) 352. NZIOKA S.N. (933) 353. OBALA P.O. (2748) 354. OBANYI D (1850) 355. OBIRI J.W. (1689) 356. OBUNGA-ODHIAMBO (1082)
357. OBURA D.O. (1707) 358. OCHIENG’ C.C. (1228) 359. OCHIENG F.F. (1424) 360. OCHIENG R.O. (1218) 361. OCHIENG V.M (2173) 362. OCHONG’ D.O.W. (1200) 363. ODAWO F.O. (1819) 364. ODERA J.A. (637) 365. ODHIAMBO A. (1082) 366. ODHIAMBO T.O. (1670) 367. ODHIAMBO J.R (942) 368. ODINYO A.E. (2823) 369. ODULA T.M.A. (2135) 370. ODUNDO G.O. (1226) 371. ODUOR E.A.(2302) 372. ODUORI R. (2133) 373. OGAI I.L.O. (1760) 374. OGETO C.D.O. (1930) 375. OGOLLA A.C.O. (2089) 376. OGOLLA B.J. (1187) 377. OGOLI D.M.(1188) 378. OGUNDE O.O. (1810) 379. OGWANG’ G. (2325) 380. OGONJE A.O. (3110) 381. OGWAPIT S. (2136) 382. OHAWA E.K. (2379) 383. OINO E.J. (1950) 384. OJWANG’ P.O.(2518) 385. OKELLO J.F.(1846) 386. OKELLO N.J.O. (2934) 387. OKINDA J.T.(1087) 388. OKOTH T.O. (1406) 389. OLAWO G. (1885) 390. OLUOCH J.O. (2527) 391. OMBACHI V. (1860) 392. OMAR K.M (1873) 393. OMENYA A.O.(Dr.) (2597) 394. OMUMBO J. (1375) 395. ONGUTO O.O. (2446) 396. ONYANGO D.A. (2863) 397. ONYANGO M.O. (1630) 398. ONYANGO P.O. (2881) 399. ONYOYO M.B. (2818) 400. OPIYO G.O. (2751) 401. OPON P.N. (1815) 402. OSORO K.K.(2636) 403. OSIAGO P.V. (2328) 404. OSIAGO P.V. (2328) 405. OSIDIANA D.N.(2526) 406. OTIENO E.K.(2437) 407. ORINA A.M. (1809) 408. OTIENO K.O. (1220) 409. OUKO T.J.O.(2592) 410. OUNDO S. (1890) 411. OWENDE M. (1986) 412. OYARO O.E. (1728) 413. OYUGI A.O. (2319) 414. OWINO J.O. (3064) 415. OWOKO R.M. (1199) 416. PANDYA P. (1026) 417. PATEL N.S. (1467) 418. PATEL J.M. (483) 419. PATEL R. P. (758) 420. PATEL V.K.L. (657) 421. PATEL M. (1280) 422. PATEL P.V. (1516) 423. QADRI S.Y.A (2641) 424. RALWALA A.O.(2410)
425. RAI J.N. (2146) 426. RAI J.N. (1734) 427. RAJNOVIC PREDRAG (2329) 428. RAVAL V.K. (407) 429. REHAL S.S. (1813) 430. RIMBER D.M. (1450) 431. ROMANI A.M.(1477) 432. RUKWARO W.R (1313) 433. SAMOKA K.O. (3228) 434. SANG J.K.(2455) 435. SARDELLI G.A. (242) 436. SARDELLI M. (2083) 437. SARDUL S. (429) 438. SARNA Y. (1041) 439. SHAH S.Z. (746) 440. SANCHEZ URKO (2654) 441. MRS. SHARMA N. (1566) 442. SHIHEMEBSA L.(952) 443. SIFA MAHALI R. (2109) 444. SIFUMA D. (1704) 445. SIKHILA H.W.(2876) 446. SINGH M.G. (1466) 447. SINGH MAYANK (2715) 448. SINHA A. (1861) 449. SITUMA D.W. (1564) 450. SONGORO D.O.(2614) 451. MRS. SOIN R.K. (1030) 452. SUERO I.M. (2164) 453. SYENGO K.M. (3223) 454. PATEL SUJESH (2194) 455. TARMOHAMED N.E. (1383) 456. THARA M. N. (997) 457. THATTHI P.S. (975) 458. THIGITI D.M. (1731) 459. THIONG’O K. (943) 460. THOMAS P.D. (808) 461. THUMBI S.M.(2646) 462. TOROITICH C.K. (2307) 463. VAGADIA G.M. (912) 464. VAULKHARD T.G. (275) 465. VIRDEE A.S. (1653) 466. WACHIRA P.N. (2137) 467. WACHIRA K.S. (1328) 468. WAGAIYU E.K. (806) 469. WAHEED A. (712) 470. WAHINYA. C. N. (2537) 471. WAHOME C.N. (3283) 472. WALIA T.S. (683) 473. W’MOSI N.O. (1033) 474. WAMBETE SOITA (2374) 475. WAMBUA J.M. (2405) 476. WAMBUGU M.M. (893) 477. WAMWANGI J.M. (1118) 478. WANYOIKE F.M. (1475) 479. WANYONYI J. (832) 480. WAITITU L.M. (2097) 481. WASILWA P.O. (2154) 482. WASIKE P.S. (1029) 483. WAZIRI M.S. (1822) 484. WEBB S.M. (293) 485. WERE C. (3109) 486. WETUNGU C.M. (2824) 487. WILLIAM K.K. (2735) 488. WILL P.A. (563) 489. WOODS S.R. (1078)
37
MEMBERS LISTING RESIDENT (NON) CORPORATE ARCHITECTS 1. 2. 3. 4. 5. 6. 7. 8. 9. 10. 11. 12. 13. 14. 15. 16. 17. 18.
MRS. COLLINS D.K. (823) KAMYA P. (342) KAISI KALAMBO (1065) KARANJA K. (1530) KATATUMBA G.W. (219) JOSEPH KEDOGO (2191) KIMANI D. G. (2130) MEHTA H.S. (1518) M’GITHAE B.N. (1230) MODU O.G. (978) MOORES P.C. (3222) MUHWEZI J.K. (635) MUTUA J.A. (1703) OMORO A.B.O. (1524) SEHMI H.S. (630) SENDIWALA G. (1854) SSENDIWALA G.W. (1854) SURE J. (2145) WAMBUGU F.W. (1096)
LICENTIATE ARCHITECTS 1. 2. 3. 4. 5. 6. 7. 8. 9. 10. 11. 12. 13. 14. 15. 16. 17. 18. 19. 20. 21. 22. 23. 24. 25. 26. 27.
ABINCHA A.S. (2399) ATER M.O. (1770) BARASA I. B (2228) DEYA E.O. (2166) GATUNDU J.W. (1767) GIKANDI J.W. (2730) KAMAU J.N. (2184) MABIA G.K.(2343) MAJIMBO R.B. (3259) MBURU G.K.(2392) MOHAMMED A.M.(2652) MWANGO W.N. (3203) NGIGI L.N.(2464) NYANGWESO M.O (2178) OBEID W.A. (1943) OGORA B.B. (3170) OKICH P.O. (2637) OMOLLO D.E.A. (2204) OTIENO P.G.J. (3095) PATEL K.M.(2463) PATEL R.G. (290) SEHMI A.S. (358) SHISIA W.Y.A. (2375) SIOCHA S.M.(2650) TSENGA D.S.S.M (2322) VIRDEE G.S. (745) WAMBUA A.M. (1982)
RESIDENT GRADUATE ARCHITECTS 1. 2. 3. 4. 5. 6. 7. 8. 9. 10. 11. 12. 13.
ABDI ISMAIL (2820) ACHOLA J. (2408) ACHANDO J.A. (2826) ADAM A.H. (2852) AHMED F.A. (2108) AJWANG’ D.O.(2578) AKALI G.M. (2436) AKUMU A.O.(2584) AMBROSE S.K. (2107) ANDREW D.M.O. (2873) ARAKA S.K. (2900) ASEMBO K.A. (3224) ASUBWA W.N.(2915)
38
The Architect, Issue 1, January-March 2013
14. 15. 16. 17. 18. 19. 20. 21. 22. 23. 24. 25. 26. 27. 28. 29. 30. 31. 32. 33. 34. 35. 36. 37. 38. 39. 40. 41. 42. 43. 44. 45. 46. 47. 48. 49. 50. 51. 52. 53. 54. 55. 56. 57. 58. 59. 60. 61. 62. 63. 64. 65. 66. 67. 68. 69. 70. 71. 72. 73. 74. 75. 76. 77. 78. 79. 80. 81. 82.
ATOLA S.(2582) AYUMBA C.M. (3305) BEKELE GETACHEW (1120) BHATT V. HARISH (2131) BHOYYO B.M. (2747) BUYU J.O. (1738) CAROLEI MARCO(2649) CEESAY H.(2739) CHAMIA D.N. (1611) CHEBII K. (1996) CHELIMO T.K.(2549) CHEPKEMOI W. (3296) CHIIRA M.J.M (2719) CHOGE C.K. (3156) CROZE A.L. (1934) DAWA P.O. (3161) DIANG’A C.K. (3159) EBOYI J.I. (3128) EBRAHIMJEE M.Y.(2579) EKAJUL A. (1857) ESSENDI S.M. (3232) ESHIWANI L.N. (2894) ETAMUKU K.O. (2893) FERNANDES K.W. (3124) FRANCIS P.K. (3287) GACHIENGO M.M. (2809) GACHUHI E.K. (2846) GEDA N. (2576) GEHRMANN T.H. (2857 GITAU L.M. (2118) GITHINJI M.S.(2590) GICHUKI D.K. (1706) GICHUHI J.K. (1782) GETONGA F.W. (1942) GOME S.O.(2373) HARIZ K.A.(3274) HIUHU E.N. (2874) IGUNZA A.A.(2545) IKERE J.K. (1504) IMRAN S.W.(3146) IRERI P.M.(2674) IRINA R.D.T.(3212) ISMAIL AHMED (1797) ISOE D.M. (3202) JACKSON M.M. (3303) JUMA J. (3122) KABA W.M.(2115) KABENEI J.C. (2904) KABERE J.W. (2905) KAGIRI P.K.(2657) KAGO J.M. (3201) KAGWI S.G. (2143) KAMANGU J.K. (2896) KAMAU K.M. (3301) KAMAU R.M.N.(2877) KAMUNYU A.M. (3250) KANG’ETHE B.N.(2638) KANYUA C.W.(2413) KARANJA E.W. (3133) KARIITHI J.K. (2338) KARIUKI R.N.(3131) KARIUKI W. (2933) KARUGA K. (3162) KARUGO P.M. (1376) KEEGA J.K. (2385) KEITANY J.K.(2668) KEMBOI V.K.(2648) KETOYO L.M.(3126) KIARAHO D.N. (1817)
83. KIFLETSION M.Z.(2696) 84. KILILO T.L. (2125) 85. KILONZO A.K. (3138) 86. KIMANI D.G. (2130) 87. KIMANI G.N. (3165) 88. KIMANI M.M. (2126) 89. KIMATHI F.M. (2868) 90. KIMURA J.K. (3160) 91. KING’ARU J.K. (3155) 92. KINUTHIA H.M. (2832) 93. KIAMBA L.N. (3135) 94. KIMANI G.N. (3165) 95. KIMANI F.M. (3130) 96. KIMANZI T.N. (2787) 97. KINYINGI J.N.(3309) 98. KINOTI E.K. (2349) 99. KIPYAB C.J.M. (3066) 100. KIPKOROSS S.K. (2188) 101. KIRIAGO L.O. (3152) 102. KITAKA A.K. (3150) 103. KITHEKA J.K. (3266) 104. KOECH F.K. (2404) 105. KOECH N.T. (3284) 106. KORIR M.F. (3183) 107. KORIR N. (3293) 108. KUMO W.O.(2662) 109. KURIAH P.J. (1913) 110. KYAKA J.K. (3290) 111. KYALLO A.M. (2158) 112. KYENGO M.K. (2407) 113. LAGAT D.K. (3304) 114. LATESTE M.O.W. (3153) 115. LENJO P.M. (3129) 116. MABONGA D.W.(2669) 117. MACHARIA A.N.(2588) 118. MAGANGA J.A. (3163) 119. MAIMBA M.W. (3308) 120. MAINA P.G. (2895) 121. MAKALI I.M.(2542) 122. MAKAN EVANS (2907) 123. MAKHULO S.D.M.(2506) 124. MAKORI H.O. (3302) 125. MALONZA J. M. (2310) 126. MANDUKU C.O. (3260) 127. MASEGHE M. T. (2324) 128. MASIKA J.M. (3229) 129. MASINDE R.N.(2580) 130. MATHARU A.S.(2697) 131. MATI M.K. (2692) 132. MATIVO J.K (2116) 133. MATHU J.M. (3226) 134. MATHU W. (2845) 135. MACHARIA F. (1807) 136. MACHARIA S.M. (3134) 137. MAINA R.W. (1510) 138. MAINA R.W. (3262) 139. MAKAU M (3167) 140. MAKAGUTU N.O. (3213) 141. MAONCHA L.M. (2902) 142. MBAKA N.O. (3132) 143. MBIDHI M.O. (2412) 144. MILGO N.C. (3289) 145. MBURUGU R.M. (1045) 146. MBUGUA P.N. (2870) 147. MBURU E.G. (3147) 148. MBURU F.N. (2427) 149. MEDIRATTA K. (2717) 150. MALECHE S.D.(3265) 151. MILGO N.C. (3289)
152. MOGENDI S.D.(3295) 153. MOSHEH J.S. (2871) 154. MPUNGU P.J.(1071) 155. MUCHIRA D.N. @3273) 156. MUCHIRI T.W.(2661) 157. MUDOME T.V. (2323) 158. MUHANDI G.W. (2903) 159. MUIU E.M. (3065) 160. MUIRU J.N.(3164) 161. MUKUI M. (2872) 162. MUNENE G.M. (1937) 163. MUNENE L.M. (3307) 164. MUNYUA A. A. (2183) 165. MUCHAI J.M. (2240) 166. MUGO E.D.G. (1765) 167. MULANG’A M.M.(2514) 168. MUNYA A.S.(2414) 169. MUNG’ARA M.F. (1584) 170. MUNJARU H.L.L.(3271) 171. MUNYOKI J.M. (3270) 172. MURANGIRI D.K. (2784) 173. MURIITHI G.M. (2882) 174. MUSANGI H.W. (3139) 175. MUSEMBI D.M. (3136) 176. MUSYIMI A.T. (2673) 177. MUSYOKA P.M. (3268) 178. MUTEGI S.M.(2676) 179. MUTUA P.M. (3276) 180. MUTURI J.M.(1998) 181. MUTUNGI M.N. (3306) 182. MWAKIO P.M (1702) 183. MWALUKO E.K.(3294) 184. MWAMBEO F.M.(3196) 185. MWANGI A.M. (3137) 186. MWANGI A.N. (2866) 187. MWANGI M.W.(2538) 188. MWANGI C.M.(2505) 189. MWANGI E.I.W.(2591) 190. MWANGI F.G. (1859) 191. MWANGI C.M. (2901) 192. MWANGI C.W. (3285) 193. MWAURA N.K.(2411) 194. MWENDO F.M. (2434) 195. MWINZI J.M.(2521) 196. MWIROTSI L.S. (2828) 197. NAMBATI I.K.(2666) 198. NAJMI M.M. (2419) 199. NAJMI M.M. (3145) 200. NAMWAKIRA A.R.A.(3264) 201. NDARUA A.N. (2127) 202. NDARUA I.N. (3144) 203. NDEGE G.A.(2511) 204. NDICHU S.N.(2686) 205. NDIRANGU D.A.W. (2101) 206. NDUNGU J.B.K. (3166) 207. NDUNG’U J.W. (2855) 208. NDUNGU K.M. (2822) 209. NDUNGU V.M. (2856) 210. NGACAKU K.G.(2448) 211. NG’ANG’A P.K. (3292) 212. NGATIA E.N. (3298) 213. NGENY S (2175) 214. NGUGI J.M.K (2671) 215. NGUNGUI J.N. (2825) 216. NGUNYI S.M. (2858) 217. NGUMBAU G.N. (3272) 218. NGUTI W.W. (3127) 219. NJAGI R.W. (3288) 220. NJENGA E.W. (1884)
MEMBERS LISTING 221. NJERI J.M. (2878) 222. NJERU D.M. (2853) 223. NJERU I.M.(2659 224. NJOROGE S.M.(2589) 225. NJOROGE G.M. (2054) 226. NJOROGE J.N. (2869) 227. NJOKAH P.K. (1780) 228. NJUE P.N. (2694) 229. NYACHWAYA W.N. (2774) 230. NYAGAH A.G. (2312) 231. NYAKANG’U T.O.(3263) 232. NYAMAI M.S. (3267) 233. NYAMWEYA P.J. (2048) 234. NYANGI P.K. (3168) 235. NYAWIRA V.R.(2675) 236. OBWANDA C. (2098) 237. OCHIENG F.O.(2519) 238. ODUOR C.O. (1651) 239. OGINGA J. (2879) 240. OGOLLA M.E.L. (1352) 241. OKELLO O.O. (1694) 242. OKONDA J.N. (2827) 243. OJWANG’I D.B. (2936) 244. OKALEBO S.E.(3269) 245. OKELLO P.O. (3248) 246. OKUTA H.O. (3291) 247. OLAWO A.O. (2428) 248. OMBATI E.N. (3310) 249. OMBIMA V. (2883) 250. OMARIBA K.A.(2453) 251. OMBOTO B.O. (2864) 252. OMONDI R.C. (2935) 253. OMYONGA G.R.(2465) 254. ONDIEK C.O. (2781) 255. ONDIEKI S.O. (3230) 256. ONGUKA L.A. (3300) 257. ONYANGO N.O.(2658) 258. ONYANGO S.O. (3299) 259. ONWONG’A T.O. (2861) 260. OPIATA C.O. (2682) 261. ORECHI A.M. (3297) 262. OTIENO O.N. (3249) 263. OUNDA M.O. (2899) 264. OUYA D.O. (2780) 265. OYUGA J.O.(2670) 266. OYUGI C.O. (3261) 267. OWADE F.M.(2433) 268. OWOUR W.O. (1531) 269. OUNDO J.S.(2432) 270. OTIENO A.O. (3148) 271. REDPATH B.M. (2884) 272. ROTICH T.K.(2667) 273. SANDRA ATEK(2677) 274. SALIM F.A. (2430) 275. SEHMI J.S. (3098) 276. SEMBHI T.S. (3158) 277. SEHMI K.S. (1389) 278. SHAH MEHA (2885) 279. SHAH N.P.(2663) 280. SITATI T. N. (1886) 281. MS. SIRA S.R. (1773) 282. SUTHAR R. R. (3125) 283. SWANYA H.N. (1769) 284. TALAAM J.K. (2854) 285. J.S.(2865) 286. THIMANGU A (1749) 287. THUO K. (1227) 288. THITU J.M. (1621) 289. TIROP A.K. (3225)
The Architect, Issue 1, January-March 2013 290. TOO K.K. (3140) 291. TOROITICH K.K. (2875) 292. VIRDEE S. (2122) 293. WACKER R. (3251) 294. WACHIRA J.W. (1928) 295. WAFULA A.M.(2656) 296. WAMBUA P.K. (2897) 297. WAMBUGU K.M.(2513) 298. WANJALA W.J. (2867) 299. WANYONYI F. (998) 300. WANYONYI G.S.(2452) 301. WATOLA C.A.(2378) 302. WARIITHI P.M. (1970) 303. WAWERU R.K.(2301) 304. WAWERU N. (3121) 305. WEKE S.O.(2678) 306. WEKESA D.S. (2435) 307. WERE E.O. (3149) 308. WALIJEE W.S.(3286) 309. WILLIAM K.K. (2431) 310. WOGOH D.K. (3151) RESIDENT TECHNICIAN ARCHITECTS 1. 2. 3. 4. 5. 6. 7. 8. 9. 10. 11. 12. 13. 14. 15. 16. 17. 18. 19. 20. 21. 22. 23. 24. 25. 26. 27. 28. 29. 30. 31. 32. 33. 34. 35. 36. 37. 38. 39. 40. 41. 42. 43. 44.
ABUBAKAR A.W. (3197) ASHINDU L. (3099) BIKERI R.N. (2651) BOLO D.O.(2311) CHHANIYARA B.V.D. (2914) GILL J.S. (843) KABEU J.N. (3252) KABETHI J.N (3253) KADIMA M.W. (2377) P.O. BOX 17160-00100 KAGIINA J.K.(2393) KAMUNGE M.W.(2687) KARIMI A.M. (3233) KIBUCHI D.L. (2814) KINGOO C.W.(2467) KINYANJUI M (2309) KINYUA J.W. (2908) KIPKOECH D.L. (3235) KIPKOROSS S. K. (2188) KUOGOH G.N.(2688) LIMO LEONARD (2721) MAINA P.L.M. (3227) MANYASI C.W. (3234) MBURU M.K. (2203) MOKAYA G.O.(2524) MUCHUNU A.M. (2813) MUKOLWE M.A.(3204) MUNYORI S.N. (2740) MURUU A.M. (3120) MUTAI N.K.(2810) MUTITU K.M. (2402) MWANGI M.K. (2779) MWANGI S.K. (2909) MWONGERA C.K.(2812) MWAURA J.G. (2821) NAWALE A.B.O. (2848) NJOROGE A.M. (3214) NJOROGE P.M. (3094) NGUNJIRI S.M. (2129) OGUTU C.Y.N. (2729) OKEYO J.P. (2110) OMINDE W.E. (151) ONG’ONDO B.O. (2753) OSUMBA W.O. (2746)
45. RACHUONYO V.O (2340) 46. SERSER E.K.(2808) 47. SIAMA P.V. (2187) RESIDENT STUDENT ARCHITECTS 1. 2. 3. 4. 5. 6. 7. 8. 9. 10. 11. 12. 13. 14. 15. 16. 17. 18. 19. 20. 21. 22. 23. 24. 25. 26. 27. 28. 29. 30. 31. 32. 33. 34. 35. 36. 37. 38. 39. 40. 41. 42.
ASUZAH D.M.(3187) GICHUYIA L.N.(2912) GITHINJI S.M. (2105) IMRAN W.S. (2778) KADERNANI M.L. (3061) KAHIGA M.M.(3116) KARANJA K. (2049) KARIUKI A.M. (2186) KARIUKI C.W. (3236) KIBUCHI J.M. (2728) KIMANI B.G. (2104) KIMANI K.M. (2911) KIPRONO L.K. (2639) KIPROTICH C.J.M.K. (2767) KOTENG P.O.G. (3100) KYALO S.M.(2786) MACHARIA I.W.(2522) MACHARIA W.M. (2333) MBURU K.A (2186) MBUTHIA P.W(3189) MOMBO D.K.(2634) MUDOME T.V. (2323) MUGO L.W (2185) MUNDIA J.M. (3209) MUNGA M.G. (2773) MUNYAO V.M. (3180) MUTHOGA C.K. (2783) MUTUNGA D.W. (3181) NDALILA S.E.(2785) NJUGUNA M.K. (3115) NYONGESA E.S.(3172) OBALA M.C. (3171) OGOT S.O. (2523) OJWANG K.G. (1142) OKITE A.O.(2594) OMEDO R.G. (2782) OMBISA C.A. (MS) (2006) ONYANGO M.O. (1630) RUTTO N.K. (1394) SEFHEDI GAOTINGWE(2775) SHAH H.N. (1740) WALEMBA E.M. (2776)
FELLOW LANDSCAPE ARCHITECTS 1.
NGUMMO R.M.K. (1445)
RESIDENT CORPORATE LANDSCAPE ARCHITECTS 1. 2. 3. 4. 5. 6. 7. 8. 9. 10. 11.
12. 13. 14. 15.
NJIRAINI R.M. (2816) OBATSA A.P.(2690) OMOLE H.O. (2689) MS. RICHARDS M.L. (1443)
GRADUATE LANDSCAPE ARCHITECTS 1. 2. 3. 4. 5. 6. 7. 8. 9. 10. 11. 12. 13. 14. 15. 16. 17. 18. 19. 20. 21. 22. 23.
AHURA B.O. (3174) CHONGA O.C. (2916) GIKUNDI J.(2499) KAMAU L.M. (2840) KATUMPE J.S. (2766) KIGEN E.K (3190) KIMANI A.N. (3068) KORIR P.M. (2898) MAE F. (3175) MARWA S.M. (2294) MOCHAMA E.M (3191) M’IKIUGU M.M.(2498) MUTUA S.M. (3182) MWAI R.W (3192) MWAI D.N.(2768) NAMUSONGE M.M. (2745) ODHIAMBO L.P. (2770) OFAFA. A.O. (2756) ONDIEKI J.K.(2575) PATEL B.P. (1948) SUAMRA D. R. (1879) WAMBUI A.M.(2497) WANZA C.N. (2757)
STUDENTS LANDSCAPE ARCHITECTS 1. 2. 3. 4. 5. 6. 7. 8. 9. 10. 11. 12. 13. 14. 15. 16. 17. 18. 19. 20. 21. 22.
AGHAK R.I.O. (2290 ENDIRE E.B. (2761) KIMONDO A.(2346) K’OYOO E.O.(2760) MAE F. (3175) MOMBO P.M. (3176) MUGAMBI L.N. (2759) MURUNGI M.M. (2758) MURIITHI P.W. (3258) MWIRANGA P.M. (2769) NJERU A.M. (3280) OCHANDO S.O. (2772) OJWANG B.O. (2765) OTOTO C.K. (2771) OTWANI B.D.(2762) OUMA L.A. (3257) OWUOR M.O. (3205) WAMBUA C.N. (2293) WANDOLO E.O. (2763) WANJALA L.M. (2764) OHAS J.M. (278) WANG’ONDU M.H.C. (422)
ABUJE J.S. (2839) ADEYA A.M.O.(2132) ARCHER L.S.A. (2120) PROF. AKATCH S.O. (1449) GITOHO J.N. (1448) KAROGI J.K. (1444) KURIA M.M (2113) MEHTA H.S. (1518) MURAGE D.G.(2817) MUTISO R.G.M. (Dr.) (1447) NGUNJIRI P.G. (Prof) (1454)
39
Pictorial
The Architect, Issue 1, January-March 2013
The Architectural Association of Kenya Chairman’s Dinner held on 5th December 2012 at the Simba Saloon, Carnivore, Nairobi.
The Architectural Association of Kenya Annual Gala Dinner held on 27th March 2013 at the Intercontinental Hotel, Nairobi. The chief guest at the event was Dr. Manu Chandaria.
40
ARCHITECTURAL ASSOCIATION OF KENYA YEAR PLANNER 2013 Incorporating Architects, Quantity Surveyors, Town Planners, Engineers, Lanscape Architects, Construction Project managers and Environmental Design Consultants
January 2013
April 2013
July 2013
1
AAK office opening
2
Q.S. Chapter Council
1
Q.S. Chapter Council
7
EPC Chapter Council
3
EPC Chapter Council
2
EPC Chapter Council
8
Q.S. Chapter Meeting
8
3
Mombasa Branch Council
10
Engineers Chapter Council
Mombasa Branch 2nd BE Magazine
4
EAIA Dar es Salam Congress
9
Engineers Chapter Meeting
5
EAIA Dar es Salam Congress Engineers Chapter Luncheon
6
EAIA Dar es Salam Congress
9
T/Planners Chapter Council L/Arch. Chapter Council
15
Q.S. Chapter Council
16
T/Planners Council Meeting L/Arch. Council Meeting
22
International Builders Show at Las Vegas
23
International Builders Show at Las Vegas/ Architects Chapter Council
25
CPM Chapter Council
29
Executive Committee Meeting Governing Council Meeting
30
UIA Bureau Meeting - Khartoum
February 2013 5
Q.S. Chapter Council/AGM
1012
IFLA Congress 2013; New Zealand
17
L/Arch. Chapter Council
18
CPM Chapter Council
24
Architects Chapter Council
10
CPM Chapter Council
25
Mombasa Branch Annual Gala Night
16
Architects Chapter Council
30
30
Executive Committee Meeting Governing Council Meeting
Executive Committee Meeting Governing Council Meeting
May 2013 7
Q.S. - CPD Program
8
EPC Chapter Council
10
Mombasa Branch Council
15
T/Planners Chapter Council L/Arch. Chapter Council
6
EPC Chapter Council
8
CPM Golf Tournament
16
11
Mombasa Branch 1st BE Magazine
12
Engineers Chapter Council
13
L/Arch. Chapter Council AGM/ T/Planners Chapter Council - AGM and CPD
14
CPM Chapter Council
15
Awards of Excellence
1925
CAA General Assembly/ Conference, Dhaka Bangladesh
26
29
College of Fellows Executive Committee Meeting Governing Council Meeting Executive Committee Meeting Governing Council Meeting
March 2013 3
AAK Newsletter
4
Q.S. Chapter Council
6 10
Mombasa Branch Council Engineers Chapter Council
11
T/Planners Chapter Council L/Arch. Council
12
Mombasa Branch Annual Gala Night
17
UIA Council Meeting - Durban
18
Architects Chapter Council CPM Chapter Council
24
Executive Committee Meeting Governing Council Meeting
25
AAK AGM/AAK Gala Dinner
August 2013 5
Mombasa Branch 4th BE Magazine
6
Q.S. Chapter Council
7
EPC Chapter Council
8
CPM Chapter Council
Mombasa Branch Council
9
Mombasa Branch Council
22
Architects Chapter Council
13
Engineers Chapter Council
23
CPM Chapter Council
14
28
Executive Committee Meeting Governing Council Meeting
T/Planners Chapter Council L/Arch. Chapter Council
2124
AAK Annual Convention
31
AAK Newsletter
June 2013 4
7 10
College of Fellows Q.S. Chapter Council Mombasa Branch Council Mombasa Branch 3rd BE Magazine
Executive Committee Meeting Governing Council Meeting
27
September 2013 1
AAK Newsletter
3
Q.S. Chapter Council
October 2013 1
49th ISOCARP Congress - Brisbane, Australia
2
49th ISOCARP Congress - Brisbane, Australia apter Council
3
49th ISOCARP Congress - Brisbane, Australia Chapter Council EPC Chapter Council Q.S. Chapter Council
4
49th ISOCARP Congress - Brisbane, Australia Chapter Council EPC Chapter Council Q.S. Chapter Council
7
Mombasa Branch 5th BE Magazine
8
Engineers Chapter Council
9
T/Planners Chapter Council L/Arch. Chapter Council
11
Mombasa Branch Council
17
CPM Chapter Council
23
Architects Chapter Council
25
Architects Chapter Council - CPD
29
Executive Committee Meeting Governing Council Meeting
November 2013 5
Q.S. Chapter Council
6
EPC Chapter Council
7
Mombasa Branch Council
8
World Town Planning Day
12
Engineers Chapter Council
13
T/Planners Chapter Council L/Arch. Chapter Council
20
Architects Chapter Council
21
Engineers Chapter Council/ CPM Chapter Council
11
Engineers Chapter Council
4
EPC Chapter Council
12
EPC Chapter Council T/Planners Chapter Council L/Arch. Chapter Council
6
Mombasa Branch Council
10
College of Fellows Engineers Chapter Council
26
Executive Committee Meeting Governing Council Meeting
11
T/Planners Chapter Council L/Arch. Chapter Council
29
AAK Newsletter
16
Triad@50 Opening Gala/ Book and Exhibition Launch
13
Mombasa Branch Council
19
Architects Chapter Council
20
CPM Chapter Council
25
Executive Committee Meeting Governing Council Meeting
17
Triad@50 public lecture
18
Triad@50 Student Career Talk Triad@50 Student Competition Gala Architects Chapter Council
19
Triad@50 public lecture CPM Chapter Council
21
Mombasa Branch Council
24
Executive Committee Meeting Governing Council Meeting
December 2012 3
College of Fellows
4
AAK End of Year Dinner
20
AAK office closure
The Architect, Issue 1, January-March 2013
THE
RCHIT
The offic
ial mag
azine of
the Arc
hitects
Chapter , Archite
ECT Septem
ber 2012
ctural A
ssociatio
n of Keny
a
Expose your products and services to the specifiers in the building industry
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AUTHE N Eco-Arc
hitectur e
ABOUT THE MAGAZINE
Em ma
Tow TIC EC OARCH ards an I T EC T URE
Miloyo KONZ A
Techno
in Keny a
City
Built he ritage
The Architect is the official journal of the Architects Chapter of the Architectural Association of Kenya. It is published quarterly and has acted as the mouth-piece of the Kenyan architects and other key stakeholders in the building industry for more than four decades. Its well researched content keeps practitioners in the building industry up to date with current trends in the field. The editorial content of the magazine is broad enough to target all the building professions including the architects, quantity surveyors, land economists, contractors, interior designers as well as the various suppliers and consumers of architectural and building products.
1
PRINT RUN AND READERSHIP The current print-run is 2,000 and the magazine is mailed out free of charge to all Architect members (about 800 in number) and other stakeholders. It is also available to respective professional associations, various suppliers and consumers of architectural and building products.
March 2012
THE
Issue No. 1
RCHITECT The official magazine of the Architects Chapter, Architectural Association of Kenya
For enquiries, contact the Editor using the contacts below:
2
The Courtyard Leadership in Energy and Environmental Design INSIDE
The Architect AAK - Architects Chapter, The Professional Centre, Parliament Road, P.O. Box 44258 - 00100 Nairobi Tel: +254 20 2224806, Fax: +254 20 2220582, Mobile: 0721 691 337, Email: aak@aak.or.ke Chairman: emma.miloyo@designsource.co.ke Editor: mutalical@gmail.com Designer: creative.bridge@ymail.com
Can you feel that smell?
Arbitration & frivolous suits:
Emotionally intelligent buildings
Keeping clear of the dock
What you need to know
The day the forest came to town:
PAP! Construction:
Greening your building
What goes into a building before it tumbles
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Updated listing
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