Portfolio 2014-2018 by Geoffrey Yang

Portfolio

Z e m i n Ya n g

Collection of Architecture Design Project 2014-2018

Wuhan Polytechnic University

Zemin Yang

Experience

Zemin Yang ng Graduate of Architecture

Internship

Graduate of Architecture

Melbourne VIC, Australia| +61 497790860 | zemin.yang.archi@gmail.com

Central-south Central-southArchitectural ArchitecturalDesign DesignInstitute InstituteCO.LTD CO.LTD

About me

Melbourne VIC, Australia| +61 497790860 | zemin.yang.archi@gmail.com Education 0860 | zemin.yang.archi@gmail.com

Education

About me

Master of Architectural Design RMIT University

Master of Architectural Design 2016.2 - 2016.5

RMIT University gn groupBachelor of Architectural Design

RMIT University uild 3D model Bachelor of Architectural Design gs, diagrams and drawings for client presentations ects for councils. RMIT University

2016.11 - 2017.1 Bachelor of Architectural Design Wuhan Polytechnic University optimization by Ph.D. Manuel Muehlbauer. Manuelfocuses Experience

nerative design and workflow design for the use of artificial stages of architectural design.

About ofme Student Architecture Experience

Assisting the Architect in construction and permit drawings for different scaled commercial and residential projects; About me Producing renderings, diagrams, and drawings for client presentations; I am a final semester student in RMIT Preparing drawings of existing spaces for design development. to look for the part-time jobmeasured to

2016 - 2018

engageI with practice. I in RMIT am aarchitecture final semester student like working with to look foran theambitious part-timeteam job to look for the internship, casual or part-in a challenging environment. I am Student of Architecture engage with architecture practice. I time job to engage with architecture interested in involving in the 2015 - 2016 likeParamy, working with an ambitious team Management &&Design Paramy, management designGroup group practice. I am interested in concept design stage and the in a challenging environment. I am involving in the concept design stagedocumentationDesigning stage. townhouse facade and modeling townhouse;

2016 - 2018 I am a final year student in RMIT to

2015 - 2016

2011 - 2014

Language

2011 - 2014 English & Mandarin

Skills

Feb 2016 - May 2016

Rhi

Ske

Feb 2016 - May 2016

Pho

interested in involving in the renderings, conceptProducing design stage and the diagrams, and drawings for presentations; Revisingstage. drawings of projects for councils; documentation

and the documentation stage.

Bachelor of Architectural Design

Wuhan Polytechnic University

July 2014 - Dec 2014

Effectively communicating with a senior architect; Understanding clients' requirements

Illus

English & Mandarin Language

Skills

Research Assistant SIAL, SIAL, RMIT RMIT University University

English & Mandarin

Sept 2016 - Nov 2016

InD

I assisted with the research of the optimized and generative design by Ph.D. Manuel I assisted with the research of the optimized and generative design by Ph.D. Manuel Modelling Muehlbauer. years of challenges and hard working RhinoSkillsMuehlbauer. Rhino ....................................... Advanced I amtrained a final year student inand RMIT to townhouse facade modeling townhouse; 2016.5 in, IDesigning am to deliver design Rhino Advanced Grasshopper ........................... Testing, debugging and correcting errors and faults in a programming application; Internship July 2014 - Dec 2014 look for the internship, casual and or partwithProducing proficient abilities indiagrams, modelling, renderings, drawings for presentations; Intermediate SketchUp ............................ rendering and Collecting and cataloging research material; time job tographic engage with architecture Revising drawings of presentation. projects for councils; nd construction of ZILKA STUDIO's Pleats Pod. This is aInstitute CO.LTD Central-south Architectural Design ......... Basic Programming.......................... practice. I am interested in a senior architect; Rhino Conducting and communicating with participants testing the application and giving Effectively with flexible meeting room in communicating RMIT Design Hub. Other experience includesinworking Intermediate Physical Model.................... Assisting the Architect construction and permit drawings for different scaled commercial SketchUp involving in the concept design stage I am a finalclients' year student in RMIT to requirements feedback; 016.5 in aUnderstanding small-practice in Australia and a SketchUp and residential projects; and the documentation stage. lookcompany for the internship, or partlarge size in China, so Icasual am Assisting to set up exhibition; Documentation Producing renderings, diagrams, and drawings for client presentations; capable to cooperate with different time job to engage with architecture Attending and contributing to team meetings .................................. Advanced Preparing design development. scale projects measured and deliverdrawings project of existing spaces forAutoCAD Sept 2016 - Nov Intermediate 2016 Research Assistant practice. I am interested in Revit .................................... drawings. SketchUp Language Graduatedmanagement from RMIT, with&three Paramy, design group 2017.1 - 2017.2

About me

2017.1 n

Photoshop in the concept design stage SIAL,involving RMIT University 2016 2018 Rendering and thewith documentation stage. I assisted the research of the optimized and generative design by Ph.D. Manuel

ocuses rtificial

English & Mandarin Muehlbauer. Photoshop ............................... Advanced Paramy, & design group Testing,management debugging and correcting errors and faults in a programming application; Manuel Muehlbauer Yukan Yanagawa Photoshop Illustrator Illustrator Collecting cataloging research Designingand townhouse facade andmaterial; modeling townhouse; manuel.muehlbauer.arch@gmail.com yuuuukan@yuuuukan.com Dr. Jan van Schaik ďź&#x2C6;Architectďź&#x2030; Graphic & Other Skills 2015 2016 Conducting and communicating with participants testing the application and giving Producing renderings, diagrams, and drawings for presentations; - Founder & Director, FutureImmersion - Founder, DELFUT Architects InDesign ................................... Advanced https://www.visualcv.com/13540myhw445e3k13nq2c/ feedback; d__Lab Research Leader: Culture & Society - Studio Tutor, Melbourne University - Senior Architect, MAD Architect Revising drawings of projects for councils; Illustrator ................................. Advanced English & Mandarin Assisting to set up exhibition;with a senior architect; - PhD, SIAL, RMIT University - Associate Architect, TANGE Producer - WRITING & CONCEPTS, Effectively Video Editing ................................... Basic English communicating & Mandarin InDesign Rhino Attending and contributing to team meetings Illustrator InDesign

017.1 sign

2017.2

cuses ificial sign a

Student of Architecture

Rev

Aut

Photoshop

Feb 2016 - May 2016 Advanced Vray ..........................................

Referees

Gra

Language

Understanding clients' requirements

2011 - 2014

- MvS Architects, Director - Future Tense, Director

The drawing of Tivoli Arcade

L h

Community Project STONE HOUSE

Other Home ||

Automonument ||

CONTENT

The Rejuvanation Village ||

KALE PAVIL

Residential Project

Radical Urban Project OPEN-AIR PLAYGROUND

Centre of the Distribution || & Repatreation of Honour

Artistic Project

ART-SCAPE HOTEL Competition || 1. Lithuania Kaunas Concert Centre Project 2. Nanjing Project ( Technical drawings ) & Technical Drawings

Community Project B

A C

The Rejuvanation Village

A New type of Retirement village of Chinese Community

This project is an extension of the work of Arakawa and Gins’ in which design is used to simulate the senses through kinetic, tactile and visual connection with the spaces and objects around us. In so doing the project questions the conventional calm and relaxing retirement model and proposes a dynamic and challenging living environment in its place. Over the next 20 years, it is projected that China’s population will become hyper-aged. In this context, this project proposal sets in place a retirement model that celebrates the last third of a person’s life as period of dynamism, adventure and personal empowerment – which the project achieves through the implementation of a dynamic and playful symbolic architectural language, deliberately challenging physical environments and shared use spaces. The project includes a number of retirement residences and a community centre which services the needs of the residents and the needs of the ageing communities in surrounding areas.

Lecture Hall

Patient Room

Laundry Room

Apartment

Upper Floor

Program Colorcode :

16.

3. 5.

1. Study room .........................................no table

18.

2. Bedroom ..................................only 3 x 3 m 3. Kitchen .................for sharing or caring

Ground Floor

7. 18.

20.

4. Living room ..........................only for walking 5. Bathroom ............showcase of silhouette

12.

10.

6. Laundry & washing .............for showcase & gossip

15.

13.

14.

9. Pavilion ........... a stage for pretty ladies 10. Square ..for practicing retirees' dance 11. Stage .......... champion for the public 18.

12. Billboard ............for propogating forever

11.

19.

14. Pool ........................SPA after dancing 15. Green house ................the emerald of village

17. Patient room .....for feeling the surrounding

2. Bedroom ..................................only 3 x 3 m

20. Grassland ..the entrance of rejuvenation

Top Floor

19.

16.

1. Study room .........................................no table

19. Office ........teaching new generation

16.

3. 17.

16. Clinic .........the neighbor of residents

18. Library ...........to interact with children

2. 4. 5.

8. Computer room ..................a kind of auditorium

Upper Floor

7. Balcony .........................a kind of danger

13. Kiosk .....................to exhibit nostalgia

17. 17.

16.

3. Kitchen .................for sharing or caring

6. Laundry & washing .............for showcase & gossip

4. Living room ..........................only for walking

7. Balcony .........................a kind of danger

11. Stage .......... champion for the public

5. Bathroom ............showcase of silhouette

8. Computer room ..................a kind of auditorium

12. Billboard ............for propogating forever

16. Clinic .........the neighbor of residents

9. Pavilion ........... a stage for pretty ladies

13. Kiosk .....................to exhibit nostalgia

17. Patient room .....for feeling the surrounding

10. Square ..for practicing retireesâ&#x20AC;&#x2122; dance

14. Pool ........................SPA after dancing

18. Library ...........to interact with children

15. Green house ................the emerald of village

19. Office ........teaching new generation 20. Grassland ..the entrance of rejuvenation

Ground Floor N

A Shop

Shop

B Shop Chess Room

Medical Lobby Residents Lobby

Shop

Shop Study Rooms Dancing Room

Children Playground

Car Parking Entrance

Library Lobby

Cafe

Gym

Kiosk

Residents Lobby

Kiosk

Greenhouse

Kiosk Kiosk Kiosk Kiosk

Residents Lobby Library

Medical Lobby

Administration Offices Meeting Room

Cafe

Residents Lobby

Children Playground

Chess Room

Shop

Medical Lobby

Shop Shop

Residential Project

Other Home

A New Strategy to assemble Homelessness

In this project, the little restriction of the sunlight setback becomes a big intervention contributing to provide a generosity of ground floor in the urban context. As creating a laneway and connecting streets or lanes as a sharing shopping lane, the 5 meter of the sunlight setback is a key to generate my strategy. To achieve the goals of win-win and make yield of lands over 70%, I develop the strategy of sharing the setback. Based on sharing the 5 meter, I provide two options to maximise the yield. One is that one land has 5 meter to make yield over 70% while other land is 100% yield with using the 5 meter to avoid the setback. The other one is that the 5 meter setback is assigned to two lands with both over 70% yields. The typology is a combination of commercial space on the bottom and residential space above. Homeless house is assembled into the above space of commercial space, deriving the over height of commercial space to provide house for homeless people. Finally, this strategy can apply to a lot of size, different context in downtown and abandoned or potential laneways. It activates the ground floor of building and provides the generosity to civic people and space whilst making a big gesture to turn the private space to the public space.

Available Land Mapping

70% Land used 80% Land used 90% Land used

* Typology : Shopping Street + Residential

* Height of Living Space

de nti a

try

Re si

HOMELESS

l La

for

>3m

tia en sid Re

>2m

ENTRY

> 2.7 m

STORAGE

l La

ne for

En try

* Height of Commercial Space * Available space to adjust height

Sharing my sunlight, you get 100% yield.

HOMELESS

> 2.7 m

> 4.7 m

SHOP STORAGE

Option 1

* Void Space to provide living condition

>3m

Option 2

* Typology : Shopping Street + Residential

Re sid

tia

l La ne

RESIDENTIAL STORAGE

HOMELESS HOUSE

SHOP

STORAGE

SHOP

Re sid

tia

l La ne

RESIDENTIAL

Sharing our sunlight, we get over 70% yield.

* After Adjustment & Merge

Sunlight is the constrain, five meter is variable. Let them react for a lot of size.

This big block can activate the lane and make win-win. The left land is your 100% yield land. Letâ&#x20AC;&#x2122;s share the north sunlight and sun rising.

This is our business relationship, they are our lovly neighbourhood.

Letâ&#x20AC;&#x2122;s look for the other home for homeless people.

Storage Shop

> 2.7 m

>2m

Hom

eless

Entr

y Seco For R nd Entr y esid ents

Section 1:200 It is not only for storage space, it is not only for walking lane. You should have a look above, then you can find the secret.

North Elevation 1:200

Letâ&#x20AC;&#x2122;s check the fusion. // You are right, we borrow the cloud from the boarding house.

Section 1:200

1st, 3rd, 5th Floor 1:200

Main Entry

Ground Floor

1:200

Homeless House Plan 1:100 Homeless House

Shop

Storage

The Other Home

Shop

Storage Storage

Storage

Shop

Other Land

Shop

Storage

Shop

Storage

Shop

Second o Entry

Existed Building

ve eA

St ot n n Sy

Ground Floor Plan

Radical Urban Project

Automonument

The Bigness above the Richmond – Flinders railway corridor

The bigness is against city to represent people’s life this Automonument. Moreover, it is a big gesture and sculpture to break context while deriving inner city’s fabric and playing the role of monument. In terms of interior, or atrium, it is a representation of monumental bigness.

Melbourne is in this age of skyscrapers. The age of the apartment boom is upon us. For a while now apartments have been the most important investment in Melbourne. Inner Melbourne now has 11,134 apartments currently under construction, with an additional 1,094 apartments currently billed for completion over 2016-2017. In 2019, there are over 15,000 apartments planned, with 40% of these at application phase. City is expanding by itself by human’s desire and greed, and the skyline becomes higher and higher. When the population increases three times than what it is currently, Richmond station will be one of the most important station. Not only will it become the junction of the city and south and east suburbs, but also it will become the centre of gravity for the virtual community of 8 million people, which is half of population of Melbourne. This proposition is close to everything, sports precinct, parks, waterfront, city and Asian community. Why don’t we make everything closer? The bigness can contain a city and human’s memory. The length can extend everything and enrich the timeline. Both can remove boundary of space and avoid commercial isolation, so let’s enlarge and extend this huge monument.

A big section will be raised and situated above the Richmond â&#x20AC;&#x201C; Flinders railway corridor, while section has the character to separate interior and exterior, and document experience in architecture. Therefore, here is my radical idea and physical strategy. It is a pure geometry which is a big box contrasting with city skyline and coexisting with MCG that is one of the biggest stadiums in the world. It is a skyscraper lying on ground, so it should have a generic and boring faĂ§ade. However when you step into this monument, you will be cheated by its exterior. You will exactly feel you live and walk in skyscraper that make you feel yourself tiny and spiritual. In this huge void space, you can experience the city in a classical modernist monument. Your life in accommodation will become boring and generic. What you need to do is just to consume your life and spend your money in this market and shopping mall with an endless street, but you can still sense this is the physical Automonument, from the skyline.

Art i s tic Pro je c t

Centre of the Distribution & Repatreation of Honour Architecture in the Realm of the Unreal

This project framed by methods and approaches that emancipate and sustain a queer life. In doing so his project suggested how the problematizing of the threshold between an abject and normative condition can contribute new insights into the production of space and hence the implications this problematizing has for new architectures. This project is the assault on Jackâ&#x20AC;&#x2122;s Magzine, a colonial gunpowder storage facility along the Maribyrnong River. The 3m high bluestone walls and 10 meter high earth blast wall are as alarming as anything by Lequeu, Ledoux and Boullee. A program, as much, is described as a centre for the repatriation and distribution of indigenous Australia: enduring civilization and the NMA exhibition Encounters and the subsequent debate around the objects, stories and people displayed in the exhibiitions, held within the collections of both institutions and in further private and publics collections around the world. The intention of this project is to consider that repatriation and distribution is a fait accompli, and that the techniques and methods of working put forth in previous process, whilst turned towards a specific queer narrative, are in fact approaches and techniques that can be aligned towards the emancipation of others.

Competiton & Technical Drawings

PROJECT 1: Lithuania Kaunas Concert Centre Project

PROJECT 2: Nanjing Project

(Technical Drawings from the previous internship)

- 31 -

Lithuania Kaunas Concert Centre

Masterplan 1:1500 View from west

- 32 View - from East

Riverside Walking Under ground Parking Entrance To

loading bay

VIPs, taxis ,coach/bus, drop-off

3 • • ••• •• • •• •••••••••••• restroom

• • ••• •• • •• •••••••••••• rehearsal studio / • • ••• •• • •• •••••••••••• practice lockers, room(s) VIP room

• • ••• •• • •• •••••••••••• green room /common room

Backstage area to Halls

• • ••• •• • •• •••••••••••• green room

Public Park

Cloakrooms / Lockers

Stage

P erformers entrance

Foyer

Vestibule

• • ••• •• • •• •••••••••••• dressing rooms,

Cycling Route

Public Square

Main Entrance

PS Security

• • ••• •• • •• •••••••••••• instruments/ equipment storage room(s)

Delivery, packing, crate storage

Instruments entrance

Office & staff room (public park contact)

Refreshment stations

Parking

Restaurant1

To loading B1 bay

kitchen

Security

Information Centre/Reception /Box office/Ticketing

Main kitchen

7 9

10 8

5 37

Kitchen storage

Ticket office entrance

Reduce and Recycling room

Backstage area to Halls

Cafeteria

equipment store (public park contact)

Cafeteria

Security

Hall

Service entrance

PS PS

Public Park

WC staff entrance

coffee room

copy room

office space

35 17

12 13

lounge Conference room(s)

meeting room

staff restroom

14 Cycling Route

15 39 40

Riverside Walking

Project 1

river transport passenger dock

loading bay

1FPlan 1:750

Under ground Parking Entrance

- 33 -

VIPs, taxis ,coach/bus, drop-off

Circulation Diagram

Public square

3 • • ••• •• • •• •••••••••••• restroom

• • ••• •• • •• •••••••••••• rehearsal studio / • • ••• •• • •• •••••••••••• practice lockers, room(s) VIP room

• • ••• •• • •• •••••••••••• green room /common room

Backstage area to Halls

• • ••• •• • •• •••••••••••• green room

Public Park

Cloakrooms / Lockers

Stage

P erformers

entrance

Foyer

• • ••• •• • •• •••••••••••• dressing rooms,

Cycling Route

Vestibule

Foyer

Public Square

PS Security

• • ••• •• • •• •••••••••••• instruments/ equipment storage room(s)

Delivery, packing, crate storage

Instruments entrance

Office & staff room (public park contact)

Refreshment stations

WC Backstage area to Halls

Parking

Cafeteria

Restaurant1

To loading B1 bay

kitchen

Security

Information Centre/Reception /Box office/Ticketing

Main kitchen

7 9

10 8

Kitchen storage

Ticket office entrance

Reduce and Recycling room

Cafeteria

equipment store (public park contact)

Foyer

Main Entrance

open cafe Foyer/cafe EV

terrace/cafe 4f

Security

Hall

Service entrance

PS PS

Public Park

WC staff entrance

copy room

office space

coffee room

sky resaourant

12 13

lounge Conference room(s)

meeting room

staff restroom

14 Cycling Route

Riverside Walking

river transport passenger dock

Arrival to Foyer The interior design is made with sheer material for ceiling and a local wood along the glass façade that creates the transitions for the natural light outside to the interior space and creates a harmony space along the prism structure, with the oval staircase that connects with the interior circulation between the different floors. The wood glass façade that gives the dappled light quality carries over and is redesigned to protect visitors from the unwelcome sun from outside; the repetitious wooden members create a unique sculptural quality in the interior spaces.

Foyer image Foyer/cafe Sky restaurant

Project 1 The hall unfolds its acoustics within the seemingly light building. While the precised light slits illuminate the space. The building body is made of pre-cast wood chip inbetween and only a highly intricate constructed formwork made the realization of the difficult form possible. The cylinder-shaped room is designed for optimal acoustics from every seat in the house, with the furthest seat only seventy-five feet from the conductor. The vineyard style configuration, whose terraced seating sections ring the stage, creates an intimate concert experience, a warm and rich environment for audience and performers. Each seating section has a unique and intimate feel, particularly the center-section seating, which begins at the same level as the stage. Low walls embracing each seating section are angled and articulated with local wood, whose specific density and textured surface strategically reflect and disperse sound.

2nd Hall Sky restaurant

Sky restaurant

Main hall

Secondary Hall

Under ground Parking Entrance

loading bay

VIPs, taxis ,coach/bus, drop-off

Staff/Service Entrance

Service Spaces/Staff Spaces

Foyer

Stage

• • ••• •• • •• •••••••••••• restroom

• • ••• •• • •• •••••••••••• rehearsal studio / practice • • ••• •• • •• •••••••••••• room(s) lockers, VIP room

Public Park

3 • • ••• •• • •• •••••••••••• green room /common room

• • ••• •• • •• •••••••••••• green room

Backstage area to Halls

Foyer

• • ••• •• • •• •••••••••••• dressing rooms,

Public Square

entrance

Cycling Route

Main Entrance

Cloakrooms / Lockers

Stage

Performers

Vestibule

Public Park

Stage

PS Security

Underground parking

Plant

PS Office & staff room (public park contact)

Security

Kitchen storage

Hall PS

staff entrance

coffee room

lounge Conference room(s)

meeting room

staff restroom

Section 1:300

copy room

office space

Cycling Route

Riverside Walking

Key plan

Main hall 2nd hall 2nd Hall operable door /closed

Public square

Main Hall seats

Ticket office entrance

Security Service entrance

2nd Hall operable curtain/open

Main/2nd hall sitting diagram

- 34 -

Information Centre/Reception /Box office/Ticketing

Main kitchen

Underground parking

Plant

Underground parking

kitchen

Reduce and Recycling room

equipment store (public park contact)

Underground parking

Parking

Restaurant1

To loading B1 bay

Public Park

Underground parking

Refreshment stations

WC Backstage area to Halls

Cafeteria

loading bay

• • ••• •• • •• •••••••••••• instruments/ equipment storage room(s)

Delivery, packing, crate storage

Instruments entrance

Cafeteria

Lithuania Kaunas Concert Centre

Main Hall

Public Park

sky Restaurant Service Spaces Main hall

Backstage

sky Restaurant

Staff Spaces

2nd hall terras/cafe Foyer

Foyer/cafe

Conference room(s)

Back of house

Foyer Main Entrance

Instruments entrance

Cycling Route

Diagram View from North

preparation storage

staff lunch room

break-out space

loading bay

Under ground Parking Entrance

To loading B1 bay

workshops

copy room

lounge

Instruments entrance

Back corridor

Restaurant1

kitchen

Terasse

Backstage area to Halls

• • ••• •• • •• •••••••••••• rehearsal studio / practice • • ••• •• • •• •••••••••••• lockers, room(s)

Backstage area to Halls

Main Hall

Cafeteria

Packing, crate storage

storage and control room

sound production and lighting control room

rehearsal room

• • ••• •• • •• •••••••••••• restroom

• • ••• •• • •• •••••••••••• green room /common room

• • ••• •• • •• •••••••••••• dressing rooms,

• • ••• •• • •• •••••••••••• instruments/ equipment storage room(s)

Stage

VIP room

• • ••• •• • •• •••••••••••• green room

Cafeteria

Sky Restaurant

kitchen

WC Cloakrooms / Lockers

Public Park

VIPs, taxis ,coach/bus, drop-off

Foyer

Refreshment stations

Security Information Centre/Reception /Box office/Ticketing

Ticket office entrance

Vestibule

Main Entrance

1F Plan 1:500

Public Square

Delivery, packing, crate storage

entrance

Performers

Security

Main kitchen

Delivery, packing, crate storage

Restaurant1

Conference room(s)

Main kitchen

kitchen

Conference room(s)

IT offices

office space

workshop storage

Office & staff room (public park contact)

Kitchen storage

furniture and prop storage

cleaners' room

workshop office

staff storage room

Reduce and Recycling room

Hall

office space

staff restroom

Restaurant1

equipment store (public park contact)

Security

coffee room

meeting room

Public Park

The building volume is clearly articulated on the site. The theatre is stacked vertically and located north side, freeing up space on the site for a large courtyard: an urban oasis and big outdoor space. Theatre foyers are located on the perimeter of the site: low transparent volumes that reinstate the urban scale of the surrounding streets and celebrate the activity within. Multiple entries create a permeable, welcoming venue, knitted into the urban fabric.The north of the building is the concert hall, which occupies an oval drum that is encircled by an irregularly- shaped lobby. the lobby provides both physical and visual porosity to the exterior and offers a variety of possibilities for both formal and informal pre- and post-performance gatherings.

Service entrance

staff entrance

meeting room

Cycling Route

Riverside Walking

Public square

To under ground parking

lounge

Front of house

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Diagram View from South

Performers entrance

VIPs, taxis ,coach/ bus, drop-off

2F Plan 1:500

3F Plan 1:500

- 35 -

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Zemin Yang zemin.yang.archi@gmail.com +61 497790860